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In this programme we're going to delve into it treasure trove | 0:00:27 | 0:00:31 | |
filled with some of the best loved pieces of music | 0:00:31 | 0:00:33 | |
by British composers. | 0:00:33 | 0:00:35 | |
Works performed at London's Royal Albert Hall for the BBC Proms. | 0:00:35 | 0:00:39 | |
To start, the most famous work by George Frideric Handel. | 0:00:39 | 0:00:43 | |
Though German by birth, | 0:00:43 | 0:00:44 | |
he took up permanent residence in London in 1712. | 0:00:44 | 0:00:48 | |
His anthem Zadok The Priest was first heard in Westminster Abbey | 0:00:48 | 0:00:52 | |
at the coronation of George II in 1727 | 0:00:52 | 0:00:55 | |
and has been performed at every coronation since | 0:00:55 | 0:00:58 | |
at the moment of the sovereign's anointing. | 0:00:58 | 0:01:01 | |
# Zadok the priest | 0:02:40 | 0:02:48 | |
# And Nathan the Prophet | 0:02:48 | 0:02:56 | |
# Anointed Solomon King | 0:02:56 | 0:03:10 | |
# And all the people rejoiced | 0:03:12 | 0:03:16 | |
# Rejoiced | 0:03:18 | 0:03:19 | |
# Rejoiced | 0:03:21 | 0:03:22 | |
# And all the people rejoiced | 0:03:22 | 0:03:27 | |
# Rejoiced | 0:03:29 | 0:03:30 | |
# Rejoiced | 0:03:31 | 0:03:33 | |
# Rejoiced | 0:03:34 | 0:03:36 | |
# Rejoiced | 0:03:37 | 0:03:38 | |
# Rejoiced | 0:03:39 | 0:03:41 | |
# And all the people rejoiced | 0:03:41 | 0:03:46 | |
# Rejoiced | 0:03:47 | 0:03:49 | |
# Rejoiced and said | 0:03:50 | 0:03:57 | |
# God save the King! | 0:03:58 | 0:04:01 | |
# Long Live the King! | 0:04:01 | 0:04:04 | |
# God Save the King | 0:04:04 | 0:04:06 | |
# May the King live for ever | 0:04:06 | 0:04:10 | |
# Amen, Amen, Alleluia | 0:04:10 | 0:04:13 | |
# Alleluia, Amen | 0:04:13 | 0:04:15 | |
# Amen | 0:04:15 | 0:04:22 | |
# Amen, Amen, Alleluia, Amen | 0:04:23 | 0:04:27 | |
# God save the King | 0:04:37 | 0:04:39 | |
# Long live the King | 0:04:39 | 0:04:42 | |
# May the King live for ever | 0:04:42 | 0:04:46 | |
# Amen, Amen, Alleluia | 0:04:46 | 0:04:48 | |
# Alleluia, Amen | 0:04:48 | 0:04:50 | |
# Amen | 0:04:50 | 0:04:56 | |
# May the King live | 0:04:56 | 0:04:58 | |
# May the King live | 0:04:58 | 0:05:00 | |
# For ever, for ever | 0:05:00 | 0:05:02 | |
# For ever, Amen, Amen | 0:05:02 | 0:05:05 | |
# Alleluia, Alleluia, Amen | 0:05:05 | 0:05:08 | |
# Amen | 0:05:08 | 0:05:12 | |
# Alleluia, Alleluia, Amen | 0:05:14 | 0:05:19 | |
# Amen, Amen | 0:05:19 | 0:05:22 | |
# Amen, Amen | 0:05:22 | 0:05:24 | |
# Alleluia, Alleluia, Alleluia, Amen | 0:05:24 | 0:05:28 | |
# Long live the King | 0:05:33 | 0:05:35 | |
# God save the King | 0:05:35 | 0:05:38 | |
# Long live the King | 0:05:38 | 0:05:40 | |
# May the King live | 0:05:40 | 0:05:42 | |
# May the King live | 0:05:42 | 0:05:44 | |
# For ever | 0:05:44 | 0:05:46 | |
# For ever, for ever | 0:05:46 | 0:05:49 | |
# Amen, Amen | 0:05:49 | 0:05:50 | |
# Alleluia, Alleluia, Amen | 0:05:50 | 0:05:53 | |
# Amen | 0:05:53 | 0:05:57 | |
# Amen, Amen | 0:05:57 | 0:06:05 | |
# Amen | 0:06:05 | 0:06:07 | |
# Amen, Alleluia, Amen | 0:06:07 | 0:06:09 | |
# Alleluia, Amen, Alleluia | 0:06:09 | 0:06:13 | |
# Alleluia. # | 0:06:13 | 0:06:24 | |
APPLAUSE | 0:06:24 | 0:06:26 | |
