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Hey, guys, we are here at Unit 31 in Splow, also known as Splott, | 0:00:02 | 0:00:07 | |
and I'm doing my Entanglement show here this evening. | 0:00:07 | 0:00:10 | |
It's a homecoming show, if you will. Obviously I'm a Cardiff girl. | 0:00:10 | 0:00:15 | |
I've lived in Cardiff all my life so it means the world to me | 0:00:15 | 0:00:18 | |
to come here and do this particular show | 0:00:18 | 0:00:21 | |
and I hope that you guys at home enjoy it as well. | 0:00:21 | 0:00:23 | |
# Why are we tangled up? | 0:00:25 | 0:00:35 | |
# Interrelated knit together by something faster than light... # | 0:00:44 | 0:00:50 | |
Within the Entanglement concert, there are two halves - | 0:00:52 | 0:00:55 | |
the first half and the second half. Aptly named, I thought. | 0:00:55 | 0:00:57 | |
The first half hopefully will feel like a big party. | 0:01:01 | 0:01:06 | |
Big, crazy, space-physics, entanglement-connected, crazy party. | 0:01:06 | 0:01:12 | |
# I...I can't explain why | 0:01:12 | 0:01:18 | |
# I love you, little atom | 0:01:18 | 0:01:23 | |
# Just like I know you love me | 0:01:29 | 0:01:33 | |
# Precisely as much | 0:01:33 | 0:01:38 | |
# Simply bumping | 0:01:53 | 0:01:57 | |
# Or burn together in a cosmic crucible | 0:01:57 | 0:02:02 | |
# And spin off | 0:02:04 | 0:02:07 | |
# In opposite directions | 0:02:07 | 0:02:10 | |
# Maybe love will react again | 0:02:10 | 0:02:19 | |
# But against all odds | 0:02:19 | 0:02:26 | |
# We're tangled up | 0:02:26 | 0:02:33 | |
# Maybe every atom | 0:02:36 | 0:02:38 | |
# Maybe every proton, quark and prion | 0:02:38 | 0:02:41 | |
# Will meet some day | 0:02:41 | 0:02:46 | |
# Until that day | 0:02:49 | 0:02:56 | |
# We're tangled up. # | 0:02:56 | 0:03:00 | |
APPLAUSE | 0:03:07 | 0:03:11 | |
So, hi. Thanks for coming to our neonic show. | 0:03:11 | 0:03:16 | |
We've got all of this crazy neon paint - | 0:03:18 | 0:03:20 | |
really intricate shapes and it's sort of about connection | 0:03:20 | 0:03:24 | |
and geometry and sciences, physics and biology. | 0:03:24 | 0:03:28 | |
I liked the idea of just creating a fantasy idea of a music virus | 0:03:28 | 0:03:32 | |
so the actual DNA of the virus is | 0:03:32 | 0:03:34 | |
the first part of Entanglement, | 0:03:34 | 0:03:35 | |
the song, and what's happening is that he's | 0:03:35 | 0:03:38 | |
kind of spinning out his ideas into the world. | 0:03:38 | 0:03:42 | |
For my make-up, I sort of had this jellyfish thing. | 0:03:42 | 0:03:47 | |
Yeah, there's something fundamentally | 0:03:47 | 0:03:49 | |
sciency about it, I thought, at least anyway. | 0:03:49 | 0:03:52 | |
'We're trying to find out as much as we can about the world | 0:03:52 | 0:03:54 | |
'and if it turns out there is a simple ultimate law that | 0:03:54 | 0:03:57 | |
'explains everything, so be it. That would be very nice to discover. | 0:03:57 | 0:04:00 | |
'If it turns out it's an onion with millions of layers and we're | 0:04:00 | 0:04:03 | |
'just sick and tired of looking at the layers then that's the way it is. | 0:04:03 | 0:04:07 | |
'But whatever way it comes out, its nature is there | 0:04:07 | 0:04:09 | |
'and she is going to come out the way she is and therefore | 0:04:09 | 0:04:12 | |
