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CHEERING AND APPLAUSE | 0:00:15 | 0:00:19 | |
MUSIC: Sweet Creature by Harry Styles | 0:00:25 | 0:00:29 | |
# Sweet creature | 0:00:29 | 0:00:33 | |
# Had another talk about where it's going wrong | 0:00:34 | 0:00:39 | |
# But we're still young | 0:00:39 | 0:00:42 | |
# We don't know where we're going But we know where we belong | 0:00:43 | 0:00:48 | |
# No, we started | 0:00:48 | 0:00:52 | |
# Two hearts in one home | 0:00:52 | 0:00:56 | |
# And oh, it's hard when we argue | 0:00:57 | 0:01:01 | |
# We're both stubborn, I know | 0:01:02 | 0:01:05 | |
# But, oh Sweet creature, sweet creature | 0:01:06 | 0:01:12 | |
# Wherever I go | 0:01:12 | 0:01:16 | |
# You bring me home | 0:01:18 | 0:01:20 | |
# Sweet creature, sweet creature | 0:01:20 | 0:01:25 | |
# When I run out of rope | 0:01:25 | 0:01:29 | |
# You bring me home | 0:01:32 | 0:01:33 | |
# Ooh, ooh | 0:01:33 | 0:01:37 | |
# Sweet creature | 0:01:37 | 0:01:41 | |
# We're running through the garden Oh, where nothing bothered us | 0:01:42 | 0:01:47 | |
# But we're still young | 0:01:47 | 0:01:50 | |
# I always think about you | 0:01:51 | 0:01:53 | |
# And how we don't speak enough | 0:01:53 | 0:01:55 | |
# No, we started | 0:01:56 | 0:02:00 | |
# Two hearts in one home | 0:02:00 | 0:02:04 | |
# I know, it's hard when we argue | 0:02:05 | 0:02:10 | |
# We're both stubborn, I know | 0:02:10 | 0:02:13 | |
# But, oh Sweet creature, sweet creature | 0:02:15 | 0:02:20 | |
# Wherever I go | 0:02:20 | 0:02:24 | |
# You bring me home | 0:02:26 | 0:02:28 | |
# Sweet creature, sweet creature | 0:02:28 | 0:02:33 | |
# When I run out of rope | 0:02:33 | 0:02:38 | |
-# You bring me home -Ooh, ooh, ooh | 0:02:40 | 0:02:44 | |
# Ooh, ooh | 0:02:44 | 0:02:45 | |
# Ooh, ooh, ooh | 0:02:46 | 0:02:48 | |
# Ooh, ooh | 0:02:48 | 0:02:50 | |
# Ooh, ooh, ooh | 0:02:50 | 0:02:52 | |
# Ooh, ooh | 0:02:52 | 0:02:55 | |
# Ooh, ooh, ooh | 0:02:55 | 0:02:57 | |
# Ooh, ooh | 0:02:57 | 0:03:00 | |
# I know when we started | 0:03:00 | 0:03:04 | |
# Two hearts in one home | 0:03:04 | 0:03:08 | |
# And it gets harder when we argue | 0:03:09 | 0:03:13 | |
# We're both stubborn I know | 0:03:13 | 0:03:16 | |
# But, oh Sweet creature, sweet creature | 0:03:18 | 0:03:24 | |
# Wherever I go | 0:03:24 | 0:03:28 | |
# You bring me home | 0:03:30 | 0:03:32 | |
# Sweet creature, sweet creature | 0:03:32 | 0:03:36 | |
# When I run out of rope... # | 0:03:36 | 0:03:44 | |
CHEERING | 0:03:44 | 0:03:45 | |
-# Oh, you bring me home -Ooh, ooh | 0:03:51 | 0:03:57 | |
# Ooh, ooh. # | 0:03:57 | 0:04:02 | |
CHEERING AND APPLAUSE | 0:04:02 | 0:04:05 | |
Harry Styles, everybody! | 0:04:10 | 0:04:12 | |
-Great work. -Thank you. | 0:04:12 | 0:04:14 | |
-Shall we go and take a seat? -Let's do this. | 0:04:14 | 0:04:17 | |
CHEERING | 0:04:17 | 0:04:19 | |
I'm going to go here. | 0:04:23 | 0:04:25 | |
That was a lovely welcome. | 0:04:25 | 0:04:28 | |
-That was a beautiful, warm welcome. -Thanks for having me. | 0:04:28 | 0:04:30 | |
It was really, really nice. OK, he was in the biggest band | 0:04:30 | 0:04:33 | |
-in the world, then he released... -CHEERING | 0:04:33 | 0:04:36 | |
..the biggest male solo album in nearly 30 years, | 0:04:36 | 0:04:39 | |
and he starred in the biggest film of 2017. | 0:04:39 | 0:04:42 | |
CHEERING AND APPLAUSE | 0:04:42 | 0:04:43 | |
Throughout this special show we'll chat about that incredible career, | 0:04:43 | 0:04:47 | |
as well as dropping a few surprises, | 0:04:47 | 0:04:49 | |
and of course hearing a whole lot more sensational live music | 0:04:49 | 0:04:52 | |
from Harry and his band. | 0:04:52 | 0:04:53 | |
Can we make some noise for our guest, Harry Styles. | 0:04:53 | 0:04:56 | |
CHEERING AND APPLAUSE | 0:04:56 | 0:04:59 | |
-Thank you. -Welcome, Harry. -Thank you. | 0:04:59 | 0:05:01 | |
It's your very own show at the BBC. We're in Manchester... | 0:05:01 | 0:05:04 | |
-Thanks for having me. -..which is exciting. Is it nice to be | 0:05:04 | 0:05:06 | |
-back up north? -It is. | 0:05:06 | 0:05:07 | |
CHEERING I've spent a few days... | 0:05:07 | 0:05:09 | |
I was here for the weekend, it was good. | 0:05:09 | 0:05:11 | |
It was very nice. | 0:05:11 | 0:05:13 | |
We've got to say congratulations, amazing year we've had. | 0:05:13 | 0:05:15 | |
A debut number one single, a debut number one album. | 0:05:15 | 0:05:19 | |
Did you expect that when you were putting it out? | 0:05:19 | 0:05:21 | |
Because you were already famous, cue cheer. | 0:05:21 | 0:05:23 | |
CHEERING | 0:05:23 | 0:05:25 | |
Did you think, oh, this'll be a walk in the park, | 0:05:25 | 0:05:28 | |
-this solo career? -No, I don't think so. | 0:05:28 | 0:05:30 | |
I think I was very aware that you can't assume anything. | 0:05:30 | 0:05:36 | |
I kind of disappeared a little bit to go and make the album, | 0:05:36 | 0:05:39 | |
and just kind of wanted to make something that I really loved | 0:05:39 | 0:05:42 | |
and wanted to listen to. | 0:05:42 | 0:05:44 | |
-I didn't really know what was going to happen. -It's gone all right. | 0:05:44 | 0:05:49 | |
I am incredibly lucky | 0:05:49 | 0:05:50 | |
and very thankful to everyone that has supported me. | 0:05:50 | 0:05:53 | |
CHEERING | 0:05:53 | 0:05:54 | |
So it's sort of 18 months since the hiatus, | 0:05:54 | 0:05:56 | |
and I feel like you've achieved more in those 18 months since then | 0:05:56 | 0:06:00 | |
than most people, me included, achieved in their entire lives. | 0:06:00 | 0:06:04 | |
And then we had Sign Of The Times. | 0:06:04 | 0:06:07 | |
-CHEERING -When that song came out, | 0:06:07 | 0:06:09 | |
that was such a departure from what we'd heard. | 0:06:09 | 0:06:11 | |
Was it a conscious decision to do something far away | 0:06:11 | 0:06:14 | |
from the sound that we'd expect, I guess, as an audience? | 0:06:14 | 0:06:18 | |
Well, I think when I finished the album | 0:06:18 | 0:06:20 | |
-I didn't know that was going to be the single straightaway. -Right. | 0:06:20 | 0:06:23 | |
You know, I haven't done this for that long, I don't think, | 0:06:23 | 0:06:26 | |
so I kind of feel like the only thing I really know how to do | 0:06:26 | 0:06:29 | |
is just write what I want to listen to and stuff. | 0:06:29 | 0:06:32 | |
And then I really liked that one and I wanted to put it out. | 0:06:32 | 0:06:36 | |
How is it when you hear it on the radio and you hear yourself as a | 0:06:36 | 0:06:39 | |
solo artist, or you're out and about and you hear it in the supermarket? | 0:06:39 | 0:06:42 | |
I'd say the feeling of like driving | 0:06:42 | 0:06:46 | |
and your song comes on the radio, | 0:06:46 | 0:06:48 | |
it is something that I don't really know how to describe. | 0:06:48 | 0:06:52 | |
Cos it must be quite hard, because you want to listen to it, | 0:06:52 | 0:06:55 | |
-cos it's good... -Yeah.. -..but then you can't turn it up, | 0:06:55 | 0:06:59 | |
