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As a working mother, I simultaneously long for and dread Christmas. | 0:00:02 | 0:00:06 | |
There's always so much to do and so little time. | 0:00:06 | 0:00:08 | |
MUSIC: "Christmas (Baby Please Come Home)" | 0:00:08 | 0:00:12 | |
I'm Alex Polizzi, hotelier and businesswoman. | 0:00:13 | 0:00:16 | |
And I'm inviting you into my own home as I look for ways | 0:00:16 | 0:00:19 | |
to transform it for Christmas. | 0:00:19 | 0:00:21 | |
Like all of us, I have my own traditions, | 0:00:24 | 0:00:26 | |
but I'm no queen of craft. | 0:00:26 | 0:00:28 | |
This year is my baby son's first Christmas, | 0:00:28 | 0:00:31 | |
so I'm searching out quick, inspirational ways | 0:00:31 | 0:00:33 | |
to create something extra special. | 0:00:33 | 0:00:36 | |
-I love it. -Oh, no, it's very restrained! I mean, come on. | 0:00:36 | 0:00:41 | |
I want a Christmas fix. | 0:00:41 | 0:00:42 | |
So I'm asking for help from the people who set the gold standard for festive display. | 0:00:42 | 0:00:47 | |
'From present wrapping...' | 0:00:49 | 0:00:50 | |
It's not looking great. It's looking awful. | 0:00:50 | 0:00:53 | |
'..to setting the table and lighting.' | 0:00:53 | 0:00:57 | |
I bring you Christmas! | 0:00:57 | 0:00:58 | |
Inspired by their five-star methods, | 0:01:00 | 0:01:03 | |
I'm elevating my decor from standard to spectacular. | 0:01:03 | 0:01:07 | |
And you can, too. | 0:01:07 | 0:01:08 | |
I'll share easy, surprisingly inexpensive styling tips. | 0:01:09 | 0:01:13 | |
The humble paperclip - the most useful decorating tool | 0:01:14 | 0:01:16 | |
in my extensive armoury. | 0:01:16 | 0:01:19 | |
I'll discover that by shopping smartly | 0:01:19 | 0:01:22 | |
and by using things you already own | 0:01:22 | 0:01:25 | |
it's possible to decorate your home to the most exacting standards | 0:01:25 | 0:01:29 | |
without breaking the bank... or your back. | 0:01:29 | 0:01:31 | |
I'm preparing my home for my family and guests this Christmas. | 0:01:43 | 0:01:47 | |
Never mind about the food and drink, | 0:01:49 | 0:01:51 | |
for me it's all about setting the scene for gorgeous festivities. | 0:01:51 | 0:01:55 | |
Which means luxurious embellishment from top to toe. | 0:01:56 | 0:02:00 | |
I want the Christmas excitement to begin at the doorway, | 0:02:01 | 0:02:05 | |
where I want to create a warm welcome for my guests. | 0:02:05 | 0:02:09 | |
Inside, I'm also looking for a way to make my banisters festive. | 0:02:09 | 0:02:12 | |
In the living room, a beautifully dressed tree is the bare minimum. | 0:02:14 | 0:02:18 | |
But this year I'm hoping to sprinkle some decorative fairy dust | 0:02:18 | 0:02:21 | |
over the rest of the room, too. | 0:02:21 | 0:02:24 | |
And as we sit down to Christmas lunch, | 0:02:24 | 0:02:27 | |
I'd like to create a table that will do the turkey proud. | 0:02:27 | 0:02:31 | |
First things first, the outside. | 0:02:32 | 0:02:34 | |
Winter nights cry out for illumination and sparkle. | 0:02:36 | 0:02:39 | |
I urgently need some inspiration for stylish lighting. | 0:02:39 | 0:02:43 | |
I absolutely love Christmas lights. | 0:02:51 | 0:02:53 | |
They make me feel as if everything's right with the world. | 0:02:53 | 0:02:55 | |
I want to create this feeling at home, | 0:02:55 | 0:02:59 | |
and I can't think of anyone better to inspire me | 0:02:59 | 0:03:02 | |
than the people who turn our streets into a sparkling wonderland. | 0:03:02 | 0:03:05 | |
But creating this gorgeousness is as much about practicality | 0:03:07 | 0:03:11 | |
as prettiness. | 0:03:11 | 0:03:12 | |
The team at James Glancy Designs work through the night for weeks | 0:03:12 | 0:03:16 | |
in the run-up to Christmas in order to scatter our streets with magic. | 0:03:16 | 0:03:20 | |
Yeah, down a bit. Yeah. | 0:03:20 | 0:03:23 | |
Right. Down your end. | 0:03:23 | 0:03:24 | |
There, gorgeous. | 0:03:24 | 0:03:27 | |
Plug it in. | 0:03:27 | 0:03:28 | |
Yay! Lovely, boys. Thank you very much. | 0:03:30 | 0:03:32 | |
This spectacular snow scene is one of 60 schemes | 0:03:39 | 0:03:41 | |
they've installed this year. | 0:03:41 | 0:03:44 | |
They're experts in the secrets of commercial lighting. | 0:03:44 | 0:03:47 | |
I hope they can illuminate me about the domestic side. | 0:03:47 | 0:03:50 | |
MUSIC: "It's Beginning To Look A Lot Like Christmas" | 0:03:52 | 0:03:55 | |
You know the old snowfall that we've got? What would be great... | 0:04:00 | 0:04:04 | |
Paul Dart is creative director, | 0:04:04 | 0:04:07 | |
responsible for all the company's designs. | 0:04:07 | 0:04:10 | |
He lights the streets of Britain, | 0:04:15 | 0:04:17 | |
and what he doesn't know about lighting isn't worth knowing. | 0:04:17 | 0:04:20 | |
-Very nice to meet you. -And you, too. -Thank you so much. | 0:04:20 | 0:04:24 | |
Welcome to the madness of it all. | 0:04:24 | 0:04:27 | |
To the cornucopia of Christmas. | 0:04:27 | 0:04:29 | |
Ah, you could put it like that. Yes. | 0:04:29 | 0:04:31 | |
This room full of festive lights and objects past, present and future | 0:04:31 | 0:04:35 | |
is Paul's ideas laboratory. | 0:04:35 | 0:04:38 | |
I love this star here. It's absolutely gorgeous. | 0:04:39 | 0:04:42 | |
Well, that was just an idea of how you could make a star read as a star. | 0:04:42 | 0:04:45 | |
Is it like this all year round? | 0:04:45 | 0:04:47 | |
Oh, yes. Yes, no, this never changes. | 0:04:47 | 0:04:49 | |
Christmas comes round every year. We start in January. | 0:04:49 | 0:04:53 | |
-You start in January? -As soon as it starts to come down, we start talking about next year. | 0:04:53 | 0:04:57 | |
This place is packed with gorgeous things, | 0:04:57 | 0:05:00 | |
which I hope will help me work out my plans at home. | 0:05:00 | 0:05:03 | |
So, this is really more your sort of modernist idea of Christmas... | 0:05:03 | 0:05:07 | |
-I love it! -..using lots of colour. | 0:05:07 | 0:05:09 | |
We call these su sticks but actually they're just fluorescent tubes | 0:05:09 | 0:05:12 | |
with colour round them. And then we've just made a ceiling | 0:05:12 | 0:05:15 | |
of just moving discs of reflective material. | 0:05:15 | 0:05:18 | |
-It makes me feel very Christmassy already. -Good. Well, so it should. | 0:05:18 | 0:05:22 | |
It's lovely. | 0:05:22 | 0:05:23 | |
Street schemes like this are a magical part of modern Christmas. | 0:05:25 | 0:05:29 | |
They're a relatively recent addition to the festive landscape, | 0:05:29 | 0:05:32 | |
first appearing in Britain just 60 years ago. | 0:05:32 | 0:05:35 | |
The excitement in 1954 when Regent Street's first festive lights were switched on | 0:05:39 | 0:05:44 | |
was so great that the House of Lords tried to sue those responsible | 0:05:44 | 0:05:49 | |
for causing chaos and obstruction. | 0:05:49 | 0:05:51 | |
Fashions may have changed over the years | 0:05:55 | 0:05:58 | |
but the magic and glitz of city centre lights remain a crucial part | 0:05:58 | 0:06:02 | |
of building anticipation for Christmas. | 0:06:02 | 0:06:05 | |
I'm not planning on building any 12-foot snowflakes at home, | 0:06:10 | 0:06:13 | |
but the problem I always have with lighting is how to fix it in place | 0:06:13 | 0:06:16 | |
without covering my house in sticky tape. | 0:06:16 | 0:06:20 | |
Up close and personal with one of Paul's full-size designs, | 0:06:20 | 0:06:24 | |
I'm going to be let in on a solution. | 0:06:24 | 0:06:26 | |
-Here's Romy... -Romy, hi. -..doing the hard work | 0:06:26 | 0:06:29 | |
of translating my madness into reality. | 0:06:29 | 0:06:33 | |
Paul and Romy introduce me | 0:06:33 | 0:06:34 | |
to their simple method of fastening anything to anything. | 0:06:34 | 0:06:37 | |
-The magic of the cable tie. -Hmm! | 0:06:37 | 0:06:39 | |
This plastic strap is the fixing of choice that holds all these decorations together. | 0:06:40 | 0:06:45 | |
Just get the end of your cable tie | 0:06:45 | 0:06:47 | |
and put it through the wires of the lights. That's right. At the end. | 0:06:47 | 0:06:51 | |
Make sure you find the right bit of the cable tie... | 0:06:51 | 0:06:53 | |
That's very important. | 0:06:53 | 0:06:55 | |
And then... | 0:06:55 | 0:06:57 | |
How tight? | 0:06:57 | 0:06:58 | |
As... Tighter? | 0:06:58 | 0:07:00 | |
-No, I think that will be just about fine. -OK. -Lovely. | 0:07:00 | 0:07:03 | |
Then we bring on the cutters and snip... | 0:07:03 | 0:07:06 | |
And so you can snip right, right at the end? | 0:07:06 | 0:07:09 | |
-Yes, because we don't want to see the cable tie. -No. | 0:07:09 | 0:07:11 | |