'when we go to investigate it, we shouldn't pre-decide | 0:04:12 | 0:04:15 | |
'what it is we're trying to do except find out more about it.' | 0:04:15 | 0:04:18 | |
# I can dream | 0:04:34 | 0:04:39 | |
# I can dream | 0:04:41 | 0:04:45 | |
# I'd build a castle for a crystal cup | 0:04:48 | 0:04:53 | |
# I'd flood the ravine just to | 0:04:53 | 0:04:56 | |
# Raise you up | 0:04:56 | 0:05:01 | |
# I can dream | 0:05:04 | 0:05:09 | |
# I can dream | 0:05:09 | 0:05:15 | |
# Freezing the snowfall for your favourite view | 0:05:17 | 0:05:21 | |
# Whip up a firestorm just to warm you | 0:05:22 | 0:05:33 | |
# Through | 0:05:33 | 0:05:40 | |
# Oh, I will deliver when I sleep | 0:06:02 | 0:06:04 | |
# I deliver you and wake | 0:06:04 | 0:06:08 | |
# Oh, with a shiver when I sleep | 0:06:08 | 0:06:10 | |
# I will shake myself to face the day | 0:06:10 | 0:06:14 | |
# Oh, I will deliver when I sleep | 0:06:14 | 0:06:16 | |
# I make promises | 0:06:16 | 0:06:18 | |
# I can dream | 0:06:25 | 0:06:30 | |
# I can dream | 0:06:30 | 0:06:37 | |
# Fill up the glasses | 0:06:37 | 0:06:42 | |
# A toast to the sick-sweet | 0:06:42 | 0:06:48 | |
# The best and the better | 0:06:48 | 0:06:54 | |
# The best | 0:06:54 | 0:06:58 | |
# The ever-ripening best | 0:06:58 | 0:07:03 | |
# Oh, I can dream | 0:07:16 | 0:07:20 | |
# Oh, I can dream | 0:07:22 | 0:07:25 | |
# Oh, I can dream | 0:07:27 | 0:07:29 | |
# Hey-ah, hey-ah, hey-ah | 0:07:29 | 0:07:33 | |
# Oh, I can dream | 0:07:33 | 0:07:34 | |
# Hey-ah, hey-ah, hey-ah | 0:07:34 | 0:07:39 | |
# Oh, I will deliver when I sleep | 0:07:39 | 0:07:41 | |
# I deliver you and wake | 0:07:41 | 0:07:45 | |
# Oh, with a shiver when I sleep | 0:07:45 | 0:07:47 | |
# I will shake myself to face the day | 0:07:47 | 0:07:51 | |
# Oh, I will deliver when I sleep | 0:07:51 | 0:07:53 | |
# I make promises | 0:07:53 | 0:07:56 | |
# I make promises. # | 0:07:56 | 0:08:00 | |
APPLAUSE | 0:08:05 | 0:08:09 | |
Thank you. | 0:08:09 | 0:08:10 | |
-Look at your hair! -He wants to put some straighteners in it. | 0:08:15 | 0:08:18 | |
Yeah, that's true. | 0:08:18 | 0:08:19 | |
'I met Johnny and we started writing together...' | 0:08:19 | 0:08:23 | |
-Oh, my God! -I just realised you eat nothing but hemp, you know. | 0:08:23 | 0:08:27 | |
'..and then we formed the band which was incredible.' | 0:08:27 | 0:08:30 | |
It's been a real labour of love for everybody involved | 0:08:30 | 0:08:33 | |
and, you know, we've given everything to it. | 0:08:33 | 0:08:36 | |
The whole way across, we've been putting loads of love | 0:08:36 | 0:08:39 | |
and energy and all of our passion into this one project. | 0:08:39 | 0:08:43 | |
I hope that it moves people, | 0:08:43 | 0:08:45 | |
like I hope the people understand how much emotion is | 0:08:45 | 0:08:48 | |
poured into these songs and the writing and you know, the whole | 0:08:48 | 0:08:52 | |
construction of this music and this show is just a whole tonne of emotion. | 0:08:52 | 0:08:57 | |
