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The fans are arriving at the studio, | 0:00:02 | 0:00:03 | |
but we are going to have a bit of fun with them first. | 0:00:03 | 0:00:06 | |
-Sam, are you ready for this? -Me? -Yeah. -Yeah, I'm ready. -You're ready? | 0:00:08 | 0:00:12 | |
-Yeah, 100%. -Great. Shall we do this? -Let's do it. | 0:00:12 | 0:00:15 | |
Have you been listening to Sam's new album? | 0:00:15 | 0:00:18 | |
-Yeah, all the new songs and stuff like that. -Yeah. They're wicked. | 0:00:18 | 0:00:21 | |
PHONE RINGS | 0:00:21 | 0:00:22 | |
This is his dressing room. | 0:00:22 | 0:00:24 | |
Yeah, of course. I'll come now. | 0:00:24 | 0:00:26 | |
Sorry, one sec. Are you guys all right to sit here for a sec? I've just got to take this. Sorry. | 0:00:26 | 0:00:31 | |
No, babe, I want to wear the heels for the show. | 0:00:35 | 0:00:38 | |
Babe, I don't understand what the problem is. | 0:00:38 | 0:00:41 | |
They're not even that high, babe. | 0:00:41 | 0:00:43 | |
I'm going to wear them. I'm going to wear them. | 0:00:43 | 0:00:45 | |
-Do you guys like my shoes? -Love them. | 0:00:45 | 0:00:48 | |
Bye. | 0:00:50 | 0:00:52 | |
Oh, my God. | 0:00:53 | 0:00:55 | |
Sorry. Can you knock, like, three times, please? | 0:01:01 | 0:01:05 | |
-If you go back out. -Sorry, Sam. | 0:01:05 | 0:01:07 | |
Come in. | 0:01:09 | 0:01:11 | |
I got you a cup of tea. | 0:01:11 | 0:01:13 | |
-Did people not tell you I don't like dairy? -I didn't realise. | 0:01:14 | 0:01:18 | |
Oh, my God! That is disgusting! | 0:01:19 | 0:01:22 | |
Get out of my room! I asked for almond milk! | 0:01:22 | 0:01:25 | |
That's absolutely disgusting. Get out! Get out! | 0:01:25 | 0:01:29 | |
# Another one bites the dust | 0:01:31 | 0:01:33 | |
# Another one bites the dust. # | 0:01:39 | 0:01:41 | |
Babe, I don't understand. They're letting Fearne wear heels so why can't I wear heels? | 0:01:41 | 0:01:45 | |
-Please wear the heels. -Please wear those. | 0:01:45 | 0:01:47 | |
Honestly, you think I can wear them? | 0:01:47 | 0:01:49 | |
Yours or mine, what do you fancy? | 0:01:49 | 0:01:52 | |
There's some weird people outside as well. | 0:01:54 | 0:01:56 | |
# Another one bites the dust | 0:01:56 | 0:01:58 | |
# Hey, I'm going to get you too Another one bites the dust. # | 0:01:58 | 0:02:01 | |
No, no, no, no, no. I really hate Labradors. | 0:02:01 | 0:02:05 | |
-What? -I really hate Labradors. I asked for pugs. | 0:02:05 | 0:02:09 | |
-Are you all right? -I think I'm going to pass out! | 0:02:12 | 0:02:16 | |
I can't believe Sam Smith was just here. | 0:02:19 | 0:02:22 | |
# He'll never love you like I can, can, can | 0:02:35 | 0:02:39 | |
# He'll never love you | 0:02:40 | 0:02:43 | |
# Like I can, can, can. # | 0:02:43 | 0:02:45 | |
Let me see your hands, guys. | 0:02:54 | 0:02:57 | |
Sing this with me if you know it. | 0:03:07 | 0:03:09 | |
Here we go. | 0:03:11 | 0:03:12 | |
# You and me, we made a vow | 0:03:16 | 0:03:20 | |
# For better or for worse | 0:03:22 | 0:03:25 | |
# Yeah | 0:03:25 | 0:03:26 | |
# And I can't believe you let me down | 0:03:28 | 0:03:31 | |
# But the proof is in the way it hurts | 0:03:31 | 0:03:36 | |
# For months on end I've had my doubts | 0:03:40 | 0:03:43 | |
# Denying every tear | 0:03:45 | 0:03:48 | |
# And I wish this would be over now | 0:03:51 | 0:03:54 | |
# But I know that I still need you near | 0:03:56 | 0:03:59 | |
# You say I'm crazy | 0:04:01 | 0:04:06 | |
# Cos you don't think I know what you've done | 0:04:07 | 0:04:12 | |
# But when you call me baby | 0:04:13 | 0:04:19 | |
# I know I'm not the only one | 0:04:19 | 0:04:23 | |
# You've been so unavailable | 0:04:26 | 0:04:29 | |
# Now sadly I know why | 0:04:32 | 0:04:36 | |
# Your heart is unobtainable | 0:04:38 | 0:04:41 | |
# Even though Lord knows you kept mine | 0:04:42 | 0:04:47 | |
# You say I'm crazy | 0:04:48 | 0:04:53 | |
# Cos you don't think I know what you've done | 0:04:54 | 0:04:59 | |
# But when you call me baby | 0:05:00 | 0:05:06 | |
# I know I'm not the only one | 0:05:06 | 0:05:10 | |
# And I have loved you for many years | 0:05:13 | 0:05:16 | |
# Maybe I am just not enough | 0:05:18 | 0:05:22 | |
# You've made me realise my deepest fear | 0:05:24 | 0:05:28 | |
# By lying and tearing us up | 0:05:29 | 0:05:34 | |
# You say I'm crazy | 0:05:35 | 0:05:40 | |
# Cos you don't think I know what you've done | 0:05:41 | 0:05:45 | |
# But when you call me baby | 0:05:47 | 0:05:52 | |
# I know I'm not the only one | 0:05:52 | 0:05:57 | |
# You say I'm crazy | 0:05:59 | 0:06:03 | |
# Cos you don't think I know what you've done | 0:06:04 | 0:06:08 | |
# But when you call me baby | 0:06:10 | 0:06:16 | |
# I know I'm not the only one | 0:06:16 | 0:06:20 | |
# I know I'm not the only one | 0:06:22 | 0:06:26 | |
# And I know I'm not the only one | 0:06:28 | 0:06:31 | |
# And I know and I know and I know and I know and I know | 0:06:34 | 0:06:37 | |
# And I know | 0:06:37 | 0:06:40 | |
# I know I'm not the only one. # | 0:06:40 | 0:06:45 | |
CHEERING | 0:06:45 | 0:06:48 | |
-Take a seat. -Thank you. | 0:07:00 | 0:07:02 | |
Well, tonight, you are in for a treat | 0:07:04 | 0:07:07 | |
because Sam's playing a sensational live set, accompanied by his band | 0:07:07 | 0:07:11 | |
and the BBC Concert Orchestra. | 0:07:11 | 0:07:13 | |
We're going to hear everything from his In The Lonely Hour classics | 0:07:13 | 0:07:17 | |
to exclusive previews of the latest album | 0:07:17 | 0:07:20 | |
and, of course, that soaring Oscar-winning Bond theme, | 0:07:20 | 0:07:23 | |
Writing's On The Wall. | 0:07:23 | 0:07:25 | |
First up, congratulations on such a brilliant reception of your new music. | 0:07:25 | 0:07:30 | |
Do you still get quite anxious before the release of new music? | 0:07:30 | 0:07:33 | |
-Oh, my gosh, anxious is an understatement. -Really? | 0:07:33 | 0:07:36 | |
Before this release, I was a mess, actually. | 0:07:36 | 0:07:39 | |
I, erm... | 0:07:39 | 0:07:40 | |
I was away for a year-and-a-half | 0:07:40 | 0:07:43 | |
and I forgot about what comes with releasing an album, | 0:07:43 | 0:07:47 | |
and I was just really scared | 0:07:47 | 0:07:49 | |
that people didn't want to hear me sing again. | 0:07:49 | 0:07:52 | |
The reception has just been overwhelming, and it really hasn't hit me yet. | 0:07:52 | 0:07:55 | |
Was that time out really important for you, | 0:07:55 | 0:07:58 | |
sort of not to rush and just immerse yourself in that normality again? | 0:07:58 | 0:08:02 | |
Yeah. There's certain things that come with the job. | 0:08:02 | 0:08:05 | |
It just really shook my universe massively, you know, | 0:08:05 | 0:08:08 | |
the fame side of stuff really scared me. | 0:08:08 | 0:08:11 | |
And it's something that I thought I wanted | 0:08:11 | 0:08:13 | |
