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Welcome to the brand-new show where getting everybody joining in | 0:00:04 | 0:00:08 | |
could win you £50,000 because, from Cup Finals... | 0:00:08 | 0:00:12 | |
-CHANTING: -Wembley! | 0:00:12 | 0:00:13 | |
..to concerts... | 0:00:13 | 0:00:14 | |
Sing! | 0:00:14 | 0:00:16 | |
..there's nothing better than singing along. | 0:00:16 | 0:00:19 | |
Over the next six weeks, an array of singers will be taking to the stage | 0:00:19 | 0:00:23 | |
fighting for a place in our Grand Final. | 0:00:23 | 0:00:26 | |
But this is no ordinary singing competition | 0:00:26 | 0:00:29 | |
because judging them are this lot. | 0:00:29 | 0:00:33 | |
The 100, everyone! | 0:00:33 | 0:00:35 | |
Yes! Yes! Yes! Yes! Yes! | 0:00:35 | 0:00:38 | |
This is The 100, | 0:00:38 | 0:00:39 | |
a mix of great singers from across the UK with one very important role. | 0:00:39 | 0:00:45 | |
If any of them love a contestant's performance they can get up and join | 0:00:45 | 0:00:49 | |
in singing and the more who join in the higher the contestant's scores. | 0:00:49 | 0:00:53 | |
CHEERING AND APPLAUSE | 0:00:56 | 0:00:59 | |
We've got West End performers... | 0:01:01 | 0:01:02 | |
..tribute acts... | 0:01:04 | 0:01:05 | |
Send me the best! | 0:01:05 | 0:01:06 | |
..top vocal coaches... | 0:01:06 | 0:01:08 | |
You are outstanding! | 0:01:08 | 0:01:10 | |
..and we've even bagged ourselves a Spice Girl. | 0:01:10 | 0:01:13 | |
Yes, let's do this! | 0:01:13 | 0:01:15 | |
But with such a wide range of musical tastes... | 0:01:15 | 0:01:17 | |
Nah, that's wasn't for me. | 0:01:17 | 0:01:19 | |
..and with £50,000 at stake, | 0:01:19 | 0:01:21 | |
getting all of The 100 to join in won't be easy. | 0:01:21 | 0:01:25 | |
I was underwhelmed. | 0:01:25 | 0:01:27 | |
Slightly flat in places. | 0:01:27 | 0:01:30 | |
It was like putting ketchup on ice cream. | 0:01:30 | 0:01:34 | |
Ah! | 0:01:34 | 0:01:35 | |
So who's got what it takes to win over the toughest crowd on TV - | 0:01:35 | 0:01:41 | |
The 100? | 0:01:41 | 0:01:43 | |
Someone get me some hand sanitiser! | 0:01:48 | 0:01:51 | |
# Ain't got no trouble in my life | 0:01:54 | 0:01:57 | |
# No foolish dream to make me cry | 0:01:57 | 0:02:01 | |
# I'm never frightened or worried | 0:02:01 | 0:02:05 | |
# I know I'll always get by | 0:02:05 | 0:02:09 | |
# I heat up, I cool down | 0:02:09 | 0:02:13 | |
# When something gets in my way I go round it | 0:02:13 | 0:02:17 | |
# Don't let life get me down | 0:02:17 | 0:02:21 | |
# Gonna take life the way that I found it | 0:02:21 | 0:02:26 | |
# I got the music in me, I got the music in me | 0:02:26 | 0:02:29 | |
# I got the music in me | 0:02:29 | 0:02:33 | |
# I got the music in me, I got the music in me | 0:02:33 | 0:02:37 | |
# I got the music in me | 0:02:37 | 0:02:41 | |
# Feels OK | 0:02:47 | 0:02:49 | |
# Feels good | 0:02:49 | 0:02:52 | |
# Gonna tell ya I'm in the neighbourhood | 0:02:52 | 0:02:55 | |
# Gonna fly like a bird on the wing | 0:02:55 | 0:02:59 | |
# Hold on to your hat, honey | 0:02:59 | 0:03:01 | |
# Sing, sing, sing, sing | 0:03:01 | 0:03:03 | |
# I got the music in me, I got the music in me | 0:03:03 | 0:03:08 | |
# I got the music in me | 0:03:08 | 0:03:11 | |
# I got the music in me, I got the music in me | 0:03:11 | 0:03:16 | |
# I got the swe-e-e-e-e-et music | 0:03:16 | 0:03:20 | |
# Yeah! # | 0:03:20 | 0:03:24 | |
MUSIC: Eye Of The Tiger by Survivor | 0:03:35 | 0:03:39 | |
This is All Together Now, where all kinds of singers will be | 0:03:41 | 0:03:45 | |
-performing this socks off, from soloists... -All right, Rob? | 0:03:45 | 0:03:48 | |
All right, mate? ..to groups. | 0:03:48 | 0:03:50 | |
-Evening. -Professional and amateurs all united by their love of singing. | 0:03:50 | 0:03:54 | |
THEY SING | 0:03:54 | 0:03:56 | |
Keep it down! I'm trying to talk here. Keep it down. | 0:03:56 | 0:03:59 | |
All our acts are battling it out for a place in the Grand Final | 0:03:59 | 0:04:02 | |
and the chance to win a massive £50,000. | 0:04:02 | 0:04:05 | |
But to do that they need to impress The 100 and Geri. | 0:04:05 | 0:04:08 | |
Oh, leave it out, Geri. I only saw you ten minutes ago! | 0:04:11 | 0:04:14 | |
HE COUGHS | 0:04:14 | 0:04:15 | |
MUSIC: Stop by The Spice Girls | 0:04:15 | 0:04:18 | |
Hello. | 0:04:18 | 0:04:20 | |
Hi, Jordan. Hi. | 0:04:20 | 0:04:21 | |
Very excited, singing with you lot. | 0:04:21 | 0:04:25 | |
Heading up The 100 is Geri. | 0:04:25 | 0:04:27 | |
As a solo artist and as part of one of the most successful bands of | 0:04:27 | 0:04:31 | |
all time, she's performed to millions all over the world | 0:04:31 | 0:04:34 | |
and knows exactly what it takes to get the crowd singing along. | 0:04:34 | 0:04:37 | |
It is the most amazing feeling when people come together and sing. | 0:04:37 | 0:04:43 | |
# And smile, smile, smile. # | 0:04:43 | 0:04:46 | |
I'm so proud to be part of The 100. | 0:04:46 | 0:04:49 | |
You have people that love rock, musicals, pop, all sorts, | 0:04:49 | 0:04:53 | |
but all their opinions count. | 0:04:53 | 0:04:55 | |
I'm looking for a voice, for a stage presence. | 0:04:55 | 0:04:58 | |
Do you think we're going to stand up for the same people? | 0:04:58 | 0:05:00 | |
-No, not a chance. -I want a diva with big voice, big personality. | 0:05:00 | 0:05:04 | |
-There's £50,000 at stake here... -I know. | 0:05:04 | 0:05:06 | |
..and I don't want to put the wrong person through. | 0:05:06 | 0:05:08 | |
I've got to say one thing, though. | 0:05:08 | 0:05:10 | |
Them Spice Girls drove me insane, you know, with my kids. | 0:05:10 | 0:05:13 | |
It's all I heard. | 0:05:13 | 0:05:15 | |
When a performer comes on we might know the words to the song, | 0:05:16 | 0:05:19 | |
but we don't know who they're going to be, what they're going to sing, | 0:05:19 | 0:05:22 | |
so the whole package is an element of surprise. | 0:05:22 | 0:05:26 | |
There is no hiding if somebody doesn't like it. | 0:05:26 | 0:05:29 | |
It's brutal. | 0:05:29 | 0:05:30 | |
The toughest crowd. | 0:05:30 | 0:05:33 | |
We're not promising the world. | 0:05:33 | 0:05:35 | |
We're just saying you could have a moment of connecting us all | 0:05:35 | 0:05:39 | |
and from that moment you get to win £50,000. | 0:05:39 | 0:05:43 | |
Hey, what's not to love? | 0:05:43 | 0:05:45 | |
CHEERING AND APPLAUSE | 0:05:45 | 0:05:46 | |
It's The 100, everyone! | 0:05:46 | 0:05:48 | |
So, with The 100 raring to go, | 0:05:50 | 0:05:52 | |
and with two places in the Grand Final being decided tonight, | 0:05:52 | 0:05:56 | |
our first performer is waiting backstage. | 0:05:56 | 0:06:00 | |
My God, I'm nervous. | 0:06:00 | 0:06:02 | |
Ooh! | 0:06:04 | 0:06:06 | |
SHE LAUGHS | 0:06:06 | 0:06:07 | |
MUSIC: Crazy In Love by Beyonce ft Jay-Z. | 0:06:07 | 0:06:10 | |
Monday to Friday, I'm in my office job. | 0:06:10 | 0:06:12 | |
I manage the digital content of a catalogue company. | 0:06:12 | 0:06:16 | |
SHE LAUGHS | 0:06:16 | 0:06:17 | |
I can't simplify it! | 0:06:17 | 0:06:19 | |
Saturday, I become this diva. | 0:06:19 | 0:06:22 | |
I sing in a nightclub, which is great. | 0:06:22 | 0:06:24 | |
# The minute you walked in the joint... # | 0:06:24 | 0:06:27 | |
-OK, Rosalie, do you want to come out? -Yep. | 0:06:27 | 0:06:29 | |
Just before you go on stage, a rush of adrenaline goes | 0:06:29 | 0:06:31 | |
through your body and you do become another person. | 0:06:31 | 0:06:33 | |
-DIRECTOR: -OK, here we go. | 0:06:33 | 0:06:35 | |
-Bring it on. -Yes. -Let's have it. -Let's see what we've got. | 0:06:35 | 0:06:38 | |
I want 100 people on their feet. | 0:06:38 | 0:06:40 | |
£50,000 would be life-changing for me. | 0:06:40 | 0:06:43 | |
My heart's pounding now thinking of it. | 0:06:43 | 0:06:46 | |
-Must be so nerve-racking being on there in front of all of us. -Yeah. | 0:07:03 | 0:07:07 | |
I wonder what it looks like. | 0:07:07 | 0:07:09 | |
Hiya, I'm Rosalie. | 0:07:11 | 0:07:13 | |
I'm a little bit nervous right now because obviously I'm the first out, | 0:07:13 | 0:07:17 | |
but this song is fabulous and I hope youse enjoy it as well. | 0:07:17 | 0:07:21 | |
WHISPERS: Whatever she scores is the score to beat | 0:07:21 | 0:07:23 | |
for the rest of the night. | 0:07:23 | 0:07:25 | |
Deep breath. | 0:07:30 | 0:07:32 | |
HE INHALES | 0:07:32 | 0:07:34 | |
MUSIC: One Night Only by Jennifer Hudson | 0:07:34 | 0:07:36 | |
# You want all my love... # | 0:07:36 | 0:07:38 | |
Oh! | 0:07:38 | 0:07:39 | |
# And my devotion | 0:07:39 | 0:07:42 | |
# You want my love and soul | 0:07:45 | 0:07:49 | |
# Right on the line... # | 0:07:49 | 0:07:51 | |
The 100 can't join in straight away. | 0:07:51 | 0:07:53 | |
They've got to wait for the light change. | 0:07:53 | 0:07:55 | |
# I have no doubt | 0:07:55 | 0:07:58 | |
# That I could love you | 0:07:58 | 0:08:01 | |
# Forever | 0:08:01 | 0:08:04 | |
# The only trouble is... # | 0:08:04 | 0:08:07 | |
Ooh, baby, come on. | 0:08:07 | 0:08:09 | |
-# You really don't have the time. # -Here we go, the lights have changed. | 0:08:09 | 0:08:12 | |
They've got one minute to join in. | 0:08:12 | 0:08:14 | |
# We've got one night only, one night only | 0:08:14 | 0:08:18 | |
# That's all we have to spare | 0:08:18 | 0:08:21 | |
-# One night only. # -Ooh, Geri's up! | 0:08:21 | 0:08:23 | |
# Let's not pretend to care | 0:08:23 | 0:08:27 | |
# In the morning this feeling will be gone | 0:08:27 | 0:08:30 | |
# We have the chance to go on | 0:08:30 | 0:08:34 | |
# Something so right has got no chance to live | 0:08:34 | 0:08:38 | |
# So let's forget about chances, it's one night I will give | 0:08:38 | 0:08:44 | |
# We've got one night only, one night only | 0:08:44 | 0:08:48 | |
# That's all we've got to spare | 0:08:48 | 0:08:51 | |
# One night only, let's not pretend to care. # | 0:08:51 | 0:08:56 | |
Can she get a few more on the last big note? | 0:08:56 | 0:08:59 | |
