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Ladies and gentlemen, welcome to our St Patrick's Day Concert | 0:00:35 | 0:00:38 | |
from the Waterfront Hall in Belfast. | 0:00:38 | 0:00:41 | |
Please give a huge welcome to the Ulster Orchestra and your conductor | 0:00:41 | 0:00:45 | |
Mr David Brophy. | 0:00:45 | 0:00:47 | |
APPLAUSE | 0:00:47 | 0:00:49 | |
Ladies and gentlemen, please welcome your hosts John Toal and Karen Kirby. | 0:04:14 | 0:04:20 | |
APPLAUSE | 0:04:20 | 0:04:24 | |
HE SPEAKS IN GAELIC | 0:04:24 | 0:04:27 | |
Thank you very much, ladies and gentlemen, | 0:04:27 | 0:04:29 | |
and a huge welcome to all of you here | 0:04:29 | 0:04:31 | |
and those watching or listening at home, | 0:04:31 | 0:04:33 | |
to our St Patrick's concert 2015. | 0:04:33 | 0:04:36 | |
A big thank you also to Belfast City Council for their support | 0:04:36 | 0:04:40 | |
in staging tonight's event. | 0:04:40 | 0:04:42 | |
SHE SPEAKS IN GAELIC | 0:04:42 | 0:04:47 | |
We've a fantastic line-up of musical guests for you this evening, | 0:04:47 | 0:04:50 | |
performing alongside the Ulster Orchestra | 0:04:50 | 0:04:53 | |
under the baton of conductor David Brophy. | 0:04:53 | 0:04:56 | |
APPLAUSE | 0:04:56 | 0:04:59 | |
Yes, there's a great mix of established and emerging talent | 0:05:10 | 0:05:14 | |
from right across the island of Ireland, | 0:05:14 | 0:05:16 | |
and we're going to kick things off right now with one of the most | 0:05:16 | 0:05:19 | |
energetic and innovative new bands to emerge on the traditional | 0:05:19 | 0:05:22 | |
Irish music scene in recent years. | 0:05:22 | 0:05:25 | |
This five-piece from Sligo and Limerick | 0:05:25 | 0:05:27 | |
formed just a few years ago. | 0:05:27 | 0:05:30 | |
They blend Irish trad, jazz, bluegrass | 0:05:30 | 0:05:32 | |
and world music to create their own unique sound. | 0:05:32 | 0:05:36 | |
Last year they released their debut album, Planted, to critical acclaim, | 0:05:36 | 0:05:41 | |
and have become a favourite at festivals across Europe | 0:05:41 | 0:05:43 | |
and North America. | 0:05:43 | 0:05:45 | |
Perfuming their new single, also called Planted, | 0:05:45 | 0:05:48 | |
it's our pleasure to introduce you to the fabulous Moxie! | 0:05:48 | 0:05:53 | |
APPLAUSE | 0:11:32 | 0:11:34 | |
SHE SPEAKS IN GAELIC | 0:11:48 | 0:11:51 | |
Our next artist has had a wide and varied career so far, | 0:11:51 | 0:11:55 | |
from performing in his own right | 0:11:55 | 0:11:57 | |
to composing for television and theatre, TV presenting and acting, | 0:11:57 | 0:12:01 | |
and even writing the theme tune to the CBeebies TV series Sesame Tree. | 0:12:01 | 0:12:07 | |
This summer he will write the score for a new musical version | 0:12:07 | 0:12:10 | |
of Gulliver's Travels to be staged in Belfast, | 0:12:10 | 0:12:13 | |
and releases his latest album, Look Out Machines, later on in the year. | 0:12:13 | 0:12:17 | |
He's no stranger to performing with the Ulster Orchestra, | 0:12:17 | 0:12:20 | |
so please welcome the brilliantly talented Duke Special! | 0:12:20 | 0:12:24 | |
APPLAUSE | 0:12:24 | 0:12:27 | |
Thank you. | 0:12:42 | 0:12:43 | |
