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Welcome to All Together Now, | 0:00:02 | 0:00:03 | |
the brand-new singing competition that's all about joining in. | 0:00:03 | 0:00:06 | |
Because we all love a little singalong, don't we? | 0:00:06 | 0:00:08 | |
Whether it's on the way to work... | 0:00:08 | 0:00:09 | |
# Shake, shake, shake, shake, shake... # | 0:00:09 | 0:00:11 | |
..when you're at home... | 0:00:11 | 0:00:13 | |
# Those were the best days of my life. # | 0:00:13 | 0:00:15 | |
..or with your mates. | 0:00:15 | 0:00:17 | |
# Backstreet's back, all right! # | 0:00:17 | 0:00:20 | |
What a tune! | 0:00:20 | 0:00:21 | |
Last week, a range of different acts took to the stage, | 0:00:21 | 0:00:25 | |
battling it out for a place in our grand final and the £50,000 prize. | 0:00:25 | 0:00:30 | |
Woo! | 0:00:30 | 0:00:32 | |
But they came face-to-face with the 100. | 0:00:32 | 0:00:35 | |
Yeah! | 0:00:35 | 0:00:37 | |
I've never felt so alive! | 0:00:37 | 0:00:39 | |
They are a mix of great singers from across the UK. | 0:00:39 | 0:00:42 | |
If any of the 100 loved a contestant's performance, | 0:00:42 | 0:00:44 | |
they could stand up and join in singing. | 0:00:44 | 0:00:47 | |
The more who joined in, the higher the contestant's score. | 0:00:48 | 0:00:51 | |
-Heading up the 100 is global pop icon Geri. -Amazing! | 0:00:55 | 0:00:59 | |
This show is more than a singing contest, it's about connecting. | 0:00:59 | 0:01:04 | |
Oh, you made me feel so happy. | 0:01:04 | 0:01:05 | |
Can you connect with 100 people? | 0:01:05 | 0:01:07 | |
All different backgrounds, | 0:01:07 | 0:01:09 | |
and they are all looking for something different. | 0:01:09 | 0:01:11 | |
You are outstanding. | 0:01:11 | 0:01:13 | |
But pleasing all of the 100 was no easy task. | 0:01:13 | 0:01:15 | |
-No, that wasn't for me. -Slightly flat in places. | 0:01:18 | 0:01:20 | |
In the end, The Sundaes won the sing-off, | 0:01:22 | 0:01:25 | |
securing their place in the grand final alongside Michael... | 0:01:25 | 0:01:29 | |
# Rolling on the river... # | 0:01:29 | 0:01:31 | |
..who was top scorer of the night and absolutely smashed it. | 0:01:31 | 0:01:34 | |
100! | 0:01:34 | 0:01:35 | |
You literally could not have done any better. | 0:01:38 | 0:01:41 | |
Tonight... | 0:01:41 | 0:01:43 | |
-..the 100 return... -Come on! | 0:01:43 | 0:01:45 | |
And a new host of singers, from professionals to amateurs, | 0:01:45 | 0:01:49 | |
-are hoping to impress. -It didn't win me over. | 0:01:49 | 0:01:52 | |
-The toughest crowd. -I take my hat off to you. | 0:01:52 | 0:01:55 | |
I didn't quite find enough storytelling. | 0:01:55 | 0:01:57 | |
It's a song, isn't it? It's not a book. | 0:01:57 | 0:01:59 | |
Hello, Divina. How are you? Good to see you. | 0:02:15 | 0:02:19 | |
With the family reunion in full swing... | 0:02:19 | 0:02:21 | |
My lovely people! | 0:02:21 | 0:02:23 | |
..the 100 are ready to get on their feet and sing along. | 0:02:23 | 0:02:27 | |
But only if the performers can impress. | 0:02:27 | 0:02:30 | |
If they can make it sound believable, then Mr Fabulous, | 0:02:30 | 0:02:33 | |
and all of his fur, I'm getting up there. | 0:02:33 | 0:02:36 | |
-Let's warm up the room. -OK, brilliant. | 0:02:36 | 0:02:39 | |
Let's get everyone's voices going. | 0:02:39 | 0:02:40 | |
THEY DO VOCAL EXERCISES | 0:02:40 | 0:02:43 | |
That's great. | 0:02:43 | 0:02:44 | |
You're just making us all look like fish! | 0:02:46 | 0:02:48 | |
Well, fish do love scales, Geri, ha-ha! | 0:02:48 | 0:02:50 | |
So, the 100 are warmed up and ready to go. | 0:02:50 | 0:02:53 | |
I think we should go into that studio. Come on! | 0:02:53 | 0:02:56 | |
Let's go and find some talent. | 0:02:56 | 0:02:59 | |
The 100, everybody! | 0:03:01 | 0:03:02 | |
So, the 100 are all set to decide which two of tonight's acts | 0:03:03 | 0:03:07 | |
will go through to the series final. | 0:03:07 | 0:03:10 | |
And backstage, our first act is waiting to perform. | 0:03:10 | 0:03:13 | |
I didn't think I was nervous. | 0:03:13 | 0:03:15 | |
I was like, "Oh, yeah, it's going to be fine." And then you're like... | 0:03:15 | 0:03:19 | |
Hi! | 0:03:22 | 0:03:24 | |
I recently just left full-time work to give this music thing a chance. | 0:03:24 | 0:03:28 | |
The nerves in me are just like... | 0:03:28 | 0:03:31 | |
I'm pulling my gloves up here. Getting ready for battle. | 0:03:31 | 0:03:34 | |
Everything that I do, I add my own little touch of Tabi onto it. | 0:03:34 | 0:03:38 | |
Even if it's just a bit of a bop and a click and a groove | 0:03:38 | 0:03:41 | |
and, you know... | 0:03:41 | 0:03:42 | |
-OK, Tabi, do you want to come out? We're ready for you. -Good luck. | 0:03:42 | 0:03:45 | |
I hope the 100 are ready to get up and move and they're going to | 0:03:45 | 0:03:47 | |
have to have a good time, because I won't have it any other way. | 0:03:47 | 0:03:51 | |
Here we go. | 0:03:51 | 0:03:52 | |
-50 grand. -50 grand, remember that. | 0:03:53 | 0:03:56 | |
Here comes our first performer of the night. | 0:03:59 | 0:04:01 | |
Whatever score she gets sets the bar. | 0:04:01 | 0:04:03 | |
Oooh. | 0:04:03 | 0:04:05 | |
-She's going to be a belter, isn't she? -Oh, I hope so. | 0:04:08 | 0:04:10 | |
Hello, my name is Tabi Gazele and I hope that you guys can enjoy | 0:04:12 | 0:04:16 | |
this song as much as I want to enjoy it with you. | 0:04:16 | 0:04:18 | |
That's got to be nerve-racking. | 0:04:24 | 0:04:26 | |
# Give me your, give me your Give me your attention baby | 0:04:32 | 0:04:36 | |
# I got to tell you a little something about yourself... # | 0:04:36 | 0:04:40 | |
That's it, work this place. | 0:04:40 | 0:04:43 | |
They can't join in until the lights change. | 0:04:43 | 0:04:46 | |
# ..But you walk around here like you wanna be someone else | 0:04:46 | 0:04:48 | |
# Oh, whoa | 0:04:48 | 0:04:50 | |
# I know that you don't know it but you're fine, so fine | 0:04:50 | 0:04:54 | |
# Oh, whoa | 0:04:56 | 0:04:59 | |
# Oh, boy I'm gonna show you when you're mine, oh mine... # | 0:04:59 | 0:05:03 | |
The lights have changed, so the 100 can join in now if they want. | 0:05:05 | 0:05:08 | |
# That is what you are | 0:05:08 | 0:05:11 | |
# Honey you're my golden star... # | 0:05:11 | 0:05:14 | |
Geri's up. | 0:05:16 | 0:05:18 | |
# If you let me treasure you | 0:05:19 | 0:05:22 | |
# If you let me treasure | 0:05:23 | 0:05:26 | |
# Oh, oh, oh | 0:05:26 | 0:05:29 | |
# You are my treasure, you are my treasure... # | 0:05:30 | 0:05:34 | |
You guys at home can see the score but the 100 can't. | 0:05:35 | 0:05:39 | |
She's smashing it! | 0:05:39 | 0:05:40 | |
# That is what you are | 0:05:40 | 0:05:43 | |
# Honey, you're my golden star | 0:05:44 | 0:05:47 | |
# You know you can make my wish come true | 0:05:48 | 0:05:51 | |
# If you let me treasure you | 0:05:53 | 0:05:55 | |
# If you let me treasure you. # | 0:05:57 | 0:06:03 | |
CHEERING AND APPLAUSE | 0:06:03 | 0:06:06 | |
That was amazing! | 0:06:18 | 0:06:19 | |
I wasn't expecting that many people to stand up for anyone. | 0:06:25 | 0:06:28 | |
Oh, my God. | 0:06:28 | 0:06:30 | |
Tabi! | 0:06:30 | 0:06:31 | |
That's incredible, 96! | 0:06:31 | 0:06:33 | |
Thank you, guys, thank you! Thank you. | 0:06:33 | 0:06:37 | |
That's a high bar you've set for the start of the show. | 0:06:37 | 0:06:40 | |
That's incredible. Shuffle down here and I'll speak to Nathaniel. | 0:06:40 | 0:06:44 | |
Sorry, mate, I stumbled all over you, there. | 0:06:44 | 0:06:45 | |
I didn't see you wearing camouflage. | 0:06:45 | 0:06:47 | |
-Nathaniel, what did you think of that? -That was absolutely amazing. | 0:06:48 | 0:06:53 | |
You had the power, you had the poise. In my opinion, you nailed it. | 0:06:53 | 0:06:56 | |
-Well done, awesome. -Thank you. | 0:06:56 | 0:06:59 | |
Geri, what did you think of that? | 0:06:59 | 0:07:00 | |
I feel quite gobsmacked | 0:07:00 | 0:07:02 | |
because I just want to let you know, Tabi, you don't realise, | 0:07:02 | 0:07:06 | |
this lot, they can be quite critical | 0:07:06 | 0:07:08 | |
and to be able to appeal to nearly everyone is amazing. | 0:07:08 | 0:07:14 | |
-So congratulations. -Thank you so much. | 0:07:15 | 0:07:18 | |
Thank you, thank you. | 0:07:18 | 0:07:21 | |
Thanks, Geri. | 0:07:21 | 0:07:23 | |
So, Tabi, that was a great score, but not everyone went for it | 0:07:23 | 0:07:26 | |
and cabaret host Paulus, that didn't get you going. | 0:07:26 | 0:07:28 | |
-No, I'm afraid not, sorry. -Why not, Paulus? | 0:07:28 | 0:07:31 | |
There was lots of really great things in there but what | 0:07:31 | 0:07:33 | |
I was looking for, but I didn't quite find, was enough storytelling. | 0:07:33 | 0:07:37 | |
-It's a song, isn't it? It's not a book. -Ah. | 0:07:37 | 0:07:39 | |
I've never read Harry Potter and gone, | 0:07:40 | 0:07:42 | |
"Come on, do a song in a minute, will you, JK?" | 0:07:42 | 0:07:44 | |
Well done, Tabi. With an incredible score of 96, | 0:07:45 | 0:07:48 | |
-take your place in the top three. -Thank you. | 0:07:48 | 0:07:50 | |
CHEERING | 0:07:50 | 0:07:52 | |
