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|---|---|---|---|
Welcome to the gardens of Buckingham Palace for a very | :00:39. | :00:43. | |
special evening celebrating the 60th anniversary of Her Majesty the | :00:43. | :00:53. | |
| :00:53. | :01:00. | ||
Queen's Coronation. We're about to enjoy highlights of | :01:00. | :01:08. | |
a spectacular gala which includes special performances from: | :01:08. | :01:14. | |
Katie Melua. Russell Watson. # Bring him home | :01:14. | :01:21. | |
# Bring him home. The Feeling. # You got me so I can't sleep at me | :01:21. | :01:31. | |
| :01:31. | :01:38. | ||
The English National Ballet. Eric Whitacre's Virtual Choir. | :01:38. | :01:48. | |
| :01:48. | :02:04. | ||
Bourne's New Adventures. # We can be heroes # | :02:04. | :02:14. | |
| :02:14. | :02:17. | ||
And Only Boys Aloud. # We could be heroes # | :02:17. | :02:20. | |
Earlier, the Queen came out into the gardens to look around the | :02:20. | :02:22. | |
Coronation Festival, a gathering of Royal Warrant Holders from across | :02:22. | :02:25. | |
the UK who supply goods or services to the Royal Households. From | :02:25. | :02:27. | |
traditional crafts people to multinationals, these are the | :02:27. | :02:30. | |
people and companies who supply goods and services to the Royal | :02:30. | :02:34. | |
households by Royal appointment. A sunny afternoon has now turned into | :02:34. | :02:38. | |
a beautiful evening, and Gareth has made his way to the stage. | :02:38. | :02:42. | |
audience are taking their seats and members of the National Youth | :02:42. | :02:45. | |
Orchestra are tuning their instruments, ready to accompany | :02:45. | :02:49. | |
many of tonight's performances. I had better get into position | :02:49. | :02:53. | |
because the show is about to start. And just before it does start, | :02:53. | :03:01. | |
tonight's guest of honour, Her Majesty, the Queen, is arriving | :03:01. | :03:05. | |
along with Her Royal Highnesss, the Prince of Wales and the Duchess of | :03:05. | :03:09. | |
Cornwall. They're now making their way to the Royal Box to enjoy the | :03:09. | :03:14. | |
first of this evening's Gala along with other members of the Royal | :03:14. | :03:16. | |
Family. APPLAUSE | :03:16. | :03:23. | |
Your majesty, your Royal Highnesses, Lords, ladies and gentlemen, please | :03:23. | :03:25. | |
welcome to the stage Dame Kiri Te Kanawa. | :03:25. | :03:35. | |
| :03:35. | :03:35. | ||
Apology for the loss of subtitles for 81 seconds | :03:35. | :04:57. | |
# Send her victorious Your majesty, your Royal Highnesses, | :04:57. | :05:00. | |
Lords, ladies and gentlemen, good evening. Welcome to the gardens of | :05:00. | :05:06. | |
Buckingham Palace for this very special Gala as part of the | :05:06. | :05:09. | |
Coronation Festival, celebrating the 60th anniversary of the Queen's | :05:09. | :05:13. | |
Coronation. The Royal Warrant Holders are here to celebrate their | :05:13. | :05:17. | |
craft, innovation and excellence over the past 60 years, and tonight | :05:17. | :05:21. | |
we will echo these themes through music, song and dance. Let's start | :05:21. | :05:27. | |
where it all began. June the 2nd, 1953 - the Queen's Coronation in | :05:27. | :05:32. | |
Westminster Abbey - it was a service that honoured an ancient | :05:32. | :05:36. | |
tradition, but for the first time in history, the Coronation was | :05:36. | :05:41. | |
broadcast live on television. More than 20 million people across the | :05:41. | :05:45. | |
UK watched that day, as broadcasting history was made. The | :05:45. | :05:49. | |
most solemn part of the service was the moment when the Queen was | :05:49. | :05:55. | |
anointed with holy oil by the Archbishop of Canterbury, and the | :05:55. | :06:01. | |
choir sang Zadok the Priest, the words of which have been sung at | :06:01. | :06:06. | |
