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Giovanni is a mystery. | 0:00:14 | 0:00:18 | |
One of the biggest lovers in the world. | 0:00:18 | 0:00:21 | |
A man on an endless quest for immortality. | 0:00:21 | 0:00:23 | |
-Don Giovanni is a horrible man. He betrays everyone. -He's a dreamer. | 0:00:26 | 0:00:31 | |
He's a dangerous man. | 0:00:31 | 0:00:33 | |
Scum of the earth. | 0:00:34 | 0:00:36 | |
Probably there are many Don Giovannis in the street. | 0:00:38 | 0:00:41 | |
Please don't meet them. Don't even talk to them. It's better like this. | 0:00:41 | 0:00:45 | |
He's fabulously, charismatically attractive. | 0:00:47 | 0:00:49 | |
I want to kill him. | 0:00:50 | 0:00:52 | |
Scandalously immoral. | 0:01:06 | 0:01:07 | |
Adored and mourned in equal measure by audiences. | 0:01:07 | 0:01:11 | |
Don Giovanni is opera's most notorious seducer. | 0:01:11 | 0:01:14 | |
He's as irresistible today as he was when Mozart | 0:01:14 | 0:01:17 | |
and his librettist Da Ponte got together to write | 0:01:17 | 0:01:20 | |
the opera for the National Theatre in Prague in 1787. | 0:01:20 | 0:01:25 | |
The show was a sensation. | 0:01:25 | 0:01:26 | |
It made its way to England 30 years later | 0:01:26 | 0:01:29 | |
and has been a crowd puller here and everywhere ever since. | 0:01:29 | 0:01:33 | |
It's musically brilliant | 0:01:34 | 0:01:36 | |
and it's a powerful reflection of the human condition. | 0:01:36 | 0:01:39 | |
It's a story about a man who has seduced 2,065 women. | 0:01:40 | 0:01:44 | |
But on the morning of one of his conquests | 0:01:44 | 0:01:46 | |
he gets stopped by the father of this woman he just seduced | 0:01:46 | 0:01:49 | |
and in the ensuing fight he kills him. | 0:01:49 | 0:01:51 | |
And from then on it's all downhill. | 0:01:51 | 0:01:53 | |
Donna Anna is part of the nobility and her father decided | 0:01:57 | 0:02:01 | |
she should marry Don Ottavio. | 0:02:01 | 0:02:03 | |
And Don Ottavio runs in and she realises that she is not able | 0:02:03 | 0:02:07 | |
to say what happened. | 0:02:07 | 0:02:09 | |
So she starts lying | 0:02:09 | 0:02:10 | |
and she continues lying to Don Ottavio all through the piece. | 0:02:10 | 0:02:14 | |
Donna Elvira is the official wife of Don Giovanni. | 0:02:16 | 0:02:21 | |
He married her in Burgos a few days ago and just left her. | 0:02:21 | 0:02:26 | |
So she's running after him and she's looking for him | 0:02:26 | 0:02:31 | |
and she's really, really in love with him | 0:02:31 | 0:02:34 | |
and she thought he was honest with her but obviously he is just a liar. | 0:02:34 | 0:02:40 | |
I'm playing Zerlina, who is a peasant girl. | 0:02:40 | 0:02:42 | |
And often she's portrayed as quite naive, a bit innocent | 0:02:42 | 0:02:46 | |
and somebody who's seduced by the don. | 0:02:46 | 0:02:48 | |
But in this production she's a bit more ambitious. | 0:02:48 | 0:02:51 | |
She wants to better herself and she sees the don as maybe | 0:02:51 | 0:02:54 | |
a way of doing that. | 0:02:54 | 0:02:55 | |
The relationship between Leporello | 0:02:56 | 0:02:59 | |
and Don Giovanni in this production is not exactly servant and boss. | 0:02:59 | 0:03:05 | |
It's basically of two friends. | 0:03:08 | 0:03:10 | |
Leporello is his conscience. | 0:03:11 | 0:03:13 | |
Both the little devil on his shoulder | 0:03:13 | 0:03:14 | |
and the little angel on his shoulder talking in his ears. | 0:03:14 | 0:03:17 | |
