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-JO WHILEY: -Welcome to the BBC TV Centre in London, | 0:00:08 | 0:00:11 | |
where far below, amid the passing tube trains and tower blocks, | 0:00:11 | 0:00:14 | |
an audience of 700 or so fans are gathered to watch their favourite band | 0:00:14 | 0:00:18 | |
perform a handful of songs new and old. | 0:00:18 | 0:00:21 | |
World champions of self-flagellation, | 0:00:21 | 0:00:24 | |
with their new album Viva La Vida they are quite simply world class. | 0:00:24 | 0:00:27 | |
And here to perform, and do what they do best and love the most, | 0:00:27 | 0:00:31 | |
it's Coldplay at the BBC! | 0:00:31 | 0:00:34 | |
# Oh oh oh Oh oh oh, oh oh. # | 0:00:34 | 0:00:36 | |
Hello, everybody. APPLAUSE AND CHEERS | 0:00:54 | 0:00:58 | |
# It was a long and dark December | 0:00:58 | 0:01:00 | |
# From the rooftops I remember | 0:01:00 | 0:01:03 | |
# There was snow, white snow | 0:01:03 | 0:01:09 | |
# Clearly I remember | 0:01:10 | 0:01:13 | |
# From the windows they were watching | 0:01:13 | 0:01:16 | |
# While we froze down below | 0:01:16 | 0:01:21 | |
# When the future's architectured | 0:01:23 | 0:01:25 | |
# By a carnival of idiots on show | 0:01:25 | 0:01:30 | |
# You'd better lie low | 0:01:30 | 0:01:33 | |
# If you love me Won't you let me know? | 0:01:33 | 0:01:41 | |
# Was a long and dark December | 0:01:46 | 0:01:49 | |
# When the banks became cathedrals | 0:01:49 | 0:01:52 | |
# And a fox became God | 0:01:52 | 0:01:58 | |
# Priests clutched onto bibles | 0:01:58 | 0:02:01 | |
# Hollowed out to fit their rifles | 0:02:01 | 0:02:04 | |
# And a cross was held aloft | 0:02:04 | 0:02:10 | |
# Bury me in armour | 0:02:10 | 0:02:14 | |
# When I'm dead and hit the ground | 0:02:14 | 0:02:17 | |
# My nerves are poles that unfroze | 0:02:17 | 0:02:22 | |
# And if you love me Won't you let me know? | 0:02:22 | 0:02:29 | |
# I don't want to be a soldier | 0:02:58 | 0:03:02 | |
# Who the captain of some sinking ship | 0:03:02 | 0:03:05 | |
# Would stow, far below | 0:03:05 | 0:03:10 | |
# So if you love me Why d'you let me go? | 0:03:10 | 0:03:18 | |
# I took my love down to Violet Hill | 0:03:23 | 0:03:28 | |
# There we sat in snow | 0:03:28 | 0:03:33 | |
# All that time she was silent still | 0:03:34 | 0:03:39 | |
# Said if you love me Won't you let me know? | 0:03:39 | 0:03:46 | |
# If you love me Won't you let me know? # | 0:03:47 | 0:03:54 | |
APPLAUSE AND CHEERS Thanks, everybody. | 0:03:54 | 0:03:56 | |
Hello, Coldplay. Welcome to the bosom of the BBC TV Centre. | 0:04:06 | 0:04:09 | |
-Thanks, Jo. -How does that feel? | 0:04:09 | 0:04:11 | |
-Thanks for having us. -It's very nice to...be had by you. | 0:04:11 | 0:04:14 | |
-We're happy to be in any bosom. -So I've heard. -Well... | 0:04:14 | 0:04:19 | |
So, you said you wanted this to be the album where it would be OK to like Coldplay. | 0:04:19 | 0:04:23 | |
-We did. -Does it feel like that now? -Not really. | 0:04:23 | 0:04:26 | |
-I think we... -Do you think it will ever be OK to like Coldplay? | 0:04:26 | 0:04:29 | |
-Guy knows that answer. -Guy. -Er, I'm not sure. | 0:04:29 | 0:04:33 | |
I... I think we... | 0:04:33 | 0:04:36 | |
I just think we always feel that we're not very good. | 0:04:36 | 0:04:40 | |
-And that's what makes us... -But where does that come from? | 0:04:40 | 0:04:43 | |
Mainly... | 0:04:43 | 0:04:45 | |
Mainly Guy, actually. | 0:04:45 | 0:04:46 | |
-Guy just keeps a downer on it all the time. -Gives it somewhere to go. | 0:04:46 | 0:04:50 | |
When your bass player is that handsome, | 0:04:50 | 0:04:52 | |
your music can be terrible. | 0:04:52 | 0:04:55 | |
You know, one of the first tours of America we ever did, | 0:04:55 | 0:04:58 | |