# One night only, one night only, come on, baby, come on | 0:08:59 | 0:09:04 | |
# One night only | 0:09:04 | 0:09:06 | |
# We only have till dawn. # | 0:09:06 | 0:09:09 | |
CHEERING AND APPLAUSE | 0:09:12 | 0:09:15 | |
Wa-a-ay! | 0:09:22 | 0:09:25 | |
Good start. | 0:09:26 | 0:09:28 | |
Well done, Rosalie. | 0:09:28 | 0:09:30 | |
-61, congratulations! -Thank you. | 0:09:30 | 0:09:32 | |
Thank you, everyone, for standing up. You're too nice. | 0:09:32 | 0:09:35 | |
-GERI: -Aww, you were great. -Thank you. | 0:09:35 | 0:09:37 | |
-Nathaniel, you've performed on the West End. -Yes, I have. | 0:09:39 | 0:09:41 | |
-What did you think of that? -I was blown away. | 0:09:41 | 0:09:43 | |
You came out and you looked so cute | 0:09:43 | 0:09:45 | |
but that performance, honey, was not cute. | 0:09:45 | 0:09:48 | |
It was ferocious! | 0:09:48 | 0:09:50 | |
I wished you'd never even apologised for being nervous | 0:09:50 | 0:09:52 | |
because you don't need to. | 0:09:52 | 0:09:54 | |
APPLAUSE | 0:09:54 | 0:09:56 | |
Thank you, Nathaniel. | 0:09:56 | 0:09:57 | |
The thing is, though, you said don't come out and say I'm nervous. | 0:09:57 | 0:10:00 | |
You can't just bowl out and go, "Not a problem. I'm going to smash it!" | 0:10:00 | 0:10:04 | |
Your hat's a bit... Oh, supposed to be like that. Sorry! | 0:10:04 | 0:10:06 | |
Didn't realise. | 0:10:06 | 0:10:08 | |
Here he is. Braces. Not seen them for years. Loving it. | 0:10:08 | 0:10:12 | |
-Lily and Geri. -Ah, Lili! -You were up and enjoying that, weren't you? | 0:10:12 | 0:10:15 | |
-I was looking for a diva... -Yes. | 0:10:15 | 0:10:17 | |
..and I found her. | 0:10:17 | 0:10:19 | |
Fearless, fearless. | 0:10:19 | 0:10:21 | |
Geri, you was up singing along. | 0:10:21 | 0:10:23 | |
I was. I was up on my feet very quickly. I thought it was excellent. | 0:10:23 | 0:10:26 | |
Great voice, great job, great score. Good start. Well done. | 0:10:26 | 0:10:29 | |
Thank you very much. | 0:10:29 | 0:10:30 | |
Spice Girl, come on! | 0:10:30 | 0:10:32 | |
APPLAUSE | 0:10:32 | 0:10:33 | |
A couple of people didn't get up. | 0:10:33 | 0:10:35 | |
I'm going to come over here to Mr Fabulous. | 0:10:35 | 0:10:38 | |
You're dressed like Game of Thrones: The Musical at the moment, | 0:10:38 | 0:10:40 | |
-Mr Fabulous. -Thank you. | 0:10:40 | 0:10:42 | |
That is a lovely little outfit. | 0:10:42 | 0:10:44 | |
-No, this is my little Jimi Hendrix tribute, you know? -Oh, OK. | 0:10:44 | 0:10:48 | |
-Baby girl... -What, love? | 0:10:48 | 0:10:50 | |
..I just didn't connect. | 0:10:50 | 0:10:52 | |
I thought if you sung that song maybe as a ballad, | 0:10:52 | 0:10:54 | |
because it is sung as a ballad as well, | 0:10:54 | 0:10:57 | |
maybe we would have heard a more compelling, beautiful voice. | 0:10:57 | 0:11:00 | |
I've put myself here and I'm happy to be criticised or applauded, | 0:11:00 | 0:11:04 | |
either way, so thank you very much. | 0:11:04 | 0:11:06 | |
APPLAUSE | 0:11:06 | 0:11:08 | |
-Andy, you was up singing along. -I was. | 0:11:08 | 0:11:11 | |
You were engaging. You were energetic. You were passionate. | 0:11:11 | 0:11:14 | |
You work on the cruise ships, as well, directing the music there? | 0:11:14 | 0:11:16 | |
I do. I put entertainment on ships. I've got my own show. | 0:11:16 | 0:11:19 | |
-I'm known as The Soul Man. -Who by? | 0:11:19 | 0:11:22 | |
-By everybody. -Who's everyone? | 0:11:22 | 0:11:24 | |
-I've not heard... -I have. | 0:11:24 | 0:11:26 | |
# I'm the soul man! # | 0:11:26 | 0:11:28 | |
I stand corrected. Fair enough! | 0:11:30 | 0:11:32 | |
LAUGHTER | 0:11:32 | 0:11:34 | |
So, Rosalie, with a score of 61, you take the top spot of the top three. | 0:11:34 | 0:11:38 | |
-Well done! -Thank you very much. | 0:11:38 | 0:11:40 | |
CHEERING AND APPLAUSE | 0:11:40 | 0:11:43 | |
So, The 100, if Rosalie is still in the top spot | 0:11:44 | 0:11:46 | |
at the end of the night, | 0:11:46 | 0:11:48 | |
she'll go straight to the Grand Final for the chance to win £50,000! | 0:11:48 | 0:11:51 | |
AUDIENCE WHOOPS | 0:11:51 | 0:11:53 | |
God, that's actually going to be you soon. | 0:11:53 | 0:11:56 | |
When she first came out, | 0:11:58 | 0:12:00 | |
my first impression was she looks a bit like Sonia from the '80s. | 0:12:00 | 0:12:03 | |
Yeah, yeah. | 0:12:03 | 0:12:04 | |
I felt like the score was a little bit low. | 0:12:04 | 0:12:06 | |
Yeah, she could have done with a few more. | 0:12:06 | 0:12:08 | |
-This competition is tough... -Yeah. -..so that might reflect that. | 0:12:08 | 0:12:11 | |
-Let's just see who we have next. -I know! -Bring it on, child! | 0:12:11 | 0:12:14 | |
OK, take one. | 0:12:14 | 0:12:16 | |
Hi, I'm Gold Kay. | 0:12:17 | 0:12:19 | |
I'm going to sing the hell out of this competition. | 0:12:19 | 0:12:23 | |
My job is very, or can be, very stressful. | 0:12:26 | 0:12:29 | |
However, I just find that, you know, when I do music, | 0:12:29 | 0:12:33 | |
it's a release for me. | 0:12:33 | 0:12:34 | |
When I first started singing, especially in front of audiences, | 0:12:36 | 0:12:39 | |
this was done in church, | 0:12:39 | 0:12:40 | |
and in church it's very much about getting people involved, | 0:12:40 | 0:12:43 | |
singing along with you to just kind of bring everybody's spirits up | 0:12:43 | 0:12:46 | |
and I feel like that's what drew me to this competition. | 0:12:46 | 0:12:50 | |
That 61 is a good score. | 0:12:50 | 0:12:52 | |
I'm hoping that by the end of my performance that I'm going to | 0:12:52 | 0:12:55 | |
have 100 people up singing along with me. | 0:12:55 | 0:12:58 | |
-We're ready for you. Do you want to come out? -Here we go. Go. | 0:12:58 | 0:13:01 | |
I want people to say, "Yeah, did you see that guy, Gold Kay? | 0:13:01 | 0:13:04 | |
"He was serious. He definitely deserved that top seat." | 0:13:04 | 0:13:07 | |
Here comes our next performer. | 0:13:10 | 0:13:12 | |
They've got to beat 61 to get into the top spot. | 0:13:12 | 0:13:14 | |
-I like his shirt. -It's a soul man, Andy. | 0:13:15 | 0:13:19 | |
You've got to be good at singing to get away with that shirt and combo. | 0:13:19 | 0:13:22 | |
Hey, guys. I go by the name of Gold Kay and I ain't going to lie to you. | 0:13:23 | 0:13:27 | |
I ain't trying to keep any of you guys in your seats. | 0:13:27 | 0:13:30 | |
We're here to have a party, so let's do this. | 0:13:30 | 0:13:33 | |
Yes, like him already. | 0:13:33 | 0:13:35 | |
MUSIC: All Night Long by Lionel Richie | 0:13:39 | 0:13:41 | |
# Da-dah | 0:13:41 | 0:13:44 | |
# Oh, my friends, the time has come | 0:13:44 | 0:13:48 | |
# To raise the roof and have some fun | 0:13:48 | 0:13:51 | |
# Throw away the work to be done | 0:13:53 | 0:13:56 | |
# Let the music play on. # | 0:13:57 | 0:13:59 | |
# Play on, play on, play on. # | 0:13:59 | 0:14:01 | |
# We're going to party, karamu, fiesta, forever | 0:14:01 | 0:14:05 | |
# Come on and sing along. # | 0:14:07 | 0:14:09 | |
OK, The 100 can join in now. | 0:14:09 | 0:14:11 | |
# All night long | 0:14:11 | 0:14:13 | |
# All night | 0:14:13 | 0:14:14 | |
# All night long | 0:14:14 | 0:14:17 | |
# All night | 0:14:17 | 0:14:19 | |
# All night long | 0:14:19 | 0:14:22 | |
# All night | 0:14:22 | 0:14:23 | |
# All night long | 0:14:23 | 0:14:25 | |
# Whoa | 0:14:25 | 0:14:27 | |
# Once you get started you can't sit down. # | 0:14:29 | 0:14:33 | |
Can he get more than 61 and take that top spot from Rosalie? | 0:14:33 | 0:14:37 | |
# Come join our party, see how we play | 0:14:37 | 0:14:41 | |
# Oh-oh-oh-oh, yeah | 0:14:42 | 0:14:45 | |
# We're going to have a party. # | 0:14:46 | 0:14:49 | |
Come on! | 0:14:49 | 0:14:50 | |
# All night long. # | 0:14:50 | 0:14:52 | |
Come on, he's good. Yeah, come on. | 0:14:52 | 0:14:54 | |
# All night long | 0:14:54 | 0:14:57 | |
# All night | 0:14:57 | 0:14:59 | |
# Everyone you meet | 0:14:59 | 0:15:02 | |
# They're dancing in the street all night long | 0:15:02 | 0:15:06 | |
# Hey, all night. # | 0:15:06 | 0:15:08 | |
CHEERING AND APPLAUSE | 0:15:08 | 0:15:12 | |
CHEERING AND APPLAUSE | 0:15:19 | 0:15:22 | |
Oh, mother! | 0:15:27 | 0:15:30 | |
Gold Kay, you scored 80, which puts you in the top spot. Well done. | 0:15:30 | 0:15:34 | |
Thank you so much to The 100. | 0:15:34 | 0:15:36 | |
James, you didn't stand up for that. | 0:15:36 | 0:15:37 | |
You played Billy Elliot in the West End at a young age. | 0:15:37 | 0:15:40 | |
This wasn't your cup of tea? | 0:15:40 | 0:15:42 | |
No, it really was. I was literally one second. | 0:15:42 | 0:15:45 | |
I did press, but it was just too late, | 0:15:45 | 0:15:47 | |
so I'm so sorry that I was that second too late. | 0:15:47 | 0:15:49 | |
-Sounds a bit like you're lying. -No, I really did. I pressed... | 0:15:49 | 0:15:53 | |
It sounds a bit like you've gone, | 0:15:53 | 0:15:54 | |
"Hang on, quite a few people have stood up here." | 0:15:54 | 0:15:56 | |
No, I was waiting. | 0:15:56 | 0:15:57 | |
It was very high-pitched to start with | 0:15:57 | 0:15:59 | |
and I was waiting for a little bit more gravel in your voice, | 0:15:59 | 0:16:02 | |
so I was waiting towards the end for that. | 0:16:02 | 0:16:04 | |
Yeah, I still feel like you're digging a hole. | 0:16:04 | 0:16:06 | |
It's your opinion, though, James. Fair enough. | 0:16:06 | 0:16:08 | |
I'm going to come down here. Corene. | 0:16:08 | 0:16:10 | |
Yes, I think that when you came out I liked the way you were confident. | 0:16:10 | 0:16:14 | |
Corene, you move too much. I've got... | 0:16:14 | 0:16:17 | |
No, Corene, that's the only bit of control I've got, Corene! | 0:16:17 | 0:16:20 | |