but when I got it, I realised I wanted my music to be famous, | 0:08:13 | 0:08:17 | |
I didn't want my personal life to be famous. | 0:08:17 | 0:08:21 | |
So it was so important for me to just take a year out | 0:08:21 | 0:08:24 | |
-and just sit in my pants and watch TV again. -Nice! | 0:08:24 | 0:08:28 | |
And you know, with the release of In The Lonely Hour, | 0:08:28 | 0:08:31 | |
it was about me all the time, and my family and friends | 0:08:31 | 0:08:34 | |
must have been sick of hearing about me for three years straight. | 0:08:34 | 0:08:37 | |
And I just wanted to be there for them for a year-and-a-half | 0:08:37 | 0:08:40 | |
and be there for their ups and downs | 0:08:40 | 0:08:42 | |
and what they were going through, and rebuild our relationship. | 0:08:42 | 0:08:45 | |
Now, In The Lonely Hour could not have been a bigger hit. | 0:08:45 | 0:08:48 | |
Let's just read some stats out here | 0:08:48 | 0:08:50 | |
because this is ridiculously impressive. | 0:08:50 | 0:08:52 | |
Total of eight weeks at number one in the UK. | 0:08:52 | 0:08:55 | |
12.4 million albums sold across the world. | 0:08:55 | 0:08:58 | |
Three Brit awards and four Grammys. | 0:08:58 | 0:09:01 | |
APPLAUSE | 0:09:03 | 0:09:05 | |
I think it's safe to say that the album went well. | 0:09:08 | 0:09:10 | |
It was a massive hit. Unprecedented for a debut album. | 0:09:10 | 0:09:13 | |
Looking back, how did it feel to be catapulted | 0:09:13 | 0:09:17 | |
to that international stardom so quickly? | 0:09:17 | 0:09:20 | |
It was mad. It was absolutely mad. I can't explain. | 0:09:20 | 0:09:23 | |
I remember moments of just feeling completely out of control. | 0:09:23 | 0:09:27 | |
But all of my dreams came true and then, even more than that, | 0:09:28 | 0:09:33 | |
and I wasn't prepared for even more than that. | 0:09:33 | 0:09:36 | |
It still freaks me out hearing the numbers and stuff like that. | 0:09:36 | 0:09:39 | |
But it also makes me realise what's important to me, | 0:09:39 | 0:09:43 | |
and that is music, you know? | 0:09:43 | 0:09:45 | |
So, Sam, what are you going to sing for us next? | 0:09:45 | 0:09:47 | |
I'm going to sing Too Good At Goodbyes. | 0:09:47 | 0:09:50 | |
-We're so looking forward to this. Go and get yourself ready. -Thank you. | 0:09:50 | 0:09:54 | |
APPLAUSE | 0:09:54 | 0:09:56 | |
Now, he left us hanging for two years for this song to be released | 0:09:56 | 0:10:00 | |
but don't worry, tonight he's under orders not to make us wait. | 0:10:00 | 0:10:03 | |
Yes, it's Sam's latest single, the number one smash, | 0:10:03 | 0:10:06 | |
Too Good At Goodbyes. | 0:10:06 | 0:10:08 | |
# You must think that I'm stupid | 0:10:19 | 0:10:23 | |
# You must think that I'm a fool | 0:10:25 | 0:10:28 | |
# You must think that I'm new to this | 0:10:30 | 0:10:33 | |
# But I have seen this all before | 0:10:35 | 0:10:38 | |
# I'm never going to let you close to me | 0:10:40 | 0:10:42 | |
# Even though you mean the most to me | 0:10:42 | 0:10:45 | |
# Cos every time I open up, it hurts | 0:10:45 | 0:10:48 | |
# So I'm never going to get too close to you | 0:10:50 | 0:10:52 | |
# Even when I mean the most to you | 0:10:52 | 0:10:55 | |
# In case you go and leave me in the dirt | 0:10:55 | 0:10:59 | |
# But every time you hurt me The less that I cry | 0:10:59 | 0:11:04 | |
# And every time you leave me The quicker these tears dry | 0:11:04 | 0:11:09 | |
# And every time you walk out The less I love you | 0:11:09 | 0:11:15 | |
# Baby, we don't stand a chance It's sad but it's true | 0:11:15 | 0:11:19 | |
# I'm way too good at goodbyes | 0:11:19 | 0:11:22 | |
# I'm way too good at goodbyes | 0:11:22 | 0:11:24 | |
# I'm way too good at goodbyes | 0:11:24 | 0:11:27 | |
# I'm way too good at goodbyes | 0:11:27 | 0:11:30 | |
# No way that you'll see my cry | 0:11:30 | 0:11:32 | |
# No way that you'll see me cry | 0:11:32 | 0:11:35 | |
# I'm way too good at goodbyes | 0:11:35 | 0:11:37 | |
# I'm way too good at goodbyes | 0:11:37 | 0:11:40 | |
# I know you're thinking I'm heartless | 0:11:43 | 0:11:46 | |
# I know you're thinking I'm cold | 0:11:47 | 0:11:51 | |
# I'm just protecting my innocence | 0:11:53 | 0:11:57 | |
# I'm just protecting my soul | 0:11:58 | 0:12:01 | |
# I'm never going to let you close to me | 0:12:03 | 0:12:06 | |
# Even though you mean the most to me | 0:12:06 | 0:12:08 | |
# Cos every time I open up, it hurts | 0:12:08 | 0:12:12 | |
# So I'm never going to get too close to you | 0:12:13 | 0:12:16 | |
# Even when I mean the most to you | 0:12:16 | 0:12:19 | |
# In case you go and leave me in the dirt | 0:12:19 | 0:12:22 | |
# But every time you hurt me The less that I cry | 0:12:22 | 0:12:28 | |
# And every time you leave me The quicker these tears dry | 0:12:28 | 0:12:33 | |
# And every time you walk out The less I love you | 0:12:33 | 0:12:38 | |
# Baby, we don't stand a chance It's sad but it's true | 0:12:38 | 0:12:43 | |
# I'm way too good at goodbyes | 0:12:43 | 0:12:45 | |
# I'm way too good at goodbyes | 0:12:45 | 0:12:48 | |
# I'm way too good at goodbyes | 0:12:48 | 0:12:50 | |
# I'm way too good at goodbyes | 0:12:50 | 0:12:53 | |
# No way that you'll see me cry | 0:12:53 | 0:12:56 | |
# No way that you'll see me cry | 0:12:56 | 0:12:58 | |
# I'm way too good at goodbyes | 0:12:58 | 0:13:01 | |
# I'm way too good at goodbyes | 0:13:01 | 0:13:04 | |
# Oh, oh, oh, oh | 0:13:04 | 0:13:05 | |
# I'm way too good at goodbyes | 0:13:05 | 0:13:09 | |
# No, no, no | 0:13:09 | 0:13:11 | |
# I'm way too good at goodbyes | 0:13:11 | 0:13:14 | |
# No | 0:13:14 | 0:13:16 | |
# No way that you'll see me cry | 0:13:16 | 0:13:19 | |
# Oh-oh-oh-oh | 0:13:19 | 0:13:22 | |
# I'm way too good at goodbyes | 0:13:22 | 0:13:24 | |
# Cos every time you hurt me The less that I cry | 0:13:24 | 0:13:29 | |
# And every time you leave me The quicker these tears dry | 0:13:31 | 0:13:36 | |
# And every time you walk out The less I love you | 0:13:36 | 0:13:41 | |
# Baby, we don't stand a chance It's sad but it's true | 0:13:42 | 0:13:47 | |
# I'm way too good at goodbyes. # | 0:13:47 | 0:13:52 | |
CHEERING | 0:13:54 | 0:13:56 | |
-Oh, that was dreamy. -Thank you. | 0:14:05 | 0:14:07 | |
I know you do that all the time, but it must feel so good to get up there | 0:14:07 | 0:14:10 | |
and have that voice come out of your mouth. | 0:14:10 | 0:14:13 | |
It feels.... I've missed singing so much so it's amazing, | 0:14:13 | 0:14:16 | |
and the band are just incredible and, yeah, it's amazing. | 0:14:16 | 0:14:19 | |
-And that's the first single off your new album as well. -Yes. | 0:14:19 | 0:14:22 | |
How on earth, after the success of such a huge debut album, | 0:14:22 | 0:14:26 | |
do you go about writing a follow-up to that? | 0:14:26 | 0:14:28 | |
Do you know what, I don't know. | 0:14:28 | 0:14:30 | |