these two gay guys came up to us at the end | 0:04:58 | 0:05:00 | |
and said, "The show was OK. | 0:05:00 | 0:05:03 | |
"But you gotta have more light on you." | 0:05:03 | 0:05:06 | |
And...they spoke just like that. | 0:05:06 | 0:05:08 | |
APPLAUSE AND CHEERS | 0:05:08 | 0:05:10 | |
OK. Thanks for giving us your Tuesday. | 0:05:13 | 0:05:17 | |
CHRIS TRILLS | 0:05:20 | 0:05:24 | |
CROWD CLAPS RHYTHMICALLY | 0:05:26 | 0:05:28 | |
# Lights go out and I can't be saved | 0:05:50 | 0:05:53 | |
# Tides that I tried to swim against | 0:05:53 | 0:05:57 | |
# You've put me down upon my knees | 0:05:57 | 0:06:01 | |
# Oh I beg, I beg and plead, singing | 0:06:01 | 0:06:05 | |
# Come out of things unsaid | 0:06:05 | 0:06:08 | |
# Shoot an apple off my head | 0:06:08 | 0:06:12 | |
# With a trouble that can't be named | 0:06:12 | 0:06:15 | |
# A tiger's waiting to be tamed, singing | 0:06:15 | 0:06:20 | |
# You are | 0:06:20 | 0:06:26 | |
# You are | 0:06:28 | 0:06:33 | |
# Confusion never stops | 0:06:48 | 0:06:52 | |
# Closing walls and ticking clocks | 0:06:52 | 0:06:56 | |
# Gonna come back and take you home | 0:06:56 | 0:07:00 | |
# I could not stop That you now know | 0:07:00 | 0:07:03 | |
# So I come out upon my seas | 0:07:03 | 0:07:07 | |
# I curse missed opportunities | 0:07:07 | 0:07:11 | |
# Am I a part of the cure | 0:07:11 | 0:07:14 | |
# Or am I part of the disease? | 0:07:14 | 0:07:18 | |
# Singing, you are | 0:07:18 | 0:07:25 | |
# You are | 0:07:26 | 0:07:32 | |
# You are | 0:07:34 | 0:07:39 | |
# You are | 0:07:41 | 0:07:46 | |
# And nothing else compares | 0:07:48 | 0:07:56 | |
# No, nothing else compares | 0:07:56 | 0:08:03 | |
# And nothing else compares | 0:08:03 | 0:08:11 | |
# You are | 0:08:11 | 0:08:14 | |
# Home, home, where I wanted to go | 0:08:46 | 0:08:53 | |
# Home, home, where I wanted to go | 0:08:53 | 0:09:00 | |
# Home, home, where I wanted to go | 0:09:00 | 0:09:08 | |
# Home, home where I wanted to go. # | 0:09:08 | 0:09:14 | |
APPLAUSE AND CHEERS | 0:09:19 | 0:09:21 | |
Thank you. | 0:09:32 | 0:09:34 | |
Everybody OK? | 0:09:34 | 0:09:37 | |
SCREAMS AND SHOUTS | 0:09:37 | 0:09:39 | |
Our guitar player, Jonny Buckland. | 0:10:02 | 0:10:05 | |
# In my place, in my place | 0:10:19 | 0:10:24 | |
# Were lines that I couldn't change | 0:10:24 | 0:10:27 | |
# I was lost, oh yeah | 0:10:27 | 0:10:30 | |
# I was lost, I was lost | 0:10:33 | 0:10:37 | |
# Crossed lines I shouldn't have crossed | 0:10:37 | 0:10:40 | |
# I was lost, oh yeah... # Ready? | 0:10:40 | 0:10:44 | |
# Yeah, how long must you wait for him? | 0:10:45 | 0:10:53 | |
# Yeah, how long must you pay for him? | 0:10:53 | 0:11:00 | |
# Yeah, how long must you wait for him? | 0:11:00 | 0:11:06 | |
# I was scared, I was scared | 0:11:26 | 0:11:30 | |
# Tired and underprepared | 0:11:30 | 0:11:33 | |
# But I wait for you | 0:11:33 | 0:11:36 | |
# If you go, if you go | 0:11:39 | 0:11:43 | |
# If you leave us down here on our own | 0:11:43 | 0:11:46 | |
# Well, I wait for you... # | 0:11:46 | 0:11:49 | |
OK, guys. | 0:11:49 | 0:11:52 | |
# Yeah, how long must you wait for him? | 0:11:52 | 0:12:00 | |
# Yeah, how long must you pay for him? | 0:12:00 | 0:12:06 | |
# Yeah, how long must you wait for him? # | 0:12:06 | 0:12:13 | |
There's a lot of people here we owe a lot to. | 0:12:23 | 0:12:27 | |
Thanks for staying outside the gates. | 0:12:27 | 0:12:30 | |
We look best from a long distance anyway, so I wouldn't worry. | 0:12:31 | 0:12:35 | |
OK on the balconies? | 0:12:38 | 0:12:41 | |
