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Britain is being destroyed. | 0:00:06 | 0:00:09 | |
Day after day, it's being torn apart. | 0:00:09 | 0:00:13 | |
You're looking at an hour, two hours for a house to go | 0:00:13 | 0:00:16 | |
and then that's it. Done and dusted. | 0:00:16 | 0:00:17 | |
Filmed over 12 months, these are the men | 0:00:20 | 0:00:22 | |
and women taking on the biggest demolition jobs in the country. | 0:00:22 | 0:00:26 | |
Once you've done this job there's nothing else. | 0:00:26 | 0:00:29 | |
Not for a working lad anyway. | 0:00:29 | 0:00:31 | |
Better than sex. | 0:00:33 | 0:00:35 | |
All right, Simon. | 0:00:35 | 0:00:37 | |
WARNING SIREN | 0:00:37 | 0:00:39 | |
This is the inside story of the billion pound demolition industry. | 0:00:39 | 0:00:44 | |
Not much of a bridge now, is it? Eh? | 0:00:45 | 0:00:47 | |
Better take it down to the scrap. | 0:00:47 | 0:00:49 | |
It's a world of dynamite | 0:00:49 | 0:00:51 | |
and destruction that's changing the face of the UK forever. | 0:00:51 | 0:00:55 | |
Here we go! Show time! | 0:00:57 | 0:00:59 | |
Tonight... | 0:01:02 | 0:01:04 | |
..an explosive end to the three industrial icons puts | 0:01:06 | 0:01:10 | |
the crowd in the firing line. | 0:01:10 | 0:01:13 | |
People are out in their camper vans. | 0:01:13 | 0:01:14 | |
The cars are just piling up, they're all over the place. | 0:01:14 | 0:01:17 | |
It's the last chance to save a much-loved piece of our heritage. | 0:01:17 | 0:01:21 | |
There was so much weight there. | 0:01:21 | 0:01:23 | |
If that pulls that, the whole lot will go. | 0:01:23 | 0:01:26 | |
And it's a race against the clock, | 0:01:26 | 0:01:28 | |
where every second costs. | 0:01:28 | 0:01:30 | |
We're not doing very well. | 0:01:31 | 0:01:33 | |
We're probably three hours behind. | 0:01:33 | 0:01:35 | |
It's coming down though. | 0:01:35 | 0:01:36 | |
Come hell or high water, that bridge is coming down. | 0:01:36 | 0:01:39 | |
LOUDSPEAKER: Three, two, one. | 0:01:41 | 0:01:43 | |
Fire now. | 0:01:43 | 0:01:44 | |
Lovely! Bang on. | 0:01:49 | 0:01:51 | |
In Oxfordshire, 180 men are taking on | 0:02:06 | 0:02:10 | |
one of the largest demolition projects in Europe. | 0:02:10 | 0:02:12 | |
What we've got planned for today | 0:02:14 | 0:02:15 | |
is the dismantling of this structure here. | 0:02:15 | 0:02:18 | |
It's the generator, | 0:02:18 | 0:02:21 | |
part and parcel of the old turbine hall. | 0:02:21 | 0:02:24 | |
It's a structure that weighs approximately 800 tonnes. | 0:02:24 | 0:02:27 | |
Demolition firm Coleman and Company are attempting the biggest | 0:02:29 | 0:02:33 | |
job in their 50-year history. | 0:02:33 | 0:02:35 | |
Bringing down the former coal fire power station, Didcot A. | 0:02:36 | 0:02:40 | |
It always brings out the crowds, we've got a little mini crowd. | 0:02:43 | 0:02:47 | |
It's almost like a rock concert, isn't it, without the rock stars? | 0:02:47 | 0:02:51 | |
But in a way I think we are the rock stars here, aren't we? | 0:02:51 | 0:02:54 | |
Come on. | 0:02:57 | 0:02:59 | |
She's rocking. | 0:03:01 | 0:03:03 | |
Ah, you got it. Yep, you got it. | 0:03:03 | 0:03:06 | |
Did you hear the sound on that? | 0:03:16 | 0:03:18 | |
Now that's a good day at the office, that is, isn't it? | 0:03:18 | 0:03:21 | |
But taking down one generator is small fry | 0:03:24 | 0:03:27 | |
in the scheme of this project. | 0:03:27 | 0:03:29 | |
Kieran's team has to clear the entire 200-acre site... | 0:03:31 | 0:03:35 | |
As developers want to replace the towers and turbines | 0:03:37 | 0:03:40 | |
with a hotel and up to 400 houses. | 0:03:40 | 0:03:43 | |
In its 43-year lifespan, | 0:03:46 | 0:03:48 | |
Didcot A generated over 250 billion kilowatt hours of electricity, | 0:03:48 | 0:03:53 | |
providing power to more than two million of our homes. | 0:03:53 | 0:03:56 | |
But as cleaner energy sources have been developed, | 0:03:58 | 0:04:01 | |
coal has fallen out of favour | 0:04:01 | 0:04:04 | |
and the power station was shut down in 2012. | 0:04:04 | 0:04:07 | |
It will take more than two years to clear the whole site. | 0:04:10 | 0:04:13 | |
The biggest challenge is bringing down the 100-metre high | 0:04:13 | 0:04:15 | |
cooling towers, a job that will involve a huge amount of explosive. | 0:04:15 | 0:04:20 | |
-So when did you start this one, John? -Monday sort of. | 0:04:20 | 0:04:23 | |
And it's all complete, done, charged. | 0:04:23 | 0:04:26 | |
Oh, yeah, we don't mess about. | 0:04:26 | 0:04:28 | |
For this dangerous technical challenge, | 0:04:28 | 0:04:30 | |
Kieran has enlisted the help of the man who's taken down more cooling | 0:04:30 | 0:04:33 | |
towers than anyone in the world - explosives expert, John Turner. | 0:04:33 | 0:04:37 | |
How long for tower two? | 0:04:37 | 0:04:39 | |
Three days. | 0:04:39 | 0:04:41 | |
Three days, yeah. | 0:04:41 | 0:04:42 | |
We're up to where that reel is, then we'll tie that this afternoon. | 0:04:42 | 0:04:46 | |
John is one of the most experienced explosive demolition | 0:04:48 | 0:04:51 | |
engineers in the country. | 0:04:51 | 0:04:53 | |
His time is valuable in terms of structures like this. | 0:04:53 | 0:04:57 | |
We only work with John because he's the best in the business. | 0:04:57 | 0:05:01 | |
Is he making you blush, John, | 0:05:01 | 0:05:03 | |
telling you you're the best in the business? | 0:05:03 | 0:05:05 | |
No, I know I am. | 0:05:05 | 0:05:08 | |
That's the Geordie sense of humour for you. | 0:05:08 | 0:05:11 | |
It's taken three months to drill more than 8,000 holes in the towers. | 0:05:14 | 0:05:19 | |
Now each one has to be lined with explosive by hand. | 0:05:19 | 0:05:23 | |
These ones are filled with 12-gram detonating cord. | 0:05:30 | 0:05:34 | |
This detonates at 7,500 metres a second. | 0:05:34 | 0:05:38 | |
We then place 40 grams of uridine explosive which is, | 0:05:38 | 0:05:44 | |
it's a nitro-glycerine-based explosive. | 0:05:44 | 0:05:46 | |
We've done a test whilst up on the shell, | 0:05:48 | 0:05:51 | |
with 15 grams of explosives in. | 0:05:51 | 0:05:55 | |
And that's the size of the hole it knocked in the tower. | 0:05:55 | 0:05:58 | |
It's not how much explosives that you put in the hole | 0:06:00 | 0:06:03 | |
that does the damage, it's where you put the hole. | 0:06:03 | 0:06:06 | |
Over the years, parts of the towers suffered weather damage | 0:06:09 | 0:06:12 | |
and were reinforced with concrete. | 0:06:12 | 0:06:14 | |
As the walls vary in strength, | 0:06:14 | 0:06:17 | |
the direction of collapse is hard to predict, | 0:06:17 | 0:06:20 | |
but the team want the towers to fall into the smallest target area | 0:06:20 | 0:06:23 | |
possible to avoid creating huge and potentially dangerous dust clouds. | 0:06:23 | 0:06:28 | |
Explosives will be laid just two thirds of the way around to | 0:06:28 | 0:06:32 | |
encourage the towers to hinge and fall towards each other. | 0:06:32 | 0:06:35 | |
Get the calculations wrong, | 0:06:35 | 0:06:37 | |
and sections could be left standing, then the demolition team will be | 0:06:37 | 0:06:40 | |
faced with the dangerous task of taking down the unstable remains. | 0:06:40 | 0:06:44 | |
Rumour has it that renowned sculpture Henry Moore advised | 0:06:49 | 0:06:53 | |
the architects on where to position the towers that have | 0:06:53 | 0:06:55 | |
dominated the skyline for more than 40 years. | 0:06:55 | 0:06:59 | |
When we moved to Didcot, we were, it's one of the things, | 0:07:01 | 0:07:04 | |
we looked at one house and the towers were really close again | 0:07:04 | 0:07:07 | |
and it actually put us off the house. | 0:07:07 | 0:07:09 | |
But now we were like, "Oh, they're going." | 0:07:09 | 0:07:12 | |
Yeah, so now we feel a bit differently about them. | 0:07:12 | 0:07:15 | |
So, yeah. | 0:07:15 | 0:07:16 | |
All around the area, wherever you live, | 0:07:18 | 0:07:20 | |
you will always see the power stations. | 0:07:20 | 0:07:22 | |
And when you go on holiday, you always know that you're coming home. | 0:07:22 | 0:07:26 | |
If you pass the chimneys, you've gone in the wrong direction. | 0:07:28 | 0:07:31 | |
SHE CHUCKLES | 0:07:31 | 0:07:32 | |
So I don't know what we're going to do. I don't know. | 0:07:32 | 0:07:35 | |
-We'll all be lost. -We will be lost. | 0:07:35 | 0:07:38 | |
-Lost in the dust I expect. -Yeah. | 0:07:38 | 0:07:41 | |
The planned explosion is just three weeks away. | 0:07:42 | 0:07:45 | |
On top of the huge technical challenge that Kieran faces, | 0:07:45 | 0:07:48 | |
there are now reports that thousands of residents intend to turn up | 0:07:48 | 0:07:52 | |