every Coronation since King Edgar's in 973. | :06:06. | :06:16. | |
| :06:16. | :06:16. | ||
To perform Handel's Coronation anthem Zadok the Priest, the | :06:16. | :06:18. | |
English National Ballet and the Bach Choir conducted by Anthony | :06:18. | :06:28. | |
| :06:28. | :06:28. | ||
Apology for the loss of subtitles for 81 seconds | :06:28. | :08:48. | |
# Rejoiced, rejoiced, rejoiced # Amen, amen, alleluia, alleluia | :08:48. | :08:58. | |
| :08:58. | :09:21. | ||
# Alleluia, alleluia, alleluia # Alleluia, alleluia | :09:21. | :09:29. | |
# Amen, amen, alleluia Alleluia, alleluia, amen | :09:29. | :09:39. | |
| :09:39. | :09:40. | ||
# Long live the king | :09:40. | :09:42. | |
# God save the king | :09:42. | :09:44. | |
# Long live the king | :09:44. | :09:48. | |
# May the king live | :09:48. | :09:50. | |
# May the king live | :09:50. | :09:52. | |
# Forever, forever, forever | :09:52. | :09:58. | |
# Amen, amen, alleluia, alleluia Amen, amen, amen, amen | :09:58. | :10:01. | |
Amen, amen, alleliua Amen, alleluia | :10:01. | :10:08. | |
# Amen, amen, alleluia, alleluia. # | :10:08. | :10:18. | |
# Amen, amen, alleluia, alleluia. # | :10:18. | :10:28. | |
| :10:28. | :10:34. | ||
APPLAUSE AND CHEERING | :10:34. | :10:44. | |
| :10:44. | :11:06. | ||
# 0, my love is like a red, red rose | :11:06. | :11:12. | |
# That's newly sprung in June | :11:12. | :11:18. | |
# 0, my love is like a melodie | :11:18. | :11:25. | |
# That's sweetly play'd in tune | :11:25. | :11:33. | |
# As fair thou art, my bonnie lad | :11:33. | :11:37. | |
# So deep in love am I | :11:38. | :11:45. | |
# And I will love thee still my dear | :11:45. | :11:53. | |
# Till a' the seas gang dry | :11:53. | :12:03. | |
| :12:03. | :12:04. | ||
# As fair art thou, my dear | :12:04. | :12:07. | |
# So deep in love am I | :12:07. | :12:13. | |
# And I will love thee still my dear | :12:13. | :12:19. | |
# Till a' the seas gang dry | :12:19. | :12:29. | |
| :12:29. | :12:30. | ||
# I will love thee still my dear | :12:30. | :12:38. | |
# While the sands o' life shall run | :12:38. | :12:43. | |
# Till the seas gang dry, my dear | :12:43. | :12:48. | |
# And rocks melt with the sun | :12:48. | :12:55. | |
# As fair art thou my bonny lad | :12:55. | :13:01. | |
# So deep in love am I | :13:01. | :13:09. | |
# I will come again, my love | :13:09. | :13:16. | |
# Though it were ten thousand mile | :13:16. | :13:26. | |
| :13:26. | :13:36. | ||
# I will come again. # | :13:36. | :13:46. | |
| :13:46. | :13:53. | ||
APPLAUSE AND CHEERING | :13:53. | :14:03. | |
| :14:03. | :14:11. | ||
That | :14:11. | :14:11. | |
That was | :14:11. | :14:11. | |
That was Laura | :14:11. | :14:14. | |
That was Laura Wright, with the Bach Choir, performing A Red, Red | :14:14. | :14:19. | |
Rose, from the poem by Robert Burns. Not long after the Coronation the | :14:19. | :14:23. | |
Queen and the Duke of Edinburgh embarked on a six-month tour of the | :14:23. | :14:26. | |
Commonwealth. Since then they have visited Commonwealth countries more | :14:26. | :14:31. | |
than 200 times. At the start of the Queen's reign, there were just | :14:31. | :14:35. | |
seven nations. Today there are 54 Commonwealth members, representing | :14:35. | :14:39. | |
two billion people. The next piece has been specially | :14:39. | :14:46. | |
created in tribute to this family tree, a big dance and Roman Flight | :14:46. | :14:51. | |
commission - please welcome members of the East London Dance and the | :14:51. | :15:01. | |
| :15:01. | :15:01. | ||
Apology for the loss of subtitles for 81 seconds | :15:01. | :17:56. | |
Weren't they wonderful? Now, we have another special Coronation | :17:56. | :18:00. | |
Festival Commission next in tribute to Her Majesty by Mike Batt, one of | :18:00. | :18:06. | |
