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| Line | From | To | |
|---|---|---|---|
-What will you miss most about being in R.E.M.? -Performing live. | 0:00:02 | 0:00:04 | |
I, I, only, that just flew out of my mouth. | 0:00:04 | 0:00:07 | |
But I think that's what I'll miss the most, is performing. | 0:00:07 | 0:00:10 | |
-Well. -With these guys. | 0:00:10 | 0:00:11 | |
Exactly, I mean, you know, I'll be playing somewhere with somebody | 0:00:11 | 0:00:15 | |
but to be on stage with Michael and Peter, Michael and Peter | 0:00:15 | 0:00:17 | |
and Bill, which will probably never happen again, that's just... | 0:00:17 | 0:00:21 | |
-That's sad. -Yeah. -I mean, that's, that's like losing a limb. | 0:00:21 | 0:00:23 | |
# Two drifters | 0:00:23 | 0:00:28 | |
# Off to see the world | 0:00:28 | 0:00:33 | |
# There's such a lot of world to see | 0:00:33 | 0:00:41 | |
# We're after | 0:00:44 | 0:00:49 | |
# The same | 0:00:49 | 0:00:53 | |
# Rainbow's end | 0:00:53 | 0:00:57 | |
# Waiting round the bend | 0:00:57 | 0:01:02 | |
# My huckleberry friend | 0:01:02 | 0:01:06 | |
# Moon River and me. # | 0:01:06 | 0:01:14 | |
MUSIC: "Pretty Persuasion" | 0:01:17 | 0:01:19 | |
# Here's what I want | 0:01:28 | 0:01:34 | |
# Hurry and buy | 0:01:34 | 0:01:39 | |
# All has been tried | 0:01:39 | 0:01:45 | |
# Hurry and buy | 0:01:45 | 0:01:51 | |
# Cannot wear that in this heat | 0:01:51 | 0:01:55 | |
# You're all wrong | 0:01:55 | 0:01:57 | |
# Trying to put that on my sleeve | 0:01:57 | 0:02:01 | |
# You're all wrong, all wrong | 0:02:01 | 0:02:03 | |
# She's got | 0:02:03 | 0:02:06 | |
# Pretty persuasion | 0:02:06 | 0:02:09 | |
# She's got | 0:02:09 | 0:02:11 | |
# Pretty persuasion | 0:02:11 | 0:02:15 | |
# God damn | 0:02:15 | 0:02:17 | |
# Your confusion | 0:02:17 | 0:02:21 | |
# She's got | 0:02:21 | 0:02:23 | |
# Pretty persuaaaa... | 0:02:23 | 0:02:25 | |
# It's what I want | 0:02:27 | 0:02:33 | |
# Hurry and buy | 0:02:33 | 0:02:38 | |
# All has been tried | 0:02:38 | 0:02:44 | |
# Hurry and buy | 0:02:44 | 0:02:50 | |
# Cannot wear that in this heat | 0:02:50 | 0:02:54 | |
# You're all wrong | 0:02:54 | 0:02:56 | |
# Trying to put that on my sleeve | 0:02:56 | 0:03:00 | |
# You're all wrong, all wrong | 0:03:00 | 0:03:02 | |
# She's got | 0:03:02 | 0:03:05 | |
# Pretty persuasion | 0:03:05 | 0:03:08 | |
# She's got | 0:03:08 | 0:03:10 | |
# Pretty persuasion | 0:03:10 | 0:03:14 | |
# God damn | 0:03:14 | 0:03:16 | |
# Your confusion | 0:03:16 | 0:03:19 | |
# She's got | 0:03:19 | 0:03:22 | |
# Pretty persuaaa... | 0:03:22 | 0:03:26 | |
# In the light I saw | 0:03:26 | 0:03:32 | |
# Quite a scene there | 0:03:32 | 0:03:39 | |
# It's what I want | 0:03:52 | 0:03:57 | |
# Hurry and buy | 0:03:57 | 0:04:03 | |
# All has been tried | 0:04:03 | 0:04:09 | |
# Hurry and buy | 0:04:09 | 0:04:14 | |
# Cannot wear that in this heat | 0:04:14 | 0:04:18 | |
# You're all wrong | 0:04:18 | 0:04:21 | |
# Trying to put that on my sleeve | 0:04:21 | 0:04:24 | |
# You're all wrong, all wrong | 0:04:24 | 0:04:27 | |
# She's got | 0:04:27 | 0:04:29 | |
# Pretty persuasion | 0:04:29 | 0:04:32 | |
# She's got | 0:04:32 | 0:04:35 | |
# Pretty persuasion | 0:04:35 | 0:04:38 | |
# God damn | 0:04:38 | 0:04:41 | |
# Your confusion | 0:04:41 | 0:04:44 | |
# She's got | 0:04:44 | 0:04:46 | |
# Pretty persuaaaaa... | 0:04:46 | 0:04:51 | |
Smart. | 0:04:54 | 0:04:55 | |
R.E.M. were described by April's Rolling Stone magazine | 0:04:55 | 0:04:58 | |
as America's hippest band. | 0:04:58 | 0:05:01 | |
Founded in 1980 by four college dropouts in Athens, Georgia, | 0:05:01 | 0:05:05 | |
R.E.M., as in rapid eye movement, the deepest phase of sleep, | 0:05:05 | 0:05:09 | |
have come to be worshipped by college students | 0:05:09 | 0:05:11 | |
and pop intellectuals all over the States. | 0:05:11 | 0:05:13 | |
The band's mystique comes from the enigmatic lyrics | 0:05:13 | 0:05:16 | |
and personality of their lead singer Michael Stipe. | 0:05:16 | 0:05:19 | |
For years, they stayed loyal to the independent I.R.S. label | 0:05:19 | 0:05:21 | |
with the consequence that they remained relatively unknown | 0:05:21 | 0:05:24 | |
on this side of the Atlantic. | 0:05:24 | 0:05:26 | |
Now, they've signed up with Warner Brothers in a bid | 0:05:26 | 0:05:28 | |
for world domination. | 0:05:28 | 0:05:30 | |
Filmed during their recent visit to London, this is Pop Song 89. | 0:05:30 | 0:05:34 | |
