
Browse content similar to Tom Jones & Rob Brydon: One Big Night for Children in Need. Check below for episodes and series from the same categories and more!
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|---|---|---|---|
'Coming up in tonight's show...' | 0:00:02 | 0:00:03 | |
"He's 22, he's single and he's a coal miner." | 0:00:03 | 0:00:06 | |
The words used to describe which married 24-year-old | 0:00:06 | 0:00:09 | |
who'd never been down a mine in his life? | 0:00:09 | 0:00:11 | |
-LAUGHING: -Tom Jones. | 0:00:11 | 0:00:13 | |
Correct. | 0:00:13 | 0:00:14 | |
BIG BAND MUSIC PLAYS | 0:00:14 | 0:00:17 | |
Are you ready? BUZZER | 0:00:19 | 0:00:21 | |
The word is "shower"... | 0:00:21 | 0:00:23 | |
# Come along, little children, come along | 0:00:23 | 0:00:26 | |
# While the moon is shining bright... # | 0:00:27 | 0:00:30 | |
-# She says baby -Baby | 0:00:30 | 0:00:32 | |
# Everything is all right | 0:00:32 | 0:00:33 | |
-# Uptight -Uptight | 0:00:33 | 0:00:34 | |
# Outta sight... # | 0:00:34 | 0:00:36 | |
-# Sometimes -Sometimes | 0:00:36 | 0:00:38 | |
-# I feel -I feel | 0:00:38 | 0:00:40 | |
# Like I'm heaven bound... # | 0:00:40 | 0:00:44 | |
# Then he strikes... | 0:00:44 | 0:00:46 | |
# Like Thunderball... | 0:00:46 | 0:00:50 | |
# Ba-a-a-a-a-all! # | 0:00:50 | 0:00:55 | |
CHEERING AND APPLAUSE | 0:00:57 | 0:00:59 | |
-Well, here we are. At the Jobcentre. -Yes, here we are, yes. | 0:01:02 | 0:01:07 | |
Oh, dear. | 0:01:07 | 0:01:08 | |
-What? -Oh, look at this. -What is it? | 0:01:08 | 0:01:10 | |
We've got a 75-year-old male just made redundant. | 0:01:10 | 0:01:14 | |
Oh, no! 75! | 0:01:14 | 0:01:16 | |
-Yes. Oh, and Welsh! -BOTH: -Ooh! | 0:01:16 | 0:01:21 | |
-Oh! A double whammy. -Mm. | 0:01:21 | 0:01:24 | |
What was his job? | 0:01:24 | 0:01:25 | |
Well, it doesn't sound difficult. | 0:01:25 | 0:01:27 | |
According to this form he's filled in, | 0:01:27 | 0:01:30 | |
he had to spin round in a chair... | 0:01:30 | 0:01:32 | |
..a couple of times a week, and press a button. | 0:01:33 | 0:01:37 | |
Press a button? At his age it's probably a panic alarm! | 0:01:38 | 0:01:41 | |
SHE CHUCKLES | 0:01:41 | 0:01:42 | |
-What...? -Yes? Oh! It says here he's a bit of a singer. | 0:01:42 | 0:01:46 | |
-Well, aren't we all?! Let me see that. -Yes, yeah, all right. | 0:01:46 | 0:01:49 | |
-Let me see... -What else... What else is on his CV? | 0:01:49 | 0:01:51 | |
-It says he's from coal-mining stock. -What's... What's a coal mine? | 0:01:51 | 0:01:56 | |
-Says he went to the top of the charts. -What's... What's the charts? | 0:01:56 | 0:02:00 | |
-Has been... -Well, that's obvious! | 0:02:00 | 0:02:02 | |
No, no, let me finish. LAUGHTER | 0:02:02 | 0:02:05 | |
Has been one of the highest earners in show business. | 0:02:05 | 0:02:08 | |
-AUDIENCE: -Whoo! -Friendly with Elvis, Sinatra and U2?! | 0:02:08 | 0:02:11 | |
-Is he deluded? -Deluded? | 0:02:11 | 0:02:15 | |
He's away with the fairies. But it's what we're here for. | 0:02:15 | 0:02:17 | |
-Should we get him in? -Well, all right. All right. | 0:02:17 | 0:02:21 | |
CHEERING | 0:02:21 | 0:02:22 | |
But you can deal with him because you seem to understand "the Welsh". | 0:02:22 | 0:02:27 | |
Yes, funny that. | 0:02:27 | 0:02:29 | |
CHEERING | 0:02:32 | 0:02:35 | |
MUSIC: Mama Told Me Not To Come | 0:02:37 | 0:02:40 | |
AUDIENCE CLAPS TO A BEAT | 0:02:43 | 0:02:45 | |
# Want some whisky in your water? Sugar in your tea? | 0:02:48 | 0:02:53 | |
# What's all these crazy questions they're asking me? | 0:02:53 | 0:02:57 | |
# This is the craziest party that could ever be | 0:02:57 | 0:03:00 | |
# Don't turn on the lights cos I don't wanna see | 0:03:00 | 0:03:04 | |
# Mama told me not to come | 0:03:04 | 0:03:06 | |
# Mama told me not to come | 0:03:08 | 0:03:10 | |
# She said | 0:03:10 | 0:03:13 | |
# "That ain't the way to have fun, son" | 0:03:13 | 0:03:16 | |
# Open up the window Let some air into this room | 0:03:21 | 0:03:24 | |
# I think I'm almost choking from the smell of stale perfume | 0:03:24 | 0:03:28 | |
# The cigarette you're smoking scares me half to death | 0:03:28 | 0:03:32 | |
# Open up your window and let me catch my breath! | 0:03:32 | 0:03:36 | |
-# Mama told me not to come -Mama told me not to come | 0:03:36 | 0:03:39 | |
-# Mama told me not to come -Mama told me, she said | 0:03:39 | 0:03:44 | |
# "That ain't the way to have fun, son" | 0:03:44 | 0:03:48 | |
# "That ain't the way to have fun, son, son, son" | 0:03:48 | 0:03:52 | |
# The radio is blasting Someone's knocking at the door | 0:04:06 | 0:04:11 | |
# Looking at my girlfriend She just passed out on the floor | 0:04:11 | 0:04:14 | |
# I've seen so many things I ain't never seen before | 0:04:14 | 0:04:18 | |
# Don't know what it is but I don't wanna see no more | 0:04:19 | 0:04:22 | |
-# Mama told me not to come -Mama told me not to come | 0:04:22 | 0:04:25 | |
-# Mama told me not to come -Mama told me, she said | 0:04:25 | 0:04:30 | |
# "That ain't the way to have fun, no" | 0:04:30 | 0:04:33 | |
# "That ain't the way to have fun..." | 0:04:34 | 0:04:36 | |
# "Son" | 0:04:36 | 0:04:37 | |
# Mama told me, Mama told me Mama told me, Mama told me | 0:04:37 | 0:04:42 | |
-# Mama told me not to come -Mama told me not to come | 0:04:42 | 0:04:45 | |
# "That ain't the way to have fun, son" | 0:04:45 | 0:04:48 | |
# "That ain't the way to have fun" | 0:04:48 | 0:04:49 | |
# "That ain't the way to have fun, son" | 0:04:49 | 0:04:51 | |
# "Ah, that ain't the way to have fun" | 0:04:51 | 0:04:53 | |
# "That ain't the way to have fun, no" | 0:04:53 | 0:04:55 | |
# "That ain't the way to have fun" | 0:04:55 | 0:04:57 | |
# "That ain't the way to have fun, son" | 0:04:57 | 0:04:59 | |
# "That ain't the way to have it" | 0:04:59 | 0:05:01 | |
# Mama told me, Mama told me Mama told me, Mama told me | 0:05:01 | 0:05:05 | |
# Mama told me | 0:05:05 | 0:05:06 | |
# Mama told me not to come | 0:05:06 | 0:05:08 | |
# "That ain't the way to have fun, son" | 0:05:08 | 0:05:11 | |
# "Ah, that ain't the way to have fun" | 0:05:11 | 0:05:12 | |
# "That ain't the way to have fun, son" | 0:05:12 | 0:05:14 | |
# "That ain't the way to have fun" | 0:05:14 | 0:05:16 | |
# "That ain't the way to have fun" | 0:05:16 | 0:05:18 | |
# Oh, no, no, no... # | 0:05:18 | 0:05:21 | |
HE LAUGHS | 0:05:26 | 0:05:28 | |
# Maybe you should have listened. # | 0:05:28 | 0:05:30 | |
CHEERING | 0:05:30 | 0:05:32 | |
Yeah! | 0:05:32 | 0:05:33 | |
-Whoo! Thank you! -CHEERING | 0:05:41 | 0:05:44 | |
Whoa! | 0:05:44 | 0:05:45 | |
-Whoa! -Yes! | 0:05:45 | 0:05:47 | |
-How about that? -How about that? | 0:05:47 | 0:05:49 | |
Whoa, hello, everybody! | 0:05:49 | 0:05:52 | |
Welcome to One Big Night For Children In Need! | 0:05:52 | 0:05:55 | |
CHEERING | 0:05:55 | 0:05:57 | |
It is a wonderful evening of music and comedy | 0:05:57 | 0:06:01 | |
and people are already calling it the Welsh Woodstock. | 0:06:01 | 0:06:06 | |
-I'm Rob Brydon... -And I'm Tom Jones. | 0:06:07 | 0:06:10 | |
CHEERING | 0:06:10 | 0:06:12 | |
Now, the reason that we're all here tonight | 0:06:12 | 0:06:14 | |
is to support the incredible work of BBC Children In Need | 0:06:14 | 0:06:18 | |
and we have a deal for you. | 0:06:18 | 0:06:21 | |
We're going to lay on a feast of music and comedy | 0:06:21 | 0:06:23 | |
and all we ask is that you show your appreciation | 0:06:23 | 0:06:26 | |
by making a donation if you can. | 0:06:26 | 0:06:29 | |
You can choose to donate £5 or £10 tonight. | 0:06:29 | 0:06:33 | |
Or... | 0:06:38 | 0:06:39 | |
Texts will cost your donation plus the standard network message charge | 0:06:43 | 0:06:47 | |
and all of your donation will go to Children In Need. | 0:06:47 | 0:06:51 | |
So, it's One Big Night here at Wembley Arena | 0:07:03 | 0:07:05 | |
and I've always wanted to say this... | 0:07:05 | 0:07:07 | |
Hello, Arena! | 0:07:07 | 0:07:09 | |
CHEERING | 0:07:09 | 0:07:11 | |
And, wow, this is one big room, | 0:07:11 | 0:07:13 | |
-but, Tom, you've played here loads of times, haven't you? -Yes, I have. | 0:07:13 | 0:07:16 | |
And I must say, it's great to be back. | 0:07:16 | 0:07:19 | |
-CHEERING -Thank you. | 0:07:19 | 0:07:21 | |
You know, I've never played here before. | 0:07:21 | 0:07:23 | |
The last time I was in a room this size was in America. | 0:07:23 | 0:07:26 | |
I was at a huge sporting event. | 0:07:26 | 0:07:27 | |
-I tell you what they did there, Tom... -Yeah. | 0:07:27 | 0:07:29 | |
They turned the camera on the crowd. | 0:07:29 | 0:07:33 | |
Oh, yeah. Like a kiss cam? | 0:07:33 | 0:07:35 | |
A kiss cam. Yes, a kiss cam. | 0:07:35 | 0:07:37 | |
Sounds like baby talk between the Prime Minister and his wife... | 0:07:37 | 0:07:41 | |
Ooh-uh-uww-uww! TOM LAUGHS | 0:07:41 | 0:07:43 | |
-But it's... It's a horrible thought, isn't it? -Terrible. -It's not. | 0:07:43 | 0:07:46 | |
It's just a way of breaking the ice at huge gatherings like this. | 0:07:46 | 0:07:49 | |
Quite simply, if the camera spots you - | 0:07:49 | 0:07:53 | |
cos, yes, we are going to do it - | 0:07:53 | 0:07:55 | |
and you see yourself up on the screen, | 0:07:55 | 0:07:57 | |
you have to kiss the person next to you. | 0:07:57 | 0:08:00 | |
OK? | 0:08:00 | 0:08:01 | |
Now then, Tom. | 0:08:01 | 0:08:02 | |
Is there anything in your huge repertoire that would suit | 0:08:02 | 0:08:06 | |
a kiss cam? | 0:08:06 | 0:08:07 | |
Uh, let me... Well, how about this? | 0:08:07 | 0:08:11 | |
MUSIC: Kiss | 0:08:11 | 0:08:14 | |
# You don't have to be beautiful | 0:08:25 | 0:08:29 | |
# To turn me on | 0:08:29 | 0:08:31 | |
# I just need your body, baby | 0:08:33 | 0:08:38 | |
# From dusk till dawn | 0:08:38 | 0:08:40 | |
# You don't need experience | 0:08:42 | 0:08:45 | |
# To turn me out | 0:08:46 | 0:08:48 | |
# You just leave it all up to me | 0:08:50 | 0:08:54 | |
# I'll show you what it's all about | 0:08:54 | 0:08:57 | |
# You don't have to be rich to be my girl | 0:08:58 | 0:09:03 | |
# You don't have to be cool to rule my world | 0:09:03 | 0:09:06 | |
# Ain't no particular sign I'm more compatible with | 0:09:06 | 0:09:11 | |
# I just want your extra time and your... | 0:09:11 | 0:09:15 | |
# Kiss! | 0:09:16 | 0:09:17 | |
# You gotta not talk dirty, baby | 0:09:23 | 0:09:27 | |
# If you wanna impress me | 0:09:27 | 0:09:30 | |
# You can't be too flirty, mama | 0:09:32 | 0:09:35 | |
# I know how to undress me | 0:09:35 | 0:09:39 | |
# Let me be your fantasy | 0:09:40 | 0:09:43 | |
# And maybe you could be mine | 0:09:43 | 0:09:47 | |
# You just leave it all up to me | 0:09:48 | 0:09:50 | |
# Girlfriend, you know that we could | 0:09:50 | 0:09:53 | |
# We could have a good time | 0:09:53 | 0:09:55 | |
# You don't have to be rich to be my girl | 0:09:57 | 0:10:01 | |
# You don't have to be cool to rule my world | 0:10:01 | 0:10:05 | |
# Ain't no particular sign I'm more compatible with | 0:10:05 | 0:10:09 | |
# I just want your extra time and your... | 0:10:09 | 0:10:13 | |
# Kiss! | 0:10:14 | 0:10:15 | |
# I think you'd better play now... # | 0:10:15 | 0:10:17 | |
Come on! | 0:10:20 | 0:10:21 | |
