Browse content similar to Elton John at the BBC. Check below for episodes and series from the same categories and more!
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# All right, all right Saturday night's all right | 0:00:03 | 0:00:05 | |
# All right, all right! | 0:00:05 | 0:00:08 | |
# Ooh, ooh, ooh. # | 0:00:08 | 0:00:11 | |
# It's a little bit funny | 0:00:19 | 0:00:23 | |
# This feeling inside | 0:00:23 | 0:00:26 | |
# I'm not one of those who can easily hide | 0:00:26 | 0:00:32 | |
# I don't have much money | 0:00:32 | 0:00:35 | |
# But, boy, if I did | 0:00:35 | 0:00:41 | |
# I'd buy a big house where we both could live | 0:00:41 | 0:00:46 | |
# If I was sculptor | 0:00:49 | 0:00:53 | |
# Then again no | 0:00:53 | 0:00:55 | |
# Or a man who makes potions | 0:00:55 | 0:00:58 | |
# In the travelling show | 0:00:58 | 0:01:04 | |
# I know it's not much but it's the best I can do | 0:01:04 | 0:01:10 | |
# My gift is my song and this one's for you | 0:01:10 | 0:01:16 | |
# And you can tell everybody | 0:01:19 | 0:01:23 | |
# This is your song | 0:01:23 | 0:01:26 | |
# It may be quite simple | 0:01:26 | 0:01:29 | |
# But now that it's done | 0:01:29 | 0:01:33 | |
# I hope you don't mind I hope you don't mind | 0:01:33 | 0:01:37 | |
# That I put down in words | 0:01:37 | 0:01:42 | |
# How wonderful life is while you're in the world | 0:01:42 | 0:01:48 | |
# I sat on the roof | 0:01:59 | 0:02:02 | |
# And kicked off the moss Well, a few | 0:02:02 | 0:02:06 | |
# Of the verses Well, they got me | 0:02:06 | 0:02:10 | |
# Quite cross | 0:02:10 | 0:02:13 | |
# But the sun's been quite kind | 0:02:13 | 0:02:16 | |
# While I wrote this song | 0:02:16 | 0:02:20 | |
# It's for people like you that | 0:02:20 | 0:02:23 | |
# Keep it turned on | 0:02:23 | 0:02:26 | |
# So excuse me forgetting | 0:02:28 | 0:02:32 | |
# But these things I do | 0:02:32 | 0:02:36 | |
# You see, I've forgotten | 0:02:36 | 0:02:38 | |
# If they're green or they're blue | 0:02:38 | 0:02:43 | |
# Anyway, the thing is | 0:02:43 | 0:02:45 | |
# What I really mean | 0:02:45 | 0:02:47 | |
# Yours are the sweetest eyes | 0:02:50 | 0:02:54 | |
# I've ever seen... # | 0:02:54 | 0:02:56 | |
It's often said that the live theatre is struggling for survival, | 0:02:56 | 0:02:59 | |
but at the Shaw Theatre in the Euston Road, | 0:02:59 | 0:03:02 | |
stuck between the Eliza Doolittle pub and St Pancras station, | 0:03:02 | 0:03:05 | |
there's no doubt whatever about the enthusiasm. | 0:03:05 | 0:03:08 | |
It's not caused by the current production of Romeo And Juliet | 0:03:08 | 0:03:11 | |
on this occasion. It's caused by something very different. | 0:03:11 | 0:03:15 | |
# When I look back | 0:03:27 | 0:03:30 | |
# Boy, I must have been green... # | 0:03:30 | 0:03:31 | |
Elton John, excuse me interrupting your rehearsal, but why have you | 0:03:31 | 0:03:35 | |
decided to support the National Youth Theatre? | 0:03:35 | 0:03:38 | |
My solicitor Mr Mike Oliver is the chairman of the National Youth Theatre, | 0:03:38 | 0:03:42 | |
and I suggested to him that I did some charity things early this year. | 0:03:42 | 0:03:45 | |
So we decided to do two concerts on two consecutive Sundays | 0:03:45 | 0:03:49 | |
and charge quite exorbitant prices really, | 0:03:49 | 0:03:51 | |
in the hope that people would buy it and we'd be able to raise a couple | 0:03:51 | 0:03:54 | |
of thousand pounds or so for the youth theatre. | 0:03:54 | 0:03:57 | |
# Levon wears his war wound like a crown | 0:03:57 | 0:04:01 | |
# He calls his child Jesus | 0:04:05 | 0:04:09 | |
# Cos he likes the name | 0:04:12 | 0:04:15 | |
# And he sends him to the finest school in town | 0:04:16 | 0:04:22 | |
# Levon, Levon likes his money | 0:04:24 | 0:04:28 | |
# He makes a lot, they say | 0:04:32 | 0:04:35 | |
# Spends his days counting | 0:04:38 | 0:04:42 | |
# In the garage by the motorway | 0:04:43 | 0:04:50 | |
# He was a born a pauper to a pawn on a Christmas day | 0:04:50 | 0:04:54 | |
# When the New York Times said God is dead | 0:04:54 | 0:04:57 | |
# And the war's begun | 0:04:57 | 0:05:00 | |
# Alvin Tostig has a son today | 0:05:00 | 0:05:04 | |
# And he shall be Levon | 0:05:08 | 0:05:11 | |
# And he shall be a good man | 0:05:11 | 0:05:14 | |
# And he shall be Levon | 0:05:14 | 0:05:17 | |
# In tradition with the family plan | 0:05:17 | 0:05:20 | |
# And he shall be Levon | 0:05:20 | 0:05:23 | |
# And he shall be a good man | 0:05:23 | 0:05:27 | |
# He shall be Levon... # | 0:05:28 | 0:05:34 | |
Good evening to you from the Palladium Theatre in London. | 0:05:37 | 0:05:40 | |
We welcome now a young English singer who's travelled from the West Coast of America | 0:05:40 | 0:05:44 | |
to be here tonight with his group, Elton John. | 0:05:44 | 0:05:47 | |
This next one is a song about all the rock 'n' roll records of the 1960s | 0:05:47 | 0:05:52 | |
and it's a song called Crocodile Rock. | 0:05:52 | 0:05:54 | |
