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'I'm Alex Polizzi. | 0:00:02 | 0:00:03 | |
'I cut my teeth inside my family's international hotel empire, | 0:00:03 | 0:00:07 | |
'and now run a multi-million pound food business with my husband. | 0:00:07 | 0:00:12 | |
'Last year, I battled to save six failing family firms.' | 0:00:12 | 0:00:16 | |
I don't know if it's ever going to get better. | 0:00:16 | 0:00:18 | |
You must see some hope! | 0:00:18 | 0:00:20 | |
'Now, I'm ready for a fresh fight...' | 0:00:20 | 0:00:22 | |
Hello! | 0:00:22 | 0:00:23 | |
'..to save six more families on the brink of losing it all.' | 0:00:23 | 0:00:26 | |
-Why has it got so bad? -Because he won't talk to me. | 0:00:26 | 0:00:30 | |
I feel like my dream is moving further and further away. | 0:00:30 | 0:00:33 | |
'But with a looming triple-dip recession, | 0:00:34 | 0:00:37 | |
'thousands of firms are going bust every month.' | 0:00:37 | 0:00:40 | |
Just in the last three months, you've lost about £3,000. | 0:00:40 | 0:00:44 | |
I'm really struggling. | 0:00:44 | 0:00:45 | |
'The stakes could not be higher.' | 0:00:45 | 0:00:47 | |
Where is the money coming from?! | 0:00:47 | 0:00:49 | |
'It's not just finance, it's family.' | 0:00:49 | 0:00:52 | |
Why are you walking away for? | 0:00:52 | 0:00:54 | |
You can't work with someone like that. | 0:00:54 | 0:00:56 | |
Everybody keeps pointing out, "You're the lazy one, you do nothing!" | 0:00:56 | 0:00:59 | |
SHE CRIES | 0:00:59 | 0:01:00 | |
Something is very, very wrong. | 0:01:00 | 0:01:02 | |
'My first challenge is an interiors company | 0:01:03 | 0:01:06 | |
'facing its final curtain call.' | 0:01:06 | 0:01:09 | |
Look! Look at this! What about this suggests that you are not chaotic? | 0:01:09 | 0:01:14 | |
'Will three retailing dinosaurs...' | 0:01:14 | 0:01:16 | |
No, no, no, no. | 0:01:16 | 0:01:18 | |
'..who can't agree on anything...' | 0:01:18 | 0:01:19 | |
-Answer me a question. -You'll see eight. | 0:01:19 | 0:01:22 | |
No, you're not going to see any. | 0:01:22 | 0:01:23 | |
'..get dragged into the modern world...' | 0:01:23 | 0:01:26 | |
Shabby chic? | 0:01:26 | 0:01:28 | |
It's like a different language. | 0:01:28 | 0:01:30 | |
This is their chance either to change and prosper or to wither. | 0:01:30 | 0:01:34 | |
'..before the walls come tumbling down around them.' | 0:01:36 | 0:01:39 | |
It's been absolutely horrific. | 0:01:41 | 0:01:44 | |
I must have been very bad in a previous life, that's all I can say. | 0:01:44 | 0:01:48 | |
I'm headed to East Ham, in London, | 0:01:55 | 0:01:57 | |
to enter the troubled world of interiors. | 0:01:57 | 0:02:00 | |
A world which has seen £250 million wiped off sales in the recession. | 0:02:00 | 0:02:04 | |
It's no wonder the Alf Onnie curtain and blinds business | 0:02:04 | 0:02:07 | |
is in dire straits. | 0:02:07 | 0:02:09 | |
The window coverings market has been very hard-hit | 0:02:09 | 0:02:12 | |
by the downturn in the housing market. | 0:02:12 | 0:02:14 | |
For obvious reasons, | 0:02:14 | 0:02:15 | |
blinds and curtains are mainly sold when people move house. | 0:02:15 | 0:02:19 | |
'It is one of a staggering 2,000 soft furnishing firms in the UK, | 0:02:19 | 0:02:23 | |
'all fighting for a share of a shrinking market.' | 0:02:23 | 0:02:27 | |
Competition is so stiff | 0:02:27 | 0:02:29 | |
that a third of all curtain and fitting companies are making a loss. | 0:02:29 | 0:02:33 | |
Prices are being driven ceaselessly down. | 0:02:33 | 0:02:36 | |
It's very hard to make a profit. | 0:02:36 | 0:02:38 | |
To make money, you need to be on budget and bang up to date. | 0:02:38 | 0:02:42 | |
I often hear comments like, "You don't get shops like this any more." | 0:02:50 | 0:02:55 | |
So we feel that we are quite unique. | 0:02:55 | 0:02:58 | |
Brothers Kevin and Laurence Freedman... | 0:02:58 | 0:03:00 | |
Good afternoon, Alf Onnie. | 0:03:00 | 0:03:02 | |
..have been working in Alf Onnie for over 30 years. | 0:03:02 | 0:03:05 | |
And they do things the traditional way. | 0:03:05 | 0:03:09 | |
Just like their grandfather, Mr Alf Onnie, did 93 years ago. | 0:03:09 | 0:03:14 | |
We do run quite a traditional shop. | 0:03:14 | 0:03:16 | |
East Ham is the second poorest borough in the country. | 0:03:16 | 0:03:19 | |
Sales are hard to come by. | 0:03:19 | 0:03:21 | |
Good afternoon. | 0:03:21 | 0:03:23 | |
So they've piled the shelves high | 0:03:23 | 0:03:25 | |
to try and cater to every local's need, however unusual. | 0:03:25 | 0:03:28 | |
I want only one curtain... | 0:03:28 | 0:03:30 | |
OK. | 0:03:30 | 0:03:32 | |
It is a bit like going into a shoe shop and saying, | 0:03:32 | 0:03:34 | |
"I want to buy one shoe." | 0:03:34 | 0:03:36 | |
I always say to people, "We want to help you, advise you, | 0:03:36 | 0:03:39 | |
"as well as take your money." | 0:03:39 | 0:03:41 | |
But not all of the family are cut from the same cloth. | 0:03:44 | 0:03:47 | |
Youngest brother Jeremy hates to even set foot in the shop. | 0:03:47 | 0:03:51 | |
I think it's going messy. | 0:03:51 | 0:03:53 | |
It's literally just cheap, cheap, cheap. | 0:03:53 | 0:03:55 | |
And, I'll be honest, it depresses me. | 0:03:55 | 0:03:59 | |
He's decided to do his own thing | 0:03:59 | 0:04:02 | |
and has created a made-to-measure service called Freedman Interiors. | 0:04:02 | 0:04:06 | |
And he's very particular about the way things are done. | 0:04:06 | 0:04:09 | |
'I am a perfectionist.' | 0:04:09 | 0:04:11 | |
I do like to make sure everything's absolutely as it should be. | 0:04:11 | 0:04:14 | |
The pleats at the top are quite important | 0:04:14 | 0:04:16 | |
and they have to be in line. | 0:04:16 | 0:04:18 | |
I have an OCD on it. | 0:04:18 | 0:04:20 | |
His ideas for the business are at odds with his brothers'. | 0:04:20 | 0:04:25 | |
They maybe see the business going in one direction, | 0:04:25 | 0:04:27 | |
I see it should be going in another direction. | 0:04:27 | 0:04:30 | |
Stuck in their old ways. | 0:04:30 | 0:04:32 | |
It's very difficult to deal with. | 0:04:32 | 0:04:35 | |
I do have spats. | 0:04:35 | 0:04:37 | |
But Jeremy is...he's a bit of a law unto himself sometimes. | 0:04:37 | 0:04:41 | |
The brothers are at loggerheads. | 0:04:43 | 0:04:44 | |
And the business is running at a loss. | 0:04:44 | 0:04:48 | |
'There are three families' mouths to feed out of our business.' | 0:04:48 | 0:04:52 | |
We're always under pressure. | 0:04:52 | 0:04:53 | |
'Let's face it, things are tough out there.' | 0:04:53 | 0:04:55 | |
The business is struggling. | 0:04:55 | 0:04:57 | |
I haven't had a pay rise now since my son was born, | 0:04:57 | 0:05:00 | |
and that was nearly 12 years. | 0:05:00 | 0:05:03 | |
'I don't always see the light at the end of the tunnel. | 0:05:03 | 0:05:05 | |
'It does worry me that...' | 0:05:05 | 0:05:07 | |
the survival of the business. | 0:05:07 | 0:05:09 | |
I have just four months | 0:05:15 | 0:05:16 | |
to turn this struggling family business around | 0:05:16 | 0:05:19 | |
before the curtain comes down for good on its 93-year heritage. | 0:05:19 | 0:05:23 | |
Alf Onnie, established 1920. | 0:05:30 | 0:05:33 | |
So it's been here a while. | 0:05:33 | 0:05:34 | |
Very unattractively displayed. | 0:05:34 | 0:05:37 | |
There's blinds in the window, nets, | 0:05:37 | 0:05:40 | |
shutters, swags, drapes... | 0:05:40 | 0:05:44 | |
They doesn't seem to have any eye at all to window-dressing. | 0:05:44 | 0:05:48 | |
Things have moved a long way since 1920, | 0:05:48 | 0:05:50 | |
but I'm not sure this store has. | 0:05:50 | 0:05:52 | |
Hello! | 0:05:55 | 0:05:56 | |
BOTH: Hello! | 0:05:56 | 0:05:58 | |
-Alex. -Hi, Alex, I'm Laurence. Nice to meet you. -Nice to meet you. | 0:05:58 | 0:06:00 | |
-I'm Kevin, how are you? -So nice to meet you. | 0:06:00 | 0:06:02 | |
And I can see already, even at a cursory glance, | 0:06:02 | 0:06:06 | |
there's an amazing variety of stuff here. | 0:06:06 | 0:06:09 | |
Yeah. | 0:06:09 | 0:06:10 | |
'From floor to ceiling, | 0:06:13 | 0:06:14 | |
'there are hundreds of cheap towels, | 0:06:14 | 0:06:16 | |
'rugs and mats | 0:06:16 | 0:06:18 | |
'distracting customers from what makes them | 0:06:18 | 0:06:20 | |
'nearly 90% of the money - | 0:06:20 | 0:06:22 | |
'curtains and blinds.' | 0:06:22 | 0:06:24 | |
So much stuff here. | 0:06:24 | 0:06:26 | |
I'm already getting a headache. | 0:06:26 | 0:06:28 | |
SHE CHUCKLES | 0:06:28 | 0:06:29 | |
'The displays lack any rhyme or reason. | 0:06:29 | 0:06:32 | |
'It's impossible to find anything for yourself - | 0:06:32 | 0:06:34 | |
'madness for a shop that relies on local footfall | 0:06:34 | 0:06:37 | |
'for two-thirds of its sales.' | 0:06:37 | 0:06:39 | |
Floor mats next to a carpet, | 0:06:41 | 0:06:43 | |
next to curtain tie-backs. | 0:06:43 | 0:06:46 | |
Slightly schizophrenic. | 0:06:46 | 0:06:47 | |
You would need a guide | 0:06:47 | 0:06:50 | |
and, preferably, a map to know your way around here. | 0:06:50 | 0:06:53 | |
They aren't shouting about their latest lines. | 0:06:55 | 0:06:57 | |
Instead, the signs just scream "Cheap". | 0:06:57 | 0:07:01 | |
"Doormats, floor mats, dipeddy doo, | 0:07:01 | 0:07:03 | |
"all very cheap | 0:07:03 | 0:07:04 | |
"and waiting for you." | 0:07:04 | 0:07:05 | |
This isn't a showroom. | 0:07:07 | 0:07:09 | |
It's just a storeroom, really, | 0:07:09 | 0:07:11 | |
that happens to be open to the public. | 0:07:11 | 0:07:13 | |
'The shop looks bargain basement, | 0:07:15 | 0:07:16 | |
'but behind the scenes, things are even worse.' | 0:07:16 | 0:07:20 | |
This place needs a bloody good clean and a bloody good clear-out. | 0:07:21 | 0:07:26 | |