# Jesus and his blood | 0:12:55 | 0:12:57 | |
# Don't mean so much any more | 0:12:57 | 0:13:01 | |
# Something must have died | 0:13:01 | 0:13:04 | |
# In this rotten apple core | 0:13:04 | 0:13:07 | |
# Don't get me wrong | 0:13:07 | 0:13:10 | |
# Isn't that I don't believe | 0:13:10 | 0:13:14 | |
# Maybe it's this place I grew | 0:13:19 | 0:13:22 | |
# That burns in my throat | 0:13:22 | 0:13:26 | |
# Fundamental shoes | 0:13:26 | 0:13:28 | |
# Carry souls to the boat | 0:13:28 | 0:13:32 | |
# Courage to find | 0:13:32 | 0:13:35 | |
# I refuse a safety net | 0:13:35 | 0:13:39 | |
# Don't shrink it down | 0:13:44 | 0:13:46 | |
# To the size of your head | 0:13:46 | 0:13:49 | |
# You know that some things are more | 0:13:49 | 0:13:52 | |
# Than can ever be said | 0:13:52 | 0:13:55 | |
# I have seen | 0:13:55 | 0:13:58 | |
# God | 0:13:58 | 0:13:59 | |
# In all these kinds of dives but | 0:13:59 | 0:14:02 | |
# Love is still exploding in my mind | 0:14:02 | 0:14:08 | |
# Hey, look out, crows | 0:14:08 | 0:14:11 | |
# Cos systems blow | 0:14:11 | 0:14:14 | |
# On and on and on and on | 0:14:14 | 0:14:18 | |
# And on and on | 0:14:18 | 0:14:21 | |
# Certainty's a city | 0:14:27 | 0:14:29 | |
# I decided I should leave | 0:14:29 | 0:14:32 | |
# To live within the waters | 0:14:32 | 0:14:35 | |
# Filled with doubt and fallen trees | 0:14:35 | 0:14:39 | |
# Tangled and cold | 0:14:39 | 0:14:42 | |
# Flailing like a drowning man | 0:14:42 | 0:14:46 | |
# Don't shrink it down | 0:14:51 | 0:14:53 | |
# To the books you have read | 0:14:53 | 0:14:56 | |
# You see that there's still a light | 0:14:56 | 0:14:59 | |
# In the eyes of the dead | 0:14:59 | 0:15:02 | |
# I have seen | 0:15:02 | 0:15:04 | |
# God | 0:15:04 | 0:15:06 | |
# In all these kinds of dives but | 0:15:06 | 0:15:09 | |
# Love is still exploding in my mind | 0:15:09 | 0:15:15 | |
# Hey, look out, crows | 0:15:15 | 0:15:18 | |
# Cos systems blow | 0:15:18 | 0:15:21 | |
# On and on and on and on | 0:15:21 | 0:15:25 | |
# On and on and on | 0:15:25 | 0:15:28 | |
# Don't dumb it down | 0:15:40 | 0:15:42 | |
# To the size of your head | 0:15:42 | 0:15:45 | |
# You see that some things are more | 0:15:45 | 0:15:48 | |
# Than can ever be said | 0:15:48 | 0:15:52 | |
# I have seen | 0:15:52 | 0:15:53 | |
# God | 0:15:53 | 0:15:55 | |
# In all these kinds of dives | 0:15:55 | 0:15:58 | |
# But love | 0:15:58 | 0:16:00 | |
# Is still exploding in my mind | 0:16:00 | 0:16:04 | |
# Hey, look out, crows | 0:16:04 | 0:16:07 | |
# Cos systems blow | 0:16:07 | 0:16:10 | |
# On and on and on and on | 0:16:10 | 0:16:14 | |
# And on and on | 0:16:14 | 0:16:16 | |
# Hey, look out, crows | 0:16:16 | 0:16:19 | |
# Cos systems blow | 0:16:19 | 0:16:23 | |
# On and on and on and on | 0:16:23 | 0:16:26 | |
# And on and on. # | 0:16:26 | 0:16:29 | |
APPLAUSE | 0:16:39 | 0:16:41 | |
# One is the loneliest number | 0:17:12 | 0:17:15 | |
# You'll ever know | 0:17:15 | 0:17:18 | |
# Two can be as bad as one | 0:17:20 | 0:17:23 | |
# It's the loneliest number since the number one | 0:17:23 | 0:17:27 | |
# No is the saddest experience you'll ever do | 0:17:36 | 0:17:41 | |
# Yes, it's the saddest experience you'll ever know | 0:17:43 | 0:17:49 | |
# Because one is the loneliest number | 0:17:50 | 0:17:54 | |
# That you'll ever know | 0:17:54 | 0:17:56 | |
# One is the loneliest number | 0:17:59 | 0:18:02 | |
# That you'll ever know | 0:18:02 | 0:18:04 | |
# It's just no good any more | 0:18:12 | 0:18:14 | |
# Since you went away | 0:18:14 | 0:18:17 | |
# Now I spend my time | 0:18:18 | 0:18:21 | |
# Making