-OK, OK. -It's like organising the most stressful hen do of all time! | 0:16:20 | 0:16:23 | |
LAUGHTER | 0:16:23 | 0:16:25 | |
-Move with me. -OK, I'll move with you. | 0:16:25 | 0:16:28 | |
So, when you came out you were so confident and then you engaged | 0:16:28 | 0:16:32 | |
with us cos you was like, | 0:16:32 | 0:16:33 | |
"I want everyone to come on their feet and dance" | 0:16:33 | 0:16:35 | |
and that's what we liked. | 0:16:35 | 0:16:37 | |
The tone of your voice were really good and then when you span, | 0:16:37 | 0:16:40 | |
I thought you were going to spin and spin that hat all on my hair! | 0:16:40 | 0:16:43 | |
APPLAUSE | 0:16:43 | 0:16:44 | |
OK, well done, Gold Kay. | 0:16:44 | 0:16:46 | |
With a score of 80, that puts you into the top three | 0:16:46 | 0:16:49 | |
and into top spot. | 0:16:49 | 0:16:50 | |
Well done. Take a seat. | 0:16:50 | 0:16:52 | |
APPLAUSE | 0:16:52 | 0:16:54 | |
I feel so much pressure right now. | 0:16:56 | 0:16:58 | |
-I have to beat 80. -Concentrate. | 0:16:58 | 0:16:59 | |
So our top three's filling up nicely. | 0:16:59 | 0:17:02 | |
Remember there's two places in the Grand Final up for grabs tonight. | 0:17:02 | 0:17:06 | |
Gold Kay, if you're still in the top spot at the end of the show | 0:17:06 | 0:17:09 | |
you'll go through automatically and whoever's left in the second and | 0:17:09 | 0:17:13 | |
third seats will face each other in the sing-off for the remaining spot. | 0:17:13 | 0:17:16 | |
-GERI: -Did you used to watch The Muppet Show? -No. -Too young. | 0:17:18 | 0:17:21 | |
It was like this. | 0:17:21 | 0:17:23 | |
Everybody talking, all extreme characters and there was... | 0:17:23 | 0:17:27 | |
-KERMIT IMPRESSION: -..Kermit the frog | 0:17:27 | 0:17:29 | |
and there was Miss Piggy and she was like... | 0:17:29 | 0:17:32 | |
-MISS PIGGY IMPRESSION: -..Kermy, I love you, Kermy! | 0:17:32 | 0:17:35 | |
Diamantina, take one. | 0:17:35 | 0:17:37 | |
My name is Diamantina. | 0:17:39 | 0:17:40 | |
I'm a singer-songwriting student in London. | 0:17:40 | 0:17:43 | |
Wow! | 0:17:43 | 0:17:45 | |
At the age of 11 I found my voice and I just went for it. | 0:17:45 | 0:17:48 | |
I knew what I wanted to be. | 0:17:48 | 0:17:50 | |
Come on, sparkles, come on, sparkles! | 0:17:50 | 0:17:52 | |
The song that I'm going to sing, it's a big hit | 0:17:54 | 0:17:56 | |
and I just hope that The 100 will actually just engage | 0:17:56 | 0:17:59 | |
and connect with it the way that I do myself. | 0:17:59 | 0:18:01 | |
MUSIC: One Last Time by Ariana Grande | 0:18:01 | 0:18:03 | |
# I was a liar I gave into the fire | 0:18:03 | 0:18:06 | |
# I know I should've fought it | 0:18:06 | 0:18:08 | |
# At least I'm being honest | 0:18:08 | 0:18:10 | |
# And I know, and I know, and I know that you got everything... # | 0:18:10 | 0:18:13 | |
-Such a hard song. -Yeah. | 0:18:13 | 0:18:15 | |
# So one last time... # | 0:18:18 | 0:18:21 | |
And the lights have changed. The 100 can join in now. | 0:18:21 | 0:18:24 | |
# The one who takes you home | 0:18:24 | 0:18:26 | |
# One more time | 0:18:26 | 0:18:29 | |
# I promise that... # | 0:18:29 | 0:18:31 | |
I don't know what to do. | 0:18:31 | 0:18:33 | |
# I don't deserve it I know I don't deserve it | 0:18:33 | 0:18:37 | |
# But stay with me a minute... # | 0:18:37 | 0:18:39 | |
Why's no-one getting up? | 0:18:39 | 0:18:41 | |
# And I know, and I know, and I know... # | 0:18:41 | 0:18:43 | |
-I want a bit more. -I know, I know, me too. | 0:18:43 | 0:18:47 | |
# You, baby... # | 0:18:47 | 0:18:48 | |
-Go on, yes! -Oh, there's a few up. | 0:18:48 | 0:18:51 | |
Here they go. Maybe they're waiting for that big note. | 0:18:51 | 0:18:54 | |
# The one who takes you home | 0:18:54 | 0:18:56 | |
# One last time | 0:18:56 | 0:18:59 | |
# I need to be the one who takes you home. # | 0:18:59 | 0:19:03 | |
CHEERING AND APPLAUSE | 0:19:06 | 0:19:09 | |
No, that wasn't for me. | 0:19:10 | 0:19:12 | |
Ah! | 0:19:16 | 0:19:18 | |
Ten? | 0:19:18 | 0:19:20 | |
Thank you for the people who stood up. | 0:19:20 | 0:19:23 | |
I blame you for this. It's your fault. | 0:19:24 | 0:19:26 | |
It would only have gone to 11. | 0:19:26 | 0:19:29 | |
Well done, Diamantina, you scored ten! | 0:19:29 | 0:19:30 | |
You're in the top three for now. | 0:19:30 | 0:19:32 | |
-Jordan, you really enjoyed that. -I did, I did. | 0:19:32 | 0:19:35 | |
You had the voice of someone who's been singing for 60 years. | 0:19:35 | 0:19:38 | |
Low notes that were smooth. | 0:19:38 | 0:19:40 | |
High notes that soared. You were incredible. | 0:19:40 | 0:19:42 | |
Don't listen to those 90. We're the ones that matter. You were amazing. | 0:19:42 | 0:19:45 | |
-High praise. -Thank you. | 0:19:45 | 0:19:47 | |
Well done, Diamantina. | 0:19:47 | 0:19:49 | |
-Go and take your seat. -Thank you. | 0:19:49 | 0:19:52 | |
CHEERING AND APPLAUSE | 0:19:52 | 0:19:54 | |
So we've filled all three seats so this is where things get serious. | 0:19:54 | 0:19:58 | |
Diamantina, you are now the act in danger. | 0:19:58 | 0:20:01 | |
If the next performer scores more than ten, | 0:20:01 | 0:20:03 | |
you will leave the competition. | 0:20:03 | 0:20:05 | |
APPLAUSE | 0:20:05 | 0:20:09 | |
Gold Kay. Top spot. | 0:20:09 | 0:20:11 | |
For now. | 0:20:11 | 0:20:13 | |
There's still a lot of acts to go. | 0:20:13 | 0:20:15 | |
You've still got a really high score. | 0:20:15 | 0:20:17 | |
Cheer up, Gold Kay, you're in the lead. | 0:20:17 | 0:20:19 | |
So the top three's full, but there's plenty more acts still to come, | 0:20:19 | 0:20:23 | |
each aiming to steal their seats. | 0:20:23 | 0:20:26 | |
From the sassy... | 0:20:27 | 0:20:29 | |
Work it, work it. | 0:20:29 | 0:20:30 | |
..to the surprising... | 0:20:30 | 0:20:32 | |
Uh-oh! | 0:20:32 | 0:20:34 | |
..to a whole load of sequins. | 0:20:34 | 0:20:35 | |
Baby, Ginger and Scary. | 0:20:35 | 0:20:38 | |
And our next act is hoping a different style of music will be | 0:20:38 | 0:20:40 | |
enough to win over The 100. | 0:20:40 | 0:20:42 | |
Hello. | 0:20:42 | 0:20:44 | |
I've done a lot of classical work in Italy. | 0:20:47 | 0:20:50 | |
I've sang with a string quartet. | 0:20:50 | 0:20:52 | |
I've even sang with a 72-piece orchestra. | 0:20:52 | 0:20:54 | |
I usually sing in a fine dining restaurant where I'm a little | 0:20:54 | 0:20:57 | |
bit incidental and I have to be very, very quiet, but for this | 0:20:57 | 0:21:01 | |
particular performance I'm going to be able to let rip and I'm going to. | 0:21:01 | 0:21:06 | |
-I love her jumpsuit. -Yeah, she looks great. | 0:21:10 | 0:21:13 | |
It's the fourth act of the night. | 0:21:13 | 0:21:15 | |
Can they score more than ten | 0:21:15 | 0:21:17 | |
and knock Diamantina out of the competition? | 0:21:17 | 0:21:19 | |
Hi, my name's Chrissy. | 0:21:21 | 0:21:23 | |
I'm from Wigan and I hope I'm going to entertain you. | 0:21:23 | 0:21:26 | |
What do we think? Classical, then? | 0:21:26 | 0:21:29 | |
MUSIC: Nessun Dorma by Puccini | 0:21:35 | 0:21:38 | |
# Nessun dorma | 0:21:38 | 0:21:41 | |
# Nessun dorma | 0:21:43 | 0:21:46 | |
# Il mio mistero e chiuso in me | 0:21:47 | 0:21:53 | |
# Il nome mio nessun sapra, no, no | 0:21:53 | 0:21:55 | |
# Sulla tua... # | 0:21:57 | 0:21:58 | |
Wow, what a voice! | 0:22:01 | 0:22:03 | |
# Bocca lo diro | 0:22:03 | 0:22:06 | |
# Tramontate, stelle | 0:22:07 | 0:22:10 | |
# All'alba vincero | 0:22:13 | 0:22:16 | |
# Vincero | 0:22:18 | 0:22:21 | |
# Vincero. # | 0:22:21 | 0:22:22 | |
MUSIC: Paradise City by Guns 'N' Roses | 0:22:22 | 0:22:26 | |
Whoa! | 0:22:26 | 0:22:28 | |
# Wha-a-a-a-ah | 0:22:30 | 0:22:32 | |
# Take me down to the paradise city | 0:22:32 | 0:22:34 | |
# Where the grass is green and the girls are pretty | 0:22:34 | 0:22:37 | |
# Oh, won't you please take me home? # | 0:22:37 | 0:22:41 | |
Come on! | 0:22:41 | 0:22:43 | |
# Just a urchin livin' under the street | 0:22:45 | 0:22:47 | |
# I'm a hard case that's tough to beat | 0:22:47 | 0:22:49 | |
# I'm your charity case so buy me something to eat | 0:22:49 | 0:22:51 | |
# I'll pay you at another time | 0:22:51 | 0:22:55 | |
# Take it to the end of the line | 0:22:55 | 0:22:58 | |
# Take me down to the paradise city | 0:22:58 | 0:23:00 | |
# Where the grass is green and the girls are pretty | 0:23:00 | 0:23:03 | |
# Oh, won't you please take me home? | 0:23:03 | 0:23:06 | |
# Wh-a-a-a-ah. # | 0:23:06 | 0:23:10 | |
Oh, no! | 0:23:10 | 0:23:11 | |
She ain't messing about, is she? | 0:23:11 | 0:23:14 | |
-Wow, I did NOT expect that. -No. | 0:23:19 | 0:23:22 | |
Chrissy, you scored 83. Well done! | 0:23:33 | 0:23:36 | |
-You take the top spot. -It was amazing. | 0:23:36 | 0:23:39 | |
From opera to Guns N' Roses, is that even legal? | 0:23:39 | 0:23:41 | |
LAUGHTER | 0:23:41 | 0:23:43 | |
Divina, opera singer, bit of rock and roll, drag queen. | 0:23:43 | 0:23:47 | |
We've got it all on this show, ain't we? | 0:23:47 | 0:23:49 | |
I love it. It's amazing. I absolutely love it. | 0:23:49 | 0:23:52 | |
The house I grew up in, I'm one of seven... | 0:23:52 | 0:23:54 | |
It must have had high ceilings. | 0:23:54 | 0:23:56 | |
LAUGHTER | 0:23:56 | 0:23:57 | |
Well, actually, yes, it did strangely enough. | 0:23:57 | 0:24:00 | |
All of my brothers are rockers, so I was like, "Ye-e-e-s!" | 0:24:00 | 0:24:04 | |
One minute you were like, "Vincero... | 0:24:04 | 0:24:09 | |
"Ye-e-e-eah!" like that. | 0:24:09 | 0:24:11 | |
I love it. It was so good. It was so good. | 0:24:11 | 0:24:15 | |
APPLAUSE | 0:24:15 | 0:24:16 | |
A lot of praise down here. Geri. | 0:24:16 | 0:24:18 | |
Yeah, I think every woman can identify with the two moods. | 0:24:18 | 0:24:22 | |
It's like, "ah", and then "argh"! | 0:24:22 | 0:24:24 | |
It's both. You expressed my moods. | 0:24:24 | 0:24:27 | |