# I remember when rock was young | 0:06:09 | 0:06:11 | |
# Me and Susie had so much fun | 0:06:11 | 0:06:15 | |
# Holding hands and skimming stones | 0:06:15 | 0:06:18 | |
# Had an old gold Chevy and a place of my own | 0:06:18 | 0:06:21 | |
# But the biggest kick I ever got | 0:06:21 | 0:06:24 | |
# Was doing a thing called the crocodile rock | 0:06:24 | 0:06:27 | |
# While the other kids were rocking round the clock | 0:06:27 | 0:06:30 | |
# We were hopping and bopping to the crocodile rock | 0:06:30 | 0:06:33 | |
# Oh, well, crocodile rocking is something shocking | 0:06:33 | 0:06:37 | |
# When your feet just can't keep still | 0:06:37 | 0:06:40 | |
# I never knew me a better time and I guess I never will | 0:06:40 | 0:06:47 | |
# Oh, lawdy, mama Those Friday nights | 0:06:47 | 0:06:49 | |
# When Susie wore her dresses tight | 0:06:49 | 0:06:52 | |
# And crocodile rocking was out of sight | 0:06:52 | 0:06:58 | |
# Laaaaa, la, la, la, la, la She's so yummy | 0:06:59 | 0:07:05 | |
# La, la, la, la, la | 0:07:05 | 0:07:08 | |
# La, la, la, la, la | 0:07:08 | 0:07:10 | |
# I remember when rock was young | 0:07:11 | 0:07:15 | |
# Me and Susie had so much | 0:07:15 | 0:07:18 | |
# Holding hands and skimming stones | 0:07:18 | 0:07:21 | |
# Had an old gold Chevy and a place of my own | 0:07:21 | 0:07:24 | |
# But the biggest kick I ever got | 0:07:24 | 0:07:27 | |
# Was doing a thing called the crocodile rock | 0:07:27 | 0:07:30 | |
# While the other kids were rocking round the clock | 0:07:30 | 0:07:34 | |
# We were hopping and bopping to the crocodile rock | 0:07:34 | 0:07:37 | |
# Oh, well, crocodile rocking is something shocking | 0:07:37 | 0:07:40 | |
# When your feet just can't keep still | 0:07:40 | 0:07:44 | |
# I never knew me a better time and I guess I never will | 0:07:44 | 0:07:49 | |
# Ooh, lawdy, mama Those Friday nights | 0:07:49 | 0:07:53 | |
# When Susie wore her dresses tight | 0:07:53 | 0:07:56 | |
# The crocodile rocking was out of sight | 0:07:56 | 0:08:02 | |
# Laaaaa, la, la, la, la, la | 0:08:03 | 0:08:09 | |
# La, la, la, la, la | 0:08:09 | 0:08:11 | |
# La, la, la, la, la | 0:08:11 | 0:08:14 | |
# La, la, la, la, la. # | 0:08:15 | 0:08:16 | |
APPLAUSE | 0:08:18 | 0:08:20 | |
A new record label has just started operations, the launch of which | 0:08:40 | 0:08:44 | |
I've been looking forward to very, very much indeed. | 0:08:44 | 0:08:46 | |
One of the gentlemen involved in the running of the label is with us tonight, | 0:08:46 | 0:08:50 | |
-so may I welcome Elton John. -How are you? | 0:08:50 | 0:08:51 | |
Many people say that they are inhibited by record labels | 0:08:51 | 0:08:55 | |
and just the amount of time, for example... | 0:08:55 | 0:08:57 | |
No, that's the reason why we set it up. The whole reason for starting | 0:08:57 | 0:09:00 | |
a record label was to get away from | 0:09:00 | 0:09:02 | |
the you must record an album in 15 hours type syndrome, | 0:09:02 | 0:09:06 | |
and also most of our artists get at least 10% record royalties, | 0:09:06 | 0:09:10 | |
which is very, very high. | 0:09:10 | 0:09:13 | |
Have you had many problems setting it up yourself? | 0:09:13 | 0:09:15 | |
Finding offices, for example, was a huge problem. | 0:09:15 | 0:09:18 | |
I mean, it doesn't really happen overnight. We had about | 0:09:18 | 0:09:21 | |
12 sites that were great and 12 sites that fell through, | 0:09:21 | 0:09:24 | |
because they didn't want to lease it to a rock 'n' roll record company. | 0:09:24 | 0:09:27 | |
The point of starting the record company was to encourage people who've got that spark of potential, | 0:09:27 | 0:09:32 | |
to sort of encourage them onwards. I needed that when I started off | 0:09:32 | 0:09:35 | |
and I really didn't get it half the time. | 0:09:35 | 0:09:38 | |
# Daniel is travelling tonight on a plane | 0:09:44 | 0:09:52 | |
# I can see the red tail lights heading for Spain | 0:09:52 | 0:09:57 | |
# Oh, and I can see Daniel waving goodbye | 0:09:57 | 0:10:04 | |
# Oh, it looks like Daniel | 0:10:04 | 0:10:10 | |
# Must be the clouds in my eyes | 0:10:10 | 0:10:15 | |
# They say Spain is pretty though I've never been | 0:10:20 | 0:10:25 | |
# And Daniel says it's the best place he's ever seen | 0:10:27 | 0:10:33 | |
# Oh, and he should know He's been there enough | 0:10:33 | 0:10:39 | |
# Oh, I'll miss Daniel | 0:10:41 | 0:10:46 | |
# Oh, I'll miss him so much | 0:10:46 | 0:10:51 | |
# Oh, oh, oh | 0:10:51 | 0:10:53 | |
# Daniel, my brother | 0:10:53 | 0:10:55 | |
# You are older than me | 0:10:55 | 0:10:58 | |
# Do you still feel the pain? | 0:10:58 | 0:11:03 | |
# Of the scars that won't heal? | 0:11:03 | 0:11:06 | |
# Your eyes have died | 0:11:06 | 0:11:08 | |
# But you see more than I | 0:11:08 | 0:11:12 | |
# Daniel, you're a star | 0:11:12 | 0:11:16 | |
# In the face of the sky... # | 0:11:16 | 0:11:21 | |
What does this result mean to you, getting to the third round? | 0:11:31 | 0:11:34 | |
We don't know until Monday, do we? | 0:11:34 | 0:11:36 | |
It's great to get to the third round, obviously, but judging by our past draws in the Cup this year, | 0:11:36 | 0:11:41 | |
we'll probably be drawn to Plymouth or somewhere like that. | 0:11:41 | 0:11:44 | |
# Lucy in the sky with diamonds | 0:11:45 | 0:11:50 | |
# Lucy in the sky with diamonds | 0:11:51 | 0:11:55 | |
# Lucy in the sky with diamonds | 0:11:57 | 0:12:01 | |
# Oh | 0:12:02 | 0:12:05 | |
# Follow her down to a bridge by a fountain | 0:12:05 | 0:12:11 | |
# Where rocking horse people eat marshmallow pies... # | 0:12:11 | 0:12:17 | |
You seem to have really enjoyed the things you did with Elton. | 0:12:17 | 0:12:20 | |
Oh, yeah. | 0:12:20 | 0:12:22 | |
Well, Elton and I are very close. | 0:12:22 | 0:12:24 | |
It was just, "I'm doing a song - you want to come?" "All right." | 0:12:24 | 0:12:27 | |
Did the live thing that you did with Elton | 0:12:27 | 0:12:29 | |
prompt you to start thinking about going on the road again? | 0:12:29 | 0:12:32 | |
No, me quote was, when I came off, | 0:12:32 | 0:12:34 | |
"I enjoyed it a lot, but I wouldn't like to do it for a living." | 0:12:34 | 0:12:39 | |
Whoa, Saturday! | 0:12:42 | 0:12:45 | |
Saturday night's all right! Let me hear you sing it now. | 0:12:45 | 0:12:48 | |
One, two, three, four. | 0:12:48 | 0:12:49 | |
-CROWD: -# Saturday, Saturday Saturday | 0:12:49 | 0:12:52 | |