the UK's leading music composers. Tonight's world premier is titled I | :18:06. | :18:10. | |
Will Be There and is conducted by Mike and sung by the wonderful | :18:10. | :18:20. | |
| :18:20. | :18:20. | ||
Apology for the loss of subtitles for 81 seconds | :18:20. | :19:58. | |
# To me, she is the one # She has a smile | :19:58. | :20:08. | |
| :20:08. | :20:08. | ||
Apology for the loss of subtitles for 81 seconds | :20:08. | :22:39. | |
# Though life is never easy I'm sure many of you have taken the | :22:39. | :22:42. | |
opportunity this evening to explore the beautiful gardens here at | :22:42. | :22:46. | |
Buckingham Palace, and you will, of course, have seen the displays of | :22:46. | :22:50. | |
the Royal Warrant Holders, and they represent all kinds of British | :22:50. | :22:53. | |
industries and pastimes from wallpaper and wellies, shortbread | :22:53. | :22:57. | |
and smoked fish to cheese and chocolates, so if you're feeling a | :22:57. | :23:01. | |
little bit peckish now, just have a look at what we've got on the menu | :23:01. | :23:11. | |
| :23:11. | :23:33. | ||
# You can't imagine the rapture # Oh, I can cook, too | :23:33. | :23:43. | |
| :23:43. | :23:49. | ||
# And I can cook, too # Oh, here's an hors d'ouvre | :23:49. | :23:59. | |
| :23:59. | :24:16. | ||
# Don't tell me not to fly # Have a napkin, have a chopstick | :24:16. | :24:26. | |
| :24:26. | :24:57. | ||
# Everybody give a cheer # I didn't do it | :24:57. | :25:07. | |
| :25:07. | :25:07. | ||
What do you call this dish? Coronation chicken. | :25:07. | :25:10. | |
Ladies and gentlemen, we have a winner! | :25:10. | :25:12. | |
THEY CHEER | :25:12. | :25:22. | |
| :25:22. | :25:25. | ||
# Baby, you're cookin' with gas | :25:25. | :25:28. | |
# Oh, you're a gumdrop A sweet lollipop | :25:28. | :25:29. | |
# A brook trout right out of the brook | :25:29. | :25:32. | |
# And what's more, baby I can cook! | :25:32. | :25:38. | |
# And what's more, baby I can cook! | :25:39. | :25:42. | |
One more time! | :25:42. | :25:44. | |
# And what's more, baby I can cook! # | :25:44. | :25:50. | |
APPLAUSE AND CHEERING | :25:51. | :26:00. | |
| :26:01. | :26:05. | ||
Now, | :26:05. | :26:06. | |
Now, just | :26:06. | :26:06. | |
Now, just think | :26:06. | :26:10. | |
Now, just think how much Britain has changed since 1953. It was only | :26:10. | :26:14. | |
a few years later that British style, fashion, film and music | :26:14. | :26:19. | |
really took off - from Carnaby Street to Savile Row, pinewood to | :26:19. | :26:26. | |
Abbey Road - the swinging '60s conjure up so many images which | :26:26. | :26:28. | |
still resonate today. Matthew Bourne, with his extraordinary | :26:28. | :26:32. | |
company, New Adventures, is one of our great cultural success stories. | :26:32. | :26:37. | |
So with another special commission for this evening, please welcome to | :26:37. | :26:41. | |
the stage, presented by Big Dance, New Adventures to take us on a | :26:41. | :26:51. | |
| :26:51. | :26:51. | ||
Apology for the loss of subtitles for 81 seconds | :26:51. | :29:12. | |
# I wasn't lookin' # I tried to hide | :29:12. | :29:19. | |
# But like heaven above me The spy who loved me | :29:19. | :29:26. | |
# Is keepin' all my secrets safe tonight | :29:26. | :29:35. | |
# And nobody does it better | :29:35. | :29:40. | |
# Though sometimes I wish someone could | :29:40. | :29:49. | |
# Nobody does it quite the way you do | :29:49. | :29:53. | |
# Why'd you have to be so good? | :29:53. | :30:03. | |
| :30:03. | :30:04. | ||
# The way that you hold me Whenever you hold me | :30:04. | :30:08. | |
# There's some kind of magic inside you | :30:08. | :30:14. | |
# That keeps me from runnin' But just keep it comin' | :30:14. | :30:21. | |
# How'd you learn to do the things you do? | :30:21. | :30:27. | |
# Oh, and nobody does it better | :30:27. | :30:37. | |
# Makes me feel sad for the rest | :30:37. | :30:41. | |
# Nobody does it half as good as you | :30:41. | :30:50. | |
# Baby, baby, you're the best | :30:50. | :31:00. | |
| :31:00. | :31:01. | ||
