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The best of Welsh music, the best of world music. WOMEX is here. | :00:12. | :00:20. | |
Every year the world music industry gets together in one place. The | :00:21. | :00:27. | |
cream of world music from 100 countries has a chance to showcase | :00:28. | :00:31. | |
its talents. It is happening here in Wales. It's like the Olympics of the | :00:32. | :00:40. | |
world music world. It's a really good opportunity just to show to an | :00:41. | :00:44. | |
international audience what Wales has to offer musically. I thought it | :00:45. | :00:52. | |
was like a festival for women. I went on the computer and had a look, | :00:53. | :00:56. | |
I was impressed. I didn't know it was a worldwide thing. I'm really | :00:57. | :01:02. | |
glad to be able to shout from the hilltops, come and listen to our | :01:03. | :01:05. | |
music because it is very, very special. Across Millennium Centre to | :01:06. | :01:15. | |
Cardiff's Motorpoint Arena, the best of world music performers get a | :01:16. | :01:19. | |
chance to shine in a series of showcases. They perform before | :01:20. | :01:22. | |
influential figures in the international music scene. On the | :01:23. | :01:28. | |
menu at WOMEX is a feast. It's been described as a kind of musical | :01:29. | :01:33. | |
tapas. With over 60 showcases in three days we are in for a treat. | :01:34. | :01:43. | |
All corners of the globe are presented in Cardiff this week. All | :01:44. | :01:48. | |
bringing their traditional style, culture and humour. | :01:49. | :01:59. | |
This amazing festival started on Wednesday night with a special | :02:00. | :02:05. | |
opening concert devised by Cerys Matthews. It takes as its tion a | :02:06. | :02:12. | |
journey tloo through Welsh history, culture a music celebrating the Land | :02:13. | :02:14. | |
of Song. A traditional Welsh trument featured | :02:15. | :02:35. | |
at the beginning of the open concert. | :02:36. | :03:43. | |
The opening concert showcased not just Welsh music, but also dance. | :03:44. | :03:49. | |
For many of the international audience it was their first | :03:50. | :03:56. | |
introduction to the Welsh stepping and clogging tradition. | :03:57. | :05:37. | |
APPLAUSE More from Cerys's opening concert | :05:38. | :05:43. | |
later in the programme. Here, at the Motorpoint Arena is where all the | :05:44. | :05:48. | |
artists, agents and promoters come together to network. It's a huge | :05:49. | :05:51. | |
trade fair where all the deals are done. It is incredible to have WOMEX | :05:52. | :05:57. | |
here at last. It has been a long time. We have been dreaming about it | :05:58. | :06:01. | |
for years. We have been working actively on it for three years. It's | :06:02. | :06:05. | |
going swimmingly well. We are so happy. I had never heard about WOMEX | :06:06. | :06:09. | |
before the announced two years ago that it was coming to Wales, what do | :06:10. | :06:14. | |
you feel, now seeing it, is WOMEX? WOMEX is the variety of things. The | :06:15. | :06:19. | |
centre, the core if you like is this, the conversations that goes on | :06:20. | :06:23. | |
between the music industry with the artists, with venge sues -- venues, | :06:24. | :06:29. | |
festivals, people book rtists. Artists can get two years worth of | :06:30. | :06:33. | |
work out of one WOMEX. On the night it turns into a showcase, the best | :06:34. | :06:37. | |
music in the world, which is open to the public. Do you the artists get | :06:38. | :06:44. | |
picked to be play? They are asked to submit a press kit. 900 artists | :06:45. | :06:51. | |
applied, 58 came to Wales. They were particularly good. People come for | :06:52. | :06:54. | |
music from all over the world. You have to balance out your desires to | :06:55. | :06:59. | |
have everybody listen to what you've got with the desire to actually | :07:00. | :07:04. | |
introduce the world into Wales and encourage people in Wales to listen | :07:05. | :07:11. | |
out as well. The group Kan made a huge impression. It's a platform to | :07:12. | :07:15. | |
showcase the best UK and Irish performers. | :07:16. | :07:22. | |
Tell us about the band, Kan then. You are not based in the same city, | :07:23. | :07:28. | |
are you, how does that work? Well, it make it is difficult to rehearse, | :07:29. | :07:32. | |
but actually we always meet a day early and rehearse before. That is | :07:33. | :07:41. | |