to watch the towers disappear. | 0:07:52 | 0:07:54 | |
But a huge crowd will be a huge problem. | 0:07:54 | 0:07:57 | |
We have never experienced the level of interest | 0:08:00 | 0:08:04 | |
from the public that we have at this project. | 0:08:04 | 0:08:07 | |
There's talk of people camping out overnight in the local fields, | 0:08:07 | 0:08:11 | |
setting up barbecues and staying up all night just to celebrate | 0:08:11 | 0:08:15 | |
the fact that these cooling towers are coming down. | 0:08:15 | 0:08:18 | |
And I can understand it, | 0:08:19 | 0:08:21 | |
it's such an iconic building that people are tied into it | 0:08:21 | 0:08:25 | |
emotionally, that they want to see it, they want to view it. | 0:08:25 | 0:08:28 | |
They don't want to miss this opportunity. | 0:08:28 | 0:08:30 | |
But at the same time, we have that vested interest to make sure that we | 0:08:30 | 0:08:34 | |
don't create any additional risks by inviting those people to the area. | 0:08:34 | 0:08:38 | |
If thousands of people turn up to watch the blast as predicted, | 0:08:42 | 0:08:46 | |
it could be too dangerous to go ahead with the explosion | 0:08:46 | 0:08:50 | |
and the months of painstaking preparation would all be in vain. | 0:08:50 | 0:08:55 | |
Demolition is big business. | 0:09:09 | 0:09:11 | |
It's an industry now worth more than £1 billion a year in the UK alone. | 0:09:11 | 0:09:16 | |
In addition to the industry's big boys who take on the largest jobs, | 0:09:16 | 0:09:21 | |
there are hundreds of smaller demo firms tearing down buildings all over the country, | 0:09:21 | 0:09:26 | |
transforming Britain as they go. | 0:09:26 | 0:09:28 | |
All right there, John? | 0:09:32 | 0:09:34 | |
Are we coming to the end of that lot now? | 0:09:35 | 0:09:38 | |
About BLEEP time. | 0:09:38 | 0:09:40 | |
Paul Johnson started his firm in Preston 30 years ago, | 0:09:45 | 0:09:48 | |
with just a pick-up truck and some hand tools. | 0:09:48 | 0:09:51 | |
Now he employs over 50 people | 0:09:51 | 0:09:53 | |
and turns over £5 million a year. | 0:09:53 | 0:09:56 | |
I love demolition, it's in my blood. | 0:09:56 | 0:09:58 | |
This is my big shear. | 0:09:58 | 0:10:00 | |
That'll cut girders to about two and half foot, cut girders that big. | 0:10:00 | 0:10:03 | |
That goes on me 50-tonner, that. | 0:10:03 | 0:10:05 | |
I've never knocked a power station down or anything nuclear, | 0:10:05 | 0:10:08 | |
but I've knocked most everything else down. | 0:10:08 | 0:10:11 | |
I've knocked some massive factories down, | 0:10:11 | 0:10:13 | |
I've knocked some famous buildings down like Central Park in Wigan. | 0:10:13 | 0:10:16 | |
Ah, that's what I'm looking for. | 0:10:16 | 0:10:17 | |
That's them - hammer for a 14-tonner. | 0:10:19 | 0:10:22 | |
I've seen them all come and go, clever words, big talkers, | 0:10:22 | 0:10:25 | |
fancy presentations, fancy brochures. | 0:10:25 | 0:10:27 | |
I'll see you on site, can you do the job? | 0:10:27 | 0:10:29 | |
You can either do the job or you can't do the job. | 0:10:29 | 0:10:31 | |
There's one thing about me, I can do the job. | 0:10:31 | 0:10:34 | |
What the bridge is, it's an old railway bridge. | 0:10:36 | 0:10:38 | |
I think it's 18... 22 metres long. | 0:10:38 | 0:10:40 | |
I've got these girders underneath. | 0:10:40 | 0:10:42 | |
-Now, that's one of the problems.. -Yeah. | 0:10:42 | 0:10:45 | |
So what I want to do is... | 0:10:45 | 0:10:47 | |
Paul's latest challenge is to take down a disused | 0:10:47 | 0:10:49 | |
bridge in a single weekend. | 0:10:49 | 0:10:51 | |
He'll face tough financial penalties if he can't bring it down on schedule | 0:10:51 | 0:10:55 | |
so he's called on his contract manager, Steve, to formulate a battle plan. | 0:10:55 | 0:10:58 | |
It's key critical that we're ready for when the crane comes. | 0:10:58 | 0:11:01 | |
Yep. | 0:11:01 | 0:11:02 | |
-So what's we're going to do, go on with your 15-tonner. -Mmm. | 0:11:02 | 0:11:06 | |
Break the deck out, but I've got to get these out | 0:11:06 | 0:11:10 | |
and I can't burn them out of the covering concrete | 0:11:10 | 0:11:12 | |
and I don't know where they'll be fixed. | 0:11:12 | 0:11:15 | |
On this bridge, we've got to be organised because there's no time. | 0:11:15 | 0:11:19 | |
If anything goes wrong you can't come back the day after | 0:11:19 | 0:11:22 | |
or the day after. | 0:11:22 | 0:11:24 | |
I can't keep that road shut and it's a busy road. | 0:11:24 | 0:11:27 | |
I've got to get that road open. | 0:11:27 | 0:11:28 | |
The one thing I do know too, | 0:11:28 | 0:11:30 | |
proper planning prevents piss poor performance. | 0:11:30 | 0:11:33 | |
There's 12 bolts on each girder and there's 22 girders. | 0:11:33 | 0:11:37 | |
So half this key critical thing is to make sure | 0:11:37 | 0:11:42 | |
the ash is off for 7.30, | 0:11:42 | 0:11:45 | |
the hammer's on, is pecking, | 0:11:45 | 0:11:47 | |
Jimmy's blowing bolts... | 0:11:47 | 0:11:49 | |
When you start at a job you've got to know in your mind | 0:11:49 | 0:11:53 | |
that you can succeed | 0:11:53 | 0:11:55 | |
and you do the job 1,000 times in your mind before you get there. | 0:11:55 | 0:11:59 | |
I mean, Jimmy will burn that bridge up with one bottle of oxy. | 0:11:59 | 0:12:03 | |
But I'll take six. | 0:12:03 | 0:12:05 | |
Every base has to be covered. | 0:12:05 | 0:12:08 | |
OK. That's the programme. | 0:12:08 | 0:12:11 | |
-Right, I better ring them up, these people now. -Yeah, no worries. | 0:12:11 | 0:12:14 | |
Make sure they're all up for it. | 0:12:14 | 0:12:16 | |
Hi Steve, are you all right? | 0:12:16 | 0:12:18 | |
That bridge is definitely on. | 0:12:18 | 0:12:20 | |
Now, now listen don't let me down. | 0:12:20 | 0:12:22 | |
12.30, next Saturday, | 0:12:22 | 0:12:24 | |
get your girl to get a purchase order off Eileen. Yeah? | 0:12:24 | 0:12:27 | |
And I'll be ringing you all week, make sure you don't forget | 0:12:27 | 0:12:30 | |
because I know you're getting on a bit and you might forget. | 0:12:30 | 0:12:33 | |
All right, ta-ra. | 0:12:33 | 0:12:34 | |
Now that's crane done. | 0:12:34 | 0:12:36 | |
You're quite straight talking aren't you, Paul? | 0:12:36 | 0:12:38 | |
Straight talking? | 0:12:38 | 0:12:40 | |
Er, at work I am, yeah, flipping right I am yeah. | 0:12:40 | 0:12:43 | |
It is what it is, in't it? | 0:12:43 | 0:12:45 | |
You know what I mean, it's not the diplomatic corps, is it? It's demolition, isn't it? | 0:12:45 | 0:12:48 | |
These things are happening, pal, you know what I mean? | 0:12:48 | 0:12:51 | |
What's the point in fannying about, talking rubbish? | 0:12:51 | 0:12:53 | |
Do you know what I mean? | 0:12:53 | 0:12:55 | |
That's the truth. | 0:12:55 | 0:12:57 | |
I say it as it is, it | 0:12:57 | 0:13:00 | |
and that's it. | 0:13:00 | 0:13:01 | |
Demolition crews don't just clear the way for new development, | 0:13:08 | 0:13:12 | |
sometimes their skills are put to the test | 0:13:12 | 0:13:14 | |
in a last ditch attempt to save a piece of history. | 0:13:14 | 0:13:17 | |
In Hastings, much of the town's pier | 0:13:22 | 0:13:25 | |
was destroyed by a huge fire in 2010. | 0:13:25 | 0:13:27 | |
Now local fundraising and a Lottery grant | 0:13:31 | 0:13:35 | |
has raised more than £10 million to save it. | 0:13:35 | 0:13:38 | |
But restoration work can only go ahead if the burnt out buildings | 0:13:38 | 0:13:41 | |
can be removed without causing any more damage to the pier below. | 0:13:41 | 0:13:45 | |
Demolition man Mark Hodgson is taking on the challenge. | 0:13:53 | 0:13:57 | |
This was the main hall of the pier | 0:14:00 | 0:14:02 | |
and all the big acts used to come back here in the day. | 0:14:02 | 0:14:05 | |
The Stones played here, The Who played here. | 0:14:05 | 0:14:07 | |
It's a real difficult thing to imagine the sort of | 0:14:09 | 0:14:11 | |
raucous fun that everyone had in here back in the day. | 0:14:11 | 0:14:14 | |
I should think it was absolutely buzzing. | 0:14:14 | 0:14:16 | |
The pier has been the town's focal point since opening to the | 0:14:21 | 0:14:24 | |
public in 1872 on the first ever August Bank Holiday. | 0:14:24 | 0:14:28 | |
In its 1930s heyday, it was a huge draw, | 0:14:28 | 0:14:33 | |
attracting up to 50,000 visitors a week. | 0:14:33 | 0:14:35 | |
Now the underlying structure of the pier is Grade II listed, | 0:14:37 | 0:14:40 | |
posing a huge challenge for Mark as he'll be held liable | 0:14:40 | 0:14:44 | |
if he causes more damage. | 0:14:44 | 0:14:46 | |
The main problem that we have now is that this large structure | 0:14:47 | 0:14:51 | |
that's still precariously sort of hanging. | 0:14:51 | 0:14:54 | |
