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|---|---|---|---|
Welcome back to the skies above Glastonbury. | 0:00:02 | 0:00:04 | |
The weather's OK up here, it's holding out fine. | 0:00:04 | 0:00:06 | |
Sunday is becoming known for the veteran and vintage and heritage artists. | 0:00:06 | 0:00:10 | |
Many legends have stalked that famous stage on a Sunday afternoon. | 0:00:10 | 0:00:14 | |
Here's a reminder of that roll of honour. | 0:00:14 | 0:00:18 | |
THRASHING PUNK GUITAR | 0:00:18 | 0:00:20 | |
# I fell into a burnin' ring of fire | 0:00:56 | 0:00:59 | |
# I went down, down, down | 0:00:59 | 0:01:01 | |
# And the flames went higher | 0:01:01 | 0:01:03 | |
# And it burns, burns, burns | 0:01:03 | 0:01:07 | |
# The ring of fire, the ring of fire | 0:01:07 | 0:01:10 | |
# Love is a burnin' thing | 0:01:13 | 0:01:15 | |
# And it makes a fiery ring | 0:01:18 | 0:01:21 | |
# Bound by wild desire | 0:01:25 | 0:01:28 | |
# I fell into a ring of fire | 0:01:30 | 0:01:33 | |
# I fell into a burnin' ring of fire | 0:01:35 | 0:01:39 | |
# I went down, down, down and the flames went higher | 0:01:39 | 0:01:44 | |
# And it burns, burns, burns The ring of fire, the ring of fire | 0:01:44 | 0:01:50 | |
# I fell into a burnin' ring of fire | 0:02:07 | 0:02:11 | |
# I went down, down, down and the flames went higher | 0:02:11 | 0:02:16 | |
# And it burns, burns, burns The ring of fire, the ring of fire | 0:02:16 | 0:02:23 | |
# The taste of love is sweet | 0:02:23 | 0:02:26 | |
# When hearts like ours meet | 0:02:28 | 0:02:33 | |
# I fell for you like a child | 0:02:35 | 0:02:39 | |
# Oh, but the fire went wild | 0:02:40 | 0:02:45 | |
# I fell into a burnin' ring of fire | 0:02:46 | 0:02:50 | |
# I went down, down, down and the flames went higher | 0:02:50 | 0:02:55 | |
# And it burns, burns, burns The ring of fire, the ring of fire | 0:02:55 | 0:03:01 | |
# And it burns, burns, burns The ring of fire, the ring of fire | 0:03:02 | 0:03:09 | |
# The ring of fire. # | 0:03:09 | 0:03:11 | |
CHEERING AND APPLAUSE | 0:03:21 | 0:03:23 | |
CROWD CHANTS: Tony! Tony! Tony! Tony! | 0:03:27 | 0:03:31 | |
CHANTING CONTINUES | 0:03:31 | 0:03:35 | |
Wow! | 0:03:35 | 0:03:37 | |
Thank you! | 0:03:41 | 0:03:42 | |
# Happiness... | 0:03:42 | 0:03:44 | |
# Always comes around to bless | 0:03:44 | 0:03:47 | |
# Happy-hearted ones | 0:03:47 | 0:03:49 | |
# I guess it's true | 0:03:49 | 0:03:51 | |
# Get your share | 0:03:51 | 0:03:53 | |
# There's a lot of joy to spare | 0:03:53 | 0:03:57 | |
# Any heart that's free from care will do | 0:03:57 | 0:04:02 | |
# Don't mind the raindrops... | 0:04:03 | 0:04:07 | |
CHEERING | 0:04:07 | 0:04:09 | |
# Wait till the rain stops | 0:04:09 | 0:04:11 | |
# You'll find the sun laughing at life | 0:04:16 | 0:04:19 | |
# No road is lonely | 0:04:21 | 0:04:24 | |
# If you will only | 0:04:26 | 0:04:28 | |
# Smile through your tears laughing at life | 0:04:33 | 0:04:36 | |
# Yes, live for tomorrow | 0:04:39 | 0:04:42 | |
# Be happy today | 0:04:45 | 0:04:47 | |
# Laugh all your sorrows away | 0:04:49 | 0:04:53 | |
# Come on and cheer up | 0:04:55 | 0:04:59 | |
# The skies will clear up | 0:04:59 | 0:05:02 | |
# Lose all your blues laughing at life... # | 0:05:06 | 0:05:09 | |
Thank you! | 0:05:09 | 0:05:11 | |
PIANO SOLO | 0:05:11 | 0:05:13 | |
CHEERING AND WHISTLING | 0:05:15 | 0:05:19 | |
# Come on and cheer up | 0:05:29 | 0:05:30 | |
# The skies will clear up | 0:05:32 | 0:05:35 | |
# Lose all your blues laughing at life. # | 0:05:38 | 0:05:42 | |
CHEERING AND APPLAUSE | 0:05:45 | 0:05:48 | |
They were just magnificent! | 0:05:48 | 0:05:50 | |
I mean, it's so wonderful to be received that way | 0:05:50 | 0:05:53 | |
and it's something that's unforgettable. | 0:05:53 | 0:05:55 | |
I rarely do something like this, and it's for such a great cause, | 0:05:55 | 0:05:59 | |
-you know. -Yeah. -I loved every second of it. | 0:05:59 | 0:06:02 | |
-And the crowd completely went mad. -They were wonderful. | 0:06:02 | 0:06:05 | |
They're so wonderful, you know? | 0:06:05 | 0:06:07 | |
So pure about their enthusiasm and I loved every second. Thank you. | 0:06:07 | 0:06:11 | |
I can see the whole band was having a good time. | 0:06:11 | 0:06:14 | |
I mean, as you can see, there's a lot of mud. | 0:06:14 | 0:06:16 | |
Have you done any other shows that have been as muddy as this? | 0:06:16 | 0:06:20 | |
-No, this has been it! This is it. -As far as mud goes... | 0:06:20 | 0:06:24 | |
This is unforgettable! | 0:06:24 | 0:06:26 | |
One, two, three, four! | 0:06:26 | 0:06:28 | |
I'd like to dedicate this song... | 0:06:30 | 0:06:35 | |
to Junior Parker. | 0:06:35 | 0:06:37 | |
Because the man has gone over but we'd like to carry on in his name. | 0:06:39 | 0:06:45 | |