And you need to do another 3,500 of those very quickly. | 0:07:11 | 0:07:16 | |
Safe, cheap and disposable, | 0:07:17 | 0:07:19 | |
I'm definitely adding these to my shopping list! | 0:07:19 | 0:07:22 | |
But I want to pick Paul's brain for more ideas to add pizzazz | 0:07:22 | 0:07:26 | |
to my home this Christmas. | 0:07:26 | 0:07:27 | |
How do you start when you're planning something? | 0:07:27 | 0:07:30 | |
What are you trying to create in the eyes of the viewer? | 0:07:30 | 0:07:34 | |
A moment of unadulterated joy. | 0:07:34 | 0:07:36 | |
I want that moment when your mum switched on your first Christmas tree | 0:07:36 | 0:07:40 | |
and you had that transporting moment. | 0:07:40 | 0:07:42 | |
I can still feel it now, weirdly enough, | 0:07:42 | 0:07:45 | |
of... It's joy. | 0:07:45 | 0:07:47 | |
-So, you do this all year round, think about Christmas. -Yeah. | 0:07:47 | 0:07:51 | |
What do you do at home? | 0:07:51 | 0:07:53 | |
I do an awful lot. | 0:07:53 | 0:07:56 | |
Show me some pictures. | 0:07:56 | 0:07:57 | |
-Well, this is the front room a few years ago. -Yes. | 0:07:57 | 0:08:00 | |
And that was white on white with lots of crystal and pearl | 0:08:00 | 0:08:03 | |
-and all those sort of things. -That's over the top. I love it. | 0:08:03 | 0:08:06 | |
No, it's terribly... It's very restrained. | 0:08:06 | 0:08:08 | |
I mean, come on. | 0:08:08 | 0:08:10 | |
I mean, surely everybody does this? | 0:08:10 | 0:08:13 | |
People always forget the things that you should decorate. | 0:08:13 | 0:08:15 | |
Always the mantelpiece, always the mirror. | 0:08:15 | 0:08:17 | |
-Don't forget curtain rails. -Mantelpiece... Curtain rails. -Perfect. | 0:08:17 | 0:08:21 | |
-Always remember front door. -Yes, of course. -Balustrades. | 0:08:21 | 0:08:24 | |
-Balconies. -Fine. -Entrances. | 0:08:24 | 0:08:26 | |
The key for this is actually finding your fixings. | 0:08:26 | 0:08:29 | |
You need somewhere to actually fix all these things. | 0:08:29 | 0:08:32 | |
Christmas trees... Find the top of your cornice, put in a nail | 0:08:32 | 0:08:36 | |
and wire your tree back to the wall so it can't fall forward. | 0:08:36 | 0:08:40 | |
-I love that idea. -Because, obviously when you're decorating it, | 0:08:40 | 0:08:43 | |
you put all the decorations on the front. | 0:08:43 | 0:08:45 | |
It becomes front heavy, it's likely to fall towards you. | 0:08:45 | 0:08:48 | |
Other trick is get a piece of ply cut | 0:08:48 | 0:08:51 | |
-to the very top shape of your fireplace. -Yes. | 0:08:51 | 0:08:54 | |
And that means then you can hammer, screw, staple gun... | 0:08:54 | 0:08:57 | |
-Go for gold. -I love that idea. | 0:08:57 | 0:09:00 | |
And put something heavy on it to stop the whole lot falling forward. | 0:09:00 | 0:09:02 | |
And lighting is key, key, key. | 0:09:02 | 0:09:05 | |
-I know. My mother, who is an absolute purist... -Yes. | 0:09:05 | 0:09:08 | |
She only ever uses white lights, and so do I. | 0:09:08 | 0:09:12 | |
-I think you're both right. -Oh, good! Thank you. | 0:09:12 | 0:09:15 | |
Paul has been completely inspiring. | 0:09:20 | 0:09:22 | |
There's so many ideas that I've got now, | 0:09:22 | 0:09:24 | |
I'm going home fizzing. | 0:09:24 | 0:09:26 | |
I'm having to rethink my whole lighting theme | 0:09:39 | 0:09:42 | |
because since seeing Paul I've realised that I've made a mistake all these years. | 0:09:42 | 0:09:46 | |
I've never decorated a doorway, and it is, after all, | 0:09:46 | 0:09:49 | |
the first thing my guests will see when they arrive at my house. | 0:09:49 | 0:09:52 | |
I've seen lots of natural-looking decorations around, | 0:09:52 | 0:09:57 | |
so I'm having a go at constructing an illuminated branch to hang in my porch. | 0:09:57 | 0:10:01 | |
I have some battery-operated lighting | 0:10:01 | 0:10:05 | |
and I'm going to cable-tie it onto this rather fine twig. | 0:10:05 | 0:10:07 | |
The better the twig, the better the end effect. | 0:10:07 | 0:10:10 | |
Battery lights are the Christmas decorator's best friend - | 0:10:11 | 0:10:14 | |
I don't have to run a cable through my letter box | 0:10:14 | 0:10:17 | |
or work out how to power them. | 0:10:17 | 0:10:19 | |
You can buy sets with cable of almost any colour. | 0:10:19 | 0:10:22 | |
I'm using black, so it blends into the branch. | 0:10:22 | 0:10:25 | |
So, I am attaching the battery-operated light | 0:10:25 | 0:10:30 | |
with some black cable ties. | 0:10:30 | 0:10:32 | |
Very secure. | 0:10:32 | 0:10:33 | |
Paul's favourite cable ties, | 0:10:35 | 0:10:37 | |
like everything I'm using here, are inexpensive and easy to source. | 0:10:37 | 0:10:41 | |
You can get them all from DIY stores or a stationer's. | 0:10:41 | 0:10:45 | |
The humble paperclip, the most useful decorating tool | 0:10:45 | 0:10:49 | |
in my extensive armoury. | 0:10:49 | 0:10:51 | |
Not really. I mean, this is the only thing I ever use. | 0:10:51 | 0:10:54 | |
It's a quick and easy way to attach any Christmas decoration to anything. | 0:10:54 | 0:10:58 | |
I'm adding a selection of sparkly decorations | 0:11:02 | 0:11:04 | |
which will reflect the lights. | 0:11:04 | 0:11:06 | |
I am far from the queen of craft. | 0:11:06 | 0:11:09 | |
I'm absolutely useless at doing anything like this. | 0:11:09 | 0:11:12 | |
But even I am capable of attaching a few battery-operated lights | 0:11:12 | 0:11:16 | |
and some decorations to a bit of twig. | 0:11:16 | 0:11:18 | |
This has taken only minutes to put together. | 0:11:19 | 0:11:22 | |
And fixing it in position won't be hard either. | 0:11:22 | 0:11:26 | |
I'm going to attach this with an expanding shower-curtain pole. | 0:11:26 | 0:11:33 | |
I know - hardly glamorous. But highly effective. | 0:11:33 | 0:11:37 | |
Like... | 0:11:37 | 0:11:39 | |
so! | 0:11:39 | 0:11:40 | |
But this alone won't be enough for my doorway. | 0:11:42 | 0:11:45 | |
This year, to really pull out the stops, | 0:11:45 | 0:11:48 | |
I want to have a wreath as well. | 0:11:48 | 0:11:50 | |
But if, like me, you haven't got time to make one from scratch, | 0:11:50 | 0:11:54 | |
it's quicker and easier to customise an artificial one. | 0:11:54 | 0:11:57 | |
Using pliers, cut short lengths of garden wire. | 0:11:59 | 0:12:03 | |
Put a set of outdoor-rated battery lights on top of the wreath. | 0:12:05 | 0:12:10 | |
Adjust until you're happy with how they look. | 0:12:10 | 0:12:14 | |
Then wire into position, twisting and folding the ends | 0:12:18 | 0:12:21 | |
so that there are no points sticking out. | 0:12:21 | 0:12:24 | |
Turn the wreath over | 0:12:27 | 0:12:29 | |
and fasten in a hook so you can hang it up. | 0:12:29 | 0:12:32 | |
Then fix the battery packs in place. | 0:12:33 | 0:12:35 | |
Make sure you can get to the switches | 0:12:35 | 0:12:38 | |
so you can turn them on and off when it's on your door. | 0:12:38 | 0:12:40 | |
Thread 10cm lengths of ribbon on to baubles | 0:12:42 | 0:12:46 | |
which match your colour scheme. | 0:12:46 | 0:12:48 | |
Tie on with a simple knot. | 0:12:48 | 0:12:50 | |
Repeat the process with a set of reindeer bells, | 0:12:51 | 0:12:54 | |
which will jingle gently as you open your front door. | 0:12:54 | 0:12:57 | |
Cut rosemary or other long-lasting greenery | 0:13:00 | 0:13:03 | |
into 10cm to 15cm lengths | 0:13:03 | 0:13:07 | |
and tuck the cut ends into your wreath, | 0:13:07 | 0:13:10 | |
making sure the tips fan out in the same direction as the berries. | 0:13:10 | 0:13:14 | |
The rosemary should stay fresh for the 12 days of Christmas. | 0:13:18 | 0:13:22 | |
And next year you can re-use the wreath, | 0:13:22 | 0:13:24 | |
updating it by changing the colour of the baubles. | 0:13:24 | 0:13:27 | |
In the dark, my homespun efforts come to life, beaming out a welcome. | 0:13:34 | 0:13:39 | |
I'd like to continue this Nordic-inspired, | 0:13:41 | 0:13:44 | |
red theme right through my home. | 0:13:44 | 0:13:46 | |
Next up is my living room. | 0:13:46 | 0:13:48 | |
I think any reception room needs a couple of beautiful focal points. | 0:13:48 | 0:13:53 | |
The tree and a pile of lavish presents will be the main event. | 0:13:53 | 0:13:56 | |
But this year I also want to give my mantelpiece | 0:13:56 | 0:13:59 | |
a bit of decorative love. | 0:13:59 | 0:14:01 | |
So, in my ongoing hunt for decorating inspiration, | 0:14:05 | 0:14:08 | |
I'm heading to the high street, | 0:14:08 | 0:14:10 | |
to steal some of the secrets of festive display. | 0:14:10 | 0:14:13 | |
MUSIC: "White Christmas" | 0:14:13 | 0:14:15 | |
