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Britain is being destroyed. | 0:00:07 | 0:00:08 | |
Day after day, it's being torn apart. | 0:00:10 | 0:00:13 | |
You're looking at an hour, two hours, for an house to go, | 0:00:13 | 0:00:15 | |
then that's it - done and dusted. | 0:00:15 | 0:00:17 | |
Filmed over 12 months, | 0:00:20 | 0:00:21 | |
these are the men and women | 0:00:21 | 0:00:23 | |
taking on the biggest demolition jobs in the country. | 0:00:23 | 0:00:27 | |
Once you've done this job there's nothing else. | 0:00:27 | 0:00:29 | |
Not for a working lad, anyway. | 0:00:29 | 0:00:30 | |
EXPLOSIONS | 0:00:30 | 0:00:33 | |
Better than sex. | 0:00:33 | 0:00:35 | |
All right, Simon. | 0:00:35 | 0:00:36 | |
SIRENS BLARE | 0:00:36 | 0:00:38 | |
This is the inside story of the billion-pound demolition industry. | 0:00:40 | 0:00:44 | |
Not much of a bridge now, is it? Eh? | 0:00:45 | 0:00:47 | |
Better take it round to the scrap. | 0:00:47 | 0:00:49 | |
It's a world of dynamite... | 0:00:50 | 0:00:51 | |
and destruction | 0:00:51 | 0:00:52 | |
that's changing the face of the UK for ever. | 0:00:52 | 0:00:56 | |
Here we go, showtime! | 0:00:56 | 0:00:59 | |
Tonight... | 0:01:02 | 0:01:04 | |
A city's tallest tower block has to be brought down to earth, | 0:01:04 | 0:01:07 | |
slap-bang in the middle of a packed housing estate. | 0:01:07 | 0:01:11 | |
It isn't until you actually get outside | 0:01:11 | 0:01:13 | |
at the closest point and look down | 0:01:13 | 0:01:14 | |
to see how close the houses really are. | 0:01:14 | 0:01:17 | |
And the closest one of them at this height | 0:01:19 | 0:01:22 | |
looks very close! | 0:01:22 | 0:01:23 | |
The marathon makeover of one of Britain's busiest stations | 0:01:23 | 0:01:27 | |
puts commuters and deconstruction on a crash course. | 0:01:27 | 0:01:30 | |
Here we're almost surrounded on every face by people, | 0:01:32 | 0:01:35 | |
so it makes our job a million times harder. | 0:01:35 | 0:01:38 | |
And one demolition crew have to all down tools | 0:01:38 | 0:01:40 | |
when they come face-to-face with their nemesis. | 0:01:40 | 0:01:44 | |
You mention asbestos to me - I hate the stuff. | 0:01:44 | 0:01:47 | |
It's a bloody nightmare. | 0:01:47 | 0:01:48 | |
Three, two, one. Fire now. | 0:01:50 | 0:01:52 | |
EXPLOSIONS | 0:01:52 | 0:01:55 | |
Lovely! Bang on! | 0:01:59 | 0:02:02 | |
LAUGHTER | 0:02:02 | 0:02:04 | |
Around the UK, more than 100,000 council houses | 0:02:16 | 0:02:18 | |
fail to meet the Government's official housing standards. | 0:02:18 | 0:02:22 | |
In Hull, more than £500 million has been allocated | 0:02:26 | 0:02:29 | |
to improve the city's housing stock, | 0:02:29 | 0:02:31 | |
and it's out with the old and in with the new. | 0:02:31 | 0:02:36 | |
More than 1,000 outdated flats and houses are being demolished, | 0:02:40 | 0:02:44 | |
with entire streets wiped out. | 0:02:44 | 0:02:46 | |
I'm not very sentimental, I'm afraid. | 0:02:50 | 0:02:52 | |
I come in here, take 'em down, | 0:02:52 | 0:02:53 | |
and then we just want to go to the next job. | 0:02:53 | 0:02:55 | |
But in this huge regeneration scheme, not all buildings | 0:02:57 | 0:03:00 | |
can be dispatched with a digger and a set of steel toecaps. | 0:03:00 | 0:03:04 | |
Now the demolition crew has to contend with this... | 0:03:07 | 0:03:11 | |
High Court is Hull's tallest building, | 0:03:15 | 0:03:18 | |
and is surrounded by houses on all sides. | 0:03:18 | 0:03:21 | |
Bringing it down will mean landing 12,000 tonnes of concrete | 0:03:26 | 0:03:30 | |
in an incredibly tight space. | 0:03:30 | 0:03:32 | |
But before even attempting the blast, | 0:03:36 | 0:03:38 | |
explosive expert Martin Smith | 0:03:38 | 0:03:40 | |
will have to clear the entire neighbourhood. | 0:03:40 | 0:03:43 | |
We've had our fingers nearly snapped off on a few occasions. | 0:03:43 | 0:03:46 | |
Some things that we haven't yet shared with the residents | 0:03:53 | 0:03:56 | |
is the direction in which the building is going to fall, | 0:03:56 | 0:03:59 | |
and from where I'm stood here, | 0:03:59 | 0:04:01 | |
it's going to come towards us, slightly. | 0:04:01 | 0:04:03 | |
So these people here once we tell them, may be a little concerned | 0:04:05 | 0:04:08 | |
that the building's coming this way | 0:04:08 | 0:04:10 | |
and I've already had a discussion with a gentleman who said, | 0:04:10 | 0:04:12 | |
"So are you going to be demolishing my house, as well, | 0:04:12 | 0:04:15 | |
"because I live around here." | 0:04:15 | 0:04:17 | |
So a lot of people have this perception that we won't be able to do this | 0:04:17 | 0:04:20 | |
without causing damage to the properties, | 0:04:20 | 0:04:22 | |
but the measures that we put in, we're hoping... | 0:04:22 | 0:04:25 | |
we will be able to do it without damaging any buildings. | 0:04:25 | 0:04:28 | |
"Hoping"? HE LAUGHS | 0:04:28 | 0:04:30 | |
Never say never. | 0:04:30 | 0:04:32 | |
The last one we dropped, we dropped within about five metres | 0:04:35 | 0:04:39 | |
of it's original footprint. | 0:04:39 | 0:04:40 | |
So, basically, it almost falls down on itself | 0:04:40 | 0:04:43 | |
rather than spreading out around the site. | 0:04:43 | 0:04:45 | |
The distance between the houses is about 20 metres. | 0:04:47 | 0:04:50 | |
So they are...they are close. | 0:04:52 | 0:04:54 | |
It's certainly a lot closer for the residents. | 0:04:54 | 0:04:57 | |
For them, this is very close. | 0:04:57 | 0:04:59 | |
With houses so close by, | 0:05:04 | 0:05:06 | |
the explosive team has to ensure that the 19-storey tower | 0:05:06 | 0:05:09 | |
falls into a precise target area. | 0:05:09 | 0:05:12 | |
By blasting walls and columns on just six floors, | 0:05:15 | 0:05:18 | |
the tower will collapse under its own weight. | 0:05:18 | 0:05:22 | |
But controlling the direction of the fall, is the real challenge. | 0:05:22 | 0:05:25 | |
The explosives will be delayed vertically, so that the front, | 0:05:27 | 0:05:30 | |
then middle, then back will blast, | 0:05:30 | 0:05:33 | |
in the hope that the building will fall towards the empty site | 0:05:33 | 0:05:36 | |
and not towards the neighbouring houses. | 0:05:36 | 0:05:39 | |
Today, Martin is taking the representatives from the council | 0:05:46 | 0:05:50 | |
to witness a test blast. | 0:05:50 | 0:05:52 | |
They hope it will determine if the plan has any chance of working. | 0:05:52 | 0:05:56 | |
So this is one of the two test-blast areas. | 0:05:56 | 0:06:00 | |
And the reason why we do the test blast is to | 0:06:01 | 0:06:04 | |
determine how much explosive we need to demolish this section, | 0:06:04 | 0:06:08 | |
and to test our protection. | 0:06:08 | 0:06:11 | |
So, what we've got wrapped around this section of wall is... | 0:06:11 | 0:06:15 | |
You can't see it, but behind this geotexile material, | 0:06:15 | 0:06:17 | |
there's three layers of chain link fence wrapped all the way around three times. | 0:06:17 | 0:06:22 | |
And then the black geotextile you can see around us | 0:06:22 | 0:06:25 | |
represents what would be our secondary protection | 0:06:25 | 0:06:28 | |
that we would put up at the windows. | 0:06:28 | 0:06:30 | |
So if anything managed to get... to escape from this protection, | 0:06:30 | 0:06:33 | |
it's then got to get through that before it leaves the building. | 0:06:33 | 0:06:37 | |
Extra protection is vital on this job. | 0:06:37 | 0:06:39 | |
When the explosive rips through the walls, | 0:06:39 | 0:06:42 | |
concrete could go flying and smash into neighbouring houses. | 0:06:42 | 0:06:45 | |
These are what we call our witness boards. | 0:06:45 | 0:06:48 | |
So when we initiate the explosives and we come back up, | 0:06:48 | 0:06:51 | |
what we expect to see is them exactly as they are now. | 0:06:51 | 0:06:54 | |
If they've got lumps of concrete embedded in them, | 0:06:54 | 0:06:57 | |
it means that we've either put too much explosive in, | 0:06:57 | 0:07:00 | |
or not enough protection. | 0:07:00 | 0:07:02 | |
So the explosives themselves are a cord. | 0:07:07 | 0:07:10 | |
Is that 40 grams, John, or are you using two lots? | 0:07:10 | 0:07:12 | |
Is that 20, and you're doubling it up? | 0:07:12 | 0:07:15 | |
No, that's 40. | 0:07:15 | 0:07:16 | |
40 grams...per metre. | 0:07:16 | 0:07:19 | |
Yeah, you wouldn't want to be holding it whilst they set it off. | 0:07:19 | 0:07:22 | |
Are you nearly ready? | 0:07:27 | 0:07:28 | |
We've got all the calculations | 0:07:30 | 0:07:31 | |
to see if we can take that section of wall out. | 0:07:31 | 0:07:34 | |