rhymes of yesterday | 0:18:21 | 0:18:24 | |
# Because one is the loneliest number | 0:18:30 | 0:18:34 | |
# That you'll ever know | 0:18:34 | 0:18:36 | |
# One is the loneliest number | 0:18:38 | 0:18:42 | |
# That you'll ever know | 0:18:42 | 0:18:44 | |
# One is the loneliest number | 0:18:47 | 0:18:51 | |
# One is the loneliest number | 0:18:51 | 0:18:54 | |
# One is the loneliest number | 0:18:54 | 0:18:59 | |
# You'll ever do | 0:18:59 | 0:19:01 | |
# Because one is loneliest number | 0:19:18 | 0:19:22 | |
# Much, much worse than two | 0:19:22 | 0:19:24 | |
# One | 0:19:27 | 0:19:28 | |
# Is a number divided by two | 0:19:28 | 0:19:32 | |
# One | 0:19:35 | 0:19:37 | |
# Ahh | 0:19:37 | 0:19:40 | |
# One | 0:19:42 | 0:19:45 | |
# Ahh | 0:19:45 | 0:19:48 | |
# One | 0:19:50 | 0:19:53 | |
# Ahh. # | 0:19:53 | 0:19:55 | |
APPLAUSE | 0:20:17 | 0:20:20 | |
Each year the BBC issues its influential short list | 0:20:33 | 0:20:37 | |
of the most exciting new acts, | 0:20:37 | 0:20:39 | |
as decided by the music industry and national media. | 0:20:39 | 0:20:43 | |
Our next performer was nominated for the Sound of 2015 | 0:20:43 | 0:20:47 | |
and is fast becoming a favourite on BBC Radio 1, | 0:20:47 | 0:20:50 | |
appearing on the Live Lounge only a few weeks ago. | 0:20:50 | 0:20:53 | |
Still only 18, she's performed at Glastonbury, Electric Picnic, | 0:20:53 | 0:20:57 | |
and toured with the likes of George Ezra and Chvrches. | 0:20:57 | 0:21:02 | |
She releases her debut album in June. | 0:21:02 | 0:21:05 | |
It was produced by Tommy McLaughlin from Villagers, | 0:21:05 | 0:21:08 | |
who appears with her here tonight on bass, | 0:21:08 | 0:21:10 | |
along with fellow band member James Byrne on drums. | 0:21:10 | 0:21:14 | |
Performing her new single Sea Creatures, released yesterday, | 0:21:14 | 0:21:19 | |
and written when she was only 14, | 0:21:19 | 0:21:21 | |
please give a warm welcome to Soak. | 0:21:21 | 0:21:24 | |
# The stars and moon | 0:22:13 | 0:22:15 | |
# Remind me of you | 0:22:15 | 0:22:17 | |
# I don't know what to say | 0:22:17 | 0:22:19 | |
# It might make you worse | 0:22:19 | 0:22:21 | |
# I don't understand | 0:22:21 | 0:22:24 | |
# What her problem is | 0:22:24 | 0:22:25 | |
# I think's she's just a fish | 0:22:25 | 0:22:28 | |
# And now you get it back | 0:22:29 | 0:22:32 | |
# You don't reserve this | 0:22:32 | 0:22:34 | |
# And I won't put up | 0:22:34 | 0:22:36 | |
# With their ignorance | 0:22:36 | 0:22:38 | |
# When they tell you | 0:22:38 | 0:22:40 | |
# They love you | 0:22:40 | 0:22:42 | |
# Well, they don't mean it | 0:22:42 | 0:22:44 | |
# I don't think they know what they mean | 0:22:44 | 0:22:49 | |
# I don't think they know what love is | 0:22:49 | 0:22:53 | |
# Throw it around like it's worthless | 0:22:53 | 0:22:58 | |
# I don't think they know what love is | 0:22:58 | 0:23:02 | |
# I don't get this town | 0:23:03 | 0:23:05 | |
# Neither do you | 0:23:06 | 0:23:08 | |
# We should run away | 0:23:08 | 0:23:10 | |
# Just me and you | 0:23:10 | 0:23:13 | |
# Cos I don't get the people here | 0:23:13 | 0:23:17 | |
# They're curious | 0:23:17 | 0:23:19 | |
# They don't really care | 0:23:19 | 0:23:21 | |
# Sea creatures interfere | 0:23:21 | 0:23:26 | |
# Wish they would disappear | 0:23:26 | 0:23:30 | |
# They don't know what love is | 0:23:35 | 0:23:39 | |
# Throw it around like it's worthless | 0:23:39 | 0:23:43 | |
# They don't know what love is | 0:23:43 | 0:23:49 | |
# I prayed for you | 0:23:53 | 0:23:56 | |
# And you know I don't like Jesus | 0:23:56 | 0:24:01 | |
# Want you to get better | 0:24:02 | 0:24:06 | |
# Please, please get better | 0:24:06 | 0:24:11 | |
# For you | 0:24:11 | 0:24:14 | |
# For me. # | 0:24:15 | 0:24:21 | |
APPLAUSE | 0:24:40 | 0:24:42 | |