# Saturday, Saturday, Saturday | 0:12:52 | 0:12:55 | |
# Saturday, Saturday Saturday night's all right | 0:12:55 | 0:12:59 | |
# Saturday, Saturday, Saturday | 0:12:59 | 0:13:03 | |
# Saturday, Saturday, Saturday | 0:13:03 | 0:13:06 | |
# Saturday, Saturday Saturday night's all right | 0:13:06 | 0:13:11 | |
# Saturday, Saturday, Saturday | 0:13:11 | 0:13:14 | |
# Saturday, Saturday, Saturday | 0:13:14 | 0:13:17 | |
# Saturday, Saturday Saturday night's all right... # | 0:13:17 | 0:13:21 | |
Woo! | 0:14:25 | 0:14:26 | |
Oh, yeah! | 0:14:30 | 0:14:32 | |
Ow! | 0:14:38 | 0:14:40 | |
LAUGHTER | 0:14:47 | 0:14:50 | |
# What have I got to do to make you love me? | 0:15:16 | 0:15:20 | |
# What have I got to do to make you care? | 0:15:24 | 0:15:27 | |
# What do I do when lightning strikes me | 0:15:31 | 0:15:35 | |
# And I wake to find that you're not there? | 0:15:38 | 0:15:42 | |
# What do I do to make you want me? | 0:15:45 | 0:15:50 | |
# What have I got to do to be heard? | 0:15:53 | 0:15:57 | |
# What do I say when it's all over | 0:16:00 | 0:16:04 | |
# And sorry seems to be the hardest word? | 0:16:07 | 0:16:11 | |
# It's sad, so sad | 0:16:15 | 0:16:18 | |
# It's a sad, sad situation | 0:16:18 | 0:16:21 | |
# And it's getting more and more absurd | 0:16:21 | 0:16:26 | |
# It's sad, so sad | 0:16:29 | 0:16:32 | |
# Why can't we talk it over? | 0:16:32 | 0:16:35 | |
# Oh, it seems to me | 0:16:35 | 0:16:38 | |
# That sorry seems to be the hardest word... # | 0:16:38 | 0:16:44 | |
Ladies and gentlemen, Elton John! | 0:17:13 | 0:17:17 | |
APPLAUSE | 0:17:17 | 0:17:21 | |
When in fact did you first start to play piano? | 0:17:34 | 0:17:38 | |
-Can you remember the first time you played? -I was about three and a half to four. | 0:17:38 | 0:17:42 | |
I played The Skaters' Waltz by ear, | 0:17:42 | 0:17:44 | |
much to the delight of my parents, who grabbed me and said, "We could make a fortune here." | 0:17:44 | 0:17:49 | |
Did they really? | 0:17:49 | 0:17:51 | |
No. | 0:17:51 | 0:17:52 | |
In fact, your father wasn't too keen on you going into pop music, was he? | 0:17:52 | 0:17:55 | |
No, he hated me going into pop music. | 0:17:55 | 0:17:57 | |
He wrote me a letter when I was 16 saying, | 0:17:57 | 0:18:00 | |
"I think you're an idiot and you're better off in Barclays Bank, | 0:18:00 | 0:18:05 | |
"because this thing you're doing is stupid and you'll turn out to be a wide boy." | 0:18:05 | 0:18:09 | |
I was already about 16 stone, so I was a wide boy already. | 0:18:09 | 0:18:13 | |
You also played piano in a pub as well. | 0:18:13 | 0:18:15 | |
-Yes. -What kind of training was that? | 0:18:15 | 0:18:17 | |
Fantastic. | 0:18:17 | 0:18:19 | |
I used to play every Thursday, Friday and Saturday and Sunday for a year | 0:18:19 | 0:18:23 | |
at the Northwood Hills Hotel. | 0:18:23 | 0:18:25 | |
First of all, I started off just playing piano and not singing, | 0:18:25 | 0:18:29 | |
and then I earned a little bit of money, | 0:18:29 | 0:18:32 | |
so I saved up and bought myself a little amplifier and a microphone | 0:18:32 | 0:18:35 | |
and I started to sing, and it was all Jim Reeves songs in those days and Cliff Richard. | 0:18:35 | 0:18:39 | |
So I was going... # I love you because you understand me. # | 0:18:39 | 0:18:43 | |
I went down a storm. | 0:18:43 | 0:18:46 | |
Did you feel or think that you were going to end up a kind of middle-aged ex-rock star, or what? | 0:18:47 | 0:18:54 | |
God forbid, no. | 0:18:54 | 0:18:55 | |
I've hopefully got two or three years left where I can have a good time. | 0:18:55 | 0:18:59 | |
As long as you're having a good time, you're OK, and I am. | 0:18:59 | 0:19:02 | |
-We've got a request. -What? | 0:19:02 | 0:19:05 | |
-A request. -Maybe... Maybe It's Because I'm A Londoner. | 0:19:05 | 0:19:09 | |
ALL: # Maybe it's because I'm a Londoner | 0:19:09 | 0:19:13 | |
# That I love London so | 0:19:13 | 0:19:17 | |
# Maybe it's because I'm a Londoner | 0:19:18 | 0:19:21 | |
# That I think of her wherever I go | 0:19:21 | 0:19:26 | |
# I get a funny feeling inside of me | 0:19:26 | 0:19:29 | |
# Just walking up and down | 0:19:29 | 0:19:33 | |
# Maybe it's because I'm a Londoner | 0:19:34 | 0:19:37 | |
# That I love London town. # | 0:19:37 | 0:19:41 | |
# Don't go breaking my heart | 0:19:41 | 0:19:43 | |
# I couldn't if I tried | 0:19:45 | 0:19:47 | |
# Oh, honey, if I get restless | 0:19:48 | 0:19:52 | |
# Baby, you're not that kind | 0:19:52 | 0:19:55 | |
# Don't go breaking my heart | 0:19:57 | 0:20:00 | |
# You take the weight off of me | 0:20:01 | 0:20:04 | |
# Oh, honey When you knock on my door | 0:20:05 | 0:20:08 | |
# Ooh, I gave you my key | 0:20:08 | 0:20:12 | |
# Ooh-hoo | 0:20:14 | 0:20:16 | |
# Nobody knows it | 0:20:16 | 0:20:18 | |
# But when I was down | 0:20:21 | 0:20:22 | |
# I was your clown | 0:20:22 | 0:20:25 | |
# Ooh-hoo | 0:20:25 | 0:20:26 | |
# Nobody knows it | 0:20:26 | 0:20:29 | |
# Nobody knows it | 0:20:29 | 0:20:32 | |
# Right from the start | 0:20:32 | 0:20:33 | |
# I gave you my heart | 0:20:33 | 0:20:35 | |
# Oh, oh | 0:20:35 | 0:20:38 | |
# I gave you my heart | 0:20:38 | 0:20:41 | |
# So don't go breaking my heart | 0:20:43 | 0:20:45 | |
# I won't go breaking your heart | 0:20:47 | 0:20:49 | |
# Don't go breaking my heart. # | 0:20:52 | 0:20:55 | |
# Oh, my love | 0:21:21 | 0:21:26 | |
# I have cursed the stars above | 0:21:27 | 0:21:31 | |
# That led | 0:21:31 | 0:21:35 | |
# My heart to you | 0:21:35 | 0:21:40 | |
# But as hard as I try | 0:21:43 | 0:21:48 | |
# Still my love will not die | 0:21:48 | 0:21:54 | |
# And the stars still shine on through | 0:21:55 | 0:22:02 | |
# And the stars still shine on through | 0:22:05 | 0:22:13 | |
# Oh, my dear | 0:22:17 | 0:22:22 | |
# Now the ship's too hard to steer | 0:22:22 | 0:22:27 | |
# The tide | 0:22:28 | 0:22:30 | |
# Has turned, turned on you | 0:22:30 | 0:22:35 | |
# I have been through the lies | 0:22:38 | 0:22:44 | |
# That I see in your eyes | 0:22:44 | 0:22:50 | |
# But the truth still shines on through. # | 0:22:50 | 0:22:57 | |
That's what I was going to sing on The Morecambe And Wise Show. | 0:23:04 | 0:23:07 | |