# Please, please, please | 0:12:45 | 0:12:49 | |
# Come back and sing to me | 0:12:49 | 0:12:53 | |
# To me, me | 0:12:53 | 0:12:56 | |
# Come on and sing it out, out, now | 0:12:56 | 0:13:03 | |
# Come on and sing it out To me, to me | 0:13:03 | 0:13:09 | |
# Come back and sing it | 0:13:09 | 0:13:12 | |
# In my place, in my place | 0:13:12 | 0:13:16 | |
# Were lines that I couldn't change | 0:13:16 | 0:13:20 | |
# I was lost, oh yeah | 0:13:20 | 0:13:23 | |
# Oh yeah. # | 0:13:24 | 0:13:27 | |
APPLAUSE AND CHEERS | 0:13:27 | 0:13:30 | |
You people are on incredible form. | 0:13:30 | 0:13:33 | |
Will, you said it gives you something to aspire to, | 0:13:43 | 0:13:46 | |
if you think small and think, "We are still that little indie band." | 0:13:46 | 0:13:49 | |
It's quite a fine line to tread | 0:13:49 | 0:13:52 | |
because you don't want to seem arrogant | 0:13:52 | 0:13:55 | |
but also you don't want to seem overly humble and self-deprecating. | 0:13:55 | 0:13:58 | |
It's always a fine line with us. | 0:13:58 | 0:14:01 | |
I think in our, behind closed doors we feel quite confident, | 0:14:01 | 0:14:06 | |
but then we're always suprised when people agree. | 0:14:06 | 0:14:08 | |
If you start out like a new band every time, | 0:14:08 | 0:14:12 | |
you can only hope to get bigger. | 0:14:12 | 0:14:16 | |
We don't feel like we could start from where we left off. | 0:14:16 | 0:14:20 | |
There's a lot of ground to catch up on. | 0:14:20 | 0:14:22 | |
Have you ever been TOO self-deprecating, Chris? | 0:14:22 | 0:14:25 | |
I think we're the most humble band in the world. | 0:14:25 | 0:14:28 | |
-With the potential to be the most brilliant band in the world. -Yeah. | 0:14:28 | 0:14:32 | |
I think... | 0:14:32 | 0:14:33 | |
We're always more self-deprecating before concerts. | 0:14:33 | 0:14:37 | |
If you interviewed us afterwards - in case it goes terribly wrong - | 0:14:37 | 0:14:41 | |
which it might do and then this interview will become legendary... | 0:14:41 | 0:14:45 | |
Well, maybe not legendary. Er... | 0:14:45 | 0:14:48 | |
-Forgotten. -Yes, forgotten. | 0:14:48 | 0:14:50 | |
Basically, lower people's expectations then blow them away. Hopefully. | 0:14:50 | 0:14:55 | |
If you go on a date and say, "I'm probably not going to kiss you, even"... | 0:14:55 | 0:14:59 | |
-Even?! -LAUGHTER | 0:14:59 | 0:15:01 | |
Even if you beg for it. | 0:15:01 | 0:15:03 | |
Anyhting more than that is a bonus. That's our philosophy. | 0:15:03 | 0:15:06 | |
CROWD CHANTS | 0:15:06 | 0:15:09 | |
How many of you are only here cos you couldn't get tickets for The Weakest Link? | 0:15:09 | 0:15:13 | |
CHEERING Three. Well, that's good. At least you got something. | 0:15:13 | 0:15:17 | |
This is Will, our drummer, probably the best drummer in the world. | 0:15:17 | 0:15:21 | |
CHEERING | 0:15:21 | 0:15:25 | |
Of course we're a little biased in this. There's plenty of rock drummers | 0:15:25 | 0:15:29 | |
who say that they're better but I would disagree. | 0:15:29 | 0:15:31 | |
You'll see why with this church bell odyssey | 0:15:31 | 0:15:34 | |
that somehow has made it to number one in America - goodness knows how. | 0:15:34 | 0:15:38 | |
CHEERING | 0:15:38 | 0:15:40 | |
MUSIC: "Viva La Vida" | 0:15:41 | 0:15:44 | |
# I used to rule the world | 0:15:53 | 0:15:58 | |
# Seas would rise when I gave the word | 0:15:58 | 0:16:01 | |
# Now in the morning, I sleep alone | 0:16:01 | 0:16:04 | |
# Sweep the streets I used to own | 0:16:04 | 0:16:09 | |
# I used to roll the dice | 0:16:22 | 0:16:26 | |
# Feel the fear in my enemy's eyes | 0:16:26 | 0:16:30 | |
# Listened as the crowd would sing | 0:16:30 | 0:16:33 | |
# Now the old king is dead Long live the king | 0:16:33 | 0:16:36 | |
# One minute, I held the key | 0:16:36 | 0:16:40 | |
# Next the walls were closed on me | 0:16:40 | 0:16:43 | |
# And I discovered that my castles stand | 0:16:43 | 0:16:47 | |
# Upon pillars of salt and of sand | 0:16:47 | 0:16:50 | |