There's just stuff absolutely everywhere. | 0:07:26 | 0:07:30 | |
Why? Just chuck it out, get rid of it. | 0:07:30 | 0:07:32 | |
What is in all these yellow bags? | 0:07:32 | 0:07:34 | |
I couldn't even call this place a rabbit warren, | 0:07:34 | 0:07:37 | |
cos, you know, rabbits are fairly clean and tidy. | 0:07:37 | 0:07:40 | |
They certainly don't foul their own nest! | 0:07:40 | 0:07:42 | |
Who is responsible for the complete disorder in the top stock room? | 0:07:45 | 0:07:49 | |
-I mean, it's like... -It's a dumping room, you're right. | 0:07:49 | 0:07:52 | |
Can I say something to you slightly brutally, | 0:07:52 | 0:07:54 | |
which is that because there is so much schmutter everywhere, | 0:07:54 | 0:07:58 | |
the place is dirty. | 0:07:58 | 0:08:00 | |
I'm saying this quietly | 0:08:01 | 0:08:02 | |
because I certainly do not want to offend any of your customers | 0:08:02 | 0:08:05 | |
or do your business any damage, | 0:08:05 | 0:08:08 | |
but, you know, it needs a damn good hoover. | 0:08:08 | 0:08:11 | |
It does get done. The boys do it. | 0:08:11 | 0:08:14 | |
They do get the hoover out, | 0:08:14 | 0:08:15 | |
but whether they get into all the nooks and crannies... | 0:08:15 | 0:08:18 | |
Where once they were a profitable family firm, | 0:08:18 | 0:08:22 | |
they are now running at a loss of thousands. | 0:08:22 | 0:08:24 | |
And the mess of the shop mirrors the state of the accounts. | 0:08:24 | 0:08:28 | |
'Kevin is responsible for the books, | 0:08:28 | 0:08:31 | |
'but he can't keep on top of even the basic paperwork.' | 0:08:31 | 0:08:34 | |
THIS really horrifies me. | 0:08:34 | 0:08:37 | |
Sometimes, I'm... | 0:08:37 | 0:08:38 | |
Does this not just create fear and loathing in your heart? | 0:08:38 | 0:08:40 | |
Because I look at it and it's... | 0:08:40 | 0:08:42 | |
Unfortunately, I'm used to it. | 0:08:42 | 0:08:44 | |
Lots and lots of... | 0:08:44 | 0:08:46 | |
This I really do not believe in. | 0:08:46 | 0:08:48 | |
Bits of paperwork everywhere. | 0:08:48 | 0:08:51 | |
They came in two days ago. That should have been in my statements file. | 0:08:51 | 0:08:54 | |
A bill to pay, invoice... | 0:08:54 | 0:08:56 | |
Actually, an invoice which should be | 0:08:56 | 0:08:57 | |
in my little invoice file there, which has crept out. | 0:08:57 | 0:09:00 | |
-This is a possible quotation with no details on it. -Aah! | 0:09:00 | 0:09:04 | |
-These are all orders. -These have to be fitted. | 0:09:04 | 0:09:07 | |
Actually, where is the fitting board? | 0:09:07 | 0:09:09 | |
There is a fitting board here. | 0:09:09 | 0:09:11 | |
See, Jeremy has just got all this stuff out and left it out there. | 0:09:11 | 0:09:15 | |
Youngest brother Jeremy tucks himself away | 0:09:18 | 0:09:21 | |
from the chaos downstairs. | 0:09:21 | 0:09:23 | |
-Hello! -How are you? | 0:09:23 | 0:09:24 | |
Now, am I right in thinking | 0:09:24 | 0:09:25 | |
that you spend as little time as possible in the shop? | 0:09:25 | 0:09:28 | |
As little time as possible, | 0:09:28 | 0:09:30 | |
cos I can't bare to see the way it looks. | 0:09:30 | 0:09:33 | |
It doesn't look neat, it doesn't look tidy, | 0:09:33 | 0:09:36 | |
it doesn't show off our qualities and our capabilities. | 0:09:36 | 0:09:40 | |
It depresses me every time I walk in here. | 0:09:40 | 0:09:42 | |
A third of the sales come from his tailor-made curtains, | 0:09:43 | 0:09:46 | |
despite their being sidelined in the shop. | 0:09:46 | 0:09:49 | |
What's more, it's trade that doesn't rely on the cost-conscious locals. | 0:09:49 | 0:09:53 | |
I'm the only one, I think, that continues to fight all the time. | 0:09:53 | 0:09:57 | |
I want to make much more of the made-to-measure. | 0:09:57 | 0:09:59 | |
But, you know, it's very difficult. My two brothers... | 0:09:59 | 0:10:02 | |
their habits are still very difficult to break. | 0:10:02 | 0:10:05 | |
So it makes... It does make me upset. | 0:10:05 | 0:10:08 | |
'Jeremy sounds like he's on the money. | 0:10:08 | 0:10:11 | |
'But just when I thought I had an ally, | 0:10:11 | 0:10:13 | |
'he reveals we're not as in tune as I'd hoped.' | 0:10:13 | 0:10:15 | |
I love doing swags and tails, | 0:10:15 | 0:10:17 | |
they're beautiful. | 0:10:17 | 0:10:18 | |
'He's obsessed with chintz!' | 0:10:18 | 0:10:20 | |
Nobody, but nobody does better pelmets, swags and tails than us. | 0:10:20 | 0:10:26 | |
This is a pair of hand-made, pinch pleat curtains, | 0:10:26 | 0:10:30 | |
-so that is all hand-stitched. -Uh-huh. | 0:10:30 | 0:10:32 | |
And the quality of those, I think, those pleats are beautiful. | 0:10:32 | 0:10:36 | |
Well, you see, I find that very old-fashioned. | 0:10:36 | 0:10:39 | |
-OK. -We're going to have to agree, | 0:10:39 | 0:10:40 | |
but I'm happy to disagree with you. | 0:10:40 | 0:10:42 | |
I can see the beauty in it, don't get me wrong. | 0:10:42 | 0:10:46 | |
Thank you very much indeed, I'll get you your change, thank you. | 0:10:46 | 0:10:48 | |
'This shop is old-fashioned, it's dirty, | 0:10:48 | 0:10:52 | |
'it's cluttered, it's disorganised. | 0:10:52 | 0:10:55 | |
'Paperwork is everywhere, systems are chaotic.' | 0:10:55 | 0:10:58 | |
They're doing themselves and their stock a great disservice | 0:10:58 | 0:11:02 | |
by having let things stagnate to this extent for so long. | 0:11:02 | 0:11:06 | |
Sales have dropped a staggering 10% in the fabric and curtain market. | 0:11:08 | 0:11:12 | |
If they are to survive the economic crisis, | 0:11:12 | 0:11:15 | |
they need a clear business strategy, | 0:11:15 | 0:11:18 | |
but Alf Onnie can't agree on one. | 0:11:18 | 0:11:20 | |
If I'm to resolve this crisis, | 0:11:30 | 0:11:32 | |
I need to understand the family dynamic better, | 0:11:32 | 0:11:34 | |
so I've come to their Shabbat or Friday night dinner. | 0:11:34 | 0:11:37 | |
HE SPEAKS IN HEBREW | 0:11:37 | 0:11:42 | |
ALL: Amen. | 0:11:42 | 0:11:43 | |
Good Shabbat! | 0:11:43 | 0:11:45 | |
But, scarily, there is a fourth voice of dissent - | 0:11:45 | 0:11:49 | |
Dad Brian. | 0:11:49 | 0:11:50 | |
Despite being semi-retired, | 0:11:50 | 0:11:52 | |
he still owns 50% of the business | 0:11:52 | 0:11:54 | |
and HE thinks they should ram even more stock into the shop. | 0:11:54 | 0:11:58 | |
I'm saying give people choice. | 0:11:58 | 0:12:00 | |
If somebody's spending a lot of money with you | 0:12:00 | 0:12:03 | |
and then, they say, "Oh, I didn't think of you for rugs. | 0:12:03 | 0:12:07 | |
"Do you sell them?" | 0:12:07 | 0:12:09 | |
"Of course we sell them!" | 0:12:09 | 0:12:10 | |
The problem with rugs is they need a big space. | 0:12:10 | 0:12:14 | |
Rugs can be shown in a round situation. | 0:12:14 | 0:12:19 | |
So it can look like a market stall... | 0:12:19 | 0:12:22 | |
No, definitely not! | 0:12:22 | 0:12:23 | |
-But that's how it is! -No, no, no, sorry. | 0:12:23 | 0:12:26 | |
That's your downward thoughts, Jeremy. | 0:12:26 | 0:12:29 | |
-That's how the shop is now. -No. -It's the shop now. It's a market stall. | 0:12:29 | 0:12:33 | |
-Listen, the question is again the business question... -Yeah. | 0:12:33 | 0:12:35 | |
Is this a good way to dilute your energies? | 0:12:35 | 0:12:39 | |
Should you be concentrating | 0:12:39 | 0:12:41 | |
on selling something that you know that you can really sell? | 0:12:41 | 0:12:45 | |
I don't necessarily agree with that. | 0:12:45 | 0:12:47 | |
I think it's an attractive...a good product, where there's no wastage. | 0:12:47 | 0:12:53 | |
I'm disappointed in that, cos... | 0:12:53 | 0:12:56 | |
I'm worried that the boys' failure to see eye to eye | 0:12:56 | 0:12:58 | |
is killing this business. | 0:12:58 | 0:13:00 | |
'I wonder it their wives, Debbie and Vanessa, | 0:13:01 | 0:13:04 | |
'can pinpoint the problem and give me an insight.' | 0:13:04 | 0:13:07 | |
The fashion of the shop hasn't changed, | 0:13:07 | 0:13:11 | |
it's still stuck in the ark. | 0:13:11 | 0:13:13 | |
It hasn't changed since the day they put it together | 0:13:13 | 0:13:15 | |
and I remember that day cos I was helping them to clean the shelves. | 0:13:15 | 0:13:18 | |
I think that they want change but they fear it, | 0:13:18 | 0:13:21 | |
-and that fear is just holding them back, which is natural. -Yeah. | 0:13:21 | 0:13:24 | |
This is going to be painful, but it's either change or die. | 0:13:24 | 0:13:28 | |
My ultimate ambition is to get them | 0:13:34 | 0:13:36 | |
to focus more on business from outside of East Ham, | 0:13:36 | 0:13:39 | |
where there is money to be had. | 0:13:39 | 0:13:41 | |
But before that, we need to focus on the basics. | 0:13:41 | 0:13:44 | |
The first thing we need to tackle | 0:13:48 | 0:13:50 | |
is the appalling state of their shop window. | 0:13:50 | 0:13:53 | |
It's pretty obvious that the poor quality of their window display | 0:13:53 | 0:13:57 | |
is their version of commercial suicide. | 0:13:57 | 0:14:00 | |
To survive, they need to entice in a lot more customers. | 0:14:00 | 0:14:04 | |
And, basically, they're missing one of their biggest tricks. | 0:14:04 | 0:14:08 | |
50% of all high-street purchases are made on impulse. | 0:14:08 | 0:14:12 | |
But one look at this cluttered mess | 0:14:12 | 0:14:14 | |
would send most window-shoppers running for the hills. | 0:14:14 | 0:14:17 | |
To give them some fresh ideas, | 0:14:22 | 0:14:24 | |
I've enlisted the help of Neil Ellis | 0:14:24 | 0:14:26 | |
from design company PLANarama. | 0:14:26 | 0:14:28 | |
He's done hundreds of stunning window displays | 0:14:28 | 0:14:31 | |
for big-name clients like Laura Ashley and Cartier. | 0:14:31 | 0:14:34 | |
You've just got a few seconds to get someone's attention. | 0:14:35 | 0:14:38 | |