It's a good job you didn't. | 0:23:07 | 0:23:08 | |
HE LAUGHS | 0:23:08 | 0:23:11 | |
APPLAUSE AND CHEERING | 0:23:11 | 0:23:14 | |
# She packed my bags last night pre-flight | 0:23:14 | 0:23:18 | |
# Zero hour nine AM | 0:23:20 | 0:23:24 | |
# And I'm gonna be high | 0:23:27 | 0:23:32 | |
# As a kite by then | 0:23:32 | 0:23:34 | |
# I miss the earth so much | 0:23:40 | 0:23:43 | |
# I miss my wife | 0:23:43 | 0:23:45 | |
# It's lonely out in space | 0:23:47 | 0:23:51 | |
# On such a timeless flight | 0:23:54 | 0:24:00 | |
# And I think it's gonna be a long, long time | 0:24:08 | 0:24:12 | |
# Till touch down brings me round again to find | 0:24:12 | 0:24:15 | |
# I'm not the man they think I am at home | 0:24:15 | 0:24:18 | |
# Oh, no, no, no, I'm a rocket man | 0:24:18 | 0:24:23 | |
# Rocket man | 0:24:25 | 0:24:27 | |
# Burning out his fuse up here alone | 0:24:27 | 0:24:30 | |
# And I think it's gonna be a long, long time | 0:24:36 | 0:24:40 | |
# Till touch down brings me round again to find | 0:24:40 | 0:24:43 | |
# I'm not the man they think I am at home | 0:24:43 | 0:24:47 | |
# Oh, no, no, no, I'm a rocket man | 0:24:47 | 0:24:52 | |
# Rocket man | 0:24:53 | 0:24:55 | |
# Burning out his fuse up here alone | 0:24:55 | 0:24:58 | |
# Mars ain't the kind of place to raise your kids | 0:25:04 | 0:25:09 | |
# In fact, it's cold as hell | 0:25:12 | 0:25:15 | |
# And there's no-one there to raise them | 0:25:18 | 0:25:23 | |
# If you did | 0:25:24 | 0:25:26 | |
# And all this science I don't understand | 0:25:32 | 0:25:36 | |
# It's just my job five days a week | 0:25:39 | 0:25:43 | |
# A rocket man | 0:25:45 | 0:25:50 | |
# A rocket man | 0:25:52 | 0:25:53 | |
# And I think it's gonna be a long, long time | 0:26:00 | 0:26:04 | |
# Till touch down brings me round again to find | 0:26:04 | 0:26:08 | |
# I'm not the man they think I am at home | 0:26:08 | 0:26:11 | |
# Oh, no, no, no, I'm a rocket man | 0:26:11 | 0:26:15 | |
# Rocket man | 0:26:17 | 0:26:19 | |
# Burning out his fuse up here alone... # | 0:26:19 | 0:26:22 | |
I always wanted to do a kind of instrumental, | 0:26:22 | 0:26:25 | |
and it's called Song For Guy. | 0:26:25 | 0:26:26 | |
It's a song about death, um... | 0:26:26 | 0:26:29 | |
Really? In what circumstance? | 0:26:29 | 0:26:31 | |
Well, I wrote it, it's very strange, on a Sunday, | 0:26:31 | 0:26:33 | |
and my heart stood still, da-do-ron-ron-ron, da-do-ron-ron! | 0:26:33 | 0:26:36 | |
And I knew what it was about, it was about a song about when you're dying | 0:26:36 | 0:26:40 | |
and your spirit leaving your body, right at the end of the song. | 0:26:40 | 0:26:43 | |
I'm fascinated by death, | 0:26:43 | 0:26:44 | |
I've written a thing called Funeral For A Friend and things, | 0:26:44 | 0:26:48 | |
but I didn't know what to call it. On the Monday morning, we found out | 0:26:48 | 0:26:51 | |
the office boy had been killed on his motorbike the very same day, | 0:26:51 | 0:26:54 | |
and his name was Guy, and that's why it's called Song For Guy. | 0:26:54 | 0:26:57 | |
It wasn't written after we found out he'd died, | 0:26:57 | 0:27:00 | |
it was unfortunately written more or less the same day that he had this unfortunate accident. | 0:27:00 | 0:27:05 | |
Tragic, really, but it was perfect for what I wanted to sum up. | 0:27:05 | 0:27:08 | |
# Life isn't everything | 0:27:23 | 0:27:26 | |
# Isn't everything | 0:27:26 | 0:27:30 | |
# Isn't everything | 0:27:31 | 0:27:34 | |
# Life isn't everything | 0:27:36 | 0:27:42 | |
# Isn't everything | 0:27:42 | 0:27:45 | |
# Isn't everything | 0:27:46 | 0:27:49 | |
# Life isn't everything | 0:27:52 | 0:27:57 | |
# Isn't everything | 0:27:57 | 0:28:00 | |
# Isn't everything | 0:28:01 | 0:28:05 | |
# Life | 0:28:07 | 0:28:08 | |
# Life | 0:28:10 | 0:28:12 | |
# Life | 0:28:14 | 0:28:16 | |
# Life | 0:28:18 | 0:28:19 | |
# Life | 0:28:22 | 0:28:24 | |
# Life | 0:28:26 | 0:28:27 | |
# Life... # | 0:28:29 | 0:28:31 | |
APPLAUSE | 0:28:31 | 0:28:32 | |
We've news of something which caused quite a stir last night. | 0:28:32 | 0:28:35 | |
It was actually at an auction and it was donated by Elton John, | 0:28:35 | 0:28:39 | |
and he was trying to help raise funds for the Royal Opera House, | 0:28:39 | 0:28:42 | |
and it was Elton John's bike! | 0:28:42 | 0:28:44 | |
-HORN TOOTS -Way! | 0:28:44 | 0:28:46 | |
Well, this bike was specially built | 0:28:46 | 0:28:48 | |
for Elton John's stage act in America five years ago, | 0:28:48 | 0:28:51 | |
and I can bet you there isn't another bike like this in the world. | 0:28:51 | 0:28:54 | |
CHEERING | 0:28:54 | 0:28:56 | |
# I was justified when I was five | 0:29:08 | 0:29:11 | |
# Raising Cain, I spit in your eye | 0:29:11 | 0:29:14 | |
# Times are changing Now the poor get fat | 0:29:14 | 0:29:17 | |
# But the fever's gonna catch you when the bitch gets back | 0:29:17 | 0:29:20 | |
# I eat meat on a Friday That's all right | 0:29:27 | 0:29:30 | |
# I even like steak on a Saturday night | 0:29:30 | 0:29:33 | |
# I can bitch the best at your social dos | 0:29:33 | 0:29:36 | |
# I get high in the evening sniffing pots of glue | 0:29:36 | 0:29:39 | |
# I'm a bitch, I'm a bitch The bitch is back | 0:29:42 | 0:29:45 | |
# Stone-cold sober As a matter of fact | 0:29:45 | 0:29:48 | |
# I can bitch, I can bitch I'm better than you | 0:29:48 | 0:29:51 | |
# It's the way that I move The things that I do | 0:29:51 | 0:29:54 | |
# I entertain by picking brains | 0:30:07 | 0:30:10 | |
# Sell my soul by dropping names | 0:30:10 | 0:30:13 | |
# I don't like those My God, what's that? | 0:30:13 | 0:30:16 | |
# Oh, there's a lot of nasty habits when the bitch gets back, whoa | 0:30:16 | 0:30:19 | |
# I'm a bitch, I'm a bitch The bitch is back | 0:30:22 | 0:30:25 | |
# Stone-cold sober As a matter of fact | 0:30:25 | 0:30:28 | |
# I can bitch, I can bitch I'm better than you | 0:30:28 | 0:30:32 | |
# It's the way that I move The things that I do, whoa | 0:30:32 | 0:30:35 | |
# All right | 0:30:39 | 0:30:40 | |
# I'm a bitch, I'm a bitch The bitch is back | 0:30:56 | 0:30:59 | |
# Stone-cold sober As a matter of fact | 0:30:59 | 0:31:02 | |
# I can bitch, I can bitch I'm better than you | 0:31:02 | 0:31:06 | |
# It's the way that I move The things that I do, whoa. # | 0:31:06 | 0:31:09 | |
It's great for Top Of The Pops when a real megastar comes to do it live. | 0:31:14 | 0:31:17 | |