# I hear Jerusalem bells a-ringing | 0:16:50 | 0:16:54 | |
# Roman cavalry choirs are singing | 0:16:54 | 0:16:58 | |
# Be my mirror, my sword and shield | 0:16:58 | 0:17:01 | |
# Missionaries in a foreign field | 0:17:01 | 0:17:05 | |
# For some reason, I can't explain | 0:17:05 | 0:17:08 | |
# Once you'd gone, there was never | 0:17:08 | 0:17:11 | |
# Never an honest word | 0:17:11 | 0:17:15 | |
# And that was when I ruled the world | 0:17:15 | 0:17:18 | |
# It was a wicked and wild wind | 0:17:31 | 0:17:35 | |
# Blew down the doors to let me in | 0:17:35 | 0:17:38 | |
# Shattered windows and the sound of drums | 0:17:38 | 0:17:43 | |
# People couldn't believe what I'd become | 0:17:43 | 0:17:46 | |
# Revolutionaries wait | 0:17:46 | 0:17:49 | |
# For my head on a silver plate | 0:17:49 | 0:17:52 | |
# Just a puppet on a lonely string | 0:17:52 | 0:17:56 | |
# Oh, who would ever want to be king? | 0:17:56 | 0:17:59 | |
# I hear Jerusalem bells a-ringing | 0:17:59 | 0:18:04 | |
# Roman cavalry choirs are singing | 0:18:04 | 0:18:08 | |
# Be my mirror, my sword and shield | 0:18:08 | 0:18:11 | |
# My missionaries in a foreign field | 0:18:11 | 0:18:14 | |
# For some reason, I can't explain | 0:18:14 | 0:18:17 | |
# I know St Peter won't call my name | 0:18:17 | 0:18:21 | |
# Never an honest word | 0:18:21 | 0:18:24 | |
# But that was when I ruled the world... # | 0:18:24 | 0:18:27 | |
If you'd like to sing with us we'd really appreciate it very much. OK. | 0:18:36 | 0:18:40 | |
# Oh oh oh oh Oh oh oh oh oh | 0:18:41 | 0:18:47 | |
# Oh oh oh oh oh oh Oh oh oh oh oh oh | 0:18:47 | 0:18:55 | |
# Oh oh oh oh oh oh | 0:18:55 | 0:18:56 | |
# I hear Jerusalem bells a-ringing | 0:18:56 | 0:18:59 | |
# Roman cavalry choirs are singing | 0:18:59 | 0:19:03 | |
# Be my mirror, my sword and shield | 0:19:03 | 0:19:06 | |
# My missionaries in a foreign field | 0:19:06 | 0:19:10 | |
# For some reason, I can't explain | 0:19:10 | 0:19:13 | |
# I know St Peter won't call my name | 0:19:13 | 0:19:17 | |
# Never an honest word | 0:19:17 | 0:19:19 | |
# But that was when I ruled the world | 0:19:19 | 0:19:23 | |
# Oooh oooh oooh... # | 0:19:23 | 0:19:28 | |
Us British people have great singing voices. | 0:19:28 | 0:19:31 | |
# ..Oooh oooh oooh | 0:19:31 | 0:19:34 | |
# Oooh oooh. # | 0:19:34 | 0:19:37 | |
Thank you very much indeed. | 0:19:37 | 0:19:39 | |
CHEERING AND APPLAUSE | 0:19:39 | 0:19:43 | |
# Those who are dead are not dead | 0:19:52 | 0:19:56 | |
# They're just living in my head... # | 0:19:56 | 0:19:59 | |
Sorry about that mistake. # Oh-oh! | 0:19:59 | 0:20:03 | |
# And since I fell for that spell | 0:20:06 | 0:20:10 | |
# I am living there as well | 0:20:10 | 0:20:14 | |
# Oh-oh-oh-oh | 0:20:14 | 0:20:19 | |
# Time is so short and I'm sure | 0:20:19 | 0:20:24 | |
# There must be something more | 0:20:24 | 0:20:32 | |
# Those who are dead are not dead | 0:20:32 | 0:20:37 | |
# They're just living in my head | 0:20:37 | 0:20:41 | |
# Oh-oh-oh-oh | 0:20:41 | 0:20:46 | |
# And since I fell for that spell | 0:20:46 | 0:20:50 | |
# I am living there as well | 0:20:50 | 0:20:54 | |
# Oh-oh-oh-oh | 0:20:55 | 0:21:00 | |
# Time is so short and I'm sure | 0:21:00 | 0:21:04 | |
# There must be something more | 0:21:04 | 0:21:13 | |
# Ooh-ooh-ooh... # | 0:21:13 | 0:21:20 | |
CHEERS | 0:21:25 | 0:21:28 | |
# You thought you might be a ghost | 0:22:36 | 0:22:39 | |
# You thought you might be a ghost | 0:22:39 | 0:22:42 | |
# You didn't get to heaven but you made it close | 0:22:42 | 0:22:46 | |
# You didn't get to heaven but you made it close | 0:22:46 | 0:22:49 | |
# You thought you might be a ghost | 0:22:49 | 0:22:53 | |
# You thought you might be a ghost | 0:22:53 | 0:22:56 | |
# You didn't get to heaven but you made it close | 0:22:56 | 0:22:59 | |
# You didn't get to heaven but you oh-oh oh-oh | 0:22:59 | 0:23:03 | |
# Those who are dead are not dead | 0:23:29 | 0:23:34 | |
# They're just living in my head | 0:23:34 | 0:23:37 | |
# Oooooh-oh! # | 0:23:39 | 0:23:42 | |
APPLAUSE AND CHEERS Wow, we played it on TV and didn't mess it up. | 0:23:42 | 0:23:46 | |