Whoo! | 0:10:22 | 0:10:23 | |
Yeah! | 0:10:24 | 0:10:26 | |
CHEERING | 0:10:27 | 0:10:30 | |
Huh! | 0:10:33 | 0:10:34 | |
Huh-huh. | 0:10:41 | 0:10:42 | |
# Women and girls rule my world | 0:10:49 | 0:10:53 | |
# I said they rule my world... # | 0:10:53 | 0:10:55 | |
LOUD CHEER | 0:10:55 | 0:10:58 | |
# Act your age, mama Not your shoe size | 0:10:58 | 0:11:01 | |
# And maybe we could do the twirl | 0:11:01 | 0:11:05 | |
# You don't have to watch Dynasty | 0:11:05 | 0:11:09 | |
# To have an attitude | 0:11:09 | 0:11:11 | |
# You gotta leave it all up to me | 0:11:13 | 0:11:17 | |
# My love will be your food | 0:11:17 | 0:11:20 | |
# You don't have to be rich to be my girl | 0:11:22 | 0:11:26 | |
# You don't have to be cool to rule my world | 0:11:26 | 0:11:30 | |
# Ain't no particular sign I'm more compatible with | 0:11:30 | 0:11:34 | |
# I just want your extra time and your... | 0:11:34 | 0:11:38 | |
# Kiss! # | 0:11:41 | 0:11:42 | |
CHEERING | 0:11:45 | 0:11:48 | |
Wow! | 0:11:48 | 0:11:49 | |
HE LAUGHS | 0:11:49 | 0:11:52 | |
Wow, David Walliams. | 0:11:54 | 0:11:57 | |
Not only a great kisser, but as I just found out, | 0:11:57 | 0:11:59 | |
able to squeeze the words "I love you" into a single burp. | 0:11:59 | 0:12:03 | |
Rob, wait a minute, wait a minute. | 0:12:03 | 0:12:04 | |
-I don't want to interrupt anything romantic... -No. | 0:12:04 | 0:12:07 | |
..but, um... | 0:12:07 | 0:12:08 | |
Why don't we tell the good people why we're really here tonight? | 0:12:08 | 0:12:11 | |
Well, we've got to be somewhere, Tom. | 0:12:11 | 0:12:13 | |
-Please be serious, Rob. -Sorry, Tom. | 0:12:13 | 0:12:15 | |
There is a fantastic reason that we're here with you all this evening | 0:12:15 | 0:12:18 | |
and it is to raise money, | 0:12:18 | 0:12:21 | |
as much money as we possibly can for children who really do need our help. | 0:12:21 | 0:12:28 | |
And we're going to start | 0:12:28 | 0:12:29 | |
by telling you about an incredibly brave little girl called Alana. | 0:12:29 | 0:12:34 | |
Hello, I'm Alana. | 0:12:34 | 0:12:37 | |
I like to dance, I like to do gymnastics. | 0:12:37 | 0:12:41 | |
Alana's always been this... This wee dynamo. | 0:12:41 | 0:12:44 | |
She loves being around people, full of energy. | 0:12:44 | 0:12:48 | |
I really love karate. | 0:12:48 | 0:12:50 | |
Hi-yah! | 0:12:50 | 0:12:51 | |
Growing up, Alana did have eczema. | 0:12:51 | 0:12:54 | |
Lots of people have it, you treat it, | 0:12:54 | 0:12:56 | |
and you just go on living your life quite happily. | 0:12:56 | 0:12:59 | |
Three, two, one... | 0:12:59 | 0:13:00 | |
But in 2014, Alana's eczema took a dramatic turn for the worse. | 0:13:00 | 0:13:05 | |
She woke up one day, pretty much her whole body was red. | 0:13:05 | 0:13:09 | |
Some parts of her skin looked like | 0:13:09 | 0:13:10 | |
they'd been scalded with boiling water. | 0:13:10 | 0:13:13 | |
It's a lot more serious than people might think it is. | 0:13:13 | 0:13:17 | |
But it was, it was eczema. | 0:13:17 | 0:13:19 | |
Alana's eczema was so severe she was admitted to hospital. | 0:13:19 | 0:13:23 | |
I was just, like, really itchy and I couldn't stop. | 0:13:23 | 0:13:27 | |
It felt like there wasn't any skin on my arm. | 0:13:27 | 0:13:31 | |
It's horrible. People should never experience that in their life, | 0:13:31 | 0:13:33 | |
that their child's in so much discomfort | 0:13:33 | 0:13:36 | |
that they're pleading with you to stop the pain. | 0:13:36 | 0:13:38 | |
She became quite self-conscious. | 0:13:38 | 0:13:42 | |
It's not just the skin that's affected, it's her self-esteem, | 0:13:42 | 0:13:45 | |
her self-image. | 0:13:45 | 0:13:47 | |
My eczema did make me cry. | 0:13:47 | 0:13:49 | |
I just wanted to have skin like other people. | 0:13:49 | 0:13:52 | |
HE EXHALES DEEPLY | 0:13:53 | 0:13:55 | |
It really is heartbreaking. | 0:13:55 | 0:13:56 | |
You want to take that pain away from them, but you just can't. | 0:13:56 | 0:14:00 | |
With Alana's skin condition being so extreme, | 0:14:03 | 0:14:06 | |
her family were introduced to Eczema Outreach Scotland, | 0:14:06 | 0:14:09 | |
a Children In Need supported charity who help families living with eczema. | 0:14:09 | 0:14:14 | |
It's quite hard to understate the importance of | 0:14:14 | 0:14:17 | |
Eczema Outreach Scotland | 0:14:17 | 0:14:18 | |
and the impact they've had on our family - | 0:14:18 | 0:14:20 | |
engaging with other parents | 0:14:20 | 0:14:22 | |
that understand our fears and our worries. | 0:14:22 | 0:14:24 | |
So, today, we're going to have a think about how our eczema makes us feel. | 0:14:24 | 0:14:27 | |
-I'm going to draw a hedgehog. -A jaggy hedgehog? | 0:14:27 | 0:14:29 | |
Yeah. | 0:14:29 | 0:14:30 | |
'I'm not the only one that has eczema.' | 0:14:30 | 0:14:33 | |
There's other children that have it as well, it's not only me. | 0:14:33 | 0:14:37 | |
It just made me feel happy and excited. | 0:14:37 | 0:14:40 | |
She's got her confidence back. | 0:14:40 | 0:14:42 | |
She done a talk at school about eczema. | 0:14:42 | 0:14:44 | |
I got this certificate | 0:14:44 | 0:14:46 | |
for standing up and telling people about my eczema | 0:14:46 | 0:14:52 | |
and telling them that it's not catchable if I just touch you. | 0:14:52 | 0:14:57 | |
It was great. It's like seeing Alana as we know Alana to be. | 0:14:57 | 0:15:01 | |
At the moment, Alana's eczema, it's under control. | 0:15:01 | 0:15:04 | |
She will still have the occasional flare up, | 0:15:04 | 0:15:06 | |
the difference now is we know what to do. | 0:15:06 | 0:15:08 | |
I can pick up the phone, | 0:15:08 | 0:15:10 | |
I can contact someone who can provide that support. | 0:15:10 | 0:15:13 | |
Because if we hadn't become part of Eczema Outreach Scotland... | 0:15:13 | 0:15:16 | |
..I really don't know, I really don't know where I would be. | 0:15:17 | 0:15:19 | |
There are thousands more children just like Alana all across the UK | 0:15:21 | 0:15:26 | |
whose lives could be helped with a simple donation from you right now. | 0:15:26 | 0:15:32 | |
We've made it as easy as possible. | 0:15:32 | 0:15:33 | |
You can choose to donate £5 or £10. | 0:15:33 | 0:15:36 | |
Texts will cost your donation plus the standard network message charge | 0:15:45 | 0:15:50 | |
and all of your donation will go to Children In Need. | 0:15:50 | 0:15:53 | |
And please, don't wait to donate. | 0:16:01 | 0:16:03 | |
The sooner that you give, | 0:16:03 | 0:16:05 | |
the sooner we can help another child. | 0:16:05 | 0:16:08 | |
And if that wouldn't be reward enough for your donation, | 0:16:08 | 0:16:11 | |
we have something very special for you now, | 0:16:11 | 0:16:14 | |
as Tom is joined by the brilliant James Morrison! | 0:16:14 | 0:16:18 | |
CHEERING AND APPLAUSE | 0:16:18 | 0:16:21 | |
MUSIC: A Place In The Sun | 0:16:21 | 0:16:23 | |
# Like a long, lonely stream | 0:16:28 | 0:16:32 | |
# I keep runnin' towards a dream | 0:16:32 | 0:16:36 | |
# Movin' on | 0:16:36 | 0:16:39 | |
# Movin' on | 0:16:39 | 0:16:43 | |
# Like a branch on a tree | 0:16:43 | 0:16:46 | |
# I keep reachin' to be free | 0:16:46 | 0:16:51 | |
# Movin' on | 0:16:51 | 0:16:52 | |
# Movin' on | 0:16:52 | 0:16:54 | |
# Movin' on | 0:16:54 | 0:16:56 | |
# Bah-bah, bah-bah, bah, cos | 0:16:56 | 0:16:58 | |
# There's a place in the sun | 0:16:58 | 0:17:02 | |
# Where there's hope for everyone | 0:17:02 | 0:17:06 | |
# Where my poor restless heart's gotta run | 0:17:06 | 0:17:13 | |
# There's a place in the sun | 0:17:13 | 0:17:16 | |
# And before my life is done | 0:17:17 | 0:17:21 | |
# Gotta find me a place in the sun | 0:17:21 | 0:17:27 | |
-# Yeah -Yeah | 0:17:27 | 0:17:28 | |
# Like this tired, troubled earth | 0:17:28 | 0:17:33 | |
# I've been rollin' since my birth | 0:17:33 | 0:17:36 | |
# Movin' on | 0:17:36 | 0:17:40 | |
# Movin' on | 0:17:40 | 0:17:43 | |
# Like an old dusty road | 0:17:43 | 0:17:47 | |
# I get weary from my load | 0:17:47 | 0:17:50 | |
# Movin' on | 0:17:50 | 0:17:53 | |
# Movin' on | 0:17:53 | 0:17:55 | |
# Movin' on | 0:17:55 | 0:17:57 | |
# Gotta keep movin' | 0:17:57 | 0:17:59 | |
# Cos there's a place in the sun | 0:17:59 | 0:18:02 | |
# Where there's hope for everyone | 0:18:02 | 0:18:06 | |
# Where my poor, restless heart | 0:18:06 | 0:18:10 | |
-# Gotta run -I know | 0:18:10 | 0:18:14 | |
# There's a place in the sun | 0:18:14 | 0:18:18 | |
# And before my life is done | 0:18:18 | 0:18:21 | |
# Gotta find me a place | 0:18:21 | 0:18:23 | |
# In the sun | 0:18:25 | 0:18:28 | |
-# I said baby -Baby | 0:18:31 | 0:18:33 | |
# Everything is all right | 0:18:33 | 0:18:35 | |
-# Uptight -Uptight | 0:18:35 | 0:18:36 | |
# Outta sight | 0:18:36 | 0:18:37 | |
# Baby, everything is all right, uptight | 0:18:37 | 0:18:42 | |
# Clean outta sight, I'm a poor man's son | 0:18:42 | 0:18:44 | |
# From across the railroad track | 0:18:44 | 0:18:46 | |
# The only thing I own is hanging on my back | 0:18:46 | 0:18:48 | |
# But I'm the envy of every single guy | 0:18:48 | 0:18:51 | |
# Cos I'm the apple of my baby's eye | 0:18:51 | 0:18:53 | |
# When we go out stepping on the town for a while | 0:18:53 | 0:18:57 | |
# My money's low and my suit's out of style | 0:18:57 | 0:18:59 | |
-# But it's all right -All right | 0:18:59 | 0:19:01 | |
# Cos my heart is true | 0:19:01 | 0:19:02 | |
# It's uptight, cos my heart is true | 0:19:02 | 0:19:05 | |
-# She says baby -Baby | 0:19:05 | 0:19:06 | |
# Everything is all right | 0:19:06 | 0:19:08 | |
-# Uptight -Uptight | 0:19:08 | 0:19:09 | |
# Clean out of sight | 0:19:09 | 0:19:10 | |
-# Baby -Baby | 0:19:10 | 0:19:12 | |
# Everything is all right, uptight | 0:19:12 | 0:19:14 | |
-# Uptight -Clean outta sight | 0:19:14 | 0:19:16 | |
# It's not unusual to be loved by anyone... # | 0:19:16 | 0:19:20 | |
Yeah! | 0:19:20 | 0:19:22 | |
# It's not unusual to have fun with anyone | 0:19:22 | 0:19:26 | |
# But when I see you hanging about with anyone... # | 0:19:27 | 0:19:32 | |
Yeah! | 0:19:32 | 0:19:33 | |