-cos if you stop... -Oh, you can. | 0:06:59 | 0:07:01 | |
If I stopped at the lights and I saw you to singing your own song... | 0:07:01 | 0:07:03 | |
I'd be like, Harry Styles is crazy! | 0:07:03 | 0:07:06 | |
No, I think it is one of those where if you're in the car | 0:07:06 | 0:07:09 | |
and there's people in the car, "I'll turn this down." | 0:07:09 | 0:07:13 | |
-Sorry, guys. -"Let's switch it." -Sorry, it's on high rotation. | 0:07:13 | 0:07:17 | |
And then if there's no-one in the car, it's like... | 0:07:17 | 0:07:20 | |
# Whoa, ba-da-da-da...! # LAUGHTER | 0:07:20 | 0:07:23 | |
Well, we're going to get you to perform another song for us. | 0:07:23 | 0:07:26 | |
What do you want to perform for us now? | 0:07:26 | 0:07:28 | |
-I'm going to do a song called Two Ghosts. -OK, wonderful. | 0:07:28 | 0:07:31 | |
CHEERING | 0:07:31 | 0:07:32 | |
Off you go. | 0:07:32 | 0:07:34 | |
OK, it's a beautiful ballad which perfectly sums up | 0:07:34 | 0:07:37 | |
the end of a relationship, as synonymous with break-ups | 0:07:37 | 0:07:40 | |
as buckets of ice cream and crying yourself to sleep. | 0:07:40 | 0:07:42 | |
-This is the beautiful Two Ghosts. -CHEERING | 0:07:42 | 0:07:46 | |
# Ooh | 0:07:52 | 0:07:55 | |
# Ooh | 0:07:55 | 0:07:58 | |
# Ooh | 0:07:58 | 0:08:01 | |
# Same lips red, same eyes blue | 0:08:03 | 0:08:06 | |
# Same white shirt, couple more tattoos | 0:08:06 | 0:08:09 | |
# But it's not you, it's not me | 0:08:10 | 0:08:14 | |
# Tastes so sweet, looks so real | 0:08:17 | 0:08:20 | |
# Sounds like something that I used to feel | 0:08:20 | 0:08:23 | |
# But I can't touch what I see | 0:08:24 | 0:08:27 | |
# We're not who we used to be | 0:08:30 | 0:08:33 | |
# We're not who we used to be | 0:08:33 | 0:08:36 | |
# We're just two ghosts standing in the place of you and me | 0:08:36 | 0:08:41 | |
# Trying to remember how it feels to have a heartbeat | 0:08:44 | 0:08:48 | |
# Ooh | 0:08:50 | 0:08:53 | |
# Ooh | 0:08:53 | 0:08:56 | |
# Ooh | 0:08:56 | 0:08:59 | |
# The fridge light washes this room white | 0:09:01 | 0:09:04 | |
# The moon dances over your good side | 0:09:04 | 0:09:07 | |
# This was all we used to need | 0:09:09 | 0:09:12 | |
# Tongue-tied like we've never known | 0:09:15 | 0:09:18 | |
# Telling those stories we already told | 0:09:18 | 0:09:21 | |
# Cos we don't say what we really mean... # | 0:09:22 | 0:09:25 | |
CHEERING | 0:09:25 | 0:09:28 | |
# We're not who we used to be | 0:09:28 | 0:09:30 | |
# We're not who we used to be | 0:09:32 | 0:09:34 | |
# We're just two ghosts standing in the place of you and me | 0:09:35 | 0:09:39 | |
# We're not who we used to be | 0:09:42 | 0:09:44 | |
# We're not who we used to be | 0:09:45 | 0:09:48 | |
# We're just two ghosts swimming in a glass half empty | 0:09:48 | 0:09:54 | |
# Trying to remember how it feels to have a heartbeat | 0:09:56 | 0:10:00 | |
# Ooh | 0:10:16 | 0:10:19 | |
# Ooh | 0:10:19 | 0:10:22 | |
# Ooh | 0:10:22 | 0:10:24 | |
# We're not who we used to be | 0:10:26 | 0:10:29 | |
# We're not who we used to be | 0:10:30 | 0:10:33 | |
# We're just two ghosts standing | 0:10:33 | 0:10:35 | |
# In the place of you and me | 0:10:35 | 0:10:37 | |
# We're not who we used to be | 0:10:40 | 0:10:43 | |
# We don't see what we used to see | 0:10:43 | 0:10:47 | |
# We're just two ghosts swimming in a glass half empty | 0:10:47 | 0:10:52 | |
# Trying to remember how it feels to have a heartbeat | 0:10:54 | 0:10:59 | |
# Ooh | 0:11:01 | 0:11:03 | |
# Ooh | 0:11:04 | 0:11:08 | |
-# Ooh -Just trying to remember | 0:11:08 | 0:11:11 | |
# How it feels to have a heartbeat | 0:11:11 | 0:11:13 | |
# Ooh | 0:11:14 | 0:11:18 | |
# Ooh | 0:11:18 | 0:11:21 | |
# Ooh | 0:11:21 | 0:11:24 | |
# Oh, yeah | 0:11:28 | 0:11:31 | |
# Ooh, ooh | 0:11:32 | 0:11:37 | |
# Ooh | 0:11:42 | 0:11:44 | |
# Ooh, ooh | 0:11:46 | 0:11:50 | |
# I'm just trying to remember how it feels to have a heartbeat. # | 0:11:50 | 0:11:56 | |
CHEERING AND APPLAUSE | 0:11:56 | 0:11:59 | |
Thank you. | 0:11:59 | 0:12:00 | |
Thank you. | 0:12:05 | 0:12:07 | |
SCREAMING | 0:12:09 | 0:12:10 | |
-Yes. -Thank you. | 0:12:15 | 0:12:17 | |
OK, we're going to go back | 0:12:17 | 0:12:19 | |
-and sort of delve into the history of Harry Styles right now. -OK. | 0:12:19 | 0:12:22 | |
I heard when you were growing up your dad had impeccable music taste | 0:12:22 | 0:12:25 | |
and he got you into like the Rolling Stones and Pink Floyd and stuff. | 0:12:25 | 0:12:27 | |
-Yep. -Was there anything terrible that you listened to, | 0:12:27 | 0:12:30 | |
or did you just listen to cool stuff? | 0:12:30 | 0:12:32 | |
Was there any Steps back then? No offence if you're watching, Steps. | 0:12:32 | 0:12:35 | |
LAUGHTER I don't think... | 0:12:35 | 0:12:37 | |
I mean, it was different. What my dad listened to or what my mum | 0:12:37 | 0:12:40 | |
-listened to was kind of polar opposites. -Right. | 0:12:40 | 0:12:44 | |
-She is here. -But I don't think they're not cool. -OK. | 0:12:44 | 0:12:47 | |
So what was your mum's end of the spectrum? | 0:12:47 | 0:12:50 | |
-My mum's end of the spectrum was Shania Twain... -Big. | 0:12:50 | 0:12:53 | |
CHEERING | 0:12:53 | 0:12:55 | |
-..Norah Jones... -Yes. -..Savage Garden... -Yes. | 0:12:55 | 0:13:00 | |
It was those three really. | 0:13:00 | 0:13:02 | |
What was the first song you bought? | 0:13:02 | 0:13:04 | |
Was there anything you really loved when you were little? | 0:13:04 | 0:13:07 | |
I think the first song I like, remember | 0:13:07 | 0:13:10 | |
singing along to in the car - | 0:13:10 | 0:13:12 | |
the first song where it would come on and I knew what the song was - | 0:13:12 | 0:13:16 | |
-was Still The One, Shania Twain. -Yes. | 0:13:16 | 0:13:19 | |
-And you're going to cover that tonight, right? -Yeah. Maybe on tour. | 0:13:19 | 0:13:24 | |
When you were a kid, like most kids, me especially, wanted to be | 0:13:24 | 0:13:28 | |
like a pop star or be a rock star or something, | 0:13:28 | 0:13:30 | |
and you'd do performances in front of your family. | 0:13:30 | 0:13:33 | |
My family would be like, "Get out, we're watching the telly." | 0:13:33 | 0:13:36 | |
Were your family more encouraging? Like, "Oh, you're good"? | 0:13:36 | 0:13:39 | |
Cos your mum was super encouraging with you at the start, wasn't she? | 0:13:39 | 0:13:42 | |
Yeah, the only time I really sang was when it was just me and her | 0:13:42 | 0:13:46 | |
-in the car, I'd say was the only time I actually sang. -Shania? | 0:13:46 | 0:13:50 | |
Most of the time, yeah. | 0:13:50 | 0:13:52 | |
But the first time I remember watching a singer and thinking, | 0:13:52 | 0:13:58 | |
"Oh, that's really cool" was the kid at the end of Sister Act. | 0:13:58 | 0:14:03 | |
-You know when he just goes off? -That was your calling. | 0:14:05 | 0:14:08 | |
-I remember being like... -"I want to be a singer!" | 0:14:08 | 0:14:10 | |