Shop window displays are always so enticing at Christmas. | 0:14:19 | 0:14:23 | |
They really are the art of decoration at its best. | 0:14:23 | 0:14:26 | |
And they do what they're supposed to, which is persuade me | 0:14:26 | 0:14:29 | |
to spend, spend, spend. | 0:14:29 | 0:14:32 | |
And for me, the ultimate Christmas windows are at Fortnum & Mason, | 0:14:32 | 0:14:35 | |
London's oldest department store. | 0:14:35 | 0:14:38 | |
Their preparation is one of retail's most closely guarded secrets. | 0:14:38 | 0:14:43 | |
Head of Visual Presentation, Paul Symes, and his team | 0:14:43 | 0:14:47 | |
spend months planning and long nights installing them. | 0:14:47 | 0:14:50 | |
I'm just doing the final pieces now. | 0:14:50 | 0:14:52 | |
Just putting the icing on the cake, | 0:14:52 | 0:14:54 | |
making sure that everything is straight, everything is clean, | 0:14:54 | 0:14:57 | |
everything is perfect. | 0:14:57 | 0:14:58 | |
Lavish window displays like this have been parting customers | 0:15:00 | 0:15:04 | |
from their Christmas cash since the 1800's, | 0:15:04 | 0:15:08 | |
when the advent of expensive plate glass and street lighting | 0:15:08 | 0:15:12 | |
meant that windows and streets were lit, | 0:15:12 | 0:15:15 | |
making it safe for people to roam city streets at night. | 0:15:15 | 0:15:18 | |
Window shopping was free for all. | 0:15:20 | 0:15:22 | |
For the rich, it was an opportunity | 0:15:22 | 0:15:25 | |
to size up the best Christmas presents. | 0:15:25 | 0:15:28 | |
For the poor, it was an intriguing insight | 0:15:28 | 0:15:31 | |
into how the other half lived. | 0:15:31 | 0:15:33 | |
The 1950's consumer boom saw shop windows flooded with gifts, | 0:15:36 | 0:15:40 | |
toys and technology | 0:15:40 | 0:15:42 | |
as big department stores vied for custom | 0:15:42 | 0:15:44 | |
with the most extravagant windows. | 0:15:44 | 0:15:47 | |
And that tradition continues today. | 0:15:47 | 0:15:49 | |
These Christmas windows are a festive institution, | 0:15:53 | 0:15:57 | |
and this year they are populated by cherubs, | 0:15:57 | 0:15:59 | |
and an enticing selection of cakes, crystal and silver... | 0:15:59 | 0:16:04 | |
..as well as a series of tableaux illustrating Christmas dreams. | 0:16:08 | 0:16:12 | |
It's an explosion of festive decorative imagination - | 0:16:17 | 0:16:20 | |
just what I need to give me ideas for my living room. | 0:16:20 | 0:16:23 | |
Under cover of darkness, | 0:16:29 | 0:16:31 | |
I've been granted a privileged glimpse behind the scenes. | 0:16:31 | 0:16:35 | |
-Hello. -Hello. -I'm Alex. -Pleased to meet you. -Thank you so much. | 0:16:35 | 0:16:39 | |
It looks absolutely amazing in here. | 0:16:39 | 0:16:41 | |
The inside of the store hasn't been forgotten. | 0:16:47 | 0:16:51 | |
Paul's team also decorates dozens of chandeliers... | 0:16:53 | 0:16:57 | |
and 50 Christmas trees. | 0:16:57 | 0:17:00 | |
They seem to know their way around a bauble or two. | 0:17:02 | 0:17:04 | |
I'm still deciding how to dress MY tree, | 0:17:04 | 0:17:08 | |
so I want to know how Paul decides on his colour scheme. | 0:17:08 | 0:17:10 | |
What colours did you use last year for interest? Can you remember? | 0:17:10 | 0:17:16 | |
We used a lot of gold and a lot of reds, | 0:17:16 | 0:17:18 | |
-because it goes with the carpet. -Yes. | 0:17:18 | 0:17:20 | |
We do tend to be more traditional. A couple of years ago | 0:17:20 | 0:17:22 | |
-we did burlesque, so we had... -I remember that. | 0:17:22 | 0:17:25 | |
-..female mannequins with feathers. -I remember that. -We used pinks. | 0:17:25 | 0:17:28 | |
We're not always reds, golds and greens. | 0:17:28 | 0:17:30 | |
You have to decorate for your, in your case, your client base, | 0:17:30 | 0:17:34 | |
and in my case for the kind of family | 0:17:34 | 0:17:38 | |
-that I have around me at Christmas. Yes? -Very much so. | 0:17:38 | 0:17:41 | |
I'm not sure I want MY tree to look this traditional, | 0:17:43 | 0:17:46 | |
but I do want to understand how to achieve | 0:17:46 | 0:17:49 | |
this lavish, richly decorated look. | 0:17:49 | 0:17:51 | |
Kelsey and Faye are responsible for dressing the veritable forest in the store. | 0:17:53 | 0:17:57 | |
Each Christmas tree is studded with more than 250 baubles, | 0:17:57 | 0:18:01 | |
as well as swathes of lights and ribbon. | 0:18:01 | 0:18:04 | |
You two must be Paul's ribboners. Hi, good evening. | 0:18:06 | 0:18:10 | |
How many do you do of these a night? | 0:18:10 | 0:18:12 | |
We've got 28 to do tonight. | 0:18:12 | 0:18:16 | |
SHE GASPS | 0:18:16 | 0:18:17 | |
Yeah. | 0:18:17 | 0:18:18 | |
Oh, my gosh. I bet you've got a double espresso inside you! | 0:18:18 | 0:18:22 | |
You're going to get sick of red and gold. | 0:18:22 | 0:18:24 | |
Yeah, I will, definitely. | 0:18:24 | 0:18:28 | |
When it comes to dressing a tree, | 0:18:29 | 0:18:32 | |
these two certainly know what they're doing. | 0:18:32 | 0:18:35 | |
Do you have any specific advice for me about decorating a tree | 0:18:35 | 0:18:39 | |
and how you get that kind of amazing impression of the richness of a tree? | 0:18:39 | 0:18:44 | |
-It's about getting depth, isn't it, with the baubles? -Yeah. | 0:18:44 | 0:18:48 | |
It's about looking into the tree. | 0:18:48 | 0:18:49 | |
A lot of people tend to put the baubles near the end | 0:18:49 | 0:18:52 | |
-whereas you need to put the bigger ones and stuff in to get the depth. -OK. | 0:18:52 | 0:18:56 | |
Also it doesn't have to be baubles, it can be anything. | 0:18:56 | 0:18:59 | |
You know, last year we used large acorns. | 0:18:59 | 0:19:03 | |
Really quite inexpensive. Fill a big space. | 0:19:03 | 0:19:06 | |
-Very effective. -Yeah. | 0:19:06 | 0:19:07 | |
I think it's about adding different textures as well. | 0:19:07 | 0:19:10 | |
You can make it a bit more interesting. | 0:19:10 | 0:19:13 | |
-What are you doing this year at home? -I haven't decided. -Have you decided? -No. | 0:19:13 | 0:19:17 | |
-What did you do last year? -We'll get these out of the way. | 0:19:17 | 0:19:19 | |
I did mercury silver and wood. | 0:19:19 | 0:19:23 | |
Oooh. | 0:19:23 | 0:19:25 | |
Do you two have kids? | 0:19:27 | 0:19:28 | |
BOTH: Yes | 0:19:28 | 0:19:30 | |
Do you let them help you decorate the tree? | 0:19:30 | 0:19:32 | |
Absolutely not! | 0:19:32 | 0:19:33 | |
Yes! I am not alone on this. | 0:19:33 | 0:19:37 | |
I always feel a bit mean about it, so I'm glad I'm not alone. | 0:19:37 | 0:19:39 | |
You're not alone, you're not alone at all. | 0:19:39 | 0:19:42 | |
My Christmas is unthinkable without a tree heaving with baubles and lights. | 0:19:49 | 0:19:54 | |
But this, like so many of our festive decorating traditions, | 0:19:54 | 0:19:58 | |
is a Victorian innovation. | 0:19:58 | 0:20:00 | |
In 1848 Queen Victoria, her family and their Christmas tree | 0:20:03 | 0:20:08 | |
appeared on the front of the London Illustrated News. | 0:20:08 | 0:20:11 | |
This German custom was quickly adopted by every self-respecting family. | 0:20:11 | 0:20:15 | |
The fashionable Victorian tree was decorated with flags, | 0:20:18 | 0:20:22 | |
wooden toys, | 0:20:22 | 0:20:24 | |
candles | 0:20:24 | 0:20:27 | |
and sugared almonds. | 0:20:27 | 0:20:28 | |
And every period since has stamped its own identity on the humble fir or spruce. | 0:20:33 | 0:20:37 | |
Advances in mass manufacturing gave the Edwardians metallic baubles and sparkle. | 0:20:40 | 0:20:46 | |
The first fake trees appeared in the 1930's | 0:20:49 | 0:20:51 | |
when brush manufacturers decided to branch out. | 0:20:51 | 0:20:55 | |
And cheap electricity and the petrochemical industry gave the 1960's | 0:20:57 | 0:21:01 | |
the fairy light, the plastic bauble | 0:21:01 | 0:21:05 | |
and tons of tinsel. | 0:21:05 | 0:21:07 | |
We also went crazy for craft. | 0:21:07 | 0:21:10 | |
Today we can take our pick from countless fashion trends, | 0:21:12 | 0:21:15 | |
from neon to Nordic, | 0:21:15 | 0:21:19 | |
traditional to trendy. | 0:21:19 | 0:21:23 | |
We spend in excess of £2.6 billion | 0:21:23 | 0:21:26 | |
each year on decorative baubles and bling. | 0:21:26 | 0:21:29 | |
MUSIC: "I've Got My Love To Keep Me Warm" | 0:21:34 | 0:21:37 | |
At home, I'm copying Paul's traditional colour scheme | 0:21:44 | 0:21:47 | |
of red and gold, | 0:21:47 | 0:21:48 | |
although I'm adding some glass and silver for a more modern look. | 0:21:48 | 0:21:53 | |
But even choosing the tree is problematic. | 0:21:53 | 0:21:56 | |
It is part of our whole ritual. | 0:21:56 | 0:21:58 | |