What made you decide to do that mashup? What inspired you? | 0:24:27 | 0:24:30 | |
-CHRISSY: -Because why should you be boxed as either this or that? | 0:24:30 | 0:24:34 | |
APPLAUSE | 0:24:34 | 0:24:35 | |
So most people loved it. | 0:24:35 | 0:24:37 | |
Paulus didn't though. You didn't get up. Paulus, not for you? | 0:24:37 | 0:24:42 | |
83 people stood up and loved it, but you didn't. | 0:24:42 | 0:24:45 | |
I'm glad they loved it and it was obviously, lots of good things... | 0:24:45 | 0:24:48 | |
Doesn't sound like you're glad. | 0:24:48 | 0:24:51 | |
LAUGHTER | 0:24:51 | 0:24:52 | |
"They loved that. I'm so happy about it." | 0:24:52 | 0:24:56 | |
I don't understand what the two songs have to do with each other | 0:24:56 | 0:24:59 | |
and why they were put together. | 0:24:59 | 0:25:00 | |
-I don't understand. -That's exactly why I did it. | 0:25:00 | 0:25:03 | |
-I don't want people to understand why they are together. -Yes! | 0:25:03 | 0:25:05 | |
CHEERING AND APPLAUSE | 0:25:05 | 0:25:08 | |
Is that a good enough response, first of all? | 0:25:08 | 0:25:10 | |
Yeah, she can answer me back if she wants to. | 0:25:10 | 0:25:12 | |
LAUGHTER | 0:25:12 | 0:25:14 | |
You don't like two things that don't go together going together? | 0:25:14 | 0:25:16 | |
Two words for you - carrot cake. | 0:25:16 | 0:25:18 | |
LAUGHTER | 0:25:18 | 0:25:20 | |
Carrot and a cake, mate. | 0:25:20 | 0:25:22 | |
I'm not happy about it but it tastes delicious. Thoughts on carrot cake? | 0:25:22 | 0:25:25 | |
-Yeah, all right, I'll give you that. -Yes, I got something out of him! | 0:25:25 | 0:25:29 | |
I did a crab. It's the only way to move at speed. | 0:25:29 | 0:25:33 | |
OK, so I'm up here now with our previously happily-married couple, | 0:25:33 | 0:25:37 | |
Ed and Emma. | 0:25:37 | 0:25:39 | |
Both work in opera. | 0:25:39 | 0:25:42 | |
Emma, you liked it. You was up enjoying yourself? | 0:25:42 | 0:25:44 | |
Yeah, I really enjoyed it, Chrissy. | 0:25:44 | 0:25:46 | |
Well done, that was fantastic. | 0:25:46 | 0:25:48 | |
I don't think the opera section worked. | 0:25:48 | 0:25:50 | |
I just preferred Chrissy's voice in the second part. | 0:25:50 | 0:25:52 | |
The first bit, I just needed a bit more what we call legato, | 0:25:52 | 0:25:55 | |
-smooth singing. -Don't you start as well. | 0:25:55 | 0:25:57 | |
-It was just a little bit shaky for me. -Legato? | 0:25:57 | 0:26:00 | |
I think I have that in Pizza Express. | 0:26:00 | 0:26:01 | |
Is that the one with spinach? OK, well done. | 0:26:01 | 0:26:04 | |
So, with a score of 83, Chrissy, you'll take the first spot | 0:26:04 | 0:26:09 | |
which sadly means, Diamantina, you leave the competition. | 0:26:09 | 0:26:11 | |
Round of applause for Diamantina. | 0:26:11 | 0:26:14 | |
Chrissy, please take your place. | 0:26:14 | 0:26:16 | |
APPLAUSE | 0:26:16 | 0:26:18 | |
Well, that means, Gold Kay, you've moved to second place. | 0:26:18 | 0:26:21 | |
Will we have to call you Silver Kay from now on? | 0:26:21 | 0:26:23 | |
LAUGHTER | 0:26:23 | 0:26:27 | |
Rosalie, you are now the act in danger. | 0:26:27 | 0:26:30 | |
If the next performer gets more than 61 | 0:26:30 | 0:26:33 | |
you'll be leaving the competition. | 0:26:33 | 0:26:35 | |
Oh, my God, I am so excited. | 0:26:35 | 0:26:37 | |
This is going to be everything. | 0:26:37 | 0:26:38 | |
Hi, I'm Nathaniel. | 0:26:44 | 0:26:46 | |
I'm a West End performer and I'm from Birmingham. | 0:26:46 | 0:26:48 | |
I've been trained professionally and I've been lucky enough to | 0:26:48 | 0:26:51 | |
be in West End shows such as Dancing In The Street playing Stevie Wonder. | 0:26:51 | 0:26:54 | |
Sister Act with Whoopi Goldberg. That was amazing. | 0:26:54 | 0:26:56 | |
And I've also done Hairspray as well. | 0:26:56 | 0:26:58 | |
It's great because you get to exercise your triple-threat ability. | 0:26:58 | 0:27:02 | |
Waa-ta! Acting, singing and dancing. | 0:27:02 | 0:27:05 | |
There's nothing more refreshing and phenomenal than a unique tone | 0:27:05 | 0:27:07 | |
with that energy and that power behind it. | 0:27:07 | 0:27:09 | |
I want them to get me off my seat. | 0:27:09 | 0:27:11 | |
Not just off my seat. I want to be dancing on my seat. | 0:27:11 | 0:27:13 | |
I want them to make me go crazy. | 0:27:13 | 0:27:17 | |
I can not wait to see who's going to win this bad boy. | 0:27:17 | 0:27:20 | |
Get me at 'em, now! | 0:27:20 | 0:27:22 | |
That was too much. | 0:27:22 | 0:27:24 | |
Yeah, just a little bit. | 0:27:24 | 0:27:26 | |
Tonight there's just two places in the series final up for grabs, | 0:27:26 | 0:27:29 | |
but facing The 100's feedback isn't for the faint-hearted. | 0:27:29 | 0:27:32 | |
-OK, you're up next. -All the best. | 0:27:32 | 0:27:35 | |
Good luck, guys. | 0:27:35 | 0:27:37 | |
My name's George and I'm from Essex. | 0:27:37 | 0:27:39 | |
I'm a full-time student. | 0:27:39 | 0:27:42 | |
God, they must be so nervous. | 0:27:42 | 0:27:45 | |
# To say that I want you, baby, yes | 0:27:45 | 0:27:47 | |
# Slow hands like sweat dripping out my dirty laundry. # | 0:27:47 | 0:27:53 | |
CHEERING AND APPLAUSE | 0:27:54 | 0:27:56 | |
For me, it was a bit pitchy. | 0:27:56 | 0:27:58 | |
It's a kind way of saying slightly flat in places. | 0:27:58 | 0:28:01 | |
Unfortunately, George, 29's not enough for our top three. | 0:28:01 | 0:28:04 | |
Thank you very much, George! | 0:28:04 | 0:28:07 | |
-I'm Nadzira. -And I'm Yin Yin. | 0:28:07 | 0:28:09 | |
We both met at medical school. | 0:28:09 | 0:28:11 | |
# You can stand under my umbrella | 0:28:11 | 0:28:14 | |
# Ella, ella, eh, eh, eh | 0:28:14 | 0:28:17 | |
# Eh, eh, eh. # | 0:28:17 | 0:28:19 | |
Oh, deserved more than that! | 0:28:19 | 0:28:22 | |
I just thought the energy was just a little bit low. | 0:28:22 | 0:28:25 | |
Yin Yin and Nadzira, everyone. | 0:28:25 | 0:28:27 | |
CHEERING AND APPLAUSE | 0:28:27 | 0:28:28 | |
I'm originally from Malta but now I live in Guildford. | 0:28:28 | 0:28:31 | |
-Ooh, love that dress. -That is beautiful. | 0:28:31 | 0:28:34 | |
She's pretty. | 0:28:34 | 0:28:36 | |
I think the performance really finishes off a good song. | 0:28:36 | 0:28:39 | |
It's like having a nice dress without doing your hair and make-up. | 0:28:39 | 0:28:42 | |
You definitely need the whole package. | 0:28:42 | 0:28:44 | |
# Come on, babe, why don't we paint the town? # | 0:28:48 | 0:28:51 | |
Work it, work it. | 0:28:51 | 0:28:53 | |
# And all that jazz | 0:28:54 | 0:28:56 | |
# I'm gonna rouge my knees and pull my stockings down | 0:28:56 | 0:29:00 | |
# And all that jazz | 0:29:02 | 0:29:04 | |
# Start the car, I know a whoopee spot... # | 0:29:04 | 0:29:08 | |
More than 61 to get a top-three spot. | 0:29:08 | 0:29:10 | |
# The piano's hot | 0:29:10 | 0:29:12 | |
# It's just a noisy hall... # | 0:29:12 | 0:29:13 | |
-Wow. -It's against everything I like. | 0:29:13 | 0:29:15 | |
I'm liking it. | 0:29:15 | 0:29:16 | |
# And all that... # | 0:29:16 | 0:29:19 | |
-Right, The 100 can join in now. -# Jazz | 0:29:19 | 0:29:22 | |
# Find a flask, we're going fast and loose | 0:29:24 | 0:29:27 | |
# And all that jazz | 0:29:29 | 0:29:31 | |
# Right up here is where I store the juice | 0:29:31 | 0:29:35 | |
# And all that jazz | 0:29:37 | 0:29:39 | |
# Come on, hon, we're gonna brush the sky | 0:29:39 | 0:29:42 | |
# I betcha Lucky Lindy never flew so high | 0:29:42 | 0:29:46 | |
# Cos in the stratosphere, how could he lend an ear | 0:29:46 | 0:29:49 | |
# To do... # | 0:29:49 | 0:29:51 | |
Here we go. here's the big bit. | 0:29:51 | 0:29:54 | |
# That jazz | 0:29:54 | 0:29:56 | |
# Oh, I'm no-one's wife | 0:29:56 | 0:29:59 | |
# But, oh, I love my life and all... # | 0:29:59 | 0:30:04 | |
Can Chess do it? She needs more than 61. | 0:30:04 | 0:30:07 | |
Jazz hands. | 0:30:07 | 0:30:10 | |
# Ja-a-a-a-azz | 0:30:10 | 0:30:16 | |
# That jazz. # | 0:30:16 | 0:30:18 | |
CHEERING AND APPLAUSE | 0:30:18 | 0:30:21 | |
AUDIENCE GASPS | 0:30:26 | 0:30:29 | |
Thank God you got up. | 0:30:33 | 0:30:34 | |
Well done, Chess. | 0:30:34 | 0:30:37 | |
You scored 61, which means there's a tie for the third spot. | 0:30:37 | 0:30:41 | |
Harry, sorry, I've gone past you. I don't know how. | 0:30:41 | 0:30:44 | |
Absolutely packing some guns here, Harry, aren't you? | 0:30:44 | 0:30:47 | |
You do know they do adult-sized shirts, don't you? | 0:30:47 | 0:30:50 | |
Yeah, I know. Sorry. | 0:30:50 | 0:30:51 | |
Harry, you stood up. You enjoyed that. | 0:30:51 | 0:30:53 | |
I thought it was brilliant. | 0:30:53 | 0:30:55 | |
It took me time, to be honest, though before I pressed the button | 0:30:55 | 0:30:57 | |
because obviously it builds up, the pitch gets higher and higher. | 0:30:57 | 0:31:00 | |
-You're a classical singer? -Yeah, I'm a classical singer. | 0:31:00 | 0:31:03 | |
So I just wanted to hear that freedom at the top | 0:31:03 | 0:31:06 | |
and you showed it right at the end | 0:31:06 | 0:31:07 | |
and that's why I touched the button, but brilliant performance. | 0:31:07 | 0:31:10 | |
-Well done. You should be proud of it. -Thank you. -Really well done. | 0:31:10 | 0:31:13 | |
Right, I'm going to go along here. | 0:31:13 | 0:31:16 | |
-Adam. -Hello. -That got you up. | 0:31:16 | 0:31:18 | |
This is the sort of song I thought I would never ever, ever... | 0:31:18 | 0:31:21 | |
You look like a musical Danny Dyer. | 0:31:21 | 0:31:23 | |
-Yeah, yeah. -That was some bangin' vibrato, mate! | 0:31:23 | 0:31:26 | |
That's what I'm going for, yeah. | 0:31:26 | 0:31:27 | |
LAUGHTER | 0:31:27 | 0:31:29 | |
I would never usually get up for that sort of music, | 0:31:29 | 0:31:31 | |
but I don't know what's happened to me hanging round with this 100, | 0:31:31 | 0:31:34 | |
but I'm becoming a bit of a thespian all of a sudden. | 0:31:34 | 0:31:36 | |