# Hello, I saw you I know you, I knew you | 0:05:47 | 0:05:50 | |
# I think I can remember your name name | 0:05:50 | 0:05:54 | |
# Hello, I'm sorry, I lost myself | 0:06:01 | 0:06:04 | |
# I think I thought you were someone else | 0:06:04 | 0:06:09 | |
# Should we talk about the weather? | 0:06:09 | 0:06:13 | |
# Hi, hi, hi | 0:06:13 | 0:06:16 | |
# Should we talk about the government? | 0:06:16 | 0:06:19 | |
# Hi, hi, hi, hi | 0:06:19 | 0:06:23 | |
# Hello, I saw you I know you, I knew you | 0:06:30 | 0:06:33 | |
# I think I can remember your name name | 0:06:33 | 0:06:37 | |
# Hello, I'm sorry, I lost myself | 0:06:45 | 0:06:48 | |
# I think I thought you were someone else | 0:06:48 | 0:06:51 | |
# Should we talk about the weather? | 0:06:53 | 0:06:57 | |
# Hi, hi, hi | 0:06:57 | 0:06:59 | |
# Should we talk about the government? | 0:06:59 | 0:07:04 | |
# Hi, hi, hi, hi | 0:07:04 | 0:07:06 | |
# Hello, my friend are you visible today? | 0:07:26 | 0:07:29 | |
# No-one ever knew that it could be so strange, strange | 0:07:29 | 0:07:34 | |
# Hello, I'm sorry, I lost myself | 0:07:40 | 0:07:44 | |
# I think I thought you were someone else | 0:07:44 | 0:07:49 | |
# Should we talk about the weather? | 0:07:49 | 0:07:52 | |
# Hi, hi, hi | 0:07:52 | 0:07:55 | |
# Should we talk about the government? | 0:07:55 | 0:07:59 | |
# Hi, hi, hi, hi | 0:07:59 | 0:08:02 | |
# Hi, hi, hi-hi | 0:08:09 | 0:08:12 | |
# Hi, hi, hi-hi, hi-hi | 0:08:13 | 0:08:17 | |
# Hi, hi, hi-hi | 0:08:17 | 0:08:19 | |
# Hi, hi, hi-hi, hi-hi, hi-hi | 0:08:20 | 0:08:25 | |
# Hi-hi, hi-hi, hi-hi ha-ha, ha-ha. # | 0:08:25 | 0:08:30 | |
Here comes a band who are brilliant live. | 0:08:30 | 0:08:32 | |
And, at last, they have a big hit. R.E.M., here's Orange Crush. | 0:08:32 | 0:08:36 | |
CHEERING | 0:08:36 | 0:08:38 | |
# Follow me, don't follow me | 0:08:54 | 0:08:57 | |
# I've got my spine I've got my orange crush | 0:08:57 | 0:09:02 | |
# Collar me, don't colour me | 0:09:02 | 0:09:05 | |
# I've got my spine I've got my orange crush | 0:09:05 | 0:09:10 | |
# We are agents of the free | 0:09:10 | 0:09:13 | |
# I've had my fun and now it's time to serve | 0:09:13 | 0:09:18 | |
-# Over me, not over me -# Your conscience overseas | 0:09:18 | 0:09:22 | |
# Coming in fast, over me | 0:09:22 | 0:09:25 | |
# Oooh oooh oooh ooooh | 0:09:26 | 0:09:34 | |
# Oooh oooh ooooh oooh | 0:09:34 | 0:09:41 | |
# Follow me, don't follow me | 0:09:57 | 0:10:01 | |
# I've got my spine I've got my orange crush | 0:10:01 | 0:10:06 | |
# Collar me, don't colour me | 0:10:06 | 0:10:09 | |
# I've got my spine I've got my orange crush | 0:10:09 | 0:10:13 | |
# We are agents of the free | 0:10:13 | 0:10:17 | |
# I've had my fun and now it's time to serve | 0:10:17 | 0:10:22 | |
-# Over me, not over me -# Your conscience overseas | 0:10:22 | 0:10:26 | |
# Coming in fast, over me | 0:10:26 | 0:10:29 | |
# Ah oooh oooh | 0:10:29 | 0:10:35 | |
-# Ah oooooh -# Oooh oooh oooh | 0:10:35 | 0:10:41 | |
# Wa-ooo-oooh. # | 0:10:41 | 0:10:45 | |
CHEERING | 0:10:47 | 0:10:49 | |
MILITARY CHANTS IN BACKGROUND OF MUSIC | 0:10:52 | 0:10:54 | |
# Follow me, don't follow me | 0:11:20 | 0:11:23 | |
# I've got my spine I've got my orange crush | 0:11:23 | 0:11:27 | |
# Collar me, don't colour me. # | 0:11:27 | 0:11:29 | |
One, two, three, four. One, two. | 0:11:33 | 0:11:36 | |
MUSIC: "Losing My Religion" | 0:11:36 | 0:11:38 | |
# Oh, life is bigger | 0:11:51 | 0:11:57 | |
# It's bigger than you And you are not me | 0:11:57 | 0:12:02 | |
# The lengths that I will go to The distance in your eyes | 0:12:03 | 0:12:10 | |
# Oh, no, I've said too much | 0:12:13 | 0:12:17 | |
# I set it up | 0:12:19 | 0:12:21 | |
# That's me in the corner | 0:12:23 | 0:12:26 | |
# That's me in the spotlight Losing my religion | 0:12:27 | 0:12:34 | |
# Trying to keep up with you | 0:12:35 | 0:12:40 | |
# And I don't know if I can do it | 0:12:40 | 0:12:43 | |
# Oh, no, I've said too much | 0:12:45 | 0:12:50 | |
# I haven't said enough | 0:12:51 | 0:12:55 | |
# I thought that I heard you laughing | 0:12:55 | 0:12:58 | |
# I thought that I heard you sing | 0:12:59 | 0:13:02 | |
# I think I thought I saw you try | 0:13:04 | 0:13:10 | |
# Every whisper | 0:13:12 | 0:13:13 | |
# Every waking hour | 0:13:15 | 0:13:18 | |
# I'm choosing my confessions | 0:13:18 | 0:13:24 | |
# Trying to keep an eye on you | 0:13:24 | 0:13:28 | |
# Like a hurt, lost and blinded fool fool | 0:13:28 | 0:13:33 | |
# Oh, no, I've said too much | 0:13:34 | 0:13:38 | |
# I set it up | 0:13:40 | 0:13:42 | |
# Consider this | 0:13:44 | 0:13:47 | |
# Consider this | 0:13:47 | 0:13:49 | |
# The hint of the century | 0:13:49 | 0:13:52 | |
# Consider this | 0:13:52 | 0:13:55 | |
# The slip | 0:13:55 | 0:13:56 | |
# That brought me to my knees failed | 0:13:58 | 0:14:01 | |
# What if all these fantasies come flailing around | 0:14:01 | 0:14:08 | |
# Now, I've said | 0:14:08 | 0:14:11 | |
# Too much | 0:14:13 | 0:14:14 | |
# I thought that I heard you laughing | 0:14:15 | 0:14:20 | |
# I thought that I heard you sing | 0:14:20 | 0:14:22 | |
# I think I thought I saw you try | 0:14:25 | 0:14:31 | |
# But that was just a dream | 0:14:42 | 0:14:45 | |
# That was just a dream | 0:14:46 | 0:14:48 | |
# And that's me in the corner | 0:14:48 | 0:14:51 | |
# That's me in the spotlight Losing my religion | 0:14:53 | 0:14:59 | |
# Trying to keep up with you | 0:15:00 | 0:15:05 | |
# And I don't know if I can do it | 0:15:05 | 0:15:09 | |
# Oh, no, I've said too much | 0:15:10 | 0:15:16 | |
# I haven't said enough | 0:15:16 | 0:15:19 | |
# I thought that I heard you laughing | 0:15:20 | 0:15:23 | |
# I thought that I heard you sing | 0:15:24 | 0:15:27 | |
# I think I thought I saw you try | 0:15:30 | 0:15:35 | |
# That was just a dream | 0:15:38 | 0:15:42 | |
# Try, cry, fly, try | 0:15:42 | 0:15:46 | |
# That was just a dream | 0:15:46 | 0:15:49 | |
# Just a dream, just a dream. # | 0:15:49 | 0:15:54 | |
We're R.E.M., | 0:16:16 | 0:16:18 | |