Busy streets, people passing by, | 0:14:38 | 0:14:41 | |
so you have to have a very clear message. It's as simple as that. | 0:14:41 | 0:14:44 | |
-But a lot of people get it wrong. -Right. -We know. -Yes. | 0:14:44 | 0:14:48 | |
All of the shops on this trendy high street | 0:14:49 | 0:14:52 | |
carefully select a few simple props to create a desirable lifestyle | 0:14:52 | 0:14:56 | |
that customers can buy into. | 0:14:56 | 0:14:58 | |
-So very simple display. -Yeah. | 0:14:59 | 0:15:01 | |
-Using the crates. -Yeah. | 0:15:01 | 0:15:03 | |
And the olive wood items. | 0:15:03 | 0:15:06 | |
-It's very enticing. You're buying into an idea as well. -Yeah! | 0:15:06 | 0:15:10 | |
So you might go in here | 0:15:10 | 0:15:11 | |
and just buy half a pound of cheddar or something... | 0:15:11 | 0:15:14 | |
-which you could get anywhere, but the fact is... -You've got the lifestyle with it. | 0:15:14 | 0:15:17 | |
It's quite aspirational. | 0:15:17 | 0:15:19 | |
It's making us think that what we really want is this in life. | 0:15:19 | 0:15:23 | |
The displays are also stripped back | 0:15:23 | 0:15:25 | |
so that the inside of the shop can be clearly seen from the street. | 0:15:25 | 0:15:29 | |
How important is it to be able to see into the shop? | 0:15:30 | 0:15:33 | |
I think very important. You want to be invited into the store. | 0:15:33 | 0:15:36 | |
Each window we've seen, | 0:15:36 | 0:15:38 | |
the ones where you can see into the shop | 0:15:38 | 0:15:40 | |
have made it, I think, more enticing. | 0:15:40 | 0:15:43 | |
Yes, I agree with that. | 0:15:43 | 0:15:45 | |
Amazingly, both Kevin and Jeremy sound amenable | 0:15:45 | 0:15:48 | |
to doing things differently. | 0:15:48 | 0:15:49 | |
But if we're going to move forward, I need everyone on board, | 0:15:49 | 0:15:52 | |
including Dad Brian. | 0:15:52 | 0:15:55 | |
The probability is... | 0:15:55 | 0:15:57 | |
..that maybe our area won't be so effective than maybe this locality. | 0:15:58 | 0:16:03 | |
I'm sorry, whatever bloody area you're in, | 0:16:03 | 0:16:06 | |
people are aspirational. | 0:16:06 | 0:16:09 | |
You always want the next best thing, | 0:16:09 | 0:16:10 | |
you don't just want what you can have. | 0:16:10 | 0:16:12 | |
You're already dreaming of the time that you can have something better. | 0:16:12 | 0:16:16 | |
I will not let Brian scupper the momentum. | 0:16:16 | 0:16:19 | |
Back in East Ham, it's time to apply what they've learnt today | 0:16:19 | 0:16:22 | |
to their own shop. | 0:16:22 | 0:16:24 | |
-Can we get this stand out of the way? Can you manage it? -Yeah. | 0:16:25 | 0:16:31 | |
It'll be nice to let some light and some air | 0:16:31 | 0:16:34 | |
into the shop and kind of let it breathe a bit. | 0:16:34 | 0:16:36 | |
It's making me very happy. | 0:16:36 | 0:16:38 | |
It's like having a Christmas present | 0:16:38 | 0:16:41 | |
given to me early, really. | 0:16:41 | 0:16:43 | |
I expected youngest brother Jeremy to get on side, | 0:16:44 | 0:16:47 | |
but I didn't think Kevin would be such a pushover. | 0:16:47 | 0:16:51 | |
Up, up and away! | 0:16:51 | 0:16:52 | |
Big change for us! | 0:16:52 | 0:16:54 | |
All these years, generations and generations | 0:16:54 | 0:16:57 | |
of cramming as much as you can into the windows. | 0:16:57 | 0:17:00 | |
It's incredibly satisfying. | 0:17:05 | 0:17:08 | |
Does it not look more appealing already? | 0:17:08 | 0:17:12 | |
-It looks much bigger as well! -Yes! -Much bigger! | 0:17:12 | 0:17:15 | |
Hi! General public, nice to see you, finally! | 0:17:15 | 0:17:20 | |
Once the curtains, stencilling and props are in place, | 0:17:20 | 0:17:24 | |
it feels like a whole new shop | 0:17:24 | 0:17:25 | |
with a very clear and inviting message to everyone walking past. | 0:17:25 | 0:17:28 | |
But one man still isn't happy. | 0:17:30 | 0:17:32 | |
I can see that there might be some issues with my dad. | 0:17:34 | 0:17:39 | |
The people in the area are not as sophisticated, | 0:17:39 | 0:17:44 | |
and they may feel that because we're not putting very much in the window, | 0:17:44 | 0:17:47 | |
we don't have very much. | 0:17:47 | 0:17:49 | |
Brian might be sceptical, | 0:17:50 | 0:17:52 | |
but the display is already making a splash with the locals. | 0:17:52 | 0:17:55 | |
-It's nice, it's beautiful. -Very nice, I like it. -Thank you. | 0:17:55 | 0:17:58 | |
-Even the colour. -You like the colours? -Yeah! | 0:17:58 | 0:18:01 | |
-Bring in your sizes, let us help you. -OK. | 0:18:01 | 0:18:03 | |
We have a huge range of fabrics... | 0:18:03 | 0:18:05 | |
'I though it was very interesting | 0:18:05 | 0:18:06 | |
'when those potential customers came in the shop.' | 0:18:06 | 0:18:09 | |
However sceptical Brian is, | 0:18:09 | 0:18:11 | |
he saw the proof with his own eyes | 0:18:11 | 0:18:13 | |
that a window display like that tempts people off the street. | 0:18:13 | 0:18:16 | |
I might have succeeded in changing the windows, | 0:18:18 | 0:18:20 | |
but it's only made it even easier to see the size of my next hurdle - | 0:18:20 | 0:18:24 | |
the huge jumble of stock. | 0:18:24 | 0:18:26 | |
Right. I want you each to get three items out of the shop | 0:18:28 | 0:18:32 | |
that you don't think you should be stocking. | 0:18:32 | 0:18:35 | |
Right. | 0:18:35 | 0:18:36 | |
I'd love to see from each of you | 0:18:36 | 0:18:38 | |
what you think the shop shouldn't be about. | 0:18:38 | 0:18:41 | |
-I shall await your return. Yeah? -OK! | 0:18:41 | 0:18:44 | |
Nearly 50% of the shelf space is piled high with sundries | 0:18:48 | 0:18:51 | |
that generate just one tenth of their sales. | 0:18:51 | 0:18:55 | |
That's economic suicide. | 0:18:55 | 0:18:57 | |
-Hi-de-hi! -Ho-de-ho, darling! | 0:18:57 | 0:19:00 | |
'But I need the boys to agree on what to clear out.' | 0:19:00 | 0:19:03 | |
Fabric tablecloths. | 0:19:03 | 0:19:05 | |
-Mats, bedding... -Oh, yes. | 0:19:05 | 0:19:07 | |
Ready-made tablecloths. | 0:19:07 | 0:19:09 | |
That's two in agreement on that one. | 0:19:09 | 0:19:11 | |
-Blankets. -Doormats. -Yeah. | 0:19:11 | 0:19:13 | |
Linens, duvet covers. | 0:19:13 | 0:19:16 | |
Snap! | 0:19:16 | 0:19:18 | |
Who is responsible for, ultimately, for these items | 0:19:18 | 0:19:22 | |
that you don't think should be here? | 0:19:22 | 0:19:24 | |
-Kevin. -Kevin. | 0:19:24 | 0:19:25 | |
THEY CHUCKLE | 0:19:25 | 0:19:27 | |
OK. | 0:19:27 | 0:19:28 | |
I think the point that we've all got to remember | 0:19:28 | 0:19:30 | |
is if there was anything here that was flying off the shelves, | 0:19:30 | 0:19:34 | |
-you'd all be potty to have said, "We need to stop stocking it." -Sure. | 0:19:34 | 0:19:37 | |
But, actually, you've got money tied up in stock | 0:19:37 | 0:19:39 | |
that isn't working for you. | 0:19:39 | 0:19:41 | |
Ultimately, we all know | 0:19:41 | 0:19:42 | |
that you have to change to survive in this world. | 0:19:42 | 0:19:45 | |
And especially in this climate, | 0:19:45 | 0:19:46 | |
when businesses are going to the wall every day of the week. | 0:19:46 | 0:19:49 | |
If you want to be one of the lucky ones, | 0:19:49 | 0:19:51 | |
then, one has to become lean, mean, fighting machine. | 0:19:51 | 0:19:55 | |
Getting rid of the linen lines is a small victory, | 0:19:55 | 0:19:58 | |
but Kevin just can't resist revisiting | 0:19:58 | 0:20:01 | |
one of Jeremy's great bugbears. | 0:20:01 | 0:20:03 | |
I have brought out another item, | 0:20:04 | 0:20:06 | |
but it's not one I want to get rid of - rugs. | 0:20:06 | 0:20:09 | |
Not specifically this one, but rugs in general. | 0:20:09 | 0:20:13 | |
I like the product to sell. | 0:20:13 | 0:20:15 | |
I think it's quite a modern item that people would... | 0:20:15 | 0:20:18 | |
There's a lot of wooden floors. | 0:20:18 | 0:20:19 | |
But whole shops just do rugs. | 0:20:19 | 0:20:21 | |
You'd need to fill the shop with rugs, so that you can... | 0:20:21 | 0:20:24 | |
I've always said, "You don't do it if you can't do it properly." | 0:20:24 | 0:20:27 | |
-We can't do it properly. -I think if we had a little section | 0:20:27 | 0:20:30 | |
where we could display certain samples... | 0:20:30 | 0:20:31 | |
My argument is very simply | 0:20:31 | 0:20:34 | |
that you're trying to streamline. | 0:20:34 | 0:20:36 | |
You can't be all things to all men. | 0:20:36 | 0:20:37 | |
And who's going to take them? | 0:20:37 | 0:20:39 | |
What I... I mean, the only... Uh...obviously... | 0:20:39 | 0:20:42 | |
'Rugs account for only 1% of sales, | 0:20:42 | 0:20:44 | |
'so arguing to expand them is madness! | 0:20:44 | 0:20:48 | |
'If these bickering brothers can't even agree on that, | 0:20:48 | 0:20:51 | |
'Alf Onnie is doomed.' | 0:20:51 | 0:20:53 | |
And just when I thought things couldn't get any more difficult, | 0:21:01 | 0:21:04 | |
disaster strikes. | 0:21:04 | 0:21:06 | |
MUSIC FROM PSHYCO PLAYS | 0:21:06 | 0:21:11 | |
Alf Onnie has fallen prey to a plague of rats | 0:21:13 | 0:21:16 | |
and they've chewed through the entire building's electrics. | 0:21:16 | 0:21:20 | |
TELEPHONE RINGS | 0:21:20 | 0:21:22 | |
Alf Onnie. | 0:21:22 | 0:21:23 | |
I must have been very bad in a previous life, that's all I can say. | 0:21:26 | 0:21:29 | |
Yeah, it seems like two asteroids have collided. | 0:21:29 | 0:21:34 | |
HE SIGHS | 0:21:36 | 0:21:37 | |
The last week's been absolutely horrific. | 0:21:37 | 0:21:41 | |
When we suddenly realised | 0:21:41 | 0:21:43 | |
that all the electrics are failing in the shop... | 0:21:43 | 0:21:46 | |
HE SIGHS | 0:21:46 | 0:21:47 | |
Big stress. | 0:21:47 | 0:21:48 | |
The rat people came in and they spent nearly four and a half, five hours | 0:21:48 | 0:21:53 | |
