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100 great singers, | 0:00:02 | 0:00:03 | |
a global pop icon, | 0:00:03 | 0:00:06 | |
but who can get them all joining in tonight? | 0:00:06 | 0:00:09 | |
This is All Together Now. | 0:00:11 | 0:00:13 | |
Yes! | 0:00:13 | 0:00:14 | |
CHEERING AND APPLAUSE | 0:00:14 | 0:00:17 | |
Last time, Tabi was the top scorer of the night... | 0:00:30 | 0:00:33 | |
Smashed it! | 0:00:36 | 0:00:38 | |
..and Karl won the sing-off... | 0:00:38 | 0:00:39 | |
..both securing their place in the series final, | 0:00:42 | 0:00:44 | |
one step closer to winning £50,000. | 0:00:44 | 0:00:48 | |
Tonight, the 100 are back. | 0:00:48 | 0:00:50 | |
They're a mix of great singers from different musical backgrounds, | 0:00:50 | 0:00:54 | |
ready to get up and join in with any performers who can impress. | 0:00:54 | 0:00:58 | |
I'm so excited, I can't control myself. | 0:00:58 | 0:01:00 | |
-I can feel your excitement. -I'm just... | 0:01:00 | 0:01:02 | |
What are you looking for? | 0:01:02 | 0:01:03 | |
Someone to come out with the positivity, | 0:01:03 | 0:01:05 | |
give us a good performance. I'm all about the performance. | 0:01:05 | 0:01:08 | |
-OK. -And if it can get the eyebrows going before I even know it, | 0:01:08 | 0:01:11 | |
I'm just following. | 0:01:11 | 0:01:13 | |
-I feel nervous for them. -Yeah. | 0:01:13 | 0:01:14 | |
-£50,000 at stake. -I know. | 0:01:14 | 0:01:16 | |
It's a really big deal. | 0:01:16 | 0:01:17 | |
As always, the 100 have learned all of tonight's songs | 0:01:17 | 0:01:20 | |
but they have no idea who'll be coming out to sing them. | 0:01:20 | 0:01:24 | |
SHE SINGS | 0:01:24 | 0:01:26 | |
That's all right, lovely! | 0:01:26 | 0:01:28 | |
And with Geri safely back on two feet, | 0:01:28 | 0:01:30 | |
it's time to get down to business. | 0:01:30 | 0:01:32 | |
It's the 100, everyone! | 0:01:33 | 0:01:34 | |
CHEERING AND APPLAUSE | 0:01:34 | 0:01:36 | |
With two more places in the grand final up for grabs, | 0:01:38 | 0:01:40 | |
we've got a mix of amateur and professional performers | 0:01:40 | 0:01:43 | |
waiting to give it a go. | 0:01:43 | 0:01:44 | |
Hi. | 0:01:48 | 0:01:49 | |
I grew up in Italy and I started singing | 0:01:51 | 0:01:54 | |
because my grandma was an opera singer, | 0:01:54 | 0:01:57 | |
and I tried to do the same. | 0:01:57 | 0:01:59 | |
I have never sung professionally. | 0:01:59 | 0:02:01 | |
I sing a lot at home. | 0:02:01 | 0:02:03 | |
# La la la la la la la la la! # | 0:02:03 | 0:02:05 | |
SHE LAUGHS | 0:02:05 | 0:02:07 | |
-Let's go. -Good luck! | 0:02:07 | 0:02:09 | |
When it comes to the 100, | 0:02:09 | 0:02:11 | |
I really hope somebody will stand up, at some point. | 0:02:11 | 0:02:15 | |
-I want the first person to just own it. -Yes! | 0:02:17 | 0:02:20 | |
They must feel so scared, but we're for them... | 0:02:20 | 0:02:23 | |
Oh, here we go. | 0:02:23 | 0:02:24 | |
She looks good. | 0:02:29 | 0:02:30 | |
She does look good. She also looks relaxed. | 0:02:30 | 0:02:32 | |
Yes, she does. She looks comfortable. | 0:02:32 | 0:02:34 | |
Whatever the first act scores, it's the score to beat. | 0:02:34 | 0:02:36 | |
-Not easy being the first, is it? -Not easy. | 0:02:38 | 0:02:41 | |
-Ciao. -Ciao, bella! | 0:02:42 | 0:02:45 | |
I'm Sara. | 0:02:45 | 0:02:47 | |
I'm very nervous, right now. | 0:02:47 | 0:02:49 | |
But I'm absolutely delighted to sing for all of you tonight. | 0:02:49 | 0:02:52 | |
OK, ballad, do you think? | 0:02:57 | 0:02:59 | |
# Sometimes I feel like throwing my hands up in the air... # | 0:03:00 | 0:03:04 | |
-Oh, wow. -APPLAUSE | 0:03:04 | 0:03:06 | |
# I know I can count on you | 0:03:06 | 0:03:09 | |
-# Sometimes I feel like saying... # -Remember, the 100 can't join in | 0:03:09 | 0:03:11 | |
straightaway. They've got to wait till the lights change. | 0:03:11 | 0:03:14 | |
-Oh, she went up a bit, there. -# You've got the love | 0:03:14 | 0:03:16 | |
-# I need to see me through... # -Come on, bring it. | 0:03:16 | 0:03:18 | |
# Sometimes it seems the going's just too rough | 0:03:18 | 0:03:22 | |
# And things go wrong no matter what I do | 0:03:22 | 0:03:25 | |
# Now and then it seems like life is just too much | 0:03:27 | 0:03:31 | |
# But you've got the love I need to see me through... # | 0:03:31 | 0:03:34 | |
The lights have changed! The 100 can join in now. | 0:03:34 | 0:03:37 | |
# When food is gone you are my daily meal | 0:03:37 | 0:03:41 | |
# Oh... # | 0:03:41 | 0:03:43 | |
I want her to bring it, a bit more. | 0:03:43 | 0:03:44 | |
# When friends are gone | 0:03:44 | 0:03:46 | |
# I know my saviour's love is real | 0:03:46 | 0:03:49 | |
-# Your love is real... # -Go for it, baby! | 0:03:49 | 0:03:52 | |
# You've got the love | 0:03:52 | 0:03:55 | |
# You've got the love | 0:03:55 | 0:03:57 | |
# You've got the lo-ove | 0:03:57 | 0:04:01 | |
# Time after time I think Oh, Lord, what's the use? | 0:04:01 | 0:04:05 | |
AUDIENCE CLAPS IN TIME | 0:04:05 | 0:04:06 | |