If that goes, uncontrolled, it could then do some more significant | 0:14:54 | 0:14:58 | |
damage to the underside of the pier. | 0:14:58 | 0:15:00 | |
There were once 16 piers in the south east of England, | 0:15:06 | 0:15:09 | |
now only seven remain standing. | 0:15:09 | 0:15:11 | |
In Hastings, hundreds of locals have chipped in to help fund | 0:15:12 | 0:15:16 | |
the plan works in the hope that their pier can be saved. | 0:15:16 | 0:15:19 | |
While the town watches on, Mark is facing scrutiny much closer to home. | 0:15:23 | 0:15:30 | |
-That's incredible, isn't it? That's... -Yeah. | 0:15:30 | 0:15:32 | |
-Look how many people are on there. -I know. -Crikey. | 0:15:32 | 0:15:35 | |
His family are Hastings born and bred | 0:15:35 | 0:15:38 | |
and his mum has a special connection with the pier. | 0:15:38 | 0:15:41 | |
-I don't know if we've got one the other side. There's this. -Look at this one. -Yeah. | 0:15:41 | 0:15:45 | |
And that was the uniform we used to wear? | 0:15:45 | 0:15:46 | |
-Oh, you wore that every, every day. Every day. -Really. -Yeah. | 0:15:46 | 0:15:50 | |
Mark's late grandfather was the pier master in Hastings, | 0:15:50 | 0:15:53 | |
and was awarded an OBE for his contribution to the town. | 0:15:53 | 0:15:56 | |
And this one... Oh, this is lovely, this one is. | 0:15:56 | 0:15:59 | |
-This was one of Dad's favourites because he loved Vera Lynn. -Right. | 0:15:59 | 0:16:02 | |
They're just casually walking up the pier, look. | 0:16:02 | 0:16:05 | |
Nobody's taking any notice of them. | 0:16:05 | 0:16:07 | |
-So that was actually on the pier? -Yeah. | 0:16:07 | 0:16:09 | |
-Don't he look young there? -Yes, he does. | 0:16:09 | 0:16:12 | |
That was in the ballroom on the pier. | 0:16:12 | 0:16:14 | |
Mark doing the job means a great deal to us | 0:16:14 | 0:16:17 | |
because of Dad, obviously, and the happy memories we had there as a family. | 0:16:17 | 0:16:23 | |
Look at that one there. | 0:16:24 | 0:16:25 | |
This is Princess Alice opening the embroidery. | 0:16:25 | 0:16:29 | |
Yeah, see, he really did a great deal for the town | 0:16:29 | 0:16:32 | |
and he was very well liked. | 0:16:32 | 0:16:34 | |
She was, we won't go any further than that. | 0:16:35 | 0:16:38 | |
With me mum and me grandfather, | 0:16:38 | 0:16:40 | |
having links with it throughout most of their life, | 0:16:40 | 0:16:42 | |
for me to be involved in it at my stage in life is... | 0:16:42 | 0:16:45 | |
I'm quite proud of that. | 0:16:45 | 0:16:47 | |
I'd like to think he's probably quite proud of me as well | 0:16:47 | 0:16:49 | |
for trying to bring back to life something that was such a big | 0:16:49 | 0:16:53 | |
part of his life for so many years really. | 0:16:53 | 0:16:55 | |
So that's why we're quite keen to make sure we don't damage it | 0:16:55 | 0:16:58 | |
any further than it already has been and that we do everything | 0:16:58 | 0:17:01 | |
we can do help to make it, sort of bring it back to life, really. | 0:17:01 | 0:17:06 | |
In an attempt to prevent damaging the pier any further, | 0:17:09 | 0:17:13 | |
Mark's going to try a unique unproven method of removing the damaged buildings. | 0:17:13 | 0:17:17 | |
The deck is too weak to take the weight of any demolition machinery. | 0:17:19 | 0:17:22 | |
So, he's chartered an industrial barge, | 0:17:22 | 0:17:25 | |
normally used by the oil industry off shore. | 0:17:25 | 0:17:28 | |
His crew will work from a basket suspended from a 50-metre crane | 0:17:28 | 0:17:32 | |
and try to take the old buildings down by hand. | 0:17:32 | 0:17:36 | |
Any false moves and they could end up destroying | 0:17:36 | 0:17:38 | |
parts of the Grade II listed pier, and be hit with a hefty repair bill. | 0:17:38 | 0:17:43 | |
The specialist barge has come all the way from Denmark, | 0:17:45 | 0:17:48 | |
a journey that's taken over two weeks. | 0:17:48 | 0:17:50 | |
Cracking, look at that. | 0:18:01 | 0:18:03 | |
I have to say mate, I wouldn't want to be tugging that in, would you? | 0:18:05 | 0:18:08 | |
No. | 0:18:08 | 0:18:10 | |
I think there's 250 tonnes, something like that. | 0:18:13 | 0:18:16 | |
He's controlling that with the two tugs | 0:18:16 | 0:18:20 | |
and that's a big old risk because if that nudges into those piles... | 0:18:20 | 0:18:23 | |
They're not going to put up with that too much. If they hit the pier it's gone. | 0:18:24 | 0:18:28 | |
Any duty free? | 0:18:34 | 0:18:35 | |
THEY LAUGH | 0:18:35 | 0:18:38 | |
Got any bacca? | 0:18:38 | 0:18:40 | |
I'm saying nothing. | 0:18:41 | 0:18:43 | |
I love it. Absolutely love it. | 0:18:43 | 0:18:45 | |
The barge's legs will be drilled into the seabed overnight. | 0:18:49 | 0:18:52 | |
Then it will be raised to the same level as the pier | 0:18:52 | 0:18:55 | |
and work can begin. | 0:18:55 | 0:18:57 | |
But there's a major flaw with Mark's unique demolition plan. | 0:18:57 | 0:18:59 | |
It can only go ahead if the weather is right. | 0:18:59 | 0:19:03 | |
The barge is great and the plan's brilliant. | 0:19:03 | 0:19:05 | |
The issue is because of the weather controls the barge. | 0:19:05 | 0:19:08 | |
If it's too windy, the barge can't work cos the crane can't work. | 0:19:08 | 0:19:11 | |
So again, it is a bit nerve-racking, one of those things, | 0:19:11 | 0:19:14 | |
because if it doesn't go ahead then we're going to be | 0:19:14 | 0:19:16 | |
snookered for some period of time. | 0:19:16 | 0:19:18 | |
With good weather needed throughout, | 0:19:18 | 0:19:21 | |
Mark's plot to save the pier is in the hands of the gods. | 0:19:21 | 0:19:24 | |
'BBC Radio Oxford News at one o'clock, I'm Amanda Della. | 0:19:28 | 0:19:32 | |
'Should the Didcot power station towers be | 0:19:33 | 0:19:35 | |
'demolished during the day? | 0:19:35 | 0:19:37 | |
'More than 700 people think so. | 0:19:37 | 0:19:39 | |
'They've signed an online petition calling to change the time | 0:19:39 | 0:19:42 | |
'of the demolition which has been set for before dawn... | 0:19:42 | 0:19:45 | |
The planned night-time demolition of Didcot's cooling towers | 0:19:49 | 0:19:52 | |
is causing controversy | 0:19:52 | 0:19:55 | |
as hundreds of residents are calling for it to be | 0:19:55 | 0:19:58 | |
rescheduled for the daytime, so they can come out to watch. | 0:19:58 | 0:20:01 | |
It's a day of work, shall I say, Neville. | 0:20:03 | 0:20:06 | |
It's not a public event, shall I say? | 0:20:06 | 0:20:08 | |
It's not a public event. | 0:20:08 | 0:20:10 | |
For project director Kieran the prospect of a huge crowd | 0:20:10 | 0:20:13 | |
can make it too dangerous to go ahead. | 0:20:13 | 0:20:16 | |
Cheers, bye-bye. | 0:20:16 | 0:20:17 | |
And whilst he's battling to keep crowd numbers low, he's got a new headache. | 0:20:17 | 0:20:21 | |
First Great Western. Ah right, OK. | 0:20:21 | 0:20:24 | |
Local businesses are trying to use the blow down as a publicity tool. | 0:20:24 | 0:20:28 | |
It gets worse. | 0:20:28 | 0:20:30 | |
So, it says here, "Those wishing to watch this great spectacle | 0:20:30 | 0:20:32 | |
"are welcome to use our car park, free of charge, | 0:20:32 | 0:20:35 | |
"and it's just a short walk for the safe viewing area." | 0:20:35 | 0:20:38 | |
But there is no safe viewing area, | 0:20:38 | 0:20:40 | |
we haven't put anything on for people. | 0:20:40 | 0:20:42 | |
This is over and above what has happened on any other blow down | 0:20:42 | 0:20:46 | |
that we've done in the last... since the year 2000. | 0:20:46 | 0:20:49 | |
I've got a kennel club actually ringing me up | 0:20:51 | 0:20:53 | |
worrying about the dogs on a night-time. | 0:20:53 | 0:20:55 | |
That's the last thing on my plate | 0:20:55 | 0:20:57 | |
if I have to try and find accommodation | 0:20:57 | 0:20:59 | |
for some pets and poodles. | 0:20:59 | 0:21:02 | |
God, yeah, I've never come across anything this intense. | 0:21:04 | 0:21:07 | |
I mean, normally, you... | 0:21:07 | 0:21:09 | |
A tower block or something, you expect this | 0:21:10 | 0:21:12 | |
and you've got to evacuate people, so that's what you do. | 0:21:12 | 0:21:16 | |
Yeah. | 0:21:16 | 0:21:17 | |
But, you know, this is a closed site, it's... | 0:21:17 | 0:21:19 | |
The build-up to this has, it's gone on for ages, hasn't it? | 0:21:19 | 0:21:22 | |
Yeah, and it's just spiralled. | 0:21:22 | 0:21:24 | |
But, luckily, you know, | 0:21:24 | 0:21:25 | |
our captain keeps this ship sailing in the right direction. | 0:21:25 | 0:21:29 | |
Without him we'd be lost. | 0:21:29 | 0:21:31 | |
He's like a hero to me. | 0:21:31 | 0:21:33 | |
I mean when I grow up... PHONE RINGS | 0:21:33 | 0:21:35 | |