CHEERING | 0:31:36 | 0:31:37 | |
Adam, thank you very much. | 0:31:37 | 0:31:39 | |
Now, as Rosalie and Chess have both scored 61, | 0:31:39 | 0:31:42 | |
we've got ourselves a tie. | 0:31:42 | 0:31:44 | |
-AUDIENCE: -Ooh! | 0:31:44 | 0:31:46 | |
Tie-lights. | 0:31:46 | 0:31:48 | |
LAUGHTER | 0:31:48 | 0:31:50 | |
Now, 100, you need to decide which performance you liked the best | 0:31:50 | 0:31:54 | |
and therefore stays in the competition. | 0:31:54 | 0:31:57 | |
If you preferred Rosalie, press your button now. | 0:31:57 | 0:32:00 | |
# We've got one night only, one night only | 0:32:00 | 0:32:04 | |
# That's all we've got to say. # | 0:32:04 | 0:32:07 | |
If you preferred Chess, press your button now. | 0:32:07 | 0:32:11 | |
# Find a flask, we're going fast and loose | 0:32:11 | 0:32:15 | |
# And all that jazz. # | 0:32:17 | 0:32:19 | |
100, the results are in and I can tell you decided the performer | 0:32:19 | 0:32:24 | |
taking that third spot and staying in the competition is... | 0:32:24 | 0:32:28 | |
..Chess! | 0:32:30 | 0:32:32 | |
CHEERING AND APPLAUSE | 0:32:32 | 0:32:33 | |
Which means we are saying goodbye to Rosalie. | 0:32:33 | 0:32:36 | |
Rosalie, you've been here from the beginning. | 0:32:36 | 0:32:38 | |
Have you enjoyed yourself? | 0:32:38 | 0:32:39 | |
Oh, do you know what, I've had an absolute ball. | 0:32:39 | 0:32:41 | |
It's been brilliant. | 0:32:41 | 0:32:42 | |
I've been first, second and third, so that'll do me. | 0:32:42 | 0:32:45 | |
Thank you very much. Give it up for Rosalie, everyone! Well done. | 0:32:45 | 0:32:48 | |
CHEERING AND APPLAUSE | 0:32:48 | 0:32:50 | |
Chess, please take your seat in the top three. | 0:32:50 | 0:32:53 | |
Well, I think it's time for a well-deserved break. | 0:32:53 | 0:32:55 | |
100, go and stretch your legs, go to the toilet, do whatever you do. | 0:32:55 | 0:32:58 | |
We'll be back in a minute for some more performances. | 0:32:58 | 0:33:01 | |
Whenever The 100 are backstage, | 0:33:02 | 0:33:04 | |
they've always got plenty to talk about. | 0:33:04 | 0:33:07 | |
How are you feeling being amongst this many people, the 100 judges? | 0:33:07 | 0:33:10 | |
I love it. | 0:33:10 | 0:33:12 | |
I feel like we're all one big family | 0:33:12 | 0:33:13 | |
and I love how we've each got our characters. | 0:33:13 | 0:33:17 | |
You've got the people that won't stand up for the whole episode. | 0:33:17 | 0:33:19 | |
-Some have got slightly bigger characters than others? -Yeah. -Yeah. | 0:33:19 | 0:33:23 | |
-I really like Gold Kay. -He had a nice voice. | 0:33:24 | 0:33:27 | |
He had a great tone to his voice, but he didn't have that beat. | 0:33:27 | 0:33:30 | |
He's supposed to be a dancer. Get up. | 0:33:30 | 0:33:34 | |
What did you guys think of Chrissy cos that was an interesting one? | 0:33:34 | 0:33:37 | |
Paradise City, one of my favourite songs, and that was phenomenal. | 0:33:37 | 0:33:41 | |
-Yeah. -But it didn't work for me, Nessun Dorma. There was no legato. | 0:33:41 | 0:33:44 | |
-Too staccato? -Staccato, exactly. | 0:33:44 | 0:33:46 | |
And how would you do it, Harry? | 0:33:46 | 0:33:48 | |
# Tu pure, oh Principessa. # | 0:33:48 | 0:33:52 | |
# You are a princess. # | 0:33:52 | 0:33:56 | |
Do you wake up in the morning and go, "You are a..?" | 0:33:56 | 0:33:59 | |
Yeah, I would. | 0:33:59 | 0:34:00 | |
LAUGHTER | 0:34:00 | 0:34:02 | |
I'm available. | 0:34:02 | 0:34:05 | |
With some big scores already posted, The 100 return to see if anyone else | 0:34:05 | 0:34:10 | |
can deliver a performance worthy of a place in the Grand Final. | 0:34:10 | 0:34:14 | |
Did you have a nice break? | 0:34:14 | 0:34:16 | |
All refreshed? | 0:34:16 | 0:34:17 | |
Who blocked the toilet? Own up! | 0:34:17 | 0:34:19 | |
What did you have for dinner? | 0:34:19 | 0:34:21 | |
Not very much. Hummus. | 0:34:21 | 0:34:23 | |
-No Jaffa Cakes? -No. | 0:34:23 | 0:34:26 | |
-Hello. -Hi. | 0:34:28 | 0:34:31 | |
-Oh. -OK. | 0:34:32 | 0:34:34 | |
We might need a fourth stool. | 0:34:34 | 0:34:36 | |
I'm Strawberry Sundae and I'm a little bit fruity. | 0:34:39 | 0:34:41 | |
I am Chocolate Sundae and I am your guilty pleasure. | 0:34:41 | 0:34:45 | |
And I'm Vanilla Sundae. | 0:34:45 | 0:34:47 | |
The Sundaes, take one. | 0:34:51 | 0:34:53 | |
The group's been going for seven years. | 0:34:53 | 0:34:55 | |
I was fed up of going to auditions and basically going on the no pile | 0:34:55 | 0:34:59 | |
because I didn't fit last year's costumes. | 0:34:59 | 0:35:01 | |
We love being on stage together and we just love singing. | 0:35:01 | 0:35:04 | |
83. Do you think someone's going to beat that? | 0:35:04 | 0:35:07 | |
-It's not unachievable, is it? -Yeah. | 0:35:07 | 0:35:09 | |
83 is not unassailable at all. | 0:35:09 | 0:35:12 | |
We're out to get the top seats because, quite honestly, | 0:35:12 | 0:35:16 | |
none of us have ever been on top. | 0:35:16 | 0:35:19 | |
Do we need to do that again? | 0:35:25 | 0:35:28 | |
Oh? Oh! | 0:35:32 | 0:35:34 | |
Take a closer look. | 0:35:34 | 0:35:35 | |
-Oh. -Triple threat. | 0:35:37 | 0:35:39 | |
Baby, Ginger and Scary. | 0:35:44 | 0:35:46 | |
Hi, everybody, we are The Sundaes. | 0:35:46 | 0:35:49 | |
This is our gorgeous Strawberry Sundae. | 0:35:49 | 0:35:53 | |
Vanilla Sundae. | 0:35:53 | 0:35:55 | |
And I'm your Chocolate Sundae | 0:35:55 | 0:35:56 | |
and we are here today to show you what girls like us can do. | 0:35:56 | 0:36:02 | |
-Oh, they're so cute. -So cute. | 0:36:02 | 0:36:05 | |
-GERI WHISPERS: -I hope they're good. | 0:36:09 | 0:36:10 | |
# It's raining | 0:36:12 | 0:36:15 | |
# It's pouring... # | 0:36:15 | 0:36:16 | |
Oh, my God! | 0:36:16 | 0:36:18 | |
# My love life is boring me to tears | 0:36:18 | 0:36:23 | |
# And we won't waste... # | 0:36:25 | 0:36:29 | |
Big song, no? | 0:36:29 | 0:36:31 | |
# Another | 0:36:31 | 0:36:35 | |
# Tear... # | 0:36:38 | 0:36:41 | |
Come on, everybody, here we go! | 0:36:44 | 0:36:45 | |
They're flying up! | 0:36:45 | 0:36:47 | |
# Enough is enough is enough | 0:36:47 | 0:36:49 | |
# I can't go on I can't go on no more now | 0:36:49 | 0:36:54 | |
# Enough is enough is enough | 0:36:54 | 0:36:56 | |
# I want him out | 0:36:56 | 0:36:58 | |
# I want him out that door now | 0:36:58 | 0:37:02 | |
# Our love I had to listen to my heart... # | 0:37:02 | 0:37:06 | |
Ooh, Chess is looking worried. | 0:37:06 | 0:37:08 | |
# Tear us apart | 0:37:08 | 0:37:11 | |
# Enough is enough is enough | 0:37:16 | 0:37:19 | |
# I can't go on I can't go on no more now | 0:37:19 | 0:37:24 | |
# Enough is enough is enough | 0:37:24 | 0:37:26 | |
# I want him out I want him out that door now | 0:37:26 | 0:37:31 | |
# Enough is enough is enough | 0:37:31 | 0:37:34 | |
# Is enough, is enough, is enough | 0:37:34 | 0:37:36 | |
# Is enough, is enough | 0:37:36 | 0:37:38 | |
# Is enough. # | 0:37:38 | 0:37:41 | |
CHEERING AND APPLAUSE | 0:37:41 | 0:37:42 | |
MUSIC: Respect by Aretha Franklin | 0:37:42 | 0:37:44 | |
# R-E-S-P-E-C-T, find out what it means to me | 0:37:44 | 0:37:46 | |
# R-E-S-P-E-C-T | 0:37:46 | 0:37:48 | |
# Take care, TCB, whoa! # | 0:37:48 | 0:37:51 | |
CHEERING AND APPLAUSE | 0:37:51 | 0:37:54 | |
# Whoa, a little respect | 0:37:56 | 0:37:57 | |
# Just a little bit. # | 0:37:57 | 0:37:59 | |
The Sundaes, amazing 88. You take the top spot. Well done! | 0:38:01 | 0:38:04 | |
CHEERING AND APPLAUSE | 0:38:04 | 0:38:07 | |
Let's have a little shuffle down here to Divina. | 0:38:07 | 0:38:10 | |
Girls, the harmonies at the beginning were SO good. | 0:38:10 | 0:38:16 | |
They were so good. | 0:38:16 | 0:38:18 | |
CHEERING AND APPLAUSE | 0:38:18 | 0:38:20 | |
And, I'll be honest, Vanilla, before you started... | 0:38:20 | 0:38:23 | |
Vanilla, sorry. | 0:38:23 | 0:38:24 | |
HE CHUCKLES | 0:38:24 | 0:38:26 | |
..I was waiting for the vocal not to be on par, | 0:38:26 | 0:38:29 | |
and you slapped me around the face and were like, "No, I can do this!" | 0:38:29 | 0:38:34 | |
Yes, girl! | 0:38:34 | 0:38:37 | |
-Geri, what did you think? -Oh, you made me feel so happy. | 0:38:37 | 0:38:40 | |
It was like Spice Girls' happy cousins. | 0:38:40 | 0:38:42 | |
Exactly what this competition's been about. | 0:38:42 | 0:38:45 | |
Girls, I think you did a great job. | 0:38:45 | 0:38:47 | |
This 88 reflects that. | 0:38:47 | 0:38:49 | |
You've just wiped the board. Well done. | 0:38:49 | 0:38:52 | |
Thank you, Geri. | 0:38:52 | 0:38:53 | |
APPLAUSE | 0:38:53 | 0:38:56 | |
Now, not everyone liked it, I'm afraid, The Sundaes. | 0:38:56 | 0:39:01 | |
Paulus. | 0:39:01 | 0:39:02 | |
AUDIENCE BOOS | 0:39:02 | 0:39:04 | |
I think the question on everyone's lips is | 0:39:04 | 0:39:06 | |
what's your favourite ice cream flavour? | 0:39:06 | 0:39:08 | |
Pistachio. | 0:39:08 | 0:39:10 | |
Ooh, left field! | 0:39:10 | 0:39:12 | |
You don't like The Sundaes, why? | 0:39:12 | 0:39:13 | |
What was it that wasn't there for you? | 0:39:13 | 0:39:15 | |
I don't know if there was anything missing. | 0:39:15 | 0:39:17 | |
-I think it was too much, to be honest with you. -Really? | 0:39:17 | 0:39:19 | |
How can you ever have too much ice cream? | 0:39:19 | 0:39:21 | |
CHEERING AND APPLAUSE | 0:39:21 | 0:39:24 | |
Well, I'm lactose intolerant, so... | 0:39:24 | 0:39:26 | |
LAUGHTER | 0:39:26 | 0:39:29 | |
OK, never mind, Paulus. You can't please everyone. | 0:39:29 | 0:39:32 | |
So, with a huge score of 88, | 0:39:32 | 0:39:35 | |
The Sundaes, you take first spot in our top three. Well done. | 0:39:35 | 0:39:38 | |
Which unfortunately means that Chess, you leave us. | 0:39:38 | 0:39:41 | |
-Have you enjoyed yourself? -Yes. -Cool. | 0:39:41 | 0:39:44 | |
Always a good one for a chat. We've got to move on. | 0:39:44 | 0:39:46 | |