Our family ritual at Christmas is going and choosing a tree all together. | 0:21:58 | 0:22:01 | |
Arguing about what size it is, managing to get it home | 0:22:01 | 0:22:05 | |
without my husband's great fear of scratching the car's paintwork | 0:22:05 | 0:22:08 | |
and then assembling it with muttered curses. | 0:22:08 | 0:22:12 | |
This year I've chosen a rather bushy eight-foot fir. | 0:22:14 | 0:22:18 | |
This is a very soft tree. This is a fir rather than a spruce, | 0:22:18 | 0:22:23 | |
and although it does shed, it's a lot softer. | 0:22:23 | 0:22:26 | |
So... I've got a baby crawling around the floor this year | 0:22:26 | 0:22:29 | |
and I want to make sure he doesn't poke his eyes out. | 0:22:29 | 0:22:32 | |
This is a good way to do it. | 0:22:32 | 0:22:33 | |
I've already dressed it with lights, | 0:22:34 | 0:22:36 | |
carefully winding them from the top to the base. | 0:22:36 | 0:22:39 | |
I've even wound a set round the trunk in order to create sparkle | 0:22:39 | 0:22:42 | |
right from the centre of the tree to its tips. | 0:22:42 | 0:22:46 | |
You need way more lights than you ever think is possible. | 0:22:46 | 0:22:49 | |
There are over 2,000 bulbs on this tree | 0:22:49 | 0:22:52 | |
and you wouldn't believe it, would you? | 0:22:52 | 0:22:54 | |
They disappear into the greenery. | 0:22:54 | 0:22:57 | |
Following the advice of Kelsey and Faye, | 0:22:57 | 0:23:00 | |
I'm mixing up sizes and textures, | 0:23:00 | 0:23:02 | |
pushing some baubles right into the middle of the tree. | 0:23:02 | 0:23:05 | |
Once again, paperclips are the easiest and cheapest way | 0:23:05 | 0:23:10 | |
to secure any decoration. | 0:23:10 | 0:23:12 | |
And rather than splashing out on new ornaments, | 0:23:12 | 0:23:15 | |
I'm just adding a few extras. | 0:23:15 | 0:23:17 | |
These red baubles are the only new decorations I've bought this year. | 0:23:17 | 0:23:21 | |
I just bought a value pack from a supermarket - | 0:23:21 | 0:23:24 | |
a lot of baubles for a very small amount of money. | 0:23:24 | 0:23:27 | |
Everything else are decorations that I've collected over the years | 0:23:27 | 0:23:31 | |
and that I bring out with enormous affection | 0:23:31 | 0:23:34 | |
and remind me of all Christmases past. | 0:23:34 | 0:23:37 | |
Bulking out a few expensive decorations | 0:23:37 | 0:23:39 | |
with cheap shatterproof baubles is the best way to add substance | 0:23:39 | 0:23:43 | |
to your tree without spending a fortune. | 0:23:43 | 0:23:46 | |
Because more is always more when it comes to my tree. | 0:23:46 | 0:23:50 | |
I don't think you can ever put too much on a tree, | 0:23:50 | 0:23:53 | |
but if you did happen to do so, you could always take some off. | 0:23:53 | 0:23:57 | |
When I'm doing my tree, | 0:23:58 | 0:24:00 | |
I have one in mind that I'm always trying to emulate. | 0:24:00 | 0:24:04 | |
My grandmother's Christmas tree in her house | 0:24:04 | 0:24:07 | |
must have been at least I would say possibly | 0:24:07 | 0:24:10 | |
three times the size of this one. It was enormous. | 0:24:10 | 0:24:13 | |
I was also much smaller. | 0:24:13 | 0:24:15 | |
So, proportionally, it seemed amazing to me! | 0:24:15 | 0:24:19 | |
And then the combination of that with, you know, | 0:24:19 | 0:24:23 | |
the hundreds of presents underneath it, | 0:24:23 | 0:24:25 | |
that is still my favourite Christmas memory. | 0:24:25 | 0:24:28 | |
I dress my tree by eye, filling gaps as I go, | 0:24:30 | 0:24:33 | |
and no-one is allowed to touch it except me. | 0:24:33 | 0:24:37 | |
My daughter yesterday said, "I don't like the tree here. | 0:24:37 | 0:24:40 | |
"I like it in front of the window." | 0:24:40 | 0:24:42 | |
I said, "Well, that's something to look forward to, darling. | 0:24:42 | 0:24:44 | |
"When you have a house all of your own, you can put a tree wherever you like. | 0:24:44 | 0:24:47 | |
"But this is my house and my tree. Hands off!" | 0:24:47 | 0:24:50 | |
My family might not be allowed NEAR the tree, | 0:24:56 | 0:24:58 | |
but they all have a place ON it. | 0:24:58 | 0:25:00 | |
A couple of years ago I invested in all these ceramic hearts | 0:25:00 | 0:25:04 | |
and I wrote all the names of the current family members on. | 0:25:04 | 0:25:07 | |
There've been a few additions this year with marriages and births. | 0:25:07 | 0:25:11 | |
This will be my darling son's first Christmas. | 0:25:13 | 0:25:17 | |
Certainly, for me, Christmas is all about family, | 0:25:17 | 0:25:19 | |
and it's a time to be grateful for everyone who's around you | 0:25:19 | 0:25:23 | |
and it's also time to remember the ones who've gone. | 0:25:23 | 0:25:25 | |
The tree's complete, but the rest of the living room looks bare. | 0:25:30 | 0:25:34 | |
To elevate it to the decorative standards I've seen, | 0:25:34 | 0:25:37 | |
I need to try something new. | 0:25:37 | 0:25:39 | |
I have always wanted to decorate my Christmas mantelpiece | 0:25:39 | 0:25:42 | |
and never been quite sure how to do it. | 0:25:42 | 0:25:44 | |
But thanks to Paul Dart, whose idea I've adapted, | 0:25:44 | 0:25:47 | |
I'm giving it a go this year. | 0:25:47 | 0:25:49 | |
I've got a piece of plywood and I've got some matt tinsel as filler | 0:25:49 | 0:25:54 | |
and I'm wiring in some rosemary, so it's going to smell delicious | 0:25:54 | 0:25:58 | |
and also the real live stuff will be at the front. | 0:25:58 | 0:26:01 | |
I'm then going to hang some more baubles from it. | 0:26:01 | 0:26:04 | |
It'll be clamped to the mantelpiece | 0:26:04 | 0:26:06 | |
like so. | 0:26:06 | 0:26:07 | |
And all you'll get is a lovely Christmassy effect. | 0:26:09 | 0:26:12 | |
Attaching it is simple. | 0:26:13 | 0:26:15 | |
A couple of G clamps, bought at a DIY shop for a few pounds, | 0:26:15 | 0:26:20 | |
do the trick. | 0:26:20 | 0:26:21 | |
Using a batten like this means I don't have to damage my mantelpiece | 0:26:21 | 0:26:25 | |
with sticky tape or screws. | 0:26:25 | 0:26:28 | |
Once it's firmly in place, I push in rosemary to cover the tinsel | 0:26:28 | 0:26:32 | |
and disguise the clamps. | 0:26:32 | 0:26:34 | |
This will fragrance my home - and it looks rather pretty, too. | 0:26:34 | 0:26:38 | |
Tiny cup hooks hidden in the batten allow me | 0:26:40 | 0:26:42 | |
to suspend some of my favourite decorations. | 0:26:42 | 0:26:45 | |
You could use this method to hang stockings. | 0:26:45 | 0:26:48 | |
But be careful to keep all decorations away from real fires. | 0:26:48 | 0:26:51 | |
The mantelpiece itself needs light. | 0:26:52 | 0:26:55 | |
This year I'm giving a nod to my Roman heritage | 0:26:57 | 0:27:00 | |
with these home-made candleholders. | 0:27:00 | 0:27:02 | |
Buon Natale. Happy Christmas in Italian. | 0:27:02 | 0:27:06 | |
I've been collecting tins for ages to have a go at this. | 0:27:07 | 0:27:12 | |
Making them is something quick and easy to do at home. | 0:27:12 | 0:27:15 | |
Take some thoroughly clean tin cans. | 0:27:17 | 0:27:19 | |
Print out the letters or patterns you want as a guide. | 0:27:20 | 0:27:24 | |
Using a dry marker, copy them onto the tins. | 0:27:29 | 0:27:32 | |
Wearing safety gloves to protect your hands, | 0:27:34 | 0:27:37 | |
pierce holes in the tin every 5mm or so with a bradawl. | 0:27:37 | 0:27:40 | |
Follow the lines of your letter carefully. | 0:27:42 | 0:27:45 | |
Exert gentle, even pressure to avoid distorting the tin. | 0:27:45 | 0:27:48 | |
You can push back any dents in the tin with your thumb. | 0:27:50 | 0:27:54 | |
When complete, wipe off the remaining dry marker. | 0:27:54 | 0:27:57 | |
Add a candle. Use an electric version for safety, | 0:28:00 | 0:28:03 | |
but if you prefer to use a real one, spoon in a centimetre of dry sand, | 0:28:03 | 0:28:08 | |
which will stop the bottom of the tin heating up and marking your furniture. | 0:28:08 | 0:28:12 | |
Add a spoonful of scented oil, | 0:28:14 | 0:28:17 | |
a lit tea light | 0:28:17 | 0:28:20 | |
and these home-made decorations are complete. | 0:28:20 | 0:28:25 | |
But there's one Christmas tradition I just can't get to grips with. | 0:28:25 | 0:28:29 | |
The only thing I'm a bit "bah humbug" about is Christmas cards. | 0:28:32 | 0:28:35 | |
I don't know how display them. | 0:28:35 | 0:28:38 | |
I've thought of a million different ways and I hate all of them. | 0:28:38 | 0:28:41 | |
They end up cluttering up my lovely clean mantelpiece and my house. | 0:28:41 | 0:28:44 | |
But it seems I'm in the minority. | 0:28:47 | 0:28:50 | |
Sales of Christmas cards show no sign of slowing down. | 0:28:50 | 0:28:53 | |