# Baby, you're the best | :31:01. | :31:09. | |
# Sleep in your bed | :31:09. | :31:15. | |
# Ah, you're the best | :31:15. | :31:25. | |
| :31:25. | :31:30. | ||
# Baby, you're the best. # | :31:30. | :31:40. | |
| :31:40. | :31:52. | ||
APPLAUSE AND CHEERING | :31:52. | :32:02. | |
| :32:02. | :32:12. | ||
The | :32:12. | :32:12. | |
The audience | :32:12. | :32:12. | |
The audience is | :32:12. | :32:15. | |
The audience is taking a quick interval which gives me a chance to | :32:15. | :32:20. | |
catch up with the man you're about the see lot more of, Russell Watson. | :32:20. | :32:24. | |
Have you been anxious backstage? Anxious is the word of the day. I | :32:24. | :32:27. | |
have been doing my warm-ups. This is by no means the only time you | :32:27. | :32:30. | |
have performed at Buckingham Palace, is it? No, I have been here a | :32:30. | :32:33. | |
couple of times in past years. I did something recently for the Duke | :32:34. | :32:39. | |
when he turned 90, which is on the stairs where the stage is erected. | :32:39. | :32:42. | |
I was nervous for that one because he stood with his arms folded for | :32:42. | :32:48. | |
the whole performance, then when I finished he had - I had my | :32:48. | :32:56. | |
microphone in my hand. He said, "What's that?" I said it was a | :32:56. | :33:02. | |
microphone. He said I am you can hear your voice in space!" Maybe | :33:02. | :33:05. | |
they will tonight as well. Thank you very much. | :33:05. | :33:09. | |
I am here with Katherine Jenkins. It's a fantastic line-up so far. | :33:09. | :33:15. | |
What have you enjoyed so far? all amazing. I think the National | :33:15. | :33:17. | |
Youth Orchestra are sounding awesome. It's overwhelming. I think | :33:17. | :33:22. | |
everybody is doing a great job. I am excited to be a part of it. | :33:22. | :33:27. | |
have performed for the Queen many times and for Pope John Paul II and | :33:28. | :33:31. | |
in Iraq and Afghanistan. What's been the highlight for you? I would | :33:31. | :33:36. | |
say Iraq or Afghanistan in terms of it being a proud moment but I think | :33:36. | :33:40. | |
every time you sing for her majesty, it's never something you get used | :33:40. | :33:44. | |
to. I have been lucky enough to do it a few times, and I still get | :33:44. | :33:48. | |
nervous even though I am never nervous. So it's a big deal. Still | :33:48. | :33:52. | |
pinching yourself Still pinching myself. My family are here sitting | :33:52. | :33:55. | |
in the garden. They can't believe they're at Buckingham Palace. It's | :33:55. | :34:00. | |
wonderful to share this moment with them. I'll let you go and warm-up | :34:00. | :34:06. | |
because part two is about to begin. Your Royal Highnesss, Lords, ladies | :34:06. | :34:16. | |
| :34:16. | :34:52. | ||
and gentlemen, please welcome The # You got me so | :34:52. | :35:02. | |
| :35:02. | :35:06. | ||
# You got me so I can't sleep # You got me so I don't know | :35:06. | :35:16. | |
| :35:16. | :35:39. | ||
# You got me so I can't sleep # Ever since I was a young boy | :35:39. | :35:45. | |
# But I ain't seen nothing like him In any amusement hall | :35:45. | :35:48. | |
# That deaf dumb and blind kid Sure plays a mean pin ball! | :35:48. | :35:58. | |
| :35:58. | :36:01. | ||
# He stands like a statue Becomes part of the machine | :36:01. | :36:03. | |
# Feeling all the bumpers Always playing clean | :36:03. | :36:07. | |
# He plays by intuition The digit counters fall | :36:07. | :36:10. | |
# That deaf dumb and blind kid Sure plays a mean pin ball! | :36:10. | :36:20. | |
| :36:20. | :36:22. | ||