-"He's cool, I want to do that!" -I want to do that. | 0:14:10 | 0:14:13 | |
And it was your mum that made you go to the X Factor audition, wasn't it? | 0:14:13 | 0:14:16 | |
She signed up for you behind your back, essentially. | 0:14:16 | 0:14:19 | |
Yeah, so we would watch X Factor, as I think most people did. | 0:14:19 | 0:14:26 | |
Did you have your tea while you watched it? Cos we'd always do | 0:14:26 | 0:14:28 | |
-a curry and X Factor. -You'd do, like, chippy tea. -Right. | 0:14:28 | 0:14:31 | |
And I think we were just watching and I just flippantly said, | 0:14:31 | 0:14:34 | |
"Looks like that'd be fun." And then went upstairs. | 0:14:34 | 0:14:37 | |
Then a few weeks later, she's like, "You've got an audition on Sunday." | 0:14:37 | 0:14:40 | |
I was like, "Oh, what for?" And she was like, "X Factor." | 0:14:40 | 0:14:44 | |
-And I was like, "Oh! All right." -All right? Let's do this. | 0:14:44 | 0:14:48 | |
-You do what your mum tells you, I guess. -Yeah. | 0:14:48 | 0:14:51 | |
Harry, we are in Salford, | 0:14:51 | 0:14:52 | |
-this is not too far from where you grew up down in Holmes Chapel. -Yep. | 0:14:52 | 0:14:55 | |
Here's what happened when I busted Harry out of rehearsals earlier | 0:14:55 | 0:14:58 | |
today and we got into the car to hit the streets of Manchester. | 0:14:58 | 0:15:01 | |
CHEERING | 0:15:01 | 0:15:04 | |
-CAR HORN -Oh, hello. | 0:15:07 | 0:15:09 | |
So I thought in this time off we could go and do something. | 0:15:11 | 0:15:14 | |
But it's actually quite hard to hang out with you | 0:15:14 | 0:15:16 | |
because everyone goes, "Look, Harry Styles". | 0:15:16 | 0:15:19 | |
But I thought I'd today take you somewhere where no-one's going | 0:15:19 | 0:15:23 | |
-to care. -OK. -They straight up, straight up don't care. | 0:15:23 | 0:15:29 | |
Just when I come up north, and I just want to not go too "London" - | 0:15:29 | 0:15:32 | |
-you know, you can get lost in showbiz. -Yeah. | 0:15:32 | 0:15:35 | |
So I'm going to take you to see some friends who'll keep you grounded. | 0:15:35 | 0:15:38 | |
-OK. -They are just like a safe gang. | 0:15:38 | 0:15:40 | |
-They're wicked. -Great. -You're going to love them. -Great. | 0:15:40 | 0:15:43 | |
Hi, everybody. | 0:15:43 | 0:15:45 | |
-ALL: -Hello! -Hello. | 0:15:45 | 0:15:46 | |
-Who are you? -This is Nick and Harry. -Hi. -Where's Tom? | 0:15:46 | 0:15:50 | |
-Eh? -Tom, Dick and Harry. -Oh! -Take a seat. There's two seats for you. | 0:15:50 | 0:15:58 | |
-Hi, everyone. -One at the back, one at the front. -How are you? | 0:15:58 | 0:16:02 | |
What's everybody's favourite activity beginning with B? | 0:16:02 | 0:16:05 | |
-Bingo! -Bingo! | 0:16:05 | 0:16:07 | |
-Have I got anybody that would like to help calling? -I'll do it. | 0:16:07 | 0:16:10 | |
Yeah, you do calling. Let's get Harry to do it. | 0:16:10 | 0:16:13 | |
So we do have some fabulous prizes. | 0:16:13 | 0:16:16 | |
Harry, talk us through the prizes. | 0:16:16 | 0:16:18 | |
We have a handkerchief set, complete with a Mars bar | 0:16:18 | 0:16:23 | |
and another chocolate bar. | 0:16:23 | 0:16:25 | |
Whoo! | 0:16:25 | 0:16:27 | |
-Some body butter... -Ooh! | 0:16:27 | 0:16:30 | |
-..for buttering the body. -Will you come with it? | 0:16:30 | 0:16:33 | |
Tina! | 0:16:33 | 0:16:35 | |
Tina's like, full house! | 0:16:35 | 0:16:36 | |
And an overrated debut album. | 0:16:38 | 0:16:40 | |
-So eyes down, are you ready? -We are ready. | 0:16:42 | 0:16:45 | |
-Are we ready, ladies? -Yes. -Are we ready? -OK, we're ready. | 0:16:45 | 0:16:48 | |
31, get up and run. Three-one, 31. | 0:16:48 | 0:16:53 | |
-Nice. -One fat lady, eight. No? -No way. | 0:16:53 | 0:16:57 | |
-44, droopy drawers. -This is good. This is a calling for you. | 0:16:57 | 0:17:03 | |
73, Queen bee. | 0:17:03 | 0:17:05 | |
87. 67. 76. 12. | 0:17:05 | 0:17:10 | |
Five and four, 54. | 0:17:11 | 0:17:13 | |
-Oh! -I've got a line. | 0:17:13 | 0:17:16 | |
CHEERING | 0:17:16 | 0:17:17 | |
Olive, come and choose yourself a lovely prize. | 0:17:19 | 0:17:22 | |
-What are you going to go for, Olive? -Ooh, I don't know. | 0:17:22 | 0:17:25 | |
WHISPERING: Take the album, Olive. Take the album. | 0:17:25 | 0:17:27 | |
I'll have these Swiss chocolates. | 0:17:27 | 0:17:29 | |
-Yes, Olive. -We're going to go for full house. | 0:17:31 | 0:17:35 | |
-OK. OK, pace it. -40. | 0:17:35 | 0:17:38 | |
-Yes. -Naughty 40. 39. Two little ducks... | 0:17:38 | 0:17:42 | |
-Quack, quack. -..22. | 0:17:42 | 0:17:45 | |
53, stuck in the tree. | 0:17:45 | 0:17:47 | |
-How many have you got left, Mary? -One, two, three, four, five. | 0:17:53 | 0:17:56 | |
-Five to go. -66. -Clickety click. | 0:17:56 | 0:18:00 | |
84, seven dozen. | 0:18:00 | 0:18:02 | |
-He's like Carol Vorderman. -61, baker's bun. -He's rubbish, isn't he? | 0:18:02 | 0:18:06 | |
72. 58. 19. | 0:18:06 | 0:18:09 | |
-Six. -Mary's on one number. | 0:18:09 | 0:18:12 | |
-15. -Yes! Have you done it? | 0:18:12 | 0:18:15 | |
CHEERING | 0:18:15 | 0:18:17 | |
-Yes! -Yes, Mary! -Congratulations, Mary. | 0:18:20 | 0:18:23 | |
-Mary, do you want to come and choose one? -Choose something for me. | 0:18:23 | 0:18:27 | |
OK, Mary, we've got for you... You can have some shower gel, | 0:18:27 | 0:18:31 | |
some chocolates, or the Harry Styles album. | 0:18:31 | 0:18:36 | |
-Shower gel. -Shower gel. -LAUGHTER | 0:18:36 | 0:18:38 | |
Good decision. | 0:18:39 | 0:18:41 | |
-Mary! -Mary! | 0:18:42 | 0:18:44 | |
-Well done, Mary. -Ooh, that's nice. | 0:18:44 | 0:18:47 | |
It is going to be time for our new friends to leave us. | 0:18:47 | 0:18:51 | |
-So thank you very much for coming. -Thanks for having us. -Thanks, Ruth. | 0:18:51 | 0:18:55 | |
Bye, guys. We're going to let you carry on with bingo. | 0:18:55 | 0:18:57 | |
Thanks for having us. | 0:18:57 | 0:18:59 | |
I liked Harry's bingo calling. | 0:18:59 | 0:19:00 | |
-Yeah, I did. -Nice to meet you. | 0:19:00 | 0:19:03 | |
And I thought he was rather dishy. | 0:19:03 | 0:19:06 | |
LAUGHTER | 0:19:06 | 0:19:07 | |
Well done on the chocolates. | 0:19:07 | 0:19:09 | |
I'm glad I went over there. It made a big difference to me today. | 0:19:09 | 0:19:12 | |
-STUDIO AUDIENCE: -Aw! | 0:19:12 | 0:19:14 | |
Shampoo! | 0:19:16 | 0:19:17 | |
LAUGHTER | 0:19:17 | 0:19:19 | |
Also, the shampoo... | 0:19:21 | 0:19:23 | |
-Shampoo's obviously provided in there. -Yeah. | 0:19:23 | 0:19:25 | |
Also, it wasn't shampoo. She got body wash. | 0:19:25 | 0:19:29 | |
Someone told her it was shampoo. | 0:19:29 | 0:19:31 | |
I swear that if she'd known it was body wash | 0:19:31 | 0:19:33 | |
she would have picked the album. | 0:19:33 | 0:19:35 | |
If she'd known it was body wash and not shampoo... | 0:19:35 | 0:19:38 | |
She did not want that album. | 0:19:38 | 0:19:39 | |
Also, the body wash, the rinse was, | 0:19:39 | 0:19:42 | |
the body wash was like a travel-sized freebee one. | 0:19:42 | 0:19:45 | |