when we make new music. We are based in Newcastle, Edinburgh and | :07:42. | :07:47. | |
ArArmagh, so quite far apart. People have described it as sort of | :07:48. | :07:52. | |
contemporary traditional music with jazz and world influences. We take | :07:53. | :07:56. | |
our influences from all over the place really. | :07:57. | :08:13. | |
What does being at WOMEX mean for you? We are a young band, we have | :08:14. | :08:19. | |
been playing together for three years. It's a brilliant place to | :08:20. | :08:24. | |
come and a great city to visit. Not your advice first visit to Cardiff? | :08:25. | :08:28. | |
Last time I got a speeding ticket and a summons to court because of | :08:29. | :08:33. | |
the speeding fine. Better luck this time! | :08:34. | :09:04. | |
APPLAUSE I'm here with the band Voiasa from | :09:05. | :09:17. | |
Budapest. It took a while to get here? We crossed the French and | :09:18. | :09:22. | |
English border three or four times. We didn't know how to buy the | :09:23. | :09:24. | |
tickets. Now we are here. This is gypsy music. This is the | :09:25. | :09:46. | |
kind of music that normally people don't imagine on gypsy music. It's | :09:47. | :09:50. | |
based on the singing and on the dance and rhythm. The musicians come | :09:51. | :09:55. | |
from different backgrounds. They come from a traditional background, | :09:56. | :10:01. | |
others come from more pop and more hard rock or jazz also. It's a very | :10:02. | :10:03. | |
good mix. Hello, Cerys Matthews, | :10:04. | :10:51. | |
congratulations on a wonderful opening concert. I wanted to ask you | :10:52. | :10:55. | |
about the concept really, Land of Song. Where did the idea come from? | :10:56. | :10:59. | |
We have been known as the land of song for over 100 years now. We sort | :11:00. | :11:04. | |
of think, gosh, that old cliche, sort of thing, I thought, no, I will | :11:05. | :11:08. | |
run with this. We have a lot of visiting delegates, 2,500 of them, | :11:09. | :11:12. | |
coming from all over the world. They are all mad music fans, they work in | :11:13. | :11:16. | |
the industry. I thought it would be a great opportunity to collect | :11:17. | :11:20. | |
together the most distinctive tradition that is we have in Wales, | :11:21. | :11:24. | |
in the old traditions and make a great show of them so we could stamp | :11:25. | :11:31. | |
a brilliant Welsh mark on these delegates. | :11:32. | :12:55. | |
APPLAUSE It's a mild autumn day and we have | :12:56. | :13:57. | |
10 acres to plough. You have line upon line of soil to work on. You | :13:58. | :14:04. | |
might find it a bit lonely and start imagining your girlfriend. You must | :14:05. | :14:09. | |
never forget that you are behind your ox, home land, move them | :14:10. | :14:12. | |
forward through the soil. Move them forward through the soil much you | :14:13. | :14:19. | |
might hear the birds, you might hear them and you might feel the need to | :14:20. | :14:23. | |
join them in a little bit. OK, don't fight the urge. OK, I think we're | :14:24. | :14:27. | |
ready for work. APPLAUSE | :14:28. | :17:31. | |
The magical voice of Georgia Ruth. We will will have more from the | :17:32. | :17:32. | |
opening concert later. A little flavour of mandolin man, | :17:33. | :17:46. | |
how did this band come together? My father was celebrating his 70th | :17:47. | :17:53. | |
birthday. He was collector of ancient melodies, as a surprise for | :17:54. | :17:57. | |
his birthday I always wanted to do something for mandolins, here they | :17:58. | :18:00. | |
are. How long have you been playing? We | :18:01. | :18:34. | |
now exist about three years. We just went this summer to Brazil. So our | :18:35. | :18:43. | |
first disk with traditional Belgium music, from the centre of the | :18:44. | :18:48. | |
country. We wanted to do something else and we made the Bosnova disk. | :18:49. | :18:58. | |
There is a bit of a Latin American feel to their next number. | :18:59. | :19:29. | |
From inside the Centre for Social Justice to -- Millennium Centre and | :19:30. | :19:45. | |
the flavour from the Cumbia All Stars. | :19:46. | :20:25. | |
The opening concert wouldn't be complete without one of these, the | :20:26. | :20:31. | |
traditional Welsh instrument, the harp. Not any old harp. This is the | :20:32. | :20:38. | |
authentic Welsh triple harp. It has three rows of strings. On Wednesday | :20:39. | :20:47. | |