# He's a pin ball wizard There has got to be a twist | :36:22. | :36:25. | |
# A pin ball wizard S'got such a supple wrist | :36:25. | :36:33. | |
# He's a pin ball wizard | :36:33. | :36:38. | |
# A pin ball wizard | :36:38. | :36:45. | |
# He's going | :36:45. | :36:49. | |
# He's going far | :36:49. | :36:56. | |
# Pressure pushing down on me | :36:56. | :37:00. | |
# Pressing down on you no man ask for | :37:00. | :37:04. | |
# Under pressure that brings a building down | :37:04. | :37:09. | |
# Splits a family in two Puts people on streets | :37:09. | :37:19. | |
| :37:19. | :37:19. | ||
# Ee yay oo | :37:19. | :37:22. | |
| :37:22. | :37:23. | ||
# It's the terror of knowing What the world is about | :37:23. | :37:27. | |
# Watching some good friends Screaming | :37:27. | :37:30. | |
# "Let me out" | :37:30. | :37:32. | |
# Well tomorrow gets me higher | :37:32. | :37:37. | |
# Pressure on people People on streets | :37:37. | :37:47. | |
| :37:47. | :37:53. | ||
# Chippin' around Kick my brains around the floor | :37:53. | :37:55. | |
# These are the days it never rains but it pours | :37:55. | :38:04. | |
# People on streets | :38:04. | :38:06. | |
# De da de da | :38:06. | :38:09. | |
# People on streets | :38:09. | :38:11. | |
# People on streets | :38:11. | :38:15. | |
# De da de da | :38:15. | :38:17. | |
# It's the terror of knowing What the world is about | :38:17. | :38:22. | |
# Watching some good friends Screaming | :38:22. | :38:25. | |
# "Let me out" | :38:25. | :38:29. | |
# Tomorrow gets me higher | :38:29. | :38:32. | |
# Pressure on people Pressure on streets | :38:32. | :38:42. | |
| :38:42. | :38:53. | ||
When I get rudely awakened by the dustmen | :38:53. | :38:54. | |
# Parklife | :38:55. | :38:55. | |
I put my trousers on Have a cup of tea | :38:55. | :38:57. | |
And I think about leaving the house | :38:57. | :38:59. | |
# Parklife | :38:59. | :39:00. | |
I feed the pigeons I sometimes feed the sparrows too | :39:00. | :39:03. | |
It gives me a sense of enormous wellbeing | :39:03. | :39:05. | |
# Parklife | :39:05. | :39:07. | |
And then I'm happy for the rest of the day | :39:07. | :39:09. | |
Safe in the knowledge | :39:09. | :39:10. | |
There will always be a bit of my heart devoted to it | :39:10. | :39:13. | |
# All the people So many people | :39:13. | :39:20. | |
# And they all go hand in hand | :39:20. | :39:23. | |
# Hand in hand through their | :39:23. | :39:26. | |
# Parklife | :39:26. | :39:36. | |
| :39:36. | :39:45. | ||
Thank | :39:45. | :39:45. | |
Thank you. | :39:46. | :39:46. | |
Thank you. We | :39:46. | :39:50. | |
Thank you. We have been The Feeling. See if you can count for us. One, | :39:50. | :40:00. | |
| :40:00. | :40:06. | ||
# I was so near # Are you quite sure | :40:06. | :40:10. | |
# Oh, I know you could use a friend but you don't seem to have the time | :40:10. | :40:17. | |
# Oh and I, I wonder if you'll ever get to say what's on your mind | :40:17. | :40:26. | |
# Oh, take a little time | :40:26. | :40:30. | |
# C'mon, take a little time | :40:30. | :40:33. | |
# I love it when you call | :40:33. | :40:35. | |
# I love it when you call | :40:35. | :40:37. | |
# I love it when you call But you never call at all | :40:37. | :40:41. | |
# Say what's the complication? It's only conversation | :40:41. | :40:45. | |
# And I love it when you call But you never call at all, oh | :40:45. | :40:55. | |
| :40:55. | :41:08. | ||
APPLAUSE AND CHEERING | :41:08. | :41:18. | |
| :41:18. | :41:20. | ||
Now, | :41:20. | :41:21. | |
Now, 60 | :41:21. | :41:21. | |
Now, 60 years | :41:21. | :41:25. | |
Now, 60 years and 12 Prime Ministers later, Britain has been | :41:25. | :41:29. | |
through huge change since the Coronation, but there has been one | :41:29. | :41:35. | |
constant, the Queen. Tonight, we are proud to present the premier of | :41:35. | :41:39. | |