filling all the different holes that they could find. | 0:21:53 | 0:21:56 | |
And then, just as we were about to finish, | 0:21:56 | 0:21:59 | |
I saw one rat walking from the back of the shop | 0:21:59 | 0:22:02 | |
across one of the shelves | 0:22:02 | 0:22:05 | |
and back down the back of the till. | 0:22:05 | 0:22:07 | |
So we're by no means finished, | 0:22:07 | 0:22:08 | |
we still have a big way and a long way to go. | 0:22:08 | 0:22:11 | |
Finances were bad before, | 0:22:15 | 0:22:17 | |
but, with a clean-up bill running into tens of thousands, | 0:22:17 | 0:22:20 | |
the family is now really on the brink. | 0:22:20 | 0:22:23 | |
With every penny precious, | 0:22:23 | 0:22:25 | |
they're forced to keep trading amongst the mess. | 0:22:25 | 0:22:28 | |
SHE COUGHS | 0:22:28 | 0:22:30 | |
Oh, dear. | 0:22:30 | 0:22:32 | |
I'm sorry. | 0:22:32 | 0:22:33 | |
I will get it for you, but this emergency's delayed things. | 0:22:33 | 0:22:36 | |
-Sorry about that. -No problem. | 0:22:36 | 0:22:38 | |
Please treat this as a matter of urgency, it's... | 0:22:39 | 0:22:42 | |
You know, we are in a terrible state here. | 0:22:42 | 0:22:45 | |
With less than three months left for me to help their business, | 0:22:45 | 0:22:48 | |
this catastrophe is a major blow. | 0:22:48 | 0:22:51 | |
But it does provide me with an opportunity | 0:22:58 | 0:23:01 | |
to launch a new business plan. | 0:23:01 | 0:23:03 | |
I want them to expand their made-to-measure service | 0:23:03 | 0:23:07 | |
to include large commercial premises. | 0:23:07 | 0:23:09 | |
Hotels and schools can offer contracts | 0:23:09 | 0:23:12 | |
worth hundreds of thousands of pounds. | 0:23:12 | 0:23:15 | |
'This could be vital for their survival, | 0:23:15 | 0:23:18 | |
'removing an over-reliance on the local budget buyers. | 0:23:18 | 0:23:22 | |
'To start them off, I've pulled a favour | 0:23:22 | 0:23:25 | |
'from the most exacting design director I know - my mother.' | 0:23:25 | 0:23:29 | |
Afternoon, dear! Very well! | 0:23:29 | 0:23:31 | |
'One of her responsibilities is signing off contracts for curtains | 0:23:31 | 0:23:36 | |
'across the whole of our multi-million-pound hotel chain. | 0:23:36 | 0:23:39 | |
'But would she be prepared to sign up the Alf Onnie boys?' | 0:23:39 | 0:23:42 | |
I want to see whether they can compete on price, | 0:23:42 | 0:23:44 | |
I want to see if they've got the patter. | 0:23:44 | 0:23:47 | |
I want to show them too what contemporary design is like. | 0:23:47 | 0:23:51 | |
A little bit of nervousness, I guess. I'm a little bit... | 0:23:51 | 0:23:54 | |
Yeah. I mean, it's not like the normal hotels down the Romford Road! | 0:23:54 | 0:23:59 | |
THEY CHUCKLE | 0:23:59 | 0:24:00 | |
So... | 0:24:00 | 0:24:02 | |
This is a pretty standard room. | 0:24:02 | 0:24:06 | |
All our hotels, we do the look that suits the country | 0:24:06 | 0:24:09 | |
that the hotel's in. | 0:24:09 | 0:24:10 | |
-Right. -So this is supposed to be quite English, | 0:24:10 | 0:24:13 | |
but not too pompous. | 0:24:13 | 0:24:15 | |
'Guests pay thousands of pounds a night for the top suites, | 0:24:15 | 0:24:18 | |
'so it's essential to focus on style | 0:24:18 | 0:24:21 | |
'to create that elegant five-star feel.' | 0:24:21 | 0:24:23 | |
But curtain-nerd Jeremy has got all het up | 0:24:23 | 0:24:27 | |
about some very minor details. | 0:24:27 | 0:24:29 | |
These are certainly not hand-made. | 0:24:29 | 0:24:31 | |
That's just chain-stitched. | 0:24:31 | 0:24:32 | |
-What? What don't you like? -Puddled! | 0:24:32 | 0:24:35 | |
-Puddled! -That's not puddled! | 0:24:35 | 0:24:37 | |
It is puddled! | 0:24:37 | 0:24:39 | |
Oh! | 0:24:39 | 0:24:41 | |
None of it is weighted. | 0:24:41 | 0:24:44 | |
I've never ever made a pair of made-to-measure curtains | 0:24:44 | 0:24:47 | |
where I haven't put weights in. | 0:24:47 | 0:24:48 | |
I think that'll be like almost, you know, sort of cheaping myself. | 0:24:48 | 0:24:52 | |
-Do you know what I mean? -Oh, my God, darling! | 0:24:52 | 0:24:55 | |
I'm going to whore you out now! | 0:24:55 | 0:24:57 | |
Well, he's very particular in the way he likes things to be done. | 0:24:57 | 0:25:00 | |
I don't know that your temperament could take doing 130 bedrooms. | 0:25:00 | 0:25:04 | |
Oh, no! | 0:25:04 | 0:25:05 | |
SHE LAUGHS | 0:25:05 | 0:25:06 | |
Darling, it might drive you to the brink of almost breakdown, | 0:25:06 | 0:25:10 | |
you'd be in a terrible state. | 0:25:10 | 0:25:12 | |
'I'm beginning to think bringing Jeremy | 0:25:14 | 0:25:16 | |
'to pitch for business to my mother may not have been such a good idea.' | 0:25:16 | 0:25:21 | |
You have to understand is not quite the same as doing someone's house. | 0:25:21 | 0:25:24 | |
Of course, it has to be bloody good quality, it has to be good | 0:25:24 | 0:25:28 | |
and it has to last, mainly. | 0:25:28 | 0:25:30 | |
But, you know, having a conniption cos it's not bloody weighted... | 0:25:30 | 0:25:34 | |
Ultimately, he just needs to find out | 0:25:36 | 0:25:38 | |
what Mum wants and tell her that he can deliver it. | 0:25:38 | 0:25:40 | |
Mum. | 0:25:43 | 0:25:44 | |
Please allow me to introduce you to Kevin and Jeremy Freedman. | 0:25:45 | 0:25:49 | |
-Hello. -Hello. -My mother, Olga Polizzi. -Hi, nice to see you. | 0:25:49 | 0:25:52 | |
Come and sit down, Mum. | 0:25:52 | 0:25:54 | |
Alex of course has told you that we're not into fussy curtains | 0:25:57 | 0:26:01 | |
and you've seen what we've got here, really simple. | 0:26:01 | 0:26:04 | |
This is sort of a Victorian hotel | 0:26:04 | 0:26:07 | |
and it had really heavy curtains. | 0:26:07 | 0:26:08 | |
It felt as if you were going to be eaten up by them. | 0:26:08 | 0:26:11 | |
That's the kind of curtains he likes. | 0:26:11 | 0:26:13 | |
THEY LAUGH | 0:26:13 | 0:26:15 | |
Despite Mum's clear guidelines, | 0:26:15 | 0:26:17 | |
Jeremy still thinks he can impress her | 0:26:17 | 0:26:19 | |
with his most lavish swags and tails. | 0:26:19 | 0:26:22 | |
I bought this system in | 0:26:22 | 0:26:25 | |
about 15, 20 years ago. | 0:26:25 | 0:26:28 | |
I believe it's the best swag and tail system that you can buy. | 0:26:28 | 0:26:31 | |
It hangs, it drapes very nicely. | 0:26:31 | 0:26:34 | |
-And it's also... -On Velcro. -On Velcro. | 0:26:34 | 0:26:38 | |
You know, they're not a cheap item, | 0:26:38 | 0:26:39 | |
but we do, we do make beautiful swags and tails. | 0:26:39 | 0:26:42 | |
OK. | 0:26:42 | 0:26:44 | |
Blabbering on about an antiquated style in a modern hotel | 0:26:45 | 0:26:49 | |
will not win over clients like my mother. | 0:26:49 | 0:26:52 | |
'I'm worried that Jeremy might not be the driver for change | 0:26:52 | 0:26:54 | |
'I'd initially hoped. | 0:26:54 | 0:26:56 | |
'Maybe Kevin can do better with the price.' | 0:26:57 | 0:27:00 | |
Uh... 3,419.50. | 0:27:02 | 0:27:04 | |
I mean, it's not cheap, but it's not top whack. | 0:27:04 | 0:27:08 | |
So it's a sort of in-between price. | 0:27:08 | 0:27:11 | |
'Neither the price nor the styling have hit the mark | 0:27:11 | 0:27:14 | |
'and the Alf Onnie offering is looking distinctly lacklustre.' | 0:27:14 | 0:27:18 | |
They're obviously very proud of what they do and they do it well | 0:27:18 | 0:27:21 | |
and what they've done is good quality. | 0:27:21 | 0:27:23 | |
But it's not something that I would... | 0:27:23 | 0:27:25 | |
You know, if I saw their work, | 0:27:25 | 0:27:27 | |
I probably wouldn't go to them for curtains, because... | 0:27:27 | 0:27:31 | |
-It's very old-fashioned. -It's very, very old-fashioned. | 0:27:31 | 0:27:34 | |
You know, this is the sort of hotel, a Victorian hotel | 0:27:34 | 0:27:36 | |
that could...take swags and tails | 0:27:36 | 0:27:39 | |
and we've got some very high windows... | 0:27:39 | 0:27:42 | |
And yet, even here, we haven't done them. | 0:27:42 | 0:27:45 | |
And it's, it's also the materials they're using. | 0:27:45 | 0:27:49 | |
I know, they're ghastly! They've got brocade. | 0:27:49 | 0:27:52 | |
You know, brocade is out. | 0:27:52 | 0:27:55 | |
-Dead! -Yeah. | 0:27:55 | 0:27:56 | |
I shall tell them you said so. | 0:27:56 | 0:27:58 | |
'Alf Onnie might have 93 years of heritage, | 0:28:01 | 0:28:05 | |
'but that's no excuse to continue on in the dark ages. | 0:28:05 | 0:28:09 | |
'And I've got just less than three months left | 0:28:09 | 0:28:11 | |
'before I relaunch this business to the public.' | 0:28:11 | 0:28:13 | |
They are well behind the curve. | 0:28:13 | 0:28:16 | |
I mean, much of the design of the last 20, 30 years | 0:28:16 | 0:28:20 | |
seems to have entirely passed them by. | 0:28:20 | 0:28:22 | |
They really can't afford just to bury their heads in the sand | 0:28:22 | 0:28:25 | |
and just keep on going as they have been. | 0:28:25 | 0:28:27 | |
Cos, otherwise, Alf Onnie is, honestly, | 0:28:27 | 0:28:29 | |
just going to remain a footnote in history. | 0:28:29 | 0:28:32 | |
The time has come to tackle the fact | 0:28:32 | 0:28:34 | |
that you're not very au fait with current trends. | 0:28:34 | 0:28:38 | |
I think you're, | 0:28:38 | 0:28:39 | |
you're slightly verging on the unfashionable. | 0:28:39 | 0:28:41 | |
I hate to say this, and wound you deeply. | 0:28:41 | 0:28:43 | |
-I'd like to ask you a question. -Yeah. | 0:28:43 | 0:28:46 | |
Where do you get your information about | 0:28:46 | 0:28:49 | |
that we are out of fashion, I suppose? | 0:28:49 | 0:28:52 | |
Well, I... By seeing the kind of stuff that you produce, I suppose. | 0:28:52 | 0:28:57 | |
Jeremy has to be aware of the trends currently in demand | 0:28:59 | 0:29:02 | |