Remember, if Tabi is still in top spot at the end of the show, | 0:07:54 | 0:07:57 | |
she will go straight to the grand final at the end of the series | 0:07:57 | 0:08:01 | |
for a chance to win £50,000. | 0:08:01 | 0:08:03 | |
But there's still a load more acts to come, so anything can happen. | 0:08:06 | 0:08:09 | |
-That's a dream start, isn't it? -I mean, best of luck. | 0:08:09 | 0:08:12 | |
She got 96, I was not expecting that, not for the first person. | 0:08:14 | 0:08:17 | |
God, I nearly fell off my stool then! | 0:08:18 | 0:08:20 | |
As soon as I left school, I started work as a labourer | 0:08:23 | 0:08:26 | |
on a building site, I'd always be singing round the site, | 0:08:26 | 0:08:28 | |
listening to the radio and getting on everyone's nerves, really. | 0:08:28 | 0:08:32 | |
# Laaaaa! # | 0:08:32 | 0:08:33 | |
I knew at the back of my head it wasn't the job | 0:08:33 | 0:08:35 | |
that I wanted to spend the rest of my life doing. | 0:08:35 | 0:08:38 | |
The best thing to do is not get put off by her score. | 0:08:38 | 0:08:40 | |
If they've heard it, then I'd feel a bit intimidated. | 0:08:40 | 0:08:42 | |
I don't really warm up, which is really bad. | 0:08:42 | 0:08:44 | |
I just have a cup of tea. | 0:08:44 | 0:08:46 | |
Winning 50 grand would be incredible. | 0:08:46 | 0:08:49 | |
It would change my life so much. | 0:08:49 | 0:08:51 | |
I'm just going to give it all I've got | 0:08:51 | 0:08:53 | |
and pray that somebody stands up. | 0:08:53 | 0:08:54 | |
I don't know. OK, let's see. | 0:08:58 | 0:09:00 | |
He seems much more nervous. | 0:09:01 | 0:09:03 | |
Here's our next act. | 0:09:03 | 0:09:04 | |
They've got a big score to beat, let's see if they can do it. | 0:09:04 | 0:09:07 | |
It must be so nerve-racking. I could never do that. | 0:09:07 | 0:09:10 | |
I would absolutely be like, "Oh!" | 0:09:10 | 0:09:13 | |
I hope he's good. | 0:09:15 | 0:09:16 | |
Hello, my name's Karl. I'm from Swansea in South Wales. | 0:09:18 | 0:09:22 | |
-The Welsh have really good voices. -True, true. Shirley, Tom. -Yeah. | 0:09:22 | 0:09:26 | |
I've always had a passion for singing | 0:09:26 | 0:09:28 | |
so hopefully you'll enjoy it as much as I do. | 0:09:28 | 0:09:31 | |
# Oh, don't you dare look back | 0:09:40 | 0:09:42 | |
# Just keep your eyes on me | 0:09:42 | 0:09:43 | |
# I said, you're holding back | 0:09:43 | 0:09:45 | |
# She said, shut up and dance with me | 0:09:45 | 0:09:48 | |
# This woman is my destiny | 0:09:48 | 0:09:51 | |
# She said, ooh-ooh, shut up and dance with me | 0:09:51 | 0:09:56 | |
# Come on... # | 0:09:56 | 0:09:57 | |
Oh, hello, he's off the mic stick. | 0:09:57 | 0:09:59 | |
# ..We were victims of the night | 0:09:59 | 0:10:01 | |
# The chemical, physical kryptonite... # | 0:10:01 | 0:10:05 | |
Oh, Billy Busylegs over there, giving it some. | 0:10:05 | 0:10:07 | |
# ..Helpless to the bass and fading light... # | 0:10:07 | 0:10:09 | |
The lights have changed, they can join in. | 0:10:09 | 0:10:12 | |
# ..Bound to get together | 0:10:12 | 0:10:14 | |
# She took my arm, I don't know how it happened | 0:10:14 | 0:10:18 | |
# We took the floor and she said | 0:10:18 | 0:10:21 | |
# Oh, don't you dare look back | 0:10:21 | 0:10:23 | |
# Just keep your eyes on me | 0:10:23 | 0:10:25 | |
# I said, you're holding back | 0:10:25 | 0:10:27 | |
# She said, shut up and dance with me | 0:10:27 | 0:10:29 | |
# This woman is my destiny | 0:10:29 | 0:10:32 | |
# She said, ooh-ooh, shut up and dance with me | 0:10:32 | 0:10:37 | |
# She took my arm, I don't know how it happened | 0:10:37 | 0:10:41 | |
# We took the floor and she said | 0:10:41 | 0:10:43 | |
# Oh, don't you dare look back | 0:10:43 | 0:10:45 | |
# Just keep your eyes on me | 0:10:45 | 0:10:47 | |
# I said, you're holding back | 0:10:47 | 0:10:49 | |
# She said, shut up and dance | 0:10:49 | 0:10:52 | |
# Don't you dare look back | 0:10:52 | 0:10:53 | |
# Just keep your eyes on me | 0:10:53 | 0:10:55 | |
# I said, you're holding back | 0:10:55 | 0:10:57 | |
# She said, shut up and dance with me | 0:10:57 | 0:10:59 | |
# This woman is my destiny | 0:10:59 | 0:11:02 | |
# She said, ooh-ooh, shut up and dance with me. # | 0:11:02 | 0:11:07 | |
CHEERING AND APPLAUSE | 0:11:07 | 0:11:10 | |
-At least 90. -Yeah? | 0:11:13 | 0:11:14 | |
# So, come on Let me entertain you... # | 0:11:16 | 0:11:21 | |
I have to eat my hat. | 0:11:21 | 0:11:23 | |
Eat your hat, eat your words. | 0:11:23 | 0:11:25 | |
Good, that. | 0:11:25 | 0:11:27 | |
Losers, the lot of you! | 0:11:27 | 0:11:29 | |
They are bringing it, yeah! | 0:11:29 | 0:11:31 | |
-Oh, well done, Karl. 86! -Thank you very much. Cheers. | 0:11:33 | 0:11:37 | |
Tabi was taking the mickey with 96, | 0:11:37 | 0:11:38 | |
but 86 is incredible, well done. | 0:11:38 | 0:11:41 | |
We're going to have a chat now, find Ash. | 0:11:41 | 0:11:43 | |
-You all right? -Oh, mate, that was unreal. | 0:11:43 | 0:11:46 | |
That is my favourite song at the minute and I was all over it. | 0:11:46 | 0:11:49 | |
I said, "If he comes off that stand, I'm up." Mate, that was incredible. | 0:11:49 | 0:11:52 | |
-Thank you. -Good stuff. | 0:11:52 | 0:11:53 | |
Sophie, you didn't stand up for that. | 0:11:55 | 0:11:57 | |
What was it that didn't get you going? | 0:11:57 | 0:11:58 | |
It didn't win me over | 0:11:58 | 0:12:00 | |
because I really felt the nerves through your eyes. | 0:12:00 | 0:12:04 | |
I thought I was more excited than nervous. | 0:12:04 | 0:12:06 | |
I've used that excuse as well before, mate, | 0:12:06 | 0:12:08 | |
don't worry about that. LAUGHTER | 0:12:08 | 0:12:10 | |
-Hi, Maryam. -Hi, Rob. | 0:12:13 | 0:12:15 | |
What did you think? Would you have Karl in your choir? | 0:12:15 | 0:12:17 | |
Yes, I would, actually. | 0:12:17 | 0:12:19 | |
If you ever move to Edinburgh, Glasgow or Dundee, you have... | 0:12:19 | 0:12:22 | |
How big's your choir? | 0:12:22 | 0:12:24 | |
You've taken over the three cities! | 0:12:26 | 0:12:28 | |
You got me standing up and singing to a song that I don't really like | 0:12:28 | 0:12:34 | |
because you were partying and I was partying right down there with you. | 0:12:34 | 0:12:38 | |
Well done. | 0:12:38 | 0:12:39 | |
APPLAUSE | 0:12:39 | 0:12:42 | |
So, well done, Karl. With a score of 86, that puts you in second place. | 0:12:42 | 0:12:45 | |
Please take your seat in the top three. | 0:12:45 | 0:12:48 | |
# So, come on Let me entertain you... # | 0:12:48 | 0:12:53 | |
Remember, two places in the grand final are up for grabs. | 0:12:53 | 0:12:57 | |
Tabi, if no-one beats 96, you go straight through to the final. | 0:12:57 | 0:13:01 | |
But whoever's in the second | 0:13:01 | 0:13:03 | |
and third seat will sing off for the remaining spot. | 0:13:03 | 0:13:06 | |
Forget about it, Tabi. 86 is really good, though. | 0:13:08 | 0:13:11 | |
Yeah, it's hard to beat. | 0:13:11 | 0:13:12 | |
-Come on, it's time. -OK. -Good luck! | 0:13:15 | 0:13:17 | |
I'm just hoping the next person is going to give me | 0:13:17 | 0:13:19 | |
a bit of sass and give me a bit of fabulousness. | 0:13:19 | 0:13:21 | |
My ten-year plan when I was 18 was to be | 0:13:23 | 0:13:26 | |
the voice of a Disney Princess. | 0:13:26 | 0:13:28 | |
I love the song I picked. I think it's a little bit of a gamble. | 0:13:29 | 0:13:33 | |
Paulus isn't going to stand up for anyone. | 0:13:33 | 0:13:34 | |
No, he needs someone special. | 0:13:34 | 0:13:36 | |
Tonight, I'm going to go out there, do my best, | 0:13:38 | 0:13:41 | |
get as many people on their feet and prove to myself that I can do this. | 0:13:41 | 0:13:45 | |
This is a difficult song. | 0:13:47 | 0:13:48 | |
# I've been staring at the edge of the water | 0:13:48 | 0:13:53 | |
# Long as I can remember Never really knowing why | 0:13:53 | 0:13:59 | |
# I wish I could be the perfect daughter | 0:14:01 | 0:14:05 | |
# But I come back to the water... # | 0:14:05 | 0:14:09 | |
It's sort of like Frozen on a beach, isn't it, Moana? | 0:14:09 | 0:14:12 | |
# ..Every turn I take, every trail I track | 0:14:12 | 0:14:15 | |
# Every path I make Every road leads back... # | 0:14:15 | 0:14:18 | |
OK, the lights have changed, they can join in now, | 0:14:18 | 0:14:20 | |
-and it's building. -# ..Where I can not go... # | 0:14:20 | 0:14:21 | |
We've got one up. | 0:14:21 | 0:14:23 | |
# ..See the light as it shines on the sea? It's blinding | 0:14:24 | 0:14:29 | |
# And no-one knows | 0:14:29 | 0:14:32 | |
# How deep it goes | 0:14:32 | 0:14:35 | |
# And it seems like it's calling out to me, so come find me | 0:14:35 | 0:14:40 | |
# And let me know, | 0:14:40 | 0:14:44 | |
# What's beyond that line? Will I cross that line? | 0:14:44 | 0:14:47 | |
# See the line where the sky meets the sea? It calls me | 0:14:47 | 0:14:52 | |
# And no-one knows how far it goes | 0:14:52 | 0:14:58 | |
# If the wind in my sail on the sea stays behind me | 0:14:58 | 0:15:03 | |
# One day I'll know | 0:15:03 | 0:15:06 | |
# How far I'll go. # | 0:15:06 | 0:15:13 | |
CHEERING AND APPLAUSE | 0:15:13 | 0:15:16 | |
Mate, that's choked me up, that. | 0:15:16 | 0:15:18 | |