That album, was a full, wrapped album. | 0:19:45 | 0:19:49 | |
-And she still went for the shower gel. -Thank you. | 0:19:49 | 0:19:52 | |
I'm glad Jack took it at the end. | 0:19:52 | 0:19:54 | |
Yeah, Jack had it. He said he's going to use it as a coaster, | 0:19:54 | 0:19:56 | |
so that's... | 0:19:56 | 0:19:58 | |
CHEERING | 0:20:00 | 0:20:02 | |
-Good times. I think I like bingo. -I love bingo. | 0:20:04 | 0:20:08 | |
-I think that could be a new thing for us. I think that's... -Yeah. | 0:20:08 | 0:20:11 | |
That could be our new job. Anyway, that is to be continued. | 0:20:11 | 0:20:14 | |
We are now in the One Direction section. | 0:20:14 | 0:20:16 | |
If you Google "One Direction facts" there's so many, | 0:20:16 | 0:20:18 | |
-but I've picked my favourite ones. -I do it all the time. -I know you do. | 0:20:18 | 0:20:22 | |
You sold 70 million records worldwide, which is incredible. | 0:20:22 | 0:20:26 | |
-WHOOPING -You can whoop, you can whoop. | 0:20:26 | 0:20:29 | |
You performed to over 10 million people. That's mad. | 0:20:29 | 0:20:32 | |
And also, you were the first British group to have your first four albums | 0:20:32 | 0:20:36 | |
debut at number one in the US album chart. | 0:20:36 | 0:20:39 | |
I mean, pretty impressive. | 0:20:39 | 0:20:42 | |
That's great. | 0:20:43 | 0:20:44 | |
All of that... | 0:20:44 | 0:20:46 | |
-Didn't even win X Factor. -I know. -Didn't even win. | 0:20:46 | 0:20:48 | |
-What did you come, second? -Third. -Third?! Even worse. | 0:20:48 | 0:20:52 | |
-Did you remember a moment where it was... Cos it got crazy. -Yeah. | 0:20:52 | 0:20:56 | |
So many fans, and really intense. Do you remember your first mobbing? | 0:20:56 | 0:21:00 | |
Yeah, I lost my shoes. I lost my shoes. | 0:21:00 | 0:21:04 | |
We got off the train in Paris and I was walking | 0:21:05 | 0:21:10 | |
and I ended up feeling like my feet weren't touching the floor. | 0:21:10 | 0:21:13 | |
And I was kind of floating along. | 0:21:13 | 0:21:16 | |
And then I got in the car, and I was like, "I don't have any shoes on." | 0:21:16 | 0:21:20 | |
-You had no shoes? -Yeah. My shoes had gone. | 0:21:20 | 0:21:23 | |
Has that happened since, or was that a one-off experience? | 0:21:23 | 0:21:25 | |
-That was a one-off. The shoes thing? -Yeah. | 0:21:25 | 0:21:27 | |
That's why I started wearing boots. | 0:21:27 | 0:21:29 | |
-They're like... -Never getting them off him. | 0:21:29 | 0:21:32 | |
Was there a moment when you were all together as a band | 0:21:32 | 0:21:35 | |
and, you know, you thought wow, we have made it. | 0:21:35 | 0:21:37 | |
There must have been moments where you thought, | 0:21:37 | 0:21:39 | |
this is a little bit mad. | 0:21:39 | 0:21:41 | |
-Did you ever sit down and be like, "Hey, guys, madness!" -Yeah. | 0:21:41 | 0:21:45 | |
Yeah, I mean, I think I found myself constantly surprised by | 0:21:45 | 0:21:49 | |
the level of support that we had | 0:21:49 | 0:21:51 | |
and, you know, felt like the luckiest guy to kind of have it | 0:21:51 | 0:21:56 | |
around us, and get to be part of something like that | 0:21:56 | 0:21:59 | |
-that was so much bigger than any one of us. -OK. | 0:21:59 | 0:22:03 | |
We're going to have another song now. | 0:22:03 | 0:22:05 | |
-You're going to do a cover. -I'm going to do a cover, yeah. | 0:22:05 | 0:22:08 | |
Tell us about this, and why you've gone for this tonight. | 0:22:08 | 0:22:10 | |
It's by one of my favourite bands. | 0:22:10 | 0:22:12 | |
It's one of my favourite songs. | 0:22:12 | 0:22:15 | |
And everyone in the band sings, so I'm going to give it a go. | 0:22:15 | 0:22:18 | |
All right, then. Go and join the band, and let's do this. | 0:22:18 | 0:22:21 | |
Thank you very much. | 0:22:21 | 0:22:22 | |
OK, it's time for a classic now, | 0:22:24 | 0:22:27 | |
originally performed by the mighty Fleetwood Mac. | 0:22:27 | 0:22:30 | |
This is The Chain. | 0:22:30 | 0:22:32 | |
CHEERING | 0:22:32 | 0:22:36 | |
SCREAMING | 0:22:42 | 0:22:44 | |
# Listen to the wind blow Watch the sun rise | 0:22:53 | 0:23:00 | |
# Running in the shadows Damn your love, damn your lies | 0:23:05 | 0:23:11 | |
# And if you don't love me now | 0:23:15 | 0:23:18 | |
# You will never love me again | 0:23:18 | 0:23:21 | |
# I can still hear you saying You would never break the chain | 0:23:21 | 0:23:27 | |
-# Never break the chain -If you don't love me now | 0:23:27 | 0:23:30 | |
-# If you don't love me now -You'll never love me again | 0:23:30 | 0:23:34 | |
# I can still hear you saying | 0:23:34 | 0:23:36 | |
-# You would never break the chain -Never break the chain... # | 0:23:36 | 0:23:41 | |
Hey! | 0:23:52 | 0:23:53 | |
# Listen to the wind blow Down comes the night | 0:23:53 | 0:24:00 | |
# Running in the shadows | 0:24:06 | 0:24:09 | |
# Damn your love, damn your lies | 0:24:09 | 0:24:12 | |
# Break the silence | 0:24:18 | 0:24:21 | |
# Damn the dark, damn the light | 0:24:21 | 0:24:24 | |
# And if you don't love me now You will never love me again | 0:24:28 | 0:24:34 | |
# I can still hear you saying You would never break the chain | 0:24:34 | 0:24:40 | |
-# Never break the chain -If you don't love me now | 0:24:40 | 0:24:43 | |
-# If you don't love me now -You'll never love me again | 0:24:43 | 0:24:46 | |
# I can still hear you saying | 0:24:46 | 0:24:49 | |
-# You would never break the chain -Never break the chain | 0:24:49 | 0:24:53 | |
# If you don't love me now You will never love me again | 0:24:53 | 0:24:58 | |
# I can still hear you saying You would never break the chain | 0:24:58 | 0:25:04 | |
# Never break the chain... # | 0:25:04 | 0:25:06 | |
CHEERING | 0:25:07 | 0:25:10 | |
CHEERING | 0:25:28 | 0:25:30 | |
# Chain, keep us together | 0:25:42 | 0:25:46 | |
# Chain, keep us together | 0:25:48 | 0:25:52 | |
# Chain, keep us together | 0:25:54 | 0:25:58 | |
# Chain, keep us together | 0:26:00 | 0:26:04 | |
# Chain, keep us together | 0:26:06 | 0:26:10 | |
# Chain, keep us together. # | 0:26:12 | 0:26:16 | |
CHEERING | 0:26:32 | 0:26:35 | |
I'd like to introduce you to my band, if that's all right? | 0:26:45 | 0:26:49 | |
CHEERING | 0:26:49 | 0:26:51 | |
On bass and vocals we have Mr Adam Prendergast. | 0:26:51 | 0:26:54 | |
CHEERING | 0:26:54 | 0:26:56 | |
Keys and vocals, Miss Clare Uchima. | 0:26:59 | 0:27:02 | |
CHEERING | 0:27:02 | 0:27:05 | |
On drums and vocals, Miss Sarah Jones. | 0:27:05 | 0:27:09 | |
CHEERING | 0:27:09 | 0:27:10 | |
Guitar and vocals, Mr Mitch Rowland. | 0:27:12 | 0:27:15 | |
CHEERING | 0:27:15 | 0:27:17 | |
The next song we're going to do is called Woman. | 0:27:20 | 0:27:22 | |
CHEERING AND APPLAUSE | 0:27:22 | 0:27:25 | |