if he's to win commercial contracts. | 0:29:02 | 0:29:05 | |
I think we can first put the tiny little side table on | 0:29:05 | 0:29:08 | |
and then we can bring through the orange mirror. | 0:29:08 | 0:29:10 | |
I've brought the boys to a shoot in North London | 0:29:10 | 0:29:13 | |
for the cutting-edge interiors magazine Heart Home. | 0:29:13 | 0:29:16 | |
So Jeremy can learn to talk the talk | 0:29:16 | 0:29:18 | |
with professional interior designer Pippa Robinson. | 0:29:18 | 0:29:22 | |
Laurence, Jeremy, can I introduce you to Pippa? | 0:29:22 | 0:29:27 | |
This is a shoot that we're doing called Cosy Brights - | 0:29:27 | 0:29:29 | |
bold pops of colour and we've used it on a background of grey. | 0:29:29 | 0:29:33 | |
So, I mean, are you familiar with the trends? | 0:29:33 | 0:29:35 | |
-No. -OK, well... | 0:29:35 | 0:29:37 | |
'Cosy Brights has gone over their heads. | 0:29:37 | 0:29:39 | |
'How about the other key looks of the last few years?' | 0:29:39 | 0:29:42 | |
So shabby chic? Have you heard of shabby chic at all? | 0:29:42 | 0:29:46 | |
No. | 0:29:46 | 0:29:47 | |
Shabby chic, believe it or not, | 0:29:47 | 0:29:49 | |
is been around for about eight years now. | 0:29:49 | 0:29:52 | |
This one... This is a bit newer, | 0:29:52 | 0:29:54 | |
it's kind of like the Scandinavian, Danish feel. | 0:29:54 | 0:29:57 | |
All about the kind of very simplistic, | 0:29:57 | 0:29:59 | |
organic shape of accessories. | 0:29:59 | 0:30:01 | |
Um... It'd tend to call it neutral look, whereas... | 0:30:01 | 0:30:05 | |
Well, neutral is almost a different... | 0:30:05 | 0:30:08 | |
-Neutral is beige, basically, and sand. -Yeah. | 0:30:08 | 0:30:11 | |
-I guess is worked over the years - neutral, earthy... -Yes. | 0:30:11 | 0:30:15 | |
Yeah. | 0:30:15 | 0:30:16 | |
'To get the biggest contracts with people like Pippa, | 0:30:19 | 0:30:22 | |
'they need to understand contemporary looks. | 0:30:22 | 0:30:25 | |
So, I want them to practice creating a cosy, bright scheme of their own. | 0:30:25 | 0:30:28 | |
-I like that rug. -I like that, Laurence. That retro... | 0:30:28 | 0:30:32 | |
I love retro radios, anyway. | 0:30:32 | 0:30:35 | |
-You don't think it would match? -No. Why? That's not retro. | 0:30:35 | 0:30:38 | |
That to me is very traditional. That's not retro. | 0:30:38 | 0:30:42 | |
-This is very modern, now. -No. | 0:30:42 | 0:30:45 | |
No, no, no. I don't like. | 0:30:45 | 0:30:47 | |
I mean, it is neutral, isn't it? It's very neutral. | 0:30:47 | 0:30:50 | |
-Yeah, I don't like it. -Sorry, it's messy chic. | 0:30:50 | 0:30:53 | |
Don't like it. It's not messy chic. | 0:30:53 | 0:30:55 | |
Shabby chic? Cosy, earth... | 0:30:58 | 0:31:02 | |
It's like a different language to me. | 0:31:02 | 0:31:05 | |
I'm starting to think I need to go back to college. | 0:31:05 | 0:31:08 | |
I don't think you need anything more now. | 0:31:09 | 0:31:12 | |
You see that, again... You're sticking with oranges and pinks. | 0:31:12 | 0:31:17 | |
-Bright oranges. -It's all that stuff. | 0:31:17 | 0:31:20 | |
That's not a bright colour. That's a woody effect. | 0:31:20 | 0:31:22 | |
I think that's got to... I wouldn't have that. It's out of place. | 0:31:22 | 0:31:26 | |
-I think it coordinates perfectly. You've got orange. -It's wood. | 0:31:26 | 0:31:28 | |
-Orange. -It's wood. -Orange. | 0:31:28 | 0:31:30 | |
But that's not orange. That's wood. | 0:31:30 | 0:31:33 | |
-Hi. -Hello. -Hello. | 0:31:35 | 0:31:36 | |
Choices made, it's time to re-dress the set and see | 0:31:36 | 0:31:40 | |
if Pippa is at all convinced by cosy brights, Alf Onnie style. | 0:31:40 | 0:31:43 | |
Yeah, well, firstly, I think there's probably | 0:31:44 | 0:31:47 | |
a little bit too much purple. | 0:31:47 | 0:31:50 | |
Bright colours is about lots of different colours and if I were | 0:31:51 | 0:31:54 | |
to give you one look, it has got a bit of a purple feel about it. | 0:31:54 | 0:31:58 | |
So it's the balance. | 0:31:58 | 0:31:59 | |
Do you think there's maybe a few too many accessories? | 0:31:59 | 0:32:02 | |
I'm loving the zigzag cushion, | 0:32:02 | 0:32:04 | |
but perhaps you could have introduced more of those colours in there. | 0:32:04 | 0:32:07 | |
The cushion that's got "Love" on it. It's a bit twee for this look. | 0:32:07 | 0:32:10 | |
This is meant to be strong, modern, graphic. | 0:32:10 | 0:32:12 | |
So I'd say that's a no | 0:32:12 | 0:32:14 | |
and also the one with the flower. A bit pretty. | 0:32:14 | 0:32:17 | |
Prop-wise, the wooden frames and pencil case, the colour's right, | 0:32:17 | 0:32:20 | |
but the material is not really right. Sorry! | 0:32:20 | 0:32:24 | |
I'm sure that you think you know everything, but... | 0:32:24 | 0:32:27 | |
LAUGHTER | 0:32:27 | 0:32:28 | |
'It's very interesting. | 0:32:28 | 0:32:30 | |
'I'm not sure we got it completely right,' | 0:32:30 | 0:32:33 | |
but I really quite enjoyed it. | 0:32:33 | 0:32:36 | |
It's given me a lot more food for thought. | 0:32:36 | 0:32:38 | |
I think we've always been very stuck | 0:32:38 | 0:32:41 | |
in that we'd been brought up in | 0:32:41 | 0:32:45 | |
the area where we trade from, East Ham, | 0:32:45 | 0:32:48 | |
which is a traditional area. | 0:32:48 | 0:32:49 | |
However, it doesn't matter how traditional an area is, | 0:32:49 | 0:32:54 | |
there's always room for change. | 0:32:54 | 0:32:56 | |
With the electrics still out, the shop is a sinking ship, | 0:33:01 | 0:33:04 | |
losing thousands of pounds a week | 0:33:04 | 0:33:07 | |
and eating up what's left of their savings. | 0:33:07 | 0:33:10 | |
But, at least with a major overhaul needed anyway, | 0:33:11 | 0:33:14 | |
it makes it easier to support Jeremy's plans for | 0:33:14 | 0:33:16 | |
a dramatic change to the chaotic layout. | 0:33:16 | 0:33:20 | |
So I've asked a leading retail team behind displays for Harrods | 0:33:24 | 0:33:27 | |
and Marks & Spencer to take on the job. | 0:33:27 | 0:33:31 | |
I see a complete mishmash of fabrics, | 0:33:31 | 0:33:34 | |
curtain samples and I'm not entirely certain | 0:33:34 | 0:33:36 | |
what they're offering is, to be perfectly honest. | 0:33:36 | 0:33:39 | |
To me, it's just a mess, really. | 0:33:39 | 0:33:42 | |
On my instructions, | 0:33:43 | 0:33:44 | |
SFD have totally redesigned the space to be both aspirational | 0:33:44 | 0:33:48 | |
and streamlined, to create an enjoyable shopping environment. | 0:33:48 | 0:33:53 | |
Now I need the boys to buy into it. | 0:33:53 | 0:33:56 | |
-OK. -Plans. | 0:33:56 | 0:33:59 | |
It looks lovely. | 0:34:04 | 0:34:06 | |
I'll be honest. | 0:34:06 | 0:34:07 | |
I love the idea of the chandeliers, | 0:34:07 | 0:34:09 | |
but Abercrombie & Fitch can keep those. | 0:34:09 | 0:34:12 | |
-I would have like a low-level table with a couple of chairs. -Why? | 0:34:12 | 0:34:17 | |
Could it be done like a wedge? | 0:34:17 | 0:34:20 | |
This one starting flat. | 0:34:20 | 0:34:22 | |
-Why would you want to do that? -To see into it. | 0:34:22 | 0:34:25 | |
Zigzag them, give it a bit of dimension. | 0:34:25 | 0:34:28 | |
That's what I sort of think that we could do. | 0:34:29 | 0:34:32 | |
Yet again, the boys don't see eye to eye and this time, | 0:34:33 | 0:34:37 | |
it's my erstwhile ally Jeremy who's out on a limb. | 0:34:37 | 0:34:41 | |
I would like to see a lot of changes. | 0:34:41 | 0:34:44 | |
There are things in there I just really do not understand | 0:34:44 | 0:34:47 | |
and I don't particularly like the idea of, either. | 0:34:47 | 0:34:51 | |
It's just frustrating. | 0:34:52 | 0:34:54 | |
And over the next few weeks, Jeremy's perfectionism means | 0:34:56 | 0:35:00 | |
he wants to change every detail of the plans. | 0:35:00 | 0:35:04 | |
I am particular. | 0:35:04 | 0:35:06 | |
I am a person who likes to dot the i's, cross the t's, | 0:35:06 | 0:35:09 | |
make sure it's as it should be. | 0:35:09 | 0:35:11 | |
If being exact, | 0:35:11 | 0:35:14 | |
it makes you difficult to work with, | 0:35:14 | 0:35:17 | |
then yeah, OK, I'm difficult to work with. | 0:35:17 | 0:35:20 | |
With Jeremy's persistent meddling, | 0:35:23 | 0:35:25 | |
the whole venture is at a standstill. | 0:35:25 | 0:35:27 | |
A design still hasn't been agreed. | 0:35:27 | 0:35:29 | |
With the shopfitters on the verge of pulling out and now just | 0:35:29 | 0:35:33 | |
a month from the relaunch, the only way forward is for me to step in. | 0:35:33 | 0:35:38 | |
I shouldn't be surprised, really, because, as we know, | 0:35:38 | 0:35:41 | |
Jeremy, Kevin and Laurence are many good things, | 0:35:41 | 0:35:44 | |
but they are also completely chaotic, extremely disorganised | 0:35:44 | 0:35:47 | |
and can't agree on anything from one day to the next. | 0:35:47 | 0:35:51 | |
So, it has delayed the whole process enormously. | 0:35:51 | 0:35:53 | |
At several points, I thought we were going to lose SFD. | 0:35:53 | 0:35:56 | |
I want to make sure that we're now on track. | 0:35:56 | 0:36:00 | |
I know how difficult it has been | 0:36:00 | 0:36:03 | |
to get a decision on everything, get everything moving. | 0:36:03 | 0:36:08 | |
And I also understand that this | 0:36:08 | 0:36:11 | |
is a bastardized design, | 0:36:11 | 0:36:13 | |
-to be polite. -Mmm. | 0:36:13 | 0:36:16 | |
Has there been lots of toing and froing? | 0:36:16 | 0:36:18 | |
Have they changed their minds about decisions? | 0:36:18 | 0:36:20 | |
You could say that, yes. Quite a few times. | 0:36:20 | 0:36:22 | |
Version one, version two, version three. | 0:36:22 | 0:36:25 | |
There's kind of been input from all three of them, | 0:36:25 | 0:36:28 | |
which is great, they want to be involved, | 0:36:28 | 0:36:30 | |