I was trying to figure that out for a whole year and I still don't know. | 0:14:30 | 0:14:33 | |
I just listen to my music way too much | 0:14:33 | 0:14:35 | |
and I was writing the same song again and again | 0:14:35 | 0:14:38 | |
and it really took for me to challenge myself | 0:14:38 | 0:14:40 | |
and get in with some people that I wouldn't normally get in with, | 0:14:40 | 0:14:44 | |
when I was writing, to bring out something different. | 0:14:44 | 0:14:47 | |
But I made some awful songs in the last year-and-a-half. Awful ones. | 0:14:47 | 0:14:52 | |
-I hear that you wrote over 100 songs? -130-something. | 0:14:52 | 0:14:55 | |
We've heard some of them weren't so great but what were the other ones like? | 0:14:55 | 0:14:58 | |
Do you sort of save songs for another album? | 0:14:58 | 0:15:01 | |
-Bin them. -Gone, really? -Gone, finished. Do you want any?! | 0:15:01 | 0:15:04 | |
LAUGHTER | 0:15:04 | 0:15:05 | |
-Wow! -No, I don't... | 0:15:05 | 0:15:07 | |
I have this theory that for every ten songs you get one, | 0:15:07 | 0:15:10 | |
and that's how I work. | 0:15:10 | 0:15:12 | |
Every song that I write will lead on to the next. | 0:15:12 | 0:15:15 | |
You know, so for every Stay With Me, there was ten before that. | 0:15:15 | 0:15:19 | |
And there's obviously that sort of cliche thing of a difficult second album. | 0:15:19 | 0:15:23 | |
Do you have that in your head when you're faced with that task? | 0:15:23 | 0:15:26 | |
I really tried to ignore that. | 0:15:26 | 0:15:28 | |
That really annoys me, because the pressure is unbelievable | 0:15:28 | 0:15:31 | |
and we need to give people a break. | 0:15:31 | 0:15:33 | |
I should be going into the studio | 0:15:33 | 0:15:35 | |
and feel free to write what I want to write, | 0:15:35 | 0:15:37 | |
and I really didn't listen to that because I think if I did, | 0:15:37 | 0:15:40 | |
I would have written a very different album to what I wrote. | 0:15:40 | 0:15:43 | |
And where do you feel that pressure coming from the most? | 0:15:43 | 0:15:46 | |
Is it your record label? Is it knowing your fans are waiting? | 0:15:46 | 0:15:49 | |
Or is it just from you, and you putting yourself under that strain? | 0:15:49 | 0:15:52 | |
It's me. I'm really, really hard on myself. | 0:15:52 | 0:15:55 | |
I just want to be a better singer and a better songwriter. | 0:15:55 | 0:15:58 | |
That was my main thing with this album - | 0:15:58 | 0:16:00 | |
I just wanted to bring out something of quality | 0:16:00 | 0:16:03 | |
and to do something that felt organic and authentic to me. | 0:16:03 | 0:16:07 | |
It certainly does. | 0:16:07 | 0:16:08 | |
Look, Sam, I think we'd like some more music, wouldn't we? Are you up for that? | 0:16:08 | 0:16:12 | |
Go and get yourself ready. Thank you so much, Sam. | 0:16:12 | 0:16:14 | |
Right, BBC. | 0:16:19 | 0:16:20 | |
I want to see you all on your feet right now. | 0:16:20 | 0:16:23 | |
Everybody stand up. | 0:16:23 | 0:16:25 | |
Stand up, guys. | 0:16:25 | 0:16:27 | |
Click your fingers, like this. | 0:16:29 | 0:16:30 | |
Hey. | 0:16:30 | 0:16:32 | |
This is called Like I Can. | 0:16:32 | 0:16:34 | |
# He could be a sinner or a gentleman | 0:16:37 | 0:16:42 | |
# He could be a preacher when your soul is damned | 0:16:42 | 0:16:46 | |
# He could be a lawyer on a witness stand | 0:16:46 | 0:16:52 | |
# But he'll never love you like I can | 0:16:52 | 0:16:56 | |
# He could be a stranger you gave a second glance | 0:16:56 | 0:17:00 | |
# He could be a trophy of a one-night stand | 0:17:00 | 0:17:06 | |
# He could have your humour but I don't understand | 0:17:06 | 0:17:12 | |
# Cos he'll never love you like I can, can, can | 0:17:12 | 0:17:16 | |
# Why are you looking down all the wrong roads | 0:17:16 | 0:17:21 | |
# When mine is the heart and the salt of the soul? | 0:17:21 | 0:17:25 | |
# There may be lovers who hold out their hands | 0:17:25 | 0:17:30 | |
# But they'll never love you like I can, can, can | 0:17:30 | 0:17:35 | |
# They'll never love you like I can, can | 0:17:36 | 0:17:40 | |
# A chance encounter of circumstance | 0:17:40 | 0:17:44 | |
# Maybe he's a mantra Keeps your mind entranced | 0:17:44 | 0:17:49 | |
# He could be the silence in this mayhem | 0:17:49 | 0:17:54 | |
# But then again | 0:17:54 | 0:17:56 | |
# He'll never love you like I can, can, can | 0:17:56 | 0:18:00 | |
# Why are you looking down all the wrong roads | 0:18:00 | 0:18:04 | |
# When mine is the heart and the salt of the soul? | 0:18:04 | 0:18:09 | |
# There may be lovers who hold out their hands | 0:18:09 | 0:18:14 | |
# But they'll never love you like I can, can, can | 0:18:14 | 0:18:18 | |
# They'll never love you like I can, can, can | 0:18:20 | 0:18:23 | |
# They'll never love you like I can, can, can | 0:18:24 | 0:18:28 | |
# We both have demons that we can't stand | 0:18:28 | 0:18:33 | |
# I love your demons like devils can | 0:18:33 | 0:18:37 | |
# If you're self-seeking an honest man | 0:18:37 | 0:18:42 | |
# Then stop deceiving | 0:18:42 | 0:18:45 | |
# Lord, please... # | 0:18:45 | 0:18:49 | |
Let me see you hands, guys. | 0:18:49 | 0:18:52 | |
Sing with me. | 0:18:57 | 0:18:59 | |
-# ..Say yeah AUDIENCE: -# Yeah | 0:18:59 | 0:19:01 | |
-# Say yeah AUDIENCE: -# Yeah | 0:19:01 | 0:19:04 | |
-# Say yeah AUDIENCE: -# Yeah | 0:19:04 | 0:19:07 | |
-# Yeah AUDIENCE: -# Yeah | 0:19:07 | 0:19:09 | |
# They'll never love you like I can, can, can... # | 0:19:09 | 0:19:13 | |
Sing! | 0:19:13 | 0:19:15 | |
-AUDIENCE: -# ..They'll never love you like I can, can, can | 0:19:15 | 0:19:18 | |
# They'll never love you like I can, can, can... # | 0:19:20 | 0:19:23 | |
Sing! | 0:19:23 | 0:19:25 | |
-AUDIENCE: -# ..They'll never love you like I can, can, can | 0:19:25 | 0:19:28 | |
# They'll never love you like I can, can, can | 0:19:29 | 0:19:33 | |
# They'll never love you like I can, can, can | 0:19:34 | 0:19:38 | |
# Why are you looking down all the wrong roads | 0:19:38 | 0:19:43 | |
# When mine is the heart and the salt of the soul? | 0:19:43 | 0:19:47 | |
# There may be lovers who hold out their hands | 0:19:47 | 0:19:52 | |
# But they'll never love you like I can, can, can | 0:19:52 | 0:19:57 | |
# Why are you looking down all the wrong roads | 0:19:57 | 0:20:02 | |
# When mine is the heart and the salt of the soul? | 0:20:02 | 0:20:06 | |
# There may be lovers who hold out their hands | 0:20:06 | 0:20:11 | |
# But they'll never love you like I can, can, can | 0:20:11 | 0:20:17 | |
# They'll never love you like I can, can, can | 0:20:17 | 0:20:21 | |
# They'll never love you like I can, can, can. # | 0:20:22 | 0:20:27 | |
CHEERING | 0:20:27 | 0:20:30 | |
Thank you. Are you all having a good time? | 0:20:40 | 0:20:43 | |
CHEERING | 0:20:43 | 0:20:45 | |
This is Burning. | 0:20:46 | 0:20:49 | |