Tempus, a collaboration between the English National Ballet and the | :41:39. | :41:43. | |
fashion designer Julien Macdonald, which reflects on constancy through | :41:43. | :41:53. | |
| :41:53. | :41:53. | ||
Apology for the loss of subtitles for 81 seconds | :41:53. | :44:48. | |
At the Coronation, television was of course still a novelty. People | :44:48. | :44:53. | |
couldn't have imagined that there would be such a thing as the | :44:53. | :44:57. | |
internet. Nowadays it's really hard to imagine life without it. The | :44:57. | :45:01. | |
composer, Eric Whitacre, is a pioneer at the forefront of both | :45:01. | :45:06. | |
technology and choral music. Eric has created a virtual choir using | :45:06. | :45:12. | |
the internet and social media to. Tell you his fascinating story, | :45:12. | :45:15. | |
please welcome the man I'd like to be when I grow up, Eric Whitacre. | :45:15. | :45:25. | |
| :45:25. | :45:27. | ||
Thank you, and good evening. Four years ago, I uploaded this video. | :45:27. | :45:31. | |
This is me conducting in complete silence, inviting singers from | :45:31. | :45:39. | |
around the world to join me... woo! # To create the world's first | :45:39. | :45:43. | |
virtual choir. These are people who have never met before coming | :45:43. | :45:53. | |
| :45:53. | :45:56. | ||
together simply to sing with one And our project grew and grew. Last | :45:56. | :46:03. | |
year we uploaded this video, Virtual Choir 3. Nearly 4,000 | :46:03. | :46:13. | |
| :46:13. | :46:14. | ||
We have been working very hard for the past eight months to present | :46:14. | :46:20. | |
for you tonight Virtual Choir 4. This is the world premier, and I am | :46:20. | :46:26. | |
pleased to be joined on stage by the Bach Choir, and 8,409 voices | :46:26. | :46:36. | |
| :46:36. | :46:50. | ||
from 101 countries. This is Fly to # All she ever thinks about | :46:50. | :47:00. | |
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Apology for the loss of subtitles for 81 seconds | :47:00. | :49:12. | |
# But she's forgotten # Memories of soaring through | :49:12. | :49:22. | |
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Apology for the loss of subtitles for 81 seconds | :49:22. | :51:58. | |
# But she's forgotten Let's go now to an artist who has | :51:58. | :52:02. | |
delighted audiences right across the UK and all over the world as | :52:02. | :52:07. | |
well, dubbed "the people's tenor" and the Voice, he shot to stardom | :52:07. | :52:13. | |
back in 1999. His first song tonight is Grenada, bringing a | :52:13. | :52:17. | |
Spanish flavour to the gardens of Buckingham Palace. Please give a | :52:17. | :52:27. | |
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very warm welcome to Russell Watson. # Mi cantar se vuelve gitano cuando | :52:55. | :53:05. | |
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Apology for the loss of subtitles for 81 seconds | :53:05. | :54:00. | |
# Granada tierra ensangrentada en # Mujer que conserva el embrujo | :54:00. | :54:10. | |
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# De sueno rebelde y gitana cubierta de flores | :54:12. | :54:21. | |
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# Y beso tu boca de grana jugosa manzana | :54:23. | :54:33. | |
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# Que me habla de amores | :54:39. | :54:40. | |
# Granada manola cantada en coplas preciosas | :54:40. | :54:50. | |
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# No tengo otra cosa que darte que un ramo de rosas | :54:52. | :55:02. | |
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# De rosas de suave fragancia | :55:05. | :55:10. | |
# Que le dieron marco a la Virgen Morena | :55:10. | :55:20. | |
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# Granada tu tierra esta llena de linda mujeres | :55:26. | :55:30. | |