you're watching The Late Show, that was Losing My Religion, | 0:16:18 | 0:16:20 | |
our current single. | 0:16:20 | 0:16:21 | |
This is another song off of Out Of Time called Half A World Away. | 0:16:21 | 0:16:25 | |
One, two, three. One, two, three. | 0:16:25 | 0:16:28 | |
# This could be the saddest dusk | 0:16:44 | 0:16:48 | |
# I've ever seen | 0:16:48 | 0:16:50 | |
# To turn to a miracle | 0:16:50 | 0:16:53 | |
# High alive | 0:16:55 | 0:16:57 | |
# My mind is racing | 0:16:58 | 0:17:01 | |
# As it always will | 0:17:04 | 0:17:06 | |
# My hands tire, my heart aches | 0:17:06 | 0:17:09 | |
# I'm half a world away here | 0:17:09 | 0:17:13 | |
# My head sworn to go it alone | 0:17:13 | 0:17:18 | |
# Hold it along | 0:17:18 | 0:17:19 | |
# Haul it along | 0:17:19 | 0:17:22 | |
# Hold it | 0:17:22 | 0:17:24 | |
# Go it alone | 0:17:24 | 0:17:26 | |
# Hold it along | 0:17:26 | 0:17:28 | |
# Hold | 0:17:28 | 0:17:31 | |
# Oh, this lonely deep sit hollow | 0:17:31 | 0:17:36 | |
# Half a world, half a world away | 0:17:36 | 0:17:41 | |
# My shoes are gone, my life spent | 0:17:41 | 0:17:46 | |
# I've had too much to drink | 0:17:48 | 0:17:51 | |
# I didn't think And I didn't think of you | 0:17:52 | 0:17:57 | |
# I guess that's all I needed | 0:17:58 | 0:18:01 | |
# To go it alone | 0:18:02 | 0:18:05 | |
# And hold it along | 0:18:05 | 0:18:06 | |
# Haul it along | 0:18:06 | 0:18:08 | |
# Hold it | 0:18:08 | 0:18:09 | |
# Go it alone | 0:18:09 | 0:18:12 | |
# Hold it along | 0:18:12 | 0:18:14 | |
# Hold | 0:18:14 | 0:18:17 | |
# Oh, this lonely world is wasted | 0:18:17 | 0:18:22 | |
Pathetic eyes high alive | 0:18:22 | 0:18:28 | |
# Blind the tide that's turning the sea | 0:18:28 | 0:18:32 | |
# The storm it came up strong | 0:18:34 | 0:18:38 | |
# It shook the trees And blew away our fear | 0:18:38 | 0:18:44 | |
# I couldn't even hear | 0:18:44 | 0:18:47 | |
# To go it alone | 0:18:48 | 0:18:50 | |
# Hold it along | 0:18:50 | 0:18:52 | |
# Haul it along | 0:18:52 | 0:18:54 | |
# And hold it | 0:18:54 | 0:18:56 | |
# Go it alone | 0:18:56 | 0:18:58 | |
# Hold it along | 0:18:58 | 0:19:00 | |
# Hold | 0:19:00 | 0:19:04 | |
# Go it alone | 0:19:04 | 0:19:07 | |
# Hold it along | 0:19:07 | 0:19:09 | |
# Haul it along | 0:19:09 | 0:19:10 | |
# Hold it | 0:19:10 | 0:19:12 | |
# Blackbirds, backwards forwards and fall | 0:19:12 | 0:19:16 | |
# And hold | 0:19:16 | 0:19:19 | |
# Oh, this could be the saddest dusk | 0:19:19 | 0:19:24 | |
# I've ever seen | 0:19:24 | 0:19:26 | |
# Turn to a miracle | 0:19:28 | 0:19:30 | |
# High alive | 0:19:32 | 0:19:33 | |
# My mind is racing | 0:19:35 | 0:19:39 | |
# As it always will | 0:19:40 | 0:19:43 | |
# My hands tire, my heart aches | 0:19:43 | 0:19:47 | |
# I'm half a world away | 0:19:47 | 0:19:51 | |
# Go-o-o-oooooo. # | 0:19:51 | 0:19:57 | |
CHEERING | 0:20:00 | 0:20:01 | |
# I know you | 0:20:01 | 0:20:04 | |
# I know you've seen her | 0:20:04 | 0:20:08 | |
# She's a sad tomato | 0:20:08 | 0:20:11 | |
# She's three miles of bad road | 0:20:12 | 0:20:16 | |
# Walking down the street | 0:20:18 | 0:20:21 | |
# Will I never | 0:20:23 | 0:20:25 | |
# Meet her? | 0:20:25 | 0:20:27 | |
# She's a real woman-child | 0:20:27 | 0:20:31 | |
# Oh, my kiss breath turpentine | 0:20:31 | 0:20:35 | |
# I am smitten | 0:20:41 | 0:20:43 | |
# I'm the real thing | 0:20:45 | 0:20:47 | |
# I'm the real thing | 0:20:47 | 0:20:49 | |
# Have you seen her come around? | 0:20:49 | 0:20:54 | |
# My crush with eyeliner | 0:20:54 | 0:20:57 | |
# I'm in like | 0:20:57 | 0:21:01 | |
# I'm infatuated | 0:21:02 | 0:21:05 | |
# It's all too much pressure | 0:21:07 | 0:21:12 | |
# She's all that I can take | 0:21:12 | 0:21:16 | |
# What position should I wear? | 0:21:16 | 0:21:20 | |
# Cop an attitude | 0:21:21 | 0:21:23 | |
# Faker | 0:21:23 | 0:21:25 | |
# How can I convince her? | 0:21:25 | 0:21:28 | |
# Faker | 0:21:28 | 0:21:30 | |
# That I'm invented too. Yeah | 0:21:30 | 0:21:33 | |
# I am smitten | 0:21:39 | 0:21:42 | |
# I'm the real thing | 0:21:43 | 0:21:45 | |
# I'm the real thing | 0:21:45 | 0:21:48 | |
# We all invent ourselves And, uh, you know me | 0:21:48 | 0:21:55 | |
# She's a sad tomato | 0:22:14 | 0:22:18 | |
# She's three miles of bad road | 0:22:18 | 0:22:23 | |
# She's her own invention | 0:22:24 | 0:22:26 | |
# She's her own invention | 0:22:26 | 0:22:28 | |
# That gets me in the throat | 0:22:28 | 0:22:32 | |
# What can I make myself be? | 0:22:32 | 0:22:37 | |
-# Life is strange -# Yeah, life is strange | 0:22:37 | 0:22:42 | |