# You've got the love I need to see me through | 0:04:06 | 0:04:10 | |
# You've got the love | 0:04:10 | 0:04:13 | |
# You've got the love | 0:04:13 | 0:04:14 | |
# You've got the lo-ove... # | 0:04:14 | 0:04:16 | |
Geri's joined in! | 0:04:16 | 0:04:18 | |
# You've got the love | 0:04:19 | 0:04:21 | |
# You've got the love | 0:04:21 | 0:04:23 | |
# You've got the lo-o-o-ove | 0:04:23 | 0:04:28 | |
# Sometimes I feel like saying Lord, I just don't care | 0:04:28 | 0:04:32 | |
# But you've got the love I need to see me through. # | 0:04:32 | 0:04:36 | |
CHEERING AND APPLAUSE | 0:04:36 | 0:04:39 | |
I saw her nerves. | 0:04:39 | 0:04:40 | |
Thank you. | 0:04:49 | 0:04:50 | |
It's a start. A really good start. | 0:04:52 | 0:04:54 | |
Well done, Sara, you scored 64. | 0:04:54 | 0:04:58 | |
How was that? | 0:04:58 | 0:04:59 | |
It's always very difficult to go first, | 0:05:01 | 0:05:03 | |
but somebody has to do it, right? | 0:05:03 | 0:05:05 | |
Well, you did a great job. Well done. Geri, what did you think? | 0:05:05 | 0:05:08 | |
You've set a very good standard. You got 64, with a very silky vocal, | 0:05:08 | 0:05:12 | |
and a great song choice. You should feel really good. | 0:05:12 | 0:05:15 | |
-Thank you very much. -Well done! CHEERING AND APPLAUSE | 0:05:15 | 0:05:17 | |
-Thank you. -Thank you, Geri. | 0:05:17 | 0:05:18 | |
OK. | 0:05:18 | 0:05:20 | |
BOOING | 0:05:20 | 0:05:21 | |
Oh, Paulus, I mean, | 0:05:21 | 0:05:22 | |
that is a rascal jacket, that, isn't it? Look at that! | 0:05:22 | 0:05:25 | |
Do you know how many flamingos died to make this jacket? | 0:05:25 | 0:05:28 | |
Oh, I dunno! LAUGHTER | 0:05:28 | 0:05:30 | |
You're like the baddie in a Disney film! | 0:05:30 | 0:05:32 | |
LAUGHTER | 0:05:32 | 0:05:33 | |
What did you think? You didn't stand up and join in. | 0:05:33 | 0:05:35 | |
I didn't feel, in that performance, that you were in control. | 0:05:35 | 0:05:38 | |
I felt that the song was kind of more in control | 0:05:38 | 0:05:40 | |
than you were of the song. | 0:05:40 | 0:05:41 | |
It's a great thing to get comments from people that | 0:05:41 | 0:05:44 | |
work in the industry, so point taken. | 0:05:44 | 0:05:47 | |
Maryam, I'll tell you what, | 0:05:50 | 0:05:52 | |
I'm in between a pair of haircuts, here, aren't I? | 0:05:52 | 0:05:54 | |
-Look at it, look at it! -It's like the queue for Toni & Guy! | 0:05:54 | 0:05:56 | |
LAUGHTER | 0:05:56 | 0:05:58 | |
-You're a choir leader. -Yes. -And you stood up and sung along, | 0:05:58 | 0:06:01 | |
-so you must have been impressed? -Yes. | 0:06:01 | 0:06:02 | |
Well, I absolutely cannot stand | 0:06:02 | 0:06:05 | |
Florence + The Machine version of that, | 0:06:05 | 0:06:07 | |
and you had your own style, | 0:06:07 | 0:06:09 | |
you were top to bottom, all there! | 0:06:09 | 0:06:12 | |
APPLAUSE | 0:06:12 | 0:06:13 | |
Well, an excellent first score, there, Sara, of 64, | 0:06:13 | 0:06:16 | |
which puts you in our top spot. Please take your seat! | 0:06:16 | 0:06:19 | |
CHEERING AND APPLAUSE | 0:06:19 | 0:06:21 | |
So, the 100, remember, | 0:06:24 | 0:06:26 | |
if Sara is still in the top spot at the end of the show, | 0:06:26 | 0:06:29 | |
she'll go straight to the grand final for a chance to win £50,000. | 0:06:29 | 0:06:33 | |
64. That's the score to beat. | 0:06:33 | 0:06:36 | |
Tough. | 0:06:36 | 0:06:37 | |
-That could be the high score all night. I don't think it will be. -Yeah. | 0:06:39 | 0:06:42 | |
-But it might put you in the top three. -Absolutely. | 0:06:42 | 0:06:44 | |
-Depends on the calibre of the other performers. -Absolutely. | 0:06:44 | 0:06:47 | |
-Hi! -Hello! -Hi! | 0:06:48 | 0:06:50 | |
We're a 1920s vocal trio. | 0:06:53 | 0:06:55 | |
We started about three years ago. | 0:06:55 | 0:06:57 | |
The Gatsby film had just come out, there was Downton Abbey | 0:06:57 | 0:06:59 | |
and, like, Boardwalk Empire. | 0:06:59 | 0:07:00 | |
The fashion and the glamour and the music, we were really inspired by. | 0:07:00 | 0:07:03 | |
Yeah. | 0:07:03 | 0:07:04 | |
Two microphones... Three microphones! | 0:07:05 | 0:07:08 | |
Oh, my God! | 0:07:08 | 0:07:10 | |
We are all actors, and also have 10 million jobs. | 0:07:10 | 0:07:13 | |
But this is our favourite. | 0:07:13 | 0:07:15 | |
£50,000 would be very nice. | 0:07:15 | 0:07:16 | |
It could take us out of our other jobs | 0:07:16 | 0:07:18 | |
and we could just concentrate on this. | 0:07:18 | 0:07:20 | |
-Full-time Tonics. -Full-time Tonics, please. | 0:07:20 | 0:07:22 | |
I want full of energy and I want really nice harmonies, please. | 0:07:22 | 0:07:26 | |
Here comes the next act. | 0:07:29 | 0:07:30 | |
If they score more than 64, they'll go into top spot. | 0:07:30 | 0:07:33 | |
-Oh, it's a bit of showbiz! -Oh! | 0:07:33 | 0:07:35 | |
-Oh, fantastic. -The Great Gatsby. I'm reading that book at the moment. | 0:07:35 | 0:07:38 | |
-It's a very good book. -Yeah. | 0:07:38 | 0:07:40 | |