but, unfortunately, their opinions are actually | 0:36:30 | 0:36:32 | |
conflicting with each other and you tend to get | 0:36:32 | 0:36:35 | |
caught in the middle, trying to find a way through. | 0:36:35 | 0:36:37 | |
Jeremy's a very passionate guy. Exactly what he wants in his store. | 0:36:37 | 0:36:41 | |
It's fine to be passionate, everybody's passionate about their business, | 0:36:41 | 0:36:44 | |
but, end of the day, they've got to make some money. | 0:36:44 | 0:36:46 | |
And, unfortunately, that passion comes out | 0:36:46 | 0:36:49 | |
-as him appearing like a massive pain in the arse. -Exactly, yeah. | 0:36:49 | 0:36:53 | |
-Which I don't think is very helpful for anybody. -No. | 0:36:53 | 0:36:56 | |
I am really bloody cross. | 0:37:02 | 0:37:04 | |
'And I intend to go steaming into there and make it absolutely clear | 0:37:04 | 0:37:08 | |
'to them that they are not to throw | 0:37:08 | 0:37:10 | |
'a spanner in the works at this point.' | 0:37:10 | 0:37:12 | |
When I send you someone who is an expert in shopfitting, | 0:37:16 | 0:37:20 | |
you know, you could occasionally be gracious enough to think that | 0:37:20 | 0:37:23 | |
somebody knows better and accept that I'm doing my damnedest | 0:37:23 | 0:37:27 | |
to improve your bloody shop! | 0:37:27 | 0:37:29 | |
And instead of constantly going back and picking bits | 0:37:29 | 0:37:33 | |
and not being clear, they feel like | 0:37:33 | 0:37:35 | |
-you haven't been clear. -Whoa, hang on a minute. | 0:37:35 | 0:37:37 | |
If somebody says that we haven't been clear, and we've mucked about... | 0:37:37 | 0:37:40 | |
I find that entirely possible, because you are not clear, | 0:37:40 | 0:37:43 | |
-you are confused, you are chaotic. -With respect, I completely disagree. | 0:37:43 | 0:37:47 | |
Look! Look at this! | 0:37:47 | 0:37:49 | |
What about this suggests that you are not chaotic? | 0:37:49 | 0:37:52 | |
-I'm very sorry, Alex. I'm really upset that you've come up like that. -I'm upset. | 0:37:52 | 0:37:56 | |
Well, you might be, but I'm the one that is being held responsible | 0:37:56 | 0:38:00 | |
and I know that I was very clear, very concise... | 0:38:00 | 0:38:03 | |
Well, you certainly shout very loudly, darling, but do you | 0:38:03 | 0:38:06 | |
understand the implications of all the decisions that you're making? | 0:38:06 | 0:38:09 | |
Yes. I try and tell them exactly how we want it in the first place. | 0:38:09 | 0:38:13 | |
It's not displaying cheese, it's not displaying a book. | 0:38:13 | 0:38:17 | |
-It's displaying fairly... -You don't even work in the shop! | 0:38:17 | 0:38:21 | |
Why is it channelling through you? | 0:38:21 | 0:38:23 | |
I want to know that from you two. | 0:38:23 | 0:38:25 | |
Why is it going through Jeremy? | 0:38:25 | 0:38:27 | |
Why, because the actual fitments part, | 0:38:27 | 0:38:31 | |
the installation of the actual detail of the fitments... | 0:38:31 | 0:38:37 | |
Honestly, guys, you've been here a long time. | 0:38:37 | 0:38:40 | |
You've never fitted out the shop. I have offered you expertise. | 0:38:40 | 0:38:45 | |
It's not just me drawing on the back of a fag packet. | 0:38:45 | 0:38:47 | |
And I feel... Actually, you know, | 0:38:47 | 0:38:49 | |
I really do feel like walking away from it at this point | 0:38:49 | 0:38:52 | |
and saying, "Fine. You don't like it, | 0:38:52 | 0:38:54 | |
"you're not happy with it, you're not happy with them. | 0:38:54 | 0:38:56 | |
"They're certainly not happy with you. | 0:38:56 | 0:38:58 | |
-"Shall we just say -BLEEP -and leave things as they are?" | 0:38:58 | 0:39:02 | |
They've had all these years to do whatever they want to the shop. | 0:39:12 | 0:39:15 | |
I come in, suggest that they get it done, | 0:39:15 | 0:39:17 | |
give them a plan of action and he is nitpicking. | 0:39:17 | 0:39:20 | |
It's the first day of the installation. | 0:39:28 | 0:39:31 | |
With my faith in Jeremy at an all-time low, I've told him | 0:39:31 | 0:39:34 | |
to stay away from the shopfitters. | 0:39:34 | 0:39:38 | |
Sadly, he's got other ideas. | 0:39:38 | 0:39:41 | |
'I want to just keep' | 0:39:41 | 0:39:43 | |
an eye and make sure that everything's going to plan | 0:39:43 | 0:39:46 | |
'and that nothing's been forgotten or lost or missed out.' | 0:39:46 | 0:39:51 | |
Is one bracket enough, there? | 0:39:51 | 0:39:53 | |
There's some more there, mate. | 0:39:53 | 0:39:55 | |
Oh, he's brought you them. OK. | 0:39:55 | 0:39:57 | |
That's badly delivered. Blokes! | 0:40:00 | 0:40:02 | |
Make sure you sign that as box open, please. Not inspected. | 0:40:02 | 0:40:08 | |
I'm just thinking if we take the panel off, John, | 0:40:08 | 0:40:11 | |
and then cut it in to suit and then put it back on. | 0:40:11 | 0:40:13 | |
Why can't you just cut a slot in there for that? | 0:40:13 | 0:40:17 | |
When the made to measure fixtures arrive, | 0:40:17 | 0:40:20 | |
Jeremy thinks he's been short-changed. | 0:40:20 | 0:40:23 | |
-That's how it was on the drawings. -Well, that's not how I said it. | 0:40:24 | 0:40:28 | |
How am I going to get to 'em? It's not going to work at all. | 0:40:28 | 0:40:30 | |
-Well, it will. -Well, it isn't how I told them I wanted it. | 0:40:30 | 0:40:33 | |
I wanted them all the way along. | 0:40:33 | 0:40:35 | |
Yeah, I know what the drawing said, but that's not how... | 0:40:35 | 0:40:37 | |
You saw the drawings, you should've said something. | 0:40:37 | 0:40:40 | |
-I didn't know. -You said you'd seen the drawings. | 0:40:40 | 0:40:42 | |
Yeah, all it says on the drawings is just hangers. | 0:40:42 | 0:40:45 | |
No, no, it shows them on there. | 0:40:45 | 0:40:47 | |
I don't know what's happened here. | 0:40:48 | 0:40:50 | |
It's certainly not what I discussed. | 0:40:50 | 0:40:52 | |
It's not what I planned at all. | 0:40:52 | 0:40:54 | |
I'm thinking these aren't even going to be able to be used. | 0:40:56 | 0:40:59 | |
I actually think that, aesthetically, they look better. | 0:40:59 | 0:41:01 | |
You can get ten or... No, I think you're completely wrong. | 0:41:01 | 0:41:04 | |
All you'll do is see one, two, three, four, | 0:41:04 | 0:41:06 | |
five, six, seven, eight hangers. | 0:41:06 | 0:41:08 | |
What you're thinking of, you won't see any of them! | 0:41:08 | 0:41:10 | |
You will, cos that's how we were doing. | 0:41:10 | 0:41:12 | |
How are you going to see any one? | 0:41:12 | 0:41:14 | |
-Well... -Answer me a question! -You'll see eight. | 0:41:14 | 0:41:18 | |
-No, you're not going to see any! -Hold on one sec. Hold on. | 0:41:18 | 0:41:21 | |
Put them in. We'll see, and if you need to change, and put them... | 0:41:21 | 0:41:24 | |
-The units are standing on top of them! -Listen, one sec. -You won't be able to get them off. | 0:41:24 | 0:41:28 | |
'Jeremy's very pedantic on how he likes things to look.' | 0:41:28 | 0:41:33 | |
Yeah, yeah, I just really want to see the end of it, to be honest. | 0:41:33 | 0:41:38 | |
The layout of the shop is in disarray, | 0:41:39 | 0:41:41 | |
but with the relaunch just around the corner, I can't get sidetracked. | 0:41:41 | 0:41:45 | |
They have other big problems, too. | 0:41:45 | 0:41:48 | |
Jeremy's made to measure business | 0:41:48 | 0:41:49 | |
has been trading as Freedman Interiors, | 0:41:49 | 0:41:52 | |
whilst the shop has kept the Alf Onnie name, | 0:41:52 | 0:41:55 | |
which I think is madness. | 0:41:55 | 0:41:56 | |
'It seems quite evident' | 0:41:59 | 0:42:00 | |
to me that there is a tussle in the family | 0:42:00 | 0:42:03 | |
and that has resulted in there being | 0:42:03 | 0:42:05 | |
two very distinct halves to this business. | 0:42:05 | 0:42:08 | |
It's a huge mistake that these two sides of the business | 0:42:08 | 0:42:11 | |
don't work together as a cohesive whole. | 0:42:11 | 0:42:14 | |
I've brought the boys to award-winning marketing agency | 0:42:15 | 0:42:19 | |
Elvis to help resolve this fundamental split in the business. | 0:42:19 | 0:42:23 | |
'Kevin at least seems keen to play ball, but is surprisingly willing | 0:42:24 | 0:42:28 | |
'to drop their 93 year association with their grandfather's name.' | 0:42:28 | 0:42:32 | |
I think the name Alf Onnie, | 0:42:33 | 0:42:36 | |
people that aren't familiar with that name will not understand it. | 0:42:36 | 0:42:40 | |
They won't know what that name means, | 0:42:40 | 0:42:42 | |
what type of business it reflects at all. | 0:42:42 | 0:42:45 | |
'I do think it is time for a change. I feel that strongly.' | 0:42:45 | 0:42:48 | |
'John and Anna have led campaigns for international brands like Virgin, | 0:42:48 | 0:42:52 | |
'Honda and Sky, so the boys would do well to start listening.' | 0:42:52 | 0:42:58 | |
So, visually there's a lot that we need to sort out, | 0:42:58 | 0:43:01 | |
but before we can get into that I think the bigger issue, actually, | 0:43:01 | 0:43:05 | |
fundamentally, is kind of the name. | 0:43:05 | 0:43:07 | |
Heritage is everything for you guys, you've been there for so long | 0:43:07 | 0:43:11 | |
and Alf Onnie we liked for lots of reasons. | 0:43:11 | 0:43:15 | |
One, it's just a bit more distinctive. | 0:43:15 | 0:43:17 | |
It feels quite East End, | 0:43:17 | 0:43:19 | |
it feels kind of part of who you are and we sort of felt like that, | 0:43:19 | 0:43:21 | |
actually, that was, to be honest - might come as a bit of a shock - | 0:43:21 | 0:43:25 | |
a stronger part, from a branding point of view than Freedman Interiors. | 0:43:25 | 0:43:30 | |
I'm not necessarily in agreement with that. | 0:43:30 | 0:43:33 | |
What does Freedman Interiors say to you? I mean, what is it? | 0:43:33 | 0:43:36 | |
It's so generic. | 0:43:36 | 0:43:37 | |