We can't carry on chatting all night, Chess, I'm afraid, | 0:39:46 | 0:39:49 | |
but thank you so much. | 0:39:49 | 0:39:50 | |
Round of applause for Chess, everyone! | 0:39:50 | 0:39:52 | |
CHEERING AND APPLAUSE | 0:39:52 | 0:39:53 | |
Sundaes, take your seat in the top three. | 0:39:53 | 0:39:56 | |
So that means Gold Kay is now Bronze Kay. | 0:39:56 | 0:40:00 | |
Sorry, Gold Kay, you've moved into the danger seat. | 0:40:02 | 0:40:04 | |
Which means The Sundaes, | 0:40:04 | 0:40:06 | |
if you're still in the top spot at the end of the show, | 0:40:06 | 0:40:09 | |
you'll automatically go through to the final. | 0:40:09 | 0:40:11 | |
And whoever is in second and third place | 0:40:11 | 0:40:13 | |
will face each other in the sing-off. | 0:40:13 | 0:40:15 | |
And let's bring on our next performer! | 0:40:15 | 0:40:17 | |
CHEERING AND APPLAUSE | 0:40:17 | 0:40:21 | |
I mean, I've stood up quite a lot today. | 0:40:21 | 0:40:22 | |
-And with things I didn't think I'd like. -Yeah, yeah. | 0:40:22 | 0:40:25 | |
But even The Sundaes. That's not really my kind of thing. | 0:40:25 | 0:40:27 | |
Hello, diversity. This is why I love this show. High five, buddy. | 0:40:27 | 0:40:31 | |
-Where is your fan? -Someone has nicked it. | 0:40:31 | 0:40:34 | |
-They can't have nicked it. -Someone has nicked my... -Do you know what? | 0:40:34 | 0:40:36 | |
I haven't seen it all day. | 0:40:36 | 0:40:38 | |
With disco, rock and soul performances | 0:40:38 | 0:40:40 | |
making up the top three, | 0:40:40 | 0:40:42 | |
there is no predicting what The 100 will root for next. | 0:40:42 | 0:40:46 | |
My name is Luke Davies. I am a barrister from Birmingham. | 0:40:46 | 0:40:50 | |
The song that I'm singing is almost like a modern classic. | 0:40:50 | 0:40:52 | |
And it does have its added pressure to it. | 0:40:52 | 0:40:55 | |
# I'm only human | 0:40:55 | 0:40:56 | |
# I've made mistakes... # | 0:40:56 | 0:40:58 | |
Sounds really nervous. | 0:40:58 | 0:40:59 | |
# It's all it takes to put the blame on me...# | 0:40:59 | 0:41:03 | |
-Some of it was great. -Yeah, and then some of it... | 0:41:07 | 0:41:09 | |
He started off a bit rocky. | 0:41:09 | 0:41:11 | |
It's a girl band. | 0:41:12 | 0:41:14 | |
-We are... -ALL: -The Apple Blossoms. | 0:41:14 | 0:41:17 | |
It doesn't get better than singing with your mates, really. | 0:41:17 | 0:41:19 | |
Please be good. | 0:41:19 | 0:41:21 | |
# Don't let what they say | 0:41:21 | 0:41:23 | |
# Keep you up at night | 0:41:23 | 0:41:25 | |
# They can't detain you | 0:41:25 | 0:41:27 | |
# These wings are made to fly... # | 0:41:27 | 0:41:32 | |
I just didn't feel I wanted to join in with you, sorry, ladies. | 0:41:36 | 0:41:39 | |
-Fair enough. -Thank you. -Thank you. -Well done, thanks for coming in. | 0:41:39 | 0:41:42 | |
The Apple Blossoms. | 0:41:42 | 0:41:43 | |
So the top three remains unchanged. Let's bring out our next act. | 0:41:43 | 0:41:49 | |
CHEERING AND APPLAUSE | 0:41:49 | 0:41:53 | |
I used to be a professional footballer for Crawley Town, | 0:41:55 | 0:41:58 | |
but unfortunately, I had a bad knee injury | 0:41:58 | 0:42:00 | |
which forced me to quit football. | 0:42:00 | 0:42:02 | |
So now I'm a teacher. | 0:42:02 | 0:42:04 | |
It's really difficult to balance both teaching and music | 0:42:04 | 0:42:08 | |
because you just don't have the time, but if you want to do it, | 0:42:08 | 0:42:10 | |
you've got to put the effort in. | 0:42:10 | 0:42:11 | |
-We need blood, sweat and tears. -Yeah. | 0:42:11 | 0:42:13 | |
I want some real, pure emotion. | 0:42:15 | 0:42:17 | |
When I see people enjoying my music, | 0:42:19 | 0:42:21 | |
and jumping up and down, | 0:42:21 | 0:42:23 | |
it absolutely gives me the biggest thrill. | 0:42:23 | 0:42:26 | |
So I am going to get that top seat, I am going to stay there, | 0:42:26 | 0:42:28 | |
and I'm going to get to the Final. | 0:42:28 | 0:42:30 | |
Here comes our next act. | 0:42:33 | 0:42:34 | |
If they score more than 80, they take Gold Kay's place. | 0:42:34 | 0:42:36 | |
Don't you just so desperately want them | 0:42:36 | 0:42:39 | |
to be good every time they walk out on stage? | 0:42:39 | 0:42:41 | |
Hello, I'm Alex from Ashford and I really, really hope | 0:42:43 | 0:42:45 | |
you enjoy my performance, and this song's for you. | 0:42:45 | 0:42:48 | |
Aw. That is so cute. | 0:42:48 | 0:42:50 | |
That noise gets me every time. | 0:42:53 | 0:42:55 | |
# You can tell everybody | 0:42:58 | 0:43:01 | |
# This is your song | 0:43:01 | 0:43:03 | |
# It may be quite simple but | 0:43:05 | 0:43:09 | |
# Now that it's done... # | 0:43:09 | 0:43:11 | |
Oh, no. | 0:43:11 | 0:43:12 | |
# I hope you don't mind | 0:43:12 | 0:43:14 | |
# I hope you don't mind | 0:43:14 | 0:43:16 | |
# That I put down in words | 0:43:16 | 0:43:20 | |
# How wonderful life is | 0:43:21 | 0:43:25 | |
# Now you're in the world | 0:43:25 | 0:43:30 | |
# So excuse me forgetting | 0:43:31 | 0:43:35 | |
# But these things I do | 0:43:35 | 0:43:39 | |
# You see I've forgotten | 0:43:39 | 0:43:41 | |
# If they're green or they're blue... | 0:43:41 | 0:43:46 | |
CHEERING | 0:43:46 | 0:43:48 | |
# Anyway, this is what I really mean | 0:43:48 | 0:43:53 | |
# Yours are the sweetest eyes | 0:43:54 | 0:43:57 | |
# I've ever seen | 0:43:57 | 0:44:03 | |
# I hope you don't mind | 0:44:03 | 0:44:05 | |
# I hope you don't mind | 0:44:05 | 0:44:07 | |
# That I put down in words | 0:44:07 | 0:44:11 | |
# How wonderful life is | 0:44:12 | 0:44:16 | |
# Now you're in the world. # | 0:44:16 | 0:44:23 | |
CHEERING AND APPLAUSE | 0:44:25 | 0:44:30 | |
He deserved more than 11. I can't think what was missing. | 0:44:35 | 0:44:41 | |
Well done, Alex, you scored 11, unfortunately, | 0:44:41 | 0:44:43 | |
not enough for our top three. Did you enjoy that? | 0:44:43 | 0:44:46 | |
It was great. I loved it. | 0:44:46 | 0:44:47 | |
Such a good experience, and thank you for those that stood up, | 0:44:47 | 0:44:49 | |
thank you. | 0:44:49 | 0:44:50 | |
APPLAUSE | 0:44:50 | 0:44:53 | |
Kiki, what did you love about that? | 0:44:53 | 0:44:55 | |
Do you know what? I genuinely felt like you were singing that to me. | 0:44:55 | 0:44:58 | |
I was, I was looking straight at you every time. | 0:44:58 | 0:45:00 | |
You were the only one up for a bit, so that it might have been that. | 0:45:01 | 0:45:04 | |
Yes, that's true. So, you know what? | 0:45:04 | 0:45:05 | |
I know it wasn't exactly what you needed to get through, | 0:45:05 | 0:45:08 | |
but thank you very much, thank you for me. | 0:45:08 | 0:45:11 | |
CHEERING AND APPLAUSE | 0:45:11 | 0:45:14 | |
Georg, our music teacher for the Brit School, | 0:45:14 | 0:45:16 | |
you didn't stand up for the performance there. | 0:45:16 | 0:45:18 | |
No, I didn't, sorry, Alex. | 0:45:18 | 0:45:20 | |
You've got a really good voice in there, | 0:45:20 | 0:45:21 | |
and you did a few things which were really good. | 0:45:21 | 0:45:23 | |
You just went a fraction too sharp. | 0:45:23 | 0:45:25 | |
But it's actually quite a good sign, | 0:45:25 | 0:45:26 | |
because most men have a break in their voice at that point. | 0:45:26 | 0:45:29 | |
And if they're good singers, they've got a good voice, | 0:45:29 | 0:45:31 | |
everything is moving well, they go a little bit sharp. | 0:45:31 | 0:45:33 | |
I would love to work with this guy. | 0:45:33 | 0:45:35 | |
Sign me up. | 0:45:35 | 0:45:37 | |
-A round of applause for Alex, everyone. -Thank you! | 0:45:39 | 0:45:41 | |
CHEERING AND APPLAUSE | 0:45:41 | 0:45:45 | |
It was a really good song choice | 0:45:45 | 0:45:47 | |
because of the way it builds up to that moment where he goes, "green". | 0:45:47 | 0:45:50 | |
That's almost like, if you know that moment, | 0:45:50 | 0:45:52 | |
you'd probably get a lot of people standing up. | 0:45:52 | 0:45:54 | |
My name's Georg, and I'm a teacher at the world-famous Brit School. | 0:46:00 | 0:46:04 | |
My job here is to work with the kids one-on-one. | 0:46:05 | 0:46:07 | |
I coach them on their songs, I work on their voices, | 0:46:07 | 0:46:10 | |
help them to increase their range. | 0:46:10 | 0:46:12 | |
When you feel you have taught something, | 0:46:12 | 0:46:14 | |
and you see them actually improve, that's the buzz of teaching. | 0:46:14 | 0:46:17 | |
Some of the students who have come here | 0:46:17 | 0:46:19 | |
have gone on to huge international success, | 0:46:19 | 0:46:21 | |
so I obviously have high standards. | 0:46:21 | 0:46:23 | |
Being part of The 100, | 0:46:23 | 0:46:24 | |
I can't help but look for good vocal technique, tuning. | 0:46:24 | 0:46:28 | |
Beyond that, I'll be looking for them to really feel the song, | 0:46:28 | 0:46:31 | |
and for us to connect with them as they are performing. | 0:46:31 | 0:46:33 | |
If they achieve that, then I'll be singing along. | 0:46:33 | 0:46:36 | |
So, two acts to go, you are still in there, Gold Kay. Well done, mate. | 0:46:36 | 0:46:41 | |
I hate being this near the end. I hate it. | 0:46:41 | 0:46:44 | |
Let's bring out our next act! | 0:46:44 | 0:46:46 | |
Hello, everybody. This is lovely, isn't it? Oh, this one, never mind. | 0:46:48 | 0:46:52 | |
I've been singing for about 11 years now. | 0:46:55 | 0:46:58 | |
I spent four years working on cruise ships | 0:46:58 | 0:47:00 | |
singing a huge mixture of songs. | 0:47:00 | 0:47:01 | |
All kind of classic musical theatre. | 0:47:01 | 0:47:03 | |
We used to do kind of the old, like, shimmying, | 0:47:03 | 0:47:06 | |
and shall I get up and show you? | 0:47:06 | 0:47:08 | |
Full of jazz hands. | 0:47:09 | 0:47:10 | |
Someone needs to give us a song that makes us happy. | 0:47:10 | 0:47:13 | |
Yes. A bit more life and energy about them. | 0:47:13 | 0:47:16 | |
Not everybody will love the style of singing that I do, | 0:47:16 | 0:47:19 | |