# I've been burning | 0:21:12 | 0:21:14 | |
# Yes, I've been burning | 0:21:14 | 0:21:18 | |
# Such a burden | 0:21:18 | 0:21:20 | |
# This flame on my chest | 0:21:20 | 0:21:23 | |
# No insurance to pay for the damage | 0:21:25 | 0:21:30 | |
# Yeah, I've been burning up since you left | 0:21:30 | 0:21:36 | |
# I've been smoking, oh | 0:21:38 | 0:21:41 | |
# More than twenty a day | 0:21:42 | 0:21:45 | |
# Blame it on rebellion | 0:21:45 | 0:21:48 | |
# Don't blame it on me | 0:21:48 | 0:21:51 | |
# Wish I was younger | 0:21:51 | 0:21:54 | |
# Back to the nineteenth of May | 0:21:55 | 0:21:58 | |
# I had an open mind | 0:21:58 | 0:22:00 | |
# Swore to never change | 0:22:00 | 0:22:03 | |
# Funny how time goes by | 0:22:06 | 0:22:09 | |
# Had respect for myself | 0:22:10 | 0:22:13 | |
# That river ran dry | 0:22:13 | 0:22:16 | |
# You reached a limit | 0:22:17 | 0:22:19 | |
# I wasn't enough | 0:22:19 | 0:22:22 | |
# It's like the fire replaced all the love | 0:22:24 | 0:22:29 | |
# I've been burning | 0:22:31 | 0:22:33 | |
# Yes, I've been burning | 0:22:33 | 0:22:36 | |
# Such a burden | 0:22:36 | 0:22:39 | |
# This flame on my chest | 0:22:39 | 0:22:42 | |
# No insurance to pay for the damage | 0:22:43 | 0:22:49 | |
# Yeah, I've been burning up since you left | 0:22:49 | 0:22:55 | |
# Oh, if you ever called | 0:22:56 | 0:22:59 | |
# I would run straight back | 0:22:59 | 0:23:02 | |
# Give you my forgiveness | 0:23:02 | 0:23:05 | |
# And the shirt off my back | 0:23:06 | 0:23:09 | |
# No friends to turn to | 0:23:09 | 0:23:12 | |
# Yeah, I messed up that | 0:23:12 | 0:23:16 | |
# Wish we could smoke again | 0:23:16 | 0:23:18 | |
# Just for a day | 0:23:18 | 0:23:21 | |
# Funny how time goes by | 0:23:23 | 0:23:26 | |
# Had respect for myself | 0:23:28 | 0:23:30 | |
# That river ran dry | 0:23:30 | 0:23:33 | |
# You reached a limit | 0:23:33 | 0:23:37 | |
# I wasn't enough | 0:23:37 | 0:23:40 | |
# And it's like the fire replaced all the love | 0:23:40 | 0:23:47 | |
# I've been burning | 0:23:47 | 0:23:50 | |
# Yes, I've been burning | 0:23:50 | 0:23:53 | |
# Such a burden | 0:23:53 | 0:23:56 | |
# This flame on my chest | 0:23:56 | 0:24:00 | |
# No insurance to pay for the damage | 0:24:00 | 0:24:06 | |
# Yeah, I've been burning up since you left | 0:24:06 | 0:24:11 | |
# No, I've been burning up since you left | 0:24:12 | 0:24:18 | |
# No, no, I've been burning up since you left. # | 0:24:19 | 0:24:26 | |
CHEERING | 0:24:43 | 0:24:46 | |
You lovely, lovely people, that was a world exclusive. | 0:24:56 | 0:24:59 | |
The first ever performance of Burning on UK television. | 0:24:59 | 0:25:02 | |
So beautiful. Let's go right back to the beginning. | 0:25:02 | 0:25:05 | |
What was the sort of first moment when you thought, | 0:25:05 | 0:25:08 | |
I quite like singing? I'm quite good at this? | 0:25:08 | 0:25:10 | |
I remember being in the car and, erm... | 0:25:10 | 0:25:14 | |
I was about eight years old, | 0:25:14 | 0:25:16 | |
-and I used to just belt and sing Whitney Houston... -Yes. | 0:25:16 | 0:25:21 | |
Chaka Khan. Any female diva tune, I was singing it, | 0:25:21 | 0:25:25 | |
and my mum and dad basically heard my voice and asked me | 0:25:25 | 0:25:29 | |
if I wanted to do singing lessons with a jazz teacher, | 0:25:29 | 0:25:33 | |
and I was so bad in school at everything else, | 0:25:33 | 0:25:35 | |
so I was just really excited at the idea | 0:25:35 | 0:25:37 | |
that I was actually good at something. | 0:25:37 | 0:25:40 | |
So I was like, yeah, go for it, and when I hit 12 years old, | 0:25:40 | 0:25:43 | |
-Amy Whitehouse's Frank came out... -Mm. | 0:25:43 | 0:25:45 | |
..and I started listening to songwriters, I started... | 0:25:45 | 0:25:49 | |
I got obsessed with Corinne Bailey Rae's first album, | 0:25:49 | 0:25:52 | |
and I just started to really open my mind up to lyrics | 0:25:52 | 0:25:55 | |
and stories and being personal. | 0:25:55 | 0:25:59 | |
And was there sort of a moment where you thought, I can actually | 0:25:59 | 0:26:03 | |
do this for a career, this feels right, I'm going to give it a shot? | 0:26:03 | 0:26:06 | |
Yeah, do you know what? My parents were so incredible. | 0:26:06 | 0:26:11 | |
They made me believe that anything was possible, for my whole life, | 0:26:11 | 0:26:15 | |
and it... | 0:26:15 | 0:26:17 | |
I don't know, I never had any doubt that I could do it | 0:26:17 | 0:26:21 | |
and I could go into it, and they had so much belief in me. | 0:26:21 | 0:26:24 | |
-And at what age did you discover the vast range that you have? -Erm... | 0:26:24 | 0:26:29 | |
Very young. My voice actually got a little bit higher when my, erm... | 0:26:29 | 0:26:34 | |
balls dropped. | 0:26:34 | 0:26:35 | |
LAUGHTER | 0:26:35 | 0:26:37 | |
-The opposite happened. -SAM LAUGHS | 0:26:37 | 0:26:39 | |
They dropped, and your voice got higher - fab. | 0:26:39 | 0:26:41 | |
Yeah, no, I don't know, I sang through it. | 0:26:41 | 0:26:43 | |
LAUGHTER | 0:26:43 | 0:26:45 | |
You are insanely busy right now, | 0:26:45 | 0:26:47 | |
but is there time for a man in your life, Sam Smith? | 0:26:47 | 0:26:50 | |
-There is, yeah. FROM AUDIENCE: -Ooh! | 0:26:50 | 0:26:52 | |
-Who doesn't want a man? We all need a bit of love. -It's... | 0:26:52 | 0:26:57 | |
It's always so important for me to keep my private life private. | 0:26:57 | 0:27:00 | |
-Of course. -But I'm really happy. I'm really happy right now. | 0:27:00 | 0:27:03 | |
It's weird, actually, releasing an album and being in a relationship, | 0:27:03 | 0:27:08 | |
cos I'm singing all these sad songs, but I'm actually quite happy. | 0:27:08 | 0:27:11 | |
-Oh, isn't that lovely? I'm thrilled for you. -Yeah, it's nice. | 0:27:11 | 0:27:15 | |
Let's see how long it lasts. LAUGHTER | 0:27:15 | 0:27:17 | |
Oh, let's be positive, let's be optimistic. | 0:27:17 | 0:27:19 | |
-You may get another album out of it... -No, I'm joking. | 0:27:19 | 0:27:21 | |
I'm very optimistic about this one, it'll be good. | 0:27:21 | 0:27:24 | |
I know that you're such a brilliant role model | 0:27:24 | 0:27:26 | |
-within the LGBT community. -Thank you. | 0:27:26 | 0:27:28 | |
That must be really exhilarating | 0:27:28 | 0:27:30 | |
and feel lovely, to be such a positive role model. | 0:27:30 | 0:27:34 | |
Yeah. I'm just... | 0:27:34 | 0:27:35 | |
I'm so proud to be gay and I just want to speak about it | 0:27:35 | 0:27:39 | |
whenever and wherever I can. | 0:27:39 | 0:27:40 | |
It's important to me, and we've got so much work to do, you know, | 0:27:40 | 0:27:44 | |
as a community and as a world right now, and, yeah, it's crucial, | 0:27:44 | 0:27:48 | |
it's really... It's an important part of my life. | 0:27:48 | 0:27:51 | |
Well, this leads so nicely onto something | 0:27:51 | 0:27:54 | |