..I want to be like Kieran. Excuse me. | 0:21:35 | 0:21:37 | |
I'll try and teach you everything I know, Chris, all right? | 0:21:37 | 0:21:40 | |
I'll try and teach you everything I know. | 0:21:40 | 0:21:43 | |
Obviously the kennel club don't want to know about the blow down. | 0:21:43 | 0:21:46 | |
Let's see whether Asda want to know about it. | 0:21:48 | 0:21:51 | |
With the explosive demolition looming, | 0:21:55 | 0:21:57 | |
cooling tower fever is only set to get worse in Didcot. | 0:21:57 | 0:22:01 | |
It's good news for one local resident. | 0:22:01 | 0:22:03 | |
I think they're actually really graceful structures. | 0:22:05 | 0:22:08 | |
I think the shape of the cooling towers especially is really lovely. | 0:22:08 | 0:22:12 | |
Compared to anything else I've done, | 0:22:12 | 0:22:14 | |
this has just gone bananas. | 0:22:14 | 0:22:17 | |
It's... I've sold so many of the prints. | 0:22:17 | 0:22:20 | |
I'm just... I'm flabbergasted. | 0:22:22 | 0:22:24 | |
It's good. Yeah, it's really good. | 0:22:24 | 0:22:26 | |
So when they bring the towers down, we're going to go and watch from... | 0:22:28 | 0:22:31 | |
There's a local park in the middle of the estate | 0:22:31 | 0:22:34 | |
and there's two mounds... | 0:22:34 | 0:22:36 | |
so I think quite a lot of people want to go up there. | 0:22:36 | 0:22:39 | |
I think it would be quite a good community feeling up there | 0:22:39 | 0:22:43 | |
in the middle of the night. | 0:22:43 | 0:22:44 | |
It'll be weird, but fun. | 0:22:44 | 0:22:47 | |
So, yeah, I'm looking forward to going out, | 0:22:47 | 0:22:49 | |
even though I don't think the people who are taking down the power station | 0:22:49 | 0:22:54 | |
really want it to be a big thing. | 0:22:54 | 0:22:57 | |
But it's impossible to stop everybody. | 0:22:57 | 0:23:00 | |
We're too...too determined. | 0:23:01 | 0:23:03 | |
The 10,000 tonne towers are being readied for blasting. | 0:23:06 | 0:23:10 | |
But as the pressure to reschedule the demolition to the daytime grows, | 0:23:11 | 0:23:15 | |
an 11th hour meeting has been called. | 0:23:15 | 0:23:17 | |
There are six people, actually, to evacuate | 0:23:17 | 0:23:20 | |
from the Trident Business Park. | 0:23:20 | 0:23:22 | |
They work 24/7 on there, 7 days a week. | 0:23:22 | 0:23:24 | |
We have got the facility to contact all of the tenants and... | 0:23:24 | 0:23:27 | |
Coleman and Company's directors have come to Didcot | 0:23:27 | 0:23:29 | |
to meet council officials and the police | 0:23:29 | 0:23:32 | |
to put their case for keeping the blasts at night. | 0:23:32 | 0:23:35 | |
We expect a lot of public to be out there. | 0:23:35 | 0:23:37 | |
We need to make sure that they are safe. | 0:23:37 | 0:23:40 | |
We understand you've done the risk assessment at the earlier time, | 0:23:40 | 0:23:43 | |
what we wanted to see was whether you'd done a risk assessment | 0:23:43 | 0:23:47 | |
for that later time. | 0:23:47 | 0:23:49 | |
The whole process that we go through as a demolition contractor, | 0:23:49 | 0:23:52 | |
is to deter people from coming | 0:23:52 | 0:23:54 | |
and we are not happy that putting it back, | 0:23:54 | 0:23:57 | |
trying to pin a time, to an exact time or putting it back, | 0:23:57 | 0:24:01 | |
is going to be in the interests of public safety. | 0:24:01 | 0:24:04 | |
And therefore we have to deter public from coming. | 0:24:04 | 0:24:07 | |
You will not stop everybody from coming. | 0:24:09 | 0:24:11 | |
I think we are quite clear there will be a public event, | 0:24:11 | 0:24:15 | |
so it needs to be owned and managed. | 0:24:15 | 0:24:18 | |
What I don't want to be doing is getting involved | 0:24:18 | 0:24:21 | |
with trying to coordinate 3,000 or 5,000 people standing in a field. | 0:24:21 | 0:24:25 | |
You know, we are trying to discourage this, | 0:24:25 | 0:24:27 | |
so we will actually issue a press release that says, | 0:24:27 | 0:24:30 | |
"Don't come. It is potentially dangerous to yourselves." | 0:24:30 | 0:24:34 | |
There are dust clouds, you get people with grit in their eyes. | 0:24:34 | 0:24:38 | |
There are all sorts of very, very practical, obvious reasons | 0:24:38 | 0:24:41 | |
why we discourage people from coming to these jobs, | 0:24:41 | 0:24:45 | |
which is effectively what it is. | 0:24:45 | 0:24:47 | |
It's agreed that the demolition will be held at night | 0:24:53 | 0:24:56 | |
in the hope that it will deter the crowds. | 0:24:56 | 0:24:59 | |
Watching large structures come tumbling down can be dangerous | 0:24:59 | 0:25:03 | |
as Kieran knows all too well. | 0:25:03 | 0:25:05 | |
I've actually had experiences of the dust cloud | 0:25:07 | 0:25:10 | |
from controlled explosives. | 0:25:10 | 0:25:13 | |
Within seconds you are engulfed by this cloud of dust. | 0:25:13 | 0:25:17 | |
It was like the fog from that old classic film. | 0:25:18 | 0:25:21 | |
The fog, it actually followed you around the corner, | 0:25:21 | 0:25:24 | |
it pelted with you with little fine particles of dust. | 0:25:24 | 0:25:27 | |
It's almost like a little sand blaster. | 0:25:27 | 0:25:29 | |
There is a chance that someone will be, or several people might be, | 0:25:29 | 0:25:32 | |
engulfed by it. | 0:25:32 | 0:25:34 | |
It really depends on the prevailing winds on the day. | 0:25:34 | 0:25:37 | |
We're going to have to deal with thousands of people turning up here, | 0:25:37 | 0:25:40 | |
and that's something that we are going to have deal with, | 0:25:40 | 0:25:43 | |
because if they get out of hand, if they get rowdy or whatever, | 0:25:43 | 0:25:46 | |
it will cause an issue. | 0:25:46 | 0:25:47 | |
It will cause a problem for us. | 0:25:47 | 0:25:49 | |
In Hastings, the barge is in position... | 0:25:56 | 0:25:59 | |
Nice and steady. | 0:25:59 | 0:26:00 | |
..and Mark can inspect the full extent of the fire damage | 0:26:00 | 0:26:03 | |
for the first time | 0:26:03 | 0:26:04 | |
before beginning work on removing the wrecked buildings | 0:26:04 | 0:26:06 | |
to try and save the pier. | 0:26:06 | 0:26:09 | |
I just want to give it a bit of a touch. | 0:26:09 | 0:26:12 | |
Nothing too... Nothing too strenuous. | 0:26:12 | 0:26:14 | |
He's had to employ the unorthodox technique | 0:26:16 | 0:26:19 | |
of working from a basket suspended from a crane... | 0:26:19 | 0:26:22 | |
Whole lot's moving though, isn't it? | 0:26:22 | 0:26:23 | |
..as the pier is so weak that it can't take the weight | 0:26:23 | 0:26:26 | |
of traditional demolition machinery. | 0:26:26 | 0:26:28 | |
Hold on the wire there, Dave. | 0:26:28 | 0:26:30 | |
Come round two metres to your right on the slip. | 0:26:30 | 0:26:32 | |
Mark's under extra pressure. | 0:26:33 | 0:26:35 | |
He needs to remove the buildings before the bad weather comes in | 0:26:35 | 0:26:39 | |
and stops all work, | 0:26:39 | 0:26:40 | |
but he's got to be careful that in his haste | 0:26:40 | 0:26:42 | |
he doesn't do any more damage to the Grade II listed pier | 0:26:42 | 0:26:46 | |
where his grandfather worked. | 0:26:46 | 0:26:48 | |
From here we can see the collapse of the... | 0:26:48 | 0:26:51 | |
The RSJ that was coming through there, | 0:26:51 | 0:26:53 | |
you see the collapse of it now | 0:26:53 | 0:26:54 | |
and why that's come down there, can't you, from here? | 0:26:54 | 0:26:56 | |
It's purely the fact that it's landed on that column | 0:26:56 | 0:26:59 | |
that's stopped it going. | 0:26:59 | 0:27:01 | |
You can see where it's tore the end of that truss off | 0:27:01 | 0:27:03 | |
through the centre there altogether. | 0:27:03 | 0:27:05 | |
It's a bit of spaghetti, isn't it? | 0:27:05 | 0:27:07 | |
It's the first time we've had the opportunity | 0:27:12 | 0:27:14 | |
to actually see exactly what's going on. | 0:27:14 | 0:27:16 | |
The whole collapse seems to be set on a couple of specific locations | 0:27:18 | 0:27:21 | |
and they do seem to look like they're taking quite a lot of load. | 0:27:21 | 0:27:24 | |
So just need to get the weight off it as much as we can | 0:27:26 | 0:27:28 | |
before we start cutting. | 0:27:28 | 0:27:30 | |
Yeah, it's a bit of a mess in there, though. | 0:27:32 | 0:27:34 | |
Before the major challenge of removing the heavy twisted steel, | 0:27:36 | 0:27:40 | |
the team has to remove the brickwork | 0:27:40 | 0:27:41 | |
to reduce the weight of the building. | 0:27:41 | 0:27:44 | |
Parts of the fire-damaged pier are too weak even to walk on. | 0:27:44 | 0:27:48 | |
As a precaution, Mark has hired a two-man kayak support crew | 0:27:48 | 0:27:52 | |
in case any of his workers fall into the water below. | 0:27:52 | 0:27:55 | |
-ON RADIO: -'Down a little bit please, mate.' | 0:27:55 | 0:27:58 | |