Hello! | 0:07:40 | 0:07:42 | |
ALL: We're the Wild Tonics. | 0:07:42 | 0:07:43 | |
And this next song, we've put a little 1920s twist on it, | 0:07:43 | 0:07:46 | |
so we really hope you enjoy it. | 0:07:46 | 0:07:49 | |
Come out looking like that... High hopes. | 0:07:50 | 0:07:53 | |
JAZZ MUSIC PLAYS | 0:07:58 | 0:08:00 | |
# Sweet dreams are made of this | 0:08:04 | 0:08:08 | |
# Who am I to disagree? | 0:08:08 | 0:08:13 | |
Love the harmonies. | 0:08:13 | 0:08:14 | |
# I travel the world | 0:08:14 | 0:08:16 | |
# And the seven seas | 0:08:16 | 0:08:19 | |
# Everybody's looking for something | 0:08:19 | 0:08:24 | |
# Some of them want to use you | 0:08:24 | 0:08:28 | |
And here we go! Only you at home can see the scores. | 0:08:29 | 0:08:32 | |
# Some of them want to get used by you | 0:08:32 | 0:08:34 | |
# Some of them want to abuse you | 0:08:34 | 0:08:38 | |
# Some of them want to be abused | 0:08:40 | 0:08:45 | |
# O-oh | 0:08:45 | 0:08:50 | |
MUSIC SPEEDS UP | 0:08:51 | 0:08:53 | |
# Sweet dreams are made of this | 0:08:53 | 0:08:55 | |
# Who am I to disagree? | 0:08:55 | 0:08:58 | |
# I travel the world And the seven seas | 0:08:58 | 0:09:00 | |
# Everybody's looking for something | 0:09:00 | 0:09:03 | |
# Some of them want to use you | 0:09:03 | 0:09:06 | |
# Some of them want to get used by you | 0:09:06 | 0:09:08 | |
# Some of them want to abuse you | 0:09:08 | 0:09:10 | |
# Some of them want to be abused | 0:09:10 | 0:09:13 | |
# Some of them want to use you | 0:09:13 | 0:09:16 | |
# Some of them want to get used by you | 0:09:16 | 0:09:19 | |
# Some of them want to abuse you | 0:09:19 | 0:09:21 | |
# Some of them want to be abused | 0:09:21 | 0:09:24 | |
# Sweet dreams are made of this. # | 0:09:24 | 0:09:27 | |
CHEERING AND APPLAUSE | 0:09:28 | 0:09:30 | |
Loved it. | 0:09:30 | 0:09:31 | |
I was not expecting that! | 0:09:31 | 0:09:34 | |
Wild Tonics, well done, | 0:09:40 | 0:09:42 | |
you scored 75. | 0:09:42 | 0:09:44 | |
You're in the top spot, well done! | 0:09:44 | 0:09:46 | |
-Yay, thank you! -There you are! | 0:09:46 | 0:09:48 | |
Oh, you've only just seen me? | 0:09:48 | 0:09:50 | |
LAUGHTER | 0:09:50 | 0:09:51 | |
Well done! | 0:09:51 | 0:09:53 | |
Divina, I'm sure you've had a few wild tonics in your time. | 0:09:53 | 0:09:56 | |
I don't know about tonics, but a lot of gin, yes. | 0:09:56 | 0:09:58 | |
LAUGHTER | 0:09:58 | 0:10:00 | |
It was something that I... | 0:10:00 | 0:10:01 | |
..I really enjoyed it. | 0:10:01 | 0:10:03 | |
There were a couple of choreographic things that went, "Blb-lbu-lbu!" | 0:10:03 | 0:10:07 | |
-Which sort of threw you off. -It's not a dance competition, Divina. | 0:10:07 | 0:10:10 | |
Well, no, I know, but it is about a performance, isn't it? | 0:10:10 | 0:10:13 | |
It's about a connection. | 0:10:13 | 0:10:14 | |
And the problem is, unless you have your choreography | 0:10:14 | 0:10:17 | |
absolutely down, that then throws off you as a performer. | 0:10:17 | 0:10:20 | |
But as soon as the beat happened, | 0:10:20 | 0:10:23 | |
that was it. Oh, my gosh, I died. | 0:10:23 | 0:10:25 | |
-Fair enough, Divina! -Thank you! Yeah. Thank you. | 0:10:25 | 0:10:28 | |
APPLAUSE | 0:10:28 | 0:10:29 | |
Geri. | 0:10:29 | 0:10:31 | |
-I love a girl group. -LAUGHTER | 0:10:31 | 0:10:32 | |
And you three were very, very cute. | 0:10:32 | 0:10:35 | |
When I first saw you, I was just watching you. | 0:10:35 | 0:10:37 | |
But, luckily, you pulled me in. | 0:10:37 | 0:10:39 | |
APPLAUSE | 0:10:39 | 0:10:40 | |
-Thank you! -Thank you, Geri. | 0:10:40 | 0:10:42 | |
With an incredible score of 75, Wild Tonics, you're in the lead. | 0:10:42 | 0:10:45 | |
Take your place in the top spot! | 0:10:45 | 0:10:47 | |
Thank you! | 0:10:48 | 0:10:50 | |
Well done! | 0:10:50 | 0:10:51 | |
Oh, beautiful girls. | 0:10:51 | 0:10:54 | |
So, our top three's filling up nicely. | 0:10:55 | 0:10:58 | |
Remember, there's two places in the grand final up for grabs tonight. | 0:10:58 | 0:11:02 | |
The Wild Tonics, if you're still in the top spot | 0:11:02 | 0:11:04 | |
at the end of the show, you'll go through automatically | 0:11:04 | 0:11:08 | |
and whoever's left in second and third will face each other | 0:11:08 | 0:11:10 | |
in the sing-off for the remaining spot. | 0:11:10 | 0:11:12 | |
APPLAUSE | 0:11:12 | 0:11:14 | |
-I hear that Sweet Dreams so many times in clubs under a house beat. -Yeah. | 0:11:15 | 0:11:18 | |
It's so nice to just hear that with horns and everything else going. | 0:11:18 | 0:11:21 | |
I just wonder what the next person's got to do to try and beat that. | 0:11:21 | 0:11:24 | |
All of our acts have come with a song | 0:11:24 | 0:11:26 | |
they believe will get the 100 joining in, | 0:11:26 | 0:11:29 | |
so choosing the right one is crucial. | 0:11:29 | 0:11:31 | |
Something our next performer has given a lot of thought to. | 0:11:31 | 0:11:34 | |
ROCK MUSIC PLAYS | 0:11:34 | 0:11:36 | |