I know you're very excited for people out there to see, | 0:27:54 | 0:27:56 | |
because you wanted to show your support, | 0:27:56 | 0:27:59 | |
and surprise a lovely couple on their big day. | 0:27:59 | 0:28:02 | |
They thought they were filming a BBC pilot called Love And Marriage, | 0:28:02 | 0:28:06 | |
but with the help of the best woman, Katie, Sam had other plans. | 0:28:06 | 0:28:11 | |
Before his special performance at the couple's wedding reception, | 0:28:14 | 0:28:17 | |
Sam has sneaked into the church to meet Reverend Dr Simon Woodman. | 0:28:17 | 0:28:21 | |
-How are you? -Very well, nice to meet you, welcome... -Nice to meet you. | 0:28:21 | 0:28:24 | |
Welcome to Bloomsbury, it's really good to have you here. | 0:28:24 | 0:28:26 | |
-Thank you for having me. -Thank you for coming. -How excited are you about today? | 0:28:26 | 0:28:30 | |
I'm incredibly excited, I don't know about you, | 0:28:30 | 0:28:32 | |
you're the person that's going to be doing the stuff later... | 0:28:32 | 0:28:34 | |
I can't wait. It's so good, I can't wait to meet them and see them. | 0:28:34 | 0:28:39 | |
-What are they like? I want to know... -They're a really nice couple, yeah. | 0:28:39 | 0:28:42 | |
We've got to know them over the last year or so that they've been coming | 0:28:42 | 0:28:45 | |
here and they're just really nice, really normal, really down to earth. | 0:28:45 | 0:28:48 | |
Quite planned about the day, so I think this is going to be quite | 0:28:48 | 0:28:52 | |
a surprise, cos I think they think they've got it all taped up. | 0:28:52 | 0:28:55 | |
-This is your first LGBT ceremony... -It is MY first one, yeah. | 0:28:55 | 0:28:58 | |
So the church has had three previous ones and they've all been men, | 0:28:58 | 0:29:02 | |
so this is the church's first female same-sex wedding | 0:29:02 | 0:29:05 | |
-and it's my first one, so... -Oh, that's amazing. | 0:29:05 | 0:29:08 | |
Oh, it's going to be such a special day. | 0:29:08 | 0:29:10 | |
As the guests arrive at the church, it's time for Sam to hide away, | 0:29:10 | 0:29:13 | |
as he catches up with Katie, Lisa's niece and best woman, | 0:29:13 | 0:29:16 | |
as she's the only person who's in on the big surprise. | 0:29:16 | 0:29:20 | |
-Are you excited? -I'm so nervous... -It's going to be great. | 0:29:20 | 0:29:23 | |
-You're the only one that knows. -Yeah, no-one knows anything. | 0:29:23 | 0:29:27 | |
It's been the hardest secret I've ever had to keep in my life! | 0:29:27 | 0:29:30 | |
MUSIC PLAYS | 0:29:30 | 0:29:31 | |
Marriages look different for different people. | 0:29:43 | 0:29:46 | |
Some marriages have husbands and some don't. | 0:29:46 | 0:29:49 | |
Some have wives and some don't. | 0:29:49 | 0:29:52 | |
But what all marriages have in common | 0:29:52 | 0:29:56 | |
is that they make love central. | 0:29:56 | 0:29:58 | |
Can you repeat after me... | 0:29:58 | 0:30:00 | |
I give you this ring as a sign of our marriage... | 0:30:01 | 0:30:04 | |
I give you this ring as a sign of our marriage... | 0:30:04 | 0:30:06 | |
Beck and Lisa, | 0:30:06 | 0:30:08 | |
I now declare you to be married. | 0:30:08 | 0:30:11 | |
The brides may now kiss. | 0:30:11 | 0:30:12 | |
APPLAUSE | 0:30:12 | 0:30:15 | |
MUSIC DROWNS SPEECH | 0:30:19 | 0:30:22 | |
With the evening in full swing, | 0:30:30 | 0:30:32 | |
Sam is waiting nervously outside, about to give Lisa and Beck | 0:30:32 | 0:30:34 | |
a wedding present they'll never forget. | 0:30:34 | 0:30:37 | |
I love you, baby. | 0:30:37 | 0:30:39 | |
My heart... | 0:30:39 | 0:30:40 | |
HE EXHALES | 0:30:40 | 0:30:42 | |
-DJ: -Ladies and gentlemen, please put your hands together, thank you! | 0:30:42 | 0:30:46 | |
CHEERING AND APPLAUSE | 0:30:46 | 0:30:48 | |
This is so dramatic! | 0:30:50 | 0:30:52 | |
HE LAUGHS | 0:30:52 | 0:30:54 | |
So, Lisa and Beck, it is time for the surprise of your married lives. | 0:30:54 | 0:30:59 | |
With a little bit of help from Lisa's best woman, | 0:30:59 | 0:31:03 | |
we have been keeping a big secret from you. | 0:31:03 | 0:31:06 | |
Please welcome Sam Smith! | 0:31:06 | 0:31:08 | |
CHEERING AND APPLAUSE | 0:31:08 | 0:31:09 | |
Yeah! | 0:31:12 | 0:31:14 | |
CHEERING AND APPLAUSE | 0:31:14 | 0:31:16 | |
-Hello... -Thank you. | 0:31:16 | 0:31:18 | |
-Congrats! -Thank you, thank you. | 0:31:21 | 0:31:23 | |
# You lift my heart up | 0:31:28 | 0:31:32 | |
# When the rest of me is down | 0:31:32 | 0:31:37 | |
# You... | 0:31:37 | 0:31:39 | |
# You enchant me | 0:31:39 | 0:31:42 | |
# Even when you're not around | 0:31:42 | 0:31:46 | |
# Now I've got you in my space | 0:31:48 | 0:31:53 | |
# I won't let go of you | 0:31:53 | 0:31:56 | |
# I've got you shackled in my embrace | 0:31:58 | 0:32:03 | |
# I'm latching on to you... # | 0:32:03 | 0:32:07 | |
When he walked through the door, I just thought, wow, look at that. | 0:32:07 | 0:32:11 | |
He's actually Sam Smith. This does not happen to us. | 0:32:11 | 0:32:14 | |
# ..Let go of you... # | 0:32:14 | 0:32:17 | |
All of my friends | 0:32:17 | 0:32:19 | |
and Beck's friends and family, were really shocked. | 0:32:19 | 0:32:21 | |
It was just, you know, another level. | 0:32:21 | 0:32:23 | |
# ..I'm latching onto you... # | 0:32:23 | 0:32:27 | |
Who can say that Sam Smith sang at their wedding? | 0:32:27 | 0:32:31 | |
Well, my Auntie Lisa can. | 0:32:31 | 0:32:33 | |
# ..I'm latching on... | 0:32:33 | 0:32:37 | |
# To you... # | 0:32:38 | 0:32:40 | |
Just being a part of someone's day like that means the world to me, | 0:32:40 | 0:32:43 | |
and, erm...they're so in love. | 0:32:43 | 0:32:45 | |
It's just incredible, they're so in love and they're so beautiful. | 0:32:45 | 0:32:48 | |
CHEERING AND APPLAUSE | 0:32:48 | 0:32:50 | |
Ah... | 0:32:54 | 0:32:55 | |
-Thank you so much. -Pleasure, no, thank you, thank you... | 0:32:55 | 0:32:59 | |
-It's been amazing, I really appreciate that... -Yeah. | 0:32:59 | 0:33:01 | |
-No, I appreciate it. That felt magical. -It was magical. -Yes. | 0:33:01 | 0:33:06 | |
I just want to say... | 0:33:06 | 0:33:08 | |
..a huge congratulations. | 0:33:08 | 0:33:10 | |
I saw the ceremony in London and it moves my heart | 0:33:10 | 0:33:15 | |
so much to see you guys do this today, | 0:33:15 | 0:33:18 | |
and I truly hope you have a wonderful, wonderful life together. | 0:33:18 | 0:33:23 | |
-Thank you. -Thank you for having me here. | 0:33:23 | 0:33:25 | |
Thank you. | 0:33:25 | 0:33:27 | |
Thank you. | 0:33:33 | 0:33:35 | |
The day has been absolutely brilliant, and then to have | 0:33:35 | 0:33:38 | |
Sam Smith come and sing to us was just, like, the icing on the cake. | 0:33:38 | 0:33:43 | |
CHEERING AND APPLAUSE | 0:33:46 | 0:33:48 | |
Did you just have the best day? | 0:33:51 | 0:33:52 | |
I love weddings so much, and that was my first LGBT wedding ever, | 0:33:52 | 0:33:58 | |