Look at Elton John, and here's his hit. | 0:31:17 | 0:31:21 | |
# Blue eyes | 0:31:21 | 0:31:24 | |
# Baby's got blue eyes | 0:31:25 | 0:31:29 | |
# Like the deep blue sea | 0:31:32 | 0:31:37 | |
# On a blue, blue day | 0:31:38 | 0:31:43 | |
# Blue eyes | 0:31:48 | 0:31:52 | |
# Baby's got blue eyes | 0:31:52 | 0:31:56 | |
# When the morning comes | 0:31:59 | 0:32:04 | |
# I'll be far away | 0:32:06 | 0:32:09 | |
# And I say | 0:32:11 | 0:32:14 | |
# Blue eyes holdin' back the tears | 0:32:15 | 0:32:19 | |
# Holding back the pain | 0:32:19 | 0:32:23 | |
# Baby's got blue eyes | 0:32:25 | 0:32:29 | |
# And she's alone | 0:32:31 | 0:32:34 | |
# Again... # | 0:32:37 | 0:32:39 | |
Now, you've had 11 hits in the British top ten | 0:32:39 | 0:32:41 | |
and lots more in the States, | 0:32:41 | 0:32:43 | |
-what do you think makes a hit? -I really don't know. | 0:32:43 | 0:32:45 | |
If you knew what was going to make a hit, | 0:32:45 | 0:32:47 | |
you could write them all the time. | 0:32:47 | 0:32:49 | |
I'm not that sort of songwriter - | 0:32:49 | 0:32:51 | |
I just write...twice a year. | 0:32:51 | 0:32:52 | |
What is your method when you write a song? | 0:32:52 | 0:32:54 | |
Well, it depends which way I'm writing. If I'm writing to lyrics, | 0:32:54 | 0:32:58 | |
then I just get the lyrics and then write the song, | 0:32:58 | 0:33:00 | |
the melody, to the lyrics. | 0:33:00 | 0:33:02 | |
And if I write the melody first, I can contribute some of my own lyrics, | 0:33:02 | 0:33:05 | |
cos I'm not very good on lyrics. | 0:33:05 | 0:33:07 | |
Then someone will finish off a couple of my ideas. | 0:33:07 | 0:33:11 | |
So that's quite handy. I work both ways. | 0:33:11 | 0:33:13 | |
Do you do one song, when you're inspired, straight through? | 0:33:13 | 0:33:16 | |
Oh, yes, I don't usually take more than half an hour when I write a song. | 0:33:16 | 0:33:20 | |
I don't really write that much, | 0:33:20 | 0:33:21 | |
I don't go around with a piano all the time, as it's impossible anyway. | 0:33:21 | 0:33:25 | |
Just thinking of melodies. | 0:33:25 | 0:33:26 | |
So if I starve myself when writing, I find I can write better. | 0:33:26 | 0:33:30 | |
# Time on my hands | 0:33:30 | 0:33:33 | |
# Could be time spent with you | 0:33:33 | 0:33:36 | |
# Laughing like children | 0:33:36 | 0:33:39 | |
# Living like lovers | 0:33:39 | 0:33:42 | |
# Rolling like thunder | 0:33:42 | 0:33:45 | |
# Under the covers | 0:33:45 | 0:33:48 | |
# And I guess that's why they call it the blues... # | 0:33:49 | 0:33:53 | |
At Wembley, Everton won the FA Cup for the fourth time in their history | 0:33:53 | 0:33:57 | |
when they beat Watford, making their first appearance in the final, | 0:33:57 | 0:34:00 | |
by two goals to nil. | 0:34:00 | 0:34:02 | |
Sherwood didn't collect! The goal is given! | 0:34:02 | 0:34:05 | |
# ..And I guess that's why they call it the blues. # | 0:34:07 | 0:34:12 | |
# Don't you know I'm still standing better than I ever did | 0:34:12 | 0:34:17 | |
# Looking like a true survivor | 0:34:17 | 0:34:20 | |
# Feeling like a little kid | 0:34:20 | 0:34:23 | |
# I'm still standing | 0:34:23 | 0:34:26 | |
# After all this time | 0:34:26 | 0:34:28 | |
# Picking up the pieces of my life | 0:34:28 | 0:34:31 | |
# Without you on my mind | 0:34:31 | 0:34:34 | |
# I'm still standing Yeah, yeah, yeah... # | 0:34:34 | 0:34:37 | |
Hello. Pleased to meet you. | 0:34:37 | 0:34:39 | |
What an amazing place! | 0:34:39 | 0:34:41 | |
-Thank you. -Gorgeous garden. | 0:34:41 | 0:34:42 | |
-A bit different from our Blue Peter garden. -A little bit bigger. | 0:34:42 | 0:34:45 | |
-Percy Thrower might have a problem here. I'll show you round? -OK. | 0:34:45 | 0:34:50 | |
Elton uses the latest electric vehicles to get around his gardens. | 0:34:54 | 0:34:58 | |
We started by passing his other fleet of cars, | 0:34:58 | 0:35:01 | |
quite a bit bigger. | 0:35:01 | 0:35:03 | |
-Amazing collection of cars! -Yeah. | 0:35:03 | 0:35:06 | |
-How many have you got? -About 12. | 0:35:06 | 0:35:09 | |
And this is what his success is all about - | 0:35:13 | 0:35:16 | |
the corridor of platinum, gold and silver discs, | 0:35:16 | 0:35:20 | |
just hundreds of them from all over the world. | 0:35:20 | 0:35:23 | |
His albums alone have sold up to 18 million worldwide, | 0:35:24 | 0:35:28 | |
a far cry from when he was a young, unknown musician called Reg Dwight. | 0:35:28 | 0:35:34 | |
And this is where all those songs are written. | 0:35:39 | 0:35:42 | |
Hi. Amazing collection of antiques you have here. | 0:35:48 | 0:35:51 | |
-It's like being in a museum. -With me as the oldest object, probably. | 0:35:51 | 0:35:55 | |
As a kid... | 0:35:55 | 0:35:56 | |
Well, I always spent my pocket money on collecting things as a child, | 0:35:56 | 0:35:59 | |
and when you start collecting things, no matter what value they are, | 0:35:59 | 0:36:02 | |
you increase your knowledge. | 0:36:02 | 0:36:04 | |