# La-la-la-la-la-la-la-la Oh! | 0:27:32 | 0:27:36 | |
# I'm selfish, I know | 0:27:40 | 0:27:45 | |
# But I don't ever want to see you with him | 0:27:46 | 0:27:49 | |
# I'm selfish, I know | 0:27:55 | 0:27:59 | |
# I told you but I know you never listen | 0:28:00 | 0:28:03 | |
# I hope you can see the shape that I'm in | 0:28:11 | 0:28:17 | |
# While he's touching your skin | 0:28:19 | 0:28:22 | |
# He's right where I should Where I should be | 0:28:25 | 0:28:31 | |
# But you're making me bleed... # Sing it! | 0:28:33 | 0:28:37 | |
# Woman | 0:28:38 | 0:28:42 | |
-# Woman -La-la-la-la-la-la-la-la | 0:28:42 | 0:28:45 | |
# W-Woman | 0:28:45 | 0:28:46 | |
# Woman... # | 0:28:49 | 0:28:51 | |
SCREAMING | 0:28:51 | 0:28:52 | |
# Woman | 0:28:52 | 0:28:54 | |
-# Woman -La-la-la-la-la-la-la-la | 0:28:56 | 0:28:59 | |
# W-Woman | 0:28:59 | 0:29:01 | |
# Woman | 0:29:03 | 0:29:04 | |
# Tempted, you know | 0:29:05 | 0:29:09 | |
# Apologies are never gonna fix this | 0:29:11 | 0:29:14 | |
# And I'm empty, I know | 0:29:19 | 0:29:25 | |
# Promises are broken like stitches | 0:29:25 | 0:29:28 | |
# I hope you can see the shape I've been in | 0:29:35 | 0:29:42 | |
# While he's touching your skin | 0:29:43 | 0:29:46 | |
# This thing upon me Oh, howls like a beast | 0:29:49 | 0:29:55 | |
# You flower, you feast... # Hey! | 0:29:58 | 0:30:01 | |
CHEERING | 0:30:15 | 0:30:18 | |
# Woman | 0:30:31 | 0:30:32 | |
-# Woman -La-la-la-la-la-la-la-la | 0:30:35 | 0:30:38 | |
# W-Woman | 0:30:38 | 0:30:40 | |
# Woman | 0:30:42 | 0:30:43 | |
# Woman | 0:30:45 | 0:30:47 | |
-# Woman -La-la-la-la-la-la-la-la | 0:30:49 | 0:30:52 | |
# W-Woman | 0:30:52 | 0:30:53 | |
# Woman... # | 0:30:56 | 0:30:57 | |
CHEERING | 0:30:59 | 0:31:02 | |
CHEERING | 0:31:36 | 0:31:38 | |
# Woman. # | 0:31:55 | 0:31:57 | |
CHEERING | 0:31:57 | 0:32:00 | |
Beautiful! | 0:32:05 | 0:32:07 | |
That's a good song. | 0:32:07 | 0:32:09 | |
-Thank you. -OK, time now for a bit more local action. | 0:32:09 | 0:32:13 | |
We've already been for a drive, | 0:32:13 | 0:32:14 | |
we've played bingo with some lovely people. | 0:32:14 | 0:32:17 | |
So let's go back on the road for a second part of our day out | 0:32:17 | 0:32:20 | |
-in Manchester. -CHEERING | 0:32:20 | 0:32:23 | |
So now we're going to go... | 0:32:30 | 0:32:32 | |
We're going to go into town and we going to go and do something | 0:32:32 | 0:32:36 | |
which apparently is like a new thing, a new craze. | 0:32:36 | 0:32:39 | |
-So we've done bingo... -Like a Manchester thing? | 0:32:39 | 0:32:41 | |
Yeah, a new Manchester thing, apparently. | 0:32:41 | 0:32:43 | |
-I like doing Manchester things. -I've never done it. | 0:32:43 | 0:32:46 | |
-You know darts is on, darts is a classic. -Yeah. -Bingo, a classic. | 0:32:46 | 0:32:50 | |
-Yeah. -Well, someone tried to up the ante | 0:32:50 | 0:32:52 | |
and they've made axe-throwing a thing, so you get axes. | 0:32:52 | 0:32:56 | |
-So I guess it's like extreme darts. -OK. | 0:32:56 | 0:32:59 | |
So that's what we're going to go and do now. You're competitive, I think. | 0:32:59 | 0:33:03 | |
I can be, yeah. | 0:33:03 | 0:33:04 | |
No, I mean I'll want to win. | 0:33:05 | 0:33:07 | |
-If we're playing a game, I'll want to win. -Yeah. | 0:33:07 | 0:33:09 | |
I just want everyone to have an equally nice time. | 0:33:09 | 0:33:11 | |
That's not for me. LAUGHTER | 0:33:11 | 0:33:13 | |
-Hiya. -How are you doing? You OK? Pleased to meet you. -I'm well. | 0:33:13 | 0:33:16 | |
-I'm Matt. -How are you? -Pleased to meet you. | 0:33:16 | 0:33:18 | |
Matt, we've just been playing bingo, and now we need next level extreme. | 0:33:18 | 0:33:22 | |
We're going to throw axes. That essentially all you need to know. | 0:33:22 | 0:33:25 | |
Come on over this way, if you want to follow me around. | 0:33:25 | 0:33:27 | |
Let's sink them axes! Do you want to first? I'll go. | 0:33:27 | 0:33:30 | |
Nice! | 0:33:32 | 0:33:33 | |
-I think it's too much flippy. -LAUGHTER | 0:33:33 | 0:33:35 | |
Oh, straight in. | 0:33:35 | 0:33:36 | |
Argh! Ooh... | 0:33:38 | 0:33:40 | |
LAUGHTER | 0:33:40 | 0:33:42 | |
You look the most serious you've ever looked. | 0:33:43 | 0:33:45 | |
-And that's why. -That's why I wanted to look serious with an axe. | 0:33:46 | 0:33:50 | |
-So we'll pit you guys against each other head-to-head. -OK, we're ready. | 0:33:50 | 0:33:53 | |
Are you ready for this? | 0:33:53 | 0:33:55 | |
Good. | 0:33:57 | 0:33:58 | |
-Ooh, that is good! -I think that's in the bull's-eye! | 0:34:01 | 0:34:05 | |
Properly commit. | 0:34:05 | 0:34:07 | |
I can't commit. I have commitment issues. | 0:34:07 | 0:34:09 | |
LAUGHTER | 0:34:09 | 0:34:10 | |
-Yes! -CHEERING | 0:34:14 | 0:34:18 | |
-Nice. -Yes. Bull's-eye. | 0:34:18 | 0:34:21 | |
-Ah, no! -That was a bit rubbish. | 0:34:22 | 0:34:24 | |
-Well played. -Biggest score yet, very well done. -Very respectable. | 0:34:26 | 0:34:30 | |
-As the champion, Harry gets to try this. -The double throw. | 0:34:33 | 0:34:36 | |
Keep your eyes in the middle. Shoulder-width apart. | 0:34:36 | 0:34:39 | |
And then just a big lean in and go for it again, exactly the same way. | 0:34:39 | 0:34:42 | |
Yeah? | 0:34:42 | 0:34:44 | |
Oh! CHEERING AND APPLAUSE | 0:34:49 | 0:34:52 | |
That is good. | 0:34:52 | 0:34:54 | |
-That was insane. Very well played, bud. -Absolutely great. | 0:34:54 | 0:34:57 | |
-Do you know who the first person I was starstruck by was? -Who? | 0:35:03 | 0:35:06 | |
-I was on holiday with my friend in Portugal. -How old were you? | 0:35:06 | 0:35:11 | |
I was 14. And... | 0:35:11 | 0:35:15 | |
And on the next table | 0:35:16 | 0:35:19 | |
-was Peter Jones from Dragons' Den. -Yes. | 0:35:19 | 0:35:22 | |
And I lost my... I lost it. | 0:35:22 | 0:35:25 | |
-I lost it. -What did you do? | 0:35:25 | 0:35:28 | |
-Did you go over to him? -I asked him for an autograph, | 0:35:28 | 0:35:31 | |
like after the meal. | 0:35:31 | 0:35:34 | |
-What did you say to him? -And he wrote... | 0:35:34 | 0:35:36 | |
Were you like, "Big fan of Dragons' Den"? | 0:35:36 | 0:35:38 | |
..like, "Keep dreaming, work hard" or something. | 0:35:38 | 0:35:41 | |
Do you think that Peter Jones from Dragons' Den | 0:35:41 | 0:35:46 | |
is the reason for your success? | 0:35:46 | 0:35:48 | |
-Maybe. I kept dreaming and tried to work hard. -Yeah, and now look. | 0:35:48 | 0:35:53 | |
-I think this chippy's going to be good. -Oh, my God, it is. | 0:35:56 | 0:35:58 | |
It's going to be quality. | 0:35:58 | 0:36:01 | |
It's proper, that is proper. | 0:36:01 | 0:36:03 | |
-Hello, there. -Hiya. | 0:36:05 | 0:36:07 | |
-You all right? -Not bad, you? -I'm OK. | 0:36:07 | 0:36:11 | |
What can I get you? | 0:36:11 | 0:36:12 | |
-I'm going to do chips, peas and gravy, please. -Taking out? -Please. | 0:36:12 | 0:36:17 | |
-Salt and vinegar? -No, thanks. -No? -A little bit of salt. -No worries. | 0:36:17 | 0:36:21 | |
-That is the revelation of the day. -What? -No vinegar? | 0:36:21 | 0:36:24 | |
-I'm not into the vinegar. -No vinegar? | 0:36:24 | 0:36:26 | |
Have you ever heard of that? Maybe I'll have peas as well, actually. | 0:36:26 | 0:36:31 | |
-There you are. Are you paying together? -I don't have any money. | 0:36:31 | 0:36:35 | |