and it was amazing, and just being there and watching you guys | 0:33:58 | 0:34:02 | |
do that in front of all your family and friends is really inspiring. | 0:34:02 | 0:34:06 | |
CHEERING AND APPLAUSE | 0:34:06 | 0:34:08 | |
Well, Sam, I think it's time now for another performance, | 0:34:11 | 0:34:14 | |
-if that's all right with you. Off you pop. -100%, let's do it. | 0:34:14 | 0:34:16 | |
-Let's do it. -CHEERING AND APPLAUSE | 0:34:16 | 0:34:19 | |
Another treat for us all now. It's the exquisite Lay Me Down. | 0:34:20 | 0:34:24 | |
WHISTLING AND CHEERING | 0:34:26 | 0:34:28 | |
# Yes, I do | 0:34:47 | 0:34:49 | |
# I believe | 0:34:49 | 0:34:51 | |
# That one day I will be | 0:34:51 | 0:34:54 | |
# Where I was, right there | 0:34:54 | 0:34:56 | |
# Right next to you | 0:34:56 | 0:34:59 | |
# And it's hard | 0:34:59 | 0:35:01 | |
# The days just seem so dark | 0:35:01 | 0:35:03 | |
# The moon and the stars | 0:35:03 | 0:35:05 | |
# Are nothing without you | 0:35:05 | 0:35:08 | |
# Your touch, your skin | 0:35:08 | 0:35:11 | |
# Where do I begin? | 0:35:11 | 0:35:14 | |
# No words can explain | 0:35:14 | 0:35:17 | |
# The way I'm missing you | 0:35:17 | 0:35:20 | |
# Deny this emptiness This hole that I'm inside | 0:35:20 | 0:35:25 | |
# These tears | 0:35:25 | 0:35:26 | |
# They tell their own story | 0:35:26 | 0:35:28 | |
# You told me not to cry | 0:35:28 | 0:35:32 | |
# When you were gone | 0:35:32 | 0:35:36 | |
# But the feeling's overwhelming | 0:35:38 | 0:35:42 | |
# It's much too strong | 0:35:42 | 0:35:47 | |
# Can I lay by your side | 0:35:48 | 0:35:54 | |
# Next to you? | 0:35:56 | 0:36:00 | |
# You... | 0:36:02 | 0:36:04 | |
# And make sure you're all right | 0:36:06 | 0:36:13 | |
# I'll take care of you | 0:36:13 | 0:36:17 | |
# And I don't want to be here if I can't be with you tonight | 0:36:20 | 0:36:26 | |
# I'm reaching out to you | 0:36:29 | 0:36:34 | |
# Can you hear my call? | 0:36:36 | 0:36:40 | |
# This hurt that I've been through | 0:36:45 | 0:36:50 | |
# I'm missing you Missing you like crazy | 0:36:52 | 0:36:57 | |
# Oh... | 0:36:58 | 0:37:02 | |
# You told me not to cry when you were gone | 0:37:02 | 0:37:09 | |
# But the feeling's overwhelming | 0:37:11 | 0:37:14 | |
# It's much too strong | 0:37:14 | 0:37:18 | |
# Can I lay by your side | 0:37:20 | 0:37:26 | |
# Next to you? | 0:37:27 | 0:37:30 | |
# You... | 0:37:33 | 0:37:36 | |
# And make sure you're all right | 0:37:36 | 0:37:42 | |
# I'll take care of you | 0:37:43 | 0:37:47 | |
# And I don't want to be here if I can't be with you | 0:37:49 | 0:37:55 | |
# Tonight... | 0:37:55 | 0:37:57 | |
# Lay me down tonight | 0:38:01 | 0:38:07 | |
# Lay me by your side | 0:38:10 | 0:38:16 | |
# Lay me down tonight | 0:38:18 | 0:38:23 | |
# Lay me by your side | 0:38:26 | 0:38:32 | |
# Can I lay by your side | 0:38:34 | 0:38:41 | |
# Next to you? | 0:38:43 | 0:38:47 | |
# You... # | 0:38:50 | 0:38:55 | |
CHEERING AND APPLAUSE | 0:39:01 | 0:39:04 | |
WHISTLING AND CHEERING | 0:39:06 | 0:39:07 | |
That song sort of makes my heart hurt. | 0:39:14 | 0:39:17 | |
-I love it so, so much. -Thank you. | 0:39:17 | 0:39:19 | |
Now, of course, you've been doing this for a while now, | 0:39:19 | 0:39:21 | |
you're a seasoned pro, you know the pitfalls of the industry. | 0:39:21 | 0:39:24 | |
What would you tell your younger self, starting out in the industry? | 0:39:24 | 0:39:27 | |
-Stop eating so much cheese. -Right! | 0:39:29 | 0:39:31 | |
LAUGHTER | 0:39:31 | 0:39:32 | |
-Cut the brie out, Sam. -Cut the brie out. Erm... | 0:39:32 | 0:39:35 | |
I would just say, stop being so hard on yourself... | 0:39:37 | 0:39:41 | |
-Mm. -..enjoy it as much as you can. | 0:39:41 | 0:39:43 | |
That's what I'm really trying to do right now, is just enjoy | 0:39:43 | 0:39:45 | |
every moment and take a deep breath and really open my eyes. | 0:39:45 | 0:39:50 | |
-Yeah. -Yeah. | 0:39:50 | 0:39:51 | |
Now, obviously, you are now mega into your health and fitness | 0:39:51 | 0:39:54 | |
and eating really healthily. | 0:39:54 | 0:39:56 | |
How has that impacted your life and your career? | 0:39:56 | 0:39:59 | |
Well, do you know what? I was never... | 0:39:59 | 0:40:01 | |
Before I got my record deal, I was actually kind of this size, | 0:40:01 | 0:40:05 | |
but when I got my record deal, I mean, some people buy houses | 0:40:05 | 0:40:09 | |
-and cars, I just bought food. -Cheese. -Cheese. | 0:40:09 | 0:40:12 | |
-A lot of cheese and bread. -Mm. -And, erm... | 0:40:12 | 0:40:16 | |
I don't know... There was a picture that was taken of me in Australia. | 0:40:16 | 0:40:20 | |
Erm, I felt really, really bad after it, about myself, | 0:40:20 | 0:40:24 | |
and I didn't like myself and... | 0:40:24 | 0:40:26 | |
It's just about being healthier, you know? | 0:40:26 | 0:40:29 | |
And I think... On touring and stuff, it's just important for me | 0:40:29 | 0:40:32 | |
to stay on top of it. I mean, I'm not ridiculous, though. | 0:40:32 | 0:40:34 | |
I still really enjoy cheese | 0:40:34 | 0:40:37 | |
and loads of, erm, loads of amazing foods, | 0:40:37 | 0:40:40 | |
but I just have more of a balance now, which is good. | 0:40:40 | 0:40:43 | |
-Erm... I still hate working out. -Yeah, it's hell, isn't it? | 0:40:43 | 0:40:47 | |
Absolutely hate it, but I'm trying to enjoy it. | 0:40:47 | 0:40:50 | |
So what about a cheat day? | 0:40:50 | 0:40:51 | |
-What does that involve, if you're sort of going for it? -Oh, my God. | 0:40:51 | 0:40:55 | |
-You're drooling. -I love jacket potato, right? | 0:40:55 | 0:40:58 | |
I get two jacket potatoes and then I get a whole bag of grated cheese | 0:40:58 | 0:41:02 | |
-and pour it all over the top. -Wow. -Then beans and coleslaw... | 0:41:02 | 0:41:06 | |
-Yeah. -Double-whammy spud. | 0:41:06 | 0:41:08 | |
And then, like, bagels. | 0:41:08 | 0:41:10 | |
I love cinnamon bagels with crunchy peanut butter | 0:41:10 | 0:41:13 | |
and jam and a...glass of milk. | 0:41:13 | 0:41:16 | |
LAUGHTER | 0:41:16 | 0:41:18 | |
Do you think that sort of changing your lifestyle | 0:41:18 | 0:41:21 | |
and how you treat your body has affected your voice in any way? | 0:41:21 | 0:41:24 | |
I think for the better, you know? | 0:41:24 | 0:41:26 | |
When I record, I'm not as strict, | 0:41:26 | 0:41:28 | |
because I like my voice to sound a little bit rough. | 0:41:28 | 0:41:30 | |
-Mm, which it is. -So I go out a lot and, yeah, eat a lot of food. | 0:41:30 | 0:41:34 | |
-Well, I think it's time for more music. -Yes. | 0:41:34 | 0:41:36 | |
-So please go and get yourself ready on the stage. -Thank you. | 0:41:36 | 0:41:38 | |
CHEERING | 0:41:38 | 0:41:41 | |
It's time for the Oscar-winning stunner. | 0:41:41 | 0:41:43 | |
Get ready to get goose bumps. It's Writing's On The Wall. | 0:41:43 | 0:41:46 | |
CHEERING | 0:41:46 | 0:41:49 | |