# Sometimes I need to feel | 0:09:05 | 0:09:09 | |
# I'm not the sole occupant of this body | 0:09:12 | 0:09:19 | |
# Invade me | 0:09:23 | 0:09:27 | |
# Occupy my mind | 0:09:34 | 0:09:38 | |
# Oh, its folds are full and its hills are high | 0:09:40 | 0:09:43 | |
# And it runs deep | 0:09:43 | 0:09:47 | |
# Don't want to be alone | 0:09:53 | 0:09:57 | |
# Don't want to be alone | 0:09:58 | 0:10:01 | |
# But you can't get there by love alone | 0:10:03 | 0:10:07 | |
# No | 0:10:08 | 0:10:12 | |
# Beyond the power of man | 0:10:20 | 0:10:24 | |
# Oh, there are things I do that I know you think are pure crazy | 0:10:26 | 0:10:32 | |
# Invade me | 0:10:36 | 0:10:40 | |
# Drill into my skull | 0:10:47 | 0:10:53 | |
# Hook me up and get every viewpoint in HD | 0:10:54 | 0:10:59 | |
# Don't want to be alone | 0:11:07 | 0:11:11 | |
# We'll never feel alone | 0:11:12 | 0:11:16 | |
# When we know each other to the bone | 0:11:16 | 0:11:20 | |
# But you can't get there by love alone | 0:11:22 | 0:11:26 | |
# Ooh-ahh | 0:12:01 | 0:12:03 | |
# Beyond the power of man | 0:12:10 | 0:12:14 | |
# Oh, there are things I know that I know you think are pure crazy | 0:12:16 | 0:12:22 | |
# Invade me. # | 0:12:27 | 0:12:31 | |
APPLAUSE | 0:12:50 | 0:12:54 | |
This is the last song of this set so this is Glitterbombed. | 0:12:54 | 0:12:57 | |
Glitterbombed is what it's like when somebody rubs off on you. | 0:13:00 | 0:13:04 | |
So if you really like somebody, | 0:13:04 | 0:13:05 | |
you tend to mirror a lot of their behaviours etc. | 0:13:05 | 0:13:09 | |
It's just a natural thing that happens in the brain. | 0:13:09 | 0:13:12 | |
But, yeah, so it's Glitterbombed because...when...with glitter, | 0:13:12 | 0:13:15 | |
you can't get glitter off you. | 0:13:15 | 0:13:17 | |
It just hangs around for ages. | 0:13:17 | 0:13:19 | |
# It caught my eye | 0:13:32 | 0:13:34 | |
# So I brushed my arm | 0:13:34 | 0:13:36 | |
# Just a speck of silver light | 0:13:40 | 0:13:44 | |
# Trapped on the peak of my fingertip | 0:13:47 | 0:13:52 | |
# Just a speck of silver light | 0:13:56 | 0:13:59 | |
# Just a mote to know you by | 0:13:59 | 0:14:02 | |
# I've got glitter in my wounds | 0:14:06 | 0:14:15 | |
# Since I was glitterbombed by you | 0:14:15 | 0:14:20 | |
# When I walk back from your house | 0:14:28 | 0:14:32 | |
# I leave silver in my steps | 0:14:36 | 0:14:40 | |
# When I talk and your words fall out | 0:14:44 | 0:14:49 | |
# They've got silver on the edge | 0:14:52 | 0:14:54 | |
# Hang shining in the air | 0:14:54 | 0:14:58 | |
# I've got glitter in my wounds | 0:15:02 | 0:15:11 | |
# Since I was glitterbombed by you | 0:15:11 | 0:15:17 | |
# And I don't mind | 0:15:18 | 0:15:22 | |
# What once was yours alone | 0:15:23 | 0:15:28 | |
# Now it's mine | 0:15:28 | 0:15:33 | |
# I've got glitter in my wounds | 0:16:29 | 0:16:37 | |
# Since I was glitterbombed by you | 0:16:37 | 0:16:41 | |
# Since I was glitterbombed by you | 0:16:41 | 0:16:46 | |
# Now I sparkle when I move | 0:16:46 | 0:16:54 | |
# Since I was glitterbombed by you | 0:16:54 | 0:16:57 | |
# Since I was glitterbombed by you | 0:16:57 | 0:17:01 | |
# What once was yours | 0:17:01 | 0:17:06 | |
# What once was yours alone | 0:17:06 | 0:17:11 | |
# Now it's mine. # | 0:17:11 | 0:17:15 | |
APPLAUSE | 0:17:30 | 0:17:33 | |
The second half has a different feel | 0:17:33 | 0:17:35 | |
so the second half should feel a bit more calm, a bit more serene. | 0:17:35 | 0:17:40 | |