Jonny, what do you enjoy the most about being in Coldplay? | 0:23:53 | 0:23:56 | |
What is the one thing that you wake up and you're just, like, "Yeah."? | 0:23:56 | 0:24:00 | |
I think playing live is the best thing. | 0:24:00 | 0:24:03 | |
-Makes the travelling, the waiting, everything worthwhile. -Will? | 0:24:03 | 0:24:08 | |
It sounds cheesy, but just being able to play music with your friends every day. | 0:24:08 | 0:24:13 | |
-It doesn't get better than that. -As long as you're still friends. | 0:24:13 | 0:24:17 | |
-I mean, not these guys. -No. | 0:24:17 | 0:24:19 | |
-My side project. -His other band. | 0:24:19 | 0:24:22 | |
-Guy, what's the best thing for you? -I think just being able to... | 0:24:22 | 0:24:26 | |
It's a real privilege to not have to wake up and put on a suit and tie. | 0:24:26 | 0:24:30 | |
-Chris? What do you enjoy most about being in Coldplay? -Waiting for Madame Tussaud's to call. | 0:24:30 | 0:24:35 | |
-But still no call. -Still no call. That's what we're aiming for. | 0:24:35 | 0:24:39 | |
Until that happens... | 0:24:39 | 0:24:41 | |
-Maybe that day will never come. -We'll keep trying. | 0:24:41 | 0:24:44 | |
Gives you something to strive for. What's the hardest thing? | 0:24:44 | 0:24:47 | |
-The same thing. -Personally. No, personally. | 0:24:47 | 0:24:50 | |
Personally, the hardest thing is being a loudmouth. | 0:24:50 | 0:24:53 | |
You talk more than everybody else, as you can see. | 0:24:53 | 0:24:57 | |
Making yourself look a bit stupid and not reflecting the intelligence | 0:24:57 | 0:25:02 | |
of the people who stay more quiet. That's what's hardest. | 0:25:02 | 0:25:05 | |
As you can see, we're more of a band with faces for radio, but... | 0:25:08 | 0:25:13 | |
For some reason we've been given this great opportunity | 0:25:13 | 0:25:16 | |
to play where we used to watch on TV every night as kids. | 0:25:16 | 0:25:19 | |
Even as adults, we still watch Blue Peter, we still watch Newsround. | 0:25:19 | 0:25:23 | |
We still watch Edd the Duck or whatever he's called these days. | 0:25:23 | 0:25:26 | |
And this is a song we wrote just when we first came to the BBC, | 0:25:26 | 0:25:30 | |
and never did we think we'd play it in such a helicopter-viewed television extravaganza. | 0:25:30 | 0:25:37 | |
CHEERS That's the way it is for Coldplay these days. | 0:25:37 | 0:25:40 | |
Helicopters and crazy stuff like that. | 0:25:40 | 0:25:43 | |
# Oh no, I see | 0:25:44 | 0:25:49 | |
# Helicopters filled with my friends and me | 0:25:49 | 0:25:54 | |
# I turn and say | 0:25:54 | 0:25:58 | |
# Don't film the bald spot on the top of my head... # | 0:25:59 | 0:26:04 | |
OK! | 0:26:04 | 0:26:06 | |
# Oh no, what's this | 0:26:20 | 0:26:26 | |
# A spider web and it's me in the middle | 0:26:26 | 0:26:30 | |
# I turned to run | 0:26:30 | 0:26:35 | |
# Thought of all the stupid things I've done | 0:26:37 | 0:26:42 | |
# I never meant to cause you trouble | 0:26:43 | 0:26:48 | |
# And I never meant to do you wrong | 0:26:49 | 0:26:54 | |
# And I Well, if I ever caused you trouble | 0:26:56 | 0:27:01 | |
# Oh no, I never meant to do you harm | 0:27:01 | 0:27:09 | |
# Oh no, I see | 0:27:25 | 0:27:30 | |
# A spider web and it's me in the middle | 0:27:30 | 0:27:35 | |
# So I twist and turn | 0:27:35 | 0:27:38 | |
# Here am I in my little bubble | 0:27:40 | 0:27:46 | |
# Singing, I never meant to cause you trouble | 0:27:46 | 0:27:52 | |
# I never meant to do you wrong | 0:27:54 | 0:27:58 | |
# I'll be singing and I Well, if I ever caused you trouble | 0:27:59 | 0:28:06 | |
# No, no I never meant to do you harm | 0:28:07 | 0:28:13 | |
# Oh no | 0:28:13 | 0:28:16 | |
# They spun... # Let's risk it. | 0:28:43 | 0:28:45 | |
-CROWD: -# A web for me | 0:28:45 | 0:28:50 | |