# What can I make myself be? | 0:22:42 | 0:22:46 | |
# Faker | 0:22:46 | 0:22:48 | |
# To make her mine | 0:22:48 | 0:22:50 | |
# I am smitten | 0:22:55 | 0:22:58 | |
# I'll do anything | 0:23:00 | 0:23:02 | |
# I'll do anything | 0:23:02 | 0:23:04 | |
# A kiss breath turpentine | 0:23:05 | 0:23:09 | |
# My crush with eyeliner. # | 0:23:09 | 0:23:12 | |
CHEERING | 0:23:12 | 0:23:13 | |
The American group R.E.M. made history | 0:23:13 | 0:23:15 | |
when they signed their latest multi-million record day, | 0:23:15 | 0:23:18 | |
deal, even. | 0:23:18 | 0:23:19 | |
And today sees that deal bare fruit for the first time. | 0:23:19 | 0:23:22 | |
From humble beginnings in Athens, Georgia, R.E.M, have risen | 0:23:25 | 0:23:30 | |
to become one of the biggest rock bands in the world. | 0:23:30 | 0:23:32 | |
Just last month, | 0:23:32 | 0:23:34 | |
Warner Brothers, in the US, re-signed R.E.M. | 0:23:34 | 0:23:39 | |
to produce another five albums. | 0:23:36 | 0:23:39 | |
It's a deal worth a staggering £52 million, | 0:23:39 | 0:23:42 | |
the largest in music business history. | 0:23:42 | 0:23:45 | |
# Hey, he-ey | 0:23:54 | 0:23:55 | |
# I ate the lotus | 0:23:58 | 0:24:00 | |
# Hey, hey, hey, hey | 0:24:03 | 0:24:05 | |
# I was hell | 0:24:21 | 0:24:24 | |
# Sarcastic, silver swell | 0:24:24 | 0:24:27 | |
# That day it rained tough spun | 0:24:28 | 0:24:32 | |
# Hard won | 0:24:32 | 0:24:35 | |
# No ocean flower aquarium | 0:24:35 | 0:24:39 | |
# Bad land | 0:24:39 | 0:24:42 | |
# Give a hand | 0:24:42 | 0:24:44 | |
# Honey dip | 0:24:44 | 0:24:47 | |
# Flim flam, hey, hey | 0:24:47 | 0:24:49 | |
# Hey, hey | 0:24:50 | 0:24:52 | |
# That cat can walk like a big, bad man | 0:24:52 | 0:24:58 | |
-# So happy to show us -# Happy to show us | 0:25:00 | 0:25:02 | |
-# I ate the lotus -# I ate the lotus | 0:25:03 | 0:25:07 | |
-# Say, haven't you noticed? -# Haven't you noticed? | 0:25:08 | 0:25:11 | |
# Huh, huh | 0:25:11 | 0:25:13 | |
# I ate the lotus | 0:25:13 | 0:25:15 | |
# Storefront window, I reflect | 0:25:16 | 0:25:20 | |
# Just last week I was merely heck | 0:25:21 | 0:25:25 | |
# Tilt the scale | 0:25:25 | 0:25:27 | |
# I was hell | 0:25:27 | 0:25:29 | |
# They picked me up | 0:25:29 | 0:25:32 | |
# And then I fell | 0:25:32 | 0:25:33 | |
# Who's this stranger? Crowbar spine. | 0:25:34 | 0:25:39 | |
# Dot, dot, dot and I feel fine | 0:25:39 | 0:25:42 | |
# Let it rain | 0:25:42 | 0:25:44 | |
# Rain, ra-aiiiin | 0:25:44 | 0:25:46 | |
# Bring my happy back again | 0:25:48 | 0:25:52 | |
-# So happy to show us -# Happy to show us | 0:25:53 | 0:25:56 | |
-# I ate the lotus -# I ate the lotus | 0:25:58 | 0:26:00 | |
-# Say, haven't you noticed? -# Haven't you noticed? | 0:26:02 | 0:26:05 | |
-# I ate the lotus -# I ate the lotus | 0:26:07 | 0:26:10 | |
# Huh, huh, huh | 0:26:10 | 0:26:11 | |
# I ate the lotus | 0:26:11 | 0:26:14 | |
# Let it rain | 0:26:32 | 0:26:33 | |
# Rain, rain | 0:26:33 | 0:26:37 | |
# Save me from myself again | 0:26:37 | 0:26:42 | |
# Wash away my ugly sins | 0:26:42 | 0:26:46 | |
# Opposing thumb and dorsal fin | 0:26:46 | 0:26:51 | |
# That monkey died for my grin | 0:26:51 | 0:26:55 | |
# Bring my happy back again Let it rain | 0:26:55 | 0:26:59 | |
# Rain, rain | 0:26:59 | 0:27:04 | |
# Bring my happy back again | 0:27:04 | 0:27:07 | |
-# So happy to show us -# Happy to show us | 0:27:10 | 0:27:13 | |
-# I ate the lotus -# I ate the lotus | 0:27:14 | 0:27:17 | |
-# Say haven't you noticed? -# Haven't you noticed? | 0:27:18 | 0:27:21 | |
-# I ate the lotus -# I ate the lotus | 0:27:23 | 0:27:27 | |
-# I ate the lotus -# I ate the lotus | 0:27:27 | 0:27:30 | |
# Huh-huh | 0:27:30 | 0:27:32 | |
-# I ate the lotus -# I ate the lotus | 0:27:32 | 0:27:34 | |
-# I ate the lotus -# I ate the lotus. # | 0:27:36 | 0:27:38 | |
CHEERING | 0:27:38 | 0:27:40 | |