Harry Christophers conducting The Sixteen | 0:06:26 | 0:06:29 | |
and The Orchestra of The Sixteen | 0:06:29 | 0:06:31 | |
and the Coronation anthem Zadok The Priest by Handel. | 0:06:31 | 0:06:35 | |
The best-known aria from Henry Purcell's opera Dido and Aeneas | 0:06:36 | 0:06:40 | |
is sung by Dido Queen of Carthage. | 0:06:40 | 0:06:43 | |
When she's abandoned by her lover, the Trojan hero Aeneas, | 0:06:43 | 0:06:46 | |
Dido prepares the death and sings When I Am Laid In Earth. | 0:06:46 | 0:06:51 | |
Sarah Connolly, at the Last Night of The Proms in 2009, | 0:06:51 | 0:06:55 | |
sings Dido's Lament. | 0:06:55 | 0:06:57 | |
# Thy hand Belinda | 0:07:02 | 0:07:09 | |
# Darkness shades me | 0:07:09 | 0:07:20 | |
# On thy bosom let me rest | 0:07:20 | 0:07:32 | |
# More I would but Death invades me | 0:07:33 | 0:07:44 | |
# Death is now a welcome guest | 0:07:44 | 0:07:58 | |
# When I am laid | 0:08:12 | 0:08:18 | |
# Am laid in earth | 0:08:18 | 0:08:25 | |
# May my wrongs create | 0:08:25 | 0:08:33 | |
# No trouble | 0:08:33 | 0:08:37 | |
# No trouble in thy breast | 0:08:37 | 0:08:45 | |
# When I am laid | 0:08:49 | 0:08:56 | |
# Am laid in earth | 0:08:56 | 0:09:03 | |
# May my wrongs create | 0:09:03 | 0:09:11 | |
# No trouble | 0:09:11 | 0:09:16 | |
# No trouble in thy breast | 0:09:16 | 0:09:24 | |
# Remember me | 0:09:28 | 0:09:34 | |
# Remember me | 0:09:35 | 0:09:42 | |
# But ah! Forget my fate | 0:09:43 | 0:09:54 | |
# Remember me | 0:09:54 | 0:10:00 | |
# But ah! Forget my fate | 0:10:00 | 0:10:12 | |
# Remember me | 0:10:13 | 0:10:16 | |
# Remember me | 0:10:21 | 0:10:25 | |
# But ah! Forget my fate | 0:10:25 | 0:10:36 | |
# Remember me | 0:10:37 | 0:10:42 | |
# But ah! Forget my fate. # | 0:10:42 | 0:10:58 | |
APPLAUSE | 0:11:39 | 0:11:41 | |
Sarah Connolly and the BBC Symphony Orchestra | 0:11:41 | 0:11:43 | |
conducted by David Robertson. | 0:11:43 | 0:11:45 | |
Dido's Lament by Henry Purcell. | 0:11:45 | 0:11:47 | |
Benjamin Britten, | 0:11:49 | 0:11:50 | |
the greatest home-grown composer of the 20th century, | 0:11:50 | 0:11:53 | |
used a theme by Purcell in his Young Person's Guide To The Orchestra, | 0:11:53 | 0:11:57 | |
which he was commissioned to write for an education film. | 0:11:57 | 0:12:00 | |
As the work progresses, | 0:12:00 | 0:12:02 | |
the various sections of the orchestra demonstrate the sound they produce | 0:12:02 | 0:12:05 | |
and then, at the end, they come together as one musical unit. | 0:12:05 | 0:12:09 | |