So we're just making sure we've got the correct charge weight | 0:07:34 | 0:07:37 | |
to just fragment it. | 0:07:37 | 0:07:39 | |
We don't want to destroy it, | 0:07:39 | 0:07:41 | |
we just want to fragment the wall. | 0:07:41 | 0:07:43 | |
This is just an accelerant to make the building collapse. | 0:07:45 | 0:07:48 | |
It's gravity... | 0:07:48 | 0:07:50 | |
We just take out key structural bits | 0:07:50 | 0:07:52 | |
and, basically, gravity does the rest. | 0:07:52 | 0:07:54 | |
The tower is 60 metres tall. | 0:07:59 | 0:08:01 | |
When it's taken down, it will have | 0:08:01 | 0:08:03 | |
to land in an area that's less than 20 metres wide. | 0:08:03 | 0:08:07 | |
This is where John and I have our fingers crossed, | 0:08:07 | 0:08:10 | |
and hope that it goes fine. | 0:08:10 | 0:08:12 | |
Ready? | 0:08:20 | 0:08:23 | |
Yeah. Yep. | 0:08:25 | 0:08:27 | |
SHORT, LOUD CRACK | 0:08:27 | 0:08:28 | |
BRIEF, LOUD BANGS | 0:08:28 | 0:08:30 | |
And that was it. | 0:08:37 | 0:08:38 | |
Short but sweet. | 0:08:38 | 0:08:40 | |
Some of the things we're looking at immediately... | 0:08:42 | 0:08:45 | |
We check the witness boards - | 0:08:45 | 0:08:48 | |
make sure that there's no fragments embedded. | 0:08:48 | 0:08:50 | |
But you can see from the protection... | 0:08:50 | 0:08:52 | |
The protection's worked perfectly. | 0:08:52 | 0:08:54 | |
Starting from the bottom... | 0:08:54 | 0:08:56 | |
You can see all the debris is contained within the chain-link. | 0:08:59 | 0:09:03 | |
We cut the chain-link away... | 0:09:04 | 0:09:06 | |
What we'd expect to see is all the concrete come out, | 0:09:06 | 0:09:09 | |
and there'd be sort of a section missing in the wall. | 0:09:09 | 0:09:12 | |
Perfect. | 0:09:16 | 0:09:17 | |
So pretty much exactly what we were looking for. | 0:09:20 | 0:09:23 | |
With that, the load would be enough to cause the remainder to collapse. | 0:09:23 | 0:09:27 | |
Once the weight of the building gets sat on those, they'll just fail. | 0:09:29 | 0:09:32 | |
Nothing defies gravity. | 0:09:32 | 0:09:34 | |
Having walked up the 17 flights of stairs, | 0:09:40 | 0:09:43 | |
Martin can get a bird's-eye view of the task that lies ahead. | 0:09:43 | 0:09:47 | |
We're on the 17th floor now, but it isn't until you actually get outside | 0:09:47 | 0:09:51 | |
at the closest point and look down | 0:09:51 | 0:09:54 | |
to see how close the houses really are. | 0:09:54 | 0:09:57 | |
And the closest one from this height looks very close! | 0:09:59 | 0:10:03 | |
It's when you stand up here | 0:10:06 | 0:10:08 | |
and you look where the exclusion zone's going to be | 0:10:08 | 0:10:10 | |
and you're suddenly questioning, "Is it far enough?" | 0:10:10 | 0:10:14 | |
Think demolition, | 0:10:19 | 0:10:21 | |
and dynamite, dust and danger come to mind. | 0:10:21 | 0:10:24 | |
But for the guys who run the nation's wrecking crews, | 0:10:28 | 0:10:30 | |
there's a more glamorous side of the business, | 0:10:30 | 0:10:33 | |
and there's good money to be made. | 0:10:33 | 0:10:34 | |
Howard Stott has been in the game for 35 years, | 0:10:35 | 0:10:39 | |
but he hasn't always known a life of luxury. | 0:10:39 | 0:10:41 | |
I come off a council estate, and we didn't have anything. | 0:10:48 | 0:10:52 | |
You know, if anybody got a car up the street, | 0:10:52 | 0:10:54 | |
everybody used to come to the window | 0:10:54 | 0:10:56 | |
and say, "God, there's somebody's got a car!" | 0:10:56 | 0:10:58 | |
We used to watch it go past. | 0:10:58 | 0:10:59 | |
When I left school, I went on a farm driving a tractor | 0:11:02 | 0:11:05 | |
and that's where it all started. | 0:11:05 | 0:11:06 | |
I've always loved machinery and cars | 0:11:06 | 0:11:09 | |
and that's been my passion in life. | 0:11:09 | 0:11:10 | |
Bit complicated this car... | 0:11:13 | 0:11:14 | |
There's that many buttons, | 0:11:14 | 0:11:16 | |
I'm just working out where the air conditioning is. | 0:11:16 | 0:11:18 | |
I think it's down there. | 0:11:18 | 0:11:19 | |
Do you know, I've wanted a DBS for years and years. | 0:11:21 | 0:11:25 | |
Everybody rates on about them. | 0:11:25 | 0:11:26 | |
They're a lovely looking car, it is a beautiful-looking car. | 0:11:26 | 0:11:29 | |
I look at it as a beautiful-looking woman. | 0:11:29 | 0:11:31 | |
BUT it doesn't excite me, | 0:11:32 | 0:11:34 | |
like I thought it would. | 0:11:34 | 0:11:36 | |
But that's life, you know. | 0:11:36 | 0:11:39 | |
I suppose it's better than going on't public transport. | 0:11:39 | 0:11:43 | |
Fast cars might have lost some of their appeal, | 0:11:45 | 0:11:48 | |
but after almost four decades on-site, | 0:11:48 | 0:11:50 | |
Howard's passion for demolition remains undimmed. | 0:11:50 | 0:11:54 | |
Are you ready?! | 0:11:54 | 0:11:55 | |
Two-grand-an-hour going on here! | 0:11:55 | 0:11:57 | |
Today, his crew are flattening a Victorian mill | 0:12:03 | 0:12:05 | |
to make way for a supermarket | 0:12:05 | 0:12:07 | |
and they've reached the trickiest part - | 0:12:07 | 0:12:09 | |
taking down the precarious brick chimney. | 0:12:09 | 0:12:12 | |
All 22 metres of it. | 0:12:13 | 0:12:15 | |
It is a bit daunting. | 0:12:19 | 0:12:20 | |
It's not for the faint-hearted. | 0:12:20 | 0:12:22 | |
It's only so many lads will do this sort of job | 0:12:22 | 0:12:25 | |
without frightening themselves to death. | 0:12:25 | 0:12:27 | |
I've done a little bit that I'll leave it to the professionals that bit. | 0:12:27 | 0:12:31 | |
Howard started in the trade when he was 17, | 0:12:33 | 0:12:35 | |
working as a digger driver. | 0:12:35 | 0:12:38 | |
It was a time when chimney were brought down in the style | 0:12:38 | 0:12:40 | |
made famous by Fred Dibnah. | 0:12:40 | 0:12:43 | |
The bottom of the chimney was weakened, | 0:12:43 | 0:12:46 | |
propped with wood, | 0:12:46 | 0:12:48 | |
and then set on fire. | 0:12:48 | 0:12:50 | |
The exact time of the collapse couldn't be predicted. | 0:12:51 | 0:12:54 | |
It's going. Going! | 0:12:54 | 0:12:56 | |
A strategy that involved... | 0:12:56 | 0:12:59 | |
running for your life! | 0:12:59 | 0:13:01 | |
No problem. | 0:13:09 | 0:13:10 | |
Chimneys can still be brought down with explosives, | 0:13:12 | 0:13:15 | |
but this site is too tight. | 0:13:15 | 0:13:17 | |
So everybody's moving out the way now. | 0:13:21 | 0:13:23 | |
We want nobody - no vehicles, no machines - | 0:13:23 | 0:13:26 | |
anywhere around the chimney at the bottom, when we get going. | 0:13:26 | 0:13:29 | |
If the chimney is toppled in one piece, | 0:13:29 | 0:13:32 | |
it will hit the road or the surrounding houses. | 0:13:32 | 0:13:35 | |
So Howard has opted to attack the old with the new - | 0:13:35 | 0:13:38 | |
a cutting-edge, high-reach excavator. | 0:13:38 | 0:13:40 | |
Here we go, last of the mills. | 0:13:40 | 0:13:42 | |
Whatever the method, the immense forces in play | 0:13:46 | 0:13:49 | |
still mean that taking down tall, heavy structures | 0:13:49 | 0:13:51 | |
is an inherently dangerous task. | 0:13:51 | 0:13:53 | |
There's a bit of nervousness, | 0:13:56 | 0:13:58 | |
and there's a bit of excitement, | 0:13:58 | 0:13:59 | |
and you can put them two together and, you know - | 0:13:59 | 0:14:02 | |
it just keeps the adrenaline flowing. | 0:14:02 | 0:14:04 | |
When you're looking up there dealing with something like this - | 0:14:15 | 0:14:18 | |
you're, like, playing with a loaded gun. Something could go wrong. | 0:14:18 | 0:14:21 | |
And if something goes wrong with this, it's catastrophic, isn't it? | 0:14:21 | 0:14:24 | |
He's got to be very careful when he starts it doesn't come back on him | 0:14:28 | 0:14:32 | |
and roll down the arm and get him. | 0:14:32 | 0:14:34 | |
Until you get up there and start to peck it, you don't know how strong it is. | 0:14:43 | 0:14:47 | |
We thought it would've been stronger, | 0:14:47 | 0:14:49 | |
especially with being round, and the type of brick, | 0:14:49 | 0:14:51 | |
so we thought this would be a stiff one, but it's actually | 0:14:51 | 0:14:54 | |
a textbook job, that. | 0:14:54 | 0:14:56 | |
If I'd have known it were going to be so easy, I'd have had a go! | 0:15:01 | 0:15:04 | |
There you have it. Gone. | 0:15:13 | 0:15:15 | |
With a 100-year-old chimney down, | 0:15:18 | 0:15:20 | |
Howard's set his lads off working on another site. | 0:15:20 | 0:15:23 | |
His biggest job this year is taking down a much more recent build... | 0:15:29 | 0:15:32 | |
20 retail units in a 1970s shopping centre | 0:15:36 | 0:15:39 | |
