Dazzling Duets at the BBC


Dazzling Duets at the BBC

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CHEERING AND APPLAUSE

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CHEERING AND APPLAUSE

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ERHU SQUEALS LIKE A WHINNYING HORSE

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CHEERING AND APPLAUSE

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CHEERING AND APPLAUSE

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APPLAUSE

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APPLAUSE CONTINUES

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APPLAUSE

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Tops. That was a nice one. That was a better one.

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This is Suher Pekinel.

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And there, a piano's length away, is Guher.

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Physically, they are uncannily alike.

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Pianistically, you certainly can't distinguish them

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at a single hearing.

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Their appeal springs from that uncanny rapport

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which belongs to identical twins.

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But how does it work in practice?

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You know, when you look to each other,

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the eye takes away a lot of concentration.

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And when we play like this, we don't have the eye contact,

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so the concentration is even more on the ear

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and I know how she will react and I feel it.

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It's only a feeling. I can't say anything more about it.

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So now, from Nashville, we welcome Bela Fleck and Abigail Washburn.

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CHEERING AND APPLAUSE

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CHEERING AND APPLAUSE

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THEY SING IN GERMAN

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CHEERING AND APPLAUSE

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CHEERING AND APPLAUSE

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Well, the next item Marisa Robles and I have played many time.

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It's a piece Mozart wrote - in spite of him hating the flute.

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He wrote it for a father and his daughter

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but, although you notice my grey hair,

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Marisa is not my daughter - she only looks like my daughter.

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We're going to play for you the last movement

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of Mozart's Concerto For Flute And Harp in C major.

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APPLAUSE

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CHEERING AND APPLAUSE

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Would you mind if I get a little...?

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LAUGHTER

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Half of this is mine and half of this is...

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LAUGHTER

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You're not playing with your uncle here. I mean, this is...

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OK.

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LAUGHTER

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LAUGHTER

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LAUGHTER

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LAUGHTER

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LAUGHTER

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LAUGHTER AND APPLAUSE

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LAUGHTER

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LAUGHTER

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Leave me alone!

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LAUGHTER AND APPLAUSE

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My first solo guest tonight has been acclaimed

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as the leading British baritone singing in opera today.

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He is, of course, Thomas Allen,

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who's going to join me now in a duet from Mozart's Magic Flute.

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CHEERING AND APPLAUSE

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APPLAUSE

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APPLAUSE

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APPLAUSE

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