With the barge costing £15,000 a day, | 0:28:01 | 0:28:04 | |
the demolition team will work shifts around the clock. | 0:28:04 | 0:28:07 | |
You got your radio on channel five? | 0:28:07 | 0:28:09 | |
Tonight is the first night shift. | 0:28:10 | 0:28:12 | |
Watch you're left of that basket there, Ken. | 0:28:13 | 0:28:16 | |
The weather at the moment's fairly good, | 0:28:20 | 0:28:22 | |
so we need to make sure we work with the good weather. | 0:28:22 | 0:28:24 | |
You can't get better weather than this - | 0:28:24 | 0:28:26 | |
no wind, no heavy seas, no nothing - | 0:28:26 | 0:28:27 | |
so we really want to make sure we make the most of it. | 0:28:27 | 0:28:30 | |
There's so much weight there. If that pulls that, | 0:28:32 | 0:28:35 | |
the whole lot will go and we'll have a huge hole, | 0:28:35 | 0:28:38 | |
and then we've got a massive problem | 0:28:38 | 0:28:39 | |
because it'll just do too much damage. | 0:28:39 | 0:28:41 | |
Bit of stress on that, wasn't it? | 0:28:45 | 0:28:48 | |
Cut the bit on the right. | 0:28:48 | 0:28:50 | |
-That's your left. -Cut the bit on the left, get them out the way. | 0:28:50 | 0:28:54 | |
Just an hour into the night shift, a problem appears on the horizon. | 0:28:55 | 0:29:00 | |
THUNDER RUMBLES | 0:29:00 | 0:29:02 | |
Lightning coming in. | 0:29:04 | 0:29:05 | |
Continuous, no break in it at all. | 0:29:07 | 0:29:10 | |
Got to bring the basket in. | 0:29:10 | 0:29:11 | |
In you come. | 0:29:14 | 0:29:16 | |
Get her in there, boys. That's all we need, isn't it? | 0:29:16 | 0:29:19 | |
That just shows you all the lightning strikes here. | 0:29:24 | 0:29:27 | |
Bit dodgy when you're hanging off a metal hook. | 0:29:27 | 0:29:29 | |
I don't want to fry. | 0:29:30 | 0:29:32 | |
Lightning - one thing we cannot work with. | 0:29:38 | 0:29:41 | |
We've got 52 metres of stick on our crane, | 0:29:41 | 0:29:43 | |
stuck off shore with a man riding... | 0:29:43 | 0:29:46 | |
So we've just had to shut everything down, bring all the boys down. | 0:29:46 | 0:29:49 | |
Yeah, that's us now for what might be whole night, we don't know, | 0:29:49 | 0:29:51 | |
We just don't know. | 0:29:51 | 0:29:52 | |
So any road, where's my bowl of strawberries and my Ready Brek? | 0:29:59 | 0:30:03 | |
-Fridge. -Fridge. | 0:30:03 | 0:30:04 | |
In Lancashire, Paul's team has gathered at his converted farmhouse | 0:30:05 | 0:30:08 | |
in the middle of the night. | 0:30:08 | 0:30:11 | |
This weekend, his crew of 15 men will be working against the clock | 0:30:11 | 0:30:15 | |
to take down a disused bridge. | 0:30:15 | 0:30:17 | |
Half past two on a Saturday morning. | 0:30:17 | 0:30:19 | |
Everyone else is just coming out of nightclubs, aren't they? | 0:30:19 | 0:30:22 | |
-Yeah. -Look what we're doing. -Taking a bridge down. | 0:30:22 | 0:30:26 | |
Do you reckon it's just one day or two days? | 0:30:26 | 0:30:29 | |
We're going to get the bridge down tonight by tea time. | 0:30:29 | 0:30:32 | |
That's the plan. | 0:30:32 | 0:30:34 | |
-Good plan. -We can't fail. | 0:30:36 | 0:30:37 | |
The Highways Agency have shut the road | 0:30:41 | 0:30:44 | |
to allow the demolition to go ahead, | 0:30:44 | 0:30:46 | |
but if Paul's team doesn't complete the job on time | 0:30:46 | 0:30:48 | |
he'll be hit with a heavy fine. | 0:30:48 | 0:30:50 | |
Get off, you daft devil. | 0:30:51 | 0:30:53 | |
Very exciting, it's like Christmas Eve, isn't it, | 0:30:57 | 0:30:59 | |
when you were a kid? | 0:30:59 | 0:31:01 | |
Bit worried, though, as well. Always worried. | 0:31:02 | 0:31:05 | |
I suppose the nearest thing it would be to is like going on holiday. | 0:31:05 | 0:31:09 | |
You always forget something, don't you? | 0:31:09 | 0:31:12 | |
Come on, boys. | 0:31:12 | 0:31:13 | |
Jackie, Terry, we need that timber up here. | 0:31:14 | 0:31:17 | |
We need some boards. | 0:31:18 | 0:31:19 | |
Get it off from there, get it out. I want all this wagon emptying now. | 0:31:19 | 0:31:22 | |
Come on, Andrew, get it all off. | 0:31:22 | 0:31:24 | |
Military history buff Paul might have never been in the army, | 0:31:26 | 0:31:29 | |
but on site, there's no doubting who's commander-in-chief. | 0:31:29 | 0:31:33 | |
Get down here, we need some men down here. Come on. | 0:31:33 | 0:31:36 | |
'You've got to run it like a military campaign. | 0:31:39 | 0:31:42 | |
'You know, you've got your officers, you've got your sergeants, | 0:31:42 | 0:31:45 | |
'you've got your privates. | 0:31:45 | 0:31:46 | |
'So you've got your tank drivers which are your machines, | 0:31:46 | 0:31:49 | |
'it's very much like a military operation, isn't it?' | 0:31:49 | 0:31:51 | |
Hang on. Whoa! | 0:31:51 | 0:31:52 | |
What are you doing? | 0:31:52 | 0:31:53 | |
'When you looked at D-Day, Eisenhower, | 0:31:55 | 0:31:58 | |
'he'd been planning it for two years with all his generals. | 0:31:58 | 0:32:01 | |
'And once he's finished he were out of it, I won't be out of it. | 0:32:01 | 0:32:05 | |
'I'll be in the thick of it with the troops, yeah.' | 0:32:05 | 0:32:08 | |
Some more boards to do the other side yet, Robert. | 0:32:10 | 0:32:13 | |
Go and get yourself a labourer. | 0:32:13 | 0:32:15 | |
It's all right this demolition game, | 0:32:20 | 0:32:21 | |
but you need about £1 million worth of tackle | 0:32:21 | 0:32:24 | |
to get a day's work done. | 0:32:24 | 0:32:25 | |
50 grand, 35 grand, 20 grand before you get owt down. | 0:32:27 | 0:32:33 | |
Little tiger cub. | 0:32:34 | 0:32:36 | |
Tyger, tyger burning bright, in the forests of the night; | 0:32:37 | 0:32:40 | |
What a immortal hand or eye, could frame thy fearful symmetry? | 0:32:40 | 0:32:44 | |
I've always fancied painting one like a tiger, | 0:32:45 | 0:32:48 | |
so I painted this one for a bit of a show one time. | 0:32:48 | 0:32:50 | |
It's only a little digger this, 14 tonne. | 0:32:55 | 0:32:57 | |
Tommy, let's get a bucket on this digger now. | 0:32:58 | 0:33:02 | |
The bridge has to come down today | 0:33:02 | 0:33:05 | |
to give his crew any chance of clearing the debris | 0:33:05 | 0:33:07 | |
and reopening the road in time for the Monday morning rush hour. | 0:33:07 | 0:33:11 | |
The steel side panels will be removed by crane, | 0:33:12 | 0:33:15 | |
but before they can be lifted out, | 0:33:15 | 0:33:17 | |
the heavy concrete base that they're attached to has to be destroyed. | 0:33:17 | 0:33:21 | |
Paul hasn't had access to the bridge until now, | 0:33:22 | 0:33:25 | |
so he has no idea how strong the concrete is. | 0:33:25 | 0:33:27 | |
Not much ash here, straight down onto deck. | 0:33:34 | 0:33:37 | |
There's only a cup full of ash on top, we're on concrete. | 0:33:37 | 0:33:41 | |
Not much ash here, old lad. | 0:33:41 | 0:33:43 | |
Come on, then, let's get it off. | 0:33:43 | 0:33:45 | |
Let's just wish for a little luck here | 0:33:49 | 0:33:51 | |
because we don't know how reinforced it is. | 0:33:51 | 0:33:53 | |
Not too reinforced... | 0:33:53 | 0:33:55 | |
..we're on t'winning side then, aren't we? | 0:33:56 | 0:33:59 | |
Yeah, let's get these scissor lifts now, some burner gear set up, | 0:34:03 | 0:34:05 | |
blow a few bolts, we'll be wrecking it in two minutes. | 0:34:05 | 0:34:08 | |
It's not going to be easy. | 0:34:14 | 0:34:16 | |
I don't know what we're going to do here. | 0:34:18 | 0:34:20 | |
Concrete's a lot tougher than I thought. | 0:34:24 | 0:34:26 | |
These things are sent to try us, and it's trying me. | 0:34:30 | 0:34:33 | |
After the lightning storm in Hastings... | 0:34:44 | 0:34:47 | |
the demolition team can get back to work | 0:34:47 | 0:34:50 | |
taking down the burnt-out buildings to try and save the pier. | 0:34:50 | 0:34:54 | |
-Jack, can you hear me? -'Yes, mate.' | 0:34:54 | 0:34:56 | |
If the building collapses and someone falls through the deck, | 0:34:58 | 0:35:01 | |
two safety kayaks are on hand to try and rescue them. | 0:35:01 | 0:35:04 | |
Jack, bearing in mind this side is a bit more awkward | 0:35:07 | 0:35:09 | |
to get that steel off, mate, | 0:35:09 | 0:35:11 | |
if you want to cut it out in bigger sections, | 0:35:11 | 0:35:13 | |
ie, triangles or whatever, to save someone the cutting and time. | 0:35:13 | 0:35:15 | |
'All right, mate.' | 0:35:15 | 0:35:16 | |
But once again, as soon as work starts... | 0:35:22 | 0:35:26 | |
it's called to a sudden halt. | 0:35:26 | 0:35:27 | |
Yo! | 0:35:28 | 0:35:29 | |
Stop. | 0:35:31 | 0:35:33 | |
It's down now, boys. | 0:35:33 | 0:35:35 | |
We've just got a swimmer coming quite at speed, actually. | 0:35:35 | 0:35:40 | |
Fair play to him, he is at it, | 0:35:40 | 0:35:42 | |