# Receiving department, 3am | 0:27:49 | 0:27:52 | |
# Staff cuts have sucked up the overage | 0:27:53 | 0:27:57 | |
# Directives are posted No call-backs, complaints | 0:27:57 | 0:28:00 | |
# Everywhere is calm | 0:28:02 | 0:28:05 | |
# Hong Kong is present | 0:28:05 | 0:28:07 | |
# Taipei awakes all talk of circadian rhythm | 0:28:07 | 0:28:13 | |
# I see today with the newsprint fray | 0:28:13 | 0:28:17 | |
# My night is coloured headache grey | 0:28:17 | 0:28:21 | |
# Daysleeper | 0:28:21 | 0:28:23 | |
# Daysleeper | 0:28:25 | 0:28:27 | |
# Daysleeper | 0:28:29 | 0:28:31 | |
# The bull and the bear Are marking their territories | 0:28:38 | 0:28:43 | |
# They're leading the blind With their international glories | 0:28:46 | 0:28:52 | |
# I'm the screen, the blinding light I'm the screen, I work at night | 0:28:54 | 0:29:02 | |
# I see today with the newsprint fray | 0:29:02 | 0:29:06 | |
# My night is coloured headache grey | 0:29:06 | 0:29:10 | |
# Don't wake me | 0:29:10 | 0:29:12 | |
# With so much | 0:29:12 | 0:29:16 | |
# Daysleeper | 0:29:20 | 0:29:22 | |
# I cried the other night | 0:29:29 | 0:29:31 | |
# I can't even say why | 0:29:33 | 0:29:37 | |
# Fluorescent flat, caffeine lights | 0:29:37 | 0:29:42 | |
# It's furious balancing | 0:29:42 | 0:29:45 | |
# I'm the screen, the blinding light | 0:29:45 | 0:29:49 | |
# I'm the screen, I work at night | 0:29:49 | 0:29:53 | |
# I see today with the newsprint fray | 0:29:53 | 0:29:57 | |
# My night is coloured headache grey | 0:29:57 | 0:30:00 | |
# Don't wake me | 0:30:00 | 0:30:03 | |
# With so much | 0:30:03 | 0:30:07 | |
# The ocean machine is set to nine | 0:30:09 | 0:30:13 | |
# I'll squeeze in new heaven and valentine | 0:30:13 | 0:30:16 | |
# My bed is pulling me gravity Daysleeper | 0:30:16 | 0:30:22 | |
# Daysleeper | 0:30:24 | 0:30:26 | |
# Daysleeper | 0:30:28 | 0:30:30 | |
# Daysleeper | 0:30:31 | 0:30:35 | |
# Daysleeper. # | 0:30:36 | 0:30:39 | |
CHEERING | 0:30:45 | 0:30:47 | |
Thank you | 0:30:49 | 0:30:50 | |
MUSIC: "Perfect Circle" | 0:30:54 | 0:30:56 | |
# Put your hair back | 0:31:00 | 0:31:02 | |
# We get to leave | 0:31:04 | 0:31:06 | |
# 11 gallows | 0:31:08 | 0:31:11 | |
# On your sleeve | 0:31:12 | 0:31:15 | |
# Shallow figure | 0:31:16 | 0:31:19 | |
# Winner's gain | 0:31:21 | 0:31:23 | |
# 11 shadows | 0:31:25 | 0:31:28 | |
# Way out of place | 0:31:28 | 0:31:35 | |
# Standing too soon Shoulders high in the room | 0:31:39 | 0:31:47 | |
# Standing too soon Shoulders high in the room | 0:31:47 | 0:31:54 | |
# Standing too soon Shoulders high in the room | 0:31:55 | 0:32:02 | |
# Pull your dress on | 0:32:07 | 0:32:10 | |
# And stay real close | 0:32:10 | 0:32:13 | |
# Who might leave you? | 0:32:15 | 0:32:17 | |
# Where I left off | 0:32:19 | 0:32:21 | |
# A perfect circle of acquaintances and friends | 0:32:23 | 0:32:30 | |
# Drink another | 0:32:31 | 0:32:34 | |
# Coin a phrase | 0:32:35 | 0:32:41 | |
# Standing too soon Shoulders high in the room | 0:32:45 | 0:32:52 | |
# Standing too soon Shoulders high in the room | 0:32:52 | 0:33:00 | |
# Standing too soon Shoulders high in the room | 0:33:00 | 0:33:08 | |
# Try to win | 0:33:16 | 0:33:18 | |
# It suits your needs | 0:33:20 | 0:33:22 | |
# Speak out sometimes | 0:33:24 | 0:33:28 | |
# And try to win | 0:33:28 | 0:33:33 | |
# Aaaah, ooooh | 0:33:33 | 0:33:37 | |
# Heaven assumed Shoulders high in the room | 0:33:38 | 0:33:44 | |
# Heaven assumed Shoulders high in the room | 0:33:46 | 0:33:53 | |
# Standing too soon Shoulders high in the room | 0:33:54 | 0:34:02 | |
# Standing too soon Shoulders high in the room | 0:34:02 | 0:34:10 | |
# Standing too soon Shoulders high in the room | 0:34:10 | 0:34:17 | |
# Standing too soon | 0:34:18 | 0:34:22 | |
# Ooooh, ooh | 0:34:22 | 0:34:27 | |
# Oooooh, ooh. # | 0:34:28 | 0:34:33 | |
CHEERING | 0:34:46 | 0:34:47 | |
Welcome to the wonderful world of Later. | 0:34:47 | 0:34:50 | |
A world full of extraordinary talent. | 0:34:50 | 0:34:52 | |
Let's begin in this corner. | 0:34:52 | 0:34:55 | |
We welcome R.E.M. | 0:34:55 | 0:34:57 | |
CHEERING | 0:34:57 | 0:34:59 | |
MUSIC: "Imitation Of Life" | 0:35:00 | 0:35:03 | |
# Charades pop skill Water hyacinth | 0:35:15 | 0:35:21 | |
# Named by a poet | 0:35:21 | 0:35:23 | |
# Imitation of life | 0:35:23 | 0:35:26 | |
# Like a coy in a frozen pond Like a goldfish in a bowl | 0:35:30 | 0:35:38 | |
# I don't want to hear you cry | 0:35:38 | 0:35:45 | |
# That sugar cane that tasted good | 0:35:45 | 0:35:48 | |
# That cinnamon, that's Hollywood Come on, come on | 0:35:48 | 0:35:54 | |
# No-one can see you try | 0:35:54 | 0:35:59 | |
# You want the greatest thing | 0:36:03 | 0:36:05 | |
# The greatest thing since bread came sliced | 0:36:05 | 0:36:09 | |
# You've got it all You've got it sized | 0:36:09 | 0:36:13 | |
# Like a Friday fashion show teenager cruising in the corner | 0:36:16 | 0:36:24 | |
# Trying to look like you don't try | 0:36:25 | 0:36:32 | |
# That sugar cane that tasted good | 0:36:32 | 0:36:36 | |
# That's cinnamon, that's Hollywood | 0:36:36 | 0:36:39 | |
# Come on, come on No-one can see you cry | 0:36:39 | 0:36:46 | |
# No-one can see you cry | 0:37:00 | 0:37:08 | |
# That sugar cane that tasted good | 0:37:09 | 0:37:12 | |
# That's freezing rain That's what you could | 0:37:12 | 0:37:16 | |
# Come on, come on No-one can see you cry | 0:37:16 | 0:37:22 | |
# This sugar cane, this lemonade This hurricane, I'm not afraid | 0:37:25 | 0:37:32 | |
# Come on, come on No-one can see me cry | 0:37:32 | 0:37:39 | |
# This lightening storm This tidal wave | 0:37:40 | 0:37:43 | |
# This avalanche, I'm not afraid | 0:37:43 | 0:37:47 | |
# Come on, come on No-one can see me cry | 0:37:47 | 0:37:54 | |
# That sugar cane that tasted good | 0:37:54 | 0:37:57 | |
# That's who you are That's what you could | 0:37:57 | 0:38:01 | |
# Come on, come on No-one can see you try | 0:38:01 | 0:38:07 | |
# That sugar cane that tasted good | 0:38:07 | 0:38:11 | |
# That's who you are That's what you could | 0:38:11 | 0:38:14 | |
# Come on, come on No-one can see you try. # | 0:38:14 | 0:38:22 | |
CHEERING | 0:38:26 | 0:38:28 | |