What would you say to someone starting off in the business? | 0:36:04 | 0:36:06 | |
If you have 100% belief and faith and you create your own luck, | 0:36:06 | 0:36:10 | |
and you only create your own luck by being positive in life, | 0:36:10 | 0:36:13 | |
then I think something will happen for you. | 0:36:13 | 0:36:15 | |
-Michael! You want a lift? -Yep. OK. | 0:36:15 | 0:36:18 | |
OK, let's watch the video. | 0:36:23 | 0:36:26 | |
Elton John's having his 38th solo British hit single at the moment, | 0:36:26 | 0:36:30 | |
the highest record to come into the chart this week, | 0:36:30 | 0:36:33 | |
this is Nikita. | 0:36:33 | 0:36:34 | |
CHEERING AND APPLAUSE | 0:36:34 | 0:36:35 | |
# Hey, Nikita, is it cold | 0:36:47 | 0:36:50 | |
# In your little corner of the world? | 0:36:52 | 0:36:57 | |
# You could roll around the globe | 0:36:58 | 0:37:02 | |
# And never find a warmer soul to know | 0:37:04 | 0:37:08 | |
# Oh, I saw you by the wall | 0:37:09 | 0:37:13 | |
# Ten of your tin soldiers in a row | 0:37:15 | 0:37:18 | |
# With eyes that looked like ice on fire | 0:37:20 | 0:37:24 | |
# The human heart a captive in the snow | 0:37:26 | 0:37:30 | |
# Oh, Nikita, you will never know | 0:37:31 | 0:37:35 | |
# Anything about my home | 0:37:38 | 0:37:42 | |
# I'll never know how good it feels to hold you | 0:37:42 | 0:37:46 | |
# Hold you | 0:37:47 | 0:37:49 | |
# Nikita, I need you so... # | 0:37:49 | 0:37:53 | |
Do you remember when...? | 0:37:53 | 0:37:54 | |
-Will we ever forget that very first show? -No. | 0:37:54 | 0:37:56 | |
And somebody sabotaged my talk with you. | 0:37:56 | 0:37:59 | |
Let's have a quick look at it, just to remind ourselves of all... | 0:37:59 | 0:38:03 | |
Anything could have happened. | 0:38:03 | 0:38:05 | |
Anything. Do you remember? | 0:38:05 | 0:38:07 | |
Came on... | 0:38:09 | 0:38:10 | |
CHEERING AND APPLAUSE | 0:38:10 | 0:38:12 | |
Honestly. Every time I see that... | 0:38:19 | 0:38:21 | |
Anything could have happened, | 0:38:21 | 0:38:23 | |
I could have fallen forward into the piano, done a Mike Gatting. | 0:38:23 | 0:38:27 | |
-You were supposed to fall into my arms, darling. -I might at the end. | 0:38:27 | 0:38:30 | |
But as a memento of that... LAUGHTER | 0:38:30 | 0:38:34 | |
..we've had London's top jewellers... | 0:38:34 | 0:38:37 | |
LAUGHTER | 0:38:37 | 0:38:39 | |
..Fyffes... | 0:38:39 | 0:38:41 | |
make you this fabulous award, | 0:38:41 | 0:38:43 | |
and I just want you to keep it as a great memento of that first evening. | 0:38:43 | 0:38:47 | |
I shall wear it always. Thank you. | 0:38:47 | 0:38:48 | |
# Goodbye, Norma Jean | 0:38:53 | 0:38:55 | |
# Though I never knew you at all | 0:38:55 | 0:38:59 | |
# You had the grace to hold yourself | 0:38:59 | 0:39:02 | |
# While those around you crawled | 0:39:02 | 0:39:05 | |
# They crawled out of the woodwork | 0:39:06 | 0:39:09 | |
# And they whispered into your brain | 0:39:10 | 0:39:13 | |
# They set you on the treadmill | 0:39:13 | 0:39:15 | |
# And they made you change your name | 0:39:15 | 0:39:18 | |
# It seems to me you lived your life | 0:39:21 | 0:39:24 | |
# Like a candle in the wind | 0:39:24 | 0:39:28 | |
# Never knowing who to cling to | 0:39:28 | 0:39:31 | |
# When the rain set in | 0:39:31 | 0:39:34 | |
# I would have liked to have known you | 0:39:36 | 0:39:38 | |
# But I was just a kid | 0:39:38 | 0:39:40 | |
# Your candle burned out long before | 0:39:40 | 0:39:44 | |
# Your legend ever did | 0:39:46 | 0:39:49 | |
# Loneliness was tough | 0:40:00 | 0:40:03 | |
# The toughest role you ever played | 0:40:03 | 0:40:06 | |
# Hollywood created a superstar | 0:40:06 | 0:40:09 | |
# And pain was the price you paid | 0:40:09 | 0:40:12 | |
# Even when you died | 0:40:14 | 0:40:16 | |
# Oh, the press still hounded you | 0:40:18 | 0:40:21 | |
# All the papers had to say | 0:40:21 | 0:40:23 | |
# Was that Marilyn | 0:40:23 | 0:40:25 | |
# Was found in the nude | 0:40:25 | 0:40:27 | |
# It seems to me you lived your life | 0:40:29 | 0:40:32 | |
# Like a candle in the wind | 0:40:32 | 0:40:36 | |
# Never knowing who to cling to | 0:40:36 | 0:40:39 | |
# When the rain set in | 0:40:39 | 0:40:42 | |
# I would have liked to have known you | 0:40:43 | 0:40:46 | |
# But I was just a kid | 0:40:46 | 0:40:49 | |
# Your candle burned out long before | 0:40:49 | 0:40:53 | |
# Your legend ever did... # | 0:40:54 | 0:40:57 | |
Elton John, the singer-songwriter | 0:41:00 | 0:41:02 | |
famous for his outrageous spectacles, | 0:41:02 | 0:41:04 | |
platform boots and love of Watford Football Club, | 0:41:04 | 0:41:07 | |
has put his huge collection of pop and art memorabilia up for auction. | 0:41:07 | 0:41:11 | |
2,000 items will be going under the hammer at Sotheby's next month. | 0:41:11 | 0:41:15 | |
And Elton is expected to make more than £3 million. | 0:41:15 | 0:41:18 | |
There are some lovely things here | 0:41:18 | 0:41:19 | |
and some things that people have a giggle at, which is great. | 0:41:19 | 0:41:22 | |
I don't mind that, because I always put myself out there to be giggled at anyway. | 0:41:22 | 0:41:26 | |
It's the end of an era. | 0:41:26 | 0:41:27 | |
It marks the end, I'm not going to do that any more, I said that publicly, | 0:41:27 | 0:41:30 | |
because you get to a point where you think you're too old | 0:41:30 | 0:41:33 | |
and you look ridiculous. I can't do that any more. | 0:41:33 | 0:41:35 | |
For somebody with such a monstrous amount of talent, | 0:41:35 | 0:41:38 | |
and for somebody's who's been churning out such quality songs for such a long time, | 0:41:38 | 0:41:42 | |
it's incredible to think this is Elton's first ever number one! | 0:41:42 | 0:41:46 | |