# De sangre y de sol | :55:30. | :55:40. | |
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# De rosas de suave fragancia | :55:56. | :56:02. | |
# Que le dieron marco a la Virgen Morena | :56:02. | :56:09. | |
# Granada tu tierra esta llena de linda mujeres | :56:09. | :56:17. | |
# De sangre y de sol. # | :56:17. | :56:27. | |
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APPLAUSE AND CHEERING | :56:35. | :56:45. | |
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Do | :56:51. | :56:51. | |
Do we | :56:51. | :56:52. | |
Do we have | :56:52. | :56:56. | |
Do we have any fans of Les Mis in this evening? | :56:56. | :56:58. | |
APPLAUSE Well, I have an incredible surprise | :56:58. | :57:04. | |
for you. In fact, when he agreed, I couldn't believe it myself. The | :57:04. | :57:11. | |
writer of the world's most successful musical is here to join | :57:11. | :57:21. | |
| :57:21. | :57:21. | ||
Apology for the loss of subtitles for 81 seconds | :57:21. | :58:45. | |
I think it only apt that we do # He's like the son | :58:45. | :58:55. | |
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Apology for the loss of subtitles for 81 seconds | :58:55. | :01:27. | |
From one of our nation's most popular artists to another - our | :01:27. | :01:30. | |
next guest artist is an international star who has topped | :01:30. | :01:35. | |
the classical charts and sold millions of albums worldwide - she | :01:35. | :01:40. | |
has proved her versatility, as she's not only a singer, but also a | :01:40. | :01:44. | |
very talented dancer. Tonight she's here to sing for us in tribute to | :01:44. | :01:47. | |
this very special occasion. Would you please welcome the lovely | :01:47. | :01:57. | |
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Katherine Jenkins. # Mi guarderai e comprenderai senza | :02:07. | :02:17. | |
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Apology for the loss of subtitles for 81 seconds | :02:17. | :03:51. | |
# E non mi stupiro' quando ti # Che il tuo posto e' tra le mie | :03:51. | :04:01. | |
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Apology for the loss of subtitles for 81 seconds | :04:01. | :06:38. | |
It is such an honour to be here to sing for you this evening. I could | :06:38. | :06:48. | |
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stand here and sing for you this # Not for all the jewels | :06:52. | :07:02. | |
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# And done a thousand things My heart took flight | :07:27. | :07:37. | |
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Apology for the loss of subtitles for 81 seconds | :07:37. | :08:37. | |
# And done a thousand things # Why all at once | :08:37. | :08:47. | |
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# I could have danced danced danced | :08:53. | :08:59. | |
# All night | :08:59. | :09:09. | |
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APPLAUSE | :09:19. | :09:26. | |
APPLAUSE It's | :09:26. | :09:26. | |
It's almost | :09:26. | :09:26. | |
It's almost time | :09:26. | :09:26. | |
It's almost time to | :09:26. | :09:32. | |
It's almost time to say good night. A huge thank you to all our | :09:32. | :09:37. | |
performers this evening - our singers, dancers, musicians, and | :09:37. | :09:39. | |
especially, of course, the National Youth Orchestra of Great Britain | :09:39. | :09:47. | |
conducted by Anthony Inglis. APPLAUSE | :09:47. | :09:52. | |
And final thanks, of course, to the Queen. Thank you for allowing us to | :09:52. | :09:56. | |
be here in your gardens this evening, and congratulations on an | :09:56. | :10:00. | |
extraordinary milestone which we all share with you in celebrating. | :10:00. | :10:10. | |
| :10:10. | :10:12. | ||
And so to finish off this evening, here is a very special arrangement | :10:13. | :10:19. | |