have to be razed to the ground | 0:15:39 | 0:15:41 | |
to make way for another supermarket. | 0:15:41 | 0:15:43 | |
There's nothing wrong with the building. | 0:15:53 | 0:15:55 | |
It's not falling down and the structure's fine, | 0:15:55 | 0:15:57 | |
but it doesn't fit the purpose | 0:15:57 | 0:16:00 | |
that somebody else wants it for. | 0:16:00 | 0:16:03 | |
And that's what we find in lots of cases. | 0:16:03 | 0:16:05 | |
So we've got to shift that building | 0:16:05 | 0:16:07 | |
and it's more economical to start | 0:16:07 | 0:16:09 | |
a clean canvas and put a new building up. | 0:16:09 | 0:16:12 | |
Firstly, the older buildings are better cos they last a lot longer. | 0:16:12 | 0:16:15 | |
A lot of new buildings they throw up, have, like, | 0:16:15 | 0:16:17 | |
a 25-year warranty lifespan. | 0:16:17 | 0:16:18 | |
So after 25 years, technically, the building's still standing | 0:16:18 | 0:16:21 | |
but it's not in as good a condition as maybe some older buildings. | 0:16:21 | 0:16:24 | |
But we're not bothered, we'll knock them down every 12-month, if they want. | 0:16:24 | 0:16:28 | |
Keep coming. | 0:16:28 | 0:16:29 | |
The new supermarket will only take over half the site, | 0:16:36 | 0:16:38 | |
so some shops will remain trading. | 0:16:38 | 0:16:41 | |
Howard and his team face the technically exacting task | 0:16:45 | 0:16:48 | |
of splitting the shopping centre in two. | 0:16:48 | 0:16:50 | |
And to make matters harder still, | 0:16:53 | 0:16:55 | |
all of the surviving shops | 0:16:55 | 0:16:56 | |
intend to stay open throughout the delicate demolition surgery. | 0:16:56 | 0:17:00 | |
Ryan, will you just talk me through this bit now. | 0:17:04 | 0:17:06 | |
We've got the public walking under the scaffolding and hoarding. | 0:17:06 | 0:17:09 | |
-Yes. -So, I presume, the wall obviously stays, am I right? | 0:17:09 | 0:17:13 | |
-That walls stays. -That wall stays. | 0:17:13 | 0:17:15 | |
Our cut-line comes, basically, up the line of that roof, | 0:17:15 | 0:17:18 | |
to that roller-shutter and back. | 0:17:18 | 0:17:19 | |
That leg stays, and behind that, Sayer's bakery's live, | 0:17:19 | 0:17:23 | |
and behind that timber hoarding that's live mall. | 0:17:23 | 0:17:25 | |
So you're going to have to cut... | 0:17:25 | 0:17:27 | |
-We're going to have to remove this roof from the timber... -Yeah. | 0:17:27 | 0:17:30 | |
..and we'll have to cut the roof above the tin roof, | 0:17:30 | 0:17:32 | |
and then we're going to have to cut each one of them legs in sequence. | 0:17:32 | 0:17:35 | |
-Just pull them away. -Yeah, yeah, yeah. | 0:17:35 | 0:17:37 | |
I'd to say, this is the worst bit of the job. | 0:17:37 | 0:17:39 | |
-This is the trickiest bit. -This is the trickiest bit. | 0:17:39 | 0:17:41 | |
In splitting the shopping centre in half, | 0:17:44 | 0:17:46 | |
Howard's crew has to take great care that their machines | 0:17:46 | 0:17:49 | |
don't catch the electricity or gas supply | 0:17:49 | 0:17:51 | |
that will remain live for the shops to stay open. | 0:17:51 | 0:17:54 | |
He's under extra pressure not to do any damage that could affect their trade. | 0:17:54 | 0:17:59 | |
The thing is about these jobs, | 0:18:02 | 0:18:04 | |
they want you to keep all the shops open, which is fine, which is fair, | 0:18:04 | 0:18:07 | |
but that doesn't half give us some grief. | 0:18:07 | 0:18:10 | |
If it was straightforward, every Tom, Dick and Harry would be doing it | 0:18:12 | 0:18:15 | |
and it'd be... | 0:18:15 | 0:18:16 | |
I think it would be a bore. | 0:18:16 | 0:18:18 | |
You have to have a bit of a challenge, it just gives you that | 0:18:18 | 0:18:21 | |
bit of excitement, and, you know, | 0:18:21 | 0:18:22 | |
you've got to get the heart racing a bit. | 0:18:22 | 0:18:25 | |
But, that will be a tricky one. | 0:18:25 | 0:18:27 | |
Bringing down buildings without interrupting the day-to-day life | 0:18:38 | 0:18:41 | |
of a busy urban area, | 0:18:41 | 0:18:43 | |
is a recurring challenge for demolition firms. | 0:18:43 | 0:18:46 | |
But in Birmingham, the £750 million makeover of New Street station | 0:18:46 | 0:18:51 | |
is taking that task to a whole new level. | 0:18:51 | 0:18:53 | |
This is the atrium demolition. | 0:19:05 | 0:19:07 | |
We are taking out everything from this floor and down a floor. | 0:19:07 | 0:19:11 | |
So what you'll have is a concourse | 0:19:12 | 0:19:14 | |
that vaults upwards to this big roof. | 0:19:14 | 0:19:16 | |
This used to be the Pallasades shopping centre, | 0:19:16 | 0:19:19 | |
so all of this used to be various retail units, | 0:19:19 | 0:19:21 | |
and over the last five years | 0:19:21 | 0:19:23 | |
we have moved our way through and we have taken out... | 0:19:23 | 0:19:26 | |
We've soft-stripped first, taken out all of the services, shop fronts, | 0:19:26 | 0:19:30 | |
and now we are removing the concrete. | 0:19:30 | 0:19:33 | |
JACK-HAMMERING | 0:19:33 | 0:19:35 | |
Noisy, aren't they, this lot? | 0:19:38 | 0:19:40 | |
Whilst demolition goes on, | 0:19:49 | 0:19:51 | |
it's business as usual for the station. | 0:19:51 | 0:19:53 | |
170,000 passengers use the station every day, | 0:19:57 | 0:20:00 | |
and it's the busiest interchange in the UK | 0:20:00 | 0:20:03 | |
with a train leaving every 37 seconds. | 0:20:03 | 0:20:06 | |
All right? | 0:20:09 | 0:20:10 | |
As demolition health and safety manager, | 0:20:10 | 0:20:12 | |
Debbie's role is crucial to the success of the project. | 0:20:12 | 0:20:16 | |
Whilst working on one of the biggest urban engineering jobs in the UK, | 0:20:16 | 0:20:19 | |
directly above thousands of commuters, | 0:20:19 | 0:20:22 | |
she has to keep man and machine apart. | 0:20:22 | 0:20:24 | |
I know my job has a good cause, | 0:20:30 | 0:20:32 | |
and I get to come to work to make sure that all of these people | 0:20:32 | 0:20:35 | |
that I get to work with are safe, | 0:20:35 | 0:20:37 | |
and isn't exposed to, like, occupational noise... | 0:20:37 | 0:20:42 | |
SHE LAUGHS | 0:20:42 | 0:20:44 | |
With what we ask of them, there's probably, like, 95% compliant. | 0:20:47 | 0:20:50 | |
There's always going to be the occasional person | 0:20:50 | 0:20:52 | |
that comes and tries to push their luck | 0:20:52 | 0:20:54 | |
and push me, essentially, sometimes. | 0:20:54 | 0:20:57 | |
You know, it's difficult being 28 and female. | 0:20:57 | 0:20:59 | |
There are a couple that think maybe that it's, you know... | 0:20:59 | 0:21:01 | |
That they don't have to listen. | 0:21:01 | 0:21:03 | |
But the days of turning up | 0:21:03 | 0:21:04 | |
with a sledgehammer and three lads and a blind eye, just won't float. | 0:21:04 | 0:21:09 | |
The main challenge for the demolition team | 0:21:13 | 0:21:15 | |
is to remove the two huge concrete floors | 0:21:15 | 0:21:17 | |
that sit directly above the busy station. | 0:21:17 | 0:21:20 | |
Just underneath their working area are 12 live railway lines. | 0:21:20 | 0:21:25 | |
On the other side of the atrium wall | 0:21:25 | 0:21:27 | |
life must continue as normal in the station. | 0:21:27 | 0:21:30 | |
The 1960s concrete is too weak to take the weight | 0:21:30 | 0:21:33 | |
of the powerful demolition machines needed. | 0:21:33 | 0:21:36 | |
So a new lightweight, remote-control Mega-muncher | 0:21:36 | 0:21:38 | |
has been built just for this job. | 0:21:38 | 0:21:41 | |
If the floors can be safely removed, | 0:21:41 | 0:21:43 | |
the demolition will reveal | 0:21:43 | 0:21:45 | |
a new spacious atrium, | 0:21:45 | 0:21:47 | |
designed to cope with the increasing passenger numbers | 0:21:47 | 0:21:49 | |
predicted for at least the next 40 years. | 0:21:49 | 0:21:52 | |
Network Rail plan to open the atrium to the public | 0:22:02 | 0:22:04 | |
before the end of 2015. | 0:22:04 | 0:22:06 | |
The demolition team has just six months to remove 6,000 tonnes of concrete. | 0:22:07 | 0:22:11 | |
So they're working shifts around the clock, | 0:22:13 | 0:22:15 | |
constantly preparing the next area for the Mega-muncher to attack. | 0:22:15 | 0:22:19 | |
Built in Birmingham, specifically to create the atrium, | 0:22:32 | 0:22:35 | |
its four-tonne jaws can apply over 3,000lb of pressure, | 0:22:35 | 0:22:40 | |
crushing through five-foot beams, | 0:22:40 | 0:22:42 | |
a wider reach than any other demolition machine. | 0:22:42 | 0:22:46 | |
Whilst it's the star of the show, | 0:22:48 | 0:22:50 | |
a support cast of dozens of demo-men work through the night | 0:22:50 | 0:22:54 | |
to clear the debris it leaves behind. | 0:22:54 | 0:22:56 | |