but it would make me feel on top of the world | 0:47:19 | 0:47:21 | |
if The 100 would join in with my performance. | 0:47:21 | 0:47:23 | |
Lily... I think he's for you. | 0:47:26 | 0:47:29 | |
-He has a better jacket than mine. -He's got a better jacket. | 0:47:30 | 0:47:34 | |
Only two more acts to go. | 0:47:34 | 0:47:35 | |
If either of them score more than 80, | 0:47:35 | 0:47:38 | |
Gold Kay is out of the competition. | 0:47:38 | 0:47:39 | |
Hi, everybody. My name is Benjamin. | 0:47:39 | 0:47:41 | |
I'm from North Wales, and this is an iconic British song. | 0:47:41 | 0:47:46 | |
# I saw the light on the night that I passed by her window | 0:47:54 | 0:48:02 | |
# I saw the flickering shadow... # | 0:48:02 | 0:48:03 | |
His fingers have gone. He's whipped out the fingers. | 0:48:03 | 0:48:06 | |
# She was... # | 0:48:09 | 0:48:12 | |
Oh, Gold Kay is looking worried. | 0:48:12 | 0:48:16 | |
# As she deceived me I watched and went out of my mind... # | 0:48:17 | 0:48:22 | |
He's only a bit dramatic, isn't he? | 0:48:22 | 0:48:25 | |
# My, my, my, Delilah... # | 0:48:25 | 0:48:28 | |
The 100s can join now. | 0:48:28 | 0:48:29 | |
# Delilah | 0:48:29 | 0:48:31 | |
# Bye, bye, bye, Delilah | 0:48:32 | 0:48:37 | |
# I can see that girl is no good for me | 0:48:40 | 0:48:47 | |
# But I was lost like a slave that no man could see... # | 0:48:47 | 0:48:52 | |
One more time! Come on, here we go! | 0:48:52 | 0:48:55 | |
# My, my, my, Delilah... # | 0:48:55 | 0:49:00 | |
Gold Kay is swaying. He don't look happy, though. | 0:49:00 | 0:49:02 | |
# Why, why, why, Delilah? | 0:49:02 | 0:49:07 | |
# So before they come to break down the door | 0:49:10 | 0:49:17 | |
# Forgive me, Delilah, I just couldn't take any more. # | 0:49:17 | 0:49:24 | |
CHEERING AND APPLAUSE | 0:49:25 | 0:49:28 | |
What an animal! Well done, Benji, look at that! | 0:49:28 | 0:49:31 | |
CHEERING AND APPLAUSE | 0:49:41 | 0:49:45 | |
Beaten by one point. | 0:49:45 | 0:49:46 | |
I'm so happy for him, but I'm so gutted for him. | 0:49:49 | 0:49:52 | |
Benjamin, that was incredible. | 0:49:57 | 0:49:58 | |
81, just one point got you third spot. How are you feeling? | 0:49:58 | 0:50:02 | |
I've got the driest mouth in the world, but...amazing! | 0:50:02 | 0:50:04 | |
Kristian, you were loving it. | 0:50:05 | 0:50:07 | |
Yeah, to be honest, I only stood up because you are Welsh. | 0:50:07 | 0:50:10 | |
No, I'm joking, I'm joking. | 0:50:10 | 0:50:11 | |
LAUGHTER | 0:50:11 | 0:50:13 | |
I've heard this song sung in the pub | 0:50:13 | 0:50:14 | |
and they just, you know, go a bit wild. | 0:50:14 | 0:50:16 | |
But your top notes were on form all the way through. | 0:50:16 | 0:50:20 | |
And I loved your performance, mate, it was great. | 0:50:20 | 0:50:22 | |
It was great, wasn't it? | 0:50:22 | 0:50:23 | |
And the outfit is incredible, mate. Absolute Mr Showbiz. Look at you. | 0:50:23 | 0:50:26 | |
APPLAUSE | 0:50:26 | 0:50:27 | |
-Harry? -Have to say, mate, phenomenal voice, phenomenal voice. | 0:50:27 | 0:50:30 | |
And it's great to hear someone mix the classical | 0:50:30 | 0:50:33 | |
with the slightly more contemporary music. | 0:50:33 | 0:50:35 | |
And do it so well, and so refined. | 0:50:35 | 0:50:38 | |
-Really, well done, top performance. -Thank you very much. Thank you. | 0:50:38 | 0:50:41 | |
CHEERING AND APPLAUSE | 0:50:41 | 0:50:42 | |
Some high praise. | 0:50:42 | 0:50:44 | |
So with a score of 81, Benjamin, | 0:50:44 | 0:50:47 | |
you take the third spot which means, sadly, Gold Kay, | 0:50:47 | 0:50:50 | |
you'll be leaving us. | 0:50:50 | 0:50:51 | |
Have you enjoyed your time? | 0:50:51 | 0:50:53 | |
I really have enjoyed my time. | 0:50:53 | 0:50:54 | |
I'd just like to thank each and every one of you | 0:50:54 | 0:50:56 | |
for supporting me when I was on stage. | 0:50:56 | 0:50:58 | |
CHEERING AND APPLAUSE | 0:50:58 | 0:50:59 | |
Thank you very much. Give it up for Gold Kay, everyone! | 0:50:59 | 0:51:02 | |
And Benjamin, please take your seat. | 0:51:02 | 0:51:04 | |
So, with one act left, Benjamin, you are in the danger seat there. | 0:51:05 | 0:51:10 | |
If the next act gets more than 81, you'll be leaving the competition. | 0:51:10 | 0:51:14 | |
However, if the next act gets more than 88, The Sundaes, | 0:51:14 | 0:51:17 | |
you'll be in the sing-off. | 0:51:17 | 0:51:19 | |
Anything can happen. Let's bring on our final act. | 0:51:19 | 0:51:21 | |
CHEERING AND APPLAUSE | 0:51:21 | 0:51:25 | |
-INTERVIEWER: Hello. -Hello... | 0:51:27 | 0:51:29 | |
-LAUGHS: -Hello. | 0:51:29 | 0:51:30 | |
I used to work at McDonald's, | 0:51:33 | 0:51:34 | |
and then I thought I'd take my music career to the next level | 0:51:34 | 0:51:38 | |
and just see what I could do. | 0:51:38 | 0:51:40 | |
So I busk quite a lot on the weekends. | 0:51:40 | 0:51:42 | |
Wherever my nan will take me, I go busking. | 0:51:42 | 0:51:44 | |
And, actually, two years ago, | 0:51:44 | 0:51:46 | |
someone randomly just posted it on social media. | 0:51:46 | 0:51:48 | |
And people were recognising me, | 0:51:48 | 0:51:50 | |
like, the locals and stuff like that. | 0:51:50 | 0:51:52 | |
Well, this is like 100 people, and all the eyes are going to be on me. | 0:51:52 | 0:51:58 | |
So I need to pull this off. | 0:51:58 | 0:52:00 | |
There is a lot of talent on here. | 0:52:00 | 0:52:02 | |
This is going to have to be spectacular to knock him off. | 0:52:02 | 0:52:04 | |
If no-one stands up, then at least I know myself | 0:52:04 | 0:52:07 | |
that I've tried my hardest, | 0:52:07 | 0:52:10 | |
and I won't be walking away with my head down. | 0:52:10 | 0:52:12 | |
OK, the final walk-out. | 0:52:12 | 0:52:13 | |
Fingers crossed, they stand up. | 0:52:14 | 0:52:18 | |
Hopefully, yeah, hopefully. | 0:52:18 | 0:52:20 | |
Please look up. | 0:52:35 | 0:52:37 | |
Come on, lift your head up, boy. | 0:52:37 | 0:52:40 | |
This will knock it out of the park, though. | 0:52:43 | 0:52:45 | |
Here is the final act of the night. | 0:52:45 | 0:52:48 | |
If they score more than 81, they get in the sing-off. | 0:52:48 | 0:52:50 | |
If they score more than 88, they're straight through to the final. | 0:52:50 | 0:52:53 | |
Hi, I'm Michael, I'm from Hartlepool, I'm really nervous. | 0:52:54 | 0:52:58 | |
But this is my favourite song, and I really hope you enjoy it. | 0:52:58 | 0:53:01 | |
# Left a good job in the city | 0:53:12 | 0:53:17 | |
# Working for the man every night and day... # | 0:53:17 | 0:53:19 | |
It's my song! | 0:53:19 | 0:53:21 | |
# But those big wheels keep on turning | 0:53:22 | 0:53:27 | |
# Proud Mary keep on burning... # | 0:53:27 | 0:53:32 | |
Ho-ho-ho-ho! | 0:53:32 | 0:53:33 | |
# And we're rolling | 0:53:33 | 0:53:35 | |
# Hey! Rolling, yeah | 0:53:35 | 0:53:39 | |
# Rolling on the river | 0:53:39 | 0:53:45 | |
One, two, three... | 0:53:45 | 0:53:46 | |
# Well, I left a good job in the city | 0:53:50 | 0:53:52 | |
# Working for the man every night and day | 0:53:52 | 0:53:55 | |
# And I never lost a minute of sleep | 0:53:55 | 0:53:58 | |
# Worrying about the way things might have been | 0:53:58 | 0:54:01 | |
# Big wheels keep on turning | 0:54:01 | 0:54:04 | |
# Proud Mary keep on burning | 0:54:04 | 0:54:07 | |
# Rolling, rolling, rolling on the river | 0:54:07 | 0:54:12 | |
# We're rolling, rolling, | 0:54:12 | 0:54:15 | |
# Rolling on the river | 0:54:15 | 0:54:18 | |
# I cleaned a lot of plates in Memphis | 0:54:18 | 0:54:21 | |
# Pumped a lot of 'tane down in New Orleans | 0:54:21 | 0:54:24 | |
# But I never saw the good side of the city | 0:54:24 | 0:54:27 | |
# Until I hitched a ride on the riverboat queen | 0:54:27 | 0:54:29 | |
# Big wheels keep on turning | 0:54:29 | 0:54:32 | |
# Proud Mary keep on burning | 0:54:32 | 0:54:34 | |
# Rolling, rolling, rolling on the river... # | 0:54:34 | 0:54:37 | |
This could be our first-ever hundred. He's won... | 0:54:37 | 0:54:40 | |
CHEERING AND APPLAUSE | 0:54:40 | 0:54:42 | |
Wow, he's done 100! | 0:54:42 | 0:54:44 | |
# And we're rolling on the river. # | 0:54:44 | 0:54:47 | |
CHEERING AND APPLAUSE | 0:54:47 | 0:54:50 | |
Everyone was up on their feet! Incredible! | 0:54:50 | 0:54:53 | |
Amazing! | 0:55:07 | 0:55:09 | |
Yeah! What a performance! | 0:55:09 | 0:55:11 | |
-AUDIENCE: # Rollin', rollin'... # -Thank you! | 0:55:15 | 0:55:17 | |
# Rollin' on the river | 0:55:17 | 0:55:19 | |
# Rollin', rollin' | 0:55:19 | 0:55:21 | |
# Rollin', rollin' | 0:55:21 | 0:55:23 | |
# Rollin' on the river | 0:55:23 | 0:55:25 | |
# Rollin', rollin' Rollin', rollin' | 0:55:25 | 0:55:28 | |
# Rollin' on the river. # | 0:55:28 | 0:55:31 | |
RAPTUROUS APPLAUSE | 0:55:31 | 0:55:36 | |
Michael! | 0:55:39 | 0:55:40 | |
Could not have done any better. | 0:55:40 | 0:55:42 | |
Thank you. | 0:55:42 | 0:55:43 | |
Everyone loved it, but there's one person I know | 0:55:45 | 0:55:48 | |
that probably loved it more than anyone else. | 0:55:48 | 0:55:50 | |
Tina T. | 0:55:50 | 0:55:52 | |
CHEERING | 0:55:52 | 0:55:54 | |
Tina Turner tribute act. | 0:55:54 | 0:55:58 | |
I am one proud Mary! | 0:55:58 | 0:55:59 | |
-CHEERING -Thank you! | 0:55:59 | 0:56:03 | |
You've got 100 of these amazing guys. | 0:56:03 | 0:56:06 | |
Respect! | 0:56:06 | 0:56:07 | |
Simply the best! | 0:56:07 | 0:56:09 | |
Who-o-o-o-o-oa! Who-o-o-o-o-oa! | 0:56:09 | 0:56:12 | |
Oh, my God! | 0:56:12 | 0:56:15 | |
I've never felt so alive! | 0:56:15 | 0:56:16 | |
LAUGHTER | 0:56:16 | 0:56:17 | |
This is absolutely unbelievable. | 0:56:17 | 0:56:19 | |
Even Paulus stood up. | 0:56:19 | 0:56:20 | |
CHEERING | 0:56:20 | 0:56:22 | |
He's not laughed since 1987. | 0:56:22 | 0:56:24 | |
LAUGHTER | 0:56:24 | 0:56:26 | |
Paulus. | 0:56:26 | 0:56:27 | |