# I've been here before | 0:42:04 | 0:42:09 | |
# But always hit the floor | 0:42:12 | 0:42:17 | |
# I spent a lifetime running | 0:42:19 | 0:42:22 | |
# And I always get away | 0:42:22 | 0:42:26 | |
# But with you I'm feeling something | 0:42:26 | 0:42:30 | |
# That makes me want to stay | 0:42:30 | 0:42:34 | |
# I'm prepared for this | 0:42:35 | 0:42:39 | |
# I never shoot to miss | 0:42:43 | 0:42:49 | |
# But I feel like a storm is coming | 0:42:49 | 0:42:53 | |
# If I'm gonna make it through the day | 0:42:53 | 0:42:57 | |
# Then there's no more use in running | 0:42:57 | 0:43:01 | |
# This is something I gotta face | 0:43:01 | 0:43:06 | |
# If I risk it all | 0:43:06 | 0:43:13 | |
# Would you break my fall? | 0:43:14 | 0:43:20 | |
# How do I live? | 0:43:20 | 0:43:22 | |
# How do I breathe? | 0:43:22 | 0:43:24 | |
# When you're not here I'm suffocating | 0:43:24 | 0:43:28 | |
# I wanna feel love run through my blood | 0:43:28 | 0:43:32 | |
# Tell me is this where I give it all up? | 0:43:32 | 0:43:36 | |
# For you | 0:43:36 | 0:43:38 | |
# I have to risk it all | 0:43:38 | 0:43:44 | |
# Cos the writing's on the wall | 0:43:44 | 0:43:51 | |
# A million shards of glass | 0:43:57 | 0:44:03 | |
# That haunt me from my past | 0:44:05 | 0:44:11 | |
# As the stars begin to gather | 0:44:11 | 0:44:15 | |
# And the light begins to fade | 0:44:15 | 0:44:19 | |
# When all hope begins to shatter | 0:44:19 | 0:44:23 | |
# Know that I won't be afraid | 0:44:23 | 0:44:28 | |
# If I risk it all | 0:44:28 | 0:44:35 | |
# Would you break my fall? | 0:44:35 | 0:44:42 | |
# How do I live? | 0:44:42 | 0:44:44 | |
# How do I breathe? | 0:44:44 | 0:44:46 | |
# When you're not here I'm suffocating | 0:44:46 | 0:44:50 | |
# I wanna feel love run through my blood | 0:44:50 | 0:44:54 | |
# Tell me, is this where I give it all up? | 0:44:54 | 0:44:59 | |
# For you | 0:44:59 | 0:45:01 | |
# I have to risk it all | 0:45:01 | 0:45:06 | |
# Cos the writing's on the wall | 0:45:06 | 0:45:15 | |
# The writing's on the wall | 0:45:17 | 0:45:24 | |
# How do I live? | 0:45:42 | 0:45:43 | |
# How do I breathe? | 0:45:43 | 0:45:46 | |
# When you're not here I'm suffocating | 0:45:46 | 0:45:49 | |
# I wanna feel love run through my blood | 0:45:49 | 0:45:53 | |
# Tell me, is this where I give it all up? | 0:45:53 | 0:45:57 | |
# How do I live? | 0:45:57 | 0:45:59 | |
# How do I breathe? | 0:45:59 | 0:46:01 | |
# When you're not here I'm suffocating | 0:46:01 | 0:46:05 | |
# I wanna feel love run through my blood | 0:46:05 | 0:46:09 | |
# Tell me, is this where I give it all up? | 0:46:09 | 0:46:14 | |
# For you | 0:46:14 | 0:46:16 | |
# I have to risk it all | 0:46:16 | 0:46:22 | |
# Cos the writing's on | 0:46:22 | 0:46:30 | |
# The wall... # | 0:46:30 | 0:46:36 | |
CHEERING | 0:46:36 | 0:46:38 | |
That, of course, is the song that won you an Oscar. | 0:46:51 | 0:46:54 | |
-Yes. -Is that still quite surreal to say? | 0:46:54 | 0:46:56 | |
-Yeah, really weird. I hide it in my house. -Do you? | 0:46:56 | 0:47:01 | |
Every now and then, I just look at it, like... | 0:47:01 | 0:47:03 | |
-It's weird. -When you're sat there waiting to find out who the | 0:47:05 | 0:47:08 | |
recipient of that award is and then you hear your name, | 0:47:08 | 0:47:12 | |
what on earth runs through your head in that moment? | 0:47:12 | 0:47:15 | |
The God's honest truth... | 0:47:15 | 0:47:16 | |
We...we... | 0:47:18 | 0:47:19 | |
..did not think we were going to win at all. Like, at all. | 0:47:19 | 0:47:22 | |
We were like, "There is absolutely no chance." | 0:47:22 | 0:47:25 | |
So, for me, it was just like, "Let's just have fun. | 0:47:25 | 0:47:28 | |
"Let's try and enjoy it | 0:47:28 | 0:47:30 | |
"and let's just stare at Tom Hardy for the rest of the night." | 0:47:30 | 0:47:32 | |
So I was just not prepared. When they called my name... | 0:47:34 | 0:47:39 | |
I still haven't really thought about that moment too much, | 0:47:39 | 0:47:42 | |
cos it was terrifying, actually. Just overwhelming. Too much. | 0:47:42 | 0:47:48 | |
Just too much. | 0:47:48 | 0:47:49 | |
Like, I mean, one album, what you just listed, it's a | 0:47:50 | 0:47:53 | |
lot to handle, but that on top? It's just mad. | 0:47:53 | 0:47:57 | |
Again, it's taken me a long time to now be really proud of that | 0:47:57 | 0:47:59 | |
and happy about it, but the first... | 0:47:59 | 0:48:01 | |
I was just like, "Whoa." | 0:48:01 | 0:48:03 | |
-Did you go out and celebrate? -Oh, yeah, yeah, yeah. | 0:48:03 | 0:48:05 | |
I turned my phone off that night, which was great. | 0:48:05 | 0:48:07 | |
So we went out with my family and we had a beautiful party. | 0:48:07 | 0:48:11 | |
Then I woke up in the morning | 0:48:11 | 0:48:13 | |
and realised I'd caused a bit of a social media thing. | 0:48:13 | 0:48:17 | |
So you had a slight backlash from your Oscar acceptance speech. | 0:48:17 | 0:48:22 | |
Yeah, I messed up massively. | 0:48:22 | 0:48:24 | |
My head and mouth just didn't connect. | 0:48:24 | 0:48:27 | |
That's the only way I can explain. | 0:48:27 | 0:48:29 | |
It was... It was... | 0:48:29 | 0:48:31 | |
Of course I know that I wasn't the first gay guy to win an Oscar, | 0:48:31 | 0:48:35 | |
I knew that, | 0:48:35 | 0:48:36 | |
but I forgot to say Best Male Actor, which is still true. | 0:48:36 | 0:48:40 | |
No gay man has won Best Male Actor, but, yeah... | 0:48:41 | 0:48:44 | |
I felt awful the next day. It almost ruined it a little bit for me. | 0:48:44 | 0:48:48 | |
But now I'm really at peace with it. I'm human, I make mistakes. | 0:48:48 | 0:48:51 | |
-I won an Oscar, so it's great. -Yes. -CHEERING AND APPLAUSE | 0:48:51 | 0:48:54 | |
-Let that be the moment that you remember. -Yeah. -Too right. | 0:48:54 | 0:48:59 | |
-It's time for more music, if that's OK with you, Sam. -Yes. | 0:49:03 | 0:49:05 | |
Please pop onto the stage again and get yourself ready. | 0:49:05 | 0:49:09 | |
So here is Sam Smith performing a brand-new UK exclusive, with Pray. | 0:49:10 | 0:49:15 | |
CHEERING | 0:49:15 | 0:49:18 | |
# Ooh oooh-ooh-ooh ooh | 0:49:26 | 0:49:32 | |
# I'm young and I'm foolish | 0:49:38 | 0:49:41 | |
# I make bad decisions | 0:49:41 | 0:49:43 | |
# I block out the news | 0:49:43 | 0:49:44 | |
# Turn my back on religion | 0:49:44 | 0:49:47 | |
# Don't have no degree | 0:49:47 | 0:49:49 | |
# I'm somewhat naive | 0:49:49 | 0:49:51 | |
# I've made it this far on my own | 0:49:51 | 0:49:55 | |
# But lately that ain't been getting me higher | 0:49:55 | 0:49:59 | |
# I lift up my head and the world is on fire | 0:49:59 | 0:50:03 | |
# There's dread in my heart and fear in my bones | 0:50:03 | 0:50:07 | |
# And I just don't know what to say | 0:50:07 | 0:50:10 | |
# Maybe I'll pray | 0:50:10 | 0:50:16 | |
# Pray | 0:50:16 | 0:50:19 | |
# Maybe I'll pray | 0:50:19 | 0:50:23 | |
# I have never believed in you, no | 0:50:23 | 0:50:27 | |
# But I'm gonna pray | 0:50:27 | 0:50:32 | |
# Oh | 0:50:36 | 0:50:40 | |
-# You won't find me in church -No | 0:50:43 | 0:50:46 | |