# I don't know why I love her like I do | 0:06:46 | 0:06:50 | |
# After all the things that you put me through | 0:06:50 | 0:06:54 | |
# Take my money, my cigarettes | 0:06:54 | 0:06:57 | |
# I haven't seen the half of you yet | 0:06:57 | 0:07:01 | |
# I want to know, yeah | 0:07:01 | 0:07:04 | |
# I'd love to stay | 0:07:04 | 0:07:07 | |
# Take me to the river | 0:07:09 | 0:07:12 | |
# In my soul | 0:07:17 | 0:07:19 | |
# With my feet on the ground | 0:07:20 | 0:07:23 | |
# I need to get out there! | 0:07:23 | 0:07:25 | |
# I don't know why you treat me so bad | 0:07:25 | 0:07:28 | |
# Shooby-dooby-do-do | 0:07:28 | 0:07:31 | |
# Shooby-dooby-do-do | 0:07:31 | 0:07:33 | |
# Shooby-dooby-do-do | 0:07:34 | 0:07:38 | |
# I want to know | 0:07:38 | 0:07:41 | |
# Yeah | 0:07:41 | 0:07:43 | |
# Why, love | 0:07:43 | 0:07:45 | |
# Take me to the river | 0:07:48 | 0:07:50 | |
# Take me to the river | 0:07:52 | 0:07:54 | |
# Want you to take me to the river | 0:07:56 | 0:07:57 | |
# Take me to the river | 0:07:59 | 0:08:01 | |
# Hold me | 0:08:04 | 0:08:06 | |
# Hold me | 0:08:06 | 0:08:08 | |
# Free me | 0:08:10 | 0:08:11 | |
# Till I can't... | 0:08:11 | 0:08:13 | |
# Till I can't... | 0:08:13 | 0:08:15 | |
# Can't take no more | 0:08:15 | 0:08:18 | |
# Ahhhh! | 0:08:19 | 0:08:21 | |
# Take me to the river | 0:08:21 | 0:08:23 | |
# Take me to the river | 0:08:25 | 0:08:27 | |
# Take me to the river | 0:08:28 | 0:08:30 | |
# Take me to the river | 0:08:32 | 0:08:34 | |
# Take me to the river | 0:08:40 | 0:08:42 | |
# Take me to the river | 0:08:43 | 0:08:45 | |
# Take me to the river | 0:08:47 | 0:08:48 | |
# Take me to the river | 0:08:51 | 0:08:52 | |
# Take me to the river | 0:08:54 | 0:08:56 | |
# Take me to the river | 0:08:57 | 0:08:59 | |
# Take me to the river | 0:09:01 | 0:09:03 | |
# Take me to the river | 0:09:04 | 0:09:07 | |
# Take me to the river | 0:09:07 | 0:09:09 | |
# Yeeeahhhh! Take me to the river | 0:09:09 | 0:09:13 | |
# Real slow | 0:09:15 | 0:09:18 | |
# Let's go | 0:09:19 | 0:09:21 | |
# Take me to the river | 0:09:22 | 0:09:24 | |
# Take me to the river | 0:09:29 | 0:09:31 | |
# Love and happiness | 0:09:31 | 0:09:33 | |
# Make you do right | 0:09:37 | 0:09:39 | |
# Take me to the river | 0:09:40 | 0:09:42 | |
# Take me to the river | 0:09:43 | 0:09:46 | |
# Take me to the river | 0:09:48 | 0:09:49 | |
# Take me to the river | 0:09:51 | 0:09:53 | |
# Take me to the river | 0:09:54 | 0:09:56 | |
# Hey, yeah! | 0:09:57 | 0:10:00 | |
# Take me to the river | 0:10:02 | 0:10:04 | |
# Yeeeaaahhhh! | 0:10:04 | 0:10:06 | |
# Take me to the river | 0:10:09 | 0:10:11 | |
# Take me to the river | 0:10:13 | 0:10:14 | |
# Take me to the river | 0:10:16 | 0:10:18 | |
# I can go home | 0:10:18 | 0:10:19 | |
# I can go home right now | 0:10:19 | 0:10:21 | |
# Going to do my thing | 0:10:21 | 0:10:24 | |
# Got to do it, yeah do that for me | 0:10:24 | 0:10:28 | |
# Do my thing, hold on to that thing | 0:10:28 | 0:10:31 | |
# Take me to the river | 0:10:31 | 0:10:33 | |
# Take me to the river... # | 0:10:34 | 0:10:36 | |
GUITAR SOLO | 0:10:42 | 0:10:44 | |
Ladies and gentlemen, how about a round for Warren Gaston from Memphis? | 0:10:54 | 0:10:58 | |
CHEERING AND APPLAUSE | 0:10:58 | 0:11:00 | |
How about a round of applause for Warren Gaston from Memphis? | 0:11:00 | 0:11:04 | |
# Take me to the river | 0:11:06 | 0:11:08 | |
# Take me to the river . # | 0:11:13 | 0:11:15 | |
CHEERING AND APPLAUSE | 0:11:15 | 0:11:17 | |
# Maybe I didn't love you | 0:11:25 | 0:11:28 | |
CHEERING AND APPLAUSE | 0:11:28 | 0:11:30 | |
# Quite as often as I could have | 0:11:31 | 0:11:34 | |
# And maybe I didn't treat you | 0:11:38 | 0:11:41 | |
# Quite as good as I should have | 0:11:44 | 0:11:47 | |
# If I made you feel second best | 0:11:51 | 0:11:54 | |
# Girl, I'm sorry I was blind | 0:11:57 | 0:12:00 | |
# But you were always on my mind | 0:12:04 | 0:12:07 | |
# You were always on my mind | 0:12:10 | 0:12:13 | |
# Tell me | 0:12:16 | 0:12:18 | |
# Tell me that your sweet love hasn't died | 0:12:22 | 0:12:25 | |
# Give me | 0:12:28 | 0:12:30 | |
# Give me one more chance to keep you satisfied | 0:12:33 | 0:12:38 | |
# I'll keep you satisfied | 0:12:38 | 0:12:41 | |
# Little things I should have said and done | 0:13:04 | 0:13:07 | |
# I just never took the time | 0:13:09 | 0:13:12 | |
# You were always on my mind | 0:13:15 | 0:13:18 | |
# You were always on my mind | 0:13:21 | 0:13:24 | |
# You were always on my mind | 0:13:27 | 0:13:30 | |
# You were always on my mind. # | 0:13:33 | 0:13:41 | |
CHEERING AND APPLAUSE | 0:13:41 | 0:13:43 | |
# Who's the black private dick that's a sex machine to all the chicks? | 0:14:52 | 0:14:56 | |
# Shaft | 0:14:56 | 0:14:58 | |
# You're damn... | 0:14:58 | 0:15:02 | |
# ..right! | 0:15:02 | 0:15:05 | |
# Who is the man that would risk his neck for his brother man? | 0:15:07 | 0:15:11 | |
# Shaft! | 0:15:11 | 0:15:13 | |
# Can ya dig it? | 0:15:13 | 0:15:15 | |
# Who's the cat that won't cop out when there's danger all about? | 0:15:21 | 0:15:27 | |
# Shaft! | 0:15:27 | 0:15:28 | |
# Right on | 0:15:28 | 0:15:30 | |
# They say this cat Shaft is a bad mother... | 0:15:30 | 0:15:33 | |
-# Shut your mouth! -But I'm talking about Shaft | 0:15:33 | 0:15:35 | |
# Then we can dig it | 0:15:35 | 0:15:37 | |
# He's a complicated man and no-one understands him but his woman | 0:15:37 | 0:15:43 | |
-# John Shaft! -Whoo! # | 0:15:43 | 0:15:45 | |
CHEERING AND APPLAUSE | 0:18:03 | 0:18:06 | |
But, you know, I've been watching this on TV. | 0:18:06 | 0:18:08 | |
-Have you? -That's why I'm going, | 0:18:08 | 0:18:11 | |
"Wow! All this sea of humanity, man! All those tents! Goodness!" | 0:18:11 | 0:18:15 | |
-I suspect you are not camping tonight? -No, I'm cold, man! | 0:18:15 | 0:18:19 | |
-Are you in a helicopter? -No, no, no, I'm cold. I'm cold-blooded. | 0:18:19 | 0:18:22 | |
You know, it's cold up here. | 0:18:22 | 0:18:24 | |
I mean, you know, when I left Memphis the other day it was 97 degrees. | 0:18:24 | 0:18:29 | |
And my body hasn't adjusted. Culture shock! You know. | 0:18:29 | 0:18:32 | |