but he's coming in quite fast towards the pier. | 0:35:42 | 0:35:44 | |
I doubt if he'll go under it, we just want to let the kayaks know | 0:35:44 | 0:35:47 | |
just in case he does think he's going to swim straight underneath. | 0:35:47 | 0:35:51 | |
I kid you not he's going at it, isn't he? | 0:35:54 | 0:35:57 | |
He's hell of a swimmer. | 0:35:57 | 0:35:59 | |
-He is, in't it? -Because he's absolutely banging on. | 0:35:59 | 0:36:02 | |
'He's not going to stop, we're going to guide him through.' | 0:36:02 | 0:36:05 | |
Yeah over, received. Incredible. | 0:36:05 | 0:36:08 | |
If any falling debris hits the swimmer, | 0:36:11 | 0:36:13 | |
Mark and his team will be liable. | 0:36:13 | 0:36:16 | |
He's going back now. | 0:36:16 | 0:36:17 | |
Ah, he's a bit slow going back. | 0:36:19 | 0:36:21 | |
MARK LAUGHS | 0:36:21 | 0:36:22 | |
All clear to resume works, over. | 0:36:26 | 0:36:27 | |
Just something else to stop us. | 0:36:29 | 0:36:31 | |
Slow us down. | 0:36:31 | 0:36:34 | |
Today, Mark faces the most critical section of the whole demolition - | 0:36:34 | 0:36:38 | |
bringing down the heavy steel frame | 0:36:38 | 0:36:40 | |
that once formed the roof of the ballroom | 0:36:40 | 0:36:42 | |
but now hangs precariously ten metres above the fragile pier. | 0:36:42 | 0:36:46 | |
If it twists and falls in the wrong direction, | 0:36:46 | 0:36:49 | |
it could crash through the deck causing serious structural damage | 0:36:49 | 0:36:52 | |
to the listed pier below. | 0:36:52 | 0:36:53 | |
Just bank us in, mate, we know what we're going to do, don't we? | 0:36:56 | 0:36:58 | |
Fire us up, there, mate. | 0:36:58 | 0:37:00 | |
As the steel has been so badly fire damaged, | 0:37:00 | 0:37:02 | |
it's very difficult to know how it will behave... | 0:37:02 | 0:37:05 | |
I just want him to touch the beam. | 0:37:05 | 0:37:07 | |
..so Mark is forced into making an educated guess. | 0:37:07 | 0:37:10 | |
At the moment where its up so high, | 0:37:13 | 0:37:16 | |
even I try to reach down and cut it, | 0:37:16 | 0:37:17 | |
there's a chance it might come down and hit the concrete beam. | 0:37:17 | 0:37:21 | |
OK, squeeze up on the wire please, Dave, squeeze up on the wire. | 0:37:21 | 0:37:25 | |
That's right where I want to be, Mark, lovely. | 0:37:25 | 0:37:28 | |
Going to heat this over a little bit. | 0:37:36 | 0:37:38 | |
Head back a bit, head back. | 0:37:48 | 0:37:50 | |
Is that starting to hinge? | 0:37:53 | 0:37:55 | |
I see that, mate. She's opening up a little bit, same as before. | 0:37:55 | 0:37:58 | |
OK. | 0:37:58 | 0:37:59 | |
See how it's opened up on the cut this side, | 0:37:59 | 0:38:03 | |
so it's starting to hinge. | 0:38:03 | 0:38:05 | |
Hanging on till the bitter end. | 0:38:07 | 0:38:09 | |
All good. | 0:38:16 | 0:38:18 | |
Yeah! | 0:38:18 | 0:38:19 | |
-It laid down quite nice, didn't it? -Yeah, it did. | 0:38:20 | 0:38:22 | |
-It came down really nicely. -Lovely. | 0:38:22 | 0:38:24 | |
Having successfully made the most crucial cut of the project, | 0:38:26 | 0:38:30 | |
Mark's team should now be able to crack on | 0:38:30 | 0:38:32 | |
with removing the rest of the steel. | 0:38:32 | 0:38:34 | |
It came down as we wanted, which was, again, very good. | 0:38:35 | 0:38:37 | |
So, yeah, that was quite a critical part of that job, yeah. | 0:38:37 | 0:38:41 | |
We've had the lightning yesterday, the swimmer this morning. | 0:38:41 | 0:38:44 | |
Yeah, I don't know what else it's going to throw at us. | 0:38:44 | 0:38:46 | |
No more thunder storms and we'll be all right. | 0:38:47 | 0:38:50 | |
We're not doing very well. | 0:39:00 | 0:39:02 | |
We're probably two-and-a-half, three hours behind. | 0:39:02 | 0:39:05 | |
It's a tough old bugger. | 0:39:07 | 0:39:09 | |
It's coming down though. | 0:39:09 | 0:39:11 | |
Come hell or high water, that bridge is coming down. | 0:39:11 | 0:39:14 | |
I think this is a bridge too far for him. | 0:39:16 | 0:39:18 | |
Bridge Over The River CRY. | 0:39:22 | 0:39:24 | |
Paul has been on site for more than 12 hours. | 0:39:27 | 0:39:30 | |
The concrete that he's trying to remove from the bridge | 0:39:30 | 0:39:33 | |
is stronger than he expected. | 0:39:33 | 0:39:34 | |
The steel is heavier too, | 0:39:36 | 0:39:38 | |
but that's a more welcome surprise as it can be sold on as scrap. | 0:39:38 | 0:39:42 | |
Tough, I just didn't think it would be as tough as that. | 0:39:44 | 0:39:47 | |
Anyway, they're 20mm girders, | 0:39:49 | 0:39:50 | |
so I might make a bit more on scrap, eh? | 0:39:50 | 0:39:52 | |
The bridge has to be down by the end of today. | 0:39:56 | 0:39:59 | |
To try and claw back some much needed time, | 0:39:59 | 0:40:01 | |
Paul's taking a gamble. | 0:40:01 | 0:40:03 | |
He's decided to try and lift the metal panels off | 0:40:03 | 0:40:06 | |
with some of the concrete still attached. | 0:40:06 | 0:40:09 | |
It means the crane will be lifting | 0:40:09 | 0:40:11 | |
much closer to its maximum capacity than planned. | 0:40:11 | 0:40:14 | |
If it can't handle the lift, | 0:40:14 | 0:40:16 | |
the road closure will have to be extended | 0:40:16 | 0:40:18 | |
while they remove more concrete. | 0:40:18 | 0:40:20 | |
What can you lift all in, 35? | 0:40:20 | 0:40:22 | |
It depends where we are. | 0:40:23 | 0:40:24 | |
Well, we've only got 31 tonnes' worth of chain. | 0:40:24 | 0:40:26 | |
We've got two sets of 15-and-a-half, gives us 31 tonnes. | 0:40:26 | 0:40:29 | |
Because you said 15 up to 30, so... | 0:40:29 | 0:40:32 | |
We've rigged it to t'specification of what you asked for. | 0:40:36 | 0:40:38 | |
All right, all right. The contract. | 0:40:38 | 0:40:40 | |
So this has put ten tonne on the lift. | 0:40:48 | 0:40:50 | |
So the lift's gone from 16 tonne to 25 tonne. | 0:40:50 | 0:40:54 | |
I've still got a margin of error of 4 tonne. I'd have liked more. | 0:40:54 | 0:40:58 | |
Four inches to go. | 0:41:05 | 0:41:07 | |
What's on it, Ash? | 0:41:15 | 0:41:17 | |
28 tonne, bang on. | 0:41:19 | 0:41:20 | |
So that way it's about 25.4. | 0:41:22 | 0:41:25 | |
That girder weighs four. | 0:41:26 | 0:41:30 | |
It can do its job. | 0:41:30 | 0:41:32 | |
Professional. | 0:41:32 | 0:41:33 | |
25.4. | 0:41:36 | 0:41:37 | |
I said it would be about 26 tonne, didn't I? Something like that. | 0:41:37 | 0:41:40 | |
27 tonne, so, yeah, I'm really happy, yeah. | 0:41:40 | 0:41:43 | |
There we go. | 0:41:43 | 0:41:45 | |
That's the bridge now. | 0:41:50 | 0:41:52 | |
Not much of a bridge now, is it, eh? | 0:41:52 | 0:41:55 | |
Not much of a bridge now, I'll tell you what it is now - | 0:41:55 | 0:41:58 | |
it's about 8 grand worth of scrap. | 0:41:58 | 0:42:00 | |
That's what it is now - scrap. | 0:42:00 | 0:42:02 | |
That's right. | 0:42:07 | 0:42:10 | |
Going nowhere that, go on, lad. | 0:42:10 | 0:42:12 | |
It's one panel down and one to go, | 0:42:14 | 0:42:16 | |
but with time ticking on, it's going to be tough to hit the deadline | 0:42:16 | 0:42:19 | |
and get it done today. | 0:42:19 | 0:42:21 | |
It's quarter to six, we're more than halfway through. | 0:42:24 | 0:42:28 | |
We're still about two hours behind, | 0:42:28 | 0:42:30 | |
I'm losing the light at eight o'clock, | 0:42:30 | 0:42:32 | |
but it's going to be tight. | 0:42:32 | 0:42:34 | |
There's less than 24 hours to go until Kieran's team | 0:42:40 | 0:42:42 | |
attempt to reduce the 100m-high cooling towers | 0:42:42 | 0:42:46 | |
to a pile of rubble. | 0:42:46 | 0:42:47 | |
If the explosive engineer has got his calculations right, | 0:42:49 | 0:42:52 | |
a series of blasts will bring the towers down | 0:42:52 | 0:42:54 | |
into a small target area | 0:42:54 | 0:42:56 | |
and won't leave any parts of them standing. | 0:42:56 | 0:42:59 | |
Got to go. | 0:43:01 | 0:43:03 | |
Chris, have you got the access cards? | 0:43:03 | 0:43:06 | |
Ahead of the big night, | 0:43:06 | 0:43:07 | |
project director Kieran is putting his team of more than 50 men | 0:43:07 | 0:43:11 | |
through their final paces. | 0:43:11 | 0:43:13 | |
One thing I asked you to sort out, | 0:43:13 | 0:43:15 | |
one thing I've asked you to sort out... | 0:43:15 | 0:43:18 | |
Come on, let's go, come on. Let's step it up a bit, come on. | 0:43:18 | 0:43:21 | |
Good job I'm here. | 0:43:23 | 0:43:25 | |
Sorting it all out for them. | 0:43:25 | 0:43:27 | |
I'm absolutely buzzing. | 0:43:29 | 0:43:30 | |
I love this, sort of, organisation and planning. | 0:43:30 | 0:43:32 | |
I want to make sure everyone knows what they need to do. | 0:43:32 | 0:43:35 | |
Blokes need to know what they have to do. | 0:43:35 | 0:43:38 | |
Come on, then, let's go. | 0:43:38 | 0:43:39 | |