Here's Purcell's opening theme and then the dramatic finale. | 0:12:09 | 0:12:13 | |
CHEERING AND APPLAUSE | 0:16:41 | 0:16:42 | |
The climax of Britten's Young Person's Guide To The Orchestra | 0:16:42 | 0:16:45 | |
played by the BBC Symphony Orchestra, | 0:16:45 | 0:16:47 | |
conducted by Edward Gardner. | 0:16:47 | 0:16:50 | |
We look to the heavens next in Gustav Holst's Planets suite, | 0:16:50 | 0:16:54 | |
by far his best known work. | 0:16:54 | 0:16:56 | |
This is Jupiter the Bringer of Jollity, | 0:16:56 | 0:16:59 | |
which, at its heart, has the melody Holst also used | 0:16:59 | 0:17:02 | |
for the patriotic song I Vow To Thee My Country. | 0:17:02 | 0:17:06 | |
APPLAUSE | 0:24:53 | 0:24:54 | |
The BBC Symphony Orchestra, conducted by Leonard Slatkin, | 0:24:54 | 0:24:57 | |
playing Jupiter from The Planets, by Holst. | 0:24:57 | 0:25:00 | |
In Victorian times, WS Gilbert and Sir Arthur Sullivan | 0:25:00 | 0:25:04 | |
were masters at uniting words and music | 0:25:04 | 0:25:08 | |
in a comic and often highly entertaining way. | 0:25:08 | 0:25:11 | |
Their skill brought them enormous success. | 0:25:11 | 0:25:13 | |
This is a number from their Japanese inspired operetta Mikado | 0:25:13 | 0:25:18 | |
with contemporary words for the Last Night of the Proms in 2004. | 0:25:18 | 0:25:23 | |
Sir Thomas Allen has a "little list". | 0:25:23 | 0:25:25 | |
# As someday it may happen That a victim must be found | 0:25:28 | 0:25:32 | |
# I've got a little list I've got a little list | 0:25:32 | 0:25:35 | |
# Of society offenders Who may well be underground | 0:25:35 | 0:25:38 | |
# And who never would be missed They never would be missed | 0:25:38 | 0:25:42 | |
# There's pestilential nuisances Who write for autographs | 0:25:42 | 0:25:45 | |
# Or people who have flabby hands And irritating laughs | 0:25:45 | 0:25:49 | |
# Or children who won't speak Without a Walkman on their head | 0:25:49 | 0:25:52 | |
# But can e-mail, text and download Without getting out of bed | 0:25:52 | 0:25:56 | |
LAUGHTER | 0:25:56 | 0:25:58 | |
# And violinists who on wearing wet T-shirts insist | 0:25:58 | 0:26:02 | |
LAUGHTER | 0:26:02 | 0:26:04 | |
# They'd none of them be missed They'd none of them been missed | 0:26:04 | 0:26:07 | |
# He's got them on a list He's got them on a list | 0:26:07 | 0:26:11 | |
# And they'll none of them be missed They'll none of them be missed | 0:26:11 | 0:26:15 | |
# For purists who insist that Piano music stops that Brahms | 0:26:16 | 0:26:19 | |
# I've got a little list I'll make them sit through Liszt | 0:26:19 | 0:26:24 | |
LAUGHTER | 0:26:24 | 0:26:25 | |
# Butlers who up sticks For the American selling her charms | 0:26:25 | 0:26:29 | |
# Who never will be missed He'll certainly be missed | 0:26:29 | 0:26:33 | |
AUDIENCE: Ahh! | 0:26:33 | 0:26:34 | |
Ah! | 0:26:34 | 0:26:35 | |