Last year we sent over 800 million of them. | 0:28:53 | 0:28:57 | |
It's a love affair that began back in 1843 | 0:28:59 | 0:29:02 | |
when public servant Henry Cole commissioned | 0:29:02 | 0:29:05 | |
the very first Christmas card... | 0:29:05 | 0:29:07 | |
featuring a rather boozy family scene. | 0:29:07 | 0:29:10 | |
Looks like my kind of Christmas. | 0:29:10 | 0:29:13 | |
Thanks to postal reform, Henry's card only cost a penny to post, | 0:29:15 | 0:29:19 | |
but it was very much a luxury item, | 0:29:19 | 0:29:22 | |
and the concept was slow to catch on. | 0:29:22 | 0:29:24 | |
It took 20 years for pre-printed Christmas cards to appear on the market | 0:29:26 | 0:29:31 | |
and early examples featured flowers and greenery | 0:29:31 | 0:29:34 | |
rather than snow and robins. | 0:29:34 | 0:29:37 | |
But by the 1870's the nation had well and truly caught the bug | 0:29:38 | 0:29:43 | |
and in 1881 the Postmaster General made the first appeal | 0:29:43 | 0:29:48 | |
to post early for Christmas. | 0:29:48 | 0:29:50 | |
Over the last 170 years | 0:29:50 | 0:29:53 | |
all kinds of weird and wonderful things | 0:29:53 | 0:29:56 | |
have been captured on our cards. | 0:29:56 | 0:29:58 | |
We celebrated the arrival of the motor car. | 0:29:58 | 0:30:02 | |
And Bleriot's 1909 flight across the Channel... | 0:30:03 | 0:30:06 | |
..while the 1950's | 0:30:08 | 0:30:09 | |
commemorated the appearance of the new-fangled television. | 0:30:09 | 0:30:14 | |
These trends and innovations have come and gone, | 0:30:14 | 0:30:16 | |
but our firm old festive favourites | 0:30:16 | 0:30:19 | |
show no signs of disappearing any time soon. | 0:30:19 | 0:30:23 | |
I'm willing to concede that I do find one use | 0:30:24 | 0:30:26 | |
for some of my more attractive cards. | 0:30:26 | 0:30:29 | |
Cutting them up to use as next year's gift tags | 0:30:29 | 0:30:32 | |
is a great way to embellish any present. | 0:30:32 | 0:30:35 | |
My grandfather always said that the best presents come in | 0:30:35 | 0:30:37 | |
the smallest packages, and so far, he's been proved to be right for me, | 0:30:37 | 0:30:41 | |
but even the meanest present can be 100% improved with clever wrapping. | 0:30:41 | 0:30:46 | |
# Santa baby slip a sable under the tree for me... # | 0:30:47 | 0:30:52 | |
I think I'm pretty good at wrapping, | 0:30:52 | 0:30:55 | |
but I want my presents to look extra special this year, | 0:30:55 | 0:30:58 | |
so I'm going to get trained up on the gold standard. | 0:30:58 | 0:31:01 | |
I'm meeting the doyenne of wrapping, | 0:31:04 | 0:31:07 | |
who's prepared gifts for everyone from royalty to rock stars. | 0:31:07 | 0:31:10 | |
Harrods draft her in to make sure their gift wrapping | 0:31:10 | 0:31:13 | |
looks immaculate, and today, Jane Means has agreed to let me in | 0:31:13 | 0:31:17 | |
on the trade secrets of top-notch wrapping. | 0:31:17 | 0:31:21 | |
Good morning, Jane. | 0:31:21 | 0:31:22 | |
Good morning, Alex. | 0:31:22 | 0:31:23 | |
-How are you? -Great, thank you. | 0:31:23 | 0:31:25 | |
Thank you so much for showing me how to do this, | 0:31:25 | 0:31:28 | |
because I love Christmas and I'm obsessed with wrapping, | 0:31:28 | 0:31:31 | |
and you are the queen. | 0:31:31 | 0:31:33 | |
-You've come to the right place! -OK. Where do we start? | 0:31:33 | 0:31:35 | |
Boxes. | 0:31:35 | 0:31:36 | |
'Jane begins by sizing up | 0:31:38 | 0:31:41 | |
'and cutting her paper with mathematical precision.' | 0:31:41 | 0:31:44 | |
If your scissors are really sharp, | 0:31:44 | 0:31:46 | |
you should be able to just glide up the paper like that. | 0:31:46 | 0:31:49 | |
'If your scissors are blunt, a few seconds spent cutting sandpaper | 0:31:51 | 0:31:55 | |
'will sharpen them up nicely.' | 0:31:55 | 0:31:57 | |
The key of getting professional wrapping, certainly for boxes, | 0:31:57 | 0:32:00 | |
is definitely double-sided tape. | 0:32:00 | 0:32:02 | |
I've never used double-sided tape. | 0:32:02 | 0:32:04 | |
I'm going to pop it at a very slight angle. | 0:32:07 | 0:32:10 | |
'Top of Jane's present-wrapping faux pas are visible tape | 0:32:11 | 0:32:15 | |
'and unsightly seams.' | 0:32:15 | 0:32:16 | |
The main thing is get it really tight, | 0:32:17 | 0:32:19 | |
and get that seam right on the edge. | 0:32:19 | 0:32:23 | |
That's not quite at the edge. | 0:32:27 | 0:32:29 | |
It's looking great. | 0:32:29 | 0:32:31 | |
These are quite big flaps. Would you fold them over? | 0:32:38 | 0:32:41 | |
Yep. A great little tip is to bring the flat part up here, | 0:32:41 | 0:32:46 | |
right at the middle of that little V. | 0:32:46 | 0:32:48 | |
It's easy to fold the paper back, | 0:32:48 | 0:32:49 | |
and then I've got a nice little line to work with, | 0:32:49 | 0:32:52 | |
and I just folder it under. | 0:32:52 | 0:32:54 | |
Hopefully, what will happen is you get it perfectly matching. | 0:32:54 | 0:32:58 | |
Ooh, look how pretty that is! | 0:32:58 | 0:33:01 | |
I'm the kind of person who usually wraps with a glass of wine in them. | 0:33:01 | 0:33:05 | |
But actually it's probably a good idea to be stone cold sober, | 0:33:05 | 0:33:10 | |
when you're doing it at this level. | 0:33:10 | 0:33:13 | |
'Once the ends are expertly folded | 0:33:13 | 0:33:15 | |
'and ready to stick down, Jane has a great way of using up remnants | 0:33:15 | 0:33:19 | |
'of her favourite paper | 0:33:19 | 0:33:21 | |
'to give her presents an inexpensive luxury twist.' | 0:33:21 | 0:33:25 | |
Bring the sides up, stick them down. | 0:33:25 | 0:33:27 | |
'Great ingenuity, but perhaps a sophistication too far for me.' | 0:33:30 | 0:33:36 | |
It's looking great. | 0:33:36 | 0:33:38 | |
Well, for a first go! I'm sure I'll improve! | 0:33:38 | 0:33:43 | |
'Jane advises using plain coloured paper, | 0:33:43 | 0:33:46 | |
'which can be used for any occasion, | 0:33:46 | 0:33:48 | |
'but she never compromises | 0:33:48 | 0:33:51 | |
'on the quality of her ribbon and embellishments.' | 0:33:51 | 0:33:54 | |
You make it look so easy. | 0:33:54 | 0:33:56 | |
I try. | 0:33:56 | 0:33:58 | |
OK, now, something we all dread is a bottle, | 0:33:58 | 0:34:01 | |
-and I know you've got one there for me. -Yeah. | 0:34:01 | 0:34:04 | |
I wouldn't know where to start. | 0:34:04 | 0:34:06 | |
'For awkward shapes like bottles, | 0:34:07 | 0:34:09 | |
'Jane uses a combination of tissue paper and cellophane, | 0:34:09 | 0:34:13 | |
'which gives flexibility and strength.' | 0:34:13 | 0:34:16 | |
It's not just a case of, let's just chuck it round the bottle | 0:34:16 | 0:34:19 | |
and hope for the best. It's a bit more formal than that. | 0:34:19 | 0:34:22 | |
So, I'm bringing the wrapping up like that, | 0:34:22 | 0:34:25 | |
you're going to pull it up and actually bring it in | 0:34:25 | 0:34:28 | |
to the bottle. | 0:34:28 | 0:34:29 | |
And I'm grabbing onto the bottle so it doesn't move. | 0:34:29 | 0:34:33 | |
But all the time, you need to keep pulling it up | 0:34:33 | 0:34:36 | |
so you get a bit of tension. | 0:34:36 | 0:34:37 | |
You've gone quiet - you're worrying me. | 0:34:40 | 0:34:42 | |
How do you get the bottom bit in there? | 0:34:42 | 0:34:45 | |
I can't work out how to do it at all. | 0:34:45 | 0:34:47 | |
I can't seem to get it from the bottom bit. | 0:34:47 | 0:34:49 | |
You've got to be quite brutal, and the great thing is | 0:34:49 | 0:34:52 | |
because you've got cellophane, you can give it a good tug. | 0:34:52 | 0:34:55 | |
-It's looking great. -It's not looking great - it's looking awful! | 0:34:56 | 0:35:00 | |
Testing, testing. Gosh. | 0:35:12 | 0:35:15 | |
OK, I'm ready to fail at yet another hurdle. | 0:35:17 | 0:35:20 | |
Never let it be said that I'm afraid of making a fool of myself. | 0:35:20 | 0:35:23 | |
The tin. I don't know what we're wrapping today. | 0:35:23 | 0:35:26 | |
Plums. Delicious. | 0:35:26 | 0:35:29 | |
'For round shapes like this, Jane starts by creating | 0:35:30 | 0:35:34 | |
'a cylinder of tissue paper, this time without the cellophane.' | 0:35:34 | 0:35:38 | |
All I'm going to do is just very casually fold one end in, | 0:35:38 | 0:35:43 | |
a bit like you would with the side of a box. | 0:35:43 | 0:35:46 | |
Swing the sides in. | 0:35:46 | 0:35:48 | |
And just sit it up. | 0:35:48 | 0:35:49 | |
Key factor is, you've always got to start with the bit underneath | 0:35:49 | 0:35:53 | |
because you've got this slight overlap of wrapping. | 0:35:53 | 0:35:55 | |
Try and get used to using your hands like a pair of pincers | 0:35:55 | 0:35:59 | |