As we said earlier, | 0:24:49 | 0:24:50 | |
we're celebrating emerging talent tonight, | 0:24:50 | 0:24:52 | |
and our next performer is a prime example. | 0:24:52 | 0:24:56 | |
The inaugural winner of the Traditional Music section | 0:24:56 | 0:24:59 | |
of the Young Musician's Platform Award, | 0:24:59 | 0:25:01 | |
run by the BBC and the Arts Council of Northern Ireland, | 0:25:01 | 0:25:05 | |
he impressed the judges with his dexterity | 0:25:05 | 0:25:08 | |
and flair on the uilleann pipes. | 0:25:08 | 0:25:10 | |
Aged just 23 and from County Armagh, | 0:25:10 | 0:25:14 | |
here to perform on his own | 0:25:14 | 0:25:15 | |
the selection of reels that won him the award, | 0:25:15 | 0:25:18 | |
Man Versus Waterfront, please welcome Conor Mallon! | 0:25:18 | 0:25:22 | |
APPLAUSE | 0:29:09 | 0:29:12 | |
Under the guidance of Donal Doherty, | 0:29:26 | 0:29:28 | |
Codetta is an internationally acclaimed chamber choir | 0:29:28 | 0:29:31 | |
based in Derry. | 0:29:31 | 0:29:33 | |
They've performed all across Europe, | 0:29:33 | 0:29:35 | |
including appearances with Barry Douglas and Camerata Ireland. | 0:29:35 | 0:29:38 | |
They've also played at the BBC Proms | 0:29:38 | 0:29:41 | |
at the Royal Albert Hall in London with the BBC Symphony Orchestra. | 0:29:41 | 0:29:44 | |
Put simply, they're one of our finest talents. | 0:29:44 | 0:29:47 | |
Ladies and gentlemen, please welcome Codetta! | 0:29:47 | 0:29:50 | |
# Mmm | 0:30:00 | 0:30:04 | |
# Mmm | 0:30:04 | 0:30:08 | |
# Mmm | 0:30:08 | 0:30:13 | |
# Mmm | 0:30:13 | 0:30:24 | |
# Oh, Danny Boy The pipes, the pipes are calling | 0:30:24 | 0:30:32 | |
# From glen to glen and down the mountain side | 0:30:33 | 0:30:41 | |
# The summer's gone and all the flowers are falling | 0:30:42 | 0:30:50 | |
# 'Tis you, 'tis you must go and I must bide | 0:30:51 | 0:30:59 | |
# But come ye back when summer's in the meadow | 0:31:00 | 0:31:08 | |
# Or when the valley's hushed and white with snow | 0:31:08 | 0:31:17 | |
# 'Tis I'll be here in sunshine or in shadow | 0:31:17 | 0:31:26 | |
# Oh, Danny Boy, oh, Danny Boy I love you so | 0:31:27 | 0:31:35 | |
# Ah | 0:31:36 | 0:31:41 | |
# Ah | 0:31:41 | 0:31:45 | |
# Ah | 0:31:45 | 0:31:50 | |
# Oh, Danny Boy | 0:31:50 | 0:31:52 | |
# I love you so | 0:31:52 | 0:32:00 | |
# But when you come and all the flowers are dying | 0:32:00 | 0:32:08 | |
# If I am dead | 0:32:10 | 0:32:14 | |
# As dead I well may be | 0:32:14 | 0:32:19 | |
# You'll come and find the place where I am lying | 0:32:19 | 0:32:28 | |
# And kneel and say an Ave there for me | 0:32:29 | 0:32:36 | |
# An Ave | 0:32:36 | 0:32:38 | |
# And I shall hear though soft you tread above me | 0:32:38 | 0:32:47 | |
# And all my grave will warmer, sweeter be | 0:32:47 | 0:32:54 | |
# Warmer, sweeter be | 0:32:54 | 0:32:57 | |
# For you will bend and tell me | 0:32:57 | 0:33:02 | |
# That you love me | 0:33:02 | 0:33:07 | |
# And I shall sleep in peace until you come to me | 0:33:07 | 0:33:16 | |
# Ooh | 0:33:18 | 0:33:22 | |
# Ooh | 0:33:22 | 0:33:27 | |
# Ooh | 0:33:27 | 0:33:32 | |
# Ooh | 0:33:32 | 0:33:41 | |
# Oh, Danny... | 0:33:41 | 0:33:43 | |
# Oh, Danny Boy | 0:33:43 | 0:33:46 | |
# Oh, Danny... | 0:33:46 | 0:33:52 | |
# Boy. # | 0:33:52 | 0:34:00 | |
APPLAUSE | 0:34:01 | 0:34:04 | |