You're loving life. You stood up. What was it that got you going? | 0:56:27 | 0:56:31 | |
LAUGHTER | 0:56:31 | 0:56:33 | |
You've broken him. | 0:56:33 | 0:56:35 | |
Thank you. | 0:56:35 | 0:56:36 | |
CHEERING | 0:56:36 | 0:56:37 | |
Now, Georg, what has Michael got in store for him after that? | 0:56:37 | 0:56:42 | |
Michael, you absolutely lit me up. | 0:56:42 | 0:56:44 | |
-That was incredible. -Thanks so much. | 0:56:44 | 0:56:46 | |
In the Brit School, over the last 17 years, we've had artists come out | 0:56:46 | 0:56:51 | |
of there like Adele, Leona Lewis, Jessie J, Ella Eyre. | 0:56:51 | 0:56:54 | |
You are outstanding! | 0:56:54 | 0:56:56 | |
Thanks. | 0:56:56 | 0:56:57 | |
Unbelievable! | 0:56:57 | 0:56:59 | |
Geri. | 0:56:59 | 0:57:00 | |
You picked a brilliant song. | 0:57:00 | 0:57:02 | |
Thank you. | 0:57:02 | 0:57:04 | |
Brilliant performance. And then you had so much charisma. | 0:57:04 | 0:57:09 | |
Thank you. | 0:57:09 | 0:57:10 | |
So you ticked all the boxes. | 0:57:10 | 0:57:12 | |
You got 100 people on their feet. That is All Together Now. Well done. | 0:57:12 | 0:57:16 | |
Thank you. Cheers. | 0:57:16 | 0:57:18 | |
Amazing, incredible, Michael. Well done. | 0:57:18 | 0:57:21 | |
You are in the top spot, which sadly...Benjamin... | 0:57:21 | 0:57:25 | |
-AUDIENCE: -Aww! | 0:57:25 | 0:57:27 | |
We lose you, I'm afraid. How do you feel? | 0:57:27 | 0:57:29 | |
Michael has such an amazing talent | 0:57:29 | 0:57:32 | |
and he 100% deserves to be in the final. He really does. | 0:57:32 | 0:57:35 | |
-Thank you, Benjamin. -Aw, Benjamin. | 0:57:35 | 0:57:37 | |
Give it up for Benjamin! | 0:57:37 | 0:57:39 | |
And Michael, please take your place in the top spot! | 0:57:39 | 0:57:41 | |
CHEERING | 0:57:41 | 0:57:44 | |
So, we've got ourselves a finalist. | 0:57:48 | 0:57:51 | |
CHEERING | 0:57:51 | 0:57:53 | |
In the top spot with a massive score and coming back | 0:57:53 | 0:57:56 | |
for the Grand Final and the chance to win £50,000, it's Michael! | 0:57:56 | 0:58:00 | |
CHEERING | 0:58:00 | 0:58:02 | |
Congratulations! | 0:58:02 | 0:58:03 | |
But that means The Sundaes and Chrissy | 0:58:04 | 0:58:07 | |
will face each other in tonight's sing-off. | 0:58:07 | 0:58:10 | |
Only one of you can join Michael in the final. | 0:58:10 | 0:58:13 | |
You will now get your chance to perform again with a new song. | 0:58:13 | 0:58:16 | |
Both of your scores have been cleared. | 0:58:16 | 0:58:18 | |
So it's a level playing field. | 0:58:18 | 0:58:20 | |
Now, The 100, as before, if you like the performance, | 0:58:20 | 0:58:23 | |
you can get up and join in with it. | 0:58:23 | 0:58:25 | |
You can stand up for one of them, for both of them or for neither. | 0:58:25 | 0:58:29 | |
But you must judge them on this performance alone. | 0:58:29 | 0:58:33 | |
Chrissy, you're up first, good luck. | 0:58:33 | 0:58:36 | |
I'm quite apprehensive about this, Georg. | 0:58:45 | 0:58:47 | |
Where does she go after her mashup? | 0:58:47 | 0:58:51 | |
MUSIC PLAYS | 0:58:56 | 0:58:59 | |
# Listen, baby Ain't no mountain high | 0:59:00 | 0:59:05 | |
# Ain't no valley low | 0:59:05 | 0:59:07 | |
# Ain't no river wide enough, baby... # | 0:59:07 | 0:59:10 | |
I'm not feeling it. | 0:59:10 | 0:59:12 | |
-She might ease into it. -Yeah. | 0:59:12 | 0:59:14 | |
# No matter how far Don't worry, baby | 0:59:14 | 0:59:19 | |
# Just call my name I'll be there in a hurry | 0:59:19 | 0:59:22 | |
# You don't have to worry | 0:59:22 | 0:59:24 | |
# Cos baby there ain't no mountain high enough | 0:59:24 | 0:59:28 | |
# Ain't no valley low enough | 0:59:28 | 0:59:32 | |
# Ain't no river wide enough | 0:59:32 | 0:59:36 | |
# To keep me from getting to you, babe | 0:59:36 | 0:59:39 | |
# Ooh, my love is alive Way down in my heart... # | 0:59:39 | 0:59:43 | |
Give me notes, come on! It's a sing-off! | 0:59:43 | 0:59:45 | |
# If you ever need a hand to hold | 0:59:45 | 0:59:49 | |
# I'll be there Just as fast as I can | 0:59:49 | 0:59:51 | |
# Don't you know that there Ain't no mountain high enough | 0:59:51 | 0:59:57 | |
# Ain't no valley low enough | 0:59:57 | 1:00:01 | |
# Ain't no river wide enough | 1:00:01 | 1:00:05 | |
# To keep me from getting to you | 1:00:05 | 1:00:08 | |
# Don't you know that there Ain't no mountain high enough | 1:00:08 | 1:00:12 | |
# Ain't no valley low enough | 1:00:12 | 1:00:14 | |
# Ain't no river wide enough | 1:00:17 | 1:00:19 | |
# To keep me from getting to you, babe, ooh! # | 1:00:19 | 1:00:24 | |
-That should have been a moment. -Yeah. -And it wasn't. -No, it wasn't. | 1:00:29 | 1:00:33 | |
-Aw-w-w-w... -Oh, my God! -I know. | 1:00:38 | 1:00:42 | |
Well done, Chrissy, a little bit tougher than last time. | 1:00:44 | 1:00:47 | |
It was. I've been sitting there an awful long time, | 1:00:47 | 1:00:49 | |
watching some amazing people sing. | 1:00:49 | 1:00:51 | |
-It's a really high standard, isn't it? -Yep. | 1:00:51 | 1:00:53 | |
-But anything can happen in the sing-off. -Yep. | 1:00:53 | 1:00:55 | |
And remember, if The Sundaes don't score more than that, | 1:00:55 | 1:00:58 | |
you will be in the final. | 1:00:58 | 1:01:00 | |
So, The Sundaes, you're up next. Good luck. | 1:01:00 | 1:01:03 | |
You've got a score of 10 to beat. | 1:01:03 | 1:01:05 | |
This will be interesting. | 1:01:09 | 1:01:10 | |
It depends on the song. | 1:01:10 | 1:01:13 | |
-# We-e-e-e-e-e-e-e-e-e-ell... # -APPLAUSE | 1:01:20 | 1:01:26 | |
# You know you make me want to shout | 1:01:26 | 1:01:27 | |
-# Look, my hand's jumping -Shout | 1:01:27 | 1:01:29 | |
-# Look, my heart's thumping -Shout | 1:01:29 | 1:01:30 | |
# Throw my head back Come on now | 1:01:30 | 1:01:33 | |
# Don't forget to say you will | 1:01:33 | 1:01:36 | |
# Yeah, don't forget to shout Yeah, yeah, yeah, yeah, yeah | 1:01:36 | 1:01:40 | |
# Say you will, throw your head back, baby... # | 1:01:40 | 1:01:43 | |
This is so sing-along. I love this. | 1:01:43 | 1:01:45 | |
# Come on, come on Say you will | 1:01:45 | 1:01:49 | |
# Throw your head back, ooh! | 1:01:49 | 1:01:51 | |
# Come on now! | 1:01:51 | 1:01:53 | |
-# Say that you love me -Say | 1:01:53 | 1:01:55 | |
-# Say that you need me -Say | 1:01:55 | 1:01:57 | |
-# Say that you want me -Say | 1:01:57 | 1:01:58 | |
-# Ain't gonna leave me -Say | 1:01:58 | 1:02:00 | |
-# Come on now -Say | 1:02:00 | 1:02:02 | |
-# Come on now -Say | 1:02:02 | 1:02:04 | |
-Come on now -Say | 1:02:04 | 1:02:06 | |
-# I want you to know -Yeah | 1:02:06 | 1:02:09 | |
# I said I want you to know right now | 1:02:09 | 1:02:12 | |
# You've been good to me, baby | 1:02:12 | 1:02:16 | |
# Better than I've been to myself | 1:02:16 | 1:02:20 | |
# You know you make me want to shout | 1:02:20 | 1:02:22 | |
-# Woo! -Shout | 1:02:22 | 1:02:24 | |
-# Woo! -Shout | 1:02:24 | 1:02:25 | |
-# Woo! -Shout | 1:02:25 | 1:02:27 | |
# Woo! | 1:02:27 | 1:02:29 | |
# Shout now, jump up and shout now | 1:02:29 | 1:02:31 | |
# Everybody shout now Everybody shout now | 1:02:31 | 1:02:35 | |
# Everybody shout, shout, shout, shout, shout, shout... # | 1:02:35 | 1:02:40 | |
Come on, girl! | 1:02:40 | 1:02:41 | |
# Oh, shout | 1:02:41 | 1:02:43 | |
# Well, I feel | 1:02:43 | 1:02:45 | |
# A-a-a-a-a-a-ll... | 1:02:45 | 1:02:49 | |
# r-i-i-i-i-ight. # | 1:02:49 | 1:02:53 | |
RAPTUROUS APPLAUSE | 1:02:53 | 1:02:58 | |
That's a high score. | 1:03:01 | 1:03:02 | |
Well done, The Sundaes! | 1:03:10 | 1:03:12 | |
Congratulations, a huge score of 92, more than you got earlier! | 1:03:12 | 1:03:15 | |
That means you're through to the final! | 1:03:15 | 1:03:17 | |
Yay! | 1:03:17 | 1:03:19 | |
Chrissy, I don't think any of us will forget | 1:03:19 | 1:03:21 | |
that incredible performance of opera and Guns N' Roses earlier. | 1:03:21 | 1:03:24 | |
-Thank you. -Incredible stuff. Well done, Chrissy. | 1:03:24 | 1:03:27 | |
Have you enjoyed yourself? | 1:03:27 | 1:03:28 | |
It's been absolutely amazing. | 1:03:28 | 1:03:31 | |
I've been sitting here, and each of the acts | 1:03:31 | 1:03:33 | |
has been more spectacular than the last. | 1:03:33 | 1:03:35 | |
It's just been absolutely awe-inspiring. | 1:03:35 | 1:03:37 | |
Chrissy, everyone! | 1:03:37 | 1:03:39 | |
Michael, come and join us. | 1:03:39 | 1:03:43 | |
APPLAUSE | 1:03:43 | 1:03:45 | |
Well done! | 1:03:45 | 1:03:46 | |
So we've got our two finalists. | 1:03:46 | 1:03:48 | |
I can't believe it. I'm absolutely over the moon. | 1:03:48 | 1:03:50 | |
And The Sundaes. | 1:03:50 | 1:03:52 | |
We're so grateful. This has been amazing, | 1:03:52 | 1:03:55 | |
and the line-up has been amazing. | 1:03:55 | 1:03:56 | |
Geri, how great were they? | 1:03:56 | 1:03:58 | |
Wow, this is going to be a great final. Brilliant job. | 1:03:58 | 1:04:02 | |
Well done, guys. | 1:04:02 | 1:04:03 | |
Well, that's it for tonight. Thanks to Geri and The 100. | 1:04:03 | 1:04:07 | |
Join us next week to see who can get The 100 up on their feet | 1:04:07 | 1:04:11 | |
and joining in. We'll see you then. Goodnight! | 1:04:11 | 1:04:15 | |
Next time on All Together Now, | 1:04:18 | 1:04:21 | |
there are two more places in the Grand Final up for grabs. | 1:04:21 | 1:04:24 | |
Come on, boys! | 1:04:24 | 1:04:25 | |
We've got everything, from Moana... | 1:04:25 | 1:04:27 | |
# And no-one knows... # | 1:04:27 | 1:04:30 | |
..to Nirvana. | 1:04:30 | 1:04:31 | |
# With the lights out It's less dangerous... # | 1:04:31 | 1:04:34 | |
The 100 give more hopefuls the cold shoulder... | 1:04:34 | 1:04:36 | |
Oh, my... | 1:04:36 | 1:04:39 | |
..Heronimo lets his hair down... | 1:04:39 | 1:04:41 | |
There's a lot more there than I thought there was going to be. LAUGHTER | 1:04:41 | 1:04:44 | |
..and Geri gives Lily a whole load of lip. | 1:04:44 | 1:04:47 | |
-SHE LAUGHS -Put it back in my bra. | 1:04:48 | 1:04:51 |