night we saw two of these instruments duelling. They are world | :20:48. | :20:53. | |
authorities on the triple harp and are part of a tradition passed down | :20:54. | :20:57. | |
from player to player. Next, an example of a song, a | :20:58. | :22:53. | |
mixture of Welsh and English. It features a traditional Welsh | :22:54. | :23:02. | |
instrument. Watch out for the contemporary twist from Ballet | :23:03. | :23:06. | |
Cymru. APPLAUSE | :23:07. | :25:16. | |
You have worked with Ballet Cymru before? I have been on tour with | :25:17. | :25:21. | |
them twice already, I'm a huge fan of their work. They are visionaries | :25:22. | :25:29. | |
and are a real asset to Wales. At the festival I met the Chief | :25:30. | :26:48. | |
Executive of the Welsh Music Foundation who hook developing the | :26:49. | :26:54. | |
Welsh music industry. We are here in Wales, the whole of the world music | :26:55. | :26:57. | |
scene is here with us. We are talking to all of the world right | :26:58. | :27:01. | |
here, right now in Wales. It might be strange to some people to think | :27:02. | :27:05. | |
of such a creative thing as music, all those business aspects to it? | :27:06. | :27:10. | |
Yeah, absolutely. Absolutely. Some people pick up a guitar or play a | :27:11. | :27:13. | |
harp, they think that is all there is to it. There is so much more. You | :27:14. | :27:18. | |
know, you can record records, you can license those records in | :27:19. | :27:22. | |
different territories. Someone did a licensing deal with a record in | :27:23. | :27:27. | |
Greece. You can play live. A Welsh band got a deal to tour Canada. | :27:28. | :27:35. | |
Publish your music, have it synced with films and on TV. You just think | :27:36. | :27:40. | |
about playing the harp or the guitar. How far off are we in terms | :27:41. | :27:45. | |
of professionalising the Welsh industry? It's a constant thing. A | :27:46. | :27:49. | |
few years ago those bands wouldn't have had a record label to sign to. | :27:50. | :27:56. | |
Now you can sign and get to a certain level. That is exciting. We | :27:57. | :27:59. | |
knew we were bringing woe max in a couple of years ago. We have been | :28:00. | :28:02. | |
training artist managers for a year now in anticipation for this, to be | :28:03. | :28:06. | |
ready on the floor, here, so if somebody offers you a contract, or | :28:07. | :28:10. | |
starts talking about heads or terms you know what they are talking | :28:11. | :28:13. | |
about. You might do those deals in one country or five or 10. It is a | :28:14. | :28:18. | |
Lottery of work. Everything will be different each time. It takes a long | :28:19. | :28:21. | |
time and a lot of experience to build up that. Next year WOMEX moves | :28:22. | :28:37. | |
to Spain, it's fitting that their country took to the stage here in | :28:38. | :28:38. | |
Cardiff. There are strong connections between | :28:39. | :28:54. | |
musicians and music from Wales and from our area. Musicians from the | :28:55. | :29:01. | |
last 20 years and because this is the same language, it's easy to play | :29:02. | :29:04. | |
with them. I love the Wales music. APPLAUSE | :29:05. | :29:45. | |
We are travelling south to Algeria in Africa. And we join | :29:46. | :29:55. | |
FANFARE FANFARE, Fanfara. Tell me about your | :29:56. | :30:08. | |
name and music? It means something like brass band who plays right | :30:09. | :30:14. | |
music. It's based on the brass band. We take out all the electric stuff | :30:15. | :30:21. | |
and we make a band and we try to make connection with the North | :30:22. | :30:25. | |
African music. We like to make a bridge between them. | :30:26. | :30:40. | |
You play a wonderful instrument, tell me about that? It does the | :30:41. | :30:50. | |
bass. It's very heavy. It's like a human trumpet, actually. -- huge | :30:51. | :30:56. | |
trumpet, actually. One group that stood out for me at | :30:57. | :31:16. | |
this world music festival was especially commissioned cultural | :31:17. | :31:29. | |
exchange between Gwyneth Glyn and Ghazalaw. | :31:30. | :32:04. | |
When I heard his voice on YouTube I knew I wanted to work with him. It | :32:05. | :32:14. | |
blossomed from there. Can you explain to me the music you two do? | :32:15. | :32:26. | |
I sing poetry based with expressionive tunes. -- expressive | :32:27. | :32:28. | |
tunes. Apparently, when we started the | :32:29. | :32:51. | |
project, we thought it would be some kind of a fusion or something. It | :32:52. | :32:55. | |