In 1989, the Irish charts were dominated by a band from Newry | 0:34:17 | 0:34:22 | |
when hit after hit was released from their debut album, | 0:34:22 | 0:34:25 | |
Songs For The Tempted. | 0:34:25 | 0:34:27 | |
Tracks such as Mary, Drag My Bad Name Down | 0:34:27 | 0:34:30 | |
and Just Can't Get Enough ruled the airwaves | 0:34:30 | 0:34:33 | |
and they won Album Of The Year at the Irish Music Awards. | 0:34:33 | 0:34:37 | |
Still going strong, they've notched up six top 20 albums | 0:34:37 | 0:34:41 | |
and numerous radio hits | 0:34:41 | 0:34:43 | |
and they're celebrating over 25 years in the business. | 0:34:43 | 0:34:47 | |
They'll release a brand-new album, Sugar Island, later this year. | 0:34:47 | 0:34:51 | |
Performing with the Ulster Orchestra | 0:34:51 | 0:34:54 | |
and master percussionist Noel Eccles, | 0:34:54 | 0:34:57 | |
please give a massive welcome to The 4 Of Us. | 0:34:57 | 0:35:00 | |
APPLAUSE | 0:35:00 | 0:35:03 | |
# Mary's got a new job She's working in the bank | 0:35:30 | 0:35:33 | |
# Making lots of money and giving it to Frank | 0:35:33 | 0:35:36 | |
# Frank's her married boyfriend Been that way for a year | 0:35:36 | 0:35:40 | |
# Slapped her in the face once but says he loves her | 0:35:40 | 0:35:43 | |
# Oh, Mary, why don't you have some sense? | 0:35:43 | 0:35:48 | |
# Please do something | 0:35:48 | 0:35:51 | |
# To restore my confidence | 0:35:51 | 0:35:56 | |
# He's met another woman and travelling on his own | 0:35:56 | 0:35:59 | |
# He wrote a loving message and left it by the phone | 0:35:59 | 0:36:02 | |
# Mary still knows nothing As innocent as snow | 0:36:02 | 0:36:05 | |
# Everyone has heard the truth but no-one lets it show | 0:36:05 | 0:36:09 | |
# Oh, Mary, why don't you have some sense? | 0:36:09 | 0:36:13 | |
# Please do something | 0:36:13 | 0:36:17 | |
# To restore my confidence | 0:36:17 | 0:36:20 | |
# Let it go, no | 0:36:20 | 0:36:22 | |
# Mary's got a new job She's working for herself | 0:36:34 | 0:36:38 | |
# Making lots of money and thinking of her health | 0:36:38 | 0:36:41 | |
# She's colder than November As hard as she would will | 0:36:41 | 0:36:44 | |
# There are times I lie there thinking I miss the warm days | 0:36:44 | 0:36:47 | |
# Oh, Mary, why don't you have some sense? | 0:36:47 | 0:36:53 | |
# Please do something | 0:36:53 | 0:36:56 | |
# To restore my confidence | 0:36:56 | 0:37:00 | |
# Oh, Mary, why don't you have some sense? | 0:37:00 | 0:37:06 | |
# Please do something | 0:37:06 | 0:37:09 | |
# To restore my confidence | 0:37:09 | 0:37:12 | |
# Let it go, no | 0:37:12 | 0:37:14 | |
# Oh, Mary, why don't you have some sense? | 0:37:33 | 0:37:38 | |
# Please do something | 0:37:38 | 0:37:42 | |
# To restore my confidence | 0:37:42 | 0:37:46 | |
# Oh, Mary, why don't you have some sense? | 0:37:46 | 0:37:51 | |
# Please do something | 0:37:51 | 0:37:55 | |
# To restore my confidence | 0:37:55 | 0:37:59 | |
# Oh, Mary, why don't you have some sense? | 0:37:59 | 0:38:04 | |
# Please do something | 0:38:04 | 0:38:08 | |
# To restore my confidence | 0:38:08 | 0:38:11 | |
# Let it go, no. # | 0:38:11 | 0:38:13 | |
APPLAUSE | 0:38:31 | 0:38:33 | |