You'd get more of a culture shock | 0:18:32 | 0:18:34 | |
if you went and wandered round all over the site | 0:18:34 | 0:18:36 | |
and went up to the top end of it. | 0:18:36 | 0:18:38 | |
There's some very strange stuff up there. | 0:18:38 | 0:18:40 | |
It's worth having a look at it. | 0:18:40 | 0:18:42 | |
Strange? I like strange. | 0:18:42 | 0:18:43 | |
Well, this is the right place to be for strange. | 0:18:43 | 0:18:46 | |
You'll have people laying their hands on you left, right and centre if you go up there. | 0:18:46 | 0:18:49 | |
I love that. That's energy, man. | 0:18:49 | 0:18:51 | |
You can feel the energy. Can't you feel it, John? | 0:18:51 | 0:18:54 | |
I can. I can. I felt it. | 0:18:54 | 0:18:56 | |
-LAUREN LAVERNE: -I'm several hundred feet in the air | 0:18:56 | 0:18:58 | |
in what is effectively a metal insect | 0:18:58 | 0:19:01 | |
looking over a sea of shimmering blue canvas. | 0:19:01 | 0:19:04 | |
Glastonbury Festival looks amazing this Sunday. | 0:19:04 | 0:19:07 | |
It does unfortunately look like several large aliens, | 0:19:07 | 0:19:10 | |
which are the big tents, the big stages, | 0:19:10 | 0:19:12 | |
have spawned lots of tiny little larvae. | 0:19:12 | 0:19:15 | |
And they've taken over this area of Somerset. | 0:19:15 | 0:19:17 | |
It's absolutely beautiful. | 0:19:17 | 0:19:19 | |
Now I think we can have a look at a bit of James Brown. | 0:19:19 | 0:19:21 | |
H was rocking it hard on the Main Stage. | 0:19:21 | 0:19:24 | |
Does everybody feel good? CHEERING | 0:19:24 | 0:19:26 | |
# Well, I feel good | 0:19:26 | 0:19:29 | |
# I knew that I would, y'all | 0:19:30 | 0:19:32 | |
-# I feel good -I feel good | 0:19:33 | 0:19:36 | |
# I knew that I would | 0:19:36 | 0:19:38 | |
-# So good -So good | 0:19:40 | 0:19:42 | |
-# So good -So good | 0:19:42 | 0:19:43 | |
# I got you | 0:19:43 | 0:19:46 | |
-# I feel nice -I feel nice | 0:19:46 | 0:19:49 | |
# I knew that I... | 0:19:49 | 0:19:51 | |
-# I feel nice -I feel nice | 0:19:52 | 0:19:55 | |
# Sugar and spice | 0:19:55 | 0:19:57 | |
-# So good -So good | 0:19:59 | 0:20:00 | |
-# So nice -So nice | 0:20:00 | 0:20:02 | |
# I got you | 0:20:02 | 0:20:04 | |
# Because I... | 0:20:04 | 0:20:06 | |
# On the bottom, y'all | 0:20:06 | 0:20:08 | |
# On the bottom, y'all | 0:20:08 | 0:20:10 | |
ALL HARMONISE | 0:20:10 | 0:20:14 | |
# Nobody can do you harm | 0:20:14 | 0:20:17 | |
# And when I hold you in my arms | 0:20:17 | 0:20:20 | |
# Love can't do me no harm | 0:20:20 | 0:20:23 | |
-# I feel good -I feel good | 0:20:23 | 0:20:26 | |
# I knew that I would | 0:20:26 | 0:20:28 | |
-# I feel good -I feel good | 0:20:30 | 0:20:32 | |
# I knew that I would | 0:20:32 | 0:20:35 | |
-# So good -So good | 0:20:36 | 0:20:38 | |
-# So good -So good | 0:20:38 | 0:20:40 | |
# I got you | 0:20:40 | 0:20:42 | |
# Get funky | 0:20:42 | 0:20:44 | |
# Killer! | 0:20:45 | 0:20:47 | |
# When I hold you in my arms | 0:20:49 | 0:20:52 | |
# I know I can't do you no wrong | 0:20:52 | 0:20:54 | |
# When I hold you in my arms | 0:20:55 | 0:20:59 | |
# My love can't do you no harm | 0:20:59 | 0:21:01 | |
-# Cos I feel good -I feel good | 0:21:01 | 0:21:04 | |
# You knew that I would | 0:21:04 | 0:21:06 | |
# Yeah! | 0:21:06 | 0:21:08 | |
# Do you feel good, good, good, good, good? | 0:21:08 | 0:21:11 | |
# And I knew that you would | 0:21:11 | 0:21:13 | |
# Yeah! | 0:21:13 | 0:21:14 | |
-# So good -So good | 0:21:14 | 0:21:16 | |
-# So good -So good | 0:21:16 | 0:21:18 | |
# I got you! | 0:21:18 | 0:21:19 | |
-# So good -So good | 0:21:20 | 0:21:22 | |
-# So good -So good | 0:21:22 | 0:21:24 | |
# I got you | 0:21:24 | 0:21:26 | |
-# So good -So good | 0:21:26 | 0:21:28 | |
-# So good -So good | 0:21:28 | 0:21:30 | |
# I got you. # | 0:21:30 | 0:21:32 | |
CHEERING | 0:21:46 | 0:21:48 | |
Whoo! | 0:21:48 | 0:21:50 | |
CHEERING | 0:21:50 | 0:21:51 | |
CHEERING | 0:21:55 | 0:21:57 | |
Miss Sheila Wheat! Sheila Wheat! | 0:22:08 | 0:22:10 | |
CHEERING | 0:22:10 | 0:22:11 | |
JAMES SCATS | 0:22:11 | 0:22:14 | |
JAMES SCATS | 0:22:14 | 0:22:17 | |
CHEERING AND APPLAUSE | 0:22:19 | 0:22:21 | |
# I...I love the colourful clothes she wears | 0:22:21 | 0:22:28 | |
# And she's already working on my mind | 0:22:28 | 0:22:33 | |
ALL HARMONISE # I...I looked in her eyes | 0:22:35 | 0:22:41 | |
# Well, I pick up something I just can't explain | 0:22:41 | 0:22:45 | |
# And I'm picking up... | 0:22:46 | 0:22:48 | |
# I'm picking up good vibrations | 0:22:48 | 0:22:51 | |
# She's giving me the excitations | 0:22:51 | 0:22:54 | |
-# I'm picking up good vibrations -Good vibrations | 0:22:54 | 0:22:58 | |
-# She's giving me the excitations -Excitations | 0:22:58 | 0:23:01 | |
# Good, good, good, good vibrations | 0:23:01 | 0:23:04 | |
# She's giving me excitations | 0:23:04 | 0:23:07 | |
# Good, good, good, good vibrations | 0:23:07 | 0:23:10 | |
# She's giving me excitations | 0:23:10 | 0:23:13 | |
# I...I bet I know what you like | 0:23:13 | 0:23:17 | |
# And I feel how right she'd be for me | 0:23:19 | 0:23:23 | |
ALL HARMONISE | 0:23:25 | 0:23:31 | |
# And I wonder why she's speaking up for me | 0:23:32 | 0:23:36 | |
# I'm picking up good vibrations | 0:23:38 | 0:23:41 | |
# She's giving me the excitations | 0:23:41 | 0:23:44 | |
-# I'm picking up good vibrations -Good vibrations | 0:23:44 | 0:23:48 | |
-# She's giving me the excitations -Excitations | 0:23:48 | 0:23:51 | |