ended up being a new genre in itself. As you know, Welsh language | :32:56. | :33:02. | |
and the language I sing in, they go back to an Indian language. Wen we | :33:03. | :33:08. | |
started jamming together, it was normal fusion, it was just like | :33:09. | :33:16. | |
separated cousins meeting one another again. | :33:17. | :33:34. | |
You got to have an exchange as well. You went to Mumbai, how was that? It | :33:35. | :33:42. | |
was incredible. I've always felt drawn to India. To the music and to | :33:43. | :33:49. | |
the culture, the food and spiritualality. The people are so | :33:50. | :33:52. | |
warm and open. The musicians, especially, it's an honour to play | :33:53. | :33:56. | |
with such professional and outstanding musicians of that | :33:57. | :34:00. | |
calibre. How did you enjoy the opening concert? I would just say | :34:01. | :34:06. | |
that I was mesmerised last night listening to the complete show. My | :34:07. | :34:15. | |
forum to the Welsh music was through Gwyneth Glyn. There are now | :34:16. | :34:20. | |
different variations and forms of the Celtic music and the Welsh music | :34:21. | :34:29. | |
on the whole, it's overwhelming. Ghazalaw were among the artists | :34:30. | :34:35. | |
choosen by Cerys Matthews for the opening concert. | :34:36. | :36:54. | |
APPLAUSE The rising start Georgia Ruth won | :36:55. | :37:09. | |
the Welsh Music Prize last week and played at Hyde Park this summer and | :37:10. | :37:17. | |
has found new fans on Radio 2 and Radio 6. Here she is in her | :37:18. | :37:19. | |
showcase. # And it came on slowly | :37:20. | :37:35. | |
# Slower than water # Under your bridges | :37:36. | :37:45. | |
# Bridges we've built, babe # Bridges of fire | :37:46. | :37:50. | |
# Bridges of fire to ride upon # Bridges of fire | :37:51. | :38:03. | |
We talked about how long she had been working on her debut album the | :38:04. | :38:09. | |
Week of Pines? Just the six years. I mean, I always say, I really mean | :38:10. | :38:14. | |
this, I'm so glad I waited, because I listen back and we've always | :38:15. | :38:18. | |
spoken about how much my style has changed over the years. I think I | :38:19. | :38:23. | |
wouldn't have been pleased to put anything but this record out first, | :38:24. | :38:28. | |
if that makes sense. Although there has been EPs they have been building | :38:29. | :38:33. | |
up to the sound that you get on Week of Pines. I knew I had to feel | :38:34. | :38:35. | |
ready. # The distances between us | :38:36. | :38:54. | |
# We are travellers, maybe we can find our way back to the week of | :38:55. | :39:05. | |
pines # To the week of pines... Da, da, | :39:06. | :39:28. | |
da, da, da # Oh | :39:29. | :39:34. | |
APPLAUSE Thank you very much. Thank you. | :39:35. | :39:48. | |
We bango 3, thank you very much, lads. Fantastic. Tell me about the | :39:49. | :39:55. | |
band? How did you get together? We are from Galway in the west of | :39:56. | :39:58. | |
Ireland. We are two sets of brothers. We started out as a three | :39:59. | :40:02. | |
piece with myself, Martin and David, who were brothers. What happened we | :40:03. | :40:06. | |
realised we were three ban Joes we needed a real musician in the band. | :40:07. | :40:13. | |
My mum ran me up and said, will you give Fergal a gig. He is a lonely. | :40:14. | :40:20. | |
We want to bring the ban Joe back to Europe. Once people hear it they are | :40:21. | :40:26. | |
addicted. We hope to have that effect here in Europe. Years did it | :40:27. | :40:31. | |
take you to learn to play? I still don't know how to play it. I have | :40:32. | :40:35. | |
been playing 15 years. I was taught when I was a young lad. I used to | :40:36. | :40:43. | |
look up to him, I now look down at him as I'm slightly taller. Thank | :40:44. | :40:47. | |
you very much. APPLAUSE | :40:48. | :41:21. | |
Also performing on the Horizon Stage and in advance of the fierce | :41:22. | :41:32. | |
Atlantic storms, Family Atlantica. It's a real collaboration across | :41:33. | :41:37. | |
different cultures with members drawn from North Africa and London | :41:38. | :41:43. | |
and Venezuela. It's what WOMEX is all about. | :41:44. | :42:26. | |
Courted recently as an intriguing collaborations by the press as being | :42:27. | :42:32. | |
one that really works. They really work together because we | :42:33. | :43:38. | |