Thank you very much. | 0:38:45 | 0:38:47 | |
Um...this next song was a favourite of...one of our favourite people. | 0:38:47 | 0:38:53 | |
So we'd like to dedicate this next song | 0:38:53 | 0:38:57 | |
to the one and only Mr Gerry Anderson, | 0:38:57 | 0:39:01 | |
and, eh... | 0:39:01 | 0:39:02 | |
APPLAUSE | 0:39:02 | 0:39:04 | |
This song is called Blue. | 0:39:11 | 0:39:14 | |
# What's the chances that I'd see you here | 0:39:29 | 0:39:32 | |
# After all this time | 0:39:32 | 0:39:34 | |
# All these years? | 0:39:34 | 0:39:36 | |
# Seems like only yesterday I was holding you | 0:39:36 | 0:39:40 | |
# Are you someone else's sweetheart now? | 0:39:43 | 0:39:45 | |
# Do you still hang out with the same old crowd? | 0:39:45 | 0:39:49 | |
# Everybody else has settled down with somebody | 0:39:49 | 0:39:54 | |
# White | 0:39:56 | 0:39:59 | |
# In a chiffon dress, trimmed in lace | 0:39:59 | 0:40:03 | |
# Bright | 0:40:03 | 0:40:05 | |
# In the midday sun | 0:40:05 | 0:40:07 | |
# Blue | 0:40:10 | 0:40:12 | |
# Is the colour that I see on you | 0:40:12 | 0:40:17 | |
# Blue | 0:40:17 | 0:40:19 | |
# Just seeing you | 0:40:19 | 0:40:21 | |
# And I won't remind you | 0:40:23 | 0:40:26 | |
# What you left behind you | 0:40:26 | 0:40:29 | |
# Rain on your parade | 0:40:29 | 0:40:33 | |
# Something in your eyes | 0:40:37 | 0:40:40 | |
# A look I know you can't disguise | 0:40:40 | 0:40:44 | |
# Still we both pretend there's nothing there | 0:40:44 | 0:40:49 | |
# Blue | 0:40:51 | 0:40:54 | |
# The thought of you with somebody new | 0:40:54 | 0:40:58 | |
# Blue | 0:40:58 | 0:41:01 | |
# I'm no good at lying | 0:41:02 | 0:41:04 | |
# I can't keep these hands tied | 0:41:05 | 0:41:08 | |
# I can't watch in vain | 0:41:08 | 0:41:12 | |
# Watch us tearing out the last page | 0:41:12 | 0:41:16 | |
# In another life, there's a chance we would survive | 0:41:16 | 0:41:21 | |
# So why throw a line? | 0:41:21 | 0:41:25 | |
# Look for a sign | 0:41:25 | 0:41:29 | |
# But it's no use | 0:41:29 | 0:41:33 | |
# It's no use | 0:41:36 | 0:41:41 | |
# What's the chances that I see you here | 0:41:42 | 0:41:45 | |
# Some other day, some other year? | 0:41:45 | 0:41:49 | |
# Will this feeling that I carry round ever disappear? | 0:41:49 | 0:41:54 | |
# White | 0:41:56 | 0:41:59 | |
# In a chiffon dress, trimmed in lace | 0:41:59 | 0:42:03 | |
# Bright | 0:42:03 | 0:42:05 | |
# In the midday sun | 0:42:05 | 0:42:08 | |
# Blue | 0:42:10 | 0:42:12 | |
# Is the colour that I see on you | 0:42:12 | 0:42:17 | |
# Blue | 0:42:17 | 0:42:21 | |
# I'll be seeing you. # | 0:42:21 | 0:42:24 | |
APPLAUSE | 0:42:31 | 0:42:33 | |
SHE SPEAKS IN GAELIC | 0:42:51 | 0:42:55 | |
We have a genuine Irish music legend for you now. | 0:42:55 | 0:42:58 | |
Originally from Strabane, he's been a major musical figure | 0:42:58 | 0:43:02 | |
for over 40 years, | 0:43:02 | 0:43:04 | |
first coming to our attention back in 1967 | 0:43:04 | 0:43:07 | |
as a member of the Johnstons. | 0:43:07 | 0:43:09 | |
In the mid-1970s, | 0:43:09 | 0:43:11 | |
he was part of the Irish traditional supergroup Planxty, | 0:43:11 | 0:43:14 | |
but moved towards rock and pop | 0:43:14 | 0:43:16 | |
when he released his solo album Hard Station in 1981. | 0:43:16 | 0:43:20 | |