A bit moodier, a bit darker. | 0:17:40 | 0:17:41 | |
And then there's a choir in the second half. | 0:17:41 | 0:17:45 | |
A 14-piece choir and they're lending contemporary voices. | 0:17:45 | 0:17:49 | |
They're totally awesome. | 0:17:49 | 0:17:51 | |
And then also, tentacles come out of this skirt, orchids, | 0:17:51 | 0:17:56 | |
flower light-up thing. | 0:17:56 | 0:17:59 | |
In theory, everybody will be attached or will attach | 0:17:59 | 0:18:02 | |
themselves somehow to these tentacle light things | 0:18:02 | 0:18:05 | |
and hopefully everybody will be full of love and connectivity. | 0:18:05 | 0:18:09 | |
# I got worked up like a fool | 0:18:27 | 0:18:33 | |
# Now I need to wash myself with thoughts | 0:18:41 | 0:18:45 | |
# As clear as water | 0:18:45 | 0:18:49 | |
# I got worked up like a fool for you | 0:19:02 | 0:19:09 | |
# I don't need those flowers to make myself as clear as water | 0:19:15 | 0:19:23 | |
# Mountain water | 0:19:27 | 0:19:30 | |
# Flush my lungs | 0:19:33 | 0:19:40 | |
# Won't you pull me out? | 0:19:40 | 0:19:45 | |
# I think I'm losing touch | 0:20:08 | 0:20:13 | |
# I'm diaphanous A figure of smoke and mirrors | 0:20:21 | 0:20:29 | |
# I think I'm losing touch with you | 0:20:42 | 0:20:49 | |
# Is my smile bent? | 0:20:55 | 0:20:58 | |
# A rod seen through the clearest water | 0:20:58 | 0:21:03 | |
# Mountain water | 0:21:06 | 0:21:10 | |
# Flush my veins | 0:21:13 | 0:21:20 | |
# Won't you pull me out? | 0:21:20 | 0:21:25 | |
# Mountain water | 0:21:34 | 0:21:41 | |
# Flood my lungs | 0:21:41 | 0:21:48 | |
# Won't you pull me out? | 0:21:48 | 0:21:55 | |
# Pull me out | 0:22:03 | 0:22:08 | |
# Pull me out | 0:22:10 | 0:22:16 | |
# Pull me out | 0:22:17 | 0:22:22 | |
# Of the rising water | 0:22:24 | 0:22:27 | |
# Mountain water | 0:22:59 | 0:23:05 | |
# Flood my lungs | 0:23:06 | 0:23:12 | |
# Won't you pull me out? | 0:23:12 | 0:23:19 | |
# I got worked up like a fool. # | 0:23:26 | 0:23:33 | |
Nerve is basically the time just after you've had a huge argument | 0:23:55 | 0:24:00 | |
when you start to really think about what's going to happen | 0:24:00 | 0:24:03 | |
with the future with that person or whatever. | 0:24:03 | 0:24:05 | |
It's those feelings just after so a lot of it is quite calm | 0:24:05 | 0:24:10 | |
and reflective and then it sort of blows up into this really, | 0:24:10 | 0:24:15 | |
really quite angry, | 0:24:15 | 0:24:17 | |
volatile chorus but which comes back down to, "I'm confused and I love you." | 0:24:17 | 0:24:24 | |
# Yeah | 0:24:37 | 0:24:44 | |
# Yeah | 0:24:53 | 0:24:59 | |
# Are you just a waste of my time? | 0:25:15 | 0:25:19 | |
# Is that all you say? | 0:25:25 | 0:25:29 | |
# And I... | 0:25:35 | 0:25:40 | |
# Am I just a waste of your time? | 0:25:45 | 0:25:49 | |
# Is that all you have to say? | 0:25:55 | 0:25:58 | |
# Well, if you feel this way | 0:26:04 | 0:26:08 | |
# You don't want to hear | 0:26:12 | 0:26:15 | |
# I love... | 0:26:15 | 0:26:21 | |
# Cos I'm only wasting your time | 0:26:25 | 0:26:28 | |
# You don't listen to anything you don't want to hear | 0:26:34 | 0:26:44 | |
# Well, what am I to do? | 0:26:44 | 0:26:53 | |
# And I love you | 0:27:01 | 0:27:04 | |
# Am I just