compliment each other. I play rhythmically, we support each other. | :43:39. | :43:48. | |
I'm a Welsh musician. Primarily classical. If you think, in a way, | :43:49. | :43:52. | |
that is a really strange collaborations, like the opposite | :43:53. | :43:55. | |
spectrum of music. You have had amazing reviews in the | :43:56. | :44:25. | |
papers? It's a beautiful album. A couple who spent all day together. | :44:26. | :44:32. | |
In the evening they sleep separately. They call each other to | :44:33. | :44:39. | |
find each other to spend the day together again. | :44:40. | :44:53. | |
APPLAUSE Back to our opening concert on | :44:54. | :44:57. | |
Wednesday night. I wonder whether our international visitors can get | :44:58. | :45:03. | |
their teeth into a unique and particular tradition. My friend, we | :45:04. | :45:18. | |
are going to sing you (inaudible) my friend will play an air on the harp. | :45:19. | :45:25. | |
I will join him half way through. The song he is playing and the song | :45:26. | :45:31. | |
that we are singing is the same song, but is a different song. And | :45:32. | :45:38. | |
the object of the exercise is for us both to finish together. So it's | :45:39. | :45:42. | |
every man for himself in the middle and God help us all at the end. | :45:43. | :47:42. | |
APPLAUSE Fusion has been a big word here this | :47:43. | :47:50. | |
week. At the opening concert, a playful duet between traditional and | :47:51. | :48:14. | |
modern dancing styles gave it a new twist. | :48:15. | :50:23. | |
APPLAUSE Next, a group from Mali, a country | :50:24. | :50:37. | |
that has been at the forefront of music. We welcome Sidi Toure. | :50:38. | :51:26. | |
APPLAUSE. Also from Mali here are Debademba | :51:27. | :51:36. | |
with their totally different funky disco-like style. | :51:37. | :52:03. | |
Tell me a little of the history of the band? | :52:04. | :52:10. | |
TRANSLATION: Debademba means big family. It's a family of different | :52:11. | :52:15. | |
musicians coming from different countries. A big family from all the | :52:16. | :52:17. | |
world. The music is African music, but with | :52:18. | :52:55. | |
a lot of influences, blues, flamenco, African guitars. Thank you | :52:56. | :53:06. | |
very much. Thank you very much. Merci. | :53:07. | :53:33. | |
APPLAUSE Back to the opening concert. I | :53:34. | :53:38. | |
thought it would be good to finish where we began. -- here in Cardiff | :53:39. | :53:48. | |
Bay. I thought it would be local to invite a local schoolgirl to sing, | :53:49. | :53:51. | |
please give her a warm welcome. What a week it has been for music in | :53:52. | :56:50. | |
Wales. I have heard there is a big news announcement this week as well? | :56:51. | :56:54. | |
Yes, there is. The band 9 Bach have signed to Peter Gabriel's label. | :56:55. | :56:59. | |
They will be releasing their next record with him in 2014. It's | :57:00. | :57:03. | |
exciting for them. They will reach a whole new market across the world. | :57:04. | :57:27. | |
Why isn't there an equivalent of Real World in Wales. Many years ago | :57:28. | :57:34. | |
there wouldn't have been any record label for them to sign to. They | :57:35. | :57:36. | |
developed their career well in Wales. We are missing that next | :57:37. | :57:40. | |
level. Good luck to them, great, we are very excited. The thing we will | :57:41. | :57:45. | |
go away to work on is develop a label that is at that level. We | :57:46. | :57:50. | |
won't know what the effect of WOMEX is for at least five years. One of | :57:51. | :57:56. | |
the main reasons for getting WOMEX was the effect on the music industry | :57:57. | :58:00. | |
in Wales. That will be a long-term effect. The majority of artist we | :58:01. | :58:05. | |
have here have never been to WOMEX before. It's their opportunity to | :58:06. | :58:08. | |
understand what they need to do. When they do come with us next year | :58:09. | :58:13. | |
they will be prepared and we do have artists showcasing in WOMEX without | :58:14. | :58:15. | |
it having to be in Wales. That is when we will start to feel the | :58:16. | :58:22. | |
effect of WOMEX. You want to catch some of the WOMEX vibe look out for | :58:23. | :58:27. | |
the Horizons Tour, some of the Welsh and international acts are playing | :58:28. | :58:32. | |
at venues across Wales. That is it from Cardiff. Next year WOMEX goes | :58:33. | :58:36. | |
to Spain. We are looking forward to it already. | :58:37. | :58:42. |