It sounds more generic. I mean, Alf Onnie sounds very personal. | 0:43:37 | 0:43:41 | |
We believe it's not necessarily the name that needs to change, | 0:43:41 | 0:43:44 | |
it's the way it looks, it's the way you express it. | 0:43:44 | 0:43:47 | |
Certainly, we're open to... | 0:43:47 | 0:43:48 | |
'The boys already seem resistant, | 0:43:48 | 0:43:50 | |
'but I'm hoping they'll be won over by the agency's bold designs.' | 0:43:50 | 0:43:54 | |
This is our third and preferred version and like John said, I think | 0:43:54 | 0:43:58 | |
it narrows everything in together, | 0:43:58 | 0:43:59 | |
we're trying to represent for you guys. | 0:43:59 | 0:44:01 | |
No, no, no, no. Where's my curtains? | 0:44:01 | 0:44:04 | |
We want to talk about the craftsmanship and heritage | 0:44:04 | 0:44:06 | |
that goes into what you do, rather than visually | 0:44:06 | 0:44:08 | |
trying to show the product that you create in a logo. | 0:44:08 | 0:44:12 | |
It's incredibly difficult, | 0:44:12 | 0:44:13 | |
especially because it's something so ornate. | 0:44:13 | 0:44:16 | |
I don't agree with that, because, for me, that says curtains. | 0:44:16 | 0:44:19 | |
I think that looks just naff. | 0:44:19 | 0:44:20 | |
I don't agree. I think it's important. | 0:44:20 | 0:44:23 | |
That, to me, looks like a tap. | 0:44:23 | 0:44:26 | |
Seeing something is better than reading something, right? An image. | 0:44:27 | 0:44:31 | |
These are branding experts, | 0:44:31 | 0:44:34 | |
-so they do understand how important the visual is. -I realise. | 0:44:34 | 0:44:37 | |
I've always wanted a logo, but I want it to be the right logo. | 0:44:37 | 0:44:41 | |
You want it to be curtains... | 0:44:41 | 0:44:43 | |
-..really. -Funny enough, that's what we make. | 0:44:44 | 0:44:46 | |
We make curtains, we make blinds. | 0:44:46 | 0:44:48 | |
'The boys are in danger of sabotaging yet more expert advice. | 0:44:48 | 0:44:52 | |
'This time, I won't let that happen. | 0:44:52 | 0:44:55 | |
'If we can't get it right now, it won't be ready for the relaunch.' | 0:44:55 | 0:44:59 | |
The reason that the shop is such a mess is | 0:44:59 | 0:45:01 | |
cos no-one has sat them down and made them make a decision. | 0:45:01 | 0:45:04 | |
This is the point where they have to make a decision | 0:45:04 | 0:45:07 | |
and they have to decide on a way forward. | 0:45:07 | 0:45:09 | |
You have to accept that there are other people who know | 0:45:09 | 0:45:14 | |
more about something than us. | 0:45:14 | 0:45:16 | |
We're here to help, but we need to | 0:45:16 | 0:45:18 | |
really understand exactly where your heads are at. | 0:45:18 | 0:45:20 | |
I really want us to walk out of this room in 15 minutes with a plan. | 0:45:20 | 0:45:24 | |
The representation of curtains, | 0:45:24 | 0:45:26 | |
in whichever fashion we choose to progress, is going to be key. | 0:45:26 | 0:45:30 | |
I'm going to go in for bat for the colour, cos actually the purple, | 0:45:30 | 0:45:34 | |
I think it's really strong | 0:45:34 | 0:45:36 | |
and I think it will work particularly well inside the store, | 0:45:36 | 0:45:39 | |
where you've got lots of other colours that are surrounding it. | 0:45:39 | 0:45:42 | |
So, I think, actually, if we put those elements together, | 0:45:42 | 0:45:45 | |
then I think we're actually not in too bad a place. | 0:45:45 | 0:45:48 | |
What do you think? | 0:45:48 | 0:45:49 | |
You look like you've been hit over the head twice with a baseball bat. | 0:45:49 | 0:45:52 | |
Look at him. Are you feeling bullied? I don't mind if you are. | 0:45:52 | 0:45:57 | |
We think, if we're going to have a complete... | 0:45:57 | 0:46:00 | |
almost a change, a reinvigoration, then, yeah, | 0:46:00 | 0:46:06 | |
I think it could certainly work. | 0:46:06 | 0:46:08 | |
-Yeah, I'm happy to try. -Certainly work. | 0:46:08 | 0:46:11 | |
-Brilliant. -Let's just take it. | 0:46:11 | 0:46:13 | |
I think that's as good as we're going to get. Let's take it. Yay! | 0:46:13 | 0:46:17 | |
'Jeremy may have got his way with the curtain logo, | 0:46:17 | 0:46:19 | |
'but at least they've agreed a design | 0:46:19 | 0:46:21 | |
'and they've signed up the colour and are keeping the name.' | 0:46:21 | 0:46:25 | |
I had to really bully them into making a decision, | 0:46:25 | 0:46:28 | |
but we have to make decisions and move forward, | 0:46:28 | 0:46:31 | |
otherwise they're going to be stuck in the glue of the past, | 0:46:31 | 0:46:34 | |
which is where they've been stuck, | 0:46:34 | 0:46:36 | |
as far as I can see, for the last 20 years. | 0:46:36 | 0:46:38 | |
And I honestly think that this is their chance | 0:46:38 | 0:46:41 | |
either to change and prosper or to wither. | 0:46:41 | 0:46:44 | |
And there's another step in the right direction. | 0:46:48 | 0:46:51 | |
They seem to have learned from that earlier mistakes | 0:46:51 | 0:46:54 | |
and Jeremy has managed to land a trial commercial contract | 0:46:54 | 0:46:57 | |
with the University of East London. | 0:46:57 | 0:46:59 | |
Kevin's making a delivery of a batch of 15 tailor-made curtains. | 0:46:59 | 0:47:03 | |
-Hello. -Hi. | 0:47:03 | 0:47:04 | |
Tape top, flame retardant tape as well, actually. | 0:47:04 | 0:47:08 | |
I'll put that in for you. | 0:47:08 | 0:47:10 | |
And... | 0:47:10 | 0:47:11 | |
..they've weighted those in for you, as well. | 0:47:13 | 0:47:16 | |
-You have, haven't you. -Yes. -Brilliant. | 0:47:16 | 0:47:19 | |
-Yeah, fantastic. -The students can get some sleep, now, with the sun out. | 0:47:19 | 0:47:23 | |
-It'll be nice. -Perfect timing. | 0:47:23 | 0:47:25 | |
For now, the order is only worth £1,800, but with 1,100 rooms, | 0:47:25 | 0:47:29 | |
if all goes well, it could be a gold mine | 0:47:29 | 0:47:32 | |
and drastically reduce their reliance on local footfall. | 0:47:32 | 0:47:35 | |
-Brilliant. -All right. -'They really have been excellent. | 0:47:35 | 0:47:38 | |
'I've been really pleased with how they've worked.' | 0:47:38 | 0:47:40 | |
Really knowledgeable about what was available in such a short period of time, so I've been pleased. | 0:47:40 | 0:47:44 | |
It's one good step forward, but with just two days | 0:47:44 | 0:47:47 | |
before the relaunch, the shop is still a total mess. | 0:47:47 | 0:47:51 | |
Even the dreaded furry friends are back. | 0:47:56 | 0:47:58 | |
This time, they're making quite a different impression. | 0:47:58 | 0:48:02 | |
That's quite unbelievable! | 0:48:02 | 0:48:05 | |
It's ratatouille! | 0:48:05 | 0:48:06 | |
Oh, that's revolting. | 0:48:10 | 0:48:12 | |
Inside the shop, it is no laughing matter. | 0:48:17 | 0:48:19 | |
Jeremy has changed the designs yet again | 0:48:19 | 0:48:22 | |
and he's still not happy. | 0:48:22 | 0:48:24 | |
-It sits on top of that. -Is that what he's thinking of doing? Oh, my God. | 0:48:24 | 0:48:28 | |
But the biggest stumbling block is not Jeremy's fault. | 0:48:28 | 0:48:31 | |
A problem with the delivery is threatening | 0:48:32 | 0:48:35 | |
to completely derail the relaunch. | 0:48:35 | 0:48:37 | |
Oh, no. | 0:48:37 | 0:48:39 | |
This is just impossible. | 0:48:40 | 0:48:42 | |
We are really in trouble with this, aren't we? | 0:48:42 | 0:48:46 | |
'Nobody ever does quite what they say they're going to do.' | 0:48:48 | 0:48:52 | |
I've got no ready-mades to show, | 0:48:52 | 0:48:54 | |
I've got no blinds to show. | 0:48:54 | 0:48:56 | |
So it's like three-quarters of the business is not being shown. | 0:48:56 | 0:49:01 | |
Lord knows how I'm going to get everything, merchandise and display. | 0:49:01 | 0:49:04 | |
It's just a nightmare. | 0:49:04 | 0:49:06 | |
The one positive thing is just how hard Jeremy | 0:49:07 | 0:49:11 | |
and his brothers are working to bring their shop into this century. | 0:49:11 | 0:49:14 | |
But time is running out. | 0:49:14 | 0:49:16 | |
'It's the day of the relaunch.' | 0:49:29 | 0:49:32 | |
I'm very worried in case Jeremy's meddling has made | 0:49:33 | 0:49:38 | |
a complete pig's ear of this. | 0:49:38 | 0:49:39 | |
I really have no idea what I'm walking into at all. | 0:49:39 | 0:49:44 | |
'But, for once, it's me that's in for a shock.' | 0:49:45 | 0:49:48 | |
It looks like a different place. I just can't believe it! | 0:49:55 | 0:49:59 | |
They've done the ironwork, they've done the signage. | 0:50:01 | 0:50:05 | |
Look how light it is. It looks enormous! | 0:50:05 | 0:50:07 | |
I'm so thrilled that they agreed to adopt this branding. | 0:50:07 | 0:50:12 | |
I love the colour, I love how clear the lettering is. | 0:50:12 | 0:50:16 | |
I mean, honestly, | 0:50:18 | 0:50:21 | |
it's come into this century. | 0:50:21 | 0:50:24 | |
-Hello. -Hello! | 0:50:26 | 0:50:29 | |
I can't believe it! | 0:50:29 | 0:50:32 | |
I'm so excited! | 0:50:32 | 0:50:34 | |
It's so lovely to see you. | 0:50:34 | 0:50:36 | |
It's so lovely to be here. I can't believe this! | 0:50:36 | 0:50:39 | |
It looks enormous. | 0:50:39 | 0:50:41 | |
-I had no idea I was going to be so excited! -Nice to hear. | 0:50:41 | 0:50:45 | |
We are so thrilled to hear that. Honestly. | 0:50:45 | 0:50:48 | |
Darling, I feel like a little tear behind my eye. | 0:50:48 | 0:50:52 | |
Let it roll. Let it roll. | 0:50:52 | 0:50:54 | |
'I'm amazed that despite all the last-minute changes, | 0:50:55 | 0:50:59 | |
'the results are still truly stunning. | 0:50:59 | 0:51:01 | |
'As well as having an initial wow factor, | 0:51:01 | 0:51:04 | |
'the shop is now clearly split into easy to browse areas. | 0:51:04 | 0:51:09 | |
'Jeremy's made to measure display makes a real impact | 0:51:09 | 0:51:12 | |
'with its colour-coordinated pods and on trend fabrics.' | 0:51:12 | 0:51:16 | |