It's, in a way, some of the inner dialogues that Don Giovanni doesn't have otherwise, | 0:03:17 | 0:03:21 | |
he has them with Leporello. | 0:03:21 | 0:03:23 | |
We are not meeting Don Giovanni when he tries to seduce the 30th girl. | 0:03:25 | 0:03:30 | |
He is trying to seduce the 2,000 and some hundred. | 0:03:30 | 0:03:34 | |
So, you know, he's the loser. It's the last time. | 0:03:34 | 0:03:37 | |
He will not have any girl that day. | 0:03:37 | 0:03:41 | |
Don Giovanni is the guy who gives everything to every woman. | 0:03:42 | 0:03:47 | |
Everything she wants. | 0:03:47 | 0:03:48 | |
And he learned it. He's an artist. | 0:03:50 | 0:03:54 | |
He's seeing the women as an art. | 0:03:54 | 0:03:58 | |
What we see on the walls in this production is his quick drawings. | 0:03:59 | 0:04:02 | |
A few words about this and that woman | 0:04:02 | 0:04:05 | |
just to remember what it was like. | 0:04:05 | 0:04:08 | |
We have turned the stage into a version of Don Giovanni's mind. | 0:04:11 | 0:04:15 | |
A complex, ever-changing set. | 0:04:15 | 0:04:17 | |
It's almost as if we enter his mind as the girls he seduced do. | 0:04:17 | 0:04:21 | |
Because we're projection mapping over the entire | 0:04:21 | 0:04:24 | |
sculpture at all times, sometimes you're not sure | 0:04:24 | 0:04:27 | |
if a wall is really moving or a projected door is moving. | 0:04:27 | 0:04:30 | |
We have to fix where I'm coming from because I open one door | 0:04:30 | 0:04:35 | |
and then I open the second door. | 0:04:35 | 0:04:37 | |
I opened the second door and it was a third door. | 0:04:37 | 0:04:40 | |
It's both a tragedy and a comedy, a farce that needs to move fast | 0:04:40 | 0:04:43 | |
and be funny. | 0:04:43 | 0:04:44 | |
We set it in Victorian times, where they're all completely buttoned up. | 0:04:47 | 0:04:51 | |
They wear gloves, they show no skin. | 0:04:51 | 0:04:53 | |
If Giovanni even takes the glove off one of them | 0:04:54 | 0:04:57 | |
and touches her hand it would almost give her a sexual experience. | 0:04:57 | 0:05:00 | |
In the early stages Zerlina is determined not to be that easy. | 0:05:07 | 0:05:10 | |
I don't want to be that easy. | 0:05:10 | 0:05:11 | |
He doesn't have to just take off my glove! Really? Really? | 0:05:11 | 0:05:14 | |
HE SINGS IN ITALIAN | 0:05:14 | 0:05:18 | |
That could be the moment to say, here I am. | 0:05:18 | 0:05:21 | |
He's trying to find out what life is. Why is he getting older? | 0:05:21 | 0:05:26 | |
Why this whole fantastic energy, youth. | 0:05:26 | 0:05:29 | |
Craziness, passion is disappearing. | 0:05:29 | 0:05:33 | |
Mozart wrote it at the end of his life. He had so many lovers. | 0:05:34 | 0:05:38 | |
He tried so many parties, crazy life. And I think he was tired with that. | 0:05:38 | 0:05:43 | |
And this is more or less like with Don Giovanni. | 0:05:43 | 0:05:46 | |
APPLAUSE | 0:05:53 | 0:05:55 | |
MUSIC: "Overture" | 0:06:04 | 0:06:06 | |
APPLAUSE | 0:39:04 | 0:39:06 | |
LAUGHTER | 0:39:14 | 0:39:16 | |
SHE SCREAMS | 0:41:53 | 0:41:54 | |
SHE LAUGHS | 0:46:39 | 0:46:40 | |
AUDIENCE LAUGHS | 0:46:40 | 0:46:42 | |
APPLAUSE | 1:04:50 | 1:04:52 | |
APPLAUSE | 1:10:05 | 1:10:08 | |
APPLAUSE | 1:13:44 | 1:13:47 | |
HE KNOCKS ON DOOR | 1:22:26 | 1:22:28 | |
DOOR CLOSES | 1:23:46 | 1:23:48 | |
HE CLAPS | 1:31:09 | 1:31:10 | |
CHEERING AND APPLAUSE | 1:37:23 | 1:37:26 | |
THE SONG REPEATS | 2:01:14 | 2:01:16 | |
# Leporello! | 2:01:55 | 2:01:56 | |
COINS JINGLE | 2:02:11 | 2:02:13 | |