MUSIC: "All The Way To Reno" | 0:38:33 | 0:38:36 | |
# Humming | 0:38:38 | 0:38:39 | |
# All the way to Reno | 0:38:39 | 0:38:42 | |
# You dusted the non-believers | 0:38:44 | 0:38:48 | |
# And challenged the laws of chance | 0:38:48 | 0:38:51 | |
# Now, sweet | 0:38:54 | 0:38:56 | |
# You're so sugar sweet | 0:38:56 | 0:38:59 | |
# You may as well have had kicked me | 0:38:59 | 0:39:04 | |
# Listened honestly | 0:39:04 | 0:39:08 | |
# You know what you are You're gonna be a star | 0:39:11 | 0:39:18 | |
# You know what you are You're gonna be a star | 0:39:19 | 0:39:26 | |
# Wing is written on your feet | 0:39:27 | 0:39:32 | |
# Your Achilles heel | 0:39:34 | 0:39:37 | |
# Is a tendency | 0:39:37 | 0:39:40 | |
# To dream | 0:39:43 | 0:39:45 | |
# But you've known that from the beginning | 0:39:46 | 0:39:50 | |
# You didn't have to go so far | 0:39:50 | 0:39:54 | |
# You didn't have to go | 0:39:54 | 0:39:57 | |
# You know what you are You're gonna be a star | 0:40:00 | 0:40:07 | |
# You know what you are You're gonna be a star | 0:40:09 | 0:40:15 | |
# You know who you are | 0:40:17 | 0:40:21 | |
# You know who you are | 0:40:21 | 0:40:25 | |
# You know who you are, oh, are | 0:40:25 | 0:40:32 | |
# Humming | 0:40:41 | 0:40:43 | |
# All the way to Reno | 0:40:43 | 0:40:46 | |
# You've written your own directions | 0:40:48 | 0:40:52 | |
# And whistled the rules of change | 0:40:52 | 0:40:54 | |
# You know what you are You're gonna be a star | 0:40:58 | 0:41:05 | |
# You know what you are You're gonna be a star | 0:41:06 | 0:41:14 | |
# You know what you are You're gonna be a star | 0:41:14 | 0:41:21 | |
# You know what you are You're gonna be a star | 0:41:23 | 0:41:31 | |
# Humming | 0:41:31 | 0:41:33 | |
# All the way to Reno | 0:41:33 | 0:41:35 | |
# All the way to Reno | 0:41:37 | 0:41:40 | |
# All the way to Reno | 0:41:41 | 0:41:44 | |
# You're gonna be a star, you are | 0:41:45 | 0:41:49 | |
# You're gonna be a star | 0:41:49 | 0:41:53 | |
# You're gonna be a star, you are | 0:41:53 | 0:41:58 | |
# You're gonna be a star | 0:41:58 | 0:42:01 | |
# You're gonna be a star, you are | 0:42:01 | 0:42:06 | |
# You're gonna be a star. # | 0:42:06 | 0:42:11 | |
CHEERING | 0:42:11 | 0:42:13 | |
Music, now, from a band who've established themselves | 0:42:13 | 0:42:16 | |
as one of the most popular rock groups in the world. | 0:42:16 | 0:42:18 | |
Welcome, please, R.E.M. | 0:42:18 | 0:42:20 | |
CHEERING AND APPLAUSE | 0:42:20 | 0:42:24 | |
MUSIC: "Bad Day" | 0:42:30 | 0:42:32 | |
# A public service announcement followed me home the other day | 0:42:34 | 0:42:39 | |
# I paid it never mind, go away | 0:42:39 | 0:42:44 | |
# Shit so thick you can stir it with a stick-free Teflon | 0:42:45 | 0:42:48 | |
# Whitewashed presidency | 0:42:48 | 0:42:49 | |
# We're sick of being jerked around | 0:42:49 | 0:42:52 | |
# Wear that on your sleeve | 0:42:52 | 0:42:54 | |
# Broadcast me a joyful noise Unto the times, Lord | 0:42:54 | 0:42:59 | |
# Count your blessings | 0:42:59 | 0:43:00 | |
# We're sick of being jerked around We all fall down | 0:43:00 | 0:43:06 | |
# Have you ever seen the televised St Vitus subcommittee prize | 0:43:06 | 0:43:11 | |
# Investigation dance Those ants in pants glances | 0:43:11 | 0:43:16 | |
# Well, look behind the eyes | 0:43:16 | 0:43:18 | |
# It's a hallowed, hollow anaesthetised | 0:43:18 | 0:43:21 | |
# Save my own ass, screw these guys | 0:43:21 | 0:43:23 | |
# Smoke and mirror lock down | 0:43:23 | 0:43:26 | |
# Broadcast me a joyful noise Unto the times, Lord | 0:43:26 | 0:43:30 | |
# Count your blessings | 0:43:30 | 0:43:31 | |
# The papers wouldn't lie I sigh, not one more | 0:43:31 | 0:43:37 | |
# It's been a bad day Please don't take our picture | 0:43:37 | 0:43:42 | |
# It's been a bad day, please | 0:43:42 | 0:43:47 | |
# It's been a bad day Please don't take our picture | 0:43:47 | 0:43:52 | |
# It's been a bad day, please | 0:43:52 | 0:43:57 | |
# We're dug in deep The price is steep | 0:43:57 | 0:44:00 | |
# The auctioneer is such a creep | 0:44:00 | 0:44:02 | |
# The lights went out The oil ran dry | 0:44:02 | 0:44:05 | |
# We blamed it on the other guy | 0:44:05 | 0:44:07 | |
# Sure, all men are created equal Here's a church, here's a