My name is Sean Murphy | 0:11:36 | 0:11:38 | |
and I am from Dublin, Ireland. | 0:11:38 | 0:11:39 | |
So the song I'm singing, it's a fun song. Everyone has to get involved. | 0:11:39 | 0:11:42 | |
It's awesome. | 0:11:42 | 0:11:44 | |
# I believe in a thing called love... | 0:11:44 | 0:11:46 | |
Oh, hello, Sean, you sneaky little sausage! | 0:11:46 | 0:11:48 | |
# There's a chance we'll make it now | 0:11:48 | 0:11:49 | |
# We'll be rocking when the sun goes down... | 0:11:49 | 0:11:51 | |
There's, like, good bits, but then there are bad bits. | 0:11:51 | 0:11:53 | |
# I believe in a thing called lo-ove | 0:11:53 | 0:11:55 | |
# O-ooh. # | 0:11:55 | 0:11:59 | |
Sean, how'd you get that voice so high? | 0:12:03 | 0:12:05 | |
Erm, I just had to squeeze my... | 0:12:05 | 0:12:06 | |
..jeans. LAUGHTER | 0:12:06 | 0:12:08 | |
Yeah. My jeans. | 0:12:08 | 0:12:09 | |
Well done, Sean. Please take your seat in the top three. | 0:12:09 | 0:12:12 | |
APPLAUSE | 0:12:12 | 0:12:14 | |
So, an upbeat crowd pleaser gives Sean a low score, | 0:12:14 | 0:12:17 | |
but he's still in the top three for now. | 0:12:17 | 0:12:19 | |
With the top three full, | 0:12:24 | 0:12:26 | |
can our next act score more than 35 | 0:12:26 | 0:12:28 | |
and knock Sean out of the competition? | 0:12:28 | 0:12:30 | |
My name's Natalie. | 0:12:32 | 0:12:33 | |
The song I've picked, I sung on my wedding day | 0:12:33 | 0:12:36 | |
to my husband, so it's quite close to my heart. | 0:12:36 | 0:12:39 | |
# I'll be there | 0:12:39 | 0:12:44 | |
# I'll be there, yeah, yeah, yeah | 0:12:45 | 0:12:50 | |
# Just call my name | 0:12:50 | 0:12:53 | |
# And I'll be there. # | 0:12:53 | 0:12:57 | |
APPLAUSE | 0:12:57 | 0:12:59 | |
Well done, there, Natalie. That puts you into the top three. | 0:13:00 | 0:13:03 | |
Unfortunately, Sean, you leave us. | 0:13:03 | 0:13:05 | |
Round of applause for Sean, everyone. | 0:13:05 | 0:13:07 | |
CHEERING AND APPLAUSE | 0:13:07 | 0:13:09 | |
Natalie, please take your place. | 0:13:09 | 0:13:11 | |
-I don't feel like anyone's come and sung for 50 grand yet. -No. | 0:13:17 | 0:13:20 | |
Hi. Hello. | 0:13:23 | 0:13:24 | |
I live with my husband Nick and three children. | 0:13:27 | 0:13:31 | |
I do love the hustle and bustle of, like, mummy life. | 0:13:31 | 0:13:34 | |
But I also do really enjoy singing, and it's something which | 0:13:34 | 0:13:38 | |
I've put a little bit to the side, | 0:13:38 | 0:13:39 | |
but now I feel like it's my time. | 0:13:39 | 0:13:41 | |
What are you hoping to see next? | 0:13:41 | 0:13:43 | |
I want big vocals. | 0:13:43 | 0:13:45 | |
I want someone to really believe in their performance, | 0:13:45 | 0:13:47 | |
and really sell it to us. | 0:13:47 | 0:13:49 | |
I feel nervous about singing in front of the 100, | 0:13:49 | 0:13:51 | |
cos you've got 100 different opinions. | 0:13:51 | 0:13:54 | |
Some people could actually just hate what I'm singing, | 0:13:54 | 0:13:56 | |
and that's what really scares me. | 0:13:56 | 0:13:58 | |
If the next performer scores more than 39, | 0:13:59 | 0:14:01 | |
Natalie will leave the competition. | 0:14:01 | 0:14:03 | |
-Oh, wow, that dress is amazing. -That's a lovely dress. | 0:14:04 | 0:14:07 | |
That's gorgeous. | 0:14:07 | 0:14:08 | |
Can you imagine what it must be like, looking up at all of us? | 0:14:13 | 0:14:16 | |
Hi, everybody. I'm Chloe and I'm a mum of three. | 0:14:16 | 0:14:21 | |
I hope you enjoy the song. | 0:14:21 | 0:14:22 | |
-Oh, bit of sass. -Oh. Power pose. | 0:14:26 | 0:14:28 | |
UPBEAT MUSIC STARTS | 0:14:37 | 0:14:38 | |
-Oh! -Yes! | 0:14:38 | 0:14:40 | |
# Don't tell me not to live, just sit and putter... | 0:14:40 | 0:14:43 | |
-Oh, it's one of them ones, innit? -# Life's candy | 0:14:43 | 0:14:45 | |
# And the sun's a ball of butter | 0:14:45 | 0:14:46 | |
# Don't bring along a cloud to rain on my para-a-ade... | 0:14:46 | 0:14:51 | |
Yes! | 0:14:51 | 0:14:52 | |
# Don't tell me not to fly | 0:14:52 | 0:14:54 | |
# I've simply got to | 0:14:54 | 0:14:55 | |
# If someone takes a spill | 0:14:55 | 0:14:57 | |
# It's me and not you | 0:14:57 | 0:14:58 | |
# Who told you you're allowed | 0:14:58 | 0:15:00 | |
# To rain on my parade? | 0:15:00 | 0:15:01 | |
-Yeah, she's got a good voice. -# I'll march my band out | 0:15:01 | 0:15:05 | |
# I'll beat my drum | 0:15:05 | 0:15:08 | |
# And if I'm fanned out... | 0:15:08 | 0:15:11 | |
And here we go. 39's the score to beat. | 0:15:11 | 0:15:13 | |
# Your turn at bat, sir | 0:15:13 | 0:15:14 | |
# At least I didn't fake it | 0:15:14 | 0:15:16 | |
-# Hat, sir... -Yeah, I like her! | 0:15:16 | 0:15:18 | |