They look fab! | 0:51:17 | 0:51:19 | |
'They even have interior design tips for any extra accessories. | 0:51:19 | 0:51:24 | |
'Most importantly, the mountains of blankets, | 0:51:25 | 0:51:28 | |
'linens and doormats have been consigned to the skip | 0:51:28 | 0:51:31 | |
'and there is the space to enjoy what they do best, | 0:51:31 | 0:51:33 | |
'curtains and blinds.' | 0:51:33 | 0:51:36 | |
I had no idea that you were going to manage it so well. I really didn't. | 0:51:37 | 0:51:42 | |
-I was quite nervous. That sounds rude, doesn't it? -No. | 0:51:42 | 0:51:46 | |
-But it is... -No ruder than normal. | 0:51:46 | 0:51:49 | |
It's an incredible transformation, but, in the rush to get it | 0:51:49 | 0:51:53 | |
finished, one or two things have been brushed under the carpet. | 0:51:53 | 0:51:58 | |
Dirty little secrets. | 0:51:58 | 0:52:01 | |
'The boys have really pulled it all together in the last few days, | 0:52:02 | 0:52:05 | |
'but a sparkling new shop with no-one in it is no use to anyone. | 0:52:05 | 0:52:10 | |
'I want them to spread the word of their revamp far and wide, | 0:52:13 | 0:52:17 | |
'so they're using their heritage to try and stand out from the crowd.' | 0:52:17 | 0:52:21 | |
Come and see our grand opening! | 0:52:21 | 0:52:23 | |
Curtains and blinds at Alf Onnie's! | 0:52:23 | 0:52:26 | |
Come and see our family business, Alf Onnie! | 0:52:26 | 0:52:30 | |
We're reopening our new showroom today. | 0:52:30 | 0:52:33 | |
Family business, curtains and blinds. | 0:52:34 | 0:52:37 | |
For your home, your offices. Come and see! | 0:52:37 | 0:52:41 | |
Alf Onnie's new curtain and blind showroom! | 0:52:41 | 0:52:45 | |
But, just hitting the locals won't cut it. | 0:52:45 | 0:52:49 | |
For this business to succeed, it's the commercial contracts that | 0:52:49 | 0:52:52 | |
really count, so, they're inviting the biggest regional players. | 0:52:52 | 0:52:56 | |
-Jeremy Freedman. -Hi. | 0:52:56 | 0:52:58 | |
We'd like to invite you down | 0:52:58 | 0:52:59 | |
-and we hope you can make it. -With pleasure. | 0:52:59 | 0:53:01 | |
'It looks like word of their transformation has even | 0:53:02 | 0:53:05 | |
'got them in the press. | 0:53:05 | 0:53:07 | |
'I think the boys may have managed to pull it out of the bag. | 0:53:09 | 0:53:12 | |
'But, in the end, it's not my opinion, | 0:53:12 | 0:53:15 | |
'but that of the paying customer, that really matters.' | 0:53:15 | 0:53:18 | |
We now declare the showroom open! | 0:53:19 | 0:53:22 | |
CHEERING | 0:53:22 | 0:53:26 | |
-It's the way we want it. -It's a nice transformation. Isn't it great? | 0:53:32 | 0:53:35 | |
PEOPLE CHAT | 0:53:35 | 0:53:39 | |
My family have been coming here for five generations, | 0:53:39 | 0:53:42 | |
so I love Alf Onnie's anyway, | 0:53:42 | 0:53:44 | |
but this has made it that much easier to browse. | 0:53:44 | 0:53:47 | |
They're always on hand to help and advise | 0:53:47 | 0:53:50 | |
and I think it's just lovely. | 0:53:50 | 0:53:52 | |
The curtains on the ceiling, they blocked the light up, | 0:53:52 | 0:53:54 | |
you had to duck under 'em to get through. | 0:53:54 | 0:53:56 | |
Now they've got rid of them, although there's not | 0:53:56 | 0:53:59 | |
so much on display, you can actually see more of what they have got. | 0:53:59 | 0:54:03 | |
Looks like modern. You know, it's vibrant now. | 0:54:03 | 0:54:06 | |
'The new upmarket look is proving a hit with the locals. | 0:54:07 | 0:54:11 | |
'And commercial clients with contracts worth | 0:54:11 | 0:54:14 | |
'thousands of pounds have also come for a look.' | 0:54:14 | 0:54:17 | |
-How you doing? -Hi, nice to see you. | 0:54:17 | 0:54:19 | |
People who deal with the contracts for various universities, | 0:54:19 | 0:54:22 | |
designers letting agents, and people from the council, | 0:54:22 | 0:54:27 | |
who I know the boys have been desperate to get a hold of. | 0:54:27 | 0:54:31 | |
I think tonight has been a great opportunity for them to meet us | 0:54:31 | 0:54:34 | |
and just put names to faces and to work with local companies | 0:54:34 | 0:54:38 | |
and local shops like this would be brilliant. | 0:54:38 | 0:54:40 | |
So, yeah, I think it's definitely been really good for them and for us to meet. | 0:54:40 | 0:54:44 | |
You've put that effort in and so it's all on your backs and, | 0:54:45 | 0:54:49 | |
you know, guys, you're going to go from strength to strength. | 0:54:49 | 0:54:51 | |
I know you are. To Alf Onnie's and the next 90 years. | 0:54:51 | 0:54:55 | |
-A-ha! Hear hear. -Thank you very much. -Lovely. | 0:54:55 | 0:54:59 | |
The process has been incredibly hard, | 0:54:59 | 0:55:01 | |
but we've done it | 0:55:01 | 0:55:03 | |
and it's exactly how I wanted it | 0:55:03 | 0:55:05 | |
and I'm really delighted and | 0:55:05 | 0:55:08 | |
grateful to everybody that's played a part in it. | 0:55:08 | 0:55:11 | |
Seeing people startled | 0:55:11 | 0:55:13 | |
and surprised at the transformation of the shop, it's been great. | 0:55:13 | 0:55:17 | |
I knew it would all come good in the end. | 0:55:17 | 0:55:20 | |
Dad Brian has had some doubts along the way, | 0:55:22 | 0:55:25 | |
but is he won over by what his sons have achieved? | 0:55:25 | 0:55:29 | |
I'm very proud of my sons. | 0:55:29 | 0:55:31 | |
They've turned out something I think is fantastic. | 0:55:31 | 0:55:35 | |
Couldn't believe that it could be done, | 0:55:37 | 0:55:40 | |
but it is superb. | 0:55:40 | 0:55:42 | |
I feel really enthused | 0:55:42 | 0:55:44 | |
and happy that this has been such a good result. | 0:55:44 | 0:55:48 | |
They're set up much better now | 0:55:48 | 0:55:50 | |
to service, commercial, contract work. | 0:55:50 | 0:55:53 | |
They're not going to put off their local customers. | 0:55:53 | 0:55:56 | |
I think the future looks pretty rosy | 0:55:56 | 0:55:58 | |
for Alf Onnie's. | 0:55:58 | 0:56:00 | |
Once the dust has settled, | 0:56:06 | 0:56:08 | |
are the brothers still bickering or is business booming? | 0:56:08 | 0:56:12 | |
Thank you very much indeed. | 0:56:13 | 0:56:15 | |
Sometimes it's easy to slip back into your old habits, | 0:56:15 | 0:56:17 | |
but, no, we've made a determined effort | 0:56:17 | 0:56:20 | |
and boxed each other's ears if one of us | 0:56:20 | 0:56:22 | |
has perhaps gone down that road. | 0:56:22 | 0:56:24 | |
'Customers have been really surprised.' | 0:56:25 | 0:56:28 | |
Eyes have lit up and they think it's quite a transformation. | 0:56:28 | 0:56:31 | |
We've had mornings where we can't cope, it's been mobbed. | 0:56:31 | 0:56:34 | |
I think it's been the wow factor, really, for a lot of them. | 0:56:34 | 0:56:37 | |
There's one or two that think | 0:56:37 | 0:56:39 | |
probably the prices have gone up. | 0:56:39 | 0:56:41 | |
Very nice. Very, very nice. | 0:56:41 | 0:56:44 | |
-It's posh. -Posh, right. | 0:56:44 | 0:56:46 | |
In this town, it's posh. | 0:56:46 | 0:56:48 | |
OK, OK. Well, posh shop, but not posh prices. | 0:56:48 | 0:56:52 | |
Yes, that's true. That's true. | 0:56:52 | 0:56:54 | |
They may not be cutting edge, but the biggest increase has been | 0:56:54 | 0:56:58 | |
in nets, which have contributed nearly a 10% growth in sales. | 0:56:58 | 0:57:03 | |
We've been really busy with net curtains, | 0:57:03 | 0:57:05 | |
which I think is definitely a result of the way we've displayed them. | 0:57:05 | 0:57:09 | |
They've even updated their antiquated account system, | 0:57:09 | 0:57:12 | |
to finally join the 21st century. | 0:57:12 | 0:57:14 | |
We'll probably wonder | 0:57:14 | 0:57:16 | |
why I hadn't done it a long time ago. | 0:57:16 | 0:57:18 | |
The commercial push is paying off, too. | 0:57:20 | 0:57:22 | |
Jeremy's won another big contract, | 0:57:22 | 0:57:24 | |
this time with Redbridge College. | 0:57:24 | 0:57:26 | |
It could be the beginnings of an Alf Onnie empire. | 0:57:27 | 0:57:31 | |
We have 84 classrooms at the college | 0:57:32 | 0:57:34 | |
and executive areas and staff rooms. | 0:57:34 | 0:57:36 | |
We've got blinds everywhere, so | 0:57:36 | 0:57:38 | |
I think we'll keep them busy for a while. | 0:57:38 | 0:57:41 | |
It will tilt either way. | 0:57:41 | 0:57:43 | |
The slats must always be in this direction. | 0:57:43 | 0:57:46 | |
And then you can pull the slats along. | 0:57:46 | 0:57:50 | |
But, however big they get, | 0:57:50 | 0:57:52 | |
Jeremy will always be on hand to dot every i personally. | 0:57:52 | 0:57:56 | |
BLINDS SLIDE | 0:57:56 | 0:57:59 | |
Perfect. | 0:58:00 | 0:58:01 | |
Small enough to care, big enough to cope. | 0:58:01 | 0:58:04 | |
You know what, I'm going to use that as my next hook. | 0:58:04 | 0:58:07 | |
And I'm astonished to see he's now even happy to serve in the shop. | 0:58:07 | 0:58:11 | |
..or have you gone on the outside? | 0:58:11 | 0:58:13 | |
This is really nice, as well. These are veneers. | 0:58:13 | 0:58:15 | |
But, perhaps that's because he got what he wanted. | 0:58:18 | 0:58:21 | |
'I have to say, one of the nicest things is' | 0:58:22 | 0:58:25 | |
that I've got my way. | 0:58:25 | 0:58:27 | |
I wanted rid of the linens, I wanted rid of the rugs. | 0:58:27 | 0:58:30 | |
The contacts that we've got now coming through, | 0:58:30 | 0:58:33 | |
I'm very excited for the future. | 0:58:33 | 0:58:36 | |
# Mess around | 0:58:45 | 0:58:47 | |
# I'm doing the mess around | 0:58:47 | 0:58:50 | |
# They're doing the mess around | 0:58:50 | 0:58:52 | |
# Everybody's doing the mess around | 0:58:52 | 0:58:55 | |
# Now, you see that girl with that diamond ring | 0:58:57 | 0:59:01 | |
# She knows how to shake that thing... # | 0:59:01 | 0:59:04 | |
Subtitles by Red Bee Media Ltd | 0:59:04 | 0:59:06 |