Well done, Lauren, you scored 44. | 0:15:22 | 0:15:24 | |
-Are you happy with that? -I'm very happy. | 0:15:26 | 0:15:29 | |
You know, I was hoping for at least one, so I'm thrilled. | 0:15:29 | 0:15:33 | |
Nigel, you a big Disney fan? | 0:15:34 | 0:15:36 | |
Not particular Disney fan, | 0:15:36 | 0:15:37 | |
but I thought the song was a lovely choice for the young lady there. | 0:15:37 | 0:15:40 | |
There was a story there for Paulus, so he'll be happy now. | 0:15:40 | 0:15:42 | |
There's a story, Paulus. | 0:15:42 | 0:15:44 | |
He didn't even stand up, and it had a story in it! | 0:15:44 | 0:15:46 | |
What did you think, Geri, of Lauren? | 0:15:48 | 0:15:50 | |
I think the point of the show, it's All Together Now | 0:15:50 | 0:15:53 | |
-and it didn't feel the performance was for everyone. -Yeah. | 0:15:53 | 0:15:56 | |
-I just didn't feel it. -OK. -But well done. -Thank you. | 0:15:56 | 0:15:59 | |
APPLAUSE | 0:15:59 | 0:16:02 | |
Should have worn my Fitbit! | 0:16:03 | 0:16:05 | |
-Lindsay, Lindsay. -I had a bit of a moment there. | 0:16:05 | 0:16:08 | |
Yeah, you got a bit emotional, watching that. | 0:16:08 | 0:16:10 | |
It's my three-year-old... I'm going to go again, sorry. | 0:16:10 | 0:16:13 | |
It's my three-year-old daughter, | 0:16:13 | 0:16:14 | |
she loves that song and we sing it together. I'm sorry. | 0:16:14 | 0:16:17 | |
-Are you all right, Lindsay? -Yeah. | 0:16:17 | 0:16:19 | |
I tried to sing along with you but I was just like, "Mah!" | 0:16:19 | 0:16:22 | |
You're not going to last the series, Lindsay, are you? | 0:16:22 | 0:16:25 | |
She'll have to have counselling. | 0:16:25 | 0:16:26 | |
"Oh, no, there's a song coming up from Little Mermaid!" | 0:16:26 | 0:16:29 | |
Well done, Lauren, you scored 44. | 0:16:31 | 0:16:32 | |
That puts you in the third spot of our top three. | 0:16:32 | 0:16:36 | |
# Let it go, let it go... # | 0:16:36 | 0:16:39 | |
So, we've filled all three seats. | 0:16:39 | 0:16:41 | |
This is where the competition hots up. | 0:16:41 | 0:16:43 | |
Lauren, you're the act in danger. | 0:16:43 | 0:16:45 | |
If the next act scores more than 44, there will be no Disney ending | 0:16:45 | 0:16:49 | |
for you and you'll leave the competition. | 0:16:49 | 0:16:52 | |
Let's crack on. | 0:16:52 | 0:16:53 | |
96! | 0:16:56 | 0:16:57 | |
-I don't think that's going to be beaten. -Have you seen what's coming? | 0:16:58 | 0:17:02 | |
Do you know what? I've always wanted to be a Disney Princess. | 0:17:02 | 0:17:05 | |
Darling, you would never make a Disney Princess. | 0:17:05 | 0:17:07 | |
My name is Nigel Murfitt. | 0:17:11 | 0:17:13 | |
I sing at medieval banquets dressed as Henry VIII. | 0:17:13 | 0:17:16 | |
DOGS BARK | 0:17:16 | 0:17:19 | |
# We will, we will rock you... # | 0:17:26 | 0:17:29 | |
I just love putting on this costume, playing the king | 0:17:29 | 0:17:31 | |
and belting out a few songs. | 0:17:31 | 0:17:33 | |
Have I got chicken in my beard, just before I start? | 0:17:33 | 0:17:36 | |
I was trained as a classical singer, | 0:17:37 | 0:17:39 | |
so opera is also a great passion of mine. | 0:17:39 | 0:17:41 | |
I have cast and directed many musicals, | 0:17:41 | 0:17:44 | |
so I have had the opportunity to judge voices | 0:17:44 | 0:17:46 | |
and characters for some considerable time. | 0:17:46 | 0:17:48 | |
Although I love the voice, | 0:17:48 | 0:17:49 | |
there just wasn't enough to compel me to get up. | 0:17:49 | 0:17:51 | |
I'm quite picky and I want to see good vocal quality, | 0:17:51 | 0:17:55 | |
good song choice, or give me some kind of shiver down the spine, | 0:17:55 | 0:17:58 | |
goose bumps, something of that sort. | 0:17:58 | 0:18:00 | |
I don't think you're the demographic, medieval Nigel. | 0:18:00 | 0:18:02 | |
You'd be surprised what I'm the demographic for. | 0:18:02 | 0:18:04 | |
If I'm not enjoying a performance, | 0:18:04 | 0:18:06 | |
I might well be tempted to order their heads to be chopped off. | 0:18:06 | 0:18:10 | |
I'm not quite sure how I'll get away with that. | 0:18:10 | 0:18:13 | |
Tonight, there's just two places up for grabs in our series final. | 0:18:13 | 0:18:17 | |
You feel how everyone else is feeling, | 0:18:17 | 0:18:19 | |
how everyone's really nervous back there and we're just like, done. | 0:18:19 | 0:18:22 | |
Yeah, oh, my God. | 0:18:22 | 0:18:23 | |
Don't get too comfortable, Karl, | 0:18:23 | 0:18:25 | |
because there's plenty more acts still to come, | 0:18:25 | 0:18:28 | |
each hoping to take your seats, | 0:18:28 | 0:18:29 | |
including a pair of old hands... | 0:18:29 | 0:18:32 | |
I feel like I'm in Vegas. | 0:18:32 | 0:18:34 | |
..a pair hand-in-hand... | 0:18:35 | 0:18:37 | |
-Oh, they're holding hands! -OK... | 0:18:37 | 0:18:39 | |
-..and a man with his head in his hands. -Oh, my stars. | 0:18:40 | 0:18:44 | |
But will our next act have what it takes to win over the 100? | 0:18:44 | 0:18:48 | |
-Yeah. Look, we've made it, we've got a clapperboard. -I know. | 0:18:48 | 0:18:52 | |
Sista Sista, take one. | 0:18:52 | 0:18:53 | |
-My name is Katie. -And my name is Lisa. | 0:18:55 | 0:18:57 | |
Sometimes we get mistaken for twins. We're very in sync. | 0:18:57 | 0:19:01 | |
-Oh, blimey, hello! -Oh, they're related, aren't they? | 0:19:01 | 0:19:04 | |
It's like us but maybe 40 years ago. | 0:19:04 | 0:19:06 | |
Sista Sista's style is, I would say, loud, fun, get everyone up dancing. | 0:19:08 | 0:19:13 | |
Sista Sista is up for this challenge. | 0:19:16 | 0:19:19 | |
She didn't even want to talk! | 0:19:22 | 0:19:23 | |
# We're 1,000 miles from comfort | 0:19:31 | 0:19:35 | |
# We have travelled land and sea | 0:19:35 | 0:19:39 | |
# But as long as you are with me | 0:19:39 | 0:19:43 | |
# There's no place I'd rather be | 0:19:43 | 0:19:46 | |
# With every step we take Kyoto to The Bay | 0:19:48 | 0:19:51 | |
# Strollin' so casually | 0:19:51 | 0:19:54 | |
# We're different and the same Gave you another name... # | 0:19:55 | 0:20:00 | |
Now the 100 can join in. | 0:20:00 | 0:20:03 | |
# ..If you gave me a chance I would take it | 0:20:03 | 0:20:07 | |
# It's a shot in the dark but I'll fake it | 0:20:07 | 0:20:11 | |
# Know with all your heart You can't shame me... # | 0:20:11 | 0:20:15 | |
Come on, no-one's joining in! | 0:20:15 | 0:20:17 | |
I'm not sure the harmonies are as tight as yours. | 0:20:17 | 0:20:19 | |
# No, no, no, no, no No place I'd rather be... # | 0:20:19 | 0:20:23 | |
No-one? Oh! | 0:20:23 | 0:20:25 | |
# Yeah, yeah, yeah, yeah, yeah | 0:20:25 | 0:20:28 | |
# If you gave me a chance I would take it | 0:20:28 | 0:20:31 | |
# It's a shot in the dark but I'll make it... # | 0:20:31 | 0:20:35 | |
Oh, one up! Two up! | 0:20:35 | 0:20:38 | |
# ..you can't shame me... # | 0:20:38 | 0:20:39 | |
I feel awkward because they are sisters. | 0:20:39 | 0:20:42 | |
# ..rather be No, no, no... # | 0:20:42 | 0:20:44 | |
And you can feel the bond. | 0:20:44 | 0:20:45 | |
# ..No place I'd rather be | 0:20:45 | 0:20:47 | |
# No, no, no, no, No place I'd rather be | 0:20:47 | 0:20:51 | |
# When I am with you There's no place I'd rather be. # | 0:20:51 | 0:20:58 | |
APPLAUSE AND CHEERING | 0:20:58 | 0:21:01 | |
# Hey sister Soul sister, go sister... # | 0:21:04 | 0:21:08 | |
Sista Sista, how do you think that went? | 0:21:13 | 0:21:15 | |
-They were tough, weren't they? -Really tough. -The toughest crowd. | 0:21:15 | 0:21:18 | |
Geri, they didn't go for it, the 100, this time, did they? | 0:21:18 | 0:21:22 | |
OK, first of all, I love singing with other people. | 0:21:22 | 0:21:26 | |
When I sing with Emma, you know, when you harmonise together, | 0:21:26 | 0:21:29 | |
you have such a nice time. | 0:21:29 | 0:21:31 | |
If I'm honest, your harmonies were a little bit, you know, | 0:21:31 | 0:21:34 | |
they weren't quite connecting. | 0:21:34 | 0:21:35 | |
But it's really nice that the two of you have got each other | 0:21:35 | 0:21:38 | |
and you've shared that experience. You did a good job. | 0:21:38 | 0:21:40 | |
OK, well done. | 0:21:40 | 0:21:42 | |
So, from two singing sisters to another two singing sisters, | 0:21:42 | 0:21:46 | |
we've got Maria - it wasn't your cup of tea? | 0:21:46 | 0:21:49 | |
This might be a big regret of mine for a long time | 0:21:49 | 0:21:51 | |
because actually my heart is going right now for you girls. | 0:21:51 | 0:21:55 | |
Trace and I have sung as a duo in places where there has been | 0:21:55 | 0:21:58 | |
more of us than there has been audience, and... | 0:21:58 | 0:22:01 | |
-LAUGHTER -..and you can sing, so please keep on doing it. | 0:22:01 | 0:22:04 | |
-BOTH: -Thank you. | 0:22:04 | 0:22:06 | |
Well, Sista Sista, well done, | 0:22:06 | 0:22:08 | |
but three wasn't enough to get into the top three. | 0:22:08 | 0:22:10 | |
Give it up for Sista Sista. | 0:22:10 | 0:22:12 | |
# Sisters are doing it for themselves. # | 0:22:12 | 0:22:17 | |
OK, that means our top three doesn't change. | 0:22:17 | 0:22:21 | |
But, Lauren, with 44, if someone beats that, | 0:22:21 | 0:22:23 | |
you will be leaving the competition. | 0:22:23 | 0:22:25 | |
Let's see what happens with our next act. | 0:22:25 | 0:22:28 | |