-£7.70, please. Thank you. -Thanks, guys. Thank you. -Thank you. | 0:36:36 | 0:36:41 | |
-Have a nice evening. Take care. -Take care, thank you. -Cheers, bye, guys. | 0:36:41 | 0:36:45 | |
See you later. | 0:36:45 | 0:36:47 | |
Bye, mate. That was funny. | 0:36:47 | 0:36:49 | |
BOTH: # Da-da-da, Manchester! | 0:36:49 | 0:36:51 | |
# Manchester! # | 0:36:51 | 0:36:54 | |
-That was a good day. -Good day. -Did you like that day? -I had a good day. | 0:36:54 | 0:36:57 | |
What more do you want? | 0:36:57 | 0:36:58 | |
-We've had bingo, we've thrown axes, we've had chips and gravy. -Yep. | 0:36:58 | 0:37:03 | |
-We should probably go and do the show. -We should probably go. | 0:37:03 | 0:37:06 | |
-I'll drive. -You drive, cos I've got this to eat. -You can eat that. | 0:37:06 | 0:37:09 | |
-Let's do it. -Thanks for that. -That is wicked. | 0:37:09 | 0:37:13 | |
CHEERING | 0:37:14 | 0:37:17 | |
Can I just say that that end bit there was meant to be like, | 0:37:17 | 0:37:21 | |
"So we'll get the chips, we'll go on the roof, we'll eat the chips." | 0:37:21 | 0:37:24 | |
He'd ate the chips within... | 0:37:24 | 0:37:26 | |
I think I'd got into like second gear and they'd gone. | 0:37:26 | 0:37:29 | |
-But they were great chips. -Yeah. -Really good chips. | 0:37:29 | 0:37:31 | |
They were actually good. | 0:37:31 | 0:37:32 | |
I want to talk to you now about going solo, | 0:37:32 | 0:37:35 | |
because with the band you achieved so much, | 0:37:35 | 0:37:37 | |
and a lot of people could have been like, "This is it now." You know? | 0:37:37 | 0:37:41 | |
"I'm done, I've been successful, that's the end of it." | 0:37:41 | 0:37:44 | |
What made you want to go and do a solo record? | 0:37:44 | 0:37:46 | |
I think I just love it so much, performing, and I love writing | 0:37:46 | 0:37:50 | |
so much. And while I was at home I started writing a lot. | 0:37:50 | 0:37:55 | |
And then I was like, well, I might as well... | 0:37:55 | 0:37:57 | |
-Get on with it. -Might as well do it. | 0:37:57 | 0:37:59 | |
It would be quite weird, I imagine, to go from that, and like playing | 0:37:59 | 0:38:02 | |
stadiums and playing these huge gigs, | 0:38:02 | 0:38:04 | |
just to watching the telly. | 0:38:04 | 0:38:06 | |
I guess you have to keep going on, keep creating, keep doing stuff. | 0:38:06 | 0:38:10 | |
It was nice to take a break, | 0:38:10 | 0:38:11 | |
but I'm definitely a bit of an attention seeker, so I was like... | 0:38:11 | 0:38:15 | |
-No... -Tiny bit. | 0:38:15 | 0:38:17 | |
Don't look at me. | 0:38:17 | 0:38:18 | |
Don't... | 0:38:18 | 0:38:20 | |
-You went and did the album in Jamaica. -Yep. | 0:38:20 | 0:38:22 | |
Now did you think, go to work? | 0:38:22 | 0:38:25 | |
I knew I wanted to go and disappear and do it somewhere | 0:38:25 | 0:38:27 | |
kind of away from people, to be honest. | 0:38:27 | 0:38:30 | |
I just wanted nothing else to think about apart from this thing. | 0:38:30 | 0:38:33 | |
And that's kind of what ended up happening is, you know, | 0:38:33 | 0:38:37 | |
you go to the studio and then we'd go up and have dinner | 0:38:37 | 0:38:39 | |
and then you'd write at the house and then you'd go back down | 0:38:39 | 0:38:42 | |
to the studio and it became this 360 experience. | 0:38:42 | 0:38:46 | |
I just loved it so much. | 0:38:46 | 0:38:48 | |
-I'd find it hard to make a record any other way now, I think. -Yeah. | 0:38:48 | 0:38:51 | |
How did you get together with the band? | 0:38:51 | 0:38:53 | |
Was it like getting together for the first time? | 0:38:53 | 0:38:55 | |
You say you're writing down these things that you want to get off | 0:38:55 | 0:38:58 | |
your chest and create, and you've got to go into a room of... | 0:38:58 | 0:39:01 | |
Not now, they're all your friends | 0:39:01 | 0:39:03 | |
but at the time they would have been strangers. | 0:39:03 | 0:39:05 | |
Was it ever daunting to be like, "Hey, strangers, I feel like this"? | 0:39:05 | 0:39:08 | |
Yeah. I'd done a couple of writing sessions | 0:39:08 | 0:39:13 | |
and they hadn't gone so well. | 0:39:13 | 0:39:16 | |
And I kind of got in this hole of like, | 0:39:16 | 0:39:19 | |
"I don't want to make music any more!" | 0:39:19 | 0:39:20 | |
LAUGHTER I just had this massive block. | 0:39:20 | 0:39:23 | |
And then I went in the room with three guys | 0:39:23 | 0:39:27 | |
that I'd never met before. | 0:39:27 | 0:39:30 | |
You want to be honest when you're writing, | 0:39:30 | 0:39:32 | |
and it's hard to kind of sit in a room | 0:39:32 | 0:39:34 | |
and talk about stuff that's happened to you | 0:39:34 | 0:39:36 | |
and be honest about when you've made mistakes | 0:39:36 | 0:39:39 | |
and when stuff's hurt you and stuff like that. | 0:39:39 | 0:39:42 | |
I think when I felt comfortable with these guys straight away, | 0:39:42 | 0:39:46 | |
I kind of knew that was who I wanted to make the album with. | 0:39:46 | 0:39:49 | |
This is lovely, talking to you. | 0:39:49 | 0:39:51 | |
But I feel it would be even better | 0:39:51 | 0:39:53 | |
if you'd stand up here, walk over there and treat us to another song. | 0:39:53 | 0:39:58 | |
CHEERING | 0:39:58 | 0:39:59 | |
And then we'll talk after. Yeah? Go and do a song. | 0:39:59 | 0:40:03 | |
OK, so it was one of the last songs written for the album, | 0:40:03 | 0:40:06 | |
and some might say the best. | 0:40:06 | 0:40:08 | |
This is Carolina. | 0:40:08 | 0:40:10 | |
CHEERING AND APPLAUSE | 0:40:10 | 0:40:12 | |
-Oh, yeah! -# Ooh... # | 0:40:34 | 0:40:37 | |
-Oh, yeah! -# Ooh... # | 0:40:38 | 0:40:41 | |
Whoo, oh, yeah! | 0:40:41 | 0:40:43 | |
# She's got a family in Carolina | 0:40:43 | 0:40:47 | |
# So far away but she says I remind her of home | 0:40:47 | 0:40:52 | |
# Feeling oh, so far from home | 0:40:52 | 0:40:55 | |
-# Ooh... # -Whoo, oh, yeah! | 0:40:55 | 0:40:59 | |
# She never saw herself as a west coaster | 0:40:59 | 0:41:03 | |
# Moved all the way cos her grandma told her | 0:41:03 | 0:41:06 | |
# "Towns, better swim before you drown" | 0:41:06 | 0:41:11 | |
# Well, she's a good girl | 0:41:14 | 0:41:16 | |
# Yeah, she's a good girl | 0:41:18 | 0:41:20 | |
# She's a good girl | 0:41:21 | 0:41:24 | |
# She feels so good... # | 0:41:25 | 0:41:28 | |
Whoo! | 0:41:28 | 0:41:29 | |
Oh, yeah! | 0:41:29 | 0:41:31 | |
# She's got a book for every situation | 0:41:31 | 0:41:35 | |
# Gets into parties without invitations | 0:41:35 | 0:41:38 | |
# How could you ever turn her down? | 0:41:38 | 0:41:42 | |
# There's not a drink that I think could sink her | 0:41:46 | 0:41:50 | |
# How would I tell her that she's all I think about? | 0:41:50 | 0:41:55 | |
# Well, I guess she just found out | 0:41:55 | 0:41:59 | |
-# Well, she's a good girl -La-la-la-la-la-la-la-la-la-la-la | 0:42:01 | 0:42:04 | |
-# Yeah, she's a good girl -La-la-la-la-la-la-la-la-la-la-la | 0:42:04 | 0:42:08 | |
-# Well, she's a good girl -La-la-la-la-la-la-la-la-la-la-la | 0:42:08 | 0:42:13 | |