# And pianists who retire from playing long before they're due | 0:26:35 | 0:26:39 | |
# And merely for the reason that their bus pass has come through | 0:26:39 | 0:26:43 | |
LAUGHTER | 0:26:43 | 0:26:45 | |
# And the mad men whose subject us to the whole of Wagner's Ring | 0:26:46 | 0:26:50 | |
# Scored for rattle, sackbut, viol, kazoo and all that kind of thing | 0:26:50 | 0:26:55 | |
LAUGHTER | 0:26:55 | 0:26:56 | |
# And the Prommers who can't stand up straight | 0:26:57 | 0:27:00 | |
# Because there are always p... | 0:27:00 | 0:27:02 | |
CHEERING, LAUGHTER AND APPLAUSE | 0:27:02 | 0:27:06 | |
# ..partying! | 0:27:10 | 0:27:12 | |
LAUGHTER | 0:27:12 | 0:27:13 | |
# Who have a little list I've got you on the list | 0:27:13 | 0:27:18 | |
# He's got them on the list He's got them on the list | 0:27:18 | 0:27:21 | |
# And they'll none of them be missed They'll none of them be missed | 0:27:21 | 0:27:25 | |
# And that nisi prius nuisance Who just now is rather rife | 0:27:25 | 0:27:30 | |
# The judicial humorist Lord Hutton's on the list | 0:27:30 | 0:27:33 | |
LAUGHTER | 0:27:33 | 0:27:35 | |
CHEERING AND APPLAUSE | 0:27:36 | 0:27:38 | |
# All funny fellows, comic men And clowns of private life | 0:27:44 | 0:27:48 | |
# They'd none of them he missed They'd none of them been missed | 0:27:48 | 0:27:52 | |
# And apologetic statesman Of a compromising kind | 0:27:52 | 0:27:55 | |
# Such as what d'you call him, thing-a-me-bob | 0:27:55 | 0:27:58 | |
# And likewise, never mind | 0:27:58 | 0:28:01 | |
# And sl... What's-his-name And also you-know-who | 0:28:01 | 0:28:07 | |
# The task of filling out the blanks I'd rather leave to you | 0:28:07 | 0:28:11 | |
Where do you begin? | 0:28:12 | 0:28:14 | |
LAUGHTER | 0:28:14 | 0:28:16 | |
# But it really doesn't matter Whom you put upon the list | 0:28:16 | 0:28:21 | |
# For they'd none of them be missed They'd NONE of them being missed! | 0:28:21 | 0:28:25 | |
# You may put them on the list You may put them on the list | 0:28:25 | 0:28:28 | |
# And they'll none of them be missed They'll none of them be missed. # | 0:28:28 | 0:28:32 | |
APPLAUSE | 0:28:37 | 0:28:39 | |
The BBC Symphony Orchestra and chorus and Sir Thomas Allen, | 0:28:39 | 0:28:41 | |
conducted by Leonard Slatkin in the Mikado by Gilbert and Sullivan. | 0:28:41 | 0:28:47 | |
A complete change of mood now | 0:28:48 | 0:28:49 | |
as we hear from Edward Elgar's Enigma Variations. | 0:28:49 | 0:28:53 | |
Nimrod is often heard as a piece in its own right, | 0:28:53 | 0:28:56 | |
especially on solemn occasions, | 0:28:56 | 0:28:57 | |
perhaps most notably at the ceremony at the Cenotaph in London | 0:28:57 | 0:29:01 | |
on Remembrance Sunday. | 0:29:01 | 0:29:02 | |
Nimrod from Elgar's Enigma Variations, | 0:33:13 | 0:33:16 | |
played by the Royal Philharmonic Orchestra, | 0:33:16 | 0:33:18 | |
conducted by Gennadi Rozhdestvensky. | 0:33:18 | 0:33:21 | |