steeple | 0:44:07 | 0:44:12 | |
# Please stay tuned, we cut to sequel Ashes, ashes, we all fall down | 0:44:12 | 0:44:17 | |
# Broadcast me a joyful noise Unto the times, Lord | 0:44:17 | 0:44:21 | |
# Count your blessings | 0:44:21 | 0:44:22 | |
# Ignore the lower fear Oh, this means war | 0:44:22 | 0:44:27 | |
# It's been a bad day Please don't take our picture | 0:44:27 | 0:44:33 | |
# It's been a bad day, please | 0:44:33 | 0:44:38 | |
# It's been a bad day Please don't take our picture | 0:44:38 | 0:44:42 | |
# It's been a bad day, please | 0:44:42 | 0:44:48 | |
# I saw the light, it can't be right | 0:45:00 | 0:45:04 | |
# Broadcast me a joyful noise Unto the times, Lord | 0:45:10 | 0:45:14 | |
# Count your blessings | 0:45:14 | 0:45:16 | |
# We're sick of being jerked around | 0:45:16 | 0:45:19 | |
# We all fall down | 0:45:19 | 0:45:21 | |
# It's been a bad day Please don't take our picture | 0:45:21 | 0:45:26 | |
# It's been a bad day, please | 0:45:26 | 0:45:31 | |
# It's been a bad day Please don't take our picture | 0:45:31 | 0:45:36 | |
# It's been a bad day, please | 0:45:36 | 0:45:41 | |
# It's been a bad day Please don't take our picture | 0:45:41 | 0:45:45 | |
# It's been a bad day, please | 0:45:45 | 0:45:50 | |
# It's been a bad day Please don't take our picture | 0:45:50 | 0:45:55 | |
# It's been a bad day, please | 0:45:55 | 0:46:01 | |
-# Do-do do do-doo-ooo -# Oh oh ooh | 0:46:01 | 0:46:06 | |
-# Do-do do-do do-ooo -# Oh oh ooh | 0:46:06 | 0:46:09 | |
-# Do-do do-do do-ooh -# Oh oh oooh | 0:46:11 | 0:46:15 | |
-# Do-do do-do do-oooh -# Oh oh ooh. # | 0:46:15 | 0:46:23 | |
CHEERING | 0:46:27 | 0:46:28 | |
This record that you have at the moment | 0:46:28 | 0:46:31 | |
has 15 years of fantastic material? | 0:46:31 | 0:46:34 | |
In 15 years time, what would you like to be doing then, do you think? | 0:46:34 | 0:46:38 | |
-15 years from now? -Yeah. -Er. -Sitting on a beach in the Caribbean. | 0:46:38 | 0:46:42 | |
-I'll take that. -I'd do that next week. | 0:46:42 | 0:46:45 | |
-I don't have to wait 15 years for that. -Yeah, OK. | 0:46:46 | 0:46:49 | |
Good. OK, in a moment, you're going to play Nightswimming. | 0:46:49 | 0:46:52 | |
-What inspired Nightswimming? -Nightswimming. -Yeah. | 0:46:52 | 0:46:55 | |
-Where did you go for your nightswimming? -Er, in Georgia. | 0:46:55 | 0:46:58 | |
-Outside of Athens, Georgia. -Ah. | 0:46:58 | 0:47:00 | |
People didn't have a real lot of money and there wasn't much to do. | 0:47:00 | 0:47:04 | |
So, everyone would go out and have drinks and head to the swimming pool. | 0:47:04 | 0:47:07 | |
That's really what this song is about. | 0:47:07 | 0:47:09 | |
I'm delighted to give you my piano. | 0:47:09 | 0:47:11 | |
-I want you to just have that and do it. -Thank you. | 0:47:11 | 0:47:13 | |
# Nightswimming | 0:47:21 | 0:47:23 | |
# Deserves a quiet night | 0:47:23 | 0:47:26 | |
# The photograph on the dashboard Taken years ago | 0:47:33 | 0:47:40 | |
# Turned around backwards so the windshield shows | 0:47:42 | 0:47:46 | |
# Every streetlight reveals a picture in reverse | 0:47:46 | 0:47:54 | |
# Still it's so much clearer | 0:47:55 | 0:47:59 | |
# I forgot my shirt At the water's edge | 0:48:00 | 0:48:07 | |
# The moon is low tonight | 0:48:07 | 0:48:11 | |
# Nightswimming Deserves a quiet night | 0:48:24 | 0:48:30 | |
# I'm not sure all these people understand | 0:48:32 | 0:48:39 | |
# It's not like years ago | 0:48:39 | 0:48:43 | |
# The fear of getting caught | 0:48:44 | 0:48:46 | |
# Of recklessness and water | 0:48:48 | 0:48:52 | |
# They cannot see me naked | 0:48:52 | 0:48:57 | |
# These things, they go away | 0:48:57 | 0:49:01 | |
# Replaced by every day | 0:49:02 | 0:49:06 | |
# Nightswimming Remembering that night | 0:49:06 | 0:49:13 | |
# September's coming soon | 0:49:13 | 0:49:17 | |
# I'm pining for the moon | 0:49:18 | 0:49:22 | |
# And what if there were two Side by side in orbit | 0:49:22 | 0:49:29 | |
# Around the fairest sun? | 0:49:29 | 0:49:33 | |
# That bright, tight forever drum | 0:49:34 | 0:49:38 | |
# Could not describe | 0:49:38 | 0:49:40 | |
# Nightswimming | 0:49:40 | 0:49:42 | |
# You, I thought I knew you | 0:50:09 | 0:50:12 | |
# You I cannot judge | 0:50:14 | 0:50:17 | |
# You, I thought you knew me | 0:50:18 | 0:50:21 | |
# This one laughing quietly | 0:50:21 | 0:50:25 | |
# Underneath my breath | 0:50:26 | 0:50:30 | |
# Nightswimming | 0:50:31 | 0:50:34 | |
# The photograph reflects | 0:50:37 | 0:50:40 | |
# Every streetlight a reminder | 0:50:40 | 0:50:45 | |
# Nightswimming Deserves a quiet night | 0:50:45 | 0:50:52 | |
# Deserves a quiet night. # | 0:50:57 | 0:51:01 | |
CHEERING AND APPLAUSE | 0:51:35 | 0:51:38 | |
With me, in the studio, are Michael Stipe and Mike Mills. | 0:51:40 | 0:51:44 | |
Why have you decided to get involved | 0:51:44 | 0:51:45 | |