# She feels so good | 0:42:13 | 0:42:15 | |
# She feels so good | 0:42:16 | 0:42:19 | |
# I met her once and wrote a song about her | 0:42:21 | 0:42:25 | |
# I wanna scream, yeah I wanna shout it out | 0:42:25 | 0:42:29 | |
# And I hope she hears me now | 0:42:30 | 0:42:34 | |
# La-la-la-la-la-la-la-la-la-la | 0:42:37 | 0:42:41 | |
# La-la-la-la-la-la-la-la-la-la | 0:42:41 | 0:42:45 | |
# La-la-la-la-la-la-la-la-la-la | 0:42:45 | 0:42:49 | |
# La-la-la-la-la-la-la-la-la-la | 0:42:49 | 0:42:52 | |
-# Well, she's a good girl -La-la-la-la-la-la-la-la-la-la-la | 0:42:52 | 0:42:56 | |
-# Yeah, she's a good girl -La-la-la-la-la-la-la-la-la-la-la | 0:42:56 | 0:43:00 | |
-# Well, she's a good girl -La-la-la-la-la-la-la-la-la-la-la | 0:43:00 | 0:43:03 | |
# Feels so good | 0:43:03 | 0:43:05 | |
# La-la-la-la-la-la-la-la-la-la-la | 0:43:06 | 0:43:09 | |
-# Oh, she feels so good -La-la-la-la-la-la-la-la-la-la-la | 0:43:09 | 0:43:13 | |
-# Babe, you feel so good -La-la-la-la-la-la-la-la-la-la-la | 0:43:13 | 0:43:17 | |
# Ah, she's a good girl. # | 0:43:17 | 0:43:19 | |
Whoo, oh, yeah! | 0:43:19 | 0:43:23 | |
Whoo, oh, yeah! | 0:43:24 | 0:43:26 | |
Whoo, oh, yeah! | 0:43:28 | 0:43:30 | |
Whoo, oh, yeah! | 0:43:32 | 0:43:34 | |
CHEERING AND APPLAUSE | 0:43:34 | 0:43:37 | |
-OK, we have to talk about Dunkirk because... -Yeah. | 0:43:52 | 0:43:55 | |
CHEERING | 0:43:55 | 0:43:57 | |
..as they're saying, amazing film. An incredible film to be part of | 0:43:57 | 0:44:00 | |
and like, a huge film for your debut acting role. | 0:44:00 | 0:44:04 | |
Some people, when they start acting, | 0:44:04 | 0:44:06 | |
have to be in terrible films for years. | 0:44:06 | 0:44:08 | |
You were straight in there. How did you get the Dunkirk role? | 0:44:08 | 0:44:12 | |
I mean, I had to send in a tape, because I was in America, | 0:44:12 | 0:44:16 | |
so I did a tape with the casting director for the film | 0:44:16 | 0:44:19 | |
and then they sent it. | 0:44:19 | 0:44:21 | |
And then they said, "Will you come to London for the audition stuff?" | 0:44:21 | 0:44:26 | |
So I flew home and then did, kind of, a bunch of auditions. | 0:44:26 | 0:44:31 | |
And how was the audition? | 0:44:31 | 0:44:32 | |
Because you can't have gone to the audition dressed like that, | 0:44:32 | 0:44:36 | |
-could you? -I did not. | 0:44:36 | 0:44:38 | |
Or did you go, like, "I'm an actor. I'm a jobbing actor"? | 0:44:38 | 0:44:41 | |
-No. I did have long... -Flat cap and a broom. | 0:44:41 | 0:44:43 | |
I was just carrying scripts everywhere. | 0:44:43 | 0:44:46 | |
A little shoulder bag and glasses. | 0:44:46 | 0:44:50 | |
Er, no, I did wear a hat. | 0:44:50 | 0:44:53 | |
-Right. Actors like hats. -I had very long hair. | 0:44:53 | 0:44:56 | |
And I was, like, maybe not helping. | 0:44:56 | 0:44:59 | |
When I told my parents that I'd got the part, | 0:44:59 | 0:45:02 | |
they thought I would be waving the soldiers off at the station. | 0:45:02 | 0:45:05 | |
"Come back soon, boys." LAUGHTER | 0:45:05 | 0:45:09 | |
"Bye, guys." | 0:45:09 | 0:45:10 | |
How was it cutting the hair off? Because that had to happen. | 0:45:10 | 0:45:13 | |
Was that a traumatic experience for you as a hair lover? | 0:45:13 | 0:45:16 | |
I mean, when I auditioned for a World War II film, | 0:45:16 | 0:45:19 | |
I knew I was going to have to have a little trim. | 0:45:19 | 0:45:21 | |
Or at least straightened! But there you are in the movie. | 0:45:21 | 0:45:24 | |
CHEERING | 0:45:24 | 0:45:26 | |
I mean, that was a departure from your look, wasn't it? | 0:45:26 | 0:45:29 | |
This was a big moment for Harry Styles fans. | 0:45:29 | 0:45:33 | |
-The hair had gone. -LAUGHTER | 0:45:33 | 0:45:35 | |
How was it doing the movie? Because it's not an easy film to go and do | 0:45:35 | 0:45:39 | |
and Christopher Nolan, not an easy director to go and work for. | 0:45:39 | 0:45:42 | |
I imagine this was very serious, it's a very serious topic, | 0:45:42 | 0:45:45 | |
you're in and out of the water all day. | 0:45:45 | 0:45:47 | |
You can't be complaining on Dunkirk the movie, "It's a bit cold", | 0:45:47 | 0:45:51 | |
-because this is a true, harrowing story. -Yeah. | 0:45:51 | 0:45:53 | |
I'd say that the worst day, like, weather-wise, | 0:45:53 | 0:45:57 | |
-physical-wise, was my first day on set. -Right. | 0:45:57 | 0:46:01 | |
It was so cold. And usually we had, like... | 0:46:01 | 0:46:05 | |
jackets and stuff that would keep us warm. | 0:46:05 | 0:46:08 | |
They kind of threw us straight into the ocean and it was freezing cold | 0:46:08 | 0:46:11 | |
and there was all this weird foam on the beach and stuff | 0:46:11 | 0:46:14 | |
and sand was blowing everywhere. | 0:46:14 | 0:46:17 | |
It was my first day and I remember at the end just being, like, | 0:46:17 | 0:46:22 | |
"What have I done?" LAUGHTER | 0:46:22 | 0:46:25 | |
"This is so hard." | 0:46:25 | 0:46:26 | |
And on day one, were you, like, "No, I'm not cold, mate. I'm fine"? | 0:46:26 | 0:46:30 | |
-Day one? I'd say I did it through the whole thing. -Right. | 0:46:30 | 0:46:33 | |
You're around all these stunt guys, you know, everyone else. | 0:46:33 | 0:46:37 | |
You can't be like...to Tom Hardy, like, "It's chilly!" | 0:46:37 | 0:46:40 | |
LAUGHTER | 0:46:40 | 0:46:42 | |
So what's the plan now? Are you going to do more acting? | 0:46:42 | 0:46:45 | |
Are you looking for more scripts? | 0:46:45 | 0:46:48 | |
Are you going to do half movies, half music? | 0:46:48 | 0:46:50 | |
I love music so much, I don't think it would kind of shift, | 0:46:50 | 0:46:55 | |
but if there was something I loved, then maybe, yeah. | 0:46:55 | 0:46:58 | |
OK, I think it's time for another song. | 0:46:58 | 0:47:01 | |
What are we going to have, Harry? | 0:47:01 | 0:47:03 | |
I'm going to do a cover. We haven't played it before. | 0:47:03 | 0:47:07 | |
-It's called Girl Crush. -OK. | 0:47:07 | 0:47:09 | |
-You go and join the band. -CHEERING | 0:47:09 | 0:47:12 | |
And let's hear this. | 0:47:12 | 0:47:14 | |
Harry Styles covering the biggest country hit of recent years, | 0:47:14 | 0:47:18 | |
this is Little Big Town's brilliant and Grammy Award-winning Girl Crush. | 0:47:18 | 0:47:22 | |
CHEERING AND APPLAUSE | 0:47:22 | 0:47:25 | |
# I got a girl crush | 0:47:42 | 0:47:45 | |
# I hate to admit it but | 0:47:46 | 0:47:49 | |
# I got a heart rush | 0:47:50 | 0:47:54 | |
# It ain't slowing down | 0:47:55 | 0:47:58 | |
# And I got it real bad | 0:47:59 | 0:48:02 | |
# Want everything she has | 0:48:03 | 0:48:07 | |
# That smile and that midnight laugh | 0:48:08 | 0:48:11 | |
# She's giving you now | 0:48:12 | 0:48:15 | |
# And I want to taste her lips | 0:48:16 | 0:48:21 | |
# Yeah, cos they taste like you | 0:48:21 | 0:48:26 | |
# I want to drown myself | 0:48:26 | 0:48:30 | |
# In a bottle of her perfume | 0:48:30 | 0:48:35 | |
# I want her long blonde hair | 0:48:35 | 0:48:39 | |
# I want her magic touch | 0:48:39 | 0:48:44 | |
# Yeah, cos maybe then | 0:48:44 | 0:48:48 | |
# You'd want me just as much | 0:48:48 | 0:48:53 | |
# And I got a girl crush | 0:48:53 | 0:48:55 | |
CHEERING | 0:48:56 | 0:48:58 | |