You've already got access cards, yeah? | 0:43:39 | 0:43:41 | |
The nearby roads will all be closed overnight, | 0:43:50 | 0:43:53 | |
an exclusion zone of almost a kilometre is being put in place | 0:43:53 | 0:43:56 | |
to keep the public away from the danger zone. | 0:43:56 | 0:43:59 | |
So can you go back, like, ten yards? | 0:44:00 | 0:44:02 | |
The controversy over the proposed timing of the blow down | 0:44:02 | 0:44:04 | |
has fuelled local media interest, | 0:44:04 | 0:44:07 | |
so Kieran has launched a charm offensive | 0:44:07 | 0:44:09 | |
to explain why he doesn't want large crowds turning up to watch. | 0:44:09 | 0:44:13 | |
Have you done media studies? | 0:44:14 | 0:44:16 | |
No, no, I did English and then I did my post-grad in journalism... | 0:44:16 | 0:44:19 | |
Oh, right, educated as well. | 0:44:19 | 0:44:22 | |
Well, I guess that was always... | 0:44:22 | 0:44:23 | |
'Kieran, it's fair to say, has the gift of the gab,' | 0:44:23 | 0:44:26 | |
but don't say I said that. | 0:44:26 | 0:44:27 | |
Yeah, some say he's one with the ladies. | 0:44:28 | 0:44:31 | |
Personally I don't think that. | 0:44:31 | 0:44:34 | |
So do you want me looking at you or...? | 0:44:34 | 0:44:36 | |
-Yeah, looking at me. -If you want to come round that way... | 0:44:36 | 0:44:38 | |
'He's definitely a good talker.' | 0:44:38 | 0:44:40 | |
I think people naturally warm to him and because they believe him as well. | 0:44:40 | 0:44:44 | |
I mean there has been a petition | 0:44:44 | 0:44:45 | |
with thousands of signatures on already, | 0:44:45 | 0:44:47 | |
how do you feel about that? | 0:44:47 | 0:44:48 | |
We can understand it. | 0:44:48 | 0:44:50 | |
We can understand that we're here destroying | 0:44:50 | 0:44:52 | |
what is an iconic landmark for South Oxford on here, | 0:44:52 | 0:44:55 | |
but we're trying to do it with some compassion | 0:44:55 | 0:44:58 | |
whilst maintaining and doing a project at the same time. | 0:44:58 | 0:45:00 | |
There have been concerns about the time this demolition is happening, | 0:45:00 | 0:45:03 | |
between three and five in the morning, | 0:45:03 | 0:45:06 | |
is there no way of being able to move that, | 0:45:06 | 0:45:08 | |
you know, what's the reason behind it? | 0:45:08 | 0:45:10 | |
We're not making this a public event, | 0:45:10 | 0:45:13 | |
we don't want to make it a public event. | 0:45:13 | 0:45:14 | |
We understand that there's going to be a public interest, | 0:45:14 | 0:45:17 | |
but we're trying to discourage people from coming here | 0:45:17 | 0:45:19 | |
because at the end of the day, it is a place of work. | 0:45:19 | 0:45:22 | |
Come on, guys, let's go. | 0:45:28 | 0:45:29 | |
See you later, guys. See yous tonight, yeah? | 0:45:29 | 0:45:31 | |
Stay out the pubs. | 0:45:31 | 0:45:32 | |
See you later. | 0:45:35 | 0:45:36 | |
See you later, Ashley, all right, take care. | 0:45:36 | 0:45:38 | |
Leave him alone. | 0:45:42 | 0:45:43 | |
See you later, yeah? | 0:45:43 | 0:45:44 | |
Well, that's all the troops gone. This is the last throes, now. | 0:45:51 | 0:45:54 | |
It's been a busy day today, hot weather. | 0:45:54 | 0:45:57 | |
Everyone's sweating like buckets | 0:45:57 | 0:45:59 | |
just to make sure they can get it done. | 0:45:59 | 0:46:02 | |
They want to get in, get the job done and get away, | 0:46:02 | 0:46:05 | |
so it's a little bit of banter as the lads go out. | 0:46:05 | 0:46:08 | |
We appreciate it, you appreciate the efforts that they go to and that, | 0:46:08 | 0:46:11 | |
so, yeah, they'll all be back. | 0:46:11 | 0:46:12 | |
They'll all go back to their hotels | 0:46:12 | 0:46:14 | |
and then back here at midnight, yeah. | 0:46:14 | 0:46:16 | |
For the last time. | 0:46:18 | 0:46:19 | |
All right, then. | 0:46:26 | 0:46:28 | |
-Finished. -That's it. Done. | 0:46:28 | 0:46:30 | |
See you at midnight. | 0:46:30 | 0:46:31 | |
Paul had hoped to complete the bridge demolition in daylight, | 0:46:35 | 0:46:39 | |
but it's taken much longer than planned. | 0:46:39 | 0:46:41 | |
He's now been on site for more than 18 hours. | 0:46:41 | 0:46:45 | |
But with the second panel finally ready to be hoisted, | 0:46:45 | 0:46:48 | |
he can still get the job done today | 0:46:48 | 0:46:51 | |
if he gets it down on the first attempt. | 0:46:51 | 0:46:53 | |
Here we go, show time. | 0:46:53 | 0:46:56 | |
Saturday night! | 0:46:56 | 0:46:57 | |
Beats X Factor, doesn't it? | 0:47:01 | 0:47:04 | |
I've certainly not got stars in my eyes. | 0:47:04 | 0:47:06 | |
Hang on, hang on, hang on. | 0:47:10 | 0:47:12 | |
It's going that, it's going. | 0:47:12 | 0:47:14 | |
Lovely job. | 0:47:26 | 0:47:28 | |
Paul will send a team back to clear up the debris tomorrow, | 0:47:28 | 0:47:31 | |
and the road will be ready to be reopened on time. | 0:47:31 | 0:47:34 | |
For Paul, it's a job well done. | 0:47:34 | 0:47:37 | |
19 hours we've been on this site, 19 hours. | 0:47:37 | 0:47:42 | |
I'm four hours worse than I wanted to be, | 0:47:42 | 0:47:44 | |
but I'll tell you one thing... | 0:47:44 | 0:47:47 | |
that bridge has gone. | 0:47:47 | 0:47:49 | |
That bridge is no more. | 0:47:49 | 0:47:51 | |
What's everybody else doing? | 0:47:54 | 0:47:55 | |
Sat on couch watching X Factor. | 0:47:55 | 0:47:58 | |
Look what I've done. I've made that bridge disappear. | 0:47:58 | 0:48:01 | |
In Hastings, the remnants of the fire-damaged buildings | 0:48:07 | 0:48:10 | |
have been successfully removed | 0:48:10 | 0:48:12 | |
and the barge has set sail once again. | 0:48:12 | 0:48:15 | |
Now all that's left is for the concrete floor to be removed, | 0:48:15 | 0:48:18 | |
so Mark has called in his robotic assistant. | 0:48:18 | 0:48:22 | |
They're quite funny little things, you know, | 0:48:22 | 0:48:24 | |
it's not the sort of thing you see on everyday sites. | 0:48:24 | 0:48:26 | |
But this on in particular is a tidy little one, | 0:48:26 | 0:48:29 | |
so, yeah, it is like a little Tonka toy on site. | 0:48:29 | 0:48:32 | |
With demolition almost done, | 0:48:39 | 0:48:41 | |
the new deck is being laid | 0:48:41 | 0:48:43 | |
and the pier where Mark's grandfather used to work | 0:48:43 | 0:48:45 | |
will have its new lease of life. | 0:48:45 | 0:48:47 | |
So this will be interesting for you, won't it? | 0:48:50 | 0:48:52 | |
But before he signs off, Mark's work will be inspected... | 0:48:52 | 0:48:56 | |
by his mum. | 0:48:56 | 0:48:58 | |
One second. They're really awkward to get in. | 0:48:58 | 0:49:01 | |
Put your hands in. | 0:49:01 | 0:49:02 | |
-Your poor mother. -You'll be all right. | 0:49:02 | 0:49:05 | |
-I guess. -Hat on. | 0:49:05 | 0:49:07 | |
-Is that OK? -Yeah, it's good. | 0:49:09 | 0:49:11 | |
OK. | 0:49:11 | 0:49:12 | |
So, over this side, you can see what they've done over here. | 0:49:12 | 0:49:15 | |
They've already started to build all of this. | 0:49:15 | 0:49:17 | |
It just looks so different. | 0:49:17 | 0:49:19 | |
And this part was where the ballroom was, | 0:49:19 | 0:49:22 | |
and Dad's office was at the end of it. | 0:49:22 | 0:49:25 | |
You almost forget the, sort of, nastiness | 0:49:25 | 0:49:28 | |
of the demolition side of things | 0:49:28 | 0:49:30 | |
in regards to what was there. | 0:49:30 | 0:49:31 | |
-It's absolutely amazing what they've done already. -Yeah? | 0:49:35 | 0:49:38 | |
-I mean... -I mean, well, look at what we had. | 0:49:38 | 0:49:42 | |
Everything is new, everything is brand-new, isn't it? | 0:49:42 | 0:49:45 | |
Yeah. | 0:49:45 | 0:49:46 | |
You can just imagine with, you know, families coming down here, | 0:49:46 | 0:49:48 | |
cos, you know, if you can walk right to the end of the pier like this | 0:49:48 | 0:49:51 | |
-and look back on the town, it would be great for the families. -It will. | 0:49:51 | 0:49:54 | |
Oh, well, it's just amazing. | 0:50:03 | 0:50:05 | |
We've got our pier back and, you know, say to Dad, "It's back" | 0:50:06 | 0:50:10 | |
cos he'd be so thrilled. | 0:50:10 | 0:50:12 | |
Whilst one well-loved structure has been handed a new start, | 0:50:14 | 0:50:17 | |
another is about to meet its end. | 0:50:17 | 0:50:20 | |
If all goes to plan, tonight, 170 kilos | 0:50:24 | 0:50:28 | |
of explosive will tear down Didcot A's most iconic structures - | 0:50:28 | 0:50:33 | |
the 100m-high cooling towers. | 0:50:33 | 0:50:35 | |
For Kieran, it's the final straight after months of planning. | 0:50:37 | 0:50:42 | |
You ready, James? | 0:50:42 | 0:50:44 | |
The precise time of the blow down hasn't been announced | 0:50:44 | 0:50:47 | |
as it will be dictated by the ever changing weather. | 0:50:47 | 0:50:51 | |