in this particular presidential election? | 0:51:45 | 0:51:48 | |
I mean, you know, you've been around for a bit | 0:51:48 | 0:51:50 | |
and you've seen presidential elections come and go. | 0:51:50 | 0:51:53 | |
This one has really got you going. | 0:51:53 | 0:51:56 | |
Well, you know, we've been around since Nixon | 0:51:56 | 0:51:58 | |
and that was a scary one. | 0:51:58 | 0:52:01 | |
And, er, nothing less than the fate and future of the United States | 0:52:01 | 0:52:05 | |
of America is at stake here and we feel it very keenly. | 0:52:05 | 0:52:09 | |
And we just, we don't feel any way that we could sit aside | 0:52:09 | 0:52:13 | |
and not say something about this. | 0:52:13 | 0:52:14 | |
# It's quiet now | 0:52:14 | 0:52:17 | |
# And what it brings is everything | 0:52:17 | 0:52:22 | |
# Comes calling back | 0:52:25 | 0:52:27 | |
# A brilliant night | 0:52:27 | 0:52:30 | |
# I'm still awake | 0:52:30 | 0:52:32 | |
# I've looked ahead I'm sure I saw you there | 0:52:35 | 0:52:41 | |
# You don't need me to tell you now | 0:52:45 | 0:52:50 | |
# That nothing can compare | 0:52:50 | 0:52:54 | |
# You might have laughed if I told you | 0:52:56 | 0:52:59 | |
# You might have hidden the frown | 0:53:01 | 0:53:04 | |
# You might have succeeded in changing me | 0:53:06 | 0:53:09 | |
# It's pulling me apart | 0:53:09 | 0:53:11 | |
-# I might have been turned around -# Changed | 0:53:11 | 0:53:16 | |
# It's easier to leave than to be left behind | 0:53:16 | 0:53:21 | |
# Leaving was never my proud | 0:53:21 | 0:53:25 | |
-# Leaving New York, never easy -# It's pulling me apart | 0:53:27 | 0:53:32 | |
# I saw the light fading out | 0:53:32 | 0:53:35 | |
# You find it in your heart It's pulling me apart | 0:53:43 | 0:53:47 | |
# You find it in your heart | 0:53:48 | 0:53:51 | |
# I told you forever I'd love you forever | 0:53:52 | 0:53:57 | |
# I told you, I love you I love you forever | 0:53:57 | 0:54:02 | |
# I told you forever I'd love you forever | 0:54:02 | 0:54:08 | |
# I told you, I love you I love you forever | 0:54:08 | 0:54:12 | |
# You never, you never You told me forever | 0:54:13 | 0:54:17 | |
# It's pulling me apart | 0:54:17 | 0:54:22 | |
# You might have succeeded in changing me | 0:54:24 | 0:54:29 | |
# I might have been turned around | 0:54:29 | 0:54:31 | |
# It's easier to leave than to be left behind | 0:54:34 | 0:54:38 | |
# Leaving was never my proud | 0:54:38 | 0:54:43 | |
-# Leaving New York, never easy -# It's pulling me apart | 0:54:43 | 0:54:49 | |
# I saw the light fading out | 0:54:49 | 0:54:53 | |
# Changed. # | 0:54:53 | 0:54:54 | |
CHEERING | 0:55:01 | 0:55:03 | |
Thank you. | 0:55:07 | 0:55:09 | |
To be onstage with Michael and Peter and Bill, | 0:55:09 | 0:55:10 | |
which will probably never happen again. | 0:55:10 | 0:55:13 | |
That's just... That's sad. | 0:55:13 | 0:55:14 | |
-I mean, that's like, it's like losing a limb. -Yeah. -And, um, and... | 0:55:14 | 0:55:18 | |
But at the same time, you know, it's, | 0:55:18 | 0:55:21 | |
it's the choice you have to make. | 0:55:21 | 0:55:22 | |
I just went to the bathroom, here, between questions, | 0:55:22 | 0:55:25 | |
and was singing the chorus to Hallelujah in the bathroom | 0:55:25 | 0:55:29 | |
cos it's beautiful acoustics. | 0:55:29 | 0:55:30 | |
And all I could hear was his vocal above mine. | 0:55:30 | 0:55:32 | |
Which, of course, wasn't there, except in my head. | 0:55:32 | 0:55:36 | |
I will really miss that. | 0:55:36 | 0:55:37 | |
MUSIC: "The One I Love" | 0:55:37 | 0:55:40 | |
# This one goes out to the one I love | 0:55:51 | 0:55:56 | |
# This one goes out to the one I've left behind | 0:55:58 | 0:56:04 | |
# A simple prop | 0:56:05 | 0:56:08 | |
# To occupy my time | 0:56:08 | 0:56:12 | |
# This one goes out to the one I love | 0:56:12 | 0:56:16 | |
-# Fire -# She's coming down on her own now | 0:56:18 | 0:56:25 | |
-# Fire -Coming down on her own | 0:56:25 | 0:56:31 | |
# This one goes out to the one I love | 0:56:31 | 0:56:36 | |
# This one goes out to the one I've left behind | 0:56:38 | 0:56:44 | |
# A simple prop | 0:56:46 | 0:56:48 | |
# To occupy my time | 0:56:48 | 0:56:52 | |
# This one goes out to the one I love | 0:56:52 | 0:56:56 | |
-# Fire -She's coming down on her own now | 0:56:58 | 0:57:05 | |
-# Fire -Coming down on her own | 0:57:05 | 0:57:12 | |
# This one goes out to the one I love | 0:57:25 | 0:57:29 | |
# This one goes to the one I've left behind | 0:57:31 | 0:57:38 | |
# Another prop | 0:57:39 | 0:57:41 | |
# Has occupied my time | 0:57:41 | 0:57:45 | |
# This one goes out to the one I love | 0:57:45 | 0:57:49 | |
-# Fire -Coming down on her own now | 0:57:52 | 0:57:57 | |
-# Fire -Coming down on her own | 0:57:58 | 0:58:04 | |
-# Fire -She's coming down on her own now | 0:58:04 | 0:58:11 | |
-# Fire -Coming down on her own. # | 0:58:11 | 0:58:18 | |
CHEERING AND APPLAUSE | 0:58:27 | 0:58:31 |