Browse content similar to Dazzling Duets at the BBC. Check below for episodes and series from the same categories and more!
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CHEERING AND APPLAUSE | 0:00:11 | 0:00:13 | |
CHEERING AND APPLAUSE | 0:03:12 | 0:03:14 | |
ERHU SQUEALS LIKE A WHINNYING HORSE | 0:05:34 | 0:05:37 | |
CHEERING AND APPLAUSE | 0:05:40 | 0:05:42 | |
CHEERING AND APPLAUSE | 0:10:25 | 0:10:29 | |
APPLAUSE | 0:13:40 | 0:13:46 | |
APPLAUSE CONTINUES | 0:13:51 | 0:13:55 | |
APPLAUSE | 0:18:17 | 0:18:22 | |
Tops. That was a nice one. That was a better one. | 0:18:23 | 0:18:26 | |
This is Suher Pekinel. | 0:18:38 | 0:18:40 | |
And there, a piano's length away, is Guher. | 0:18:40 | 0:18:43 | |
Physically, they are uncannily alike. | 0:18:43 | 0:18:46 | |
Pianistically, you certainly can't distinguish them | 0:18:46 | 0:18:48 | |
at a single hearing. | 0:18:48 | 0:18:49 | |
Their appeal springs from that uncanny rapport | 0:18:51 | 0:18:54 | |
which belongs to identical twins. | 0:18:54 | 0:18:56 | |
But how does it work in practice? | 0:18:56 | 0:18:58 | |
You know, when you look to each other, | 0:18:59 | 0:19:01 | |
the eye takes away a lot of concentration. | 0:19:01 | 0:19:05 | |
And when we play like this, we don't have the eye contact, | 0:19:05 | 0:19:08 | |
so the concentration is even more on the ear | 0:19:08 | 0:19:12 | |
and I know how she will react and I feel it. | 0:19:12 | 0:19:14 | |
It's only a feeling. I can't say anything more about it. | 0:19:14 | 0:19:18 | |
So now, from Nashville, we welcome Bela Fleck and Abigail Washburn. | 0:21:05 | 0:21:09 | |
CHEERING AND APPLAUSE | 0:21:09 | 0:21:12 | |
CHEERING AND APPLAUSE | 0:24:01 | 0:24:05 | |
THEY SING IN GERMAN | 0:24:09 | 0:24:14 | |
CHEERING AND APPLAUSE | 0:27:40 | 0:27:43 | |
CHEERING AND APPLAUSE | 0:30:06 | 0:30:10 | |
Well, the next item Marisa Robles and I have played many time. | 0:30:10 | 0:30:15 | |
It's a piece Mozart wrote - in spite of him hating the flute. | 0:30:15 | 0:30:18 | |
He wrote it for a father and his daughter | 0:30:18 | 0:30:20 | |
but, although you notice my grey hair, | 0:30:20 | 0:30:22 | |
Marisa is not my daughter - she only looks like my daughter. | 0:30:22 | 0:30:25 | |
We're going to play for you the last movement | 0:30:25 | 0:30:27 | |
of Mozart's Concerto For Flute And Harp in C major. | 0:30:27 | 0:30:29 | |
APPLAUSE | 0:34:58 | 0:35:03 | |
CHEERING AND APPLAUSE | 0:38:19 | 0:38:22 | |
Would you mind if I get a little...? | 0:38:25 | 0:38:27 | |
LAUGHTER | 0:38:27 | 0:38:29 | |
Half of this is mine and half of this is... | 0:38:29 | 0:38:31 | |
LAUGHTER | 0:38:31 | 0:38:34 | |
You're not playing with your uncle here. I mean, this is... | 0:38:34 | 0:38:37 | |
OK. | 0:38:37 | 0:38:38 | |
LAUGHTER | 0:38:38 | 0:38:41 | |
LAUGHTER | 0:38:48 | 0:38:50 | |
LAUGHTER | 0:39:01 | 0:39:04 | |
LAUGHTER | 0:39:21 | 0:39:23 | |
LAUGHTER | 0:39:38 | 0:39:39 | |
LAUGHTER AND APPLAUSE | 0:39:53 | 0:39:55 | |
LAUGHTER | 0:40:27 | 0:40:29 | |
LAUGHTER | 0:40:35 | 0:40:37 | |
Leave me alone! | 0:41:17 | 0:41:19 | |
LAUGHTER AND APPLAUSE | 0:41:24 | 0:41:27 | |
My first solo guest tonight has been acclaimed | 0:41:38 | 0:41:41 | |
as the leading British baritone singing in opera today. | 0:41:41 | 0:41:44 | |
He is, of course, Thomas Allen, | 0:41:44 | 0:41:47 | |
who's going to join me now in a duet from Mozart's Magic Flute. | 0:41:47 | 0:41:50 | |
CHEERING AND APPLAUSE | 0:52:14 | 0:52:18 | |
APPLAUSE | 0:54:54 | 0:54:59 | |
APPLAUSE | 0:56:39 | 0:56:42 | |
APPLAUSE | 0:58:56 | 0:58:57 |