# Good, good, good, good vibrations | 0:23:51 | 0:23:54 | |
# She's giving me excitations | 0:23:54 | 0:23:57 | |
# Good, good, good, good vibrations | 0:23:57 | 0:24:00 | |
# She's giving me excitations | 0:24:00 | 0:24:03 | |
ALL HARMONISE | 0:24:03 | 0:24:06 | |
# Good vibrations | 0:24:19 | 0:24:22 | |
ALL HARMONISE | 0:24:22 | 0:24:26 | |
My, my! What a sensation! | 0:24:29 | 0:24:33 | |
CHEERING | 0:24:38 | 0:24:40 | |
# Got to keep those loving vibrations happening with her | 0:24:43 | 0:24:50 | |
# Got to keep those loving vibrations happening with her | 0:24:50 | 0:24:58 | |
# Got to keep those loving vibrations happening with her... # | 0:24:58 | 0:25:05 | |
Keep clapping, we'll do some other parts. | 0:25:10 | 0:25:13 | |
ALL HARMONISE | 0:25:13 | 0:25:14 | |
# Got to keep those loving vibrations happening with her | 0:25:28 | 0:25:36 | |
# Got to keep those loving vibrations happening with her | 0:25:36 | 0:25:43 | |
# Oh! | 0:25:47 | 0:25:50 | |
-# I'm picking up good vibrations -Good, good, good, good vibrations | 0:25:50 | 0:25:53 | |
# She's giving me the excitations | 0:25:53 | 0:25:56 | |
-# I'm picking up good vibrations -Good, good, good, good vibrations | 0:25:56 | 0:26:00 | |
# She's giving me the excitations | 0:26:00 | 0:26:03 | |
ALL HARMONISE | 0:26:06 | 0:26:08 | |
# Good vibrations | 0:26:34 | 0:26:37 | |
# Good vibrations | 0:26:40 | 0:26:42 | |
# And I'm picking up... # | 0:26:42 | 0:26:45 | |
CHEERING | 0:26:50 | 0:26:52 | |
Thank you, Glastonbury! | 0:26:58 | 0:27:02 | |
CHEERING AND APPLAUSE | 0:27:02 | 0:27:04 | |
-MARK RADCLIFFE: -We're making the procession in | 0:27:04 | 0:27:06 | |
from the famous Glastonbury Tor, which is not the little tower | 0:27:06 | 0:27:09 | |
you see on top of the hill, but the hill itself. | 0:27:09 | 0:27:11 | |
It's got a spiral path around it. | 0:27:11 | 0:27:13 | |
Rumour has it that somewhere on that path | 0:27:13 | 0:27:15 | |
is a secret door to the underworld. | 0:27:15 | 0:27:17 | |
It's a place of legend, important to the Romans, the pagans, | 0:27:17 | 0:27:20 | |
one of King Arthurs strongholds was here. | 0:27:20 | 0:27:23 | |
Many processions, ceremonial processions | 0:27:23 | 0:27:25 | |
have come in from Glastonbury Tor into the site down the centuries. | 0:27:25 | 0:27:29 | |
None more important than the ceremonial procession | 0:27:29 | 0:27:32 | |
that took place this morning as Dame Shirley Bassey herself | 0:27:32 | 0:27:36 | |
touched down on the hallowed ground of Glastonbury. | 0:27:36 | 0:27:40 | |
You can see the site is all brown with water and mud, | 0:27:40 | 0:27:43 | |
but around are the fragrant green fields of the Vale of Avalon. | 0:27:43 | 0:27:47 | |
Whether Shirley Bassey ever expected | 0:27:47 | 0:27:49 | |
to find herself somewhere like this is open to question, | 0:27:49 | 0:27:52 | |
but she came prepared in her special wellies with "DSB", | 0:27:52 | 0:27:55 | |
her initials, Dame Shirley Bassey, emblazoned proudly on the side. | 0:27:55 | 0:28:01 | |
It's great to see you all. | 0:28:01 | 0:28:02 | |
It's my first time in Glastonbury and the sun is shining! | 0:28:02 | 0:28:06 | |
CHEERING | 0:28:06 | 0:28:08 | |
I thought I'd bring you the sun from Monte Carlo, but... | 0:28:11 | 0:28:14 | |
LAUGHTER | 0:28:14 | 0:28:16 | |
So...I know you all paid an awful lot of money to be here tonight. | 0:28:18 | 0:28:22 | |
I mean, for the whole three days. | 0:28:22 | 0:28:25 | |
So this song is for all you big spenders, OK? | 0:28:25 | 0:28:29 | |
CHEERING | 0:28:29 | 0:28:31 | |
# The minute you walked in the joint | 0:28:37 | 0:28:40 | |
CHEERING | 0:28:40 | 0:28:41 | |
# I could see you were a man of distinction | 0:28:41 | 0:28:44 | |
# A real big spender | 0:28:44 | 0:28:47 | |
# Good looking, so refined | 0:28:47 | 0:28:51 | |
# Say, wouldn't you like to know what's going on in my mind? | 0:28:51 | 0:28:54 | |
# So let me get right to the point | 0:28:54 | 0:28:56 | |
# I don't pop my cork for every man I see | 0:28:58 | 0:29:02 | |
# Hey, big spender | 0:29:03 | 0:29:05 | |
# Spend | 0:29:07 | 0:29:08 | |
# A little time with me | 0:29:09 | 0:29:12 | |
# Wouldn't you like to have fun, fun, fun? | 0:29:18 | 0:29:22 | |
# How's about a few laughs, laughs? | 0:29:22 | 0:29:25 | |
SHE GIGGLES | 0:29:25 | 0:29:26 | |
# I could show you a... | 0:29:26 | 0:29:28 | |
# Good time | 0:29:29 | 0:29:30 | |
# Let me show you a... | 0:29:30 | 0:29:32 | |
# Good time | 0:29:33 | 0:29:34 | |
# The minute you walked in the joint | 0:29:35 | 0:29:38 | |
# I could see you were a man of distinction | 0:29:38 | 0:29:42 | |
# A real big spender | 0:29:42 | 0:29:44 | |
# Good looking, so refined | 0:29:44 | 0:29:48 | |
# Say, wouldn't you like to know what's going on in my mind? | 0:29:48 | 0:29:52 | |
# So let me get right to the point... # | 0:29:52 | 0:29:53 | |
Here it comes! | 0:29:53 | 0:29:55 | |
# I don't pop my cork for every man I see | 0:29:55 | 0:29:59 | |
# Hey, big spender | 0:30:00 | 0:30:03 | |
# Hey, big spender | 0:30:05 | 0:30:07 | |
# Hey, big spender | 0:30:09 | 0:30:13 | |
# Spend | 0:30:13 | 0:30:14 | |
# A little time with me. # | 0:30:15 | 0:30:23 | |
CHEERING AND APPLAUSE | 0:30:26 | 0:30:28 | |
-How was Glastonbury for you? -Oh, fabulous! | 0:30:33 | 0:30:36 | |
My first time, and I can understand why everybody comes here. | 0:30:36 | 0:30:40 | |
I will come again. | 0:30:40 | 0:30:41 | |
-How was the view from the stage for you? -Oh...! | 0:30:41 | 0:30:45 | |
Breathtaking. I've never... | 0:30:45 | 0:30:47 | |