# And it's no sacrifice | 0:41:48 | 0:41:51 | |
# Just a simple word | 0:41:51 | 0:41:54 | |
# It's two hearts living | 0:41:56 | 0:41:59 | |
# In two separate worlds | 0:42:00 | 0:42:03 | |
# But it's no sacrifice | 0:42:04 | 0:42:09 | |
# No sacrifice | 0:42:10 | 0:42:13 | |
# It's no sacrifice at all | 0:42:14 | 0:42:20 | |
# Mutual misunderstanding | 0:42:28 | 0:42:31 | |
# After the fact | 0:42:31 | 0:42:34 | |
# Sensitivity builds a prison | 0:42:35 | 0:42:39 | |
# In the final act | 0:42:39 | 0:42:42 | |
# We lose direction | 0:42:43 | 0:42:46 | |
# No stone unturned | 0:42:48 | 0:42:51 | |
# No tears to damn you | 0:42:52 | 0:42:55 | |
# When jealousy burns | 0:42:56 | 0:43:00 | |
# Cold, cold heart | 0:43:01 | 0:43:03 | |
# Hard done by you | 0:43:05 | 0:43:07 | |
# Some things look better, baby | 0:43:09 | 0:43:13 | |
# Just passing through | 0:43:13 | 0:43:16 | |
# And it's no sacrifice | 0:43:18 | 0:43:22 | |
# Just a simple word | 0:43:22 | 0:43:25 | |
# It's two hearts living | 0:43:26 | 0:43:29 | |
# In two separate worlds... # | 0:43:30 | 0:43:33 | |
CHEERING AND APPLAUSE | 0:43:33 | 0:43:35 | |
With his hit song from The Lion King, the one, the only Elton John! | 0:43:35 | 0:43:39 | |
CHEERING AND APPLAUSE | 0:43:39 | 0:43:42 | |
# From the day we arrive on the planet | 0:43:50 | 0:43:54 | |
# And blinking, step into the sun | 0:43:56 | 0:44:00 | |
# There's more to be seen | 0:44:02 | 0:44:05 | |
# Than can ever be seen | 0:44:05 | 0:44:07 | |
# More to do than can ever be done | 0:44:07 | 0:44:12 | |
# Some say eat or be eaten | 0:44:15 | 0:44:18 | |
# Some say live and let live | 0:44:19 | 0:44:24 | |
# But all are agreed | 0:44:25 | 0:44:29 | |
# As they join the stampede | 0:44:29 | 0:44:31 | |
# You should never take more than you give | 0:44:31 | 0:44:36 | |
# In the circle of life | 0:44:36 | 0:44:40 | |
# It's the wheel of fortune | 0:44:41 | 0:44:46 | |
# It's the leap of faith | 0:44:48 | 0:44:51 | |
# It's the band of hope | 0:44:54 | 0:44:57 | |
# Till we find our place | 0:44:59 | 0:45:04 | |
# On the path unwinding | 0:45:05 | 0:45:09 | |
# In the circle | 0:45:13 | 0:45:17 | |
# The circle of life... # | 0:45:18 | 0:45:21 | |
# Goodbye, England's rose May you ever grow in our hearts | 0:45:28 | 0:45:34 | |
# You were the grace that placed itself | 0:45:34 | 0:45:38 | |
# Where lives were torn apart | 0:45:38 | 0:45:41 | |
# You called out... # | 0:45:43 | 0:45:44 | |
A recording of Candle In The Wind, Elton John's tribute | 0:45:44 | 0:45:47 | |
to Diana, Princess Of Wales, today sold out within hours of going on sale. | 0:45:47 | 0:45:51 | |
People queued from the early hours to ensure they got a copy, | 0:45:51 | 0:45:54 | |
and many stores had to limit the number customers could buy. | 0:45:54 | 0:45:58 | |
# ..And it seems to me you lived your life | 0:45:58 | 0:46:03 | |
# Like a candle in the wind | 0:46:03 | 0:46:07 | |
# Never fading with the sunset when the rain set in... # | 0:46:07 | 0:46:12 | |
When people talk about me, | 0:46:12 | 0:46:14 | |
it's either about the hair, | 0:46:14 | 0:46:16 | |
the flowers, my sexuality, | 0:46:16 | 0:46:21 | |
The Lion King, the football club... | 0:46:21 | 0:46:23 | |
-Let me cross these off one by one. -Right. | 0:46:23 | 0:46:26 | |
LAUGHTER | 0:46:26 | 0:46:27 | |
They never talk about the bloody records any more! | 0:46:27 | 0:46:30 | |
In 20 months, you spent £40 million... | 0:46:30 | 0:46:33 | |
-AUDIENCE MEMBER: -Fabulous! -Plus... | 0:46:33 | 0:46:36 | |
LAUGHTER AND APPLAUSE | 0:46:36 | 0:46:38 | |
Plus £293,000 on flowers in that same 20 months. | 0:46:38 | 0:46:44 | |
-Mm-hm. -Now, you must like flowers an awful lot. | 0:46:44 | 0:46:47 | |
I love them, yes. It'll be on my gravestone - "He liked flowers." | 0:46:47 | 0:46:50 | |
People said, "Aren't you ashamed? It's disgraceful." | 0:46:50 | 0:46:53 | |
I said, "I pay my taxes, I've always lived here. How I spend my money's irrelevant, really." | 0:46:53 | 0:46:57 | |
But yes, I did spend that amount of money and am I ashamed of it? | 0:46:57 | 0:47:00 | |
No, I'm not, so... | 0:47:00 | 0:47:02 | |
APPLAUSE | 0:47:02 | 0:47:04 | |
# I want love but it's impossible | 0:47:05 | 0:47:11 | |
# A man like me so irresponsible | 0:47:12 | 0:47:17 | |
# A man like me is dead in places | 0:47:19 | 0:47:26 | |
# Other men feel liberated | 0:47:26 | 0:47:32 | |
# And I can't love shot full of holes | 0:47:32 | 0:47:38 | |
# Don't feel nothing I just feel cold | 0:47:40 | 0:47:44 | |
# Don't feel nothing Just old scars | 0:47:46 | 0:47:52 | |
# Toughening up around my heart | 0:47:53 | 0:47:59 | |
# But I want love Just a different kind | 0:47:59 | 0:48:05 | |
# I want love Won't break me down | 0:48:05 | 0:48:09 | |
# Won't brick me up Won't fence me in | 0:48:09 | 0:48:12 | |
# I want a love that don't mean a thing | 0:48:12 | 0:48:15 | |
# That's the love I want I want love... # | 0:48:15 | 0:48:22 | |
He's played Wembley, Madison Square Garden, even Buckingham Palace. | 0:48:22 | 0:48:26 | |
This afternoon, Sir Elton John was centre stage again, | 0:48:26 | 0:48:28 | |
but this time before an audience at the US Senate. | 0:48:28 | 0:48:31 | |
This is the government of the richest nation in history, | 0:48:31 | 0:48:34 | |
and I'm here asking you for more money to stop the worst epidemic in history. | 0:48:34 | 0:48:38 | |
If the United States says, "We have a moral obligation to act," | 0:48:38 | 0:48:41 | |
then other major nations will follow. | 0:48:41 | 0:48:44 | |
-CHEERING AND APPLAUSE -During his long and distinguished career, | 0:48:46 | 0:48:49 | |
Elton has performed with some of the biggest stars in the business - | 0:48:49 | 0:48:52 | |
George Michael, Aretha Franklin, some Irish fella, I can't remember his name - anyway... | 0:48:52 | 0:48:57 | |