and just start grabbing the wrapping and pulling it into the middle. | 0:35:59 | 0:36:04 | |
I always keep my nail in the centre of the tin and every pleat | 0:36:04 | 0:36:09 | |
that I'm pulling will go sort of halfway over my nail. | 0:36:09 | 0:36:12 | |
Then you keep absolutely central and it's just getting the tension right. | 0:36:12 | 0:36:16 | |
That's it. It looks great! | 0:36:19 | 0:36:21 | |
More luck than judgement. | 0:36:21 | 0:36:23 | |
'A little trim and a nifty bit of double-sided tape on the last pleat | 0:36:27 | 0:36:31 | |
'neatly completes the first side of our tin.' | 0:36:31 | 0:36:34 | |
And then it's a case of whizzing it over | 0:36:34 | 0:36:37 | |
and doing exactly the same with the other side. | 0:36:37 | 0:36:40 | |
About how many presents can you wrap an hour? | 0:36:42 | 0:36:46 | |
The larger the item, the longer it'll take. | 0:36:46 | 0:36:49 | |
I would say on average, I'm probably looking at seven to eight in an hour. | 0:36:49 | 0:36:53 | |
That's all shapes, all sizes, a mixture of everything. | 0:36:53 | 0:36:56 | |
And how many hours can you do that for? | 0:36:56 | 0:36:58 | |
Christmastime, I'm working up to 18 hours a day. | 0:36:58 | 0:37:01 | |
I hope you have a break for lunch. | 0:37:01 | 0:37:03 | |
-Gosh, darling. -On the go. | 0:37:03 | 0:37:06 | |
OK, so that's not very tidy. | 0:37:06 | 0:37:08 | |
'The great thing is you can always cover any imperfections | 0:37:08 | 0:37:12 | |
'with a ribbon.' | 0:37:12 | 0:37:14 | |
So, you stick this on the bottom side? | 0:37:14 | 0:37:16 | |
On the bottom, and I tend to line it up with the finishing end | 0:37:16 | 0:37:20 | |
so it covers that seam up. | 0:37:20 | 0:37:22 | |
Like that, turn it around | 0:37:22 | 0:37:25 | |
and then we'll finish off with just a really simple bow. | 0:37:25 | 0:37:30 | |
Acceptable? | 0:37:35 | 0:37:37 | |
Marvellous. You're hired! | 0:37:37 | 0:37:38 | |
Good, things are getting better, things are looking up. | 0:37:38 | 0:37:42 | |
Thank you so much, Jane, that's really fun. | 0:37:42 | 0:37:45 | |
What I've taken away from this | 0:37:48 | 0:37:50 | |
is that I'm going to add a lot more to my wrapping. | 0:37:50 | 0:37:54 | |
I already love wrapping, I thought I was good at it, | 0:37:54 | 0:37:56 | |
but I can be better, and this Christmas I shall be. | 0:37:56 | 0:37:59 | |
Wrapping the perfect Christmas parcel is one thing, but I know | 0:38:04 | 0:38:07 | |
that for my children, it's the gift inside that's all-important. | 0:38:07 | 0:38:12 | |
What do you want for Christmas? | 0:38:12 | 0:38:14 | |
A new bike and a pencil sharpener and a new Rupert book. | 0:38:14 | 0:38:18 | |
Christmas without Santa is inconceivable for our children, | 0:38:20 | 0:38:25 | |
but before Victorian times, | 0:38:25 | 0:38:27 | |
the 25th of December was a working day like any other, | 0:38:27 | 0:38:31 | |
and the concept of giving gifts at Christmas | 0:38:31 | 0:38:33 | |
was a rarity rather than the norm. | 0:38:33 | 0:38:36 | |
The first children to enjoy this luxury were lucky to get | 0:38:37 | 0:38:40 | |
one hand-crafted present, | 0:38:40 | 0:38:42 | |
and their porcelain doll or tin soldier wouldn't have been wrapped. | 0:38:42 | 0:38:47 | |
Fast forward 50 years and pester power was born, | 0:38:47 | 0:38:51 | |
with the first adverts aimed squarely at children. | 0:38:51 | 0:38:54 | |
These were followed by an avalanche of cheaper toys | 0:38:56 | 0:39:00 | |
to feed these new baby-faced consumers. | 0:39:00 | 0:39:03 | |
And the rest is history - the type of toys at the top of Santa's list | 0:39:05 | 0:39:11 | |
may have evolved over the years, but the biggest change is quantity. | 0:39:11 | 0:39:15 | |
The Victorians' single gift has grown into dozens, | 0:39:16 | 0:39:20 | |
and we now spend an average of £312 per child. | 0:39:20 | 0:39:24 | |
Although it's not always the most expensive presents | 0:39:25 | 0:39:28 | |
that make the biggest impression. | 0:39:28 | 0:39:30 | |
When I was a kid, stockings were always the highlight of the affair | 0:39:30 | 0:39:34 | |
because it's so nice to get lots of odds and sods that you really want. | 0:39:34 | 0:39:38 | |
Anything with my name on it I particularly loved, | 0:39:38 | 0:39:40 | |
pencils, pencil cases. | 0:39:40 | 0:39:42 | |
I do exactly the same for my children now. | 0:39:42 | 0:39:45 | |
I quite like wrapping presents for my children, | 0:39:45 | 0:39:48 | |
but certainly everything I was taught about wrapping | 0:39:48 | 0:39:53 | |
goes completely out of the window. | 0:39:53 | 0:39:55 | |
I haven't got time to make my presents | 0:39:55 | 0:39:57 | |
look as perfect as Jane Means', | 0:39:57 | 0:39:59 | |
and in any case I'm not sure | 0:39:59 | 0:40:01 | |
my children would appreciate the effort. | 0:40:01 | 0:40:04 | |
It is volume and it's small, fiddly things, | 0:40:04 | 0:40:06 | |
and I know that as soon as they unwrap it they're going to be | 0:40:06 | 0:40:09 | |
onto the next thing, so I don't let it bother me too much. | 0:40:09 | 0:40:12 | |
But I have taken Jane's advice about paper on board. | 0:40:13 | 0:40:17 | |
I've bought masses of gold wrapping paper. | 0:40:17 | 0:40:20 | |
I'm accessorising with quality ribbon | 0:40:20 | 0:40:23 | |
in a variety of bright colours. | 0:40:23 | 0:40:25 | |
I do like Jane's thing of adding little bells and stuff to it. | 0:40:26 | 0:40:30 | |
I've got some candy canes and I've got some little tiny baubles. | 0:40:30 | 0:40:34 | |
It's a nice addition. | 0:40:34 | 0:40:36 | |
But there's one object I'm wrapping | 0:40:37 | 0:40:39 | |
where I'm going to follow Jane's advice to the letter. | 0:40:39 | 0:40:42 | |
I'm determined to perfect my bottle-wrapping technique. | 0:40:42 | 0:40:44 | |
There certainly is something in me which doesn't like to be | 0:40:44 | 0:40:48 | |
beaten by anything, I would say, | 0:40:48 | 0:40:51 | |
certainly not by wrapping paper. | 0:40:51 | 0:40:53 | |
I would not describe this as easy. But, it's a life lesson! | 0:40:55 | 0:41:00 | |
And I'm pleased to report | 0:41:07 | 0:41:09 | |
that this is one thing that does get easier with practice. | 0:41:09 | 0:41:12 | |
There we go. | 0:41:15 | 0:41:16 | |
What do you think? | 0:41:18 | 0:41:20 | |
It's not bad. It's better than a bottle bag, isn't it? | 0:41:21 | 0:41:25 | |
I'm really rather pleased with my tree and pile of presents. | 0:41:33 | 0:41:37 | |
What could be more tempting on Christmas morning? | 0:41:37 | 0:41:40 | |
No Christmas is complete without Christmas dinner. | 0:41:40 | 0:41:44 | |
And no decorating scheme is finished without a gorgeous table. | 0:41:44 | 0:41:49 | |
We all want to amaze and delight our guests, | 0:41:49 | 0:41:51 | |
and in my dining room I'd like my table to have real wow factor. | 0:41:51 | 0:41:55 | |
And who better to take inspiration from | 0:41:56 | 0:41:59 | |
than some of the best party planners on the planet? | 0:41:59 | 0:42:02 | |
Rob Hornsby and Sam Haslam create spectacular festive scenes | 0:42:06 | 0:42:10 | |
and stunning table settings. | 0:42:10 | 0:42:14 | |
We need snow! | 0:42:14 | 0:42:16 | |
Today, they're creating a magical winter wonderland | 0:42:16 | 0:42:19 | |
for over 150 party goers at the historic Royal Courts of Justice - | 0:42:19 | 0:42:24 | |
just one of 19 style-packed parties they'll be hosting this season. | 0:42:24 | 0:42:28 | |
Rob and Sam's parties can cost hundreds of thousands of pounds. | 0:42:31 | 0:42:36 | |
But I'm hoping to bottle some of their decorative imagination | 0:42:36 | 0:42:39 | |
and transform my dining room on a more domestic budget. | 0:42:39 | 0:42:43 | |
Oooh, hi! | 0:42:46 | 0:42:48 | |
This is Bespoke Events London's HQ, | 0:42:48 | 0:42:50 | |
packed with creative director Rob's most high fashion, | 0:42:50 | 0:42:53 | |
high concept Christmas decorating trends. | 0:42:53 | 0:42:56 | |
This is where the magic happens. | 0:42:58 | 0:43:00 | |
I've never seen anything like that. I love it. | 0:43:00 | 0:43:03 | |
These amazing centrepieces | 0:43:05 | 0:43:07 | |
will feature at many a five-star Christmas party this year. | 0:43:07 | 0:43:10 | |
Rob takes his inspiration from the latest couture fashion collections. | 0:43:13 | 0:43:19 | |
There seem to be two very distinct trends here. | 0:43:19 | 0:43:22 | |
One is very, very bright and one is very, very clean and white. | 0:43:22 | 0:43:26 | |
Yeah. You've got to cater to your white minimalists | 0:43:26 | 0:43:29 | |