Undeterred, many residents have come out for the whole night | 0:50:51 | 0:50:54 | |
so they don't miss it. | 0:50:54 | 0:50:55 | |
So this is the first time they've had an explosive demolition | 0:51:01 | 0:51:04 | |
in Didcot or even Oxford, they've never seen anything like it. | 0:51:04 | 0:51:08 | |
People are out in their camper vans, they're sitting on the traffic... | 0:51:08 | 0:51:12 | |
Of the island of the traffic and, as I went round the corner, | 0:51:12 | 0:51:14 | |
the cars are just piling up, they're all over the place. | 0:51:14 | 0:51:18 | |
So, I mean, they've got an awfully long wait. | 0:51:18 | 0:51:20 | |
'Now, we were told 4:30 was going to be the demolition time, | 0:51:20 | 0:51:24 | |
'we've now been told it's running a little bit behind schedule, | 0:51:24 | 0:51:26 | |
'we don't know exactly what time.' | 0:51:26 | 0:51:28 | |
The button won't be pressed until conditions are exactly right. | 0:51:28 | 0:51:33 | |
Too much wind and the dust could disrupt the nearby roads | 0:51:33 | 0:51:36 | |
and railway line or even engulf the onlooking crowds. | 0:51:36 | 0:51:39 | |
We just walked up the side here and you couldn't see anybody but you | 0:51:41 | 0:51:44 | |
could just hear a sort of murmur of voices and then, as we came round | 0:51:44 | 0:51:47 | |
the corner, it's just like, | 0:51:47 | 0:51:49 | |
"Wow, there's so many people!" It's ridiculous. | 0:51:49 | 0:51:52 | |
WALKIE-TALKIE BEEPS | 0:51:52 | 0:51:54 | |
Yeah, they are actually outside the exclusion zone so they don't | 0:51:54 | 0:51:57 | |
cause us a problem but, obviously, we just need to be aware of them. | 0:51:57 | 0:52:00 | |
Received, thank you. | 0:52:00 | 0:52:02 | |
The site is now completely sealed off, | 0:52:02 | 0:52:04 | |
with sentries guarding the perimeter fence | 0:52:04 | 0:52:07 | |
but there are concerns that the crowd is growing bigger | 0:52:07 | 0:52:09 | |
and harder to control. | 0:52:09 | 0:52:11 | |
We've just had a report that there's youths or guys standing | 0:52:11 | 0:52:14 | |
on roofs of cars and the police has just gone down to move them on. | 0:52:14 | 0:52:17 | |
-OK. -OK. | 0:52:17 | 0:52:19 | |
There's a guy threatening to come across the railway track as well. | 0:52:19 | 0:52:21 | |
To get home or to...? | 0:52:21 | 0:52:23 | |
Oh, no, to get closer to the station. | 0:52:23 | 0:52:25 | |
But he has to go across like, two fences. | 0:52:25 | 0:52:28 | |
Well, the police have gone to intercept him anyway. | 0:52:28 | 0:52:31 | |
Oh, there's a firework! | 0:52:35 | 0:52:36 | |
Yay! Excitement. | 0:52:39 | 0:52:41 | |
Yeah, the excitement is building now, especially now there's fireworks. | 0:52:41 | 0:52:45 | |
I was tired when we came on here but I'm not really tired now. | 0:52:49 | 0:52:53 | |
Yeah, I'm not tired. | 0:52:53 | 0:52:55 | |
-I'm too excited, I want to stay up. -Yeah. | 0:52:55 | 0:52:58 | |
3, 2, 1! | 0:52:58 | 0:53:02 | |
SILENCE LAUGHTER | 0:53:02 | 0:53:05 | |
Not yet. | 0:53:05 | 0:53:06 | |
It's been six months in the planning | 0:53:09 | 0:53:11 | |
but the demolition can only go ahead if the police | 0:53:11 | 0:53:13 | |
and explosive experts are both completely satisfied that it's safe. | 0:53:13 | 0:53:17 | |
Even at this late hour, it could still be called off. | 0:53:19 | 0:53:22 | |
This is where all the decision-making happens. | 0:53:22 | 0:53:25 | |
We decide the fate of the three cooling towers. | 0:53:25 | 0:53:28 | |
They're in our hands together, lads, they're in our hands together, yes? | 0:53:28 | 0:53:32 | |
OK, guys, obviously we've had a few little skirmishes | 0:53:36 | 0:53:39 | |
by the sound of a few people getting a bit restless. | 0:53:39 | 0:53:43 | |
Crowd-wise, around the Didcot facility, | 0:53:43 | 0:53:45 | |
-we're looking at 1,000... -Yeah, that's right. | 0:53:45 | 0:53:48 | |
..in about three groups and we've got officers deployed to those | 0:53:48 | 0:53:51 | |
and they're all fairly good-natured at the moment. | 0:53:51 | 0:53:53 | |
There are more people further afield, | 0:53:53 | 0:53:55 | |
so we estimate probably about 600 or 700. | 0:53:55 | 0:53:57 | |
But that's great because initial estimates were a lot more than that. | 0:53:57 | 0:54:00 | |
Well, I'm actually pleased that perhaps people have got | 0:54:00 | 0:54:02 | |
the message that we're trying to get out. | 0:54:02 | 0:54:04 | |
I propose that we do proceed with the demolition. | 0:54:05 | 0:54:08 | |
-Everybody happy with that? -Yeah, yeah. | 0:54:08 | 0:54:11 | |
OK, we'll be looking at an 0500 blow down. | 0:54:11 | 0:54:14 | |
-Yeah. -Cool? All right, thank you. | 0:54:14 | 0:54:17 | |
-ON WALKIE-TALKIE: -Ten minutes till blow down now. | 0:54:20 | 0:54:22 | |
Sentries, can we make sure we're all extremely vigilant and let us know | 0:54:22 | 0:54:25 | |
straightaway if you see anything that's untoward in the zone? Over. | 0:54:25 | 0:54:29 | |
The wind is low enough to proceed | 0:54:30 | 0:54:32 | |
and the prospects of a duststorm are slight. | 0:54:32 | 0:54:34 | |
Nine minutes now to blow down. | 0:54:34 | 0:54:37 | |
In just a few tense minutes, Kieran will find out if the towers | 0:54:37 | 0:54:40 | |
will collapse as planned with 2,000 people watching. | 0:54:40 | 0:54:45 | |
Got nine minutes to go, they've just done the warning siren | 0:54:45 | 0:54:48 | |
on the radio, so I think everyone's just feeling a little bit tense. | 0:54:48 | 0:54:51 | |
A little bit anxious, a little bit, "Oh, what to expect." | 0:54:51 | 0:54:55 | |
I was worried we're not going to see anything cos we heard there was | 0:54:56 | 0:54:59 | |
going to be a 15-minute warning but we haven't heard anything yet. | 0:54:59 | 0:55:02 | |
ON WALKIE-TALKIE: OK, sentries, excellent visual. Now we're in the final minute prior to blow down. | 0:55:02 | 0:55:07 | |
Here we go, this is the exciting part. | 0:55:07 | 0:55:09 | |
One minute to go. | 0:55:12 | 0:55:13 | |
Exciting, Mark, my heart is pounding. | 0:55:16 | 0:55:17 | |
-Mine is too. -My heart is pounding. | 0:55:17 | 0:55:20 | |
It should be from 20. | 0:55:20 | 0:55:22 | |
20, | 0:55:22 | 0:55:23 | |
19, | 0:55:23 | 0:55:24 | |
18, | 0:55:24 | 0:55:26 | |
17, | 0:55:26 | 0:55:28 | |
16, | 0:55:28 | 0:55:29 | |
15, | 0:55:29 | 0:55:31 | |
14, | 0:55:31 | 0:55:33 | |
13, 12, 11... | 0:55:33 | 0:55:37 | |
I'm not supposed to get this excited at work. | 0:55:37 | 0:55:39 | |
LAUGHTER | 0:55:39 | 0:55:41 | |
Get ready. | 0:55:44 | 0:55:46 | |
Firing now. | 0:55:46 | 0:55:47 | |
Oh, my God. | 0:55:56 | 0:55:58 | |
CHEERING AND APPLAUSE | 0:56:09 | 0:56:13 | |
Go on... | 0:56:20 | 0:56:22 | |
go on! | 0:56:22 | 0:56:24 | |
Yeah! | 0:56:24 | 0:56:25 | |
Oh, my God, they're gone. | 0:56:30 | 0:56:33 | |
Well done, well done, guys. | 0:56:37 | 0:56:39 | |
ON RADIO: All sentries please maintain your positions. | 0:56:39 | 0:56:42 | |
-How exciting was that? Did you feel that in your chest? -I did. | 0:56:43 | 0:56:50 | |
-It's gone good, it's gone excellent. -Great, wasn't it? | 0:56:50 | 0:56:53 | |
-Bang! -THEY LAUGH | 0:56:56 | 0:56:58 | |
-There is it. -There she goes. | 0:57:04 | 0:57:06 | |
It's eerie, isn't it? It's so eerie. | 0:57:10 | 0:57:12 | |
The 36,000 tonnes of concrete that made up | 0:57:14 | 0:57:16 | |
the three cooling towers has fallen neatly into the target area | 0:57:16 | 0:57:20 | |
and the dust has quickly settled, leaving the crowds unscathed. | 0:57:20 | 0:57:24 | |
RADIO: Ready to let the boys go home now. | 0:57:25 | 0:57:28 | |
Come on, let's do another one. | 0:57:30 | 0:57:33 | |
We've got to start planning for the next one, mate. | 0:57:33 | 0:57:37 | |
It's been a long day, it's been a hard day. | 0:57:37 | 0:57:39 | |
It's been a very successful day. | 0:57:39 | 0:57:42 | |
I think now's the time that we go home, | 0:57:42 | 0:57:46 | |
see our wives and kids and go to bed. | 0:57:46 | 0:57:50 | |
Next time... | 0:57:53 | 0:57:54 | |
Work starts on one of the most | 0:57:59 | 0:58:00 | |
technically demanding demolitions ever... | 0:58:00 | 0:58:03 | |
We've never done one as high, as close to the railway, | 0:58:03 | 0:58:07 | |
this type of thing has never been done before. | 0:58:07 | 0:58:10 | |
..the threat of history repeating itself looms large... | 0:58:10 | 0:58:14 | |
A lot of the people that come to watch these blow downs come | 0:58:14 | 0:58:17 | |
because they want to see things go wrong. | 0:58:17 | 0:58:19 | |
..and the stage is set for one demo man to bring down the house. | 0:58:21 | 0:58:25 | |
That's the end of the theatre, | 0:58:25 | 0:58:26 | |
there's only one show in town now and that's mine. | 0:58:26 | 0:58:29 |