# They spun a web for me | 0:28:50 | 0:28:56 | |
# They spun a web for me. # | 0:28:56 | 0:29:03 | |
It's like Bohemian Rhapsody, just a little bit better. | 0:29:03 | 0:29:06 | |
APPLAUSE AND CHEERING | 0:29:06 | 0:29:09 | |
APPLAUSE AND CHEERING | 0:29:35 | 0:29:39 | |
-CHANTING: -Coldplay! Coldplay! | 0:29:47 | 0:29:50 | |
This is for our favourite uncle from America. | 0:29:58 | 0:30:01 | |
Yep. | 0:30:02 | 0:30:04 | |
# Just because I'm losing | 0:30:13 | 0:30:18 | |
# Doesn't mean I'm lost | 0:30:18 | 0:30:21 | |
# Doesn't mean I'll stop | 0:30:22 | 0:30:26 | |
# Doesn't mean I'm across | 0:30:28 | 0:30:32 | |
# Just because I'm hurting | 0:30:36 | 0:30:39 | |
# Doesn't mean I'm hurt | 0:30:40 | 0:30:42 | |
# Doesn't mean I didn't get what I deserved | 0:30:44 | 0:30:51 | |
# No better and no worse | 0:30:51 | 0:30:54 | |
# I just got lost! | 0:30:56 | 0:30:59 | |
# Every river that I tried to cross | 0:31:01 | 0:31:06 | |
# Every door I ever tried was locked | 0:31:08 | 0:31:13 | |
# Oh and I'm just waiting till the shine wears off... # | 0:31:13 | 0:31:21 | |
I can't dance, but I'm enthusiastic. | 0:31:21 | 0:31:23 | |
That's the best thing. | 0:31:23 | 0:31:25 | |
# You might be a big fish | 0:31:25 | 0:31:29 | |
# In a little pond | 0:31:29 | 0:31:33 | |
# Doesn't mean you've won | 0:31:35 | 0:31:38 | |
# Cos along will come | 0:31:38 | 0:31:40 | |
# A bigger one | 0:31:40 | 0:31:43 | |
# And you'll be lost! | 0:31:46 | 0:31:49 | |
# Every river that you tried to cross | 0:31:51 | 0:31:56 | |
# Every gun you ever held went off | 0:31:58 | 0:32:03 | |
# Oh and I'm just waiting till the shine wears off | 0:32:03 | 0:32:11 | |
# Oh and I'm just waiting till the shine wears off | 0:32:14 | 0:32:21 | |
# One time professionals | 0:32:43 | 0:32:45 | |
# Oh and I'm just waiting till the shine wears off | 0:32:47 | 0:32:55 | |
# Oh, I'm just waiting till the shine wears off | 0:32:59 | 0:33:06 | |
# O-o-o-o-h | 0:33:07 | 0:33:09 | |
# Ooh-ooh | 0:33:09 | 0:33:15 | |
# Ooh ooh ooh | 0:33:15 | 0:33:20 | |
# Oh ooh-ooh | 0:33:20 | 0:33:24 | |
# Oh ooh | 0:33:24 | 0:33:31 | |
# Just because I'm losing | 0:33:31 | 0:33:36 | |
# Doesn't mean I'm lost. # | 0:33:36 | 0:33:39 | |
CHEERING | 0:33:45 | 0:33:47 | |
Thank you. | 0:33:47 | 0:33:49 | |
-Shall we talk about the clothing, how this came about?! -OK! | 0:33:54 | 0:33:58 | |
You started unbuttoning your shirt. I was wondering what was gonna happen. | 0:33:58 | 0:34:04 | |
-Do it up again. -I'm trying to go for the Johnny Borrell... -Right. | 0:34:04 | 0:34:08 | |
Take the vest off then. | 0:34:08 | 0:34:09 | |
He's just better sculpted than me. | 0:34:09 | 0:34:11 | |
True. | 0:34:11 | 0:34:12 | |
If you've got it, flaunt it. | 0:34:12 | 0:34:14 | |
-But I haven't got it! -Do it up again! | 0:34:14 | 0:34:17 | |
If you haven't... | 0:34:17 | 0:34:19 | |
Did the idea for this look come from you lot | 0:34:19 | 0:34:22 | |
or someone came to you and said, "You can look like this." | 0:34:22 | 0:34:25 | |
-It came from Guy. -OK. | 0:34:25 | 0:34:28 | |
We built our own studio. We tried to do everything in there - | 0:34:28 | 0:34:32 | |
the artwork and the recordings and stuff. | 0:34:32 | 0:34:35 | |
We felt we should make our own clothes too. | 0:34:35 | 0:34:38 | |
Did you customise? | 0:34:38 | 0:34:40 | |