a waste of your time? | 0:27:10 | 0:27:13 | |
# Well, if you feel like that then Ill go now | 0:27:29 | 0:27:35 | |
# Because I'd rather that than waste any more of your time | 0:27:41 | 0:27:45 | |
# You don't listen | 0:27:50 | 0:27:58 | |
# You don't want to hear | 0:27:58 | 0:28:01 | |
# Well, what am I to do? | 0:28:01 | 0:28:08 | |
# Because I'm confused | 0:28:09 | 0:28:13 | |
# And I love you | 0:28:18 | 0:28:22 | |
# Yeah | 0:28:26 | 0:28:32 | |
# Oh-oh-oh, oh-oh-oh, oh | 0:28:34 | 0:28:38 | |
# Yeah | 0:28:41 | 0:28:48 | |
# Oh-oh-oh, oh-oh-oh, oh. # | 0:28:50 | 0:28:54 | |
APPLAUSE | 0:29:04 | 0:29:08 | |
Thank you. | 0:29:08 | 0:29:11 | |
I just can't believe it's all worked. | 0:29:11 | 0:29:14 | |
All of these abstract ideas that started off like, | 0:29:14 | 0:29:17 | |
"Mmm! I wonder if I could have a light-up squid that looked like a | 0:29:17 | 0:29:19 | |
"jellyfish that grew tentacles for this particular song and it would | 0:29:19 | 0:29:22 | |
"just be really sort of...lots of connectivity about it?" | 0:29:22 | 0:29:27 | |
Well, A - we managed to make all of that stuff | 0:29:27 | 0:29:29 | |
and make it look really beautiful and B - that people get it | 0:29:29 | 0:29:33 | |
and it evokes the feelings that I thought it might, you know? | 0:29:33 | 0:29:36 | |
With a lot of these things, you just don't know how on earth it's going to work. | 0:29:36 | 0:29:40 | |
# Nothing will be as it seems | 0:29:47 | 0:29:50 | |
# Those rivers, houses and trees | 0:29:51 | 0:29:55 | |
# Are not the same ones that you knew | 0:29:55 | 0:30:00 | |
# But they still tug at your heart | 0:30:01 | 0:30:04 | |
# The memory of your heart | 0:30:06 | 0:30:10 | |
# You mustn't let it get you down | 0:30:10 | 0:30:15 | |
# You mustn't let it get you down | 0:30:15 | 0:30:19 | |
# You mustn't let it get you down | 0:30:19 | 0:30:26 | |
# This is how not to be surprised when you're a ghost | 0:30:27 | 0:30:36 | |
# Your love from years before | 0:30:50 | 0:30:55 | |
# Who got here before you | 0:30:55 | 0:30:59 | |
# Will love you like she did back then | 0:30:59 | 0:31:04 | |
# Your love who knelt by your side | 0:31:04 | 0:31:08 | |
# Will soon be here with you | 0:31:08 | 0:31:12 | |
# It's up to you to sort it out | 0:31:12 | 0:31:16 | |
# We hope that you can sort it out | 0:31:16 | 0:31:21 | |
# You mustn't let it get you down | 0:31:21 | 0:31:29 | |
# This is how not to be surprised when you're a ghost | 0:31:29 | 0:31:38 | |
# This is how not to be surprised when you're a ghost | 0:31:38 | 0:31:47 | |
# This is how not to be surprised when you're a ghost | 0:31:47 | 0:31:55 | |
# This is how not to be surprised when you're a ghost | 0:31:56 | 0:32:06 | |
# Just think what you could get done | 0:32:10 | 0:32:17 | |
# There's no timing | 0:32:17 | 0:32:20 | |
# You can put to bed | 0:32:20 | 0:32:26 | |
# Each thing that you left untied | 0:32:26 | 0:32:34 | |
# If you're of a mind to do it | 0:32:34 | 0:32:38 | |
# If you're of a mind to do it right | 0:32:38 | 0:32:42 | |
# If you love 'em you should do it | 0:32:42 | 0:32:45 | |
# If you love 'em you should do it right | 0:32:45 | 0:32:50 | |
# See the way she hides behind her hair | 0:32:50 | 0:32:54 | |
# If you love her you should set it right | 0:32:54 | 0:32:57 | |
# If you ever said life isn't fair | 0:32:57 | 0:33:01 | |
# This could be your chance to get it right | 0:33:01 | 0:33:09 | |
# This is how not to be surprised when you're a ghost | 0:33:14 | 0:33:24 | |
# This is how not to be surprised when you're a ghost. # | 0:33:24 | 0:33:35 | |
APPLAUSE | 0:33:37 | 0:33:40 | |