MAN WHISTLES TUNE | 0:23:01 | 0:23:03 | |
Driving the smallest machine on site, 28-year-old Skippy | 0:23:05 | 0:23:08 | |
has mixed views on playing second fiddle to a remote-control behemoth. | 0:23:08 | 0:23:13 | |
Cool the first time you see it. | 0:23:15 | 0:23:18 | |
Just a limelight-stealer for my little Bobcat, that's all it is. | 0:23:18 | 0:23:21 | |
Steals my limelight every night. | 0:23:21 | 0:23:23 | |
"Look at me, my big machine! Oooh...!" | 0:23:23 | 0:23:25 | |
My little Bobcat gets all bent out of shape about it. | 0:23:25 | 0:23:28 | |
I don't know... I wouldn't mind learning to drive him, | 0:23:29 | 0:23:32 | |
but, besides that, it just looks a bit dangerous to me. | 0:23:32 | 0:23:35 | |
You've seen me drive the Bobcat, | 0:23:35 | 0:23:36 | |
so if I got on that it'd be game-over for New Street station. | 0:23:36 | 0:23:40 | |
Rapido. | 0:23:40 | 0:23:41 | |
The thing is with demolition, | 0:23:45 | 0:23:46 | |
once you've knocked it down it's gone, | 0:23:46 | 0:23:48 | |
and they just build something new there. | 0:23:48 | 0:23:51 | |
Quite strange about this place because we've demolished... | 0:23:51 | 0:23:54 | |
We've demolished big parts of it | 0:23:54 | 0:23:55 | |
but it's still going to be here in years to come for people to see. | 0:23:55 | 0:24:00 | |
Which is very rare in our game. | 0:24:01 | 0:24:03 | |
It's usually, gone and a distant memory | 0:24:03 | 0:24:06 | |
of some old mad man in a pub. | 0:24:06 | 0:24:08 | |
"I remember when there was a flat block there...." | 0:24:08 | 0:24:11 | |
"Shut up, mate." | 0:24:11 | 0:24:13 | |
The train station is mercifully quiet at night, | 0:24:16 | 0:24:19 | |
allowing the crew to push on uninterrupted. | 0:24:19 | 0:24:22 | |
But if they've got any chance of having the atrium ready in time, | 0:24:22 | 0:24:26 | |
the Mega-muncher will have to work through the daytime, too, | 0:24:26 | 0:24:29 | |
without posing a danger to any of the thousands | 0:24:29 | 0:24:32 | |
of unsuspecting commuters. | 0:24:32 | 0:24:33 | |
The tallest building in Hull - | 0:24:40 | 0:24:42 | |
High Court Tower - is being readied for blow-down. | 0:24:42 | 0:24:44 | |
Following the test blast, | 0:24:45 | 0:24:47 | |
the engineers have decided the building needs to pre-weakened | 0:24:47 | 0:24:49 | |
before explosive is laid. | 0:24:49 | 0:24:52 | |
Key parts of the structural integrity of the six blast floors | 0:24:52 | 0:24:56 | |
will be removed to ensure that the blast has the maximum impact. | 0:24:56 | 0:24:59 | |
Martin is responsible for ensuring that the nearby houses | 0:25:07 | 0:25:09 | |
are all empty on the day of the blast. | 0:25:09 | 0:25:12 | |
By his calculations, the nearest 141 houses must all be empty | 0:25:12 | 0:25:16 | |
for the blow-down to go ahead. | 0:25:16 | 0:25:18 | |
Now he has to persuade them all to go along with his plan. | 0:25:20 | 0:25:23 | |
Policeman's door knock. | 0:25:27 | 0:25:28 | |
No, nobody coming to that. | 0:25:32 | 0:25:34 | |
They're not going to answer the door, are they? | 0:25:38 | 0:25:40 | |
The job on-site is easy, | 0:25:43 | 0:25:45 | |
they know exactly how long that's going to take, | 0:25:45 | 0:25:47 | |
they know exactly what they have to do. This is the... | 0:25:47 | 0:25:50 | |
The bit that is sort of really open to how the residents want to react, | 0:25:50 | 0:25:53 | |
whether they want to come out on the day, | 0:25:53 | 0:25:56 | |
or whether they just blatantly turn around at the first point | 0:25:56 | 0:25:59 | |
when we make contact and say, "I'm not coming out." | 0:25:59 | 0:26:02 | |
There were once seven tower blocks on the estate, | 0:26:05 | 0:26:08 | |
but Hull council decided they were too expensive to modernise | 0:26:08 | 0:26:11 | |
and are spending £15 million building new low-rise homes instead. | 0:26:11 | 0:26:16 | |
High Court is the last block standing. | 0:26:20 | 0:26:23 | |
Two years ago everyone was forced to move out. | 0:26:23 | 0:26:26 | |
That's looking across to Holmethorpe | 0:26:30 | 0:26:32 | |
when all the blocks were there and that's across the... | 0:26:32 | 0:26:36 | |
Nick and Maureen lived on the 17th floor for over 40 years. | 0:26:36 | 0:26:39 | |
Now they live in a bungalow two miles away - | 0:26:39 | 0:26:43 | |
their flat was bought by compulsory purchase order. | 0:26:43 | 0:26:46 | |
See, we had fantastic views. | 0:26:46 | 0:26:48 | |
That's why we described it as sort of like a penthouse flat | 0:26:48 | 0:26:50 | |
with panoramic views all the way round. | 0:26:50 | 0:26:53 | |
Out of the 43 years, I would say most of it are happy memories. | 0:26:53 | 0:26:58 | |
Oh, it was good. | 0:26:58 | 0:27:00 | |
Worst thing I can think about it is when it was very, very windy. | 0:27:00 | 0:27:03 | |
And you, like, were up there, and you knew the block moved | 0:27:05 | 0:27:07 | |
because, you know, it had to move. | 0:27:07 | 0:27:09 | |
At one point, we had a light-fitting that had three lampshades on it, | 0:27:09 | 0:27:14 | |
and they used to swing and you could feel it on the floor, couldn't you? | 0:27:14 | 0:27:18 | |
We used to sit there and - either sit on the floor or hold the floor - | 0:27:18 | 0:27:22 | |
and think, "Yeah, the lights will be going in a minute." | 0:27:22 | 0:27:25 | |
We just loved it there, it was just fun. | 0:27:25 | 0:27:27 | |
We imagined growing older there and probably not even ever moving. | 0:27:27 | 0:27:31 | |
And I must admit it was quite devastating, wasn't it? | 0:27:31 | 0:27:34 | |
If the council hadn't said they were demolishing | 0:27:34 | 0:27:37 | |
-we probably would have been still there now. -Yeah. | 0:27:37 | 0:27:39 | |
-Probably would've been. -It's just that they said we had to get out. | 0:27:39 | 0:27:43 | |
So we had to start looking for somewhere else. | 0:27:43 | 0:27:45 | |
Who should decide that you should lose your home? | 0:27:46 | 0:27:49 | |
The residents who still live in the shadow of High Court, | 0:27:52 | 0:27:56 | |
will have to evacuate their homes when the tower comes down. | 0:27:56 | 0:27:59 | |
Martin is planning to set up an evacuation centre | 0:28:00 | 0:28:03 | |
at a local school on the day. | 0:28:03 | 0:28:06 | |
He's going door-to-door to find out how many people would like to use it. | 0:28:06 | 0:28:09 | |
-Hi, sorry to disturb you. -Hiya. It's fine. | 0:28:14 | 0:28:16 | |
-We're from the demolition company. -Oh, right. Yeah. | 0:28:16 | 0:28:19 | |
Just chasing up the questionnaire. | 0:28:19 | 0:28:20 | |
Can I take your name please? | 0:28:20 | 0:28:22 | |
Yeah, it's Levi. | 0:28:22 | 0:28:23 | |
On the day of the demolition, | 0:28:23 | 0:28:25 | |
do you want to come to our evacuation centre | 0:28:25 | 0:28:27 | |
when we nicely ask you to leave? | 0:28:27 | 0:28:29 | |
Or do you want to make your own arrangements? | 0:28:29 | 0:28:31 | |
I'll make our own arrangements. | 0:28:31 | 0:28:32 | |
-Fantastic. -Go to the pub. | 0:28:32 | 0:28:35 | |
Do you have any pets, at all? | 0:28:35 | 0:28:36 | |
Only four kids. | 0:28:36 | 0:28:38 | |
As long as my house is still standing after two o'clock, I'm fine! | 0:28:40 | 0:28:43 | |
-Great. Thank you. -Thank you very much. -Bye. -Bye. | 0:28:43 | 0:28:46 | |
Do you want to come to our evacuation centre | 0:28:48 | 0:28:50 | |
which is going to be the school over the road? | 0:28:50 | 0:28:53 | |
Fantastic. | 0:28:53 | 0:28:54 | |
Oh...! You can't stay, it's coming this way. | 0:28:56 | 0:28:58 | |
Martin needs to know that everyone in the evacuation zone | 0:29:01 | 0:29:04 | |
will follow his orders, | 0:29:04 | 0:29:06 | |
or the entire demolition could be scuppered. | 0:29:06 | 0:29:08 | |
Well, that went well. | 0:29:08 | 0:29:10 | |
Howard's demolition team are making steady progress | 0:29:18 | 0:29:21 | |
taking down the 1970s shopping centre near Blackpool, | 0:29:21 | 0:29:25 | |
but they've yet to attempt the most difficult part of the project - | 0:29:25 | 0:29:28 | |
the crucial halfway cut. | 0:29:28 | 0:29:30 | |
Howard has worked in demolition for his whole adult life. | 0:29:33 | 0:29:38 | |
It's more than a profession, it's a love affair. | 0:29:38 | 0:29:40 | |
If you're a genuine demo man, | 0:29:42 | 0:29:44 | |
the real hardcore demo man, | 0:29:44 | 0:29:46 | |
like I have been all my life, | 0:29:46 | 0:29:48 | |
it just really gets into your blood. | 0:29:48 | 0:29:50 | |
And you just can't help it. | 0:29:50 | 0:29:52 | |
Like there was certain things when I got married. | 0:29:52 | 0:29:55 | |