but here he is now performing with the newly crowned kings of pop, | 0:48:57 | 0:49:02 | |
Sir Elton John! | 0:49:02 | 0:49:05 | |
SCREAMING AND CHEERING | 0:49:09 | 0:49:11 | |
# What have I got to do to make you love me? | 0:49:19 | 0:49:23 | |
# What I got to do to make you care? # | 0:49:25 | 0:49:28 | |
SPEECH INAUDIBLE | 0:49:28 | 0:49:29 | |
# What do I do when lightning strikes me | 0:49:31 | 0:49:35 | |
# And I wake to find that you're not there? Mm-mm | 0:49:37 | 0:49:43 | |
# What have I got to do to make you want me? | 0:49:43 | 0:49:47 | |
-# What I got to do to be heard? -Oh-oh-oh-oh | 0:49:49 | 0:49:55 | |
-# What do I say when it's all over? -Yeah | 0:49:55 | 0:50:01 | |
# Sorry seems to be the hardest word | 0:50:01 | 0:50:04 | |
# It's sad, so sad It's a sad, sad situation | 0:50:07 | 0:50:13 | |
# And it's getting more and more absurd | 0:50:13 | 0:50:17 | |
-# It's sad, so sad -Why can't we talk it over? | 0:50:19 | 0:50:25 | |
# Always seems to me | 0:50:25 | 0:50:28 | |
# That sorry seems to be the hardest word... # | 0:50:28 | 0:50:31 | |
-Don't go! Don't go! -Get off me. | 0:50:31 | 0:50:33 | |
I wanted you, because I wanted the best. | 0:50:33 | 0:50:35 | |
-The Beatles were the best, and you're the best. -Get off me! | 0:50:35 | 0:50:38 | |
-The best piano player?! -Yes. -Have you seen the fingers on him? | 0:50:38 | 0:50:42 | |
Oh, don't. You've got lovely hands, haven't you, Elton? | 0:50:42 | 0:50:44 | |
You've got fingers like me - ten Porkinson's bangers, haven't we? | 0:50:44 | 0:50:48 | |
Darling, at least mine are chipolatas. I never liked you. | 0:50:48 | 0:50:50 | |
-But I've auctioned your clothes for AIDS. -But I was wearing them! -Oh! | 0:50:50 | 0:50:53 | |
-Hi. -Ah. | 0:50:53 | 0:50:55 | |
I think I knew you when you were a man. | 0:50:55 | 0:50:58 | |
And I knew you when you had hair. | 0:50:58 | 0:51:01 | |
-I've always had hair, bitch. -Oh. | 0:51:01 | 0:51:04 | |
# And can you feel the love tonight? | 0:51:04 | 0:51:11 | |
# It is where we are | 0:51:12 | 0:51:17 | |
# It's enough for this wide-eyed wanderer | 0:51:21 | 0:51:27 | |
# That we got this far... # | 0:51:27 | 0:51:33 | |
In recognition of all the incredible work you do in support of people with AIDS and HIV, | 0:51:33 | 0:51:38 | |
it gives us all on Blue Peter a real pleasure to award you with the programme's highest accolade - | 0:51:38 | 0:51:42 | |
-the gold Blue Peter badge. -Wow! -And I'd love to pin it on you. | 0:51:42 | 0:51:45 | |
-Forget the knighthood! -Yeah. -No, we don't need... Forget the knighthood. | 0:51:45 | 0:51:48 | |
-There you go. What do you think of that? -Fabulous. There you go. | 0:51:48 | 0:51:54 | |
That's great. Thank you so much. Thank you, Blue Peter. Thank you. | 0:51:54 | 0:51:57 | |
Um...I'm overwhelmed. And over here! | 0:51:57 | 0:52:01 | |
31 years ago, we released Captain Fantastic And The Brown Dirt Cowboy, | 0:52:01 | 0:52:05 | |
which was a benchmark album for us in many ways, | 0:52:05 | 0:52:08 | |
because it was autobiographical | 0:52:08 | 0:52:10 | |
and it told the story of how, when Bernie and I first got together, | 0:52:10 | 0:52:15 | |
how we struggled to make it, | 0:52:15 | 0:52:19 | |
and it goes right up to the point before we went to America in 1970, | 0:52:19 | 0:52:25 | |
and it was an album really having to do with failure and disappointments. | 0:52:25 | 0:52:29 | |
This is one of the songs, one of my all-time favourite songs that we've written - | 0:52:29 | 0:52:35 | |
Someone Saved My Life Tonight. | 0:52:35 | 0:52:37 | |
# When I think of those East End lights, muggy nights | 0:52:51 | 0:52:57 | |
# The curtains drawn in the little room downstairs | 0:52:57 | 0:53:02 | |
# Prima Donna Lord You really should have been there | 0:53:04 | 0:53:07 | |
# Sitting like a princess perched in her electric chair | 0:53:07 | 0:53:12 | |
# And it's one more beer and I don't hear you any more | 0:53:14 | 0:53:21 | |
# We've all gone crazy lately | 0:53:21 | 0:53:24 | |
# My friends out there rolling round the basement floor | 0:53:24 | 0:53:30 | |
# Woo-ooh-ooh | 0:53:30 | 0:53:35 | |
# And someone saved my life tonight Sugar bear | 0:53:35 | 0:53:43 | |
# You almost had your hooks in me Didn't you, dear? | 0:53:43 | 0:53:47 | |
# You nearly had me roped and tied Altar-bound, hypnotised | 0:53:47 | 0:53:55 | |
# Sweet freedom whispered in my ear You're a butterfly | 0:53:55 | 0:54:01 | |
# And butterflies are free to fly Fly away | 0:54:02 | 0:54:08 | |
# High away, bye-bye | 0:54:09 | 0:54:15 | |
# Oooh-oooh-oooh | 0:54:15 | 0:54:19 | |
# And I would have walked head on into the deep end of the river | 0:54:37 | 0:54:43 | |
# Clinging to your stocks and bonds Paying your HP demands forever | 0:54:43 | 0:54:51 | |
# They're coming in the morning with a truck to take me home | 0:54:51 | 0:54:57 | |
# Someone saved my life tonight Someone saved my life tonight | 0:54:58 | 0:55:05 | |
# Someone saved my life tonight Someone saved my life tonight | 0:55:05 | 0:55:12 | |
# Someone saved my life tonight | 0:55:12 | 0:55:15 | |
# So save your strength and run the field you play alone | 0:55:15 | 0:55:21 | |
# And someone saved my life tonight Sugar bear | 0:55:22 | 0:55:28 | |
# Sugar bear | 0:55:28 | 0:55:30 | |
# You almost had your hooks in me Didn't you, dear? | 0:55:30 | 0:55:35 | |
# You nearly had me roped and tied Altar-bound, hypnotised | 0:55:35 | 0:55:43 | |
# Sweet freedom whispered in my ear You're a butterfly | 0:55:43 | 0:55:48 | |
# And butterflies are free to fly Fly away | 0:55:49 | 0:55:54 | |
# High away, bye-bye | 0:55:56 | 0:56:01 | |
# Oh, yeah. # | 0:56:02 | 0:56:04 | |
Thank you. CHEERING AND APPLAUSE | 0:56:20 | 0:56:22 | |
APPLAUSE DROWNS SPEECH | 0:56:22 | 0:56:24 |