-You're next, do you want to come up? -Yep. -Good luck, Abi. | 0:22:32 | 0:22:35 | |
Hello. My name's Abi. | 0:22:36 | 0:22:39 | |
It's out of tune, that's why! | 0:22:42 | 0:22:44 | |
I work in a call centre and a restaurant | 0:22:46 | 0:22:48 | |
so that I can fund doing what I love to do. | 0:22:48 | 0:22:51 | |
Is she going to do some country? Or is she going to do some rock? | 0:22:51 | 0:22:54 | |
-Cute. -I think rock. | 0:22:54 | 0:22:55 | |
Abi needs to score more than 44 to get herself a seat | 0:22:55 | 0:22:58 | |
in the top three. | 0:22:58 | 0:22:59 | |
It would be absolutely madness... | 0:22:59 | 0:23:03 | |
..for them not to stand up. | 0:23:05 | 0:23:07 | |
MUSIC: It Must Be Love | 0:23:07 | 0:23:11 | |
# I never thought I'd miss you... # | 0:23:11 | 0:23:13 | |
Ooh, yes, Abi! This is not the voice I was expecting. | 0:23:13 | 0:23:16 | |
# ..Half as much as I do # | 0:23:16 | 0:23:20 | |
# Mm-mm-mm-mm | 0:23:20 | 0:23:23 | |
# And I never thought I'd feel this way | 0:23:25 | 0:23:28 | |
# The way I feel about you | 0:23:28 | 0:23:33 | |
# Oh, yeah... # | 0:23:33 | 0:23:35 | |
-She's playing air drums. -# As soon as I wake up | 0:23:37 | 0:23:40 | |
# Every night, every day | 0:23:40 | 0:23:44 | |
# I know that it's you I need to chase my blues away | 0:23:44 | 0:23:50 | |
# It must be love, love, love... | 0:23:50 | 0:23:54 | |
-Heronimo...is up. -# ..It must be love, love, love... # | 0:23:54 | 0:24:00 | |
# Nothing more, nothing less Love is the best... # | 0:24:00 | 0:24:04 | |
This is close. | 0:24:04 | 0:24:06 | |
# I've got to be near you Every night, every day | 0:24:06 | 0:24:13 | |
# I couldn't be happy any other way | 0:24:13 | 0:24:19 | |
# It must be love, love, love | 0:24:19 | 0:24:24 | |
# It must be love, love, love | 0:24:24 | 0:24:28 | |
# It must be love, love, love | 0:24:28 | 0:24:34 | |
# Nothing more, nothing less Love is the best. # | 0:24:34 | 0:24:40 | |
Yes. Clever girl. | 0:24:40 | 0:24:42 | |
APPLAUSE AND CHEERING | 0:24:42 | 0:24:44 | |
Wow, well done, Abi. You scored 52. | 0:24:55 | 0:24:58 | |
-Thank you, everyone. -Which puts you in our top three. Well done. | 0:24:58 | 0:25:01 | |
See me old mate Heronimo. | 0:25:01 | 0:25:03 | |
It's an iconic song, really well sung. | 0:25:03 | 0:25:06 | |
I thought it was fantastic. | 0:25:07 | 0:25:09 | |
You sold me! | 0:25:09 | 0:25:12 | |
-Hat twins as well! -Yeah. -Amazing. -Same hat. | 0:25:12 | 0:25:15 | |
I take my hat off to you. | 0:25:15 | 0:25:16 | |
CHEERING There's a lot more there than I thought there was going to be. | 0:25:16 | 0:25:20 | |
-What, my hair? -Look at that! LAUGHTER | 0:25:20 | 0:25:22 | |
So, Abi, with a score 52, | 0:25:22 | 0:25:24 | |
that has put you into third place in the competition. | 0:25:24 | 0:25:27 | |
But unfortunately, Lauren, with 44, you leave us. | 0:25:27 | 0:25:30 | |
Round of applause for Lauren, everyone. | 0:25:30 | 0:25:32 | |
APPLAUSE Abi, take your place in the top three. | 0:25:32 | 0:25:34 | |
So, Abi, you're in seat three | 0:25:38 | 0:25:41 | |
but how long can you stay there? | 0:25:41 | 0:25:43 | |
There is plenty more acts to come that could nick your spot. | 0:25:43 | 0:25:46 | |
-What's your favourite food? -Aubergines, actually. | 0:25:49 | 0:25:52 | |
-Aubergines? -Aubergines and king prawns. | 0:25:52 | 0:25:55 | |
OK. | 0:25:55 | 0:25:57 | |
-Do you reckon we can hang on? -I reckon you can hang on, I reckon! | 0:25:57 | 0:26:00 | |
It's nice to sit here for now. | 0:26:00 | 0:26:02 | |
But I have a feeling one might be bumped off. | 0:26:02 | 0:26:05 | |
-Hello. -Hi. | 0:26:05 | 0:26:07 | |
I'm Sophie Clarke. | 0:26:08 | 0:26:09 | |
I'm 18 years old and I'm from the lovely city of Liverpool. | 0:26:09 | 0:26:13 | |
I was definitely born in the wrong era. | 0:26:13 | 0:26:15 | |
I love the 1940s and the 1950s. | 0:26:15 | 0:26:18 | |
-I feel really tense... -Yeah. Yeah. -..about them now, | 0:26:18 | 0:26:20 | |
because I don't want either of them three to go, | 0:26:20 | 0:26:22 | |
-but I know but I know one of them is going to go. -It's hard, isn't it? | 0:26:22 | 0:26:25 | |
The older musicals for me just have beautiful stories | 0:26:25 | 0:26:28 | |
and the lyrics and the music are so wonderfully put together. | 0:26:28 | 0:26:32 | |
-Hi, Sophie. You're next. Do you want to come with me? -Go on, babe. | 0:26:32 | 0:26:35 | |
-Break a leg. -Smash it. | 0:26:35 | 0:26:36 | |
I think the 100 might be surprised by my song choice | 0:26:36 | 0:26:39 | |
because it's not the usual thing an 18-year-old would sing. | 0:26:39 | 0:26:42 | |
I'm just going to keep my fingers crossed | 0:26:42 | 0:26:44 | |
that the 100 will get up and sing with me. | 0:26:44 | 0:26:46 | |
So, can Abi cling onto that third place with 52? | 0:26:50 | 0:26:53 | |
She looks very sweet. | 0:26:55 | 0:26:56 | |
She looks a bit like Geri Halliwell, doesn't she? | 0:26:56 | 0:26:58 | |
HE CHUCKLES | 0:26:58 | 0:27:00 | |
Hello, everyone. | 0:27:05 | 0:27:06 | |
I'm Sophie, I'm from Liverpool | 0:27:06 | 0:27:08 | |
and this song is really close to my hometown. | 0:27:08 | 0:27:11 | |
-I hope you enjoy it. -Oh, my God! | 0:27:11 | 0:27:13 | |
It's not You'll Never Walk Alone, is it? Oh, my stars! | 0:27:15 | 0:27:18 | |
# When you walk through a storm | 0:27:21 | 0:27:25 | |
# Hold your head up high... # | 0:27:25 | 0:27:28 | |
Like her voice. | 0:27:28 | 0:27:30 | |
# ..And don't be afraid of the dark | 0:27:30 | 0:27:38 | |
# At the end of a storm | 0:27:38 | 0:27:43 | |
-# There's a... # -I can't believe it. | 0:27:43 | 0:27:45 | |
She's singing it well. | 0:27:45 | 0:27:48 | |
# ..And the sweet silver song of a lark | 0:27:48 | 0:27:56 | |
# Walk on, through the wind | 0:27:56 | 0:28:01 | |
# Walk on through the rain | 0:28:01 | 0:28:05 | |
# Though your dreams be tossed and blown | 0:28:05 | 0:28:14 | |
# Walk on, walk on | 0:28:14 | 0:28:19 | |
# With hope in your heart | 0:28:19 | 0:28:23 | |
# And you'll never walk alone... # | 0:28:23 | 0:28:27 | |
Lili is well into it! | 0:28:27 | 0:28:29 | |
# ..alone | 0:28:29 | 0:28:31 | |
# You'll never walk | 0:28:31 | 0:28:39 | |
# Alone! # | 0:28:39 | 0:28:46 | |
CHEERING | 0:28:47 | 0:28:50 | |
Very nice. | 0:28:50 | 0:28:52 | |
# I like it, I like it | 0:28:54 | 0:28:57 | |
# I like the words you say... # | 0:28:57 | 0:29:00 | |
Congratulations, Sophie, you scored 63, | 0:29:03 | 0:29:05 | |
which puts you in the top three! | 0:29:05 | 0:29:07 | |
CHEERING AND APPLAUSE Well done. | 0:29:07 | 0:29:10 | |
I'm up here. | 0:29:10 | 0:29:12 | |
-Hi! -It's like a giant game of Guess Who, innit? | 0:29:12 | 0:29:14 | |
LAUGHTER AND APPLAUSE | 0:29:14 | 0:29:16 | |
Ged, you stood up and sang along. | 0:29:16 | 0:29:18 | |
-I stood up. -You didn't sing, I saw that! -I stood up. | 0:29:18 | 0:29:20 | |
Why didn't you sing? Not because of football, was it? | 0:29:20 | 0:29:23 | |
-Man U. -You're Man United? -Yeah. -You enjoyed it, | 0:29:23 | 0:29:25 | |
but you couldn't sing along because... | 0:29:25 | 0:29:27 | |
-I couldn't sing the song, but she were absolutely amazing. -Thank you. | 0:29:27 | 0:29:30 | |
-I've kept my integrity... -You've kept your integrity... | 0:29:30 | 0:29:32 | |
-And I've bought it on the performance. -OK, fair enough. | 0:29:32 | 0:29:35 | |
-Hunny, Hunny B, you didn't stand up and join in for that one. -No. | 0:29:35 | 0:29:39 | |
You know... You have a beautiful voice, Sophie. | 0:29:39 | 0:29:41 | |
But I was waiting for it to just really... | 0:29:41 | 0:29:44 | |
..fill this theatre, you know? | 0:29:44 | 0:29:45 | |
-And it just didn't... -You're not an Everton fan, are you? -Who's that? | 0:29:45 | 0:29:48 | |
Don't worry about it, Hunny B... LAUGHTER | 0:29:48 | 0:29:52 | |
-Georg, you're a teacher at the Brit School, aren't you? -Yes, that's right, yeah. | 0:29:52 | 0:29:56 | |
You stood up for that, you enjoyed Sophie's performance. | 0:29:56 | 0:29:58 | |
Yeah, I loved it, actually. You just got me, right there. | 0:29:58 | 0:30:01 | |
My mum was from Liverpool, so I started thinking about my mum, | 0:30:01 | 0:30:04 | |
-tears, the works. -Aw. | 0:30:04 | 0:30:06 | |
-Loved it. It was great. -Thank you. -Oh, Georg! | 0:30:06 | 0:30:08 | |
APPLAUSE | 0:30:08 | 0:30:09 | |
With a score of 63, Sophie, you take the third spot in the top three, | 0:30:09 | 0:30:13 | |
which unfortunately... Abi, you leave the competition. | 0:30:13 | 0:30:16 | |
Well done, round of applause for Abi. | 0:30:16 | 0:30:18 | |
You've been great. Sophie, please take your spot in the top three! | 0:30:18 | 0:30:21 | |
APPLAUSE | 0:30:21 | 0:30:23 | |
Our top two may be rooted to their seats, | 0:30:26 | 0:30:29 | |
but as our 100 get to stretch their legs, | 0:30:29 | 0:30:31 | |
they can't seem to leave the music behind. | 0:30:31 | 0:30:34 | |
Chopsticks, anyone? | 0:30:34 | 0:30:36 | |
I said whoever, | 0:30:36 | 0:30:38 | |
whatever man could do the top end of this, I would marry. | 0:30:38 | 0:30:42 | |
LAUGHTER | 0:30:42 | 0:30:43 | |
-Hello. -Hello. | 0:30:43 | 0:30:45 | |
LAUGHTER | 0:30:45 | 0:30:46 | |