# I guess I didn't make it | 0:15:18 | 0:15:20 | |
# But whether I'm a rose of sheer perfection | 0:15:20 | 0:15:22 | |
# Or freckle on the nose of life's complexion | 0:15:22 | 0:15:25 | |
# The cinder or the shiny apple of its eye | 0:15:25 | 0:15:31 | |
# I gotta fly once | 0:15:31 | 0:15:33 | |
# I gotta try once | 0:15:33 | 0:15:34 | |
# Only can die once, right, sir? | 0:15:34 | 0:15:37 | |
# Life is juicy | 0:15:37 | 0:15:39 | |
# Juicy, and you'll see | 0:15:39 | 0:15:41 | |
# I'm gonna have my bite, sir | 0:15:41 | 0:15:44 | |
# Get ready for me, love | 0:15:44 | 0:15:45 | |
# Cos I'm a comer | 0:15:45 | 0:15:47 | |
# I simply gotta march, my heart's a drummer | 0:15:47 | 0:15:49 | |
# Nobody, no | 0:15:49 | 0:15:50 | |
# Nobody | 0:15:50 | 0:15:52 | |
# Is gonna | 0:15:53 | 0:15:55 | |
# Rain on my para-a-ade! # | 0:15:55 | 0:16:08 | |
CHEERING AND APPLAUSE | 0:16:09 | 0:16:16 | |
Sassy! | 0:16:16 | 0:16:17 | |
Thanks! | 0:16:26 | 0:16:27 | |
Chloe, what an incredible performance. | 0:16:34 | 0:16:37 | |
80, you're in the top three, and stormed into first place, well done! | 0:16:37 | 0:16:40 | |
Thank you! | 0:16:40 | 0:16:42 | |
Amazing! | 0:16:42 | 0:16:44 | |
Lindsay. | 0:16:44 | 0:16:45 | |
Lindsay, you represented Great Britain at Eurovision. | 0:16:45 | 0:16:48 | |
What do you think Moldova would have thought of that performance? | 0:16:48 | 0:16:51 | |
-LAUGHTER -Hello, love. -Hello! | 0:16:51 | 0:16:53 | |
Just ignore the question. | 0:16:53 | 0:16:54 | |
LAUGHTER | 0:16:54 | 0:16:55 | |
Sorry, I was just saying hi. | 0:16:55 | 0:16:57 | |
I really enjoyed that. | 0:16:57 | 0:16:58 | |
It was great. I pressed my button at the end, but I was like... | 0:16:58 | 0:17:01 | |
-Were you waiting for the big note? -Yeah! -Was that worrying you, then? | 0:17:01 | 0:17:04 | |
Cos obviously, not as many were standing up, | 0:17:04 | 0:17:05 | |
-and then just waiting for that final... -Yeah, just, I was like, | 0:17:05 | 0:17:08 | |
"Don't think anyone's getting it, no-one seems to like it," | 0:17:08 | 0:17:11 | |
and then suddenly, it went a bit yellow and I was like, "Oh, yay!" | 0:17:11 | 0:17:13 | |
APPLAUSE | 0:17:13 | 0:17:14 | |
-Ash, you're a tribute singer. -Yeah, man. | 0:17:14 | 0:17:16 | |
-What tribute act do you do? -I do Take That. -Take That! -Yeah. | 0:17:16 | 0:17:19 | |
CHEERING | 0:17:19 | 0:17:20 | |
-Oh! -Cheers, yeah. -Who are you in Take That? | 0:17:20 | 0:17:22 | |
-Mark Owen. -Mark Owen, OK. -Yeah. | 0:17:22 | 0:17:24 | |
Touch-and-go, but I'm sure, with the outfit on, | 0:17:24 | 0:17:26 | |
you get away with it. LAUGHTER | 0:17:26 | 0:17:28 | |
-I'm a bit tall, yeah. -Do you need a early days Gary Barlow? | 0:17:28 | 0:17:30 | |
Er... | 0:17:30 | 0:17:31 | |
-LAUGHTER -Don't know. | 0:17:31 | 0:17:34 | |
Free six-pack. | 0:17:34 | 0:17:35 | |
LAUGHTER | 0:17:35 | 0:17:37 | |
You got up and you sang along, and that's not normally your cup of tea? | 0:17:37 | 0:17:39 | |
Yeah, yeah, so, that's my job, but I'm studying musical theatre | 0:17:39 | 0:17:42 | |
and I just thought you were amazing, like, | 0:17:42 | 0:17:44 | |
from the second the lights went down, you were in character | 0:17:44 | 0:17:46 | |
and you did not break out. And it just looked like it came | 0:17:46 | 0:17:49 | |
so easily to you, like, you deserve that top spot. | 0:17:49 | 0:17:51 | |
-Thanks so much. -Thank you, Ash. | 0:17:51 | 0:17:53 | |
APPLAUSE | 0:17:53 | 0:17:55 | |
And, Geri, you stood up? | 0:17:55 | 0:17:57 | |
I did. | 0:17:57 | 0:17:58 | |
Every single mother watching tonight will be thinking, | 0:17:58 | 0:18:03 | |
she is singing for me. | 0:18:03 | 0:18:05 | |
You just sang that anthem. | 0:18:05 | 0:18:06 | |
Because when you have children, you can lose your confidence, | 0:18:06 | 0:18:09 | |
and you sung it with such conviction. | 0:18:09 | 0:18:11 | |
-I am so proud of you. So happy for you. -Thank you. | 0:18:11 | 0:18:14 | |
APPLAUSE | 0:18:14 | 0:18:15 | |
So, with a score of 80, Chloe, you'll take first spot, | 0:18:15 | 0:18:18 | |
which means sadly, Natalie, | 0:18:18 | 0:18:20 | |
you'll be leaving the competition. | 0:18:20 | 0:18:22 | |
Give it up for Natalie, everyone! | 0:18:22 | 0:18:24 | |
Chloe, please take your place in the top three. | 0:18:24 | 0:18:27 | |
Thank you so much. Thank you. | 0:18:27 | 0:18:29 | |
CHEERING AND APPLAUSE | 0:18:29 | 0:18:31 | |
So, now, Sara, you are the act in danger. | 0:18:36 | 0:18:39 | |
If the next performer scores more than 64, | 0:18:39 | 0:18:41 | |
you'll be leaving the competition. | 0:18:41 | 0:18:43 | |
APPLAUSE | 0:18:43 | 0:18:45 | |
We've got a bit of a girl power show going on, look. | 0:18:48 | 0:18:51 | |
That was superb, musically, performance wise. | 0:18:51 | 0:18:54 | |
She just had all the confidence, all the sass, and it wasn't forced. | 0:18:54 | 0:18:59 | |
So, Chloe's our highest scorer of the night so far. | 0:18:59 | 0:19:02 | |
But there's plenty more acts still to come, | 0:19:03 | 0:19:06 | |
each hoping to steal her seat. | 0:19:06 | 0:19:08 | |
We've got high stakes... | 0:19:08 | 0:19:10 | |
Tonight, I'm taking a huge risk, singing a massively iconic song. | 0:19:10 | 0:19:14 | |
I like a risk! | 0:19:14 | 0:19:15 | |
..high emotions... | 0:19:15 | 0:19:17 | |