# Oh, I got a girl crush | 0:49:01 | 0:49:05 | |
# I don't get no sleep | 0:49:12 | 0:49:16 | |
# I don't get no peace | 0:49:16 | 0:49:21 | |
# Just thinking about her | 0:49:21 | 0:49:25 | |
# Under your bed sheets | 0:49:26 | 0:49:30 | |
# The way that she's whispering | 0:49:31 | 0:49:36 | |
# The way that she's pulling you in | 0:49:36 | 0:49:39 | |
# God knows I've tried | 0:49:40 | 0:49:45 | |
# Can't get her from my mind | 0:49:45 | 0:49:48 | |
# And I want to taste her lips | 0:49:50 | 0:49:55 | |
# Yeah, cos they taste like you | 0:49:55 | 0:49:59 | |
# I want to drown myself | 0:49:59 | 0:50:04 | |
# In a bottle of her perfume | 0:50:04 | 0:50:09 | |
# I want her long blonde hair | 0:50:09 | 0:50:14 | |
# I want her magic touch | 0:50:14 | 0:50:18 | |
# Yeah, cos maybe then | 0:50:18 | 0:50:23 | |
# You'd want me just as much | 0:50:23 | 0:50:28 | |
# And I got a girl crush | 0:50:28 | 0:50:32 | |
CHEERING | 0:50:32 | 0:50:34 | |
# Oh, I got a girl crush | 0:50:38 | 0:50:41 | |
GUITAR SOLO | 0:50:48 | 0:50:51 | |
# I got a girl crush | 0:51:29 | 0:51:32 | |
# Hate to admit it but | 0:51:34 | 0:51:38 | |
# I got a heart rush | 0:51:39 | 0:51:42 | |
# It ain't slowing down. # | 0:51:43 | 0:51:48 | |
CHEERING AND APPLAUSE | 0:51:51 | 0:51:54 | |
Erm, OK, well, | 0:52:05 | 0:52:06 | |
you've had a great year, you've had the number one single, | 0:52:06 | 0:52:09 | |
the number one album, number one film, a BBC special. | 0:52:09 | 0:52:12 | |
What's the plan for next year? | 0:52:12 | 0:52:13 | |
Is there anything else out there that you want to achieve? | 0:52:13 | 0:52:16 | |
-I think I'll, er, I'll tour. -Yeah? -I'm touring till July. | 0:52:16 | 0:52:20 | |
CHEERING | 0:52:20 | 0:52:22 | |
And then, er, I don't know. | 0:52:22 | 0:52:23 | |
I think I'm going to get in the studio probably. | 0:52:23 | 0:52:26 | |
-Come back for another BBC special or something. -Yeah. | 0:52:26 | 0:52:28 | |
-CHEERING -Make this weekly! -Yeah. | 0:52:28 | 0:52:31 | |
Erm, sadly, though, this is the end of the show, so... | 0:52:31 | 0:52:34 | |
-GROANING -I know, it's devastating. | 0:52:34 | 0:52:36 | |
Er, can we make some noise please for Harry Styles | 0:52:36 | 0:52:38 | |
and his awesome band? | 0:52:38 | 0:52:40 | |
CHEERING Thank you very much, thank you. | 0:52:40 | 0:52:42 | |
Er, before we go, though, er, you are going to give us | 0:52:42 | 0:52:45 | |
-one last performance. -Yeah. | 0:52:45 | 0:52:47 | |
And what have you chosen to end the show with tonight? | 0:52:47 | 0:52:49 | |
Er, we're going to finish with my first single, | 0:52:49 | 0:52:52 | |
which is called Sign Of The Times. | 0:52:52 | 0:52:54 | |
-Wonderful. Perfect. -CROWD CHEERS | 0:52:54 | 0:52:57 | |
OK, so it's goodnight from Harry and me, but let us leave you with | 0:52:57 | 0:53:00 | |
this parting gift, one final performance to round off the night. | 0:53:00 | 0:53:03 | |
With his debut solo single | 0:53:03 | 0:53:05 | |
and worldwide smash Sign Of The Times, this is Harry Styles. | 0:53:05 | 0:53:09 | |
CHEERING AND APPLAUSE Thank you. | 0:53:09 | 0:53:11 | |
# Just stop your crying It's a sign of the times | 0:53:34 | 0:53:38 | |
# Welcome to the final show | 0:53:40 | 0:53:43 | |
# Hope you're wearing your best clothes | 0:53:44 | 0:53:47 | |
# You can't bribe the door on your way to the sky | 0:53:50 | 0:53:54 | |
# But you look pretty good down here | 0:53:56 | 0:53:59 | |
# But you ain't really good | 0:54:00 | 0:54:02 | |
# We never learn We've been here before | 0:54:06 | 0:54:10 | |
# Why are we always stuck and running from | 0:54:10 | 0:54:13 | |
# The bullets | 0:54:13 | 0:54:15 | |
# The bullets | 0:54:17 | 0:54:18 | |
# We never learn We've been here before | 0:54:22 | 0:54:26 | |
# Why are we always stuck and running from | 0:54:26 | 0:54:29 | |
# The bullets | 0:54:29 | 0:54:31 | |
# The bullets | 0:54:33 | 0:54:35 | |
# Just stop your crying It's a sign of the times | 0:54:38 | 0:54:42 | |
# We gotta get away from here | 0:54:44 | 0:54:47 | |
# Gotta get away from here | 0:54:48 | 0:54:51 | |
# Just stop your crying It'll be all right | 0:54:54 | 0:54:58 | |
# They told me that the end is near | 0:55:00 | 0:55:04 | |
# We gotta get away from here | 0:55:04 | 0:55:08 | |
# Just stop your crying Have the time of your life | 0:55:10 | 0:55:14 | |
# Breaking through the atmosphere | 0:55:16 | 0:55:20 | |
# And things are pretty good from here | 0:55:20 | 0:55:23 | |
# Remember everything will be all right | 0:55:26 | 0:55:30 | |
# We can meet again somewhere | 0:55:32 | 0:55:35 | |
# Somewhere far away from here | 0:55:36 | 0:55:40 | |
# We never learn We've been here before | 0:55:42 | 0:55:46 | |
# Why are we always stuck and running from | 0:55:46 | 0:55:49 | |
# The bullets | 0:55:49 | 0:55:50 | |
# The bullets | 0:55:53 | 0:55:54 | |
# We never learn We've been here before | 0:55:58 | 0:56:02 | |
# Why are we always stuck and running from | 0:56:02 | 0:56:05 | |
# The bullets | 0:56:05 | 0:56:06 | |
# The bullets | 0:56:09 | 0:56:10 | |
# Just stop your crying It's a sign of the times | 0:56:14 | 0:56:18 | |
# Gotta get away from here | 0:56:20 | 0:56:23 | |
# Gotta get away from here | 0:56:24 | 0:56:27 | |
# Stop your crying, baby It'll be all right | 0:56:30 | 0:56:34 | |
# They told me that the end is near | 0:56:36 | 0:56:40 | |
# We gotta get away from here | 0:56:40 | 0:56:43 | |
# We never learn We've been here before | 0:56:46 | 0:56:50 | |
# Why are we always stuck and running from | 0:56:50 | 0:56:53 | |
# A bullet | 0:56:53 | 0:56:55 | |
# A bullet | 0:56:57 | 0:56:58 | |
# We never learn We've been here before | 0:57:02 | 0:57:06 | |
# Why are we always stuck and running from | 0:57:06 | 0:57:09 | |
# The bullets | 0:57:09 | 0:57:11 | |
# The bullets | 0:57:13 | 0:57:14 | |
# We don't talk enough | 0:57:18 | 0:57:22 | |
# We should open up | 0:57:22 | 0:57:26 | |
# Before it's all too much | 0:57:26 | 0:57:30 | |
# Will we ever learn? | 0:57:34 | 0:57:38 | |
# We've been here before | 0:57:38 | 0:57:42 | |
# It's just what we know | 0:57:42 | 0:57:47 | |
# Stop your crying, baby It's a sign of the times | 0:57:50 | 0:57:56 | |
# We gotta get away | 0:57:56 | 0:57:58 | |
# Oh, we got to get away | 0:58:00 | 0:58:04 | |
# We got to get away | 0:58:04 | 0:58:07 | |
# Oh, we got to get away | 0:58:08 | 0:58:11 | |
# We got to get away | 0:58:12 | 0:58:18 | |
# We got to, we got to, away | 0:58:19 | 0:58:23 | |
# We got to get away | 0:58:24 | 0:58:27 | |
# We got to get away. # | 0:58:28 | 0:58:33 | |
CHEERING AND APPLAUSE | 0:58:43 | 0:58:45 | |
Thank you very much. | 0:59:03 | 0:59:05 | |
Thank you. | 0:59:05 | 0:59:06 |