My wife would book an holiday, | 0:29:55 | 0:29:57 | |
and I'd cancel. I wouldn't go. | 0:29:57 | 0:29:58 | |
It'd come to the end, and she'd have to go with the kids on her own, | 0:29:58 | 0:30:01 | |
because I'd say, "Oh, I've got this demolition job on, blah, blah." | 0:30:01 | 0:30:04 | |
And she used to go absolutely mad. | 0:30:04 | 0:30:06 | |
And she once said to me, one day, I'll never forget this | 0:30:06 | 0:30:08 | |
she said, "You know, I think you love your demolition company | 0:30:08 | 0:30:11 | |
"more than you love me." | 0:30:11 | 0:30:12 | |
And I responded by saying, | 0:30:12 | 0:30:14 | |
"Look, I love my mate's demolition company, more than I love you." | 0:30:14 | 0:30:18 | |
She went absolutely ballistic | 0:30:18 | 0:30:20 | |
and I always said, you know - | 0:30:20 | 0:30:21 | |
And I didn't realise what it was doing. It was wrecking it. | 0:30:21 | 0:30:25 | |
She left. | 0:30:27 | 0:30:29 | |
She went. | 0:30:29 | 0:30:31 | |
She'd just had enough and, | 0:30:31 | 0:30:33 | |
and she couldn't take no more. | 0:30:33 | 0:30:35 | |
And it's... I don't realise it - because it has, because... | 0:30:35 | 0:30:38 | |
"It's took hold of you, Howard" and "Get a life." | 0:30:38 | 0:30:41 | |
Get, you know... But this IS my life. | 0:30:41 | 0:30:43 | |
It's what I've done from being a kid, right the way up, | 0:30:43 | 0:30:46 | |
and I don't know nothing else. | 0:30:46 | 0:30:48 | |
Howard's biggest challenge this year | 0:30:52 | 0:30:55 | |
is splitting a shopping centre cleanly in two | 0:30:55 | 0:30:57 | |
to make way for a new supermarket. | 0:30:57 | 0:30:59 | |
His team has to completely flatten half of it, | 0:31:00 | 0:31:02 | |
but leave the other half intact. | 0:31:02 | 0:31:04 | |
As if that wasn't challenge enough, | 0:31:06 | 0:31:08 | |
he's now got a new headache. | 0:31:08 | 0:31:10 | |
It turns out the shopping centre is full of the demolition man's | 0:31:10 | 0:31:13 | |
worst nightmare - asbestos. | 0:31:13 | 0:31:16 | |
We've had a problem with the asbestos - | 0:31:19 | 0:31:21 | |
there's more of it than what we thought, | 0:31:21 | 0:31:23 | |
and it takes time to get it out. | 0:31:23 | 0:31:25 | |
So, it's all getting knocked back | 0:31:25 | 0:31:27 | |
because, you know, there's procedures... | 0:31:27 | 0:31:29 | |
How you've got to do it, and you just can't go at it willy-nilly. | 0:31:29 | 0:31:32 | |
They've discovered the beams are coated with asbestos. | 0:31:33 | 0:31:36 | |
Howard's employees are among the select band of demo workers, | 0:31:36 | 0:31:39 | |
who've the licence and qualification needed to take it down. | 0:31:39 | 0:31:42 | |
But first, the area has to be sealed off and made totally airtight | 0:31:42 | 0:31:47 | |
so no-one is exposed to the deadly fibres. | 0:31:47 | 0:31:50 | |
Right, so the lads are getting in there to strip the asbestos. | 0:31:50 | 0:31:53 | |
We've got to go in there and do what's called a smoke test. | 0:31:53 | 0:31:55 | |
We go in with a smoke machine. | 0:31:55 | 0:31:57 | |
Fire away, Gary. | 0:31:57 | 0:31:59 | |
We fill the enclosure with smoke. | 0:31:59 | 0:32:01 | |
If that smoke leaks through, | 0:32:01 | 0:32:02 | |
then obviously we've got a problem, and we have to seal that, | 0:32:02 | 0:32:05 | |
and then re smoke-test it, again. | 0:32:05 | 0:32:07 | |
Once there's no leaks, we can then sign the enclosure off as live, | 0:32:07 | 0:32:10 | |
and commence with the asbestos works then. | 0:32:10 | 0:32:12 | |
When you talk about endangering somebody's life, silently, | 0:32:17 | 0:32:20 | |
you just don't buck the system. | 0:32:20 | 0:32:22 | |
Make your way through now, Gary. | 0:32:26 | 0:32:28 | |
The asbestos itself, the product, | 0:32:29 | 0:32:31 | |
for what it does, is fantastic. | 0:32:31 | 0:32:33 | |
I don't know of anything else that does what it can do. | 0:32:33 | 0:32:35 | |
The shame is that it's so deadly. | 0:32:35 | 0:32:37 | |
The way it can insulate products is fantastic. | 0:32:37 | 0:32:39 | |
It's used in electrics to insulate against sparks. | 0:32:39 | 0:32:42 | |
It's brilliant for fire retardants. | 0:32:42 | 0:32:44 | |
You know, it were a brilliant product, | 0:32:44 | 0:32:46 | |
it's just the fact of the danger that comes with it. | 0:32:46 | 0:32:48 | |
Who's to say that in 20 years' time there's another product we're using now | 0:32:48 | 0:32:52 | |
that might not bring the same problems. | 0:32:52 | 0:32:54 | |
You can't really see much at all now, it's well and truly smoked out. | 0:32:55 | 0:33:00 | |
Asbestos was still used in construction in the UK, | 0:33:05 | 0:33:08 | |
as recently as 1999. | 0:33:08 | 0:33:10 | |
It's now known that even just a few microscopic fibres | 0:33:10 | 0:33:12 | |
can cause asbestosis, a crippling and untreatable lung disease. | 0:33:12 | 0:33:17 | |
Years and years ago, when I started in the business, | 0:33:17 | 0:33:20 | |
you'd go on and you'd knock an asbestos roof in | 0:33:20 | 0:33:23 | |
and you might come across an asbestos-lagged pipe, you know, | 0:33:23 | 0:33:26 | |
you'd probably end up shovelling it up. | 0:33:26 | 0:33:28 | |
Nobody... We...We...wasn't trained | 0:33:28 | 0:33:30 | |
and we didn't know about the dangers. | 0:33:30 | 0:33:33 | |
You know, we didn't know any better. You know. | 0:33:33 | 0:33:36 | |
Until all the people started dying. | 0:33:36 | 0:33:38 | |
You can't afford any slip-ups because if we DO miss a bit - | 0:33:38 | 0:33:42 | |
which, touch wood, up till now we haven't done - | 0:33:42 | 0:33:45 | |
you've got our knocking-down gang that come along, | 0:33:45 | 0:33:48 | |
and then they might be exposed to it. | 0:33:48 | 0:33:50 | |
And then, if they miss it, you've got the poor building gang | 0:33:50 | 0:33:53 | |
that's going to put the new building up, they'll be exposed to it. | 0:33:53 | 0:33:56 | |
And it just does on and on and on and on. | 0:33:56 | 0:33:58 | |
Dealing with asbestos is dangerous, | 0:34:00 | 0:34:02 | |
and company owners can be jailed if they breach the rules. | 0:34:02 | 0:34:06 | |
Work here will have to be halted | 0:34:06 | 0:34:08 | |
until it's been painstakingly removed - | 0:34:08 | 0:34:10 | |
a process that could hold up the job for weeks. | 0:34:10 | 0:34:14 | |
To put it in a nutshell, you mention asbestos to me, | 0:34:15 | 0:34:18 | |
it makes me cringe. | 0:34:18 | 0:34:20 | |
I hate the stuff. It's a bloody nightmare. | 0:34:20 | 0:34:23 | |
At Birmingham New Street, | 0:34:31 | 0:34:32 | |
the ambitious demolition that will | 0:34:32 | 0:34:34 | |
create a vast 30-metre high atrium is continuing apace. | 0:34:34 | 0:34:38 | |
Yo, sexy boy! | 0:34:40 | 0:34:41 | |
Work is going on whilst the main station in Britain's second city | 0:34:44 | 0:34:46 | |
remains operating at full capacity. | 0:34:46 | 0:34:49 | |
The first of the two huge concrete floors has been removed ahead of schedule, | 0:34:54 | 0:34:58 | |
but now they're moving onto the floor that's closest | 0:34:58 | 0:35:01 | |
to the myriad of railway lines directly below. | 0:35:01 | 0:35:04 | |
Health and safety manager Debbie | 0:35:04 | 0:35:06 | |
is responsible for her team on site, | 0:35:06 | 0:35:09 | |
and also for ensuring that no passengers are hurt or hindered | 0:35:09 | 0:35:12 | |
by the demolition. | 0:35:12 | 0:35:14 | |
I don't think anyone appreciates the extent of what's going on | 0:35:14 | 0:35:17 | |
on the other side of the walls. | 0:35:17 | 0:35:19 | |
I think the tunnels that have been put in place | 0:35:19 | 0:35:21 | |
to get people from A to B give you an affect of a full station, | 0:35:21 | 0:35:24 | |
when actually on either side of each tunnel is just work. | 0:35:24 | 0:35:28 | |
Men working, taking out and putting back in. | 0:35:28 | 0:35:31 | |
So I think they've done a good job of keeping everything running really | 0:35:33 | 0:35:36 | |
while...while we knock everything apart. | 0:35:36 | 0:35:39 | |
So I come down here and go through and do background noise monitoring. | 0:35:42 | 0:35:47 | |
So we look at everything from the Tannoys, | 0:35:47 | 0:35:49 | |
to the people pulling trolleys to the people with talking, crowds... | 0:35:49 | 0:35:54 | |
And then we look at when we start works | 0:35:54 | 0:35:56 | |
with our Brokks and our breakers. | 0:35:56 | 0:35:57 | |
We look at how much we're affecting or increasing the noise. | 0:35:57 | 0:36:00 | |
See if there's any more controls that we need to put in | 0:36:00 | 0:36:02 | |