He went on to produce modern classics | 0:43:20 | 0:43:22 | |
such as The Island, Nobody Knows and of course, The Homes of Donegal. | 0:43:22 | 0:43:26 | |
His songs have been covered by the likes of Cher, | 0:43:26 | 0:43:29 | |
Tina Turner and Phil Collins, to name but a few, | 0:43:29 | 0:43:32 | |
and Bob Dylan has declared him a personal favourite. | 0:43:32 | 0:43:36 | |
Performing a brand-new song, Oceans Of Time, | 0:43:36 | 0:43:40 | |
Please give a huge welcome to the one and only Mr Paul Brady. | 0:43:40 | 0:43:44 | |
APPLAUSE | 0:43:44 | 0:43:47 | |
Thank you. Good evening. | 0:43:57 | 0:43:58 | |
You having fun? | 0:44:02 | 0:44:03 | |
AUDIENCE: Yes! | 0:44:03 | 0:44:05 | |
New song, called Oceans Of Time. | 0:44:08 | 0:44:10 | |
# Come every day, it's sink or swim | 0:44:25 | 0:44:29 | |
# Take it to heart or on a whim | 0:44:33 | 0:44:36 | |
# Are we the loser or the hero? | 0:44:40 | 0:44:44 | |
# It's a dice throw | 0:44:44 | 0:44:47 | |
# So what if we lose our focus? | 0:44:47 | 0:44:49 | |
# Nobody's going to notice | 0:44:50 | 0:44:52 | |
# Oceans of time will wash your mind | 0:44:54 | 0:44:58 | |
# Ebbing and flowing through our lives | 0:44:58 | 0:45:02 | |
# Why should we hurry up the tide? | 0:45:02 | 0:45:06 | |
# You and I | 0:45:08 | 0:45:09 | |
# Only have oceans of time | 0:45:13 | 0:45:17 | |
# Sunrise to sunrise, it's a game | 0:45:23 | 0:45:27 | |
# 24 hours, it doesn't change | 0:45:31 | 0:45:34 | |
# No point to beg, steal or borrow from tomorrow | 0:45:38 | 0:45:44 | |
# Whatever we need, we have it | 0:45:45 | 0:45:49 | |
# Let's not get stuck in traffic | 0:45:49 | 0:45:51 | |
# Oceans of time will wash your mind | 0:45:53 | 0:45:56 | |
# Ebbing and flowing through our lives | 0:45:56 | 0:46:00 | |
# Why should we hurry up the tide? | 0:46:00 | 0:46:05 | |
# You and I | 0:46:06 | 0:46:08 | |
# Only have oceans of time | 0:46:11 | 0:46:15 | |
# Yeah | 0:46:18 | 0:46:20 | |
# Oh | 0:46:20 | 0:46:22 | |
# Oh | 0:46:22 | 0:46:27 | |
# Yeah | 0:46:29 | 0:46:32 | |
# Oh | 0:46:32 | 0:46:34 | |
# Darling | 0:46:34 | 0:46:36 | |
# Yeah | 0:46:36 | 0:46:41 | |
# Oceans of time will wash your mind | 0:46:41 | 0:46:45 | |
# Ebbing and flowing through our lives | 0:46:46 | 0:46:49 | |
# Why should we hurry up the tide? | 0:46:49 | 0:46:53 | |
# You and I | 0:46:55 | 0:46:56 | |
# Only have oceans of time | 0:47:00 | 0:47:04 | |
# Only have oceans of time | 0:47:07 | 0:47:13 | |
# Only have oceans of time | 0:47:14 | 0:47:20 | |
# Yeah | 0:47:20 | 0:47:22 | |
# Oh | 0:47:25 | 0:47:32 | |
# Yeah, yeah, yeah | 0:47:32 | 0:47:34 | |
# Hey, oh | 0:47:34 | 0:47:39 | |
# Oh, why? # | 0:47:39 | 0:47:42 | |
APPLAUSE | 0:47:46 | 0:47:49 | |
Thank you. | 0:47:49 | 0:47:50 | |
Thanks very much. | 0:47:59 | 0:48:00 | |
Well, the last time I sung this next song in Belfast | 0:48:02 | 0:48:06 | |
was actually in this hall, a little over three years ago, | 0:48:06 | 0:48:10 | |
with this wonderful orchestra and conductor here that you have tonight. | 0:48:10 | 0:48:15 | |
So it's a great pleasure for me to get a chance to sing it again. | 0:48:15 | 0:48:19 | |
And, eh...it's a song called Nobody Knows. | 0:48:19 | 0:48:23 | |
One, two... | 0:48:25 | 0:48:27 | |