What do you think it would take to get you on your feet? What are you looking for? | 0:30:48 | 0:30:52 | |
-I've got this whole bunch of things that I'm looking for... -Yeah. | 0:30:52 | 0:30:54 | |
-..and if they make me forget that there's a checklist... -Yeah. | 0:30:54 | 0:30:57 | |
-That's it? -..you've got to stand up, or you're lying. | 0:30:57 | 0:30:59 | |
We all want something that's just a bit kind of... | 0:30:59 | 0:31:01 | |
-Brr! -Yeah. -THEY LAUGH | 0:31:01 | 0:31:03 | |
Geri knows exactly what one of the 100 is looking for. | 0:31:03 | 0:31:07 | |
-Harry's single! -Has this turned into a date show or something? | 0:31:07 | 0:31:10 | |
-Look at him. -Oh... -He's single. | 0:31:10 | 0:31:12 | |
HARRY SINGS ITALIAN OPERA | 0:31:12 | 0:31:16 | |
WHOOPING AND APPLAUSE | 0:31:16 | 0:31:19 | |
-Wow! -APPLAUSE | 0:31:21 | 0:31:24 | |
So there's love in the air, | 0:31:24 | 0:31:26 | |
but Harry and Larissa aren't our only lovebirds. | 0:31:26 | 0:31:29 | |
Oh, gosh. I walked in... | 0:31:30 | 0:31:33 | |
Prince and Pearl, take one. | 0:31:33 | 0:31:35 | |
-Have you got lippy on? -# Love is in the air... # | 0:31:36 | 0:31:39 | |
We are a couple. | 0:31:39 | 0:31:40 | |
We were friends for like six months, something like that. | 0:31:40 | 0:31:43 | |
There was definitely a spark there and I ended up making a move. | 0:31:43 | 0:31:47 | |
-CAMERAMAN: -Do you love each other? | 0:31:47 | 0:31:48 | |
-100%. -PEARL LAUGHS | 0:31:48 | 0:31:51 | |
# Love is in the air! | 0:31:52 | 0:31:53 | |
-Oh, they're holding hands! -OK. | 0:31:53 | 0:31:55 | |
# Love is in the air! # | 0:31:55 | 0:31:58 | |
-We love singing together. -We do, don't we, like? -Yeah. -It's amazing. | 0:31:58 | 0:32:01 | |
It's like The White Stripes have reformed. | 0:32:01 | 0:32:03 | |
The song we're going to sing, it is a risk, | 0:32:05 | 0:32:07 | |
taking something that people love so much | 0:32:07 | 0:32:09 | |
and then doing your own thing with it, | 0:32:09 | 0:32:11 | |
but we're also trying to be true to who we are. | 0:32:11 | 0:32:13 | |
If they get more than 63, Sophie leaves the competition. | 0:32:13 | 0:32:16 | |
MUSIC: Smells Like Teen Spirit by Nirvana | 0:32:17 | 0:32:20 | |
-BOTH: -# Mmm... | 0:32:20 | 0:32:22 | |
-SLOW AND DEEP -# I'm worst at what I do best | 0:32:27 | 0:32:33 | |
# And for this gift | 0:32:33 | 0:32:36 | |
# I feel blessed... # | 0:32:36 | 0:32:37 | |
I know it's not conventional, but I really like it. | 0:32:37 | 0:32:41 | |
# ..Has always been | 0:32:41 | 0:32:42 | |
# And always will until the end | 0:32:42 | 0:32:47 | |
# Hello, hello, hello | 0:32:47 | 0:32:50 | |
# How low... | 0:32:50 | 0:32:52 | |
# Hello, hello, hello | 0:32:52 | 0:32:55 | |
# How low... | 0:32:55 | 0:32:56 | |
# Hello, hello, hello | 0:32:56 | 0:32:59 | |
# How low... | 0:32:59 | 0:33:01 | |
# Hello, hello... | 0:33:01 | 0:33:03 | |
# With the lights out It's less dangerous | 0:33:05 | 0:33:09 | |
# Here we are now | 0:33:09 | 0:33:11 | |
# Entertain us | 0:33:11 | 0:33:13 | |
# I feel stupid | 0:33:13 | 0:33:16 | |
# And contagious | 0:33:16 | 0:33:18 | |
# Here we are now | 0:33:18 | 0:33:21 | |
# Entertain us... # | 0:33:21 | 0:33:23 | |
I hate it and I love it at the same time. | 0:33:23 | 0:33:24 | |
You've got to give 'em credit for doing something different, right? | 0:33:24 | 0:33:27 | |
# ..A mosquito | 0:33:27 | 0:33:30 | |
# My libido | 0:33:30 | 0:33:32 | |
# A denial... | 0:33:32 | 0:33:35 | |
# A denial... | 0:33:35 | 0:33:37 | |
-LYRICS SLOW AND FADE -# A denial... | 0:33:37 | 0:33:40 | |
# A denial... | 0:33:40 | 0:33:42 | |
# A denial... # | 0:33:42 | 0:33:46 | |
CHEERING AND APPLAUSE | 0:33:46 | 0:33:49 | |
-It wasn't for me. -APPLAUSE | 0:33:50 | 0:33:53 | |
# It must have been love... | 0:33:56 | 0:33:58 | |
# But it's over now... # | 0:33:58 | 0:34:01 | |
-Aw. -Yeah. | 0:34:01 | 0:34:03 | |
I thought it was more than that. | 0:34:03 | 0:34:05 | |
Yeah, it looked more than that, didn't it? | 0:34:05 | 0:34:07 | |
Well done, Prince and Pearl, with a score of 57. | 0:34:07 | 0:34:11 | |
Wasn't quite enough to get in the top three. | 0:34:11 | 0:34:13 | |
Geri, that one didn't get you standing up. | 0:34:13 | 0:34:15 | |
Prince and Pearl, are you a couple? | 0:34:15 | 0:34:17 | |
-PEARL: -Yeah. It's nearly a year. | 0:34:17 | 0:34:18 | |
-GERI: -Aw! -APPLAUSE | 0:34:18 | 0:34:21 | |
That's nice. | 0:34:21 | 0:34:23 | |
Very brave to do that and take on a classic song. | 0:34:23 | 0:34:25 | |
It's like modern art, sometimes you connect to it completely, | 0:34:25 | 0:34:29 | |
which 57 people did, and obviously I didn't, but well done. | 0:34:29 | 0:34:34 | |
APPLAUSE OK... | 0:34:34 | 0:34:36 | |
Lili, obviously you're a huge Nirvana fan, I'm guessing. | 0:34:36 | 0:34:39 | |
-No! -LAUGHTER | 0:34:39 | 0:34:40 | |
I admire the pathos, almost desperation, you know? | 0:34:40 | 0:34:44 | |
-The song got you into a zone where... -Very intense. | 0:34:44 | 0:34:47 | |
..I connected with them. | 0:34:47 | 0:34:50 | |
You connected to them? | 0:34:50 | 0:34:51 | |
-PEARL: -That's what we wanted. -That's amazing, thank you so much. | 0:34:51 | 0:34:54 | |
APPLAUSE Prince and Pearl, everyone! | 0:34:54 | 0:34:56 | |
-Thank you. -Thank you very much, guys. | 0:34:56 | 0:34:58 | |
Sophie, with a score of 63, | 0:34:58 | 0:35:00 | |
you're hanging on in there in the competition. | 0:35:00 | 0:35:02 | |
But if someone comes along and beats that, you'll be leaving. | 0:35:02 | 0:35:06 | |
Can I put my lip-gloss on? | 0:35:08 | 0:35:10 | |
-Do you want me to do it for you? -Yeah. | 0:35:10 | 0:35:12 | |
-Ah. -Ah. | 0:35:12 | 0:35:13 | |
I thought you were going to the dentist, then I realised what you were doing. | 0:35:15 | 0:35:18 | |
Put it back in my bra. | 0:35:18 | 0:35:20 | |
Looking good, Lili! | 0:35:20 | 0:35:21 | |
Taking a rock classic and giving it a twist didn't pay off for Prince | 0:35:21 | 0:35:25 | |
and Pearl, so is staying faithful to an original the way to go? | 0:35:25 | 0:35:30 | |
My name's Jordan, I'm 26 and I'm from Liverpool. | 0:35:30 | 0:35:34 | |
I picked this song because I feel like the 100 | 0:35:34 | 0:35:36 | |
will all know this song, | 0:35:36 | 0:35:38 | |
and hopefully it will get them to join in. | 0:35:38 | 0:35:39 | |
# Whoa... | 0:35:39 | 0:35:42 | |
# Sweet child of mine... | 0:35:42 | 0:35:44 | |
# Whoa... | 0:35:47 | 0:35:49 | |
# Sweet love... # | 0:35:49 | 0:35:51 | |
-GERI: -Why did you pick this song? | 0:35:56 | 0:35:58 | |
I thought that it would be a crowd-pleaser. | 0:35:58 | 0:36:00 | |
-GERI: -OK. It's just a little bit wobbly for me, if I'm honest. | 0:36:00 | 0:36:03 | |
You scored 49. Unfortunately not enough for the top three. | 0:36:03 | 0:36:05 | |
-Give it up for Jordan, everyone. -Thank you. -APPLAUSE | 0:36:05 | 0:36:08 | |
Tough. Tough crowd. | 0:36:08 | 0:36:10 | |
Well, a classic rock anthem didn't pose a threat to the top three. | 0:36:11 | 0:36:15 | |
Can a singalong classic do the job? | 0:36:15 | 0:36:18 | |
# Why do you have to be a heartbreaker? | 0:36:18 | 0:36:23 | |
# Is it a lesson that I never knew? # | 0:36:23 | 0:36:27 | |
APPLAUSE AND WHISTLING | 0:36:29 | 0:36:31 | |
Unfortunately, 18's not enough for the top three. | 0:36:33 | 0:36:36 | |
Well done, Sarah. | 0:36:36 | 0:36:37 | |
Thank you, guys. | 0:36:37 | 0:36:38 | |
I want to see somebody do something completely different. | 0:36:40 | 0:36:43 | |
Passion, that's what I want. People who actually... | 0:36:43 | 0:36:47 | |
sell me the lyrics. | 0:36:47 | 0:36:48 | |
GUITAR SOLO | 0:36:48 | 0:36:50 | |
CHEERING AND APPLAUSE | 0:36:54 | 0:36:56 | |
Couldn't really go for this look in a bank, but... | 0:36:56 | 0:36:58 | |
On stage you can get away with anything. | 0:36:58 | 0:37:01 | |
I sing with a Led Zeppelin tribute band. | 0:37:02 | 0:37:05 | |
Rock's where my heart is. | 0:37:05 | 0:37:07 | |
Everyone needs something to let loose on and... | 0:37:07 | 0:37:10 | |
with me, it's performance, singing. | 0:37:10 | 0:37:12 | |
I want a proper, proper wower now. | 0:37:12 | 0:37:14 | |
I'm just going to give it my all. | 0:37:14 | 0:37:16 | |
Fingers crossed it will get the people on their feet and joining in. | 0:37:16 | 0:37:19 | |
-It's a chance to let the animal out. -PETER LAUGHS | 0:37:19 | 0:37:22 | |
-Come on now. -This is going to be interesting. | 0:37:28 | 0:37:30 | |
He looks like he's going to be rock. | 0:37:30 | 0:37:32 | |
Has he got what it takes to knock Tabi off her top spot? | 0:37:33 | 0:37:36 | |
He'd better have a filthy voice. | 0:37:40 | 0:37:41 | |
Hi, my name's Peter. | 0:37:41 | 0:37:43 | |
Music's always been my passion, especially rock. | 0:37:43 | 0:37:46 | |
He's scary. | 0:37:46 | 0:37:47 | |
THEY LAUGH | 0:37:47 | 0:37:49 | |
I just want to see the hair flick. | 0:37:53 | 0:37:55 | |
MUSIC: Easy by Lionel Richie | 0:37:58 | 0:38:00 | |
# Know it sounds funny... # | 0:38:00 | 0:38:01 | |
-No way! -# ..But I just can't stand the pain | 0:38:01 | 0:38:06 | |