so we're not bothering the public any more than we need to. | 0:36:02 | 0:36:06 | |
So what this does, is it takes the noise readings from the area. | 0:36:11 | 0:36:14 | |
So it's picking up the DBA for all the different noises around us. | 0:36:14 | 0:36:18 | |
So, everybody that goes past that's talking, | 0:36:18 | 0:36:20 | |
anyone that's pulling a suitcase, | 0:36:20 | 0:36:23 | |
all of our works above and behind the walls, on the other side... | 0:36:23 | 0:36:26 | |
So everything, really. | 0:36:26 | 0:36:28 | |
And we're looking to stay under certain levels. | 0:36:28 | 0:36:32 | |
Point it. Look at it. Not bad. Leave. | 0:36:32 | 0:36:34 | |
It's a lot more technical than that. | 0:36:35 | 0:36:38 | |
-Is it? -No. | 0:36:38 | 0:36:39 | |
With so many passengers walking around, | 0:36:42 | 0:36:44 | |
passed, and under the work site every day, | 0:36:44 | 0:36:47 | |
the demolition team can't afford to make any mistakes. | 0:36:47 | 0:36:51 | |
In any other circumstance with demolition, | 0:36:55 | 0:36:58 | |
you get everybody out of the way, | 0:36:58 | 0:36:59 | |
you get all of your men as far away as possible, | 0:36:59 | 0:37:01 | |
and you demolish in a controlled environment | 0:37:01 | 0:37:04 | |
with very few people in the way. | 0:37:04 | 0:37:06 | |
But here we're almost surrounded on every face by people, | 0:37:06 | 0:37:10 | |
so it makes our job a million times harder. | 0:37:10 | 0:37:12 | |
In Hull, preparations for the demolition of the 19-storey tower, | 0:37:29 | 0:37:32 | |
High Court, are underway. | 0:37:32 | 0:37:34 | |
JACK-HAMMERING | 0:37:35 | 0:37:37 | |
The walls have been weakened on the structural engineer's advice. | 0:37:37 | 0:37:40 | |
Now, over the coming weeks 1,000 holes must be drilled | 0:37:40 | 0:37:45 | |
before the building is peppered with explosive. | 0:37:45 | 0:37:47 | |
As there's no record of the strength of the concrete, | 0:37:52 | 0:37:55 | |
or amount of reinforcing steel used in the building, | 0:37:55 | 0:37:58 | |
blasting isn't an exact science. | 0:37:58 | 0:38:00 | |
Large volumes of concrete could fall further than predicted, | 0:38:02 | 0:38:05 | |
so Martin has to ensure that the nearest 141 houses are empty | 0:38:05 | 0:38:09 | |
on the day of the blast. | 0:38:09 | 0:38:11 | |
This is certainly not the glamorous side of the job! | 0:38:13 | 0:38:16 | |
Let's hope this isn't here on the day. | 0:38:17 | 0:38:19 | |
The evacuation is crucial for public safety, | 0:38:25 | 0:38:28 | |
as more than 1,000 explosive changes will be primed | 0:38:28 | 0:38:31 | |
by the time blow-down day arrives. | 0:38:31 | 0:38:33 | |
The exact timing of an explosive demolition | 0:38:37 | 0:38:39 | |
is not normally made public, | 0:38:39 | 0:38:41 | |
but as Martin needs so many locals to cooperate, | 0:38:41 | 0:38:44 | |
he's let them know they plan to detonate at midday, | 0:38:44 | 0:38:48 | |
so they can make arrangements. | 0:38:48 | 0:38:50 | |
But with blow-down day just four weeks away, | 0:38:50 | 0:38:52 | |
there's trouble brewing. | 0:38:52 | 0:38:54 | |
Up until this morning, there were still 28 properties, | 0:38:55 | 0:38:59 | |
that we still hadn't had any contact from. | 0:38:59 | 0:39:01 | |
And we have had on this project two people that have said, | 0:39:03 | 0:39:06 | |
"I'm not coming out." | 0:39:06 | 0:39:09 | |
One lives very close to the block | 0:39:09 | 0:39:12 | |
and the other one lives close enough that we wouldn't be happy | 0:39:12 | 0:39:15 | |
about not getting them out on the day. | 0:39:15 | 0:39:18 | |
But we've already had that discussion with the... | 0:39:18 | 0:39:20 | |
with our client, and with Housing and with the police. | 0:39:20 | 0:39:25 | |
So we've made them, everybody's aware of the issues we may have. | 0:39:25 | 0:39:28 | |
Last resort, physically knocking the door in, and extracting them. | 0:39:30 | 0:39:35 | |
But it's a really last resort and I've never had it yet on a project, | 0:39:35 | 0:39:38 | |
so, hopefully, not on this one. | 0:39:38 | 0:39:41 | |
And you kind of think - "Why?" | 0:39:41 | 0:39:43 | |
Given that what's going to happen on the day. | 0:39:43 | 0:39:47 | |
Why they wouldn't want to leave, | 0:39:47 | 0:39:49 | |
but people are strange, I suppose. | 0:39:49 | 0:39:51 | |
On the day of the blast, | 0:39:54 | 0:39:56 | |
Martin could have to call in support from the police. | 0:39:56 | 0:39:58 | |
If anyone in the exclusion zone refuses to leave their home, | 0:40:00 | 0:40:03 | |
his efforts to get the local community on side | 0:40:03 | 0:40:06 | |
could all be in vain. | 0:40:06 | 0:40:07 | |
Howard's crew are reaching the most difficult part | 0:40:14 | 0:40:17 | |
of their shopping centre demolition. | 0:40:17 | 0:40:19 | |
The asbestos has been safely removed, so tonight | 0:40:19 | 0:40:22 | |
they separate the buildings that they're demolishing | 0:40:22 | 0:40:24 | |
from the shops that are supposed to remain standing. | 0:40:24 | 0:40:27 | |
How's it going? | 0:40:27 | 0:40:29 | |
Should I be concerned yet or not? | 0:40:30 | 0:40:32 | |
-No. -No, not yet? | 0:40:32 | 0:40:35 | |
As long as you know a good place, you'll be all right. | 0:40:35 | 0:40:37 | |
I just make unannounced visits, | 0:40:41 | 0:40:42 | |
but when it's something like this I just like to... Peace of mind. | 0:40:42 | 0:40:46 | |
I'm quite confident that they have it in hand and it'll go perfect. | 0:40:46 | 0:40:51 | |
But it doesn't always go to plan, | 0:40:51 | 0:40:53 | |
but we're hoping this is going to go to plan so, you know, | 0:40:53 | 0:40:55 | |
you'll have to bear with me on this one. | 0:40:55 | 0:40:58 | |
The thing that we've got to really, really be careful of is, | 0:41:03 | 0:41:05 | |
we've got four girders coming from this part of the building, | 0:41:05 | 0:41:08 | |
which is coming down, going through to the building, | 0:41:08 | 0:41:11 | |
which is staying up. | 0:41:11 | 0:41:12 | |
Now, the slightest rattle of movement on one of them buildings | 0:41:12 | 0:41:16 | |
will shake their building. | 0:41:16 | 0:41:18 | |
You cannot afford to have the slightest movement | 0:41:20 | 0:41:23 | |
because it will just drop the girder right through | 0:41:23 | 0:41:26 | |
and we know this isn't going to happen. | 0:41:26 | 0:41:28 | |
HE MOUTHS SILENTLY | 0:41:28 | 0:41:30 | |
I mean, what's the worst that can happen? | 0:41:36 | 0:41:39 | |
They flatten the cafe? | 0:41:39 | 0:41:41 | |
There's another one round the corner up there that's a good one, | 0:41:41 | 0:41:43 | |
but that's the worst that can happen. | 0:41:43 | 0:41:47 | |
If you ever lose your key for the front door, | 0:41:47 | 0:41:50 | |
that's what you want, one of them. | 0:41:50 | 0:41:52 | |
The shops that are staying put have closed for the day, | 0:41:57 | 0:42:01 | |
but Howard has just one night to split the building | 0:42:01 | 0:42:03 | |
so they can open as normal first thing tomorrow. | 0:42:03 | 0:42:06 | |
Taking down the girders will reduce the structural support | 0:42:12 | 0:42:15 | |
in both sides of the building, | 0:42:15 | 0:42:17 | |
and four girders have to come down tonight without causing any damage. | 0:42:17 | 0:42:21 | |
Should we move away from them? | 0:42:23 | 0:42:25 | |
That's just come how we wanted it to come. | 0:42:28 | 0:42:31 | |
I was always concerned it was going to flick that way, | 0:42:31 | 0:42:34 | |
batter against them windows and everything, so it hasn't. | 0:42:34 | 0:42:37 | |
It's gone where we wanted it. | 0:42:37 | 0:42:38 | |
Three down, one to go. | 0:42:44 | 0:42:47 | |
Now Howard's crew has to make the most final, | 0:42:47 | 0:42:49 | |
most difficult cut by hand, and the excavator is in position | 0:42:49 | 0:42:53 | |
to try to prevent the girders swinging down uncontrollably. | 0:42:53 | 0:42:56 | |
With the final steel successfully severed, | 0:43:11 | 0:43:14 | |
the shops on the cut line are still standing and intact. | 0:43:14 | 0:43:18 | |
The rubble from the demolished half of the shopping centre will soon | 0:43:18 | 0:43:21 | |
be cleared and the building work on the new supermarket can begin. | 0:43:21 | 0:43:25 | |
Open as usual in the morning, look. See, they must have known. | 0:43:25 | 0:43:29 | |
You see, while everybody's in bed, | 0:43:29 | 0:43:31 | |
we're here keeping the wheels of industry turning | 0:43:31 | 0:43:34 | |
to keep everybody going, | 0:43:34 | 0:43:36 | |
and they won't even know we've been when they come in the morning. | 0:43:36 | 0:43:39 | |