I don't think I've ever played to such a large crowd. | 0:30:47 | 0:30:50 | |
How do you feel about the mud? | 0:30:50 | 0:30:52 | |
Great! Look at my wellies! | 0:30:52 | 0:30:54 | |
SHE LAUGHS | 0:30:54 | 0:30:56 | |
We're going to need you for this one! | 0:31:00 | 0:31:03 | |
# Where it began | 0:31:11 | 0:31:12 | |
-CROWD: -# Oh, oh, oh, oh | 0:31:12 | 0:31:14 | |
# I can't begin to knowing | 0:31:14 | 0:31:16 | |
# But then I know that it's growing strong | 0:31:19 | 0:31:22 | |
# Was in the spring | 0:31:26 | 0:31:28 | |
# Oh, oh, oh, oh | 0:31:28 | 0:31:30 | |
# Spring became the summer | 0:31:30 | 0:31:33 | |
# Who'd have believed you'd all come along? | 0:31:34 | 0:31:38 | |
# Hands | 0:31:41 | 0:31:42 | |
# Touching hands | 0:31:45 | 0:31:47 | |
# Reaching out | 0:31:49 | 0:31:51 | |
# Touching me | 0:31:53 | 0:31:55 | |
# Touching you | 0:31:56 | 0:32:01 | |
# Sweet Caroline | 0:32:01 | 0:32:04 | |
# Ba-ba-ba | 0:32:04 | 0:32:06 | |
# Good times never seemed so good | 0:32:06 | 0:32:10 | |
# I've been inclined | 0:32:13 | 0:32:16 | |
# Ba-ba-ba | 0:32:16 | 0:32:18 | |
# To believe they never would | 0:32:18 | 0:32:22 | |
# But now I... | 0:32:22 | 0:32:25 | |
# I look at the night | 0:32:26 | 0:32:28 | |
# And it don't seem so lonely | 0:32:30 | 0:32:32 | |
# We fill it up with only about 106,000...! | 0:32:34 | 0:32:40 | |
# And God bless y'all | 0:32:42 | 0:32:44 | |
# Hurtin' runs off my shoulders | 0:32:46 | 0:32:49 | |
# How am I going to hurt when I'm here with you? # | 0:32:50 | 0:32:54 | |
CROWD CHEERS | 0:32:54 | 0:32:56 | |
# Hands | 0:32:57 | 0:32:58 | |
# Touching warm | 0:33:01 | 0:33:02 | |
# Reaching out | 0:33:05 | 0:33:06 | |
# Touching me | 0:33:09 | 0:33:10 | |
# Touching you | 0:33:12 | 0:33:17 | |
# Sweet Caroline | 0:33:17 | 0:33:20 | |
# Ba-ba-ba | 0:33:20 | 0:33:22 | |
# Good times never seemed so good | 0:33:22 | 0:33:26 | |
# I've been inclined | 0:33:29 | 0:33:32 | |
# Ba-ba-ba | 0:33:32 | 0:33:34 | |
# To believe they never would | 0:33:34 | 0:33:38 | |
# Oh, no, no. # | 0:33:38 | 0:33:42 | |
All right, we're coming up to the last chorus now! | 0:33:42 | 0:33:45 | |
I'm going to need everybody to sing with me. | 0:33:46 | 0:33:49 | |
Are you going to help me out or what? | 0:33:49 | 0:33:51 | |
CROWD CHEERS | 0:33:51 | 0:33:53 | |
Here we go! | 0:33:53 | 0:33:55 | |
# Sweet Caroline | 0:33:55 | 0:33:58 | |
-CROWD SINGS -# Ba-ba-ba | 0:33:58 | 0:34:00 | |
# Good times never seemed so good | 0:34:00 | 0:34:04 | |
# I've been inclined | 0:34:07 | 0:34:10 | |
# Ba-ba-ba | 0:34:10 | 0:34:12 | |
# To believe they never would... # | 0:34:12 | 0:34:15 | |
Last chorus, together now! | 0:34:15 | 0:34:17 | |
# Sweet Caroline | 0:34:19 | 0:34:22 | |
# Ba-ba-ba | 0:34:22 | 0:34:24 | |
# Good times never seemed so good | 0:34:24 | 0:34:28 | |
# I've been inclined | 0:34:31 | 0:34:34 | |
# Ba-ba-ba | 0:34:34 | 0:34:36 | |
# To believe they never would | 0:34:36 | 0:34:41 | |
# Sweet Caroline. # | 0:34:42 | 0:34:50 | |
CHEERING AND APPLAUSE | 0:35:00 | 0:35:02 | |
Thank you, Glastonbury! We love you! | 0:35:02 | 0:35:04 | |
How was Glastonbury for you? | 0:35:06 | 0:35:07 | |
You said you'd bring the sunshine, and look at it, you did! | 0:35:07 | 0:35:10 | |
Absolutely, it was Southern California sunshine all the way. | 0:35:10 | 0:35:13 | |
What a thrill, what a great audience, I loved every minute of it. | 0:35:13 | 0:35:16 | |
How would you describe your Glastonbury experience? | 0:35:16 | 0:35:18 | |
Unbelievable. I'm going to have to do it again if they ever invite me back. | 0:35:18 | 0:35:22 | |
What was it like standing there on stage looking out? | 0:35:22 | 0:35:24 | |
Can you describe what you see as a performer? | 0:35:24 | 0:35:26 | |
Er, I got goosies all over, I really did. I just... | 0:35:26 | 0:35:29 | |
Amazing, amazing, smiling faces, and it's always wonderful to see. | 0:35:29 | 0:35:32 | |
Well, thank you very much indeed for coming to Glastonbury. | 0:35:32 | 0:35:35 | |
I'm glad you enjoyed the whole thing. The audience certainly did. | 0:35:35 | 0:35:38 | |
Was there a favourite moment for you that you had? | 0:35:38 | 0:35:40 | |
Well, I enjoyed Sweet Caroline, | 0:35:40 | 0:35:42 | |
I think the audience did a very good job. | 0:35:42 | 0:35:43 | |
They didn't need me at all. | 0:35:43 | 0:35:45 | |
1966, this was. | 0:35:53 | 0:35:55 | |
# The old home town looks the same | 0:35:59 | 0:36:03 | |
# As I step down | 0:36:03 | 0:36:05 | |
# From the train | 0:36:05 | 0:36:08 | |
# And there to meet me | 0:36:08 | 0:36:11 | |
# Is my mama and papa | 0:36:11 | 0:36:15 | |
# Down the road I look | 0:36:18 | 0:36:20 | |
# And there runs Mary | 0:36:20 | 0:36:23 | |
# Hair of gold and lips like cherries | 0:36:24 | 0:36:28 | |
# It's good to touch | 0:36:28 | 0:36:30 | |
# The green, green grass of home | 0:36:30 | 0:36:35 | |
# Yes, they'll all come to meet me | 0:36:37 | 0:36:41 | |
# Arms reaching, smiling sweetly | 0:36:43 | 0:36:47 | |
# It's good to touch | 0:36:48 | 0:36:50 | |
# The green, green grass of home | 0:36:50 | 0:36:55 | |
# The old house is still standing | 0:36:58 | 0:37:01 | |
# Though the paint is cracked and dry | 0:37:02 | 0:37:07 | |
# And there's that old oak tree | 0:37:07 | 0:37:10 | |
# That I used to play on | 0:37:10 | 0:37:14 | |
# Down the lane I walk with my sweet Mary | 0:37:17 | 0:37:21 | |
# Hair of gold and lips like cherries | 0:37:23 | 0:37:27 | |
# It's good to touch | 0:37:27 | 0:37:30 | |
# The green, green grass of home | 0:37:30 | 0:37:34 | |
HE SPEAKS Then I awake and look around me | 0:37:38 | 0:37:41 | |