performed by Only Boys Aloud, conducted by Tim Rees Evans and | :10:19. | :10:29. | |
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Apology for the loss of subtitles for 81 seconds | :10:29. | :11:49. | |
# From glen to glen # The summer's gone | :11:49. | :11:58. | |
# Tis you, tis you must go and I must bide | :11:58. | :12:05. | |
# But come ye back when summer's in the meadow | :12:05. | :12:12. | |
# Or when the valley's hushed and white with snow | :12:12. | :12:20. | |
# I'll be here in sunshine or in shadow | :12:20. | :12:30. | |
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# Oh, Danny boy | :12:31. | :12:33. | |
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# I love you | :12:36. | :12:43. | |
# So ye'll take the high road and I'll take the low road | :12:43. | :12:46. | |
# And I'll be in Scotland afore ye | :12:46. | :12:50. | |
# But me and my true love will never meet again | :12:50. | :12:54. | |
# On the bonnie, bonnie banks of Loch Lomond | :12:54. | :12:58. | |
# So ye'll take the high road and I'll take the low road | :12:58. | :13:02. | |
# And I'll be in Scotland afore ye | :13:02. | :13:05. | |
# But me and my true love will never meet again | :13:05. | :13:10. | |
# On the bonnie, bonnie banks of Loch Lomond | :13:10. | :13:20. | |
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# I don't know if you can see the changes that have come over me | :13:24. | :13:29. | |
# In these last few days I've been afraid that I might drift away | :13:29. | :13:38. | |
# So I've been telling old stories | :13:38. | :13:41. | |
# Singing songs that make me think about where I came from | :13:41. | :13:47. | |
# And that's the reason why I seem so far away today | :13:48. | :13:57. | |
# Oh, let me tell you that I love you | :13:57. | :14:00. | |
# That I think about you all the time | :14:00. | :14:04. | |
# Caledonia you're calling me and now I'm going home | :14:04. | :14:12. | |
# If I should become a stranger | :14:12. | :14:15. | |
# You know it would make me more than sad | :14:15. | :14:20. | |
# Caledonia's been everything I've ever had | :14:20. | :14:27. | |
# Yes, Caledonia's been everything I've ever had | :14:27. | :14:36. | |
# Do do do do do do do | :14:36. | :14:39. | |
# Do do do do do do do | :14:39. | :14:44. | |
# I won't be king | :14:44. | :14:47. | |
# But you are our queen | :14:47. | :14:55. | |
# And nothing will tear us away | :14:55. | :15:03. | |
# We could be heroes | :15:04. | :15:05. | |
# Just for one day | :15:05. | :15:11. | |
# We could be heroes | :15:11. | :15:15. | |
# We could be heroes | :15:15. | :15:21. | |
# Just say yes | :15:21. | :15:22. | |
# Just say there's nothing holding you back | :15:22. | :15:28. | |
# It's not a test nor a trick of the mind | :15:29. | :15:35. | |
# Only love | :15:35. | :15:37. | |
# Just say | :15:37. | :15:38. | |
# Say the word and learn to believe it | :15:38. | :15:48. | |
# I vow to thee, my country | :15:48. | :15:49. | |
# All earthly things above | :15:49. | :15:53. | |
# Entire and whole and perfect | :15:53. | :15:58. | |
# The service of my love | :15:58. | :16:06. | |
# The love that asks no question | :16:06. | :16:10. | |
# The love that stands the test | :16:10. | :16:15. | |
# That lays upon the altar | :16:15. | :16:21. | |
# The dearest and the best | :16:21. | :16:26. | |
# The love that never falters | :16:27. | :16:29. | |
# The love that never falters | :16:29. | :16:35. | |
# The love that pays the price | :16:35. | :16:43. | |
# The love that makes undaunted | :16:43. | :16:51. | |
# The final sacrifice | :16:51. | :17:00. | |
# The final sacrifice | :17:00. | :17:08. | |
# And her ways are ways of gentleness | :17:08. | :17:15. | |
# And all her paths are peace | :17:16. | :17:22. | |
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