What have you done to me? | 0:19:17 | 0:19:19 | |
..and even high street fashion. | 0:19:19 | 0:19:21 | |
The premiere of Topman, the musical. | 0:19:21 | 0:19:23 | |
SHE LAUGHS | 0:19:30 | 0:19:31 | |
What happened? | 0:19:31 | 0:19:32 | |
My name is Lili. | 0:19:38 | 0:19:39 | |
I perform in a very famous pub in London, | 0:19:39 | 0:19:42 | |
and I'm a Cockney singalong queen. | 0:19:42 | 0:19:44 | |
I sing the old classics, like Knees Up Mother Brown | 0:19:44 | 0:19:47 | |
and It's A Long Way To Tipperary. | 0:19:47 | 0:19:49 | |
# It's a long, long way to Tipperary... # | 0:19:49 | 0:19:51 | |
People go mad for them. | 0:19:51 | 0:19:52 | |
-I just want to give everybody a chance, you know? -Yeah, yeah. | 0:19:54 | 0:19:57 | |
They have so much courage to come here. | 0:19:57 | 0:19:59 | |
I'm not the toughest judge. | 0:19:59 | 0:20:01 | |
Technique is not so much for me. | 0:20:01 | 0:20:02 | |
If Lili doesn't stand up here, you're in trouble. | 0:20:02 | 0:20:05 | |
I am not Mariah Carey, but I know how to get people singing together, | 0:20:05 | 0:20:09 | |
having a good time. | 0:20:09 | 0:20:11 | |
If they put a smile on my face, | 0:20:11 | 0:20:12 | |
if they believe in what they do, | 0:20:12 | 0:20:15 | |
I will get up any time. | 0:20:15 | 0:20:17 | |
Already tonight the 100 have seen a variety of acts, | 0:20:18 | 0:20:21 | |
but for some there's something missing. | 0:20:21 | 0:20:23 | |
We need a guy, man, there's five women up there. | 0:20:23 | 0:20:25 | |
Theo Brehony, take one. | 0:20:28 | 0:20:29 | |
I went on tour with Beyonce, toured with Beverley Knight. I was signed | 0:20:32 | 0:20:36 | |
to Elton John's management label. | 0:20:36 | 0:20:38 | |
He said to me, "You have the voice of an angel," which I'll | 0:20:38 | 0:20:40 | |
never forget. | 0:20:40 | 0:20:41 | |
If Elton thought that, then I am hoping some of the 100 | 0:20:45 | 0:20:48 | |
will feel that way too. | 0:20:48 | 0:20:50 | |
He's come dressed as Geronimo. | 0:20:50 | 0:20:51 | |
MUSIC STARTS | 0:20:59 | 0:21:02 | |
# I've been wandering around, always looking down | 0:21:04 | 0:21:08 | |
# At all I see | 0:21:08 | 0:21:10 | |
# Painted faces fill the places I can't reach | 0:21:11 | 0:21:16 | |
# You know that I could use somebody | 0:21:19 | 0:21:22 | |
# Someone like you | 0:21:26 | 0:21:28 | |
# When all you know and how you speak | 0:21:28 | 0:21:32 | |
# Countless lovers under cover of the street | 0:21:34 | 0:21:39 | |
# You know that I could use somebody | 0:21:39 | 0:21:44 | |
# Ohhhh! | 0:21:44 | 0:21:47 | |
# You know that I can use somebody... # | 0:21:47 | 0:21:50 | |
Here comes the big note. | 0:21:50 | 0:21:52 | |
# Yeah, yeah | 0:21:52 | 0:21:54 | |
# Someone like you, oh | 0:21:54 | 0:21:58 | |
-# Oh, oh... -He's lost me now. | 0:21:58 | 0:22:01 | |
# Someone like you | 0:22:01 | 0:22:03 | |
# Somebody | 0:22:03 | 0:22:05 | |
# Oh, oh... | 0:22:05 | 0:22:07 | |
Too clean for me, | 0:22:07 | 0:22:08 | |
I want him to have a bit more of a dirty grind to his voice. | 0:22:08 | 0:22:11 | |
# Somebody, oh, yeah, oh, oh... | 0:22:11 | 0:22:15 | |
Geri is not having it. | 0:22:15 | 0:22:17 | |
# I'm wandering around, always looking down at all I see. # | 0:22:17 | 0:22:22 | |
APPLAUSE | 0:22:22 | 0:22:26 | |
He lost it a few times. | 0:22:28 | 0:22:30 | |
Yeah. It was all a bit all over the shop. | 0:22:30 | 0:22:33 | |
Unlucky to score 31, it wasn't enough for the top three. | 0:22:35 | 0:22:39 | |
-How did you find it? -I just give it my all so I can't complain. | 0:22:39 | 0:22:42 | |
-I'm happy with that. -Pamela. Not for you? What am I sitting on, Pamela? | 0:22:42 | 0:22:46 | |
-Sorry. -Got your scarf here, Pamela, what have you got a scarf for? | 0:22:46 | 0:22:49 | |
-It gets cold. -Does it? -Yeah. | 0:22:49 | 0:22:51 | |
-What's that? Make-up? -Oh, my God. -It's like your flat down there. | 0:22:51 | 0:22:56 | |
-Pamela, you were not having it this time? -You need to trust your gift. | 0:22:59 | 0:23:03 | |
Trust the gift that you have. | 0:23:03 | 0:23:05 | |
I think you could have sang the hell out of the song, | 0:23:05 | 0:23:08 | |
but I think you didn't believe it. | 0:23:08 | 0:23:10 | |
APPLAUSE | 0:23:10 | 0:23:11 | |
Theo, your score of 31 wasn't enough to get you the top three, | 0:23:11 | 0:23:14 | |
but you gave it a good go. Theo, everyone. | 0:23:14 | 0:23:16 | |
Oh, tough crowd. | 0:23:20 | 0:23:21 | |
So that means, Sara, you still clung onto that third spot of 64. | 0:23:23 | 0:23:27 | |
If the next act gets more than that, | 0:23:27 | 0:23:28 | |
you will be leaving the competition. | 0:23:28 | 0:23:30 | |
Let's see what happens when we bring out our next performer. | 0:23:30 | 0:23:33 | |
-CHEERING -Whoo. | 0:23:33 | 0:23:36 | |
I love the set-up. | 0:23:36 | 0:23:38 | |
Those mirrors, I've just moved into a new flat | 0:23:38 | 0:23:40 | |
and I want those exact mirrors. | 0:23:40 | 0:23:42 | |