In the aftermath of the First World War, | 0:33:21 | 0:33:23 | |
Elgar reflected musically on the changed world in his Cello Concerto, | 0:33:23 | 0:33:27 | |
it was his last major work. | 0:33:27 | 0:33:29 | |
In the 1960s the piece found new audiences | 0:33:29 | 0:33:31 | |
with the a celebrated recording by Jacqueline du Pre. | 0:33:31 | 0:33:34 | |
We hear the second movement scherzo, played by Paul Watkins. | 0:33:34 | 0:33:38 | |
The scherzo from Elgar's cello Concerto. | 0:36:55 | 0:36:58 | |
Paul Watkins and the BBC Symphony Orchestra, | 0:36:58 | 0:37:00 | |
conducted by Jiri Belohlavek | 0:37:00 | 0:37:03 | |
Along with the great hymn Jerusalem, Elgar's Land of Hope and Glory | 0:37:03 | 0:37:07 | |
has become one of England's unofficial national anthems. | 0:37:07 | 0:37:10 | |
The tune came first, The Pomp and Circumstance March Number One. | 0:37:10 | 0:37:13 | |
The words were added later. | 0:37:13 | 0:37:15 | |
Land of Hope and Glory is a regular part of the Last Night of the Proms, | 0:37:15 | 0:37:18 | |
sung by great gusto by thousands of people in the Royal Albert Hall | 0:37:18 | 0:37:22 | |
and across the road at Hyde Park. | 0:37:22 | 0:37:24 | |
# Land of Hope and Glory Mother of the Free | 0:40:12 | 0:40:23 | |
# How shall we extol thee Who are born of thee? | 0:40:23 | 0:40:33 | |
# Wider still and wider Shall thy bounds be set | 0:40:33 | 0:40:45 | |
# God who made thee mighty Make thee mightier yet | 0:40:45 | 0:40:56 | |
# God who made thee mighty Make thee mightier yet. # | 0:40:56 | 0:41:07 | |
# Land of Hope and Glory Mother of the Free | 0:42:10 | 0:42:22 | |
# How shall we extol thee Who are born of thee? | 0:42:22 | 0:42:34 | |
# Wider still and wider Shall thy bounds be set | 0:42:34 | 0:42:45 | |
# God who made thee mighty Make thee mightier yet | 0:42:45 | 0:42:58 | |
# God who made thee mighty Make thee mightier yet. # | 0:42:58 | 0:43:15 | |
CHEERING AND APPLAUSE | 0:43:22 | 0:43:25 | |
Now, I hope you're having a very nice time, eh? | 0:43:53 | 0:43:56 | |
CHEERING | 0:43:56 | 0:43:57 | |
But, to be honest, | 0:43:57 | 0:43:58 | |
I can't really hear anything above the sound of the two piccolos! | 0:43:58 | 0:44:01 | |
LAUGHTER | 0:44:01 | 0:44:03 | |
You don't, you don't really want to go home | 0:44:04 | 0:44:06 | |
and tell all your friends and family | 0:44:06 | 0:44:08 | |
you mumbled through Land of Hope And Glory, do you? | 0:44:08 | 0:44:10 | |
LAUGHTER | 0:44:10 | 0:44:11 | |
BOOING | 0:44:13 | 0:44:15 | |
# Land of Hope and Glory Mother of the Free | 0:44:33 | 0:44:44 | |
# How shall we extol thee Who are born of thee? | 0:44:44 | 0:44:56 | |
# Wider still and wider Shall thy bounds be set | 0:44:56 | 0:45:07 | |
# God who made thee mighty Make thee mightier yet | 0:45:07 | 0:45:19 | |
# God who made thee mighty Make thee mightier yet. # | 0:45:19 | 0:45:37 | |
CHEERING | 0:45:39 | 0:45:43 | |