who love the snow and the sparkle, | 0:43:29 | 0:43:31 | |
you've got to cater to your traditionalists, | 0:43:31 | 0:43:33 | |
which love a little bit of colour and romance, | 0:43:33 | 0:43:36 | |
the blue pine greenery, etc etc, gold and red. | 0:43:36 | 0:43:40 | |
I'm a traditionalist and I love the weeping willow, | 0:43:40 | 0:43:43 | |
and I love the gold and silver foliage. | 0:43:43 | 0:43:46 | |
I've never seen gold and silver together like that. | 0:43:46 | 0:43:48 | |
I really think it's beautiful. | 0:43:48 | 0:43:50 | |
I think that's kind of a new look this year, it's more natural. | 0:43:50 | 0:43:53 | |
That's stunning. | 0:43:53 | 0:43:54 | |
I can't say that I would necessarily go to quite the same extent, | 0:43:54 | 0:43:58 | |
but I do want to make sure this year that I don't just pull out | 0:43:58 | 0:44:00 | |
all the same schlock and I give it a really definite theme this year. | 0:44:00 | 0:44:04 | |
I'm hoping I can copy some of Rob and Sam's ideas | 0:44:08 | 0:44:12 | |
for my Christmas table. | 0:44:12 | 0:44:14 | |
So this is one of the set-ups we have for a client. | 0:44:14 | 0:44:18 | |
They're letting me in on the secrets of creating a high impact look. | 0:44:19 | 0:44:24 | |
As you can see, the large centrepiece is ready to go. | 0:44:24 | 0:44:26 | |
-Beautiful. -Rob's creation here. | 0:44:26 | 0:44:29 | |
Rob's stunning centrepiece chimes with the natural, | 0:44:29 | 0:44:33 | |
Nordic style I'm going for at home. | 0:44:33 | 0:44:36 | |
I like it because you can still see round it. | 0:44:36 | 0:44:39 | |
I always worry when you have stuff in the middle of the table... | 0:44:39 | 0:44:43 | |
You can't see Auntie Joan. | 0:44:43 | 0:44:44 | |
Yeah! That would be awful. | 0:44:44 | 0:44:46 | |
The theme of the centrepiece informs the other elements | 0:44:46 | 0:44:49 | |
Rob and Sam bring to the table. | 0:44:49 | 0:44:51 | |
Their attention to detail stretches | 0:44:52 | 0:44:54 | |
to special bubble-edged glass plates. | 0:44:54 | 0:44:58 | |
I will do the thumb test now. | 0:44:58 | 0:45:00 | |
What is the thumb test? | 0:45:00 | 0:45:01 | |
-Just make sure that everything is... -Oh, I see. | 0:45:01 | 0:45:03 | |
..done as it should be. | 0:45:03 | 0:45:06 | |
One thumb apart. | 0:45:06 | 0:45:07 | |
While Rob arranges a pile of artificial snow | 0:45:07 | 0:45:10 | |
around his centrepiece, Sam and I start to lay up the table, | 0:45:10 | 0:45:13 | |
but I'm beginning to wonder how do-able this is at home - | 0:45:13 | 0:45:17 | |
where's the turkey going to go? | 0:45:17 | 0:45:19 | |
How practical do you have to be, or do you not care? | 0:45:19 | 0:45:22 | |
Well, I think events in general are quite sort of whimsical. | 0:45:22 | 0:45:26 | |
How many tables do you have a snow drift in? | 0:45:26 | 0:45:28 | |
So it's quite nice to have the occasional knife in the snow drift. | 0:45:28 | 0:45:32 | |
Practicality goes out the window with me. | 0:45:32 | 0:45:34 | |
He pulls me back on the practicality. | 0:45:34 | 0:45:37 | |
They've dodged the question, | 0:45:37 | 0:45:38 | |
but I suppose I can always carve my turkey in the kitchen. | 0:45:38 | 0:45:42 | |
Is this going your way? | 0:45:44 | 0:45:45 | |
Very much my way, right up my strasse! | 0:45:45 | 0:45:49 | |
It does start looking very pretty. | 0:45:49 | 0:45:51 | |
# Sleigh bells ring | 0:45:51 | 0:45:54 | |
# Are you listening? | 0:45:54 | 0:45:56 | |
# In the lane | 0:45:56 | 0:45:57 | |
# Snow's glistening. # | 0:45:57 | 0:46:00 | |
Just fit that at the bottom there. | 0:46:00 | 0:46:02 | |
The intricate layering of Rob's vision continues | 0:46:02 | 0:46:06 | |
right up to the final health and safety approved touch of romance. | 0:46:06 | 0:46:09 | |
Battery-operated nightlights placed into snow-filled baubles. | 0:46:09 | 0:46:13 | |
# He's singing a song | 0:46:13 | 0:46:15 | |
# As we go along | 0:46:15 | 0:46:17 | |
# Walking in a winter wonderland. # | 0:46:17 | 0:46:19 | |
I love this table because it's kind of witty. | 0:46:19 | 0:46:23 | |
I like the one red and the one red, | 0:46:23 | 0:46:26 | |
the natural wood and then the bark napkins. | 0:46:26 | 0:46:31 | |
It is quite nice to challenge the parameters a bit. | 0:46:31 | 0:46:33 | |
We all get a little bit stuck in our ways. | 0:46:33 | 0:46:36 | |
It is very over the top, for sure, but people can take elements of it | 0:46:36 | 0:46:41 | |
and shrink it down to their own personal choice. | 0:46:41 | 0:46:44 | |
I want to move the goal posts. | 0:46:44 | 0:46:47 | |
I want it to be bigger, better, more this year, so thank you very much. | 0:46:47 | 0:46:52 | |
You're welcome. | 0:46:52 | 0:46:54 | |
I know I keep saying this, | 0:46:57 | 0:46:58 | |
but to meet people who have such high standards | 0:46:58 | 0:47:01 | |
in luxury and exceptional taste is really inspiring me | 0:47:01 | 0:47:05 | |
to pick up my game this Christmas. | 0:47:05 | 0:47:07 | |
So, my table has to be faultless. | 0:47:12 | 0:47:15 | |
I want to translate Rob and Sam's vision | 0:47:15 | 0:47:18 | |
into something more practical and domestic. | 0:47:18 | 0:47:21 | |
And this means starting with a good base. | 0:47:21 | 0:47:23 | |
A folded cloth fixed down with waiter's clamps. | 0:47:23 | 0:47:27 | |
If you don't have a base to your tablecloth, | 0:47:27 | 0:47:29 | |
the tablecloth is likely to move, | 0:47:29 | 0:47:31 | |
and the last thing you want is a drunken guest | 0:47:31 | 0:47:33 | |
accidentally tugging on a bit of tablecloth | 0:47:33 | 0:47:35 | |
and all your precious ware tumbling to the floor. | 0:47:35 | 0:47:39 | |
Next up is the tablecloth. | 0:47:40 | 0:47:43 | |
I never use anything but white. | 0:47:43 | 0:47:46 | |
It reflects light onto your guests' faces | 0:47:46 | 0:47:48 | |
and provides the most flattering backdrop for your food. | 0:47:48 | 0:47:52 | |
I really do like things absolutely crease-free. | 0:47:52 | 0:47:56 | |
So I am going to get a damp cloth | 0:47:56 | 0:47:59 | |
and a hot iron and just get rid of the last few creases. | 0:47:59 | 0:48:02 | |
Call me obsessive, but I do like everything to be just so. | 0:48:06 | 0:48:10 | |
If you're going to go to the effort to decorate your table, | 0:48:10 | 0:48:13 | |
you might as well make sure it's correct in every detail. | 0:48:13 | 0:48:17 | |
And there are no excuses for dirty or smudged cutlery and glassware. | 0:48:19 | 0:48:24 | |
I've picked up a few secret tips | 0:48:24 | 0:48:26 | |
for quick cleaning from my hotel background. | 0:48:26 | 0:48:29 | |
First up - a no-nonsense way to remove tarnish from silver. | 0:48:29 | 0:48:33 | |
Line a bowl with silver paper, aluminium foil. | 0:48:36 | 0:48:39 | |
This is a trick my grandmother showed me. It works really well. | 0:48:42 | 0:48:47 | |
Put a dessert spoon of salt into the bowl... | 0:48:47 | 0:48:50 | |
..and then some hot water. | 0:48:53 | 0:48:55 | |
Pop your cutlery in, and wait for the magic to work. | 0:48:58 | 0:49:03 | |
This polishes up solid silver and silver plate. | 0:49:03 | 0:49:08 | |
I have no idea about the chemical reasons that this works, | 0:49:08 | 0:49:13 | |
it just does - that's enough for me. | 0:49:13 | 0:49:14 | |
Et voila! | 0:49:18 | 0:49:19 | |
Look at the difference between these two spoons. It took seconds. | 0:49:19 | 0:49:24 | |
For stainless steel, dip a cloth in olive oil | 0:49:27 | 0:49:30 | |
and wipe over your cutlery. | 0:49:30 | 0:49:32 | |
Dishwashers seem to leave a lot of residue on stainless steel, | 0:49:32 | 0:49:36 | |
and this is a way to make sure it always looks lovely. | 0:49:36 | 0:49:39 | |
The oil removes streaks and a final wipe with vinegar will polish it up. | 0:49:39 | 0:49:43 | |
Last but not least, the glassware. | 0:49:44 | 0:49:47 | |
Again, continual washing in a dishwasher tends to leave | 0:49:47 | 0:49:50 | |
those horrible streaky marks that are incredibly hard to get rid of. | 0:49:50 | 0:49:53 | |
No longer. Bicarbonate of soda, | 0:49:53 | 0:49:55 | |
a little bit of water...get rid of even the most stubborn stains. | 0:49:55 | 0:50:01 | |
Make a thick paste, wipe it on, and use it to scour away the smears. | 0:50:01 | 0:50:06 | |
It's a bit fiddly, but it really does work. | 0:50:06 | 0:50:09 | |
It's worth it for special occasions like Christmas. | 0:50:11 | 0:50:14 | |
Look how lovely and clean that is. | 0:50:14 | 0:50:17 | |
That's a glass to be proud of on one's table. | 0:50:17 | 0:50:20 | |
But you can never have enough glitz, | 0:50:25 | 0:50:28 | |