I love them. | 0:23:42 | 0:23:44 | |
My love of singing came from the Spice Girls. | 0:23:47 | 0:23:50 | |
Obviously because I am a redhead, I just wanted to be Geri. | 0:23:50 | 0:23:53 | |
All the time. And their songs were brilliant. | 0:23:53 | 0:23:56 | |
They were all about girl power. | 0:23:56 | 0:23:58 | |
-As you can see, all girls. -It is. | 0:23:58 | 0:24:02 | |
-Yes. -BOTH: Girl power. | 0:24:02 | 0:24:03 | |
I've always just had fun with singing. | 0:24:03 | 0:24:05 | |
Have fun and pretend you are a pop star. | 0:24:05 | 0:24:08 | |
Something fresh. | 0:24:08 | 0:24:09 | |
-Something original. -Oh, look. -This is what I'm after. | 0:24:09 | 0:24:13 | |
64 to beat, let's see if our next act can do it. | 0:24:15 | 0:24:18 | |
-OK, we're talking about a pink velour suit. -Yeah. | 0:24:18 | 0:24:21 | |
That is a shiny outfit. | 0:24:22 | 0:24:24 | |
Hi, everyone, I'm Harriette and I'm from Cheltenham | 0:24:24 | 0:24:28 | |
and tonight I'm taking a huge risk, singing a massively iconic song | 0:24:28 | 0:24:33 | |
and I really, really hope you like what I've done with it. | 0:24:33 | 0:24:35 | |
OK. Y.M.C.A? | 0:24:35 | 0:24:38 | |
I like a risk. Let's hope it pays off for her. | 0:24:38 | 0:24:41 | |
PIANO PLAYS | 0:24:46 | 0:24:49 | |
What is it? | 0:24:49 | 0:24:51 | |
# Slip inside the eye of your mind | 0:24:51 | 0:24:55 | |
-# Don't you know... -Oasis. | 0:24:55 | 0:24:57 | |
# You might find | 0:24:57 | 0:25:00 | |
# A better place to play... | 0:25:00 | 0:25:02 | |
-I wasn't expecting that. -Yeah. | 0:25:02 | 0:25:04 | |
# You said that you'd never been | 0:25:04 | 0:25:08 | |
# But all the things that you have seen | 0:25:08 | 0:25:11 | |
# Slowly fade away | 0:25:11 | 0:25:15 | |
# So I'll start a revolution from my bed... | 0:25:17 | 0:25:20 | |
There is some power there. | 0:25:20 | 0:25:22 | |
Yeah. | 0:25:22 | 0:25:24 | |
# Cos you said the brains I had went to my head | 0:25:24 | 0:25:28 | |
# Step outside, summertime's in bloom | 0:25:28 | 0:25:36 | |
# Stand up beside the fireplace | 0:25:36 | 0:25:39 | |
# And take that look from off your face | 0:25:39 | 0:25:42 | |
# You ain't ever going to burn my heart out, no, no | 0:25:42 | 0:25:49 | |
# No, no... | 0:25:49 | 0:25:52 | |
Yeah! | 0:25:52 | 0:25:53 | |
# So Sally can wait, she knows it's too late... | 0:25:53 | 0:25:57 | |
This is very close. Can she do it? | 0:25:57 | 0:25:59 | |
# As we're walking on by | 0:25:59 | 0:26:03 | |
# Yeah, her soul slides away, | 0:26:03 | 0:26:08 | |
# But don't look back in anger, I heard you say | 0:26:08 | 0:26:15 | |
# Yeah. # | 0:26:15 | 0:26:18 | |
Whoo! | 0:26:18 | 0:26:20 | |
-That was a very, very unexpected. -Yeah. | 0:26:21 | 0:26:24 | |
She made me go all funny. | 0:26:24 | 0:26:26 | |
Whoo! | 0:26:29 | 0:26:31 | |
Harriette, a huge score of 79, well done. | 0:26:34 | 0:26:36 | |
-You are straight into second spot in the top three. -Thank you. | 0:26:36 | 0:26:39 | |
Thank you. That was way more emotional than I thought. | 0:26:42 | 0:26:44 | |
I was squeezing myself together not to cry. | 0:26:44 | 0:26:48 | |
Jessica, you're a wedding singer. Did you enjoy that performance? | 0:26:48 | 0:26:53 | |
Ah, Harriette, when you started off with that song, I thought, "Oh, no." | 0:26:53 | 0:26:56 | |
Cos it just reminds me of lads | 0:26:56 | 0:26:57 | |
in a pub drinking loads of lager on karaoke. | 0:26:57 | 0:26:59 | |
You know, going, "Wahay," like that. | 0:26:59 | 0:27:01 | |
-Yeah, sorry about that, sorry about that. -Yeah. -Having a laugh. | 0:27:01 | 0:27:05 | |
Hotel karaoke. And you didn't do that. | 0:27:05 | 0:27:08 | |
You changed it so much that it made it, it drew everybody in. | 0:27:08 | 0:27:13 | |
-It was incredible, I so enjoyed that. -Thank you. | 0:27:13 | 0:27:17 | |
-Geri? -Hi, Geri Halliwell! | 0:27:17 | 0:27:20 | |
-Hello, Harriette. -Hi. | 0:27:22 | 0:27:25 | |
You know what, the girls are doing well tonight, aren't they? Wow! | 0:27:25 | 0:27:28 | |
Girl power. | 0:27:28 | 0:27:29 | |
-And I notice, is that your mum and dad? -Yeah, my mum. | 0:27:29 | 0:27:33 | |
-Geri, my mum actually had a dream about you once that you were best friends. -Aw! | 0:27:33 | 0:27:38 | |
-What is your mum called? -My mum is called Trish. | 0:27:38 | 0:27:41 | |
Trish, I would be very proud to have a daughter like Harriette. | 0:27:41 | 0:27:46 | |
-Thank you. -Thanks, Geri, I love you. | 0:27:46 | 0:27:47 | |
Christopher, you are a big fan, did you enjoy that arrangement? | 0:27:50 | 0:27:53 | |
Yeah. I've got to be honest, I'm not the biggest Oasis fan in the world. | 0:27:53 | 0:27:56 | |
-We are in Manchester but never mind. -Yeah, I know. | 0:27:56 | 0:27:58 | |
I will be a fan of that song because of how you just sang it. | 0:27:58 | 0:28:03 | |
Aw, thank you so much. | 0:28:03 | 0:28:04 | |
So with a score of 79, Harriette, | 0:28:06 | 0:28:08 | |
you take second spot in the top three, | 0:28:08 | 0:28:09 | |