Well, I like to think that's a result. | 0:43:41 | 0:43:43 | |
Another good job done. | 0:43:43 | 0:43:45 | |
-Sentry one, receiving? Over. -RADIO: -Loud and clear. | 0:43:53 | 0:43:56 | |
-Sentry two, receiving? Over. -RADIO: Loud and clear. | 0:43:56 | 0:44:00 | |
Sentry three, receiving? Over. | 0:44:00 | 0:44:02 | |
-RADIO: -Loud and clear. | 0:44:02 | 0:44:04 | |
Blow down day in Hull... | 0:44:06 | 0:44:08 | |
or it will be if Martin's team can coax all the residents | 0:44:08 | 0:44:11 | |
of High Court's neighbouring properties into leaving their homes | 0:44:11 | 0:44:14 | |
at the allotted hour. | 0:44:14 | 0:44:16 | |
I always feel really apprehensive of the morning of blow down. | 0:44:21 | 0:44:24 | |
It's one of those where you're praying for everything to go right | 0:44:24 | 0:44:27 | |
and 99.99% of the time it goes right, | 0:44:27 | 0:44:31 | |
but there is always something that just throws a little bit | 0:44:31 | 0:44:34 | |
of a spanner in the works that's unexpected. | 0:44:34 | 0:44:37 | |
Martin's assembled a team to go door-to-door, | 0:44:42 | 0:44:45 | |
to make sure everyone in the 141 houses in the exclusion zone | 0:44:45 | 0:44:49 | |
are out in time. | 0:44:49 | 0:44:51 | |
We're telling the evacuation team, | 0:44:51 | 0:44:53 | |
we're trying to get everybody out by 10:00. | 0:44:53 | 0:44:56 | |
That may not happen. | 0:44:56 | 0:44:57 | |
The team includes some keen volunteers... | 0:44:59 | 0:45:02 | |
his mum and his wife. | 0:45:02 | 0:45:03 | |
I will give it to you first, Abi. | 0:45:03 | 0:45:05 | |
Hello, Martin's wife, Martin's wife. | 0:45:05 | 0:45:08 | |
Most of the neighbours have agreed to leave whilst the tower comes down | 0:45:10 | 0:45:14 | |
but Martin's team have identified one household on the estate | 0:45:14 | 0:45:17 | |
that is still not willing to play ball. | 0:45:17 | 0:45:21 | |
So, if you get any abuse or anything, again just let me know | 0:45:21 | 0:45:25 | |
and we can sort of try and deal with it through the authority | 0:45:25 | 0:45:28 | |
or the police, just to politely go and knock on the door | 0:45:28 | 0:45:30 | |
and convince them it's probably the best thing to do, | 0:45:30 | 0:45:33 | |
is to leave for the day. | 0:45:33 | 0:45:34 | |
Other than that, happy knocking. | 0:45:34 | 0:45:36 | |
Martin has asked for everyone in the exclusion zone | 0:45:41 | 0:45:44 | |
to be out of their properties by 10:00 AM, to try and ensure | 0:45:44 | 0:45:47 | |
they hit the scheduled time for the blast, midday. | 0:45:47 | 0:45:51 | |
-Hiya. -Hi, good morning, from the evacuation team. | 0:45:53 | 0:45:56 | |
Just a little prompt reminder, that's all. | 0:45:56 | 0:45:58 | |
10:00, if you could be out, that'd be great. | 0:45:58 | 0:46:01 | |
-Yeah, yeah, that's fine. -All right, thank you. | 0:46:01 | 0:46:03 | |
Have you had somebody knock on the door? Cos we're part of the | 0:46:03 | 0:46:06 | |
-evacuation team. -I've put a green sticker on. -You're an angel. | 0:46:06 | 0:46:08 | |
DOG BARKS LOUDLY | 0:46:08 | 0:46:11 | |
Lovely dog, aw. | 0:46:12 | 0:46:15 | |
-KNOCK AT DOOR -Just a polite reminder, | 0:46:15 | 0:46:17 | |
-there's a 10:00 evacuation, that's all. -Just getting ready. | 0:46:17 | 0:46:20 | |
Oh, all right, OK. | 0:46:20 | 0:46:22 | |
Thank you, all right. Bye. | 0:46:22 | 0:46:23 | |
There's no-one else in there. | 0:46:25 | 0:46:27 | |
-Oh, that's all right. You're not harbouring anybody? -No! | 0:46:27 | 0:46:30 | |
THEIR LAUGHTER DROWNS SPEECH | 0:46:30 | 0:46:32 | |
Team one, we're quite confident that everybody's vacated, over. | 0:46:32 | 0:46:37 | |
OK, thank you. | 0:46:42 | 0:46:43 | |
Well, we've got one property that they've been adamant from the start | 0:46:45 | 0:46:49 | |
through this whole process that they're not coming out. | 0:46:49 | 0:46:52 | |
They work nights and why should they leave? | 0:46:52 | 0:46:55 | |
So it does give me a little bit of concern | 0:46:58 | 0:47:01 | |
because it's obviously one property out of 141 that won't come out | 0:47:01 | 0:47:06 | |
but hopefully they will come out. | 0:47:06 | 0:47:09 | |
We'll see what happens, they may want to be that awkward, | 0:47:09 | 0:47:11 | |
I don't know. | 0:47:11 | 0:47:13 | |
With houses less than 20 meters away from High Court, | 0:47:15 | 0:47:19 | |
the explosives engineer's calculations have to be bang on. | 0:47:19 | 0:47:22 | |
There is only one way that it can fall | 0:47:22 | 0:47:25 | |
without causing catastrophic damage. | 0:47:25 | 0:47:27 | |
The cabin just at the... | 0:47:30 | 0:47:32 | |
The police are on hand to help with the evacuation. | 0:47:32 | 0:47:35 | |
If the residents who say they won't leave put themselves in danger, | 0:47:35 | 0:47:39 | |
they could be arrested for a breach of public order. | 0:47:39 | 0:47:42 | |
-Have they said whether... -Mr Smitt. -Yes. | 0:47:42 | 0:47:45 | |
He doesn't have an issue with evacuating, it's the length of time | 0:47:45 | 0:47:49 | |
he has to be evacuated for. | 0:47:49 | 0:47:52 | |
So basically he said if you tell him a time that he has to be out for, | 0:47:52 | 0:47:55 | |
he will be out. | 0:47:55 | 0:47:56 | |
We're very late as it is, so no arguing, it's a | 0:47:58 | 0:48:01 | |
"you must be walking out of this house at this time," | 0:48:01 | 0:48:03 | |
and there's no leeway for "I'll be another ten minutes..." | 0:48:03 | 0:48:06 | |
Yeah, and what time's that? | 0:48:06 | 0:48:10 | |
It's probably 11:30. | 0:48:10 | 0:48:12 | |
Right, the latest time is 11:00. | 0:48:14 | 0:48:16 | |
Now we're here on the day with the boys in blue, | 0:48:16 | 0:48:19 | |
it's now, "I actually don't have any problem with leaving, | 0:48:19 | 0:48:21 | |
"it's just the length of time I want to be out the house, | 0:48:21 | 0:48:24 | |
"so what's the latest I have to be out for and when can I be back in?" | 0:48:24 | 0:48:28 | |
So the drama's over, he's happy to go, so that's pretty much 100%. | 0:48:28 | 0:48:31 | |
So that's everybody out who we said we were going to get out. | 0:48:31 | 0:48:36 | |
RADIO: That's fine, just make sure that gentleman | 0:48:36 | 0:48:38 | |
doesn't access back into his house, please. | 0:48:38 | 0:48:40 | |
With the evacuation complete, the explosives team can begin | 0:48:42 | 0:48:45 | |
their final preparations to take down the tower. | 0:48:45 | 0:48:47 | |
As well as those who've been evacuated from their houses, | 0:48:51 | 0:48:54 | |
residents who used to live in High Court have come to watch. | 0:48:54 | 0:48:58 | |
I lived in there 20 years ago and I loved it, | 0:48:58 | 0:49:01 | |
it was really good. | 0:49:01 | 0:49:03 | |
It was brilliant flats, | 0:49:03 | 0:49:05 | |
and my sister's baby was born in there as well, in the bathroom. | 0:49:05 | 0:49:10 | |
Once it's gone it'll be great, because it's been an eye sore | 0:49:10 | 0:49:12 | |
for the last few years but it's like an end of an era. | 0:49:12 | 0:49:15 | |
It's a part of history, | 0:49:15 | 0:49:16 | |
so I hope it all goes down well and everybody's safe. | 0:49:16 | 0:49:21 | |
Hello, it's the demolition team. | 0:49:25 | 0:49:29 | |
Could you come and answer the door, please? | 0:49:29 | 0:49:32 | |
With just over an hour to go until blow down, there's a problem. | 0:49:32 | 0:49:36 | |
Hello? | 0:49:36 | 0:49:37 | |
Martin's team have spotted a window open in a house | 0:49:37 | 0:49:40 | |
they think was shut earlier. | 0:49:40 | 0:49:41 | |
Want to go around? | 0:49:41 | 0:49:42 | |
It could be a sign that someone is still in. | 0:49:42 | 0:49:46 | |
And the house is worryingly close to the explosive-laden tower. | 0:49:46 | 0:49:50 | |
Stop anybody coming back into the zone, please. Over. | 0:49:50 | 0:49:54 | |
RADIO: Need to keep an eye on it because we think there maybe | 0:49:54 | 0:49:56 | |
somebody inside, so if you see any movement of anybody, we need to know. | 0:49:56 | 0:49:59 | |
We just keep knocking and we'll get... | 0:49:59 | 0:50:01 | |
We've done that, we've been round the back, | 0:50:01 | 0:50:03 | |
but we're pretty certain there's somebody in there. | 0:50:03 | 0:50:05 | |
RADIO: Can you go back to your position | 0:50:05 | 0:50:07 | |
so I can see you from where I am? | 0:50:07 | 0:50:08 | |
The window's open, it definitely wasn't before. | 0:50:10 | 0:50:12 | |
RADIO: Position two receiving loud and clear. | 0:50:12 | 0:50:14 | |
If Martin can't be sure that the house is empty, the demolition | 0:50:26 | 0:50:30 | |
will have to be delayed and with it, hundreds of residents will be | 0:50:30 | 0:50:33 | |