# Girl, I'm leaving you tomorrow | 0:38:08 | 0:38:11 | |
# Seems to me, girl | 0:38:15 | 0:38:17 | |
# You know I've done all I can... # | 0:38:17 | 0:38:21 | |
-I actually supported Lionel Richie on tour. -Did you? -Yeah! | 0:38:22 | 0:38:27 | |
# ..Yeah | 0:38:29 | 0:38:31 | |
# Ooh | 0:38:31 | 0:38:32 | |
# It's why I'm easy... # | 0:38:32 | 0:38:35 | |
Here we go. | 0:38:38 | 0:38:39 | |
# ..I'm easy like Sunday morning | 0:38:39 | 0:38:43 | |
# Yeah | 0:38:43 | 0:38:44 | |
# That's why I'm easy... # | 0:38:47 | 0:38:51 | |
Geri's up. | 0:38:51 | 0:38:52 | |
-ALL: -# I'm easy like Sunday morning | 0:38:54 | 0:39:01 | |
# I wanna be high | 0:39:03 | 0:39:07 | |
# So high | 0:39:07 | 0:39:09 | |
# I wanna be free to know | 0:39:10 | 0:39:13 | |
-# The things I do are right... # -Will it beat 63? | 0:39:13 | 0:39:17 | |
# ..I wanna be free | 0:39:17 | 0:39:21 | |
# Just me... # | 0:39:22 | 0:39:23 | |
This is so close. | 0:39:23 | 0:39:25 | |
# Yeah, baby | 0:39:25 | 0:39:27 | |
# Yeah | 0:39:27 | 0:39:29 | |
# Yeah, yeah, yeah. # | 0:39:29 | 0:39:32 | |
CHEERING AND APPLAUSE | 0:39:32 | 0:39:34 | |
Whoo! | 0:39:34 | 0:39:36 | |
I think we might have a new top three. | 0:39:36 | 0:39:38 | |
-# And here I go again on my own! # -Oh! | 0:39:40 | 0:39:43 | |
Oh... | 0:39:44 | 0:39:46 | |
Brutal! One away! | 0:39:47 | 0:39:49 | |
-You two! -It's my fault. -You two. | 0:39:50 | 0:39:53 | |
Peter! | 0:39:53 | 0:39:54 | |
62, so close. | 0:39:54 | 0:39:57 | |
Oh... | 0:39:57 | 0:39:59 | |
How do you feel? | 0:39:59 | 0:40:00 | |
-I think that went pretty well. -It went great! | 0:40:00 | 0:40:02 | |
PETER LAUGHS | 0:40:02 | 0:40:03 | |
-Disappointed, though? You were just a couple short. -No, I mean | 0:40:03 | 0:40:06 | |
the only reason I did this was so my son could see me on telly... | 0:40:06 | 0:40:09 | |
ALL: Aw! | 0:40:09 | 0:40:11 | |
-Job done. -APPLAUSE | 0:40:11 | 0:40:13 | |
Well done. What a guy! | 0:40:13 | 0:40:15 | |
Simon, Simon, you joined in with that one. | 0:40:16 | 0:40:19 | |
I did, I loved it. If I could stand up, I would. | 0:40:19 | 0:40:22 | |
LAUGHTER | 0:40:22 | 0:40:23 | |
I should point out for the audience over there you're in a wheelchair. | 0:40:23 | 0:40:26 | |
I'm in a wheelchair, yeah. I thought it was really good | 0:40:26 | 0:40:28 | |
and I'm really surprised you only got 62, mate. I'm really sorry. | 0:40:28 | 0:40:31 | |
It was great, though. | 0:40:31 | 0:40:33 | |
I'm sure your son will be very proud, that was incredible. | 0:40:33 | 0:40:36 | |
-Thank you very much, Peter. -Thank you. | 0:40:36 | 0:40:38 | |
# Here I go again on my own! # | 0:40:38 | 0:40:42 | |
WHISTLING | 0:40:42 | 0:40:43 | |
OK, so our top three has still not changed. | 0:40:43 | 0:40:46 | |
Tabi, you seem unmovable in first spot there with a score of 96. | 0:40:46 | 0:40:50 | |
So let's bring on our next performer! | 0:40:50 | 0:40:52 | |
-APPLAUSE -I am utterly...terrified. | 0:40:52 | 0:40:54 | |
-APPLAUSE FADES -Just... | 0:40:54 | 0:40:57 | |
-We're hanging in there. -Yeah. -Hanging in there. | 0:40:57 | 0:40:59 | |
Give us one too, please. | 0:40:59 | 0:41:01 | |
TABI MAKES CROAKING NOISES | 0:41:01 | 0:41:03 | |
Hi. | 0:41:04 | 0:41:05 | |
Do you think I'm too green? | 0:41:05 | 0:41:06 | |
-Do you think I look like a little leprechaun? -Not at all. | 0:41:06 | 0:41:09 | |
-# Fiddly-diddly-diddly-dee! # -AIMEE LAUGHS | 0:41:09 | 0:41:11 | |
I sing mainly just to myself, YouTube and karaoke. | 0:41:13 | 0:41:18 | |
My dog is my main fan. | 0:41:18 | 0:41:20 | |
So...this is all very different. | 0:41:20 | 0:41:23 | |
-I thought it would be a bit like musical chairs? -Yeah. | 0:41:23 | 0:41:26 | |
-They'd be in and out, but these three... -I thought that. -Immovable. -Yeah. | 0:41:26 | 0:41:29 | |
It would mean the world for the 100 to appreciate | 0:41:29 | 0:41:33 | |
what I practised for years in my bedroom. | 0:41:33 | 0:41:35 | |
It would be a life-changing experience for me. | 0:41:35 | 0:41:37 | |
AIMEE LAUGHS | 0:41:37 | 0:41:39 | |
Oh, wow. Green hair. | 0:41:40 | 0:41:43 | |
She's got green hair. | 0:41:43 | 0:41:44 | |
That's sass-itude. | 0:41:44 | 0:41:46 | |
Just created a word. | 0:41:46 | 0:41:48 | |
63, the score to beat. Can Aimee do it? | 0:41:48 | 0:41:50 | |
Hiya. I'm Aimee, I'm from Belfast | 0:41:52 | 0:41:54 | |
and I've never actually sang on a proper stage before, so... | 0:41:54 | 0:41:58 | |
LAUGHS NERVOUSLY | 0:41:58 | 0:42:00 | |
LAUGHTER | 0:42:00 | 0:42:02 | |
Please be nice! | 0:42:02 | 0:42:04 | |
She does sound a bit nervous. | 0:42:04 | 0:42:06 | |
Imagine that, if you'd never been on stage before | 0:42:06 | 0:42:08 | |
and then you get up in front of all of these people. | 0:42:08 | 0:42:11 | |
-This is it, it's the first experience. -That's insane. -Wow. | 0:42:11 | 0:42:13 | |
MUSIC STARTS | 0:42:16 | 0:42:18 | |
Oh, it's a tune. | 0:42:18 | 0:42:19 | |
# Happiness hit her... | 0:42:21 | 0:42:23 | |
# Like a train on a... | 0:42:23 | 0:42:26 | |
Sophie's looking a little bit worried. | 0:42:26 | 0:42:28 | |
# ..Track... | 0:42:28 | 0:42:29 | |
# And she hid around corners | 0:42:32 | 0:42:34 | |
# And she hid under beds | 0:42:34 | 0:42:37 | |
# She killed him with kisses | 0:42:37 | 0:42:41 | |
# And from it she fled | 0:42:41 | 0:42:44 | |
-# And the dog days are over... -Yeah! -Yeah, right? | 0:42:44 | 0:42:47 | |
-# The dog days are done... # -Yeah! | 0:42:47 | 0:42:51 | |
-Let's see if she can beat 63. -# ..The horses are coming | 0:42:51 | 0:42:54 | |
# So you better run | 0:42:54 | 0:42:57 | |
# Run fast for your mother and fast for your father | 0:42:57 | 0:43:01 | |
# Run for your children For your sisters and brothers | 0:43:01 | 0:43:04 | |
# Leave all your love and your longing behind you | 0:43:04 | 0:43:07 | |
# Can't carry it with you if you want to survive | 0:43:07 | 0:43:10 | |
# The dog days are over | 0:43:10 | 0:43:13 | |
# The dog days are done | 0:43:13 | 0:43:17 | |
# Can you hear the horses? | 0:43:17 | 0:43:20 | |
# Cos here they come! | 0:43:20 | 0:43:24 | |
CHEERING AND APPLAUSE | 0:43:24 | 0:43:27 | |
# The dog days are over... # | 0:43:27 | 0:43:29 | |
-Oh, there's loads more getting up. -# ..The dog days are done | 0:43:29 | 0:43:33 | |
# Can you hear the horses? | 0:43:33 | 0:43:36 | |
# Cos here they come! | 0:43:36 | 0:43:39 | |
# Yeah... # | 0:43:39 | 0:43:43 | |
CHEERING AND APPLAUSE | 0:43:43 | 0:43:47 | |
She might have blown the competition wide-open with that performance. | 0:43:47 | 0:43:50 | |
APPLAUSE AND WHISTLING | 0:43:50 | 0:43:52 | |
-69! -Oh, my God! | 0:43:54 | 0:43:57 | |
-# You got the love... # -APPLAUSE CONTINUES | 0:43:57 | 0:44:01 | |
-Aimee, well done. 69! -Thank you. | 0:44:05 | 0:44:07 | |
That gets you a place in the top three. | 0:44:07 | 0:44:10 | |
Did you enjoy that? | 0:44:10 | 0:44:11 | |
-That was so scary. -Ah, you did so well, well done. | 0:44:11 | 0:44:15 | |
-Thank you so much. -However, Geri didn't get up for that. Geri? | 0:44:15 | 0:44:18 | |
I think you've either got to get me on my feet dancing, | 0:44:18 | 0:44:21 | |
or you've got to touch my heart and make me cry. | 0:44:21 | 0:44:24 | |
And the only reason why I didn't stand up, | 0:44:24 | 0:44:26 | |
I just thought was your lack of experience as a performer, | 0:44:26 | 0:44:29 | |
but other than that, you did amazing | 0:44:29 | 0:44:31 | |
and you should feel so proud of yourself. | 0:44:31 | 0:44:33 | |
I mean, look, you got 69 standing up, so well done. | 0:44:33 | 0:44:36 | |
-AIMEE: -Thank you. -APPLAUSE | 0:44:36 | 0:44:39 | |
Going to go down here. | 0:44:40 | 0:44:42 | |
-Divina. -Hi. | 0:44:44 | 0:44:46 | |
DIVINA LAUGHS | 0:44:46 | 0:44:47 | |
Divina, you stood up and you got involved there, | 0:44:47 | 0:44:50 | |
-you enjoyed Aimee's performance. -Yeah, I did. | 0:44:50 | 0:44:51 | |
I think it was brilliant, you just sold it the whole way through, | 0:44:51 | 0:44:54 | |
and for somebody who's never been on a stage before, | 0:44:54 | 0:44:57 | |
like, that's blown my mind... | 0:44:57 | 0:45:00 | |
-APPLAUSE -..because when I think about... | 0:45:00 | 0:45:02 | |
..the first time I went on stage, it was not like that! | 0:45:02 | 0:45:06 | |
Not like that at all! | 0:45:06 | 0:45:08 | |
Thank you so much. Thank you. | 0:45:08 | 0:45:10 | |
So with a score of 69, Aimee, | 0:45:10 | 0:45:12 | |
that puts you in third spot in the competition. | 0:45:12 | 0:45:14 | |
Sophie, you've been there a little while, | 0:45:14 | 0:45:17 | |
-it's going to be sad to see you go. ALL: -Aw! | 0:45:17 | 0:45:19 | |
Sophie's so lovely, isn't she? Have you had a good time? | 0:45:19 | 0:45:21 | |
Yeah, I've had a wonderful time. | 0:45:21 | 0:45:23 | |
-Well done, you're amazing. -Thank you. | 0:45:23 | 0:45:26 | |
Give it up for Sophie, everyone. | 0:45:26 | 0:45:27 | |
CHEERING AND APPLAUSE | 0:45:27 | 0:45:29 | |
Aimee, please take your seat in the top three! | 0:45:31 | 0:45:33 | |
CHEERING AND APPLAUSE | 0:45:33 | 0:45:36 | |
Aimee is in third position with 69, alongside Karl with 86, | 0:45:37 | 0:45:42 | |
joining Tabi, who's been there from the beginning. | 0:45:42 | 0:45:45 | |