# Johnny's got high expectations | 0:48:58 | 0:49:02 | |
# He's going to rise | 0:49:03 | 0:49:06 | |
# Everyone knows that Johnny is ready | 0:49:13 | 0:49:16 | |
# He's ready to fly | 0:49:17 | 0:49:20 | |
# Up on the rooftop he turns to the crowd | 0:49:26 | 0:49:30 | |
# No-one is waiting | 0:49:32 | 0:49:34 | |
# No-one is there | 0:49:34 | 0:49:37 | |
# Nobody knows why Elvis threw it all away | 0:49:39 | 0:49:44 | |
# Nobody knows what Ruby had to hide | 0:49:45 | 0:49:50 | |
# Nobody knows why some of us get broken hearts | 0:49:53 | 0:49:57 | |
# And some of us find a world that's clear and bright | 0:49:59 | 0:50:04 | |
# You could be packed up and ready | 0:50:06 | 0:50:09 | |
# Knowing exactly where to go | 0:50:10 | 0:50:12 | |
# How can you miss the connection? | 0:50:13 | 0:50:15 | |
# No use in asking | 0:50:17 | 0:50:18 | |
# The answer is nobody knows | 0:50:18 | 0:50:21 | |
# No use in asking | 0:50:24 | 0:50:25 | |
# The answer is nobody knows | 0:50:25 | 0:50:28 | |
# Johnny will keep his illusions | 0:50:43 | 0:50:45 | |
# What else can he do? | 0:50:50 | 0:50:51 | |
# And you can pretend that it would be different | 0:50:57 | 0:51:00 | |
# If it happened to you | 0:51:01 | 0:51:03 | |
# But up on the rooftop it's a whole other world | 0:51:10 | 0:51:14 | |
# And who could see heaven and not want to stay? | 0:51:16 | 0:51:24 | |
# Nobody knows why Elvis threw it all away | 0:51:26 | 0:51:31 | |
# Nobody knows what Ruby had to hide | 0:51:34 | 0:51:38 | |
# Nobody knows why some of us get broken hearts | 0:51:41 | 0:51:46 | |
# And some of us find a world that's clear and bright | 0:51:48 | 0:51:52 | |
# You could be packed up and ready | 0:51:55 | 0:51:58 | |
# Knowing exactly where to go | 0:51:58 | 0:52:01 | |
# How can you miss the connection? | 0:52:02 | 0:52:03 | |
# No use in asking | 0:52:05 | 0:52:07 | |
# The answer is nobody knows | 0:52:07 | 0:52:10 | |
# No use in asking | 0:52:12 | 0:52:14 | |
# The answer is nobody knows | 0:52:14 | 0:52:17 | |
# Hey | 0:52:19 | 0:52:21 | |
# The answer is nobody knows | 0:52:21 | 0:52:24 | |
# Yeah, yeah, yeah | 0:52:38 | 0:52:44 | |
# Oh | 0:52:44 | 0:52:50 | |
# Nobody knows. # | 0:52:50 | 0:52:51 | |
APPLAUSE | 0:52:59 | 0:53:02 | |
Thank you. | 0:53:07 | 0:53:08 | |
Enjoy the rest of the evening. | 0:53:10 | 0:53:12 | |
Well, we're almost at the end of the evening, ladies and gentlemen, | 0:53:17 | 0:53:20 | |
but before we introduce the final act, | 0:53:20 | 0:53:22 | |
we'd like to say a huge thanks to all our performers tonight | 0:53:22 | 0:53:27 | |
and, of course, to the backbone of the whole thing, | 0:53:27 | 0:53:29 | |
the Ulster Orchestra, conducted by David Brophy. | 0:53:29 | 0:53:33 | |
CHEERING AND APPLAUSE | 0:53:33 | 0:53:35 | |
Well, our next artist is a multi-instrumentalist and composer | 0:53:47 | 0:53:51 | |
who has scored for orchestra, film, TV and theatre. | 0:53:51 | 0:53:55 | |
His style blends Irish traditional and classical, | 0:53:55 | 0:53:59 | |
particularly evident in his work with the West Ocean String Quartet. | 0:53:59 | 0:54:03 | |
He's contributed to over 100 albums | 0:54:03 | 0:54:06 | |
and his music's been played across the world, | 0:54:06 | 0:54:08 | |
most recently in a play off Broadway with Sam Shepard and Stephen Rea. | 0:54:08 | 0:54:14 | |
Please welcome Belfast's very own Neil Martin. | 0:54:14 | 0:54:18 | |
APPLAUSE | 0:54:18 | 0:54:21 | |
CHEERING AND APPLAUSE | 0:58:30 | 0:58:32 |