Now, what I want you to do is I want you to feel the tentacle love. | 0:33:43 | 0:33:46 | |
Is everybody connected? | 0:33:46 | 0:33:48 | |
Our final song this evening is Love and Love is pretty much... | 0:33:48 | 0:33:55 | |
I don't want to sound like a huge cheeseball but I'm about to... | 0:33:55 | 0:33:58 | |
is pretty much about the circle of life and the way in which... | 0:33:58 | 0:34:02 | |
but mostly from a female perspective. | 0:34:02 | 0:34:04 | |
Mostly from that sort of mother perspective, really. | 0:34:04 | 0:34:09 | |
Love can be so complicated sometimes | 0:34:09 | 0:34:11 | |
but when it comes to your children, it's so uncomplicated. | 0:34:11 | 0:34:14 | |
There are lots of complications around kids and all of that | 0:34:14 | 0:34:18 | |
but in terms of the love that you have for them, | 0:34:18 | 0:34:20 | |
it's completely uncomplicated and really pure and a beautiful thing. | 0:34:20 | 0:34:24 | |
# When I came out from the river | 0:34:28 | 0:34:33 | |
# When I came out from the river | 0:34:35 | 0:34:40 | |
# When I was still small | 0:34:41 | 0:34:45 | |
# When I was still safe | 0:34:45 | 0:34:49 | |
# And I didn't have to contemplate | 0:34:49 | 0:34:57 | |
# Love | 0:34:57 | 0:35:03 | |
# Love | 0:35:04 | 0:35:08 | |
# Love | 0:35:08 | 0:35:12 | |
# Love | 0:35:13 | 0:35:17 | |
# Love | 0:35:18 | 0:35:21 | |
# Love, love, love, love, love | 0:35:23 | 0:35:26 | |
CHOIR HARMONISES | 0:35:26 | 0:35:29 | |
# When I went back to the water | 0:35:36 | 0:35:42 | |
# And I emerged with a daughter | 0:35:43 | 0:35:49 | |
# My arms were full of life | 0:35:50 | 0:35:55 | |
# Life reached her arms out to cradle us | 0:35:58 | 0:36:04 | |
# I didn't have to | 0:36:05 | 0:36:09 | |
# I didn't have to | 0:36:09 | 0:36:13 | |
# I didn't have to complicate | 0:36:13 | 0:36:19 | |
# Love | 0:36:20 | 0:36:26 | |
# Love | 0:36:28 | 0:36:30 | |
# Love | 0:36:31 | 0:36:35 | |
# Love | 0:36:37 | 0:36:41 | |
# Love | 0:36:43 | 0:36:46 | |
# Love, love, love, love, love | 0:36:48 | 0:36:50 | |
# Ooh-ooh... | 0:36:50 | 0:36:58 | |
# Ooh-ooh... | 0:36:58 | 0:37:05 | |
# Ahh-ah-ah... | 0:37:05 | 0:37:13 | |
# Ahh-ah-ah | 0:37:13 | 0:37:18 | |
# Love | 0:37:20 | 0:37:26 | |
# Love, love, love... | 0:37:26 | 0:37:28 | |
# Love | 0:37:28 | 0:37:31 | |
# Love | 0:37:31 | 0:37:36 | |
# Love | 0:37:36 | 0:37:41 | |
# Love | 0:37:41 | 0:37:47 | |
# Love, love, love, love, love | 0:37:47 | 0:37:50 | |
# Love, love, love, love, love | 0:37:50 | 0:37:56 | |
# Love, love, love | 0:37:56 | 0:37:59 | |
# Love, love, love, love | 0:37:59 | 0:38:05 | |
# Love | 0:38:05 | 0:38:08 | |
CHOIR HARMONISES | 0:38:08 | 0:38:11 | |
# Ahh-ahh. # | 0:38:35 | 0:38:42 | |
APPLAUSE | 0:38:45 | 0:38:48 | |
Thank you very much. I hope you've had a good evening. | 0:38:49 | 0:38:52 | |
Thank you so much. | 0:38:52 | 0:38:54 |