-I've read that you customise. -Yeah. | 0:34:40 | 0:34:43 | |
That's why some of it's falling off. | 0:34:43 | 0:34:45 | |
We're not good seamstresses! | 0:34:45 | 0:34:48 | |
-Have you got lots of copies of these? -Yeah. | 0:34:48 | 0:34:52 | |
-He's never worn this before. -It's Will's. That's my design. | 0:34:52 | 0:34:55 | |
It comes from watching Blue Peter. | 0:34:55 | 0:34:59 | |
-Or other do-it-yourself shows. -Everyone needs a dressing-up box. | 0:34:59 | 0:35:03 | |
I feel like... | 0:35:03 | 0:35:06 | |
A lot of the time, music is about... it's entertainment. | 0:35:06 | 0:35:10 | |
-We... -These clothes are entertaining. -They are. | 0:35:10 | 0:35:14 | |
They certainly are. They make me laugh! | 0:35:14 | 0:35:17 | |
Oh, Jo! | 0:35:17 | 0:35:20 | |
-Go on. -Trying to embrace a bit of... theatre in it. | 0:35:20 | 0:35:24 | |
We were very monochrome before. | 0:35:24 | 0:35:28 | |
-You know...something to look at. -Yeah. | 0:35:28 | 0:35:30 | |
-Why not. -Thank you. -You get to put that lovely eye makeup on. | 0:35:30 | 0:35:34 | |
-We don't. -You could do. | 0:35:34 | 0:35:36 | |
Nothing to stop you. | 0:35:36 | 0:35:37 | |
There's about eight managers trying to stop us! | 0:35:37 | 0:35:40 | |
But we like getting dressed for business. | 0:35:40 | 0:35:43 | |
And this means business. | 0:35:43 | 0:35:46 | |
-Thanks for talking to us. -You're lucky. -We are lucky. | 0:35:46 | 0:35:49 | |
We know it. | 0:35:49 | 0:35:50 | |
If you've tuned in for the Antiques Roadshow, this is not quite it. | 0:35:50 | 0:35:54 | |
But nearly. OK, let's go. | 0:35:54 | 0:35:57 | |
# Look at the stars | 0:36:08 | 0:36:10 | |
# Look how they shine for you | 0:36:11 | 0:36:15 | |
# All the things you do | 0:36:17 | 0:36:21 | |
# Yeah, they were all yellow | 0:36:23 | 0:36:26 | |
# I came along | 0:36:26 | 0:36:27 | |
# I wrote a song for you | 0:36:28 | 0:36:32 | |
# And everything you do | 0:36:35 | 0:36:37 | |
# And it was called Yellow | 0:36:40 | 0:36:42 | |
# So then I took my turn | 0:36:45 | 0:36:49 | |
# Oh, what a thing to have done | 0:36:51 | 0:36:55 | |
# And it was all yellow | 0:36:57 | 0:37:00 | |
# Your skin, oh yeah | 0:37:06 | 0:37:09 | |
# Your skin and bones | 0:37:09 | 0:37:11 | |
# Turn into something beautiful | 0:37:11 | 0:37:17 | |
# You know, you know I love you so | 0:37:17 | 0:37:23 | |
# You know I love you, Jo | 0:37:26 | 0:37:28 | |
INAUDIBLE | 0:37:37 | 0:37:39 | |
# I swam across | 0:37:45 | 0:37:48 | |
# I jumped across for you | 0:37:48 | 0:37:52 | |
# Oh, what a thing to do | 0:37:54 | 0:37:58 | |
# Cos you were all yellow | 0:38:00 | 0:38:02 | |
# I drew a line | 0:38:02 | 0:38:05 | |
# I drew a line for you | 0:38:05 | 0:38:10 | |
# Oh, what a thing to do | 0:38:11 | 0:38:15 | |
# Oh, and it was all yellow-oh-oh-oh | 0:38:16 | 0:38:23 | |
# Oh oh oh | 0:38:23 | 0:38:26 | |
# Your skin, oh yeah | 0:38:26 | 0:38:29 | |
# Your skin and bones | 0:38:29 | 0:38:32 | |
# Turn into something beautiful | 0:38:32 | 0:38:37 | |
# And you know, you know I'd bleed myself dry | 0:38:37 | 0:38:44 | |
# Oh oh oh... | 0:38:44 | 0:38:46 | |
# I'd bleed... # I sound like the Futureheads. | 0:38:46 | 0:38:48 | |
# It's true | 0:38:48 | 0:38:50 | |
# Look how they shine for you... # | 0:38:52 | 0:38:56 | |
Check out the builders over there. | 0:38:56 | 0:39:01 | |
# How they shine for you | 0:38:58 | 0:39:01 | |
# Look how they shine for... # | 0:39:01 | 0:39:07 | |
Hit it! | 0:39:07 | 0:39:09 | |
CHEERING AND APPLAUSE | 0:39:09 | 0:39:12 | |
Yeah. | 0:39:26 | 0:39:28 | |
This a great big singalong on BBC2. | 0:39:28 | 0:39:31 | |
Coming up next: the snooker. | 0:39:33 | 0:39:35 | |
I don't know what's coming up next. No-one told me. | 0:39:35 | 0:39:37 | |
What's coming up next? | 0:39:37 | 0:39:40 | |