I'm surprised you haven't got deep vein thrombosis. LAUGHTER | 0:45:45 | 0:45:48 | |
Well done. Right, let's see if the top three can be challenged | 0:45:48 | 0:45:50 | |
by our next performer! | 0:45:50 | 0:45:52 | |
Oh, my goodness. | 0:45:52 | 0:45:54 | |
-Two maybe left? I don't know. -Must be close. | 0:45:54 | 0:45:57 | |
But, you know, 69's a really good score, | 0:45:57 | 0:45:59 | |
so what's the chance of somebody knocking her off? | 0:45:59 | 0:46:02 | |
When do you have to be in church, then? | 0:46:02 | 0:46:04 | |
Three o'clock on a Sunday's the services. | 0:46:04 | 0:46:06 | |
-Every Sunday? -Yeah, every Sunday. | 0:46:06 | 0:46:08 | |
I'm Maxine. I'm a pastor | 0:46:12 | 0:46:14 | |
and I also run a community gospel choir. | 0:46:14 | 0:46:17 | |
# There is a... # | 0:46:17 | 0:46:19 | |
We've performed with Gareth Malone | 0:46:19 | 0:46:22 | |
and we've also won Gospel Choir Of The Year. | 0:46:22 | 0:46:24 | |
I think I'm well-qualified to be one of the 100. | 0:46:24 | 0:46:28 | |
Got over 40 years' experience in singing. | 0:46:28 | 0:46:30 | |
I've done backing vocals for people like UB40 and Soul II Soul. | 0:46:30 | 0:46:35 | |
Why didn't you stand up for her? | 0:46:35 | 0:46:36 | |
She didn't deliver it for me, at all. | 0:46:36 | 0:46:38 | |
And her voice wasn't strong enough. | 0:46:38 | 0:46:40 | |
With the performers, I'll be looking for somebody that can | 0:46:40 | 0:46:42 | |
demonstrate a feel, a passion, that they believe in themselves. | 0:46:42 | 0:46:45 | |
I WANT to be behind them and if they really put everything into it, | 0:46:45 | 0:46:49 | |
they've got me 100%. | 0:46:49 | 0:46:51 | |
With Aimee taking third, there's just a couple more acts to go. | 0:46:51 | 0:46:54 | |
I want someone to really blow us away now. | 0:46:54 | 0:46:57 | |
-I know, like a big performance. -When I got up for the first two, | 0:46:57 | 0:47:01 | |
-it was like, bang. -I did. I did the same thing. | 0:47:01 | 0:47:03 | |
Wayne and Jimmy, take one. | 0:47:03 | 0:47:05 | |
-My name's Wayne. -My name's Jimmy. -And together... | 0:47:07 | 0:47:10 | |
-BOTH: -We are the Two Singing Taxi Drivers. | 0:47:10 | 0:47:12 | |
Oh, yes. | 0:47:12 | 0:47:13 | |
# Here in my car | 0:47:13 | 0:47:14 | |
# I feel safest of all... # | 0:47:14 | 0:47:16 | |
Oh, sugar! | 0:47:16 | 0:47:18 | |
You see I used to be a goalie, did you? | 0:47:18 | 0:47:20 | |
We have two microphones now. | 0:47:20 | 0:47:22 | |
We've got different styles. Mine's more of a classical voice. | 0:47:22 | 0:47:26 | |
Jimmy's a swing type voice. | 0:47:26 | 0:47:28 | |
The door staff are here. | 0:47:28 | 0:47:30 | |
When we sing for the 100, | 0:47:32 | 0:47:34 | |
-we're going to give it all we've got. -It's a dream come true. | 0:47:34 | 0:47:37 | |
MUSIC STARTS | 0:47:39 | 0:47:41 | |
# That's life! | 0:47:41 | 0:47:43 | |
# That's life | 0:47:43 | 0:47:45 | |
# That's what all the people say | 0:47:45 | 0:47:47 | |
# You're riding high in April | 0:47:48 | 0:47:51 | |
# Shot down in May | 0:47:51 | 0:47:53 | |
# And if I didn't think it was worth one more try... # | 0:47:53 | 0:47:58 | |
-I feel like I'm in Vegas. -# ..I'd jump right on a big bird | 0:48:00 | 0:48:02 | |
# And then I'd fly | 0:48:02 | 0:48:05 | |
-# I've been a puppet... # -Oh, come on, boys. | 0:48:05 | 0:48:07 | |
# ..A pawn and a king | 0:48:07 | 0:48:09 | |
# A pawn and a king | 0:48:09 | 0:48:11 | |
# I've been up, down Over and out and I | 0:48:11 | 0:48:15 | |
# I know one thing | 0:48:15 | 0:48:17 | |
# Each time I find myself | 0:48:17 | 0:48:20 | |
# Laying flat on my face | 0:48:20 | 0:48:24 | |
# I pick myself up and get back in the race! | 0:48:24 | 0:48:29 | |
# That's life! | 0:48:29 | 0:48:32 | |
# That's life! | 0:48:32 | 0:48:33 | |
# I can't deny it | 0:48:33 | 0:48:36 | |
-# I thought of... -JIMMY STOPS | 0:48:36 | 0:48:38 | |
# Many times I thought of cutting out | 0:48:38 | 0:48:39 | |
# But my heart just won't buy it... # | 0:48:39 | 0:48:42 | |
Did they make a mistake there? | 0:48:42 | 0:48:44 | |
# ..July... | 0:48:44 | 0:48:47 | |
# I'm going to roll myself up | 0:48:49 | 0:48:53 | |
# In a big ball | 0:48:53 | 0:48:57 | |
# And die | 0:48:57 | 0:49:00 | |
CHEERING AND APPLAUSE | 0:49:00 | 0:49:02 | |
# My... | 0:49:04 | 0:49:06 | |
# My! # | 0:49:06 | 0:49:09 | |
CHEERING AND APPLAUSE | 0:49:09 | 0:49:13 | |
APPLAUSE CONTINUES | 0:49:20 | 0:49:22 | |
# This is the road to hell. # | 0:49:24 | 0:49:27 | |
Wayne and Jimmy, you got 12, | 0:49:28 | 0:49:31 | |
unfortunately not enough for the top three, | 0:49:31 | 0:49:33 | |
but you got the studio rocking with that. | 0:49:33 | 0:49:35 | |
Thank you very much, everybody. | 0:49:35 | 0:49:36 | |
APPLAUSE | 0:49:36 | 0:49:37 | |
You didn't stand up for that one, Geri. | 0:49:37 | 0:49:39 | |
I have to say that song is such a great choice. | 0:49:39 | 0:49:42 | |
Probably a little bit wobbly with the singing. | 0:49:42 | 0:49:45 | |
What do you do for a living? | 0:49:45 | 0:49:46 | |
-WAYNE: -We are taxi drivers. | 0:49:46 | 0:49:48 | |
You're taxi drivers? Whoa! | 0:49:48 | 0:49:50 | |
APPLAUSE | 0:49:50 | 0:49:52 | |
We never got through tonight, but if anybody needs a taxi... | 0:49:54 | 0:49:57 | |
LAUGHTER | 0:49:57 | 0:49:59 | |
-APPLAUSE -Excellent. | 0:50:00 | 0:50:03 | |
-I'm with Christopher. Christopher, you're a big band director. -Yeah. | 0:50:03 | 0:50:07 | |
You didn't go for it, though. Weren't your cup of tea. | 0:50:07 | 0:50:09 | |
Even though I didn't stand up, your energy was so infectious | 0:50:09 | 0:50:12 | |
and the studio audience had just as much of a good time | 0:50:12 | 0:50:14 | |
watching you guys as you did on stage, | 0:50:14 | 0:50:16 | |
and that's sometimes the most important thing. | 0:50:16 | 0:50:19 | |
APPLAUSE | 0:50:19 | 0:50:21 | |
Wayne and Jimmy, with a score of 12, that wasn't enough to get into | 0:50:21 | 0:50:24 | |
the top three, but I think you've won over a lot of the studio here. | 0:50:24 | 0:50:26 | |
Well done, Wayne and Jimmy, thank you very much! | 0:50:26 | 0:50:28 | |
-Ta very much. -Thank you. -CHEERING AND APPLAUSE | 0:50:28 | 0:50:31 | |
With one act left to go, | 0:50:36 | 0:50:37 | |
Tabi, if you can hold on, you will go automatically to the grand final. | 0:50:37 | 0:50:43 | |
WHOOPING | 0:50:43 | 0:50:44 | |
A chance to win £50,000. | 0:50:44 | 0:50:46 | |
Whoo! | 0:50:46 | 0:50:48 | |
Karl and Aimee, if you're still in second | 0:50:48 | 0:50:50 | |
and third at the end of the show, you two will be in the sing-off, | 0:50:50 | 0:50:53 | |
fighting it out for that final place. | 0:50:53 | 0:50:55 | |
So let's bring out the last act. | 0:50:55 | 0:50:57 | |
APPLAUSE | 0:50:57 | 0:50:59 | |
Hopefully we've saved the best for last. | 0:50:59 | 0:51:01 | |
I'm so nervous. I'm not staying here for long, guys. | 0:51:01 | 0:51:04 | |
-Hello. -VALENTINA LAUGHS | 0:51:04 | 0:51:07 | |
-Oh, am I holding this? -I can do it. -Do you want to do it, Valentina? | 0:51:07 | 0:51:10 | |
Valentina, take...one. | 0:51:10 | 0:51:13 | |
In the past, I had a great opportunity | 0:51:16 | 0:51:18 | |
to be in two amazing girl groups, touring with JLS. | 0:51:18 | 0:51:22 | |
When the band split up, it was hard, | 0:51:22 | 0:51:25 | |
knowing that you're not going to wake up and be doing what you love doing. | 0:51:25 | 0:51:29 | |
I think Tabi's going to keep the number-one spot for this. | 0:51:29 | 0:51:31 | |
-96. -96 is hard to beat. | 0:51:31 | 0:51:33 | |
No matter how far away I get away from music, | 0:51:33 | 0:51:36 | |
it always seems to come and find me. | 0:51:36 | 0:51:39 | |
I'd love someone to come out and just nail it | 0:51:39 | 0:51:41 | |
so much that the whole lot stood up. | 0:51:41 | 0:51:43 | |
I like to think I'm not competitive, but I definitely will not feel bad | 0:51:43 | 0:51:47 | |
with kicking someone off one of the seats! | 0:51:47 | 0:51:52 | |
Is that rude? | 0:51:52 | 0:51:53 | |
I like her, trendy. | 0:52:01 | 0:52:02 | |
If she beats 69, Aimee is out the competition | 0:52:04 | 0:52:07 | |
and Valentina is in the sing-off. | 0:52:07 | 0:52:09 | |
This is going to be tense. | 0:52:09 | 0:52:11 | |
Hi, everyone. My name's Valentina. | 0:52:14 | 0:52:16 | |
I'm from South Croydon and I just love performing, | 0:52:16 | 0:52:19 | |
so I really hope you enjoy this performance. | 0:52:19 | 0:52:22 | |
Aimee just took a deep breath. I think she's worried. | 0:52:30 | 0:52:33 | |
MUSIC: Stay With Me by Sam Smith | 0:52:36 | 0:52:39 | |
Ah... | 0:52:39 | 0:52:40 | |
# Guess it's true I'm no good with a one-night stand | 0:52:40 | 0:52:45 | |
# But I still need love cos I'm just human... # | 0:52:46 | 0:52:50 | |
She's got soul. | 0:52:50 | 0:52:52 | |
# ..These nights never seem to go to plan | 0:52:52 | 0:52:56 | |
# I don't want you to leave Would you hold my hand? | 0:52:57 | 0:53:02 | |
# Oh, won't you stay with me? | 0:53:02 | 0:53:06 | |
# Cos you're... # | 0:53:08 | 0:53:09 | |
I don't know much about singing, but that's decent. | 0:53:09 | 0:53:12 | |