# Quattro doppie | 2:02:13 | 2:02:15 | |
THEY LAUGH | 2:02:16 | 2:02:18 | |
HE YELLS | 2:02:20 | 2:02:22 | |
LEPORELLO MOUTHS ALONG | 2:07:06 | 2:07:08 | |
THE SONG REPEATS | 2:08:14 | 2:08:17 | |
Shhh! | 2:09:49 | 2:09:50 | |
SHE GIGGLES THEN WHISPERS | 2:09:51 | 2:09:54 | |
LAUGHTER | 2:10:15 | 2:10:17 | |
HE WHISPERS | 2:10:42 | 2:10:44 | |
BANGING | 2:11:07 | 2:11:10 | |
HE REPEATS THE VERSE | 2:12:05 | 2:12:08 | |
HE REPEATS THE VERSE | 2:12:39 | 2:12:43 | |
HE REPEATS THE VERSE | 2:13:15 | 2:13:19 | |
OFFSTAGE: | 2:14:12 | 2:14:14 | |
HE REPEATS THE LINE | 2:16:06 | 2:16:09 | |
HE REPEATS THE VERSE | 2:16:20 | 2:16:23 | |
HE REPEATS THE LINE | 2:17:23 | 2:17:27 | |
HE GROANS | 2:18:47 | 2:18:50 | |
HE GROANS | 2:19:20 | 2:19:22 | |
LAUGHTER | 2:19:46 | 2:19:48 | |
SHE HOLDS THE NOTE | 2:21:51 | 2:21:52 | |
SHE REPEATS THE LINE | 2:22:19 | 2:22:22 | |
APPLAUSE | 2:23:48 | 2:23:51 | |
SHE REPEATS THE LINE | 2:24:55 | 2:24:59 | |
HE REPEATS THE LINE | 2:26:13 | 2:26:16 | |
SHE REPEATS THE LINE | 2:26:45 | 2:26:49 | |
HE REPEATS THE LINE | 2:27:11 | 2:27:14 | |
THEY REPEAT THE EXCHANGE | 2:28:02 | 2:28:05 | |
HE REPEATS THE PLEA | 2:28:48 | 2:28:51 | |
THE SONG REPEATS | 2:29:02 | 2:29:05 | |
THE SONG REPEATS | 2:29:21 | 2:29:24 | |
THE SONG REPEATS | 2:30:14 | 2:30:17 | |
APPLAUSE | 2:31:58 | 2:32:02 | |
HE REPEATS THE LINE | 2:33:28 | 2:33:30 | |
HE REPEATS THE LINE | 2:35:50 | 2:35:53 | |
HE HOLDS THE NOTE | 2:36:57 | 2:37:02 | |
THE SONG REPEATS | 2:37:04 | 2:37:08 | |
HE HOLDS THE NOTE | 2:38:16 | 2:38:21 | |
APPLAUSE | 2:39:19 | 2:39:23 | |
SHE REPEATS THE LINE | 2:41:59 | 2:42:02 | |
SHE REPEATS THE LINE | 2:42:36 | 2:42:39 | |
SHE REPEATS THE LINE | 2:43:10 | 2:43:13 | |
THE SONG REPEATS | 2:43:48 | 2:43:53 | |
APPLAUSE | 2:45:46 | 2:45:50 | |
DON GIOVANNI LAUGHS | 2:45:58 | 2:46:00 | |
# Eh, Leporello! | 2:46:42 | 2:46:45 | |
HE CACKLES | 2:48:19 | 2:48:21 | |
SHE HOLDS THE NOTE | 2:58:14 | 2:58:20 | |
SHE REPEATS THE VERSE | 2:59:52 | 2:59:56 | |
APPLAUSE | 3:01:22 | 3:01:25 | |
HE REPEATS THE LINE | 3:02:18 | 3:02:20 | |
HE HUMS A TUNE | 3:02:38 | 3:02:41 | |
THEY REPEAT THE VERSE | 3:03:35 | 3:03:38 | |
HE HUMS AGAIN | 3:04:08 | 3:04:11 | |
HE CRIES | 3:04:57 | 3:04:59 | |
# Leporello! | 3:05:20 | 3:05:22 | |
THEY REPEAT THE VERSE | 3:06:06 | 3:06:10 | |
DONNA ELVIRA SINGS | 3:06:13 | 3:06:15 | |
THEY REPEAT THE VERSE | 3:07:01 | 3:07:04 | |
THE SONG REPEATS | 3:07:56 | 3:07:58 | |
SCREAMING | 3:08:31 | 3:08:33 | |
# Don Giovanni! | 3:09:59 | 3:10:03 | |
THE SONG REPEATS | 3:12:07 | 3:12:10 | |
COMMENDATORE REPEATS THE CRY | 3:13:00 | 3:13:04 | |
Eccola! | 3:14:17 | 3:14:18 | |
THE SONG REPEATS | 3:14:43 | 3:14:45 | |
THE SONG REPEATS | 3:15:41 | 3:15:43 | |
HE YELLS | 3:16:05 | 3:16:08 | |
CHORUS: | 3:16:21 | 3:16:25 | |
THE CHORUS CONTINUES | 3:16:28 | 3:16:30 | |
THE CHORUS CONTINUES | 3:17:09 | 3:17:12 | |
APPLAUSE | 3:17:59 | 3:18:01 | |
CHEERING | 3:18:14 | 3:18:16 | |
CHEERING | 3:18:37 | 3:18:40 | |
CHEERING | 3:18:54 | 3:18:56 | |
CHEERING | 3:19:02 | 3:19:04 | |
CHEERING | 3:19:14 | 3:19:16 | |
APPLAUSE CONTINUES | 3:19:20 | 3:19:22 | |
CHEERING | 3:19:28 | 3:19:30 | |
CHEERING | 3:19:42 | 3:19:45 | |
CHEERING | 3:19:55 | 3:19:58 | |
APPLAUSE CONTINUES | 3:20:04 | 3:20:07 | |
CHEERING AND WHISTLING | 3:20:15 | 3:20:17 | |
CHEERS DROWN SPEECH | 3:20:20 | 3:20:23 | |
CHEERING | 3:20:36 | 3:20:38 | |
CHEERING | 3:20:54 | 3:20:57 | |
Subtitles for the deaf and hard of hearing by Red Bee Media Ltd | 3:21:05 | 3:21:09 |