At four grey walls that surround me | 0:37:43 | 0:37:46 | |
And then I realise | 0:37:48 | 0:37:50 | |
Yes | 0:37:50 | 0:37:51 | |
I was only dreaming | 0:37:52 | 0:37:54 | |
For, you see | 0:37:54 | 0:37:56 | |
There's a guard | 0:37:56 | 0:37:58 | |
And there is a sad old padre | 0:37:58 | 0:38:02 | |
Arm in arm we'll walk at daybreak | 0:38:02 | 0:38:07 | |
Then I will touch | 0:38:07 | 0:38:09 | |
The green, green grass of home | 0:38:09 | 0:38:13 | |
# Yes, they'll all come to see me | 0:38:15 | 0:38:20 | |
# In the shade of that old oak tree | 0:38:21 | 0:38:26 | |
# As they lay me 'neath | 0:38:26 | 0:38:29 | |
# The green, green grass of | 0:38:29 | 0:38:35 | |
# Home. # | 0:38:35 | 0:38:43 | |
HE MOUTHS Thank you. | 0:38:45 | 0:38:46 | |
CHEERING AND APPLAUSE | 0:38:48 | 0:38:50 | |
# I'm not content to be with you in the daytime | 0:39:02 | 0:39:05 | |
# Girl, I want to be with you all of the time | 0:39:08 | 0:39:12 | |
# The only time I feel all right is by your side | 0:39:14 | 0:39:19 | |
# Girl, I want to be with you all of the time | 0:39:20 | 0:39:23 | |
# All day and all of the night | 0:39:23 | 0:39:25 | |
# All day and all of the night | 0:39:26 | 0:39:28 | |
# All day and all of the night | 0:39:29 | 0:39:32 | |
# I believe that you and me last for ever | 0:39:32 | 0:39:35 | |
# All right! | 0:39:35 | 0:39:36 | |
# Oh, yeah All day and night-time, girl | 0:39:37 | 0:39:40 | |
# Leave me never | 0:39:40 | 0:39:42 | |
# The only time that I feel all right is by your side | 0:39:44 | 0:39:48 | |
# Girl, I want to be with you all of the time | 0:39:50 | 0:39:53 | |
# All day and all of the night | 0:39:53 | 0:39:55 | |
# All day and all of the night | 0:39:56 | 0:39:58 | |
# Come on! | 0:39:58 | 0:39:59 | |
# All day and all of the night | 0:39:59 | 0:40:01 | |
# Oh-h-h-h, come on! | 0:40:03 | 0:40:06 | |
# Come on, come on, come on, come on Come on, come on, come on, come on! | 0:40:24 | 0:40:27 | |
# Way-oh! | 0:40:32 | 0:40:34 | |
# Way-oh! | 0:40:34 | 0:40:36 | |
# Wa-ay-oh! | 0:40:36 | 0:40:39 | |
# Wa-ay-oh! | 0:40:39 | 0:40:41 | |
-# Hey! -Hey! | 0:40:41 | 0:40:42 | |
-# Hey! -Hey! | 0:40:42 | 0:40:44 | |
-# Hey! -Hey! -Hey! -Hey! | 0:40:44 | 0:40:45 | |
-# Hey! -Hey! -Hey! -Hey! | 0:40:45 | 0:40:47 | |
# Yeah, yeah, yeah, yeah, yeah! | 0:40:47 | 0:40:49 | |
# I believe that you and me last for ever | 0:40:55 | 0:40:59 | |
# Oh, yeah, all day and night-time yours | 0:41:01 | 0:41:04 | |
# Leave me never | 0:41:04 | 0:41:05 | |
# The only time I feel all right is by your side | 0:41:07 | 0:41:11 | |
# Girl, I want to be with you all of the time | 0:41:13 | 0:41:17 | |
# All day and all of the night | 0:41:17 | 0:41:18 | |
# All day and all of the night | 0:41:19 | 0:41:21 | |
# All day and all of the night Whoo! | 0:41:22 | 0:41:25 | |
# Oh-oh, whoa-oh. # | 0:41:25 | 0:41:31 | |
So, listen, we've had legends all over the shop today, | 0:41:40 | 0:41:43 | |
and we've got another one for you now. | 0:41:43 | 0:41:45 | |
Yeah, BB King, who is 85 years old, | 0:41:45 | 0:41:47 | |
who's like one of the oldest people ever to play at the festival. | 0:41:47 | 0:41:50 | |
I mean, he is a legendary guitar player, | 0:41:50 | 0:41:52 | |
and legendary is bandied about too easily, I think. | 0:41:52 | 0:41:55 | |
It's an overused word these days. | 0:41:55 | 0:41:56 | |
But Rolling Stone called him | 0:41:56 | 0:41:58 | |
-the third best guitarist ever, you know? -Pretty good. | 0:41:58 | 0:42:01 | |
I mean, there isn't a guitarist alive who hasn't taken a little bit | 0:42:01 | 0:42:04 | |
from the very great BB King, and he was on the Pyramid Stage | 0:42:04 | 0:42:07 | |
earlier on today here at Glastonbury 2011. | 0:42:07 | 0:42:09 | |
# I got the key | 0:43:01 | 0:43:04 | |
# To the highway | 0:43:05 | 0:43:07 | |
# Bailed out and I'm bound to go | 0:43:09 | 0:43:12 | |
# I'm going to leave here running, people | 0:43:15 | 0:43:18 | |
# Because walking is much too slow | 0:43:23 | 0:43:27 | |
# When the moon | 0:43:34 | 0:43:36 | |
# Peeks on the mountain | 0:43:38 | 0:43:40 | |
# Baby, I'm gonna be on my way | 0:43:43 | 0:43:46 | |
# I'm gonna roam this mean old highway | 0:43:51 | 0:43:54 | |
# Till the break of day | 0:43:58 | 0:44:01 | |
# So give me | 0:44:08 | 0:44:10 | |
# One more kiss, baby | 0:44:11 | 0:44:14 | |
# Give me one more kiss, baby before I go | 0:44:16 | 0:44:20 | |
# When I leave this town, baby | 0:44:23 | 0:44:25 | |
# Honey, I won't be back no more | 0:44:28 | 0:44:32 | |
# No more, no more | 0:44:32 | 0:44:34 | |
# So give me one | 0:45:14 | 0:45:16 | |
# More kiss, honey | 0:45:18 | 0:45:20 | |
# Give me one more kiss, baby before I go | 0:45:22 | 0:45:26 | |
# That's what I need this time, babe | 0:45:30 | 0:45:33 | |
# Baby, I won't be back no more | 0:45:36 | 0:45:40 | |
# No more... # | 0:45:42 | 0:45:44 | |
CHEERING | 0:46:28 | 0:46:29 | |
Thank you! | 0:46:29 | 0:46:30 | |