# ..This ain't love It's clear to see | 0:53:14 | 0:53:18 | |
# Oh, darling, stay with me | 0:53:18 | 0:53:23 | |
# Oh... | 0:53:24 | 0:53:28 | |
SLOW HANDCLAP | 0:53:28 | 0:53:31 | |
# Ah... | 0:53:31 | 0:53:34 | |
# Oh, won't you stay with me? | 0:53:36 | 0:53:41 | |
# Cos you're all I need | 0:53:42 | 0:53:45 | |
# Oh, won't you stay with me? | 0:53:47 | 0:53:51 | |
# Cos you're all I need... # | 0:53:53 | 0:53:57 | |
It's so tight. | 0:53:59 | 0:54:01 | |
# ..This ain't love, it's clear to see! | 0:54:01 | 0:54:04 | |
# Stay with me... # | 0:54:06 | 0:54:09 | |
CHEERING AND APPLAUSE | 0:54:09 | 0:54:12 | |
Wow, wow, wow, wow, wowee. | 0:54:21 | 0:54:24 | |
CHEERING AND APPLAUSE | 0:54:26 | 0:54:29 | |
Valentina! You're in the top three, well done! | 0:54:34 | 0:54:37 | |
APPLAUSE | 0:54:37 | 0:54:38 | |
VALENTINA LAUGHS | 0:54:38 | 0:54:39 | |
Thank you so much, guys. Thank you. | 0:54:39 | 0:54:41 | |
I'm here with Dr Voice, who was... | 0:54:43 | 0:54:46 | |
You're Sam Smith's vocal coach. | 0:54:46 | 0:54:47 | |
-That's correct, yes. -Oh, wow. -For four years... -Wow. | 0:54:47 | 0:54:50 | |
I produced his first demo album, and it was very emotional for me | 0:54:50 | 0:54:54 | |
to hear you sing it today, because you nailed it. | 0:54:54 | 0:54:57 | |
I know Sam would've thought, "Oh, my God, that's wonderful." | 0:54:57 | 0:55:01 | |
-Thank you so much... -High praise from the doc there. | 0:55:01 | 0:55:04 | |
APPLAUSE | 0:55:04 | 0:55:05 | |
Helen, you didn't stand up for that, though. That wasn't for you. | 0:55:05 | 0:55:08 | |
I thought you had a really great stage presence. | 0:55:08 | 0:55:11 | |
There were some affectations about your singing | 0:55:11 | 0:55:13 | |
that I didn't like so much, | 0:55:13 | 0:55:15 | |
and it doesn't detract from you as a singer, | 0:55:15 | 0:55:17 | |
it just wasn't my personal choice, but everyone else loved it, | 0:55:17 | 0:55:21 | |
so you've done a really great job, | 0:55:21 | 0:55:23 | |
-and you looked sensational out there, so well done... -Thank you so much. | 0:55:23 | 0:55:26 | |
Thank you very much. APPLAUSE | 0:55:26 | 0:55:28 | |
Well done, congratulations, Valentina. | 0:55:28 | 0:55:30 | |
You are in the top three, but sadly, Aimee, | 0:55:30 | 0:55:33 | |
you leave the competition, but you were brilliant. | 0:55:33 | 0:55:35 | |
Did you enjoy your time? | 0:55:35 | 0:55:37 | |
I did, and that was so well-deserved, | 0:55:37 | 0:55:39 | |
that was fan-tabulous. | 0:55:39 | 0:55:41 | |
LAUGHTER | 0:55:41 | 0:55:42 | |
Give it up for Aimee, everyone. | 0:55:42 | 0:55:43 | |
Valentina, take your place in the top three! | 0:55:43 | 0:55:46 | |
CHEERING AND APPLAUSE | 0:55:46 | 0:55:49 | |
Well done. I nearly knocked your hat off! | 0:55:51 | 0:55:54 | |
So we've got ourselves a finalist! | 0:55:58 | 0:56:00 | |
CHEERING AND APPLAUSE | 0:56:00 | 0:56:02 | |
In the top spot, and coming back for the grand final | 0:56:03 | 0:56:06 | |
and a chance to win £50,000, it's Tabi. | 0:56:06 | 0:56:08 | |
APPLAUSE | 0:56:08 | 0:56:10 | |
But that means Karl and Valentina | 0:56:12 | 0:56:13 | |
will face each other in the sing-off. | 0:56:13 | 0:56:16 | |
WHOOPING | 0:56:16 | 0:56:17 | |
Only one of you can join Tabi in the final, | 0:56:17 | 0:56:19 | |
and you will now get your chance to perform again with a new song. | 0:56:19 | 0:56:22 | |
Both of your scores have been cleared | 0:56:22 | 0:56:25 | |
so it's a level playing field now, and the 100, as always, | 0:56:25 | 0:56:28 | |
you can join in for one of them, for both of them, | 0:56:28 | 0:56:31 | |
or for neither of them, | 0:56:31 | 0:56:32 | |
but you should judge them on this performance alone. | 0:56:32 | 0:56:36 | |
Valentina, you're up first. Good luck. | 0:56:36 | 0:56:38 | |
APPLAUSE | 0:56:38 | 0:56:40 | |
Actually, I think I'd rather go first. Less pressure. | 0:56:40 | 0:56:43 | |
MUSIC: I Will Always Love You by Whitney Houston | 0:56:55 | 0:56:58 | |
# If I | 0:56:59 | 0:57:02 | |
# Should stay... # | 0:57:03 | 0:57:05 | |
Ooh, big soul. | 0:57:05 | 0:57:07 | |
# ..I will only be | 0:57:07 | 0:57:11 | |
# In your way | 0:57:11 | 0:57:14 | |
# So I'll go | 0:57:15 | 0:57:18 | |
# But I know | 0:57:18 | 0:57:21 | |
# I'll think of you | 0:57:21 | 0:57:23 | |
# Every step of the way | 0:57:23 | 0:57:28 | |
# And I | 0:57:29 | 0:57:34 | |
-# Will always... # -It's a bit pitchy. | 0:57:34 | 0:57:37 | |
# ..Love you, ooh, I... # | 0:57:37 | 0:57:40 | |
-No. -Ah! Killed it. | 0:57:40 | 0:57:43 | |
# ..Will always love you | 0:57:43 | 0:57:47 | |
# And I | 0:57:50 | 0:57:55 | |
# Will always love you | 0:57:55 | 0:57:59 | |
# Ooh, I | 0:57:59 | 0:58:01 | |
# Will always love you | 0:58:03 | 0:58:07 | |
# I will always | 0:58:07 | 0:58:12 | |
# Love you | 0:58:12 | 0:58:13 | |
# Ooh, I | 0:58:13 | 0:58:15 | |
# Will always | 0:58:15 | 0:58:18 | |
# Love you | 0:58:18 | 0:58:21 | |
# Will always | 0:58:24 | 0:58:27 | |
# Love you. # | 0:58:27 | 0:58:30 | |
CHEERING AND APPLAUSE | 0:58:30 | 0:58:33 | |
APPLAUSE CONTINUES | 0:58:40 | 0:58:42 | |
Ah, not enough. | 0:58:42 | 0:58:45 | |
I'm surprised more people didn't get up. | 0:58:45 | 0:58:47 | |
If you're going to tackle that song, you need to get it perfect. | 0:58:49 | 0:58:52 | |
-Valentina, how do you think that went? -Erm... | 0:58:52 | 0:58:55 | |
I gave it all I've got, so, yeah... | 0:58:55 | 0:58:57 | |
That was great. Good. | 0:58:57 | 0:58:59 | |
APPLAUSE It isn't over, Valentina. | 0:58:59 | 0:59:02 | |
Karl, you're up next. Good luck. | 0:59:02 | 0:59:04 | |
-APPLAUSE -Karl's thinking... he's got a good chance. | 0:59:04 | 0:59:08 | |
Oh, God. | 0:59:10 | 0:59:11 | |
That is not easy. | 0:59:11 | 0:59:13 | |
I think Karl's going to smash it. | 0:59:15 | 0:59:16 | |
MUSIC: Wonderwall by Oasis | 0:59:24 | 0:59:27 | |
-Aw! -Oh, no! | 0:59:27 | 0:59:28 | |
# Today is gonna be the day | 0:59:30 | 0:59:32 | |
# That they're gonna throw it back to you | 0:59:32 | 0:59:35 | |
# By now you should've somehow realised what you gotta do | 0:59:36 | 0:59:40 | |
-SLOW HANDCLAP -# I don't believe that anybody | 0:59:40 | 0:59:43 | |
# Feels the way I do about you now | 0:59:43 | 0:59:47 | |
Hey! | 0:59:47 | 0:59:48 | |
# And all the roads we have to walk are winding... # | 0:59:51 | 0:59:56 | |
No, not doing it for me. | 0:59:56 | 0:59:57 | |
# ..And all the lights that lead us there are blinding | 0:59:57 | 1:00:01 | |
# There are many things that I | 1:00:02 | 1:00:05 | |
# Would like to say to you | 1:00:05 | 1:00:07 | |
# But I don't know how | 1:00:07 | 1:00:09 | |
# I said maybe | 1:00:13 | 1:00:17 | |
# You're gonna be the one that saves me... | 1:00:17 | 1:00:21 | |
-ALL: -# And after all... # | 1:00:23 | 1:00:27 | |
Hate this song, but I like him. | 1:00:27 | 1:00:30 | |
# ..Wonderwall | 1:00:30 | 1:00:32 | |
# I said maybe | 1:00:35 | 1:00:37 | |
# You're going to be the one that saves me | 1:00:39 | 1:00:42 | |
# And after all | 1:00:44 | 1:00:47 | |
# You're my wonderwall. # | 1:00:49 | 1:00:53 | |
CHEERING AND APPLAUSE | 1:00:57 | 1:00:59 | |
Oh, yes! Oh, yes! Oh, yes! | 1:00:59 | 1:01:01 | |
WHISTLING AND CHEERING | 1:01:01 | 1:01:04 | |
Well done, Karl. You're through to the final! | 1:01:15 | 1:01:18 | |
-Thank you very much. -APPLAUSE | 1:01:18 | 1:01:20 | |
How are you feeling? | 1:01:20 | 1:01:21 | |
-Buzzing, man. -Oh, well done. | 1:01:21 | 1:01:23 | |
Sadly, Valentina, you won't be joining us in the final. | 1:01:23 | 1:01:26 | |
Pipped to the post. Give it up for Valentina, everyone! | 1:01:26 | 1:01:28 | |
CHEERING AND APPLAUSE | 1:01:28 | 1:01:30 | |
So, we've got our two finalists, Tabi and Karl! | 1:01:33 | 1:01:36 | |
Tabi, come and join us. | 1:01:36 | 1:01:38 | |
APPLAUSE Wow. | 1:01:38 | 1:01:41 | |
Well done. I bet you're glad to stretch your legs. | 1:01:41 | 1:01:44 | |
-Amazing! You did it! -That's the way to do it, isn't it, Tabi? | 1:01:44 | 1:01:47 | |
-That's it, that's it, we did it. -Bowl out first, get 96 and sit down! | 1:01:47 | 1:01:50 | |
-Yeah, lucky you got some cushioning, you know? -Exactly. | 1:01:50 | 1:01:53 | |
LAUGHTER | 1:01:53 | 1:01:55 | |
-Didn't they do well? -They were amazing, they so deserve to be here. | 1:01:55 | 1:01:59 | |
Well, guys, that means you'll be joining Michael... | 1:01:59 | 1:02:03 | |
..and The Sundaes in the series final. | 1:02:03 | 1:02:06 | |
So, that's it for tonight, thanks to Geri and the 100. | 1:02:06 | 1:02:09 | |
Join us next week to see who can get the 100 up on their feet | 1:02:09 | 1:02:12 | |
-and joining in. We'll see you then. Goodnight! -Goodnight! | 1:02:12 | 1:02:15 | |
CHEERING AND APPLAUSE | 1:02:15 | 1:02:17 | |
# And we danced all night | 1:02:17 | 1:02:19 | |
# To the best song ever | 1:02:19 | 1:02:21 | |
# And we danced all night | 1:02:21 | 1:02:23 | |
# To the best song ever | 1:02:23 | 1:02:25 | |
# Oh, oh, oh | 1:02:25 | 1:02:28 | |
# Yeah, yeah, yeah | 1:02:28 | 1:02:29 | |
# Oh, oh, oh | 1:02:29 | 1:02:31 | |
# Yeah, yeah, yeah | 1:02:31 | 1:02:33 | |
# As we danced all night | 1:02:33 | 1:02:35 | |
# To the best song ever! # | 1:02:35 | 1:02:37 | |
CHEERING AND APPLAUSE | 1:02:37 | 1:02:40 |