-# Or reading the Bible -No | 0:50:46 | 0:50:48 | |
# But I am still here and I'm still your disciple | 0:50:48 | 0:50:52 | |
# I'm down on my knees | 0:50:52 | 0:50:54 | |
# I'm begging you please | 0:50:54 | 0:50:56 | |
# I'm broken, alone and afraid | 0:50:56 | 0:51:00 | |
# I'm not a saint | 0:51:00 | 0:51:02 | |
# I'm more of a sinner | 0:51:02 | 0:51:04 | |
# I don't wanna lose | 0:51:04 | 0:51:06 | |
# But I fear for the winners | 0:51:06 | 0:51:08 | |
# When I try to explain | 0:51:08 | 0:51:10 | |
# The words run away | 0:51:10 | 0:51:12 | |
# That's why I am stood here today | 0:51:12 | 0:51:16 | |
# And I'm gonna pray | 0:51:16 | 0:51:20 | |
-# Lord -Pray | 0:51:20 | 0:51:24 | |
-# Lord -Maybe I'll pray | 0:51:24 | 0:51:29 | |
# Pray for a glimmer of hope | 0:51:29 | 0:51:32 | |
# Maybe I'll pray | 0:51:32 | 0:51:36 | |
-# Lord -Pray | 0:51:36 | 0:51:40 | |
-# Lord -Maybe I'll pray | 0:51:40 | 0:51:45 | |
# I've never believed in you | 0:51:45 | 0:51:48 | |
# No, but I'm gonna | 0:51:48 | 0:51:50 | |
# Won't you call me? | 0:51:50 | 0:51:51 | |
# Can we have a one-on-one, please? | 0:51:51 | 0:51:53 | |
# Let's talk about freedom | 0:51:53 | 0:51:56 | |
# Everyone prays in the end | 0:51:56 | 0:51:58 | |
# Everyone prays in the end | 0:51:59 | 0:52:02 | |
# Oh, won't you call me? | 0:52:04 | 0:52:07 | |
# Can we have a one-on-one, please? | 0:52:07 | 0:52:10 | |
# Let's talk about freedom | 0:52:10 | 0:52:12 | |
# Everyone prays in the end | 0:52:12 | 0:52:16 | |
# Everyone prays in the end | 0:52:16 | 0:52:20 | |
# Oh, I'm gonna pray | 0:52:20 | 0:52:25 | |
# I'm gonna pray | 0:52:25 | 0:52:29 | |
# I'm gonna pray | 0:52:29 | 0:52:34 | |
# Pray for a glimmer of hope | 0:52:34 | 0:52:38 | |
# Maybe I'll pray | 0:52:38 | 0:52:43 | |
# Pray | 0:52:43 | 0:52:47 | |
# Maybe I'll pray | 0:52:49 | 0:52:52 | |
# I've never believed in you | 0:52:52 | 0:52:54 | |
# No, but I'm gonna pray. # | 0:52:54 | 0:53:02 | |
CHEERING | 0:53:03 | 0:53:06 | |
Thank you so much, Sam. | 0:53:16 | 0:53:18 | |
Thanks to your amazing backing singers, the LJ Singers. | 0:53:18 | 0:53:21 | |
Glorious. | 0:53:21 | 0:53:22 | |
Sam, you're a very busy man. What is next for you? | 0:53:25 | 0:53:29 | |
Gosh. Well, I'm going to work up until Christmas, | 0:53:29 | 0:53:32 | |
then I'm going to spend Christmas with my family. | 0:53:32 | 0:53:36 | |
Then after that, it's tour. It's time for me to tour. | 0:53:36 | 0:53:40 | |
I can't wait. I've literally gone to bed every night | 0:53:40 | 0:53:43 | |
for the last year-and-a-half dreaming of this tour, | 0:53:43 | 0:53:45 | |
so I can't wait. | 0:53:45 | 0:53:46 | |
You've got success coming out your ears, you're so, so busy. | 0:53:46 | 0:53:49 | |
Is Sam Smith a happy man? | 0:53:49 | 0:53:51 | |
I'm really happy. I'm really happy, for once. | 0:53:51 | 0:53:54 | |
It's really, really nice. Do you know what, actually? | 0:53:54 | 0:53:56 | |
I've always been happy, I just know how to focus my sadness, I think. | 0:53:56 | 0:53:59 | |
-Very good. -Yeah. CHEERING | 0:53:59 | 0:54:01 | |
I love that. | 0:54:01 | 0:54:02 | |
I can't believe I'm saying this so soon - | 0:54:02 | 0:54:05 | |
I'm afraid it's the end of the show. | 0:54:05 | 0:54:07 | |
GROANS | 0:54:07 | 0:54:09 | |
So let's hear it for Sam Smith, his band... | 0:54:09 | 0:54:12 | |
..and the BBC Concert Orchestra, | 0:54:12 | 0:54:14 | |
with conductor Simon Hale. | 0:54:14 | 0:54:17 | |
Look, hold up, hold up, because don't get your coats on just yet. | 0:54:17 | 0:54:21 | |
You're going to give us one more performance. | 0:54:21 | 0:54:23 | |
Which song would you like to end with today? | 0:54:23 | 0:54:25 | |
WHISPERS: Stay With Me. | 0:54:25 | 0:54:26 | |
CHEERING | 0:54:26 | 0:54:29 | |
A big goodnight from Sam and me, but to play us out, it is of course | 0:54:29 | 0:54:32 | |
a very special song to complete a very special evening. | 0:54:32 | 0:54:35 | |
Here is Sam Smith with his Grammy Award-winning song, | 0:54:35 | 0:54:40 | |
Stay With Me. | 0:54:40 | 0:54:41 | |
CHEERING | 0:54:41 | 0:54:44 | |
Thank you so much, BBC. | 0:54:49 | 0:54:51 | |
Please sing this with us, guys. | 0:54:52 | 0:54:54 | |
As loud as you can. | 0:54:54 | 0:54:55 | |
-# Baby, won't you stay? -Stay | 0:54:57 | 0:55:00 | |
# Stay | 0:55:00 | 0:55:03 | |
-# Oh, baby, won't you stay? -Stay | 0:55:03 | 0:55:06 | |
# Stay | 0:55:06 | 0:55:08 | |
-# Oh, baby, won't you stay? -Stay | 0:55:08 | 0:55:12 | |
# Stay | 0:55:12 | 0:55:13 | |
# Stay, stay | 0:55:16 | 0:55:18 | |
# I guess it's true I'm not good at a one-night stand | 0:55:21 | 0:55:25 | |
# But I still need love cos I'm just a man | 0:55:26 | 0:55:30 | |
# These nights never seem to go to plan | 0:55:32 | 0:55:37 | |
# I don't want you to leave Will you hold my hand? | 0:55:38 | 0:55:42 | |
# Oh, won't you stay with me? | 0:55:42 | 0:55:47 | |
# Cos you're all I need | 0:55:48 | 0:55:52 | |
# This ain't love, it's clear to see | 0:55:54 | 0:55:59 | |
# But, darling, stay with me | 0:55:59 | 0:56:04 | |
# Why am I so emotional? | 0:56:07 | 0:56:10 | |
# No, it's not a good look Gain some self control | 0:56:12 | 0:56:16 | |
# Deep down I know this never works | 0:56:17 | 0:56:23 | |
# But you can lay with me so it doesn't hurt | 0:56:23 | 0:56:27 | |
# Oh, won't you stay with me? | 0:56:27 | 0:56:32 | |
# Cos you're all I need | 0:56:33 | 0:56:37 | |
# This ain't love, it's clear to see | 0:56:39 | 0:56:45 | |
# But, darling, stay with me... # | 0:56:45 | 0:56:49 | |
All together now. | 0:56:49 | 0:56:50 | |
# ..Oh-oh-oh oh oh-oh | 0:56:50 | 0:56:53 | |
# Oh, oh | 0:56:53 | 0:56:55 | |
# Oh-oh-oh oh oh-oh | 0:56:55 | 0:56:59 | |
# Oh, oh | 0:56:59 | 0:57:01 | |
# Oh-oh-oh oh oh-oh | 0:57:01 | 0:57:04 | |
# Oh, oh | 0:57:04 | 0:57:07 | |
# Oh-oh-oh oh oh-oh | 0:57:07 | 0:57:10 | |
# Oh, oh | 0:57:10 | 0:57:12 | |
-# Baby, won't you stay? -Stay | 0:57:13 | 0:57:16 | |
# Stay | 0:57:16 | 0:57:18 | |
-# Baby, won't you stay? -Stay | 0:57:18 | 0:57:21 | |
# Stay | 0:57:21 | 0:57:24 | |
-# Baby, won't you stay? -Stay | 0:57:24 | 0:57:27 | |
# Stay | 0:57:27 | 0:57:29 | |
# Whoa-oh-oh oh-oh-oh-oh-oh oh | 0:57:31 | 0:57:35 | |
# Won't you stay with me? | 0:57:35 | 0:57:40 | |
# Cos you're all I need | 0:57:41 | 0:57:46 | |
# This ain't love, it's clear to see | 0:57:47 | 0:57:52 | |
# But, darling, stay with me | 0:57:52 | 0:57:57 | |
# But, darling, stay with me | 0:57:58 | 0:58:04 | |
# But, darling, stay with me... # | 0:58:05 | 0:58:19 | |
CHEERING | 0:58:19 | 0:58:22 | |
CHEERING | 0:58:36 | 0:58:40 |