so I'm using silver-plated chargers on my table. | 0:50:28 | 0:50:31 | |
These will give a bit of extra sparkle to my guests' faces, | 0:50:36 | 0:50:41 | |
and also, I don't know, it looks special, doesn't it? | 0:50:41 | 0:50:45 | |
Rob and Sam's attention to detail has inspired me to make sure | 0:50:45 | 0:50:51 | |
that everything I put on the table ties into my glitzy theme. | 0:50:51 | 0:50:56 | |
I use everything on this table year-round. | 0:51:02 | 0:51:05 | |
I haven't bought anything especially for Christmas. | 0:51:05 | 0:51:08 | |
I don't see the point of having plates | 0:51:08 | 0:51:11 | |
that you can only use one day out of 365. | 0:51:11 | 0:51:15 | |
But to elevate this table to a truly festive level, | 0:51:17 | 0:51:20 | |
as Rob and Sam showed me, it's all about a centrepiece. | 0:51:20 | 0:51:24 | |
Their versions were rather too over the top | 0:51:24 | 0:51:27 | |
for a family Christmas at home, so I've done my version. | 0:51:27 | 0:51:31 | |
I'm using a garden urn, which goes on top of one of my charger plates. | 0:51:31 | 0:51:35 | |
I start by dressing the base with some moss. | 0:51:35 | 0:51:38 | |
This is reindeer moss, and it comes dried. | 0:51:38 | 0:51:41 | |
I bought it from Covent Garden Flower Market, | 0:51:41 | 0:51:44 | |
but you can get it from any florist. | 0:51:44 | 0:51:46 | |
This is about as tough as I would make it for myself. | 0:51:46 | 0:51:49 | |
I am not a make-doer. I can't sew. | 0:51:49 | 0:51:52 | |
I can only just about cook, | 0:51:52 | 0:51:54 | |
but I do like things looking pretty. | 0:51:54 | 0:51:58 | |
I've scaled back Rob and Sam's tree | 0:51:58 | 0:52:00 | |
to a more manageable branch cut from the garden. | 0:52:00 | 0:52:04 | |
You could spray it white, but I chose not to. | 0:52:04 | 0:52:06 | |
I quite like it au naturel. | 0:52:06 | 0:52:08 | |
I prop the twig in place with some gravel. | 0:52:08 | 0:52:12 | |
Do not make the mistake of putting the gravel in first | 0:52:12 | 0:52:15 | |
and then trying to dig this in, | 0:52:15 | 0:52:17 | |
because it is impossible and it won't be very well-supported. | 0:52:17 | 0:52:21 | |
And don't use soil or sand, | 0:52:21 | 0:52:23 | |
unless you fancy your centrepiece toppling on to your guests. | 0:52:23 | 0:52:27 | |
Then I'll finish off with a little bit of moss in the top. | 0:52:27 | 0:52:31 | |
A-ha. Perfect. | 0:52:31 | 0:52:32 | |
Before adding the final decorations, I put the centrepiece in position. | 0:52:37 | 0:52:43 | |
All I have to do is hang a few more baubles and nightlights | 0:52:43 | 0:52:47 | |
and I'll be done. | 0:52:47 | 0:52:50 | |
More red here connects my table with the decorations | 0:52:52 | 0:52:55 | |
I've used elsewhere in the house. | 0:52:55 | 0:52:57 | |
Suspended tealights add sparkle, | 0:52:57 | 0:53:00 | |
and the tiny baubles will bounce the light around. | 0:53:00 | 0:53:03 | |
I'm really happy with this. | 0:53:03 | 0:53:05 | |
It's an easy, easy way to add wow to your table. | 0:53:05 | 0:53:09 | |
And it's been so quick to do, I'm amazed. | 0:53:09 | 0:53:13 | |
A second centrepiece balances things out beautifully. | 0:53:13 | 0:53:17 | |
I think I've captured all the drama | 0:53:17 | 0:53:19 | |
of Rob and Sam's winter wonderland centrepiece | 0:53:19 | 0:53:22 | |
while taming it into something that sits comfortably in my dining room. | 0:53:22 | 0:53:26 | |
I still need to get all the places completely perfect. | 0:53:26 | 0:53:31 | |
However... | 0:53:31 | 0:53:32 | |
..it's starting to look lovely. | 0:53:34 | 0:53:36 | |
And I want dinner to go with a real bang. | 0:53:41 | 0:53:45 | |
I love crackers - the more colourful and bling the better, | 0:53:45 | 0:53:49 | |
so here's an idea for customising shop-bought sets. | 0:53:49 | 0:53:52 | |
Buy a cheap, but attractive, set of crackers. | 0:53:52 | 0:53:55 | |
The quality of the gifts inside isn't important, | 0:53:55 | 0:53:58 | |
so don't splash out. | 0:53:58 | 0:54:00 | |
Alternatively, you can buy empty ones. | 0:54:00 | 0:54:03 | |
Gently open up one end, being careful not to rip the outside. | 0:54:03 | 0:54:08 | |
Tip out the hat, gift and joke. | 0:54:08 | 0:54:11 | |
Fold and insert a new hat, which might actually make it | 0:54:11 | 0:54:15 | |
through Christmas dinner, and add a suitable small gift. | 0:54:15 | 0:54:20 | |
For children, put in their favourite sweets or a small toy. | 0:54:20 | 0:54:24 | |
For adults, add a tiny bottle of something warming | 0:54:24 | 0:54:28 | |
and festive or a small sample bottle of perfume. | 0:54:28 | 0:54:33 | |
Slipping in a lottery ticket will give my guests a slim | 0:54:33 | 0:54:36 | |
but exciting chance of a Christmas windfall. | 0:54:36 | 0:54:39 | |
To make sure that the right gifts go to the right guests, | 0:54:39 | 0:54:43 | |
add a name tag and thread onto a length of ribbon, along with | 0:54:43 | 0:54:47 | |
a decoration, which they can take away and add to their own trees. | 0:54:47 | 0:54:53 | |
Closing both ends of the cracker | 0:54:53 | 0:54:55 | |
with a bow tied from contrasting ribbon | 0:54:55 | 0:54:57 | |
will make your finished crackers look even more luxurious. | 0:54:57 | 0:55:01 | |
In one neat package you're giving your guests a place marker, | 0:55:03 | 0:55:07 | |
an extra Christmas treat, as well as the fun of pulling the crackers. | 0:55:07 | 0:55:12 | |
My pimped-up crackers are the final flourish | 0:55:16 | 0:55:19 | |
to my beautiful table. | 0:55:19 | 0:55:21 | |
For me, every Christmas is special, | 0:55:28 | 0:55:31 | |
but in my quest to make this year's the best yet, | 0:55:31 | 0:55:34 | |
I've been lucky enough to rub shoulders | 0:55:34 | 0:55:37 | |
with some of the finest in the festive business. | 0:55:37 | 0:55:40 | |
I've collected brilliant ideas and practical shortcuts | 0:55:40 | 0:55:44 | |
from the people who bring magic and sparkle to our streets. | 0:55:44 | 0:55:47 | |
Fabulous! | 0:55:47 | 0:55:49 | |
I've gathered insider-knowledge on how to decorate a Christmas tree | 0:55:49 | 0:55:52 | |
to die for from a team who trim a shop-load each season. | 0:55:52 | 0:55:58 | |
And when it comes to turkey and all the trimmings? | 0:55:58 | 0:56:01 | |
I've been challenged to throw practicalities out of the window | 0:56:01 | 0:56:04 | |
and go for glamour | 0:56:04 | 0:56:05 | |
by some of the most innovative party planners in the business. | 0:56:05 | 0:56:09 | |
My preparations at home are almost complete. | 0:56:13 | 0:56:18 | |
Nothing's cost a lot of time or money, | 0:56:18 | 0:56:21 | |
but I think it will deliver a big impact. | 0:56:21 | 0:56:26 | |
I'm really excited about having put that extra effort | 0:56:32 | 0:56:34 | |
into decorating the house. I think it looks fabulous. | 0:56:34 | 0:56:38 | |
And it really does set the scene. | 0:56:38 | 0:56:41 | |
I want to put carols on immediately | 0:56:41 | 0:56:44 | |
and have them playing ceaselessly over the next few days. | 0:56:44 | 0:56:48 | |
# Oh the weather outside is frightful | 0:56:56 | 0:57:00 | |
# But the fire is so delightful. # | 0:57:00 | 0:57:03 | |
My home is ready for its most gorgeous Christmas yet. | 0:57:03 | 0:57:07 | |
# Let it snow let it snow let it snow. # | 0:57:07 | 0:57:10 | |
My family and guests will be wowed by colour and sparkle | 0:57:10 | 0:57:14 | |
inside and outside. | 0:57:14 | 0:57:16 | |
It's just as lavish as I had hoped. | 0:57:16 | 0:57:19 | |
The doorway lighting scheme will greet visitors | 0:57:19 | 0:57:21 | |
with a warm, twinkling welcome. | 0:57:21 | 0:57:24 | |
My wreath, traditional but with a modern twist, | 0:57:24 | 0:57:27 | |
gives a shot of colour and scent. | 0:57:27 | 0:57:29 | |
And as we move through the hallway, | 0:57:29 | 0:57:32 | |
more rosemary and baubles wind their way up the banisters. | 0:57:32 | 0:57:36 | |
In the living room, all eyes will be drawn to my luxurious tree, | 0:57:36 | 0:57:41 | |
which sits in pride of place | 0:57:41 | 0:57:43 | |
with a mound of glittering presents beneath. | 0:57:43 | 0:57:46 | |
And when it's time for us to sit down to Christmas dinner, | 0:57:46 | 0:57:51 | |
my table may well outshine the turkey. | 0:57:51 | 0:57:55 | |
I'm particularly proud of my beautiful centrepieces. | 0:57:55 | 0:58:00 | |
The stage is set for a wonderful family Christmas, | 0:58:02 | 0:58:06 | |
so for once I can relax and enjoy it all looking exquisite. | 0:58:06 | 0:58:11 | |
What else is there for me to do but... a glass of prosecco? | 0:58:12 | 0:58:17 |