which means sadly, Sara, you leave us. | 0:28:09 | 0:28:11 | |
A round of applause for Sara, everyone. | 0:28:11 | 0:28:14 | |
Harriette, please take your place in the top three. | 0:28:14 | 0:28:17 | |
So, Wild Tonics, that score puts you in the danger seat. | 0:28:21 | 0:28:25 | |
If the next act scores more than 75, you will leave the competition. | 0:28:25 | 0:28:29 | |
Right, 100, I think that is time for a break. | 0:28:29 | 0:28:33 | |
With the 100 backstage, there's plenty of girl talk. | 0:28:33 | 0:28:36 | |
-I'm loving the diva rush, so many girls. -Girls. -Girl power. | 0:28:36 | 0:28:39 | |
It's girl power, there's a lot of girls. | 0:28:39 | 0:28:41 | |
There's five points between first and third place, that's nothing. | 0:28:41 | 0:28:45 | |
80 is a great score, but it is still beatable. | 0:28:45 | 0:28:48 | |
Chloe could still go down into the sing off. | 0:28:48 | 0:28:50 | |
I like Chloe. | 0:28:50 | 0:28:52 | |
-I really like her. I am sure you... -SINGING | 0:28:52 | 0:28:57 | |
# Yeah, yeah | 0:28:57 | 0:28:58 | |
# But now we're going round in circles, | 0:28:58 | 0:29:02 | |
# Tell me, will this deja vu ever end? # | 0:29:02 | 0:29:04 | |
Let's go and join in, come on. | 0:29:04 | 0:29:06 | |
# Cos I'm giving you everything | 0:29:06 | 0:29:10 | |
# All that joy can bring | 0:29:10 | 0:29:12 | |
# This I swear... # | 0:29:12 | 0:29:14 | |
Go on, Gezza, give it some! | 0:29:14 | 0:29:16 | |
So with the top three back in their places, will our next act | 0:29:16 | 0:29:19 | |
score more than 75 and knock the Wild Tonics out of the competition? | 0:29:19 | 0:29:23 | |
We are all full-time performers on cruise ships, | 0:29:31 | 0:29:33 | |
London theatres and that kind of thing. | 0:29:33 | 0:29:34 | |
We got together just because we all are musical theatre-based | 0:29:34 | 0:29:37 | |
and we just love singing. | 0:29:37 | 0:29:39 | |
We've been together about six weeks now. | 0:29:39 | 0:29:41 | |
-So it's still really early days. -It's our first gig. | 0:29:41 | 0:29:44 | |
Right, come on, then. Something amazing, please. | 0:29:44 | 0:29:48 | |
We just want to go out there, have some fun | 0:29:48 | 0:29:50 | |
and this song is such a classic that if the 100 can't get up to | 0:29:50 | 0:29:53 | |
this one, I don't know what else we can do really. | 0:29:53 | 0:29:55 | |
Oh, yes! | 0:29:57 | 0:29:59 | |
We're going to have some Take That now. | 0:30:02 | 0:30:05 | |
Pitch perfect, please, boys, come on, don't let me down. | 0:30:05 | 0:30:08 | |
-Hello, everybody. My name is Rhys. -I'm Sam. | 0:30:08 | 0:30:09 | |
-And I am Jonathan and we are... -ALL: Triple Fret. | 0:30:09 | 0:30:13 | |
I like it... | 0:30:13 | 0:30:15 | |
This is the first time we have performed for a live audience ever. | 0:30:15 | 0:30:18 | |
-Oh, my goodness. Wow. -APPLAUSE AND CHEERING | 0:30:18 | 0:30:21 | |
That makes me quite nervous. | 0:30:21 | 0:30:23 | |
The premiere of Topman - The Musical. | 0:30:23 | 0:30:27 | |
75 is the score to beat. | 0:30:30 | 0:30:32 | |
MUSIC: Livin' On A Prayer | 0:30:35 | 0:30:37 | |
Oh, come on. | 0:30:37 | 0:30:39 | |
# Tommy used to work on the docks | 0:30:39 | 0:30:42 | |
# Union's been on strike | 0:30:42 | 0:30:44 | |
# He's down on his luck, it's tough, so tough... | 0:30:44 | 0:30:49 | |
The Wild Tonics are enjoying it. | 0:30:51 | 0:30:53 | |
# We've got to hold on to what we've got | 0:30:53 | 0:30:57 | |
# It doesn't make a difference if we make it or not... | 0:30:57 | 0:31:01 | |
I just love harmony, that's the thing that gives another level. | 0:31:01 | 0:31:04 | |
# For love | 0:31:04 | 0:31:08 | |
# We'll give it a shot | 0:31:08 | 0:31:09 | |
# Whoa, we're halfway there | 0:31:09 | 0:31:13 | |
# Whoa, livin' on a prayer | 0:31:13 | 0:31:16 | |
# Take my hand, we'll make it I swear | 0:31:16 | 0:31:21 | |
# Whoa, livin' on a prayer | 0:31:21 | 0:31:24 | |
# Livin' on a prayer | 0:31:24 | 0:31:29 | |
# You've got to hold on | 0:31:31 | 0:31:34 | |
# Ready or not | 0:31:34 | 0:31:36 | |
# You live for the fight when it's all that you've got | 0:31:36 | 0:31:40 | |
# Whoa! | 0:31:40 | 0:31:42 | |
# We're halfway there | 0:31:42 | 0:31:44 | |
# Whoa, livin' on a prayer | 0:31:44 | 0:31:47 | |
# Take my hand, we'll make it I swear | 0:31:47 | 0:31:51 | |
# Whoa, livin' on a prayer | 0:31:51 | 0:31:55 | |
-# Whoa, we're halfway there... -Can they beat 75? | 0:31:55 | 0:32:02 | |
# Livin' on a prayer | 0:32:02 | 0:32:03 | |
# Livin' on a prayer. # | 0:32:03 | 0:32:08 | |
CROWD GASPS | 0:32:15 | 0:32:17 | |
Triple Fret, you scored 67. | 0:32:25 | 0:32:27 | |
Well done, unfortunately not enough for our top three, but, | 0:32:27 | 0:32:30 | |
Paulus, you've not stood up all night. | 0:32:30 | 0:32:33 | |
LAUGHTER AND SOME CHEERING | 0:32:33 | 0:32:35 | |
I had a cup of tea in the break, I don't know what was in it. | 0:32:35 | 0:32:39 | |
This is the first time you stood up tonight. | 0:32:39 | 0:32:41 | |
-First