Tony Hart. | 0:39:40 | 0:39:41 | |
# When you try your best but you don't succeed | 0:39:41 | 0:39:46 | |
# When you get what you want but not what you need | 0:39:48 | 0:39:53 | |
# When you feel so tired but you can't sleep | 0:39:55 | 0:40:00 | |
# Stuck in reverse | 0:40:00 | 0:40:06 | |
# When the tears come streaming down your face | 0:40:10 | 0:40:14 | |
# When you lose something you can't replace | 0:40:17 | 0:40:21 | |
# Or you love someone but it goes to waste | 0:40:23 | 0:40:29 | |
# Could it be worse? # | 0:40:30 | 0:40:35 | |
Ricky Gervais sang this better. | 0:40:35 | 0:40:38 | |
CROWD: # Lights will guide you home | 0:40:39 | 0:40:46 | |
# And ignite your bones | 0:40:46 | 0:40:53 | |
# I will try to fix you | 0:40:53 | 0:41:00 | |
# High up above and down below | 0:41:13 | 0:41:17 | |
# You're too in love to let it show | 0:41:19 | 0:41:26 | |
# But if you never try You'll never know | 0:41:26 | 0:41:33 | |
# Just what you're worth | 0:41:33 | 0:41:38 | |
# Lights will guide you home | 0:41:43 | 0:41:49 | |
# And ignite your bones | 0:41:49 | 0:41:57 | |
# I will try to fix you... # | 0:41:57 | 0:42:03 | |
Go, Will! | 0:42:03 | 0:42:05 | |
# Tears stream down your face | 0:42:59 | 0:43:03 | |
# When you lose something you cannot replace | 0:43:05 | 0:43:11 | |
# Tears stream down your face | 0:43:12 | 0:43:17 | |
# And I... | 0:43:17 | 0:43:22 | |
# Tears stream down your face | 0:43:26 | 0:43:31 | |
# I promise you I will learn from my mistakes | 0:43:32 | 0:43:39 | |
# Tears stream down your face | 0:43:39 | 0:43:45 | |
# And I... | 0:43:45 | 0:43:50 | |
CROWD: # Lights will guide you home | 0:43:54 | 0:44:01 | |
# And ignite your bones | 0:44:01 | 0:44:06 | |
# And I will try to fix you. # | 0:44:06 | 0:44:13 | |
Thanks a lot! Incredible singing! APPLAUSE | 0:44:13 | 0:44:16 | |
We'll do one more song then leave you in peace. | 0:44:16 | 0:44:18 | |
Let's see which way the wind blows. | 0:44:27 | 0:44:30 | |
# Lovers keep on the road you're on | 0:45:08 | 0:45:13 | |
# Runners until the race is run | 0:45:17 | 0:45:22 | |
# Soldiers, you've got to soldier on | 0:45:24 | 0:45:30 | |
# Sometimes even the right is wrong... # | 0:45:33 | 0:45:39 | |
OK! | 0:45:39 | 0:45:41 | |
# They are turning my head out | 0:45:42 | 0:45:47 | |
# To see what I'm all about | 0:45:48 | 0:45:51 | |
# Keeping my head down | 0:45:52 | 0:45:56 | |
# To see what it feels like now | 0:45:56 | 0:46:00 | |
# And I have no doubt | 0:46:02 | 0:46:05 | |
# One day we're going to get out | 0:46:05 | 0:46:11 | |
# Tonight maybe we're gonna run | 0:46:27 | 0:46:33 | |
# Dreaming of the Osaka sun | 0:46:36 | 0:46:40 | |
# Oh oh oh oh oh oh oh oh oh | 0:46:44 | 0:46:49 | |
# Just dreaming of when the morning comes | 0:46:52 | 0:46:59 | |
# They are turning my head out | 0:47:01 | 0:47:07 | |
# To see what I'm all about | 0:47:07 | 0:47:11 | |
# Keeping my head down | 0:47:11 | 0:47:16 | |
# To see what it feels like now | 0:47:16 | 0:47:20 | |
# And I have no doubt | 0:47:20 | 0:47:25 | |
# One day, the sun will come out | 0:47:25 | 0:47:30 | |
# Ooooh | 0:47:46 | 0:47:50 | |
# Ooooh | 0:47:50 | 0:47:52 | |
# Aaahhh | 0:47:52 | 0:47:55 | |
# Ooooh | 0:47:55 | 0:47:59 | |
# Ooooh. # | 0:47:59 | 0:48:03 | |
Thanks for coming. Love to our kids. | 0:48:06 | 0:48:08 | |
Thanks for looking after us and giving us the best job in the world. Goodbye. | 0:48:08 | 0:48:13 | |
CHEERING AND APPLAUSE | 0:48:13 | 0:48:16 | |
Thank you very, very much for waiting around. See you again. Goodbye. | 0:48:17 | 0:48:22 | |
Subtitles by Red Bee Media Ltd | 0:48:38 | 0:48:42 | |
E-mail [email protected] | 0:48:42 | 0:48:45 | |
CROWD CHANTS: We want more! We want more! | 0:48:45 | 0:48:49 |