# It's not unusual to see me cry | 0:19:33 | 0:19:37 | |
# Oh, I wanna die | 0:19:37 | 0:19:39 | |
-# Nothing's too good for my baby -Yeah! | 0:19:40 | 0:19:43 | |
-# Nothing's too good for my girl -Uh-huh! | 0:19:43 | 0:19:46 | |
-# Nothing's too good for my baby -Whoo! | 0:19:46 | 0:19:49 | |
# Nothing's too good for my girl | 0:19:49 | 0:19:51 | |
# She's a pearl of a girl, I guess that's what you might say | 0:19:51 | 0:19:54 | |
# Cos her folks brought her up that way | 0:19:54 | 0:19:56 | |
# On the right side of the tracks she was born and raised | 0:19:56 | 0:19:59 | |
# In a great big house full of butlers and maids | 0:19:59 | 0:20:02 | |
-# Baby -Baby | 0:20:02 | 0:20:04 | |
# Everything is all right | 0:20:04 | 0:20:05 | |
-# Uptight -Outta sight | 0:20:05 | 0:20:08 | |
-# Baby -Baby | 0:20:08 | 0:20:09 | |
# Everything is all right, uptight | 0:20:09 | 0:20:12 | |
# Outta sight | 0:20:12 | 0:20:13 | |
# Baby | 0:20:13 | 0:20:14 | |
-# Baby, everything's all right -Baby | 0:20:14 | 0:20:16 | |
-# Uptight -Baby | 0:20:16 | 0:20:17 | |
# Outta sight | 0:20:17 | 0:20:18 | |
-# Baby -Baby -Baby -Baby | 0:20:18 | 0:20:21 | |
-# Baby -Baby -Baby -Baby -Whoo! # | 0:20:21 | 0:20:25 | |
-James, how do you feel? -Extraordinary. | 0:20:25 | 0:20:28 | |
CHEERING AND APPLAUSE | 0:20:28 | 0:20:30 | |
Yeah! | 0:20:30 | 0:20:32 | |
Thank you so much. | 0:20:33 | 0:20:35 | |
CHEERING AND APPLAUSE | 0:20:39 | 0:20:41 | |
Fantastic. How lovely to see two singers in total harmony. | 0:20:46 | 0:20:51 | |
-Well... -All you need now is three more who can't hold a note, | 0:20:51 | 0:20:55 | |
you could start a boy band. LAUGHTER | 0:20:55 | 0:20:57 | |
Now, then, Tom, it's been a long career. | 0:20:57 | 0:21:01 | |
-Yes. -Hasn't it? | 0:21:01 | 0:21:02 | |
It has. | 0:21:02 | 0:21:03 | |
A very long career, but I will say this - throughout it all, | 0:21:03 | 0:21:07 | |
you've not put a foot wrong. | 0:21:07 | 0:21:11 | |
-Oh! -Not a foot wrong. -Really? | 0:21:11 | 0:21:14 | |
Stylistically, with the clothes, | 0:21:14 | 0:21:16 | |
you've never worn clothing that would now be considered a bit silly, | 0:21:16 | 0:21:22 | |
-a bit foolish... -No. | 0:21:22 | 0:21:24 | |
..a bit ill-advised. | 0:21:24 | 0:21:25 | |
You've never done dance moves that might look a bit silly, | 0:21:25 | 0:21:30 | |
-a bit foolish, a bit ill-advised. -No. | 0:21:30 | 0:21:33 | |
And this is not just my opinion. | 0:21:33 | 0:21:35 | |
We asked some young people, some very young people | 0:21:35 | 0:21:39 | |
to check out your moves and your outfits through the years. | 0:21:39 | 0:21:43 | |
-Have a look at this. -OK. | 0:21:43 | 0:21:46 | |
# Just help yourself to my lips | 0:21:46 | 0:21:48 | |
# To my arms, just say the word and they are yours... # | 0:21:48 | 0:21:53 | |
I think that picture in the background looks a bit like, um... | 0:21:53 | 0:21:57 | |
-I forgot. -Michael Jackson or Bruno Mars. -No! | 0:21:57 | 0:22:00 | |
Not a singer, someone's that very popular. | 0:22:00 | 0:22:03 | |
-He reminds me of Elvis Presley. -OTHERS: Yeah! | 0:22:03 | 0:22:06 | |
-It's, um... -I think it's Michael Jackson. | 0:22:06 | 0:22:09 | |
THEY LAUGH HYSTERICALLY | 0:22:09 | 0:22:11 | |
It looks like Simon Cowell. | 0:22:11 | 0:22:13 | |
It's David Cameron. | 0:22:13 | 0:22:15 | |
His hair doesn't look like David Cameron. | 0:22:15 | 0:22:18 | |
Yeah, I mean that picture in the background. | 0:22:18 | 0:22:21 | |
# Just help yourself to my lips | 0:22:21 | 0:22:24 | |
# To my arms, just say the word and they are yours... # | 0:22:24 | 0:22:28 | |
I think, um, he likes the girls. | 0:22:28 | 0:22:32 | |
"Oh, hello, love, how are you doing?" | 0:22:32 | 0:22:35 | |
He can only marry one of them. | 0:22:35 | 0:22:37 | |
-Yeah. -You can't marry all of them. You can't marry a lot of them. | 0:22:37 | 0:22:41 | |
But King Henry did that because he's the king. | 0:22:41 | 0:22:44 | |
# Let me see what spring is like | 0:22:44 | 0:22:47 | |
-# On Jupiter and Mars... # -LAUGHTER | 0:22:47 | 0:22:50 | |
# In other words... # | 0:22:50 | 0:22:52 | |
His clothes look a bit too tight | 0:22:52 | 0:22:55 | |
and he's probably trying not too wince that they're too tight. | 0:22:55 | 0:23:00 | |
# Darling | 0:23:00 | 0:23:02 | |
# Kiss me... # | 0:23:02 | 0:23:04 | |
ALL: Eurgh! | 0:23:04 | 0:23:06 | |
Whoo! | 0:23:06 | 0:23:07 | |
THEY GIGGLE | 0:23:09 | 0:23:11 | |
THEY HOOT WITH LAUGHTER | 0:23:14 | 0:23:17 | |
-Ooh... -Wow. | 0:23:20 | 0:23:21 | |
Look at him dance around like a dog. | 0:23:28 | 0:23:30 | |
-Like a dog! -A monkey! A monkey! | 0:23:30 | 0:23:33 | |
OTHERS: Yeah! | 0:23:33 | 0:23:34 | |
# I have always thought | 0:23:34 | 0:23:36 | |
# That it's a crime... # | 0:23:36 | 0:23:40 | |
He walks like a little old man | 0:23:40 | 0:23:43 | |
that cannot walk any more. | 0:23:43 | 0:23:44 | |
-He looks like... -He looks like my dad with hair. | 0:23:46 | 0:23:49 | |
I have no idea who he is. | 0:23:49 | 0:23:52 | |
Yo! | 0:23:52 | 0:23:53 | |
Yo! | 0:23:56 | 0:23:58 | |
It's like he's hitting his head, like... | 0:23:59 | 0:24:01 | |
What kind of dance is that? | 0:24:04 | 0:24:05 | |
I think he's famous for doing whatever he's doing right now. | 0:24:05 | 0:24:09 | |
The way he's dancing, it looks like he doesn't know how to dance. | 0:24:09 | 0:24:12 | |
-And he looks like a dude. -THEY CHORTLE | 0:24:12 | 0:24:15 | |
There, shaking bum, shaking bum! | 0:24:15 | 0:24:18 | |
# That's the way to do it | 0:24:18 | 0:24:20 | |
# Come on, woman! # | 0:24:21 | 0:24:23 | |
THEY GIGGLE | 0:24:23 | 0:24:24 | |
THEY GUFFAW | 0:24:24 | 0:24:26 | |
# Shake! # | 0:24:26 | 0:24:27 | |
CHEERING AND APPLAUSE | 0:24:44 | 0:24:46 | |
Yes, good evening, everybody, | 0:24:52 | 0:24:53 | |
and welcome to another edition of the BBC's longest-running quiz show, | 0:24:53 | 0:24:58 | |
Name That Tom. | 0:24:58 | 0:24:59 | |
DRAMATIC GAME SHOW MUSIC | 0:24:59 | 0:25:01 | |
Let's meet tonight's contestant. Your name, please. | 0:25:03 | 0:25:06 | |
-Uh, Tom Jones. -And your specialist subject? | 0:25:06 | 0:25:09 | |
The music of Tom Jones from 1965 to 2015. | 0:25:09 | 0:25:13 | |
Tom Jones, you have two minutes | 0:25:13 | 0:25:15 | |
-on the music of Tom Jones from 1965 to 2015. -Yes. | 0:25:15 | 0:25:18 | |
Your time starts now. | 0:25:18 | 0:25:20 | |
Which popular singer was born in Treforest, South Wales in 1940? | 0:25:20 | 0:25:24 | |
-Tom Jones. -Correct. | 0:25:24 | 0:25:25 | |
"He's 22, he's single and he's a coal miner" | 0:25:25 | 0:25:28 | |
were words used to describe which married 24-year-old | 0:25:28 | 0:25:30 | |
who'd never been down a mine in his life? | 0:25:30 | 0:25:33 | |
-GUFFAWING: -Tom Jones. | 0:25:33 | 0:25:34 | |
Correct. | 0:25:34 | 0:25:36 | |
Whose album, Reload, was reviewed as | 0:25:36 | 0:25:38 | |
"an old man showing off on karaoke night"? | 0:25:38 | 0:25:41 | |
Uh, Tom Jones? | 0:25:41 | 0:25:43 | |
Correct. | 0:25:43 | 0:25:44 | |
Whose album, Reload, has sold over six million copies? | 0:25:44 | 0:25:47 | |
-Tom Jones. -CHEERING | 0:25:47 | 0:25:49 | |
Correct. | 0:25:49 | 0:25:51 | |
Who was described by one critic as "roaring around disastrously, | 0:25:51 | 0:25:55 | |
"like a three-legged ox in a blindfold"? | 0:25:55 | 0:25:59 | |
Well, Tom Jones. | 0:25:59 | 0:26:01 | |
-Still, three-legged. -Well, there we are. | 0:26:01 | 0:26:03 | |
LAUGHTER What song is this? | 0:26:03 | 0:26:05 | |
HE SINGS: # It's not unusual... # | 0:26:05 | 0:26:07 | |
-It's Not Unusual. -Correct. | 0:26:07 | 0:26:10 | |
What song is this? | 0:26:10 | 0:26:11 | |
HE SINGS: # Burning down the house... # | 0:26:11 | 0:26:13 | |
-Burning Down The House. -Correct. | 0:26:13 | 0:26:15 | |
What song is this? | 0:26:15 | 0:26:16 | |
HE SINGS: # Whoo... # | 0:26:16 | 0:26:18 | |
Uh? | 0:26:18 | 0:26:19 | |
# Whoo... # | 0:26:19 | 0:26:20 | |
"Ooh"? | 0:26:20 | 0:26:22 | |
-I'm going to have to hurry you. -"Ooh"? | 0:26:22 | 0:26:24 | |
# What's new, pussycat? # | 0:26:24 | 0:26:25 | |
-AUDIENCE: -# Whoa-oh-oh-oh! # | 0:26:25 | 0:26:28 | |
-Too late, it was What's New, Pussycat? -Oh, OK. | 0:26:28 | 0:26:31 | |
Which idiot turned down the opportunity to be the first person | 0:26:31 | 0:26:35 | |
to record The Beatles' classic The Long And Winding Road? | 0:26:35 | 0:26:38 | |
-Tom Jones. -Correct. | 0:26:38 | 0:26:41 | |
Which popular... HE CLEARS THROAT | 0:26:41 | 0:26:43 | |
THEY BOTH CLEAR THROATS | 0:26:43 | 0:26:45 | |
Which popular singer speaks as though he's not sure | 0:26:45 | 0:26:50 | |
if English...is your first... language? | 0:26:50 | 0:26:55 | |
-IN HEAVY WELSH ACCENT: -Tom Jones. -Correct! | 0:26:55 | 0:26:57 | |
CHEERING | 0:26:57 | 0:26:59 | |
Which singer... BUZZER SOUNDS | 0:27:00 | 0:27:02 | |
-I've started, so I'll finish. -Oh. | 0:27:02 | 0:27:04 | |
Which singer is about to go over there and sing Delilah? | 0:27:04 | 0:27:09 | |
-CHEERING -Tom Jones. | 0:27:09 | 0:27:11 | |
# I saw the light | 0:27:21 | 0:27:24 | |
# On the night | 0:27:24 | 0:27:26 | |
# That I passed by your window | 0:27:26 | 0:27:29 | |
# I saw the flickering shadows | 0:27:32 | 0:27:36 | |
# Of love on her blind | 0:27:36 | 0:27:39 | |
# She was my woman | 0:27:42 | 0:27:49 | |
# As she deceived me, I watched | 0:27:51 | 0:27:55 | |
# And went out of my mind | 0:27:55 | 0:27:59 | |
# At break of day when the man drove away, I was waiting | 0:28:13 | 0:28:19 | |
# I crossed the street to her house and she opened the door | 0:28:22 | 0:28:28 | |
# She stood | 0:28:32 | 0:28:35 | |
# She stood there laughing | 0:28:35 | 0:28:38 | |
# I felt the knife in my hand | 0:28:42 | 0:28:45 | |
# And she laughed no more | 0:28:45 | 0:28:48 | |
# My, my, my | 0:28:51 | 0:28:56 | |
# Delilah... # | 0:28:56 | 0:28:57 | |
Altogether now! | 0:28:58 | 0:29:00 | |
-AUDIENCE SINGS ALONG -# Why, why, why | 0:29:01 | 0:29:05 | |
# Delilah? | 0:29:05 | 0:29:07 | |
# I, I could see | 0:29:11 | 0:29:14 | |
# That that girl was no good for me | 0:29:14 | 0:29:19 | |
# But I was lost like a slave | 0:29:20 | 0:29:23 | |
# That no man could free... # | 0:29:23 | 0:29:26 | |
Hey! | 0:29:29 | 0:29:30 | |
# She stood | 0:29:49 | 0:29:52 | |
# She stood there laughing | 0:29:52 | 0:29:55 | |
# I felt the knife in my hand | 0:29:58 | 0:30:02 | |
# And she laughed no more | 0:30:02 | 0:30:04 | |
# My, my, my | 0:30:08 | 0:30:12 | |
# Delilah... # | 0:30:12 | 0:30:14 | |
Come on, then! | 0:30:16 | 0:30:17 | |