further prevented from getting back into their own homes. | 0:50:33 | 0:50:37 | |
Receiving, over. We can't 100% confirm that he's gone. | 0:50:38 | 0:50:43 | |
The indicator for us was that the window at the front is still open | 0:50:43 | 0:50:46 | |
which he may have left but he might not have done as well. | 0:50:46 | 0:50:50 | |
Where he is, he is a little bit too close for comfort. | 0:50:52 | 0:50:56 | |
So, we may need to be as vigorous as we can and make sure we get him out. | 0:50:56 | 0:51:01 | |
This is the police. | 0:51:08 | 0:51:10 | |
If you don't come and answer the door, we'll be forced to put it in. | 0:51:10 | 0:51:13 | |
We have a cherry picker which we may be able to get up | 0:51:19 | 0:51:21 | |
and open the window and shout through the window. | 0:51:21 | 0:51:24 | |
-I don't see him. -Nobody there? | 0:51:39 | 0:51:41 | |
Just push the window to, then. | 0:51:41 | 0:51:43 | |
So there's no bed or anything in there, there isn't anybody or a bed. | 0:51:43 | 0:51:46 | |
It's just an empty room. | 0:51:46 | 0:51:48 | |
That hasn't changed the position, though, has it? | 0:51:48 | 0:51:51 | |
Hasn't confirmed or denied whether there's anyone in there, has he? | 0:51:52 | 0:51:55 | |
Yeah, yeah. | 0:51:55 | 0:51:57 | |
Well, yeah. | 0:51:59 | 0:52:02 | |
Common sense would dictate that he's either in another room or downstairs, | 0:52:02 | 0:52:05 | |
-if he is in there. -Yeah... -He's in a critical position. | 0:52:05 | 0:52:09 | |
He is if he's in. | 0:52:09 | 0:52:11 | |
It's pretty close. | 0:52:11 | 0:52:13 | |
In a career of almost 20 years, | 0:52:16 | 0:52:18 | |
Martin has overseen more than 50 explosive demolitions. | 0:52:18 | 0:52:22 | |
He's never had to break in to secure a house before, | 0:52:22 | 0:52:25 | |
but with the police on standby, it's the only option, | 0:52:25 | 0:52:29 | |
as the house is in a dangerously vulnerable position. | 0:52:29 | 0:52:32 | |
FORCEFUL BANGING | 0:52:32 | 0:52:37 | |
Thank you. | 0:52:37 | 0:52:38 | |
Police! | 0:52:40 | 0:52:41 | |
-Nobody in? Nobody in? -Nope, empty house. | 0:52:45 | 0:52:48 | |
Property's empty. | 0:52:53 | 0:52:55 | |
Unfortunately we've had to knock his back door in, so to speak, | 0:52:55 | 0:52:58 | |
but we're just going to board it up now | 0:52:58 | 0:53:01 | |
and then we'll get a permanent sort of a repair in place. | 0:53:01 | 0:53:04 | |
This is the first time that it's ever happened to me | 0:53:04 | 0:53:07 | |
that we've actually had to knock somebody's door in, | 0:53:07 | 0:53:10 | |
so it's not the most pleasant thing, but in the interests of safety, | 0:53:10 | 0:53:13 | |
given how far away the building is, it's something that we had to do. | 0:53:13 | 0:53:17 | |
SIREN BLARES | 0:53:17 | 0:53:20 | |
With the team confident that the exclusion zone is completely clear, | 0:53:26 | 0:53:30 | |
the demolition can go ahead. | 0:53:30 | 0:53:32 | |
Now it just a case of collapsing a 60 meter building into a tiny space, | 0:53:36 | 0:53:41 | |
with houses less than 20 metres away. | 0:53:41 | 0:53:43 | |
Ten, nine, eight, | 0:53:45 | 0:53:49 | |
seven, six, five... | 0:53:49 | 0:53:52 | |
Fire now. | 0:54:00 | 0:54:02 | |
Before the residents are allowed back in their houses, | 0:54:30 | 0:54:33 | |
Martin has to check that they're all still standing. | 0:54:33 | 0:54:36 | |
I quite like that smell after. | 0:54:36 | 0:54:38 | |
Pretty much the houses at this side are still all safe, | 0:54:44 | 0:54:47 | |
little bit of clean up required. | 0:54:47 | 0:54:50 | |
But the fence is still in place and the houses aren't damaged. | 0:54:50 | 0:54:53 | |
Once we've got the footpath clear, | 0:54:53 | 0:54:55 | |
we can now allow the residents to start coming back in. | 0:54:55 | 0:54:58 | |
The closest houses have escaped any damage, | 0:55:00 | 0:55:03 | |
but there are homes on all sides of this site. | 0:55:03 | 0:55:06 | |
And there's a vivid reminder of just how important the evacuation was. | 0:55:06 | 0:55:10 | |
A lump of the tower has been propelled further than planned, | 0:55:11 | 0:55:14 | |
shattered one resident's fence. | 0:55:14 | 0:55:17 | |
There you can see obviously it's spilled out a little bit | 0:55:17 | 0:55:20 | |
just into the first property here. | 0:55:20 | 0:55:22 | |
There's a few lumps that we're just going to bring a machine round now | 0:55:22 | 0:55:26 | |
and clear this out of the way. | 0:55:26 | 0:55:28 | |
We can see there's a minor bit of superficial damage to the door, | 0:55:29 | 0:55:32 | |
but certainly nothing that's going to stop them | 0:55:32 | 0:55:35 | |
from getting back in that property. | 0:55:35 | 0:55:36 | |
Now the thousands of tonnes of steel and concrete that once stood | 0:55:39 | 0:55:43 | |
60 metres high would soon be put to another use. | 0:55:43 | 0:55:47 | |
This was the tallest building in Hull up until 30 minutes ago, | 0:55:47 | 0:55:51 | |
and as you can see now it's less than probably a quarter | 0:55:51 | 0:55:55 | |
of its height with what we've got left. | 0:55:55 | 0:55:58 | |
And now we've got to spend the next six weeks processing all that | 0:55:58 | 0:56:02 | |
concrete and getting all the steel out of it and recycling it and | 0:56:02 | 0:56:05 | |
sending it off for somebody else to use on another construction project. | 0:56:05 | 0:56:08 | |
In Birmingham, | 0:56:13 | 0:56:15 | |
the two concrete floors have been removed over the past five months. | 0:56:15 | 0:56:19 | |
It will take a few months for contractors to deck out | 0:56:19 | 0:56:22 | |
and decorate the space, then for the first time in 45 years, | 0:56:22 | 0:56:25 | |
New Street Station will be bathed in natural light and able to cope | 0:56:25 | 0:56:29 | |
with the predicted increase in footfall for the next 40 years. | 0:56:29 | 0:56:34 | |
It's a dream just five or six months away from becoming a reality. | 0:56:34 | 0:56:40 | |
Demolition has finished, but before Debbie and the crew | 0:56:40 | 0:56:43 | |
pack up and leave site, the press have been invited | 0:56:43 | 0:56:46 | |
to see the fruits of their labour. | 0:56:46 | 0:56:48 | |
It'll look beautiful. | 0:56:48 | 0:56:49 | |
It really will and here we will have the benefit of the atrium roof, | 0:56:49 | 0:56:52 | |
so you'll have so much more light in the station, | 0:56:52 | 0:56:55 | |
which I think is what it missed before. | 0:56:55 | 0:56:57 | |
Guys, do you want to gather round a minute? | 0:56:57 | 0:57:00 | |
This is it done, and you can see from here | 0:57:00 | 0:57:02 | |
all the way up to the roof. | 0:57:02 | 0:57:04 | |
It's the end of an era after five and a half years. | 0:57:04 | 0:57:07 | |
We did what we came to do and we did it well, | 0:57:07 | 0:57:09 | |
and we did it quicker than expected and we did it safely | 0:57:09 | 0:57:12 | |
and we did it without incident or injury. | 0:57:12 | 0:57:14 | |
And it was exactly what we wanted from it. | 0:57:14 | 0:57:16 | |
It's... We couldn't have asked for a better job. | 0:57:16 | 0:57:19 | |
When you first walk in, it is a bit of a kind of, | 0:57:19 | 0:57:21 | |
"Oh, goodness me, it's a hell of a sight, isn't it?" | 0:57:21 | 0:57:24 | |
It is, it's great, and we've worked for five years | 0:57:24 | 0:57:26 | |
in tiny little dark spaces so it's quite nice to see the sky again. | 0:57:26 | 0:57:30 | |
They'll only have a little snippet of, like, about 30 seconds, | 0:57:32 | 0:57:35 | |
-a minute or something like that. -They build it up all day | 0:57:35 | 0:57:37 | |
and it comes on, they're like, "Here at New Street station," | 0:57:37 | 0:57:40 | |
and someone goes, "We've finished!" | 0:57:40 | 0:57:41 | |
And then that's it, that's all that's on the news. | 0:57:41 | 0:57:44 | |
One, two, three, cheese! | 0:57:50 | 0:57:53 | |
I love demolition. | 0:57:56 | 0:57:57 | |
It's a sense of accomplishment when you come and see something | 0:57:57 | 0:58:00 | |
that's an eye sore or damaged or, you know, a hazard to people | 0:58:00 | 0:58:05 | |
and we can come and take it away | 0:58:05 | 0:58:06 | |
and they build something beautiful in its place. | 0:58:06 | 0:58:08 | |
So we're not part of the construction so much, | 0:58:08 | 0:58:11 | |
but we facilitate construction, we facilitate change. | 0:58:11 | 0:58:15 | |
So demolition is what I know, what I'm good at and what I enjoy. | 0:58:15 | 0:58:20 | |
So it's what I will always do. | 0:58:20 | 0:58:23 | |
Yeah... | 0:58:25 | 0:58:27 | |
unless I can get a bakery! | 0:58:27 | 0:58:29 |