CHEERING AND APPLAUSE | 0:45:49 | 0:45:52 | |
Elgar's Pomp and Circumstance March Number One, | 0:45:52 | 0:45:55 | |
conducted by Edward Gardner at the Last Night of the Proms in 2011. | 0:45:55 | 0:46:00 | |
Eric Coates was a great composer of Light Music. | 0:46:00 | 0:46:03 | |
His score the 1955 film The Dam Busters | 0:46:03 | 0:46:07 | |
conjures up the resolve, daring-do and patriotic pride | 0:46:07 | 0:46:11 | |
of one of the greatest operations of the Second World War. | 0:46:11 | 0:46:14 | |
APPLAUSE | 0:49:46 | 0:49:48 | |
John Wilson conducting the BBC Concert Orchestra | 0:49:48 | 0:49:51 | |
in that performance of The Dam Busters by Eric Coates. | 0:49:51 | 0:49:55 | |
Traditional folk tunes have been hugely influential to English music. | 0:49:55 | 0:49:59 | |
At the Last Night of the Proms in 2005 | 0:49:59 | 0:50:01 | |
two of the great artists came together | 0:50:01 | 0:50:04 | |
to perform a famous folksong. | 0:50:04 | 0:50:05 | |
Countertenor Andreas Scholl and guitarist John Williams | 0:50:05 | 0:50:09 | |
had never performed together before. | 0:50:09 | 0:50:11 | |
# Down by the salley gardens | 0:50:25 | 0:50:33 | |
# My love and I did meet | 0:50:33 | 0:50:40 | |
# She passed the salley gardens | 0:50:40 | 0:50:47 | |
# With little snow-white feet | 0:50:47 | 0:50:54 | |
# She bid me take love easy | 0:50:54 | 0:51:02 | |
# As the leaves grow on the tree | 0:51:02 | 0:51:09 | |
# But I being young and foolish | 0:51:09 | 0:51:17 | |
# With her did not agree | 0:51:17 | 0:51:24 | |
# In a field down by the river | 0:51:38 | 0:51:45 | |
# My love and I did stand | 0:51:45 | 0:51:52 | |
# And on my leaning shoulder | 0:51:53 | 0:52:00 | |
# She placed her snow-white hand | 0:52:00 | 0:52:08 | |
# She bid me take life easy | 0:52:08 | 0:52:16 | |
# As the grass grows on the weirs | 0:52:16 | 0:52:23 | |
# But I was young and foolish | 0:52:25 | 0:52:33 | |
# And now I am full of tears | 0:52:34 | 0:52:42 | |
# Down by the salley gardens | 0:52:47 | 0:52:56 | |
# My love and I did meet. # | 0:52:57 | 0:53:10 | |
APPLAUSE | 0:53:12 | 0:53:14 | |
Down By The Sally Garden. | 0:53:14 | 0:53:16 | |
Andreas Scholl and John Williams. | 0:53:16 | 0:53:20 | |
We end this programme of Great British music | 0:53:20 | 0:53:22 | |
with the Hallelujah Chorus from Handel's Messiah. | 0:53:22 | 0:53:25 | |
Often performed on its own, | 0:53:25 | 0:53:27 | |
it's the stirring close of the second part of Handel's oratorio | 0:53:27 | 0:53:31 | |
depicting the coming, life, death and resurrection of Jesus Christ. | 0:53:31 | 0:53:35 | |
The Hallelujah Chorus is probably the most widely performed | 0:53:35 | 0:53:38 | |
and best-known piece of British baroque music. | 0:53:38 | 0:53:40 | |
The English concert is conducted by Trevor Pinnock. | 0:53:40 | 0:53:43 | |
# Hallelujah, hallelujah, | 0:53:52 | 0:53:57 | |
# Hallelujah, hallelujah, hallelujah | 0:53:57 | 0:54:02 | |
# Hallelujah, hallelujah, | 0:54:02 | 0:54:05 | |
# Hallelujah, hallelujah, hallelujah | 0:54:05 | 0:54:10 | |
# For the Lord God omnipotent reigneth | 0:54:10 | 0:54:17 | |
# Hallelujah, hallelujah Hallelujah, hallelujah | 0:54:17 | 0:54:21 | |
# For the Lord God omnipotent reigneth | 0:54:21 | 0:54:28 | |
# Hallelujah, hallelujah Hallelujah, hallelujah | 0:54:28 | 0:54:33 | |
# For the Lord God omnipotent reigneth | 0:54:33 | 0:54:39 | |
# Hallelujah | 0:54:39 | 0:54:40 | |
# For the Lord God omnipotent reigneth | 0:54:40 | 0:54:46 | |
# Hallelujah, hallelujah, hallelujah | 0:54:46 | 0:54:48 | |
# For the Lord God omnipotent reigneth | 0:54:48 | 0:54:55 | |
# Hallelujah | 0:54:55 | 0:54:57 | |
# The kingdom of this world | 0:55:00 | 0:55:05 | |
# Is become | 0:55:06 | 0:55:11 | |
# The kingdom of our Lord | 0:55:11 | 0:55:15 | |
# And of His Christ And of His Christ | 0:55:15 | 0:55:20 | |
# And He shall reign for ever and ever | 0:55:20 | 0:55:25 | |
# And He shall reign for ever and ever | 0:55:25 | 0:55:31 | |
# And He shall reign for ever and ever | 0:55:31 | 0:55:36 | |
# And He shall reign for ever and ever | 0:55:36 | 0:55:43 | |
# King of kings for ever and ever Hallelujah, hallelujah | 0:55:43 | 0:55:49 | |
# And Lord of lords for ever and ever Hallelujah, hallelujah | 0:55:49 | 0:55:56 | |
# King of kings | 0:55:57 | 0:55:59 | |
# For ever and ever Hallelujah, hallelujah | 0:55:59 | 0:56:03 | |
# And Lord of lords | 0:56:03 | 0:56:06 | |
# For ever and ever Hallelujah, hallelujah | 0:56:06 | 0:56:11 | |
# King of kings | 0:56:11 | 0:56:13 | |
# For ever and ever Hallelujah, hallelujah | 0:56:13 | 0:56:17 | |
# And Lord of lords | 0:56:17 | 0:56:20 | |
# King of kings and Lord of lords | 0:56:20 | 0:56:25 | |
# And he shall reign And he shall reign | 0:56:25 | 0:56:28 | |
# And he shall reign He shall reign | 0:56:28 | 0:56:31 | |
# And he shall reign And he shall reign | 0:56:31 | 0:56:34 | |
# For ever and ever | 0:56:34 | 0:56:37 | |
# King of kings | 0:56:37 | 0:56:39 | |
# For ever and ever | 0:56:39 | 0:56:41 | |
# And Lord of lords | 0:56:41 | 0:56:44 | |
# Hallelujah, hallelujah | 0:56:44 | 0:56:46 | |
# And he shall reign For ever and ever | 0:56:46 | 0:56:53 | |
# King of kings and Lord of lords | 0:56:53 | 0:56:57 | |
# King of kings and Lord of lords | 0:56:58 | 0:57:02 | |
# And he shall reign For ever and ever | 0:57:02 | 0:57:06 | |
# For ever and ever And ever and ever | 0:57:06 | 0:57:09 | |
# King of kings and Lord of lords | 0:57:09 | 0:57:14 | |
# Hallelujah, hallelujah Hallelujah, hallelujah | 0:57:14 | 0:57:18 | |
# Hallelujah. # | 0:57:19 | 0:57:31 | |
APPLAUSE | 0:57:33 | 0:57:35 | |
Subtitles by Red Bee Media Ltd | 0:57:38 | 0:57:41 |