# A man walks down the street | 0:46:45 | 0:46:46 | |
# He says, why am I soft in the middle now? | 0:46:46 | 0:46:49 | |
# Why am I soft in the middle The rest of my life is so hard | 0:46:49 | 0:46:52 | |
# I need a photo opportunity I want a shot at redemption | 0:46:52 | 0:46:56 | |
# Don't want to end up a cartoon in a cartoon graveyard | 0:46:56 | 0:47:00 | |
# Bonedigger, Bonedigger | 0:47:00 | 0:47:02 | |
# Dogs in the moonlight | 0:47:02 | 0:47:03 | |
# Far away my well-lit door | 0:47:03 | 0:47:07 | |
# Mr Beerbelly, Beerbelly | 0:47:07 | 0:47:09 | |
# Get these mutts away from me | 0:47:09 | 0:47:11 | |
# You know I don't find this stuff amusing any more | 0:47:11 | 0:47:13 | |
# If you'll be my bodyguard | 0:47:15 | 0:47:17 | |
# I can be your long-lost pal | 0:47:17 | 0:47:19 | |
# I can call you Betty | 0:47:22 | 0:47:24 | |
# Betty, when you call me You can call me Al | 0:47:24 | 0:47:28 | |
# A man walks down the street | 0:47:30 | 0:47:31 | |
# He says, why am I short of attention? | 0:47:31 | 0:47:34 | |
# I got a short little span of attention | 0:47:34 | 0:47:36 | |
# All my nights are so long | 0:47:36 | 0:47:37 | |
# Where's my wife and family | 0:47:37 | 0:47:39 | |
# What if I die here | 0:47:39 | 0:47:41 | |
# Who'll be my role model now that my role model's gone, gone | 0:47:41 | 0:47:47 | |
# He ducked back down the alley | 0:47:47 | 0:47:48 | |
# With some roly-poly little bat-faced girl | 0:47:48 | 0:47:52 | |
# All along, along there were incidents and accidents | 0:47:52 | 0:47:56 | |
# There were hints and allegations | 0:47:56 | 0:47:58 | |
# If you'll be my bodyguard I can be your long-lost pal | 0:48:00 | 0:48:04 | |
# I can call you Betty and Betty, when you call me | 0:48:08 | 0:48:11 | |
# You can call me Al | 0:48:11 | 0:48:14 | |
# Call me Al | 0:48:14 | 0:48:16 | |
# A man walks down the street A street in a strange world | 0:49:01 | 0:49:04 | |
# Maybe it's the Third World Maybe it's his first time around | 0:49:04 | 0:49:08 | |
# He doesn't speak the language | 0:49:08 | 0:49:10 | |
# He holds no currency | 0:49:10 | 0:49:12 | |
# He is a foreign man | 0:49:12 | 0:49:13 | |
# He is surrounded by the sound | 0:49:13 | 0:49:16 | |
# The sound | 0:49:16 | 0:49:17 | |
# There's cattle in the marketplace | 0:49:17 | 0:49:19 | |
# There's scatterlings and orphanages | 0:49:19 | 0:49:22 | |
# He looks around, all around He sees angels in the architecture | 0:49:22 | 0:49:27 | |
# Spinning in infinity | 0:49:27 | 0:49:28 | |
# He says, amen, hallelujah! | 0:49:28 | 0:49:33 | |
# I can call you Betty | 0:49:38 | 0:49:40 | |
# Betty, when you call me | 0:49:40 | 0:49:42 | |
# You can call me Al | 0:49:42 | 0:49:45 | |
# Call me it | 0:49:45 | 0:49:47 | |
# Na, na, na, na | 0:49:47 | 0:49:48 | |
# Na, na, na, na | 0:49:48 | 0:49:50 | |
# Na, na, na, na | 0:49:50 | 0:49:52 | |
# Na, na, na, na, na, na | 0:49:52 | 0:49:54 | |
# Na, na, na, na | 0:49:54 | 0:49:55 | |
# Na, na, na, na | 0:49:55 | 0:49:57 | |
# Na, na, na, na | 0:49:57 | 0:49:59 | |
# Na, na, na, na | 0:49:59 | 0:50:02 | |
# Oh, now, oh, now | 0:50:02 | 0:50:05 | |
# Oh, oh... | 0:50:05 | 0:50:09 | |
# Oh, oh.. | 0:50:09 | 0:50:13 | |
# There was a bass, bass | 0:50:13 | 0:50:16 | |
BASS SOLO | 0:50:16 | 0:50:19 | |
# If you'll be my bodyguard I can be your long-lost pal | 0:50:35 | 0:50:40 | |
# I can call you Betty | 0:50:43 | 0:50:45 | |
# Betty, when you call me | 0:50:45 | 0:50:46 | |
# You can call me Al | 0:50:46 | 0:50:50 | |
# Call me Al... # | 0:50:50 | 0:50:51 | |
Here it comes. | 0:51:04 | 0:51:05 | |
CHEERING | 0:51:19 | 0:51:21 | |
Ah-um... | 0:51:27 | 0:51:28 | |
# On a warm summer's eve | 0:51:32 | 0:51:34 | |
# On a train bound for nowhere | 0:51:34 | 0:51:37 | |
# I met up with the gambler | 0:51:37 | 0:51:39 | |
# We were both too tired to sleep | 0:51:39 | 0:51:41 | |
# So we took turns a-starin' | 0:51:41 | 0:51:44 | |
# Out the window at the darkness | 0:51:44 | 0:51:47 | |
# Till boredom overtook us | 0:51:47 | 0:51:49 | |
# And he began to speak | 0:51:49 | 0:51:51 | |
# He said, son, I've made a life out of readin' people's faces | 0:51:51 | 0:51:56 | |
# Knowin' what the cards were by the way they held their eyes | 0:51:56 | 0:52:01 | |
# So if you don't mind me sayin' I can see you're out of aces | 0:52:01 | 0:52:06 | |
# For a taste of your whisky I'll give you some advice | 0:52:06 | 0:52:11 | |
# So I handed him my bottle | 0:52:12 | 0:52:15 | |
# And he drank down my last swallow | 0:52:15 | 0:52:18 | |
# Then he bummed a cigarette | 0:52:18 | 0:52:21 | |
# And asked me for a light | 0:52:21 | 0:52:22 | |
# And the night got deathly quiet | 0:52:22 | 0:52:25 | |
# And his face lost all expression | 0:52:25 | 0:52:27 | |
# He said, if you're gonna play the game, boy | 0:52:27 | 0:52:30 | |
# Gotta learn to play it right | 0:52:30 | 0:52:32 | |
# You've got to know when to hold 'em | 0:52:32 | 0:52:35 | |
# Know when to fold 'em | 0:52:35 | 0:52:38 | |
# Know when to walk away | 0:52:38 | 0:52:40 | |
# Know when to run | 0:52:40 | 0:52:42 | |
# You never count your money | 0:52:42 | 0:52:45 | |
# When you're sittin' at the table | 0:52:45 | 0:52:47 | |
# There'll be time enough for counting | 0:52:47 | 0:52:49 | |
# When the dealing's done | 0:52:49 | 0:52:52 | |
# Now every gambler knows | 0:52:56 | 0:52:58 | |
# The secret to survivin' | 0:52:58 | 0:53:01 | |
# Is knowin' what to throw away | 0:53:01 | 0:53:03 | |
# Knowin' what to keep | 0:53:03 | 0:53:05 | |
# Cos every hand's a winner | 0:53:05 | 0:53:08 | |
# And every hand's a loser | 0:53:08 | 0:53:11 | |
# The best that you can hope for is to die | 0:53:11 | 0:53:14 | |
# In your sleep | 0:53:14 | 0:53:16 | |
# So when he finished speakin' | 0:53:16 | 0:53:18 | |
# He turned back toward the window | 0:53:18 | 0:53:21 | |
# Crushed out his cigarette | 0:53:21 | 0:53:23 | |
# Faded off to sleep | 0:53:23 | 0:53:26 | |
# And somewhere in the darkness | 0:53:26 | 0:53:28 | |
# The gambler, he broke even | 0:53:28 | 0:53:31 | |
# But in his final words | 0:53:31 | 0:53:32 | |
# I found an ace that I could keep | 0:53:32 | 0:53:35 | |
# You've got to know when to hold 'em | 0:53:35 | 0:53:38 | |
# Know when to fold 'em | 0:53:38 | 0:53:41 | |
# Know when to walk away | 0:53:41 | 0:53:43 | |
# Know when to run | 0:53:43 | 0:53:45 | |
# You never count your money | 0:53:45 | 0:53:48 | |
# When you're sittin' at the table | 0:53:48 | 0:53:50 | |
# There'll be time enough for countin' | 0:53:50 | 0:53:53 | |
# When the dealing's done | 0:53:53 | 0:53:55 | |
# You've got to know when to hold 'em, when to hold 'em | 0:53:55 | 0:53:58 | |
# Know when to fold 'em when to fold 'em | 0:53:58 | 0:54:01 | |
# Know when to walk away | 0:54:01 | 0:54:03 | |
# Know when to run | 0:54:03 | 0:54:05 | |
# You never count your money | 0:54:05 | 0:54:07 | |
# When you're sittin' at the table | 0:54:07 | 0:54:10 | |
# There'll be time enough for countin' | 0:54:10 | 0:54:13 | |
# When the dealing's done. # | 0:54:13 | 0:54:15 | |
CHEERING | 0:54:15 | 0:54:17 | |
Thank you. | 0:54:18 | 0:54:20 | |
He seemed like a sweetheart, didn't he? I liked one of his gags | 0:54:20 | 0:54:23 | |
earlier on when he said, "What's wrong with this picture - | 0:54:23 | 0:54:26 | |
"Kenny Rogers, Glastonbury?" | 0:54:26 | 0:54:27 | |
He says, "I'm so far out of my comfort zone, | 0:54:27 | 0:54:30 | |
"it's very unusual for me to play to a crowd as small as this." | 0:54:30 | 0:54:34 | |
That is...good material, well done, Kenny. | 0:54:34 | 0:54:37 | |
Well, how do you follow Kenny Rogers? | 0:54:37 | 0:54:39 | |
DOLLY PARTON: You know 9 to 5? | 0:54:39 | 0:54:42 | |
Well, let's do a little bit of that one. | 0:54:42 | 0:54:45 | |
# I tumble outta bed and I stumble to the kitchen | 0:54:50 | 0:54:52 | |
# Pour myself a cup of ambition | 0:54:52 | 0:54:54 | |
# Yawn and stretch and try to come to life | 0:54:54 | 0:54:58 | |
# I jump in the shower and the blood starts pumpin' | 0:54:58 | 0:55:01 | |
# Out on the street the traffic starts jumpin' | 0:55:01 | 0:55:03 | |
# Folks like me on the job from 9 to 5, yeah! | 0:55:03 | 0:55:07 | |
# Workin' 9 to 5 | 0:55:07 | 0:55:10 | |
# What a way to make a livin' | 0:55:10 | 0:55:12 | |
# Barely gettin' by | 0:55:12 | 0:55:14 | |
# It's all takin' and no givin' | 0:55:14 | 0:55:16 | |
# They just use your mind | 0:55:16 | 0:55:19 | |
# And they never give you credit | 0:55:19 | 0:55:21 | |
# It's enough to drive you crazy if you let it | 0:55:21 | 0:55:26 | |
# 9 to 5, for service and devotion | 0:55:26 | 0:55:30 | |
# You would think that I | 0:55:30 | 0:55:32 | |
# Would deserve a fat promotion | 0:55:32 | 0:55:35 | |
# I want to move ahead | 0:55:35 | 0:55:37 | |
# But the boss won't seem to let me | 0:55:37 | 0:55:39 | |
# I swear sometimes that man is out to get me | 0:55:39 | 0:55:44 | |
# Oooh | 0:55:44 | 0:55:48 | |
# They let you dream just to watch 'em shatter | 0:55:48 | 0:55:51 | |
# You're just a step on the boss-man's ladder | 0:55:51 | 0:55:53 | |
# But you got dreams he'll never take away | 0:55:53 | 0:55:57 | |
# You're in the same boat with a lot of your friends | 0:55:57 | 0:56:00 | |
# Waitin' for the day your ship'll come in | 0:56:00 | 0:56:02 | |
# The tide's gonna turn and it's all gonna roll your way | 0:56:02 | 0:56:06 | |
# Workin' 9 to 5 what a way to make a livin' | 0:56:06 | 0:56:11 | |
# Barely gettin' by It's all takin' and no givin' | 0:56:11 | 0:56:15 | |
# They just use your mind | 0:56:15 | 0:56:18 | |
# And they never give you credit | 0:56:18 | 0:56:20 | |
# It's enough to drive you crazy if you let it | 0:56:20 | 0:56:25 | |
# 9 to 5 | 0:56:25 | 0:56:27 | |
# They got you where they want you | 0:56:27 | 0:56:29 | |
# There's a better life | 0:56:29 | 0:56:31 | |
# Y'all dream about it, don't you | 0:56:31 | 0:56:33 | |
# It's a rich man's game | 0:56:33 | 0:56:36 | |
# I don't care what they call it | 0:56:36 | 0:56:38 | |
# And you spend your life | 0:56:38 | 0:56:40 | |
# Puttin' money in his wallet | 0:56:40 | 0:56:43 | |
# 9 to 5 Just workin', workin', workin' | 0:56:43 | 0:56:47 | |
# Workin' 9 to 5 | 0:56:47 | 0:56:49 | |
# They've got you workin' 9 to 5 | 0:56:49 | 0:56:52 | |
# Workin' 9 to 5 | 0:56:52 | 0:56:54 | |
# They keep you workin', workin', workin', | 0:56:54 | 0:56:57 | |
# Workin' 9 to 5 | 0:56:57 | 0:56:58 | |
# 9 to 5! # | 0:56:58 | 0:57:05 | |
Wow! Wow! | 0:57:05 | 0:57:08 | |
You did great! Thank you so much for being such a great audience. | 0:57:08 | 0:57:14 | |
How about another nice hand for this band? Whoo! | 0:57:14 | 0:57:18 | |
Thank you! | 0:57:18 | 0:57:20 | |
Ha! | 0:57:22 | 0:57:23 | |
My goodness. | 0:57:25 | 0:57:26 | |
Well, I can't believe you knew that song that well. | 0:57:28 | 0:57:31 | |
Let me hear you sing it again. | 0:57:31 | 0:57:33 | |
# Workin' 9 to 5 | 0:57:33 | 0:57:35 | |
# What a way to make a living | 0:57:35 | 0:57:38 | |
# Barely getting by | 0:57:38 | 0:57:40 | |
# It's all takin' and no givin' | 0:57:40 | 0:57:43 | |
# They just use your mind | 0:57:43 | 0:57:45 | |
# And they never give you credit | 0:57:45 | 0:57:47 | |
# It's enough to drive you crazy if you let it... # | 0:57:47 | 0:57:52 | |
SHE LAUGHS | 0:57:52 | 0:57:53 | |
CHEERING | 0:57:53 | 0:57:55 |