# Why, why, why | 0:30:17 | 0:30:21 | |
# Delilah? | 0:30:21 | 0:30:23 | |
# So, so before | 0:30:27 | 0:30:31 | |
# Before they come to break down that door | 0:30:31 | 0:30:35 | |
# Forgive me, Delilah | 0:30:36 | 0:30:38 | |
# I just couldn't take any more | 0:30:38 | 0:30:42 | |
# Forgive me, Delilah | 0:30:45 | 0:30:48 | |
# I just couldn't take | 0:30:48 | 0:30:50 | |
# Any mo-o-o-o-ore. # | 0:30:50 | 0:30:57 | |
CHEERING AND APPLAUSE | 0:31:00 | 0:31:04 | |
Thank you! | 0:31:04 | 0:31:06 | |
Thank you very much. | 0:31:06 | 0:31:07 | |
Thank you. | 0:31:08 | 0:31:09 | |
Last year, Children In Need changed the lives | 0:31:10 | 0:31:13 | |
of nearly half a million children and young people across the UK. | 0:31:13 | 0:31:18 | |
We want to show you a film now about two brothers. | 0:31:18 | 0:31:22 | |
It's a tough watch, but it does show | 0:31:22 | 0:31:25 | |
how even in the most unbearable of times, | 0:31:25 | 0:31:28 | |
music can help to ease the pain. | 0:31:28 | 0:31:31 | |
So let me please introduce you to a wonderful little boy. | 0:31:31 | 0:31:35 | |
His name is Dylan. | 0:31:35 | 0:31:37 | |
And if you just come over here, please. | 0:31:38 | 0:31:42 | |
This is my brother's pyjamas | 0:31:42 | 0:31:44 | |
and someone very clever knitted them all together into a monkey, | 0:31:44 | 0:31:49 | |
because Tyler had died by this point and we didn't need them any more. | 0:31:49 | 0:31:54 | |
-Mum! -Ooh! | 0:31:54 | 0:31:55 | |
In January 2013, Dylan's brother Tyler was diagnosed | 0:31:57 | 0:32:01 | |
with a rare neurological disease, | 0:32:01 | 0:32:04 | |
infantile metachromatic leukodystrophy. | 0:32:04 | 0:32:08 | |
There is no cure. | 0:32:08 | 0:32:09 | |
Being told that actually he's going to die, that was quite a tough day. | 0:32:11 | 0:32:17 | |
-We were just in total shock, weren't we? -Mm. | 0:32:17 | 0:32:19 | |
Over the following months, | 0:32:22 | 0:32:24 | |
Dylan and his parents could only watch | 0:32:24 | 0:32:26 | |
as Tyler's body began to shut down. | 0:32:26 | 0:32:29 | |
He couldn't walk and he was struggling to feed himself. | 0:32:30 | 0:32:34 | |
He wasn't able to sit up any more. | 0:32:34 | 0:32:36 | |
He was really in some pain. | 0:32:36 | 0:32:38 | |
That was really tough. | 0:32:39 | 0:32:40 | |
We needed to spend as much time with him | 0:32:42 | 0:32:44 | |
and make his life as happy as possible | 0:32:44 | 0:32:46 | |
-and make lots of lovely memories together. -Mm. | 0:32:46 | 0:32:49 | |
-Hello, Andy! -Hi, Dylan, how are you doing? -I'm OK, thanks. -This is Andy. | 0:32:51 | 0:32:55 | |
-Nice to see you again. -I'm being filmed today, Andy. | 0:32:55 | 0:32:58 | |
-I know! -I'm all hooked up. -All hooked up? | 0:32:58 | 0:33:02 | |
Andy is a music therapist from a charity called Thomas's Fund. | 0:33:02 | 0:33:06 | |
He first visited the house 16 months ago, | 0:33:06 | 0:33:09 | |
when Tyler was still alive. | 0:33:09 | 0:33:11 | |
My memories of him are wonderful. Just such a precious, lovely boy. | 0:33:12 | 0:33:17 | |
Every time I come to visit Dylan, | 0:33:19 | 0:33:22 | |
Tyler's the reason, Tyler's picture comes out. | 0:33:22 | 0:33:26 | |
It's my brother. He's always in our music. | 0:33:26 | 0:33:29 | |
Tyler loved the chimes, so Andy would set up the chimes | 0:33:30 | 0:33:34 | |
and Tyler would be lying in my arms | 0:33:34 | 0:33:37 | |
and he'd move his arm and it'd brush across the chimes. | 0:33:37 | 0:33:40 | |
He went like this. | 0:33:40 | 0:33:41 | |
CHIMES JANGLE | 0:33:41 | 0:33:43 | |
ANDY: He did, didn't he? He used his hands. | 0:33:43 | 0:33:45 | |
I think he enjoyed his music. | 0:33:49 | 0:33:51 | |
He loved it. Those times I spent with Tyler on my lap | 0:33:54 | 0:33:58 | |
with Andy were just really, really special. | 0:33:58 | 0:34:01 | |
Just over a year ago, | 0:34:05 | 0:34:07 | |
Tyler finally lost his battle with the disease. | 0:34:07 | 0:34:11 | |
He was three. | 0:34:11 | 0:34:12 | |
The doctor came and shone a light into his eyes and said, | 0:34:15 | 0:34:19 | |
"I'm so sorry, he's not alive any more," | 0:34:19 | 0:34:22 | |
and then my dad carried him out of the house. | 0:34:22 | 0:34:26 | |
He got put into this van | 0:34:26 | 0:34:29 | |
and was taken away. | 0:34:29 | 0:34:31 | |
After Tyler passed away, Andy got in touch and he just asked | 0:34:35 | 0:34:38 | |
if Dylan would like to have some music sessions with him. | 0:34:38 | 0:34:42 | |
-I'm laughing in there! -ANDY: You're laughing? | 0:34:43 | 0:34:45 | |
When I see Dylan with Andy, I just see happiness. | 0:34:45 | 0:34:47 | |
He just enjoys it so much. | 0:34:47 | 0:34:49 | |
THEY GIGGLE | 0:34:49 | 0:34:50 | |
With your donations, we'd like to help more families like Dylan's | 0:34:50 | 0:34:54 | |
with music therapy. | 0:34:54 | 0:34:55 | |
It's only afterwards that you realise | 0:34:59 | 0:35:01 | |
just how important those times were | 0:35:01 | 0:35:04 | |
and why something like Thomas's Fund has such an important part to play | 0:35:04 | 0:35:07 | |
in the lives of terminally ill children. | 0:35:07 | 0:35:10 | |
-DYLAN: -I like to think he's just moved countries. | 0:35:11 | 0:35:15 | |
He's still alive, he's just moved countries. | 0:35:15 | 0:35:18 | |
But that's not the case, cos he's really gone to heaven. | 0:35:21 | 0:35:25 | |
Now, a lot of us watch films like that and we want to donate, | 0:35:32 | 0:35:37 | |
but we tend to put it off and then never do anything about it, | 0:35:37 | 0:35:40 | |
so please don't be one of those people, please pick up the phone now. | 0:35:40 | 0:35:45 | |
You can choose to donate £5 or £10. | 0:35:45 | 0:35:50 | |
Now, then, another amazing organisation | 0:36:19 | 0:36:22 | |
supported by Children In Need | 0:36:22 | 0:36:24 | |
is the Chickenshed Theatre Company | 0:36:24 | 0:36:26 | |
and I am delighted to say | 0:36:26 | 0:36:28 | |
that a group of their young performers are here tonight | 0:36:28 | 0:36:32 | |
to perform with Tom and the UK's biggest country music act, | 0:36:32 | 0:36:36 | |
The Shires! | 0:36:36 | 0:36:37 | |
CHEERING AND APPLAUSE | 0:36:37 | 0:36:39 | |
One, two three... | 0:36:44 | 0:36:47 | |
# You are my sunshine | 0:36:47 | 0:36:49 | |
# My only sunshine | 0:36:49 | 0:36:52 | |
# You make me happy | 0:36:52 | 0:36:55 | |
# When skies are grey | 0:36:55 | 0:36:58 | |
# You'll never know, dear | 0:36:58 | 0:37:01 | |
# How much I love you | 0:37:01 | 0:37:04 | |
# Please don't take my sunshine away | 0:37:04 | 0:37:09 | |
# The other night, dear | 0:37:09 | 0:37:12 | |
# While I lay sleeping | 0:37:12 | 0:37:15 | |
# I dreamed I held you in my arms | 0:37:15 | 0:37:20 | |
# When I awoke, dear | 0:37:20 | 0:37:23 | |
# I was mistaken | 0:37:23 | 0:37:25 | |
# So I hung my head and cried | 0:37:25 | 0:37:31 | |
# You are my sunshine | 0:37:31 | 0:37:33 | |
# My only sunshine | 0:37:33 | 0:37:36 | |
# You make me happy | 0:37:36 | 0:37:39 | |
# When skies are grey | 0:37:39 | 0:37:41 | |
# You'll never know, dear | 0:37:41 | 0:37:44 | |
# How much I love you | 0:37:44 | 0:37:47 | |
# Please don't take my sunshine away | 0:37:47 | 0:37:53 | |
# You told me once, dear | 0:37:53 | 0:37:55 | |
# You really loved me | 0:37:55 | 0:37:58 | |
# And no-one else could come between | 0:37:58 | 0:38:03 | |
# But now you've left me and you love another | 0:38:03 | 0:38:09 | |
# You have shattered all my dreams | 0:38:09 | 0:38:14 | |
# You are my sunshine | 0:38:14 | 0:38:16 | |
# My only sunshine | 0:38:16 | 0:38:19 | |
# You make me happy | 0:38:19 | 0:38:22 | |
# When skies are grey | 0:38:22 | 0:38:24 | |
# You'll never know, dear | 0:38:24 | 0:38:27 | |
# How much I love you | 0:38:27 | 0:38:30 | |
# Please don't take my sunshine away | 0:38:30 | 0:38:35 | |
# Please don't take my sunshine away | 0:38:35 | 0:38:41 | |
# Please don't take my sunshine away. # | 0:38:41 | 0:38:48 | |
-Yeah! -CHEERING AND APPLAUSE | 0:38:48 | 0:38:51 | |
Wow! | 0:38:53 | 0:38:54 | |
I thought I was seeing double then. | 0:38:55 | 0:38:57 | |
You didn't tell me you had a sister. | 0:38:57 | 0:38:59 | |
OK, come along, children, come along. | 0:39:01 | 0:39:03 | |
The moon is shining bright, | 0:39:03 | 0:39:05 | |
so we've got to get on board, down the river float, | 0:39:05 | 0:39:09 | |
and raise a ruckus tonight. | 0:39:09 | 0:39:12 | |
MUSIC: Raise A Ruckus | 0:39:12 | 0:39:14 | |
# Come along, little children, come along | 0:39:18 | 0:39:22 | |
# While the moon is shining bright | 0:39:23 | 0:39:26 | |
# Get on board, down the river float | 0:39:27 | 0:39:31 | |
# Raise a ruckus tonight | 0:39:31 | 0:39:35 | |
# I love my wife, I love my baby | 0:39:36 | 0:39:38 | |
# I love my biscuits dipping in gravy | 0:39:40 | 0:39:43 | |
# Save me the ham and give me the gravy | 0:39:45 | 0:39:48 | |
# I love my biscuits sopped in gravy | 0:39:49 | 0:39:52 | |
# Come along, little children, come along | 0:39:54 | 0:39:57 | |
# While the moon is shining bright | 0:39:59 | 0:40:01 | |
# Get on board, down the river float | 0:40:03 | 0:40:07 | |
# Raise a ruckus tonight | 0:40:07 | 0:40:10 | |
# Now, when I die, won't you bury me deep? | 0:40:11 | 0:40:14 | |
# Put molasses on my head and my feet | 0:40:16 | 0:40:18 | |
# Put those flapjacks in my hand | 0:40:20 | 0:40:25 | |
# All the way to the Promised Land | 0:40:25 | 0:40:28 | |
# Come along, children, come along | 0:40:28 | 0:40:32 | |
# While the moon is shining bright | 0:40:33 | 0:40:37 | |
# Get on board, down the river float | 0:40:38 | 0:40:42 | |
# Raise a ruckus tonight... # | 0:40:42 | 0:40:46 | |
SOUSAPHONE SOLO | 0:40:48 | 0:40:51 | |
# Now some folk say that a preacher don't steal | 0:41:05 | 0:41:09 | |
# Well, I've caught one in my cornfield | 0:41:09 | 0:41:12 | |
# One had a bushel, the other had a peck | 0:41:14 | 0:41:17 | |
# One had a rooster round his neck | 0:41:18 | 0:41:21 | |
# Come along, little children, come along | 0:41:23 | 0:41:27 | |
# While the moon is shining bright | 0:41:28 | 0:41:30 | |
# Get on board, down the river float | 0:41:32 | 0:41:36 | |
# Raise a ruckus tonight | 0:41:36 | 0:41:40 | |
# Come along, little children, come along | 0:41:41 | 0:41:45 | |
# While the moon is shining bright | 0:41:46 | 0:41:48 | |
# Get on board, down the river float | 0:41:50 | 0:41:54 | |
# Raise a ruckus tonight | 0:41:54 | 0:41:57 | |
# Come along, little children, come along | 0:41:59 | 0:42:03 | |
# While the moon is shining bright | 0:42:04 | 0:42:06 | |
# Get on board, down the river float | 0:42:08 | 0:42:12 | |
# Raise a ruckus tonight | 0:42:12 | 0:42:15 | |
# Come along, little children, come along | 0:42:16 | 0:42:20 | |
# While the moon is shining bright | 0:42:21 | 0:42:25 | |
# Get on board, down the river float | 0:42:25 | 0:42:30 | |
# Raise a ruckus tonight | 0:42:30 | 0:42:34 | |
# Why don't we raise a ruckus tonight? | 0:42:34 | 0:42:38 | |
# Come on and raise a ruckus tonight. # | 0:42:38 | 0:42:42 | |
-CHEERING AND APPLAUSE -Yeah! | 0:42:44 | 0:42:46 | |
How about this? | 0:42:50 | 0:42:52 | |
My new backing group! | 0:42:52 | 0:42:54 | |
There they are. | 0:42:55 | 0:42:56 | |
I am hosting Children In Need this year. | 0:42:58 | 0:43:02 | |
Right. Wh-why...? Why? | 0:43:04 | 0:43:06 | |
Cos they've asked me. | 0:43:06 | 0:43:08 | |
That's why I've lured you here, is to say to you, | 0:43:08 | 0:43:10 | |
"Will you come and be a part of it?" | 0:43:10 | 0:43:12 | |
I thought Terry Wogan did Children In Need. | 0:43:13 | 0:43:16 | |
Terry does the Friday night show. This is the sort of rock show. | 0:43:16 | 0:43:19 | |
This is a big concert. | 0:43:19 | 0:43:20 | |
So he's been relegated? | 0:43:22 | 0:43:24 | |
Cos I think if you play your cards right, | 0:43:24 | 0:43:26 | |
you could be the next Terry Wogan. | 0:43:26 | 0:43:29 | |
IN TERRY WOGAN'S VOICE: If I could inherit | 0:43:29 | 0:43:31 | |
that mantle of whimsy from old Tel... | 0:43:31 | 0:43:32 | |
-IN WOGAN'S VOICE: -If Rob Brydon thinks | 0:43:32 | 0:43:34 | |
I'm going to pass on the mantle | 0:43:34 | 0:43:36 | |
of Woganville to that young Welsh whippersnapper, | 0:43:36 | 0:43:39 | |
he's got another think coming. | 0:43:39 | 0:43:41 | |
What old Tel doesn't realise is I may come in | 0:43:41 | 0:43:43 | |
and steal it from under his nose. | 0:43:43 | 0:43:45 | |
I shall be doing a much better impersonation of Terry Wogan | 0:43:45 | 0:43:48 | |
than that one that you just did there, Mr Rob Brydon. | 0:43:48 | 0:43:51 | |
So, Terry, he's on the main night. This one is me and Tom Jones. | 0:43:52 | 0:43:57 | |
Me and Tom. | 0:44:00 | 0:44:02 | |
# The old home town | 0:44:02 | 0:44:03 | |
# Looks the same... # | 0:44:03 | 0:44:05 | |
Why does he sing that in an American accent? | 0:44:05 | 0:44:07 | |
-IN TOM JONES'S VOICE: -As I awake and look around me, | 0:44:07 | 0:44:09 | |
at these four grey walls that surround me | 0:44:09 | 0:44:12 | |
and I realise, yes, I was only dreaming... | 0:44:12 | 0:44:16 | |
You think it should be more Welsh? | 0:44:16 | 0:44:18 | |
IN HEAVY WELSH ACCENT: Then I awake, I look around me, | 0:44:18 | 0:44:20 | |
and I'm not going to lie to you, I realise, o-ho, I was only dreaming. | 0:44:20 | 0:44:23 | |
He doesn't have to do it like that. You're doing it in a silly voice. | 0:44:23 | 0:44:26 | |
You could just do it in a normal way. | 0:44:26 | 0:44:27 | |
-IN WELSH ACCENT: -As I awake and look around me | 0:44:27 | 0:44:29 | |
-at these grey walls that surround me... -That's Neil Kinnock! | 0:44:29 | 0:44:32 | |
IN KINNOCK'S VOICE: I awake and look around me... | 0:44:32 | 0:44:34 | |
-I can't do it. -That's Frank Spencer. -I know! | 0:44:34 | 0:44:36 | |
-IN FRANK SPENCER'S VOICE: -As I awake and look around me, | 0:44:36 | 0:44:38 | |
at these four grey walls that surround me, | 0:44:38 | 0:44:40 | |
and I realise... Neil Kinnock would be... | 0:44:40 | 0:44:42 | |
-IN KINNOCK'S VOICE: -As I awake and look around me, | 0:44:42 | 0:44:44 | |
at these four grey walls that surround me | 0:44:44 | 0:44:46 | |
and I realise I was only dreaming. | 0:44:46 | 0:44:49 | |
# He always runs | 0:44:49 | 0:44:52 | |
BOTH: # While others walk | 0:44:52 | 0:44:55 | |
# He acts | 0:44:55 | 0:44:57 | |
# While other men just talk | 0:44:57 | 0:45:02 | |
# He looks | 0:45:02 | 0:45:04 | |
# At this world and wants it a-a-all | 0:45:04 | 0:45:11 | |
# Then he strikes | 0:45:11 | 0:45:13 | |
# Like Thunderba-a-a-a-all. # | 0:45:13 | 0:45:31 | |
ROB GRUNTS | 0:45:31 | 0:45:32 | |
CHEERING AND APPLAUSE | 0:45:32 | 0:45:34 | |
MUSIC: It's Not Unusual | 0:45:53 | 0:45:56 | |
# It's not unusual to be loved by anyone | 0:46:03 | 0:46:07 | |
# It's not unusual to have fun with anyone | 0:46:08 | 0:46:12 | |
# But when I see you hanging about with anyone | 0:46:13 | 0:46:18 | |
# It's not unusual to see me cry | 0:46:18 | 0:46:22 | |
# I wanna die... # | 0:46:22 | 0:46:24 | |
Yeah! | 0:46:24 | 0:46:25 | |
# It's not unusual to go out at any time | 0:46:35 | 0:46:38 | |
# But when I see you out and about, it's such a crime | 0:46:40 | 0:46:45 | |
# If you should ever want to be loved by anyone | 0:46:45 | 0:46:48 | |
# It's not unusual, it happens every day | 0:46:50 | 0:46:54 | |
# No matter what you say | 0:46:54 | 0:46:57 | |
# You'll find it happens all the ti-i-ime | 0:46:57 | 0:47:01 | |
# And love will never do | 0:47:01 | 0:47:03 | |
# What you want it to | 0:47:03 | 0:47:06 | |
# Why can't this crazy love | 0:47:07 | 0:47:09 | |
# Be mine? | 0:47:10 | 0:47:13 | |
# Yeah | 0:47:13 | 0:47:15 | |
# It's not unusual to be mad with anyone | 0:47:24 | 0:47:28 | |
# It's not unusual to be sad with anyone | 0:47:29 | 0:47:33 | |
# And if I ever find that you've changed at any time | 0:47:34 | 0:47:39 | |
# It's not unusual to find that I am in love with you, oh, yeah | 0:47:39 | 0:47:46 | |
# To find that I'm in love with you, oh | 0:47:46 | 0:47:49 | |
# To find that I'm in love with you, oh, yeah | 0:47:51 | 0:47:54 | |
# To find that I'm in love with you, oh, yeah | 0:47:55 | 0:47:59 | |
# I said it's not unusual | 0:47:59 | 0:48:02 | |
# It's not unusual | 0:48:02 | 0:48:04 | |
# It's not unusual | 0:48:04 | 0:48:07 | |
# It's not unusual | 0:48:07 | 0:48:09 | |
# It's not unusual | 0:48:09 | 0:48:12 | |
# It's not unusual | 0:48:12 | 0:48:15 | |
# It's not unusual | 0:48:15 | 0:48:17 | |
# It's not unusual. # | 0:48:17 | 0:48:19 | |
Yeah! | 0:48:23 | 0:48:24 | |
-CHEERING -Whoo! | 0:48:30 | 0:48:32 | |
Thank you, Dame Evelyn Glennie. | 0:48:33 | 0:48:37 | |
When I was 14, I was really active - | 0:48:46 | 0:48:49 | |
outside all the time, | 0:48:49 | 0:48:50 | |
covered in mud and everything. | 0:48:50 | 0:48:53 | |
I loved to play netball. | 0:48:53 | 0:48:55 | |
I used to horse ride as well. Just loved the outdoors, basically. | 0:48:55 | 0:48:59 | |
She wasn't one to sit in front of the television at all. | 0:49:01 | 0:49:03 | |
She was always a busy teenager. | 0:49:03 | 0:49:06 | |
She helped to look after some ponies | 0:49:06 | 0:49:08 | |
and she did that for three months before we got her her own horse. | 0:49:08 | 0:49:12 | |
I would see her, like, every day | 0:49:12 | 0:49:14 | |
and I could call her and she'd recognise my voice. | 0:49:14 | 0:49:16 | |
You just, like, have a bond. | 0:49:16 | 0:49:18 | |
But one Saturday morning, something happened | 0:49:20 | 0:49:23 | |
that would change the lives of Ashleigh and her family forever. | 0:49:23 | 0:49:27 | |
PHONE RINGS | 0:49:27 | 0:49:28 | |
When I first got the call, | 0:49:28 | 0:49:30 | |
the lady said that Ashleigh had come off her horse... | 0:49:30 | 0:49:34 | |
and I never thought it was going to be that bad. | 0:49:34 | 0:49:38 | |
I just thought of a broken bone. | 0:49:38 | 0:49:40 | |
My life changed within three seconds. | 0:49:45 | 0:49:48 | |
One minute I'm able-bodied | 0:49:49 | 0:49:50 | |
and the next minute I'm on the floor with a broken back | 0:49:50 | 0:49:53 | |
and can't walk. | 0:49:53 | 0:49:55 | |
From here down, I'm, like, completely disabled, basically. | 0:49:55 | 0:50:01 | |
It's not until she came home that it really hit her | 0:50:03 | 0:50:06 | |
about what a life-changing thing she had. | 0:50:06 | 0:50:10 | |
I just wasn't in a good place. | 0:50:10 | 0:50:12 | |
I just was sick of being in a chair | 0:50:12 | 0:50:14 | |
and I was like, "I don't want this to be my life." | 0:50:14 | 0:50:17 | |
14 months after her accident, | 0:50:18 | 0:50:20 | |
she tried to commit suicide. | 0:50:20 | 0:50:22 | |
I'd just had enough. | 0:50:24 | 0:50:25 | |
I just wanted out, basically. I just wanted out. | 0:50:25 | 0:50:29 | |
That's the bit that breaks my heart. | 0:50:31 | 0:50:34 | |
When it's your child, you always want to put it right... | 0:50:34 | 0:50:38 | |
and I can't. | 0:50:38 | 0:50:39 | |
Three years on, Ashleigh's life is a lot brighter. | 0:50:46 | 0:50:49 | |
Things changed when she was contacted by Back-Up, | 0:50:49 | 0:50:52 | |
a Children In Need supported charity | 0:50:52 | 0:50:54 | |
that helps people affected by spinal cord injury. | 0:50:54 | 0:50:58 | |
They've really helped to rebuild her life | 0:50:58 | 0:51:02 | |
and put her back where she should be for a 17-year-old girl. | 0:51:02 | 0:51:06 | |
Back-Up helped me become the person that I was before. | 0:51:07 | 0:51:11 | |
Made me independent, and pushed me to doing stuff | 0:51:11 | 0:51:14 | |
that I never thought that I'd be able to do. | 0:51:14 | 0:51:17 | |
I genuinely don't think I'd be here | 0:51:19 | 0:51:22 | |
if it wasn't for the support that they gave me. | 0:51:22 | 0:51:24 | |
'In 2013 I joined a wheelchair basketball club | 0:51:27 | 0:51:30 | |
'where you can be completely yourself | 0:51:30 | 0:51:34 | |
'and you can have a laugh.' | 0:51:34 | 0:51:36 | |
Get up! | 0:51:36 | 0:51:37 | |
'Because of Back-Up, I've become so happy | 0:51:37 | 0:51:40 | |
'and my future seems really bright.' | 0:51:40 | 0:51:42 | |
Without Back-Up I don't think I'd have the aspirations that I do. | 0:51:42 | 0:51:47 | |
I'm studying law at college. | 0:51:47 | 0:51:49 | |
I want to travel, and I'm just so thankful. | 0:51:49 | 0:51:53 | |
ALL CHEER | 0:51:55 | 0:51:56 | |
Your money can do incredible things, | 0:51:58 | 0:52:01 | |
so please donate and help others be all that they can be - | 0:52:01 | 0:52:04 | |
just like Ashleigh. | 0:52:04 | 0:52:05 | |
You can choose to donate £5 or £10. | 0:52:07 | 0:52:09 | |
MUSIC: Smile | 0:52:41 | 0:52:44 | |
# Smile | 0:52:49 | 0:52:51 | |
# Though your heart is aching | 0:52:51 | 0:52:54 | |
# Smile | 0:52:56 | 0:52:57 | |
# Even though it's breaking | 0:52:57 | 0:53:00 | |
# When there are clouds in the sky | 0:53:02 | 0:53:07 | |
# You'll get by | 0:53:07 | 0:53:10 | |
# If you smile | 0:53:10 | 0:53:13 | |
# Through your fears and sorrow | 0:53:13 | 0:53:17 | |
# Smile and maybe tomorrow | 0:53:17 | 0:53:23 | |
# You'll see the sun come shining through | 0:53:24 | 0:53:29 | |
# For you | 0:53:30 | 0:53:32 | |
# Light up your face with gladness | 0:53:35 | 0:53:39 | |
# Hide every trace of sadness | 0:53:40 | 0:53:44 | |
# Although a tear | 0:53:46 | 0:53:49 | |
# May be ever so near | 0:53:49 | 0:53:55 | |
# That's the time | 0:53:55 | 0:53:58 | |
# You must keep on trying | 0:53:58 | 0:54:03 | |
# Smile, what's the use of crying? | 0:54:03 | 0:54:07 | |
# You'll see the sun | 0:54:08 | 0:54:11 | |
# Come shining through | 0:54:11 | 0:54:13 | |
# If you just smile | 0:54:15 | 0:54:20 | |
# That's the time you must keep on trying | 0:54:41 | 0:54:47 | |
# Smile | 0:54:47 | 0:54:49 | |
# What's the use of crying? | 0:54:49 | 0:54:53 | |
# You'll find that life is still worthwhile | 0:54:55 | 0:55:00 | |
-# If you just smile. -# | 0:55:01 | 0:55:07 | |
APPLAUSE | 0:55:12 | 0:55:14 | |
-Thank you. -Oh! | 0:55:20 | 0:55:23 | |
-Oh, what a lovely song. -Yes. | 0:55:23 | 0:55:26 | |
Yes, a lovely song. And you know what, Tom? | 0:55:26 | 0:55:29 | |
-Charlie Chaplin wrote that song... -I know. | 0:55:29 | 0:55:32 | |
..and I like to think he had my voice in mind when he did. | 0:55:32 | 0:55:36 | |
Oh! Of course, for one of his silent films? | 0:55:36 | 0:55:40 | |
Well, you'd remember. | 0:55:42 | 0:55:45 | |
HE CHUCKLES | 0:55:45 | 0:55:46 | |
-Speaking of age... -Yeah. -It's a big year for both of us - | 0:55:46 | 0:55:50 | |
we've had big birthdays. | 0:55:50 | 0:55:51 | |
-I was 50 this year. -Wow. | 0:55:51 | 0:55:54 | |
-You were 100. -Hey! | 0:55:54 | 0:55:56 | |
-75. -Thank you. -75, now... APPLAUSE | 0:55:56 | 0:56:00 | |
Yeah, how about that? | 0:56:00 | 0:56:01 | |
So, you're 75, Tom. | 0:56:02 | 0:56:04 | |
I have to ask, | 0:56:04 | 0:56:06 | |
is everything still working? | 0:56:06 | 0:56:08 | |
Yes. | 0:56:08 | 0:56:09 | |
I still have a wee-wee at six o'clock in the morning. | 0:56:10 | 0:56:14 | |
That's good. | 0:56:14 | 0:56:15 | |
Not really, because I don't get up till seven. | 0:56:15 | 0:56:18 | |
Do they still love you like they used to do? | 0:56:21 | 0:56:24 | |
-CROWD CHEERS -Well... | 0:56:24 | 0:56:26 | |
-That's a question I often ask myself. -Oh! | 0:56:27 | 0:56:31 | |
But why don't we find out right now? | 0:56:31 | 0:56:34 | |
MUSIC: Why Don't You Love Me? | 0:56:36 | 0:56:40 | |
# Why don't you love me like you used to do? | 0:56:43 | 0:56:46 | |
# How come you treat me like a worn-out shoe? | 0:56:46 | 0:56:50 | |
# My hair's still curly and my eyes are still blue | 0:56:50 | 0:56:53 | |
# So why don't you love me like you used to do? | 0:56:53 | 0:56:56 | |
# Ain't had no lovin' and a-huggin' and a-kissin' in a long, long while | 0:56:56 | 0:57:04 | |
# We don't get nearer, further, closer than a country mile | 0:57:04 | 0:57:10 | |
# Now why don't you spark me like you used to do? | 0:57:11 | 0:57:14 | |
# Say sweet nothings like you used to coo | 0:57:14 | 0:57:18 | |
# I'm the same old trouble you've always been through | 0:57:18 | 0:57:21 | |
# So why don't you love me like you used to do? # | 0:57:21 | 0:57:25 | |
CHEERING | 0:57:29 | 0:57:31 | |
# Ain't had no lovin' and a-huggin' and a-kissin' in a long, long while | 0:57:43 | 0:57:49 | |
# I don't believe you | 0:57:49 | 0:57:50 | |
# We don't get nearer, further, closer than a country mile | 0:57:50 | 0:57:56 | |
# Why don't you say the things you used to say? | 0:57:58 | 0:58:01 | |
# How come you treat me like a piece of clay? | 0:58:01 | 0:58:04 | |
# My hair's still curly and my eyes are still blue | 0:58:04 | 0:58:08 | |
# So why don't you love me like you used to do? | 0:58:08 | 0:58:12 | |
# Why don't you love me like you used to do? | 0:58:12 | 0:58:15 | |
# Why don't you love me like you used to do? # | 0:58:15 | 0:58:19 | |
APPLAUSE | 0:58:21 | 0:58:23 | |
-You liked that, didn't you? -Lovely. -I loved it. | 0:58:25 | 0:58:28 | |
Lovely! | 0:58:28 | 0:58:29 | |
Oh, my word. | 0:58:29 | 0:58:31 | |
-Whoa. -Goodness me, Tom, | 0:58:32 | 0:58:34 | |
that was possibly one of the greatest duets you've ever done. | 0:58:34 | 0:58:37 | |
Possibly. | 0:58:39 | 0:58:40 | |
That's good enough for me. | 0:58:40 | 0:58:42 | |
Tom, over the years you have created wonderful, magical musical moments | 0:58:42 | 0:58:48 | |
with an astonishing array of huge names. | 0:58:48 | 0:58:51 | |
-Shall we have a look at some of your duets? -Yeah, sure. -Here we go. | 0:58:51 | 0:58:54 | |
# Good golly, Miss Molly | 0:58:57 | 0:59:00 | |
# Sure like to ball... # | 0:59:00 | 0:59:02 | |
# Every time I think about the bright lights | 0:59:02 | 0:59:05 | |
# I think about you, girl... # | 0:59:05 | 0:59:07 | |
# 16 tonnes | 0:59:07 | 0:59:08 | |
# What do you get? | 0:59:08 | 0:59:10 | |
# You get another day older and deeper in debt... # | 0:59:10 | 0:59:14 | |
# Appears to be a long, mmm | 0:59:14 | 0:59:17 | |
# Yes, it does, yes, it does... # | 0:59:17 | 0:59:19 | |
# The things you say | 0:59:19 | 0:59:22 | |
# You're unbelievable! # | 0:59:22 | 0:59:24 | |
# I'll tell it everywhere I go | 0:59:24 | 0:59:27 | |
# My love for you is true... # | 0:59:27 | 0:59:28 | |
# I saw Uncle John with bald-headed sally | 0:59:28 | 0:59:32 | |
# He saw Aunt Mary comin' and he ducked back in the alley... # | 0:59:32 | 0:59:34 | |
# Lord, but it's cold outside. # | 0:59:34 | 0:59:39 | |
# Na, na, na, na, na | 0:59:39 | 0:59:40 | |
# Na, na, na, na na, na, na, na, na, na | 0:59:40 | 0:59:43 | |
# Na, na, na, na... # | 0:59:43 | 0:59:45 | |
# Sonny | 0:59:45 | 0:59:48 | |
# Thank you for the truth you let me see... # | 0:59:48 | 0:59:51 | |
# You know I'm standing about | 0:59:51 | 0:59:54 | |
# I want you to give me all your love | 0:59:54 | 0:59:56 | |
# All right! # | 0:59:56 | 0:59:58 | |
# You know it's gonna be a good, good night | 0:59:58 | 1:00:01 | |
# I got a feeling... # | 1:00:01 | 1:00:02 | |
# What the world needs now | 1:00:02 | 1:00:05 | |
-# Yeah! -Is love | 1:00:05 | 1:00:07 | |
-# Whoa! -Sweet love. # | 1:00:07 | 1:00:09 | |
# Oh, you're mine Yes, you're mine | 1:00:09 | 1:00:12 | |
# Delta lady. # | 1:00:12 | 1:00:14 | |
# Mama told me not to come | 1:00:14 | 1:00:18 | |
# Mama told me not to come | 1:00:18 | 1:00:20 | |
# Do you need anybody? | 1:00:20 | 1:00:24 | |
# I need somebody to love... # | 1:00:24 | 1:00:27 | |
# God only knows what I'd be without you... # | 1:00:27 | 1:00:31 | |
-# Nothin's too good for my baby -No, no, no | 1:00:31 | 1:00:34 | |
-# Nothin's too good for my girl -Let me hear you say... # | 1:00:34 | 1:00:37 | |
# Your heart is like a see saw | 1:00:37 | 1:00:40 | |
# Your love is like a see saw... # | 1:00:40 | 1:00:42 | |
# Exactly like you | 1:00:42 | 1:00:46 | |
# Yeah, yeah, yeah. # | 1:00:46 | 1:00:48 | |
APPLAUSE | 1:00:48 | 1:00:50 | |
Well, there's only one way to follow that, | 1:00:54 | 1:00:57 | |
and that's with another duet. | 1:00:57 | 1:00:58 | |
So, please welcome Laura Mvula. | 1:00:58 | 1:01:01 | |
MUSIC: Sometimes I Feel Like A Motherless Child | 1:01:06 | 1:01:09 | |
# Sometimes I feel like | 1:01:31 | 1:01:36 | |
# A motherless child | 1:01:38 | 1:01:40 | |
# Sometimes I feel like | 1:01:41 | 1:01:46 | |
# A motherless child | 1:01:48 | 1:01:52 | |
# Sometimes I feel like | 1:01:52 | 1:01:57 | |
# A motherless child | 1:01:59 | 1:02:03 | |
# A long way | 1:02:03 | 1:02:06 | |
# From home | 1:02:07 | 1:02:12 | |
# A long, long way from home | 1:02:13 | 1:02:21 | |
# Sometimes I feel | 1:02:24 | 1:02:27 | |
# Like I'm almost gone | 1:02:30 | 1:02:33 | |
# Sometimes I feel | 1:02:34 | 1:02:38 | |
# Like I'm almost gone | 1:02:40 | 1:02:43 | |
# Sometimes I feel | 1:02:45 | 1:02:48 | |
# Like I'm almost gone | 1:02:51 | 1:02:54 | |
# And I know my time's not long | 1:02:56 | 1:03:01 | |
# I know my time, it's not long | 1:03:06 | 1:03:12 | |
# Sometimes I feel like | 1:03:15 | 1:03:21 | |
# I'm heaven bound | 1:03:21 | 1:03:25 | |
-# Sometimes I feel -Sometimes | 1:03:27 | 1:03:32 | |
# Like I'm heaven bound | 1:03:32 | 1:03:35 | |
-# Sometimes -Sometimes | 1:03:37 | 1:03:39 | |
-# I feel -I feel | 1:03:39 | 1:03:42 | |
# Like I'm heaven bound | 1:03:42 | 1:03:45 | |
# And I wear a golden crown | 1:03:47 | 1:03:53 | |
-# I wear -I wear | 1:03:57 | 1:04:00 | |
# A golden crown | 1:04:00 | 1:04:04 | |
# Yeah! | 1:04:05 | 1:04:06 | |
-# Yeah! -Whoo! | 1:04:06 | 1:04:08 | |
-# Sometimes -Sometimes | 1:04:18 | 1:04:21 | |
-# I feel -I feel | 1:04:21 | 1:04:24 | |
# Like my soul is on fire | 1:04:24 | 1:04:27 | |
-# Sometimes -Sometimes | 1:04:29 | 1:04:31 | |
-# I feel -I feel | 1:04:31 | 1:04:34 | |
-# Like my soul -My soul | 1:04:34 | 1:04:36 | |
# Is on fire | 1:04:36 | 1:04:38 | |
-# Sometimes I feel -Sometimes I feel | 1:04:40 | 1:04:45 | |
-# Like my soul is on fire -Like my soul is on fire | 1:04:45 | 1:04:49 | |
# And I'm about... | 1:04:51 | 1:04:53 | |
# I'm about to die | 1:04:54 | 1:04:57 | |
-# And I'm... -I'm... | 1:05:01 | 1:05:04 | |
-# About -About | 1:05:04 | 1:05:08 | |
# To die | 1:05:08 | 1:05:12 | |
# I'm about to die | 1:05:12 | 1:05:14 | |
# I'm about to die | 1:05:14 | 1:05:17 | |
# I'm about to die | 1:05:17 | 1:05:19 | |
# I'm about to die | 1:05:19 | 1:05:21 | |
# Ain't nobody to love me | 1:05:21 | 1:05:23 | |
# Ain't nobody to hold | 1:05:23 | 1:05:26 | |
# Ain't nobody to squeeze me | 1:05:26 | 1:05:28 | |
# Ain't nobody to stop me | 1:05:28 | 1:05:31 | |
# Ain't nobody to save me | 1:05:31 | 1:05:33 | |
# Ain't nobody to love me | 1:05:33 | 1:05:35 | |
# Ain't nobody to rescue me | 1:05:35 | 1:05:38 | |
# Oh, Laura! | 1:05:38 | 1:05:39 | |
# I'm just a motherless child | 1:05:39 | 1:05:41 | |
# I'm just a motherless child | 1:05:41 | 1:05:43 | |
# I'm just a motherless child | 1:05:43 | 1:05:44 | |
# You're the motherless child | 1:05:44 | 1:05:46 | |
# I'm just a motherless child | 1:05:46 | 1:05:47 | |
# Just a motherless child | 1:05:47 | 1:05:50 | |
# I'm just a motherless child | 1:05:50 | 1:05:53 | |
# Just a motherless... # | 1:05:53 | 1:05:55 | |
APPLAUSE | 1:06:01 | 1:06:03 | |
Whoo! | 1:06:08 | 1:06:09 | |
Wow, that was fantastic! | 1:06:09 | 1:06:11 | |
-Thank you. -That was wonderful. -Thank you. | 1:06:11 | 1:06:14 | |
Another excellent duet to add to the collection. | 1:06:14 | 1:06:17 | |
Quite right. | 1:06:17 | 1:06:18 | |
-Now, then, I've had an idea. -Yeah. | 1:06:18 | 1:06:20 | |
-You and I both love telling stories. -Yep. -All right? | 1:06:20 | 1:06:24 | |
-Yeah. -So, here's what I thought - we could have a story-off, | 1:06:24 | 1:06:27 | |
-a competition. -Yeah? -We both tell a story, | 1:06:27 | 1:06:30 | |
the audience has to vote on who tells the best one. | 1:06:30 | 1:06:33 | |
And here's how we do it. We use my random word generator. | 1:06:33 | 1:06:38 | |
-Oh! -I'm going to hit this button, | 1:06:38 | 1:06:40 | |
-words are going to flash up on the screen. -Yeah. | 1:06:40 | 1:06:42 | |
You hit the button, whatever word comes up, | 1:06:42 | 1:06:45 | |
we've got to tell a story related to that word. | 1:06:45 | 1:06:48 | |
-OK. -We've no idea what the word is going to be. | 1:06:48 | 1:06:51 | |
-I'll hit it first... -Yes. -..then you hit it to stop it. | 1:06:54 | 1:06:57 | |
-Are you ready? -I am. | 1:06:57 | 1:06:58 | |
May the best man win. | 1:06:58 | 1:07:00 | |
The word is shower. | 1:07:05 | 1:07:06 | |
-I'll take this one, Tom, I've got an excellent one. -OK. | 1:07:06 | 1:07:09 | |
Mrs Brydon and I are having a new shower fitted in our home - | 1:07:09 | 1:07:14 | |
but here's the thing. | 1:07:14 | 1:07:16 | |
The fella from down the road who's doing the job - | 1:07:16 | 1:07:19 | |
-Peter Whitley, he's a lovely man. -Oh. | 1:07:19 | 1:07:21 | |
He's retired now, but he was a plumber | 1:07:21 | 1:07:23 | |
-and a sort of interiors guy, so he can come up any time. -I see. | 1:07:23 | 1:07:26 | |
He's coming this weekend to do it, | 1:07:26 | 1:07:28 | |
and he's taking out the old shower, and he's told us | 1:07:28 | 1:07:32 | |
-that he's going to be able to keep the glass panel and re-use that. -Oh. | 1:07:32 | 1:07:37 | |
-So, that's knocking about £50 off our bill... -Right. | 1:07:37 | 1:07:40 | |
..and he's said that he'll take away all the rubbish | 1:07:40 | 1:07:43 | |
-and dispose of it himself. -OK. | 1:07:43 | 1:07:45 | |
So, this time next week we will have a new shower. | 1:07:45 | 1:07:50 | |
-Over to you. -Is that it? OK. | 1:07:50 | 1:07:53 | |
Right... | 1:07:53 | 1:07:54 | |
I was in Caesars Palace in Las Vegas... | 1:07:54 | 1:07:57 | |
CHEERING | 1:07:57 | 1:07:59 | |
..and when I come off the stage, you know, I perspire a lot, | 1:07:59 | 1:08:03 | |
so I jump straight in the shower. | 1:08:03 | 1:08:05 | |
-AUDIENCE: -Whoo! | 1:08:05 | 1:08:07 | |
So, I was in the shower this night, right? | 1:08:07 | 1:08:10 | |
And as I'm washing my hair with my eyes closed, | 1:08:10 | 1:08:13 | |
I hear, "Uh-huh-huh-huh... "Uh-huh-huh-huh..." | 1:08:13 | 1:08:16 | |
Was it the plumbing? | 1:08:16 | 1:08:18 | |
I thought it was the plumbing, but no. | 1:08:18 | 1:08:20 | |
And then I thought, "Wait a minute, who's this, now?" | 1:08:20 | 1:08:22 | |
So I opened my eyes and the shower head was there, | 1:08:22 | 1:08:25 | |
and the door was there, and right there was Elvis Presley, | 1:08:25 | 1:08:30 | |
-leaning over the shower door... -CROWD CHEERS | 1:08:30 | 1:08:33 | |
..and he was singing to me in the shower. | 1:08:33 | 1:08:35 | |
-All right. -So... Right? -All right. -OK. -Is that...? That's your story. | 1:08:35 | 1:08:39 | |
-Yes, yes. -So, two very good anecdotes. | 1:08:39 | 1:08:42 | |
Let's see which one gets the votes. | 1:08:42 | 1:08:44 | |
So, first of all, if you preferred my rather lovely story | 1:08:44 | 1:08:48 | |
about fitting in the new shower, cheer now. | 1:08:48 | 1:08:50 | |
SCATTERED CHEERS | 1:08:50 | 1:08:52 | |
Mm-hm. OK, good. And if you preferred Tom's, cheer now. | 1:08:52 | 1:08:57 | |
ENTHUSIASTIC CHEERS | 1:08:57 | 1:08:59 | |
-Well, it's 50/50, isn't it? -It's close. | 1:08:59 | 1:09:02 | |
It's pretty.... We'll call that one a draw. Let's play again. | 1:09:02 | 1:09:05 | |
-Let's get another word. -All right. | 1:09:05 | 1:09:08 | |
-Cat. I've got a great one. I've got a great one. -Oh. | 1:09:10 | 1:09:13 | |
We've got a cat called Crumble. He's a little ginger tom... | 1:09:13 | 1:09:15 | |
-OK! -..and he's a killer, Tom, he really is. | 1:09:15 | 1:09:18 | |
He brings in mice and squirrels. | 1:09:18 | 1:09:20 | |
-I mean, he's brought a parakeet in, Tom, he really has. -Oh! | 1:09:20 | 1:09:23 | |
-So, this weekend, I'm going down to the pet store. -OK. | 1:09:23 | 1:09:27 | |
I'm going to buy him an extra bell to put onto his collar | 1:09:27 | 1:09:31 | |
-so that he can warn the animals when they come. -Wow. | 1:09:31 | 1:09:35 | |
And that is my story for "cat". Over to you. | 1:09:35 | 1:09:40 | |
OK, well, my first manager, Gordon Mills, | 1:09:40 | 1:09:44 | |
he had a zoo in his back garden on St George's Hill in Weybridge, | 1:09:44 | 1:09:49 | |
and he had these tigers | 1:09:49 | 1:09:51 | |
and he thought it was a good idea if I went into this tiger enclosure. | 1:09:51 | 1:09:54 | |
And the tiger would put its paws on my shoulders, | 1:09:54 | 1:09:56 | |
-and that would be a great picture. -Sorry, we're running out of time. | 1:09:56 | 1:09:59 | |
-So Gordon said... -I'm going to stop you there, Tom. | 1:09:59 | 1:10:02 | |
-Gordon said... -So, let's see, | 1:10:02 | 1:10:03 | |
is it my story about Crumble and his new bell? | 1:10:03 | 1:10:05 | |
If you think it's that one, cheer now. | 1:10:05 | 1:10:08 | |
FAINT CHEERS | 1:10:08 | 1:10:10 | |
And if you preferred Tom's... | 1:10:10 | 1:10:12 | |
ENTHUSIASTIC CHEERS | 1:10:12 | 1:10:14 | |
All right, let's play again. Another word. | 1:10:14 | 1:10:17 | |
Hit the... Hit the thing. | 1:10:17 | 1:10:19 | |
-Er, doorbell. Well, our doorbell at home is a lovely doorbell. -OK. | 1:10:19 | 1:10:22 | |
It goes throughout the house, but the electrical gubbins | 1:10:22 | 1:10:25 | |
-where you actually press it, they're hanging down. -Oh. | 1:10:25 | 1:10:28 | |
AUDIENCE MEMBER HECKLES So, this weekend... Shut up. | 1:10:28 | 1:10:30 | |
So, this weekend, I am going to buy some duct tape, | 1:10:30 | 1:10:32 | |
-do you know what I mean? -Yeah, duct tape, I know, yeah. | 1:10:32 | 1:10:35 | |
And I'm going to... All right, don't patronise me. | 1:10:35 | 1:10:37 | |
-All right. -And I'm going to stick the gubbins back up. | 1:10:37 | 1:10:40 | |
-Our doorbell will be good as new. -Wow. -Beat that if you can. | 1:10:40 | 1:10:44 | |
OK. | 1:10:45 | 1:10:47 | |
Well, I was at my house in Bel Air, California... | 1:10:47 | 1:10:51 | |
and I was in the kitchen and my cook hadn't shown up, | 1:10:51 | 1:10:54 | |
so I was in the kitchen by myself. | 1:10:54 | 1:10:57 | |
So all of a sudden the doorbell rang, | 1:10:57 | 1:10:59 | |
and I put the camera on, | 1:10:59 | 1:11:01 | |
because we've got cameras over the gate, you see? | 1:11:01 | 1:11:03 | |
So I looked at the screen | 1:11:03 | 1:11:05 | |
and there in the screen was Michael Jackson's face. | 1:11:05 | 1:11:07 | |
-All right, let's stop there. -So... | 1:11:07 | 1:11:09 | |
We'll go straight to the vote, we're going straight to the vote. | 1:11:09 | 1:11:12 | |
If you thought it was me... SCATTERED CHEERS | 1:11:12 | 1:11:14 | |
If you thought it was him... ENTHUSIASTIC CHEERS | 1:11:14 | 1:11:17 | |
Yeah, all right. One last one. Hit the thing, Tom. | 1:11:17 | 1:11:20 | |
Hat. Um, I've got a woolly hat, I wear it when it's cold. | 1:11:21 | 1:11:24 | |
Have you got anything for "hat"? | 1:11:24 | 1:11:26 | |
-Have I got anything for "hat"? -Yeah. | 1:11:26 | 1:11:27 | |
I'll show you right now. | 1:11:27 | 1:11:30 | |
-You ready? -I'm ready. | 1:11:30 | 1:11:32 | |
MUSIC: You Can Leave Your Hat On | 1:11:32 | 1:11:35 | |
# Baby, take off your coat | 1:11:43 | 1:11:45 | |
# Real slow | 1:11:48 | 1:11:50 | |
# Let me take off your shoes | 1:11:53 | 1:11:56 | |
# I'll help you take off your shoes | 1:11:57 | 1:12:01 | |
# Baby, take off your dress | 1:12:03 | 1:12:07 | |
# Yes, yes, yes | 1:12:07 | 1:12:11 | |
# You can leave your hat on | 1:12:12 | 1:12:15 | |
# You can leave your hat on | 1:12:17 | 1:12:20 | |
# You can leave your hat on | 1:12:20 | 1:12:24 | |
# Go over there and then just turn on the lights | 1:12:28 | 1:12:32 | |
# All the lights | 1:12:34 | 1:12:36 | |
# Come back here, baby | 1:12:37 | 1:12:40 | |
# Stand on the chair | 1:12:40 | 1:12:43 | |
# Ooh, that's right | 1:12:43 | 1:12:46 | |
# Put your arms in the air | 1:12:48 | 1:12:51 | |
# Now shake them | 1:12:54 | 1:12:56 | |
# You give me reason to live | 1:12:58 | 1:13:01 | |
# You give me reason to live | 1:13:01 | 1:13:03 | |
# You give me reason to live | 1:13:03 | 1:13:06 | |
# You give me reason to live | 1:13:06 | 1:13:09 | |
# Yeah, yeah, yeah | 1:13:13 | 1:13:15 | |
-# Ooh -You can leave your hat on | 1:13:15 | 1:13:18 | |
# You can leave your hat on | 1:13:18 | 1:13:21 | |
# You can leave your hat on | 1:13:25 | 1:13:28 | |
# You can leave your hat on | 1:13:28 | 1:13:31 | |
# Suspicious minds are talking | 1:13:32 | 1:13:35 | |
# And they're gonna tear us apart | 1:13:37 | 1:13:40 | |
# They don't believe in this love of mine | 1:13:43 | 1:13:46 | |
# They don't know what love is | 1:13:47 | 1:13:50 | |
# They don't know what love is | 1:13:51 | 1:13:54 | |
# They don't know what love is | 1:13:54 | 1:13:56 | |
# They don't know what love is | 1:13:56 | 1:13:58 | |
# They don't know what love is | 1:13:58 | 1:14:00 | |
# They don't know what love is | 1:14:00 | 1:14:04 | |
# I know what love is | 1:14:06 | 1:14:09 | |
# Yeah, yeah, yeah | 1:14:14 | 1:14:16 | |
-# Ooh -You can leave your hat on | 1:14:16 | 1:14:19 | |
# You can leave your hat on | 1:14:19 | 1:14:22 | |
# You can leave your hat on | 1:14:26 | 1:14:29 | |
# You can leave your hat on | 1:14:29 | 1:14:32 | |
# You can leave your hat on | 1:14:36 | 1:14:38 | |
# Leave it on, leave it on leave it on, leave it on | 1:14:38 | 1:14:40 | |
# Leave it on, leave it on leave it on, leave it on | 1:14:40 | 1:14:43 | |
# You can leave your hat on. # | 1:14:47 | 1:14:53 | |
CHEERING AND APPLAUSE | 1:15:07 | 1:15:09 | |
Yeah! | 1:15:28 | 1:15:30 | |
Whoo! | 1:15:33 | 1:15:35 | |
Well, the message I take from that dance is "give" | 1:15:35 | 1:15:39 | |
and here's why. | 1:15:39 | 1:15:40 | |
When Tom arrived, we really felt that our family was complete | 1:15:44 | 1:15:49 | |
and we just couldn't believe how lucky we were | 1:15:49 | 1:15:52 | |
to have two beautiful children. | 1:15:52 | 1:15:55 | |
We were the happiest family in the world. | 1:15:55 | 1:15:59 | |
From the beginning, I remember him | 1:16:01 | 1:16:03 | |
as being my little brother | 1:16:03 | 1:16:05 | |
and my little soulmate. | 1:16:05 | 1:16:08 | |
We first noticed that Thomas was becoming unwell | 1:16:10 | 1:16:13 | |
in the first few days after we'd taken him home. | 1:16:13 | 1:16:16 | |
He would regurgitate his feed and he felt very floppy to handle. | 1:16:16 | 1:16:22 | |
He would spend long hours screaming. | 1:16:22 | 1:16:24 | |
He was at his happiest when he wasn't being fed. | 1:16:24 | 1:16:27 | |
After many hospital visits, | 1:16:29 | 1:16:31 | |
Thomas was diagnosed with a rare disorder | 1:16:31 | 1:16:34 | |
called chronic intestinal pseudo-obstruction. | 1:16:34 | 1:16:37 | |
This means his gut doesn't work. | 1:16:37 | 1:16:39 | |
We had no other option but to fit a central line, | 1:16:41 | 1:16:45 | |
which sits at the top of the heart, | 1:16:45 | 1:16:47 | |
and to feed him directly into that line. | 1:16:47 | 1:16:50 | |
We were told that Thomas was now considered to have a condition | 1:16:50 | 1:16:54 | |
that was life-threatening and life-limiting, | 1:16:54 | 1:16:58 | |
and it became real to us that Thomas will not survive into adulthood. | 1:16:58 | 1:17:04 | |
To hear those words, that was the worst day of my whole life. | 1:17:05 | 1:17:10 | |
I think we just sat in the car in silence, didn't we? | 1:17:10 | 1:17:13 | |
Yeah, we didn't know what to say to each other. | 1:17:13 | 1:17:16 | |
You never expect that one day you may bury your own child. | 1:17:17 | 1:17:21 | |
With Thomas needing round-the-clock care, | 1:17:26 | 1:17:29 | |
the family were introduced to Little Harbour, | 1:17:29 | 1:17:31 | |
a safe and loving children's hospice which cares for children | 1:17:31 | 1:17:36 | |
with life-limiting illnesses. | 1:17:36 | 1:17:37 | |
Little Harbour enables us to be a normal family - | 1:17:37 | 1:17:41 | |
a normal mum, a dad, a brother and a sister. | 1:17:41 | 1:17:45 | |
It's really nice that I can spend time with Thomas | 1:17:45 | 1:17:48 | |
as a brother and sister, and do kind of normal things. | 1:17:48 | 1:17:53 | |
-..nice and messy. -Ooh! | 1:17:53 | 1:17:56 | |
It's somewhere where you can be yourself | 1:17:56 | 1:17:58 | |
and kind of make a mess and be loud. | 1:17:58 | 1:18:00 | |
We kind of forget everything that's happening. | 1:18:00 | 1:18:03 | |
It's nice to be messy, isn't it, Tom? | 1:18:03 | 1:18:05 | |
He's here now, and it's time to make the most of it. | 1:18:05 | 1:18:10 | |
I can see you! | 1:18:10 | 1:18:11 | |
He can't talk, but he talks to me in his own little language. | 1:18:12 | 1:18:18 | |
Cheeky! Yeah, you are, aren't you? | 1:18:18 | 1:18:20 | |
Can you find Alice for me in there? | 1:18:20 | 1:18:23 | |
This is Jacqui. | 1:18:23 | 1:18:24 | |
She's a play specialist funded by Children In Need. | 1:18:24 | 1:18:27 | |
Oh, there she is! | 1:18:27 | 1:18:28 | |
Thanks to your money, she brings laughter and happiness | 1:18:28 | 1:18:32 | |
into the lives of some very poorly children. | 1:18:32 | 1:18:35 | |
Children should be having fun without the worry of medical needs | 1:18:35 | 1:18:38 | |
and visits in and out of hospital. | 1:18:38 | 1:18:41 | |
Bubbles! | 1:18:41 | 1:18:43 | |
It is a real privilege to provide some of that comfort. | 1:18:43 | 1:18:47 | |
Jacqui arranges so many lovely activities... | 1:18:47 | 1:18:51 | |
Tom's going to draw! | 1:18:51 | 1:18:52 | |
..and really helps me to open up about Thomas and his illness. | 1:18:52 | 1:18:58 | |
Very good, Tom. | 1:18:58 | 1:18:59 | |
THEY LAUGH | 1:19:01 | 1:19:04 | |
Little Harbour enables us to build precious memories with Thomas | 1:19:04 | 1:19:08 | |
and Alice together. | 1:19:08 | 1:19:09 | |
I don't know how we would cope without that support. | 1:19:09 | 1:19:13 | |
Please help by donating tonight, | 1:19:16 | 1:19:18 | |
so that special places like Little Harbour can continue to help | 1:19:18 | 1:19:22 | |
children like Thomas and his family when they really need it. | 1:19:22 | 1:19:25 | |
You can choose to donate £5 or £10. | 1:19:27 | 1:19:30 | |
MUSIC: What Good Am I? | 1:20:01 | 1:20:04 | |
# What good am I | 1:20:18 | 1:20:21 | |
# If I'm like all the rest? | 1:20:21 | 1:20:24 | |
# If I just turn away | 1:20:28 | 1:20:31 | |
# When I see how you're dressed? | 1:20:31 | 1:20:35 | |
# If I shut myself off | 1:20:37 | 1:20:40 | |
# So I can't hear you cry | 1:20:40 | 1:20:44 | |
# What good am I? | 1:20:47 | 1:20:53 | |
# What good am I | 1:20:56 | 1:20:59 | |
# If I know and don't do? | 1:20:59 | 1:21:02 | |
# If I see and don't say | 1:21:05 | 1:21:09 | |
# If I look straight through you? | 1:21:09 | 1:21:13 | |
# If I turn a deaf ear | 1:21:15 | 1:21:19 | |
# To the thunderin' sky | 1:21:19 | 1:21:22 | |
# What good am I? | 1:21:25 | 1:21:31 | |
# What good am I | 1:21:34 | 1:21:37 | |
# While you softly weep | 1:21:37 | 1:21:41 | |
# And I hear in my head | 1:21:43 | 1:21:47 | |
# What you say in your sleep | 1:21:47 | 1:21:51 | |
# And I freeze in the moment | 1:21:53 | 1:21:57 | |
# Like the rest who don't try? | 1:21:57 | 1:22:00 | |
# What good am I? | 1:22:03 | 1:22:09 | |
# What good am I? | 1:22:13 | 1:22:18 | |
# What good am I then | 1:22:21 | 1:22:25 | |
# To the others and me | 1:22:25 | 1:22:28 | |
# When I've had every chance | 1:22:28 | 1:22:32 | |
# And yet still fail to see? | 1:22:32 | 1:22:36 | |
# If my hands are tied, must I | 1:22:36 | 1:22:40 | |
# Not wonder within | 1:22:40 | 1:22:44 | |
# Who tied them and why? | 1:22:44 | 1:22:47 | |
# And where must I have been? | 1:22:47 | 1:22:51 | |
# What good am I | 1:22:55 | 1:22:59 | |
# If I say foolish things | 1:22:59 | 1:23:02 | |
# And I laugh in the face of what sorrow brings | 1:23:04 | 1:23:11 | |
# And I just turn my back | 1:23:14 | 1:23:17 | |
# While you silently die? | 1:23:17 | 1:23:22 | |
# What good am I? | 1:23:23 | 1:23:29 | |
# What good am I? | 1:23:33 | 1:23:39 | |
# What good am I? # | 1:23:42 | 1:23:49 | |
APPLAUSE | 1:23:51 | 1:23:54 | |
Thank you. | 1:24:01 | 1:24:02 | |
-That was fantastic, Tom. -Thank you. -Fantastic. | 1:24:05 | 1:24:08 | |
Now, if you haven't had a chance to donate yet, | 1:24:08 | 1:24:11 | |
please do me and Tom a huge favour. | 1:24:11 | 1:24:13 | |
Yes, please grab your phone and text right now. | 1:24:13 | 1:24:16 | |
All the details are on your screen. | 1:24:16 | 1:24:17 | |
Tom, it's been a brilliant night. | 1:24:17 | 1:24:19 | |
Don't forget, tomorrow you can join Terry and friends | 1:24:19 | 1:24:21 | |
from 7:30 on BBC One. | 1:24:21 | 1:24:24 | |
Meanwhile, let's say a big thank you to Sir Tom Jones. | 1:24:24 | 1:24:27 | |
CHEERING | 1:24:27 | 1:24:29 | |
-And Rob Brydon. -Oh! | 1:24:29 | 1:24:31 | |
-And the fantastic Tom Jones Band! -Yes! | 1:24:34 | 1:24:37 | |
-And I'd like to say thanks to all my special guests... -Mm-hm. | 1:24:40 | 1:24:42 | |
..and everyone that's here tonight, | 1:24:42 | 1:24:45 | |
and especially all you people at home if you've made a pledge. | 1:24:45 | 1:24:48 | |
Yes, and if you haven't, it's still not too late. | 1:24:48 | 1:24:51 | |
-Now then, Tom, have we got time for one more song? -Sure. | 1:24:51 | 1:24:54 | |
-Maybe some Elvis. -OK. | 1:24:54 | 1:24:56 | |
-Maybe some Sinatra. -Well... | 1:24:56 | 1:24:58 | |
How about some Jungle Book?! | 1:24:58 | 1:25:00 | |
Perfect! | 1:25:00 | 1:25:02 | |
-MUSIC: The Bare Necessities Oh! -Oh! | 1:25:02 | 1:25:05 | |
Ooh! Yeah! | 1:25:05 | 1:25:07 | |
# Look for the bare necessities | 1:25:11 | 1:25:14 | |
# The simple bare necessities | 1:25:14 | 1:25:16 | |
# Forget about your worries and your strife | 1:25:16 | 1:25:20 | |
# I mean the bare necessities | 1:25:20 | 1:25:23 | |
# Old Mother Nature's recipes | 1:25:23 | 1:25:26 | |
# That brings the bare necessities of life | 1:25:26 | 1:25:30 | |
-# Wherever I wander, wherever I roam -Yes? | 1:25:30 | 1:25:34 | |
# I couldn't be fonder of my big home | 1:25:34 | 1:25:39 | |
# The bees are buzzin' in the trees | 1:25:39 | 1:25:42 | |
# Makin' honey just for me | 1:25:42 | 1:25:45 | |
# When you look under the rocks and plants | 1:25:45 | 1:25:47 | |
# And take a glance at the fancy ants | 1:25:47 | 1:25:50 | |
# Maybe try a few | 1:25:50 | 1:25:52 | |
# The bare necessities of life will come to you | 1:25:54 | 1:25:58 | |
# They'll come to you... # | 1:25:58 | 1:26:00 | |
SOUSAPHONE PLAYS | 1:26:01 | 1:26:03 | |
# Look for the bare necessities | 1:26:19 | 1:26:22 | |
# The simple bare necessities | 1:26:22 | 1:26:25 | |
# Forget about your worries and your strife | 1:26:25 | 1:26:28 | |
-# -Yeah I mean the bare necessities | 1:26:28 | 1:26:32 | |
# That's why a bear can rest at ease | 1:26:32 | 1:26:34 | |
# With just the bare necessities of life | 1:26:34 | 1:26:38 | |
# Yeah | 1:26:38 | 1:26:39 | |
# With just the bare necessities of life | 1:26:39 | 1:26:42 | |
# Yeah | 1:26:42 | 1:26:44 | |
# With just the bare necessities of life. # | 1:26:44 | 1:26:49 | |
-Oh, where are we going now? -Let's try it. | 1:26:49 | 1:26:52 | |
-What's happening? -I'll let you know in a minute. -Oh! | 1:26:52 | 1:26:55 | |
Oh! | 1:26:55 | 1:26:57 | |
MUSIC: I Wanna Be Like You | 1:26:57 | 1:26:58 | |
# Now I'm the king of the swingers | 1:27:03 | 1:27:06 | |
-# Oh, the jungle VIP -Yeah! | 1:27:06 | 1:27:08 | |
# I've reached the top and had to stop | 1:27:08 | 1:27:12 | |
# But that's what's bothering me | 1:27:12 | 1:27:13 | |
# I wanna be a man, a mancub | 1:27:13 | 1:27:16 | |
# And stroll right into town | 1:27:16 | 1:27:18 | |
# And be just like the other men | 1:27:18 | 1:27:20 | |
# I'm tired of monkeying around | 1:27:20 | 1:27:23 | |
# Oh, oobee doo | 1:27:23 | 1:27:24 | |
# I wanna be like you-ooh-ooh | 1:27:24 | 1:27:27 | |
# I wanna walk like you talk like you | 1:27:27 | 1:27:30 | |
# Hoo-hoo-hoo | 1:27:30 | 1:27:32 | |
# You see it's true-ooh-ooh | 1:27:32 | 1:27:34 | |
# An ape like me-ee-ee | 1:27:34 | 1:27:37 | |
# Can learn to be human too | 1:27:37 | 1:27:41 | |
# Now don't try to trick me, mancub | 1:27:42 | 1:27:45 | |
# I made a deal with you | 1:27:45 | 1:27:47 | |
# What I desire is man's red fire | 1:27:47 | 1:27:50 | |
-# To make my dreams come true -Yeah! | 1:27:50 | 1:27:52 | |
# A secret, mancub | 1:27:52 | 1:27:55 | |
-# Clue me in on what to do -Uh-huh | 1:27:55 | 1:27:57 | |
# Give me the power of man's red flower | 1:27:57 | 1:28:00 | |
# So I can be with you | 1:28:00 | 1:28:01 | |
# Oh, oobee doo | 1:28:01 | 1:28:04 | |
# I wanna be like you-ooh-ooh | 1:28:04 | 1:28:06 | |
# I wanna walk like you, talk like you | 1:28:06 | 1:28:09 | |
# Hoo-hoo-hoo | 1:28:09 | 1:28:11 | |
# You'll see it's true | 1:28:11 | 1:28:13 | |
-# Someone like me -Someone like me | 1:28:13 | 1:28:16 | |
# Can learn to be like someone like you | 1:28:16 | 1:28:20 | |
# Can learn to be like someone like you | 1:28:21 | 1:28:25 | |
# Can learn to be like someone like me! # | 1:28:26 | 1:28:31 | |
Yeah! | 1:28:33 | 1:28:34 | |
Woohoo! | 1:28:39 | 1:28:41 | |
-Whoo! -Oh, yeah! | 1:28:44 | 1:28:46 |