The Best of British Music at the Proms


The Best of British Music at the Proms

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In this programme we're going to delve into it treasure trove

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filled with some of the best loved pieces of music

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by British composers.

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Works performed at London's Royal Albert Hall for the BBC Proms.

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To start, the most famous work by George Frideric Handel.

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Though German by birth,

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he took up permanent residence in London in 1712.

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His anthem Zadok The Priest was first heard in Westminster Abbey

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at the coronation of George II in 1727

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and has been performed at every coronation since

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at the moment of the sovereign's anointing.

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# Zadok the priest

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# And Nathan the Prophet

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# Anointed Solomon King

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# And all the people rejoiced

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# Rejoiced

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# Rejoiced

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# And all the people rejoiced

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# Rejoiced

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# Rejoiced

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# Rejoiced

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# Rejoiced

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# Rejoiced

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# And all the people rejoiced

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# Rejoiced

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# Rejoiced and said

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# God save the King!

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# Long Live the King!

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# God Save the King

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# May the King live for ever

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# Amen, Amen, Alleluia

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# Alleluia, Amen

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# Amen

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# Amen, Amen, Alleluia, Amen

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# God save the King

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# Long live the King

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# May the King live for ever

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# Amen, Amen, Alleluia

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# Alleluia, Amen

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# Amen

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# May the King live

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# May the King live

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# For ever, for ever

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# For ever, Amen, Amen

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# Alleluia, Alleluia, Amen

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# Amen

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# Alleluia, Alleluia, Amen

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# Amen, Amen

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# Amen, Amen

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# Alleluia, Alleluia, Alleluia, Amen

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# Long live the King

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# God save the King

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# Long live the King

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# May the King live

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# May the King live

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# For ever

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# For ever, for ever

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# Amen, Amen

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# Alleluia, Alleluia, Amen

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# Amen

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# Amen, Amen

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# Amen

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# Amen, Alleluia, Amen

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# Alleluia, Amen, Alleluia

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# Alleluia. #

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APPLAUSE

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Harry Christophers conducting The Sixteen

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and The Orchestra of The Sixteen

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and the Coronation anthem Zadok The Priest by Handel.

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The best-known aria from Henry Purcell's opera Dido and Aeneas

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is sung by Dido Queen of Carthage.

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When she's abandoned by her lover, the Trojan hero Aeneas,

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Dido prepares the death and sings When I Am Laid In Earth.

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Sarah Connolly, at the Last Night of The Proms in 2009,

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sings Dido's Lament.

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# Thy hand Belinda

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# Darkness shades me

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# On thy bosom let me rest

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# More I would but Death invades me

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# Death is now a welcome guest

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# When I am laid

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# Am laid in earth

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# May my wrongs create

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# No trouble

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# No trouble in thy breast

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# When I am laid

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# Am laid in earth

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# May my wrongs create

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# No trouble

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# No trouble in thy breast

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# Remember me

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# Remember me

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# But ah! Forget my fate

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# Remember me

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# But ah! Forget my fate

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# Remember me

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# Remember me

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# But ah! Forget my fate

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# Remember me

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# But ah! Forget my fate. #

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APPLAUSE

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Sarah Connolly and the BBC Symphony Orchestra

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conducted by David Robertson.

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Dido's Lament by Henry Purcell.

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Benjamin Britten,

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the greatest home-grown composer of the 20th century,

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used a theme by Purcell in his Young Person's Guide To The Orchestra,

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which he was commissioned to write for an education film.

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As the work progresses,

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the various sections of the orchestra demonstrate the sound they produce

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and then, at the end, they come together as one musical unit.

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Here's Purcell's opening theme and then the dramatic finale.

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CHEERING AND APPLAUSE

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The climax of Britten's Young Person's Guide To The Orchestra

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played by the BBC Symphony Orchestra,

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conducted by Edward Gardner.

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We look to the heavens next in Gustav Holst's Planets suite,

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by far his best known work.

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This is Jupiter the Bringer of Jollity,

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which, at its heart, has the melody Holst also used

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for the patriotic song I Vow To Thee My Country.

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APPLAUSE

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The BBC Symphony Orchestra, conducted by Leonard Slatkin,

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playing Jupiter from The Planets, by Holst.

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In Victorian times, WS Gilbert and Sir Arthur Sullivan

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were masters at uniting words and music

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in a comic and often highly entertaining way.

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Their skill brought them enormous success.

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This is a number from their Japanese inspired operetta Mikado

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with contemporary words for the Last Night of the Proms in 2004.

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Sir Thomas Allen has a "little list".

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# As someday it may happen That a victim must be found

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# I've got a little list I've got a little list

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# Of society offenders Who may well be underground

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# And who never would be missed They never would be missed

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# There's pestilential nuisances Who write for autographs

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# Or people who have flabby hands And irritating laughs

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# Or children who won't speak Without a Walkman on their head

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# But can e-mail, text and download Without getting out of bed

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LAUGHTER

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# And violinists who on wearing wet T-shirts insist

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LAUGHTER

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# They'd none of them be missed They'd none of them been missed

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# He's got them on a list He's got them on a list

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# And they'll none of them be missed They'll none of them be missed

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# For purists who insist that Piano music stops that Brahms

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# I've got a little list I'll make them sit through Liszt

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LAUGHTER

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# Butlers who up sticks For the American selling her charms

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# Who never will be missed He'll certainly be missed

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AUDIENCE: Ahh!

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Ah!

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# And pianists who retire from playing long before they're due

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# And merely for the reason that their bus pass has come through

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LAUGHTER

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# And the mad men whose subject us to the whole of Wagner's Ring

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# Scored for rattle, sackbut, viol, kazoo and all that kind of thing

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LAUGHTER

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# And the Prommers who can't stand up straight

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# Because there are always p...

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CHEERING, LAUGHTER AND APPLAUSE

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# ..partying!

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LAUGHTER

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# Who have a little list I've got you on the list

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# He's got them on the list He's got them on the list

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# And they'll none of them be missed They'll none of them be missed

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# And that nisi prius nuisance Who just now is rather rife

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# The judicial humorist Lord Hutton's on the list

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LAUGHTER

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CHEERING AND APPLAUSE

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# All funny fellows, comic men And clowns of private life

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# They'd none of them he missed They'd none of them been missed

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# And apologetic statesman Of a compromising kind

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# Such as what d'you call him, thing-a-me-bob

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# And likewise, never mind

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# And sl... What's-his-name And also you-know-who

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# The task of filling out the blanks I'd rather leave to you

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Where do you begin?

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LAUGHTER

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# But it really doesn't matter Whom you put upon the list

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# For they'd none of them be missed They'd NONE of them being missed!

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# You may put them on the list You may put them on the list

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# And they'll none of them be missed They'll none of them be missed. #

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APPLAUSE

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The BBC Symphony Orchestra and chorus and Sir Thomas Allen,

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conducted by Leonard Slatkin in the Mikado by Gilbert and Sullivan.

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A complete change of mood now

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as we hear from Edward Elgar's Enigma Variations.

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Nimrod is often heard as a piece in its own right,

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especially on solemn occasions,

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perhaps most notably at the ceremony at the Cenotaph in London

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on Remembrance Sunday.

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Nimrod from Elgar's Enigma Variations,

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played by the Royal Philharmonic Orchestra,

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conducted by Gennadi Rozhdestvensky.

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In the aftermath of the First World War,

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Elgar reflected musically on the changed world in his Cello Concerto,

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it was his last major work.

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In the 1960s the piece found new audiences

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with the a celebrated recording by Jacqueline du Pre.

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We hear the second movement scherzo, played by Paul Watkins.

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The scherzo from Elgar's cello Concerto.

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Paul Watkins and the BBC Symphony Orchestra,

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conducted by Jiri Belohlavek

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Along with the great hymn Jerusalem, Elgar's Land of Hope and Glory

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has become one of England's unofficial national anthems.

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The tune came first, The Pomp and Circumstance March Number One.

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The words were added later.

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Land of Hope and Glory is a regular part of the Last Night of the Proms,

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sung by great gusto by thousands of people in the Royal Albert Hall

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and across the road at Hyde Park.

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# Land of Hope and Glory Mother of the Free

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# How shall we extol thee Who are born of thee?

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# Wider still and wider Shall thy bounds be set

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# God who made thee mighty Make thee mightier yet

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# God who made thee mighty Make thee mightier yet. #

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# Land of Hope and Glory Mother of the Free

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# How shall we extol thee Who are born of thee?

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# Wider still and wider Shall thy bounds be set

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# God who made thee mighty Make thee mightier yet

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# God who made thee mighty Make thee mightier yet. #

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CHEERING AND APPLAUSE

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Now, I hope you're having a very nice time, eh?

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CHEERING

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But, to be honest,

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I can't really hear anything above the sound of the two piccolos!

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LAUGHTER

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You don't, you don't really want to go home

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and tell all your friends and family

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you mumbled through Land of Hope And Glory, do you?

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LAUGHTER

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BOOING

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# Land of Hope and Glory Mother of the Free

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# How shall we extol thee Who are born of thee?

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# Wider still and wider Shall thy bounds be set

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# God who made thee mighty Make thee mightier yet

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# God who made thee mighty Make thee mightier yet. #

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CHEERING

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CHEERING AND APPLAUSE

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Elgar's Pomp and Circumstance March Number One,

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conducted by Edward Gardner at the Last Night of the Proms in 2011.

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Eric Coates was a great composer of Light Music.

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His score the 1955 film The Dam Busters

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conjures up the resolve, daring-do and patriotic pride

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of one of the greatest operations of the Second World War.

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APPLAUSE

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John Wilson conducting the BBC Concert Orchestra

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in that performance of The Dam Busters by Eric Coates.

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Traditional folk tunes have been hugely influential to English music.

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At the Last Night of the Proms in 2005

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two of the great artists came together

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to perform a famous folksong.

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Countertenor Andreas Scholl and guitarist John Williams

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had never performed together before.

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# Down by the salley gardens

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# My love and I did meet

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# She passed the salley gardens

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# With little snow-white feet

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# She bid me take love easy

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# As the leaves grow on the tree

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# But I being young and foolish

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# With her did not agree

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# In a field down by the river

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# My love and I did stand

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# And on my leaning shoulder

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# She placed her snow-white hand

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# She bid me take life easy

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# As the grass grows on the weirs

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# But I was young and foolish

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# And now I am full of tears

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# Down by the salley gardens

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# My love and I did meet. #

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APPLAUSE

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Down By The Sally Garden.

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Andreas Scholl and John Williams.

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We end this programme of Great British music

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with the Hallelujah Chorus from Handel's Messiah.

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Often performed on its own,

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it's the stirring close of the second part of Handel's oratorio

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depicting the coming, life, death and resurrection of Jesus Christ.

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The Hallelujah Chorus is probably the most widely performed

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and best-known piece of British baroque music.

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The English concert is conducted by Trevor Pinnock.

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# Hallelujah, hallelujah,

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# Hallelujah, hallelujah, hallelujah

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# Hallelujah, hallelujah,

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# Hallelujah, hallelujah, hallelujah

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# For the Lord God omnipotent reigneth

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# Hallelujah, hallelujah Hallelujah, hallelujah

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# For the Lord God omnipotent reigneth

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# Hallelujah, hallelujah Hallelujah, hallelujah

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# For the Lord God omnipotent reigneth

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# Hallelujah

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# For the Lord God omnipotent reigneth

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# Hallelujah, hallelujah, hallelujah

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# For the Lord God omnipotent reigneth

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# Hallelujah

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# The kingdom of this world

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# Is become

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# The kingdom of our Lord

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# And of His Christ And of His Christ

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# And He shall reign for ever and ever

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# And He shall reign for ever and ever

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# And He shall reign for ever and ever

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# And He shall reign for ever and ever

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# King of kings for ever and ever Hallelujah, hallelujah

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# And Lord of lords for ever and ever Hallelujah, hallelujah

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# King of kings

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# For ever and ever Hallelujah, hallelujah

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# And Lord of lords

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# For ever and ever Hallelujah, hallelujah

0:56:060:56:11

# King of kings

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# For ever and ever Hallelujah, hallelujah

0:56:130:56:17

# And Lord of lords

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# King of kings and Lord of lords

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# And he shall reign And he shall reign

0:56:250:56:28

# And he shall reign He shall reign

0:56:280:56:31

# And he shall reign And he shall reign

0:56:310:56:34

# For ever and ever

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# King of kings

0:56:370:56:39

# For ever and ever

0:56:390:56:41

# And Lord of lords

0:56:410:56:44

# Hallelujah, hallelujah

0:56:440:56:46

# And he shall reign For ever and ever

0:56:460:56:53

# King of kings and Lord of lords

0:56:530:56:57

# King of kings and Lord of lords

0:56:580:57:02

# And he shall reign For ever and ever

0:57:020:57:06

# For ever and ever And ever and ever

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# King of kings and Lord of lords

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# Hallelujah, hallelujah Hallelujah, hallelujah

0:57:140:57:18

# Hallelujah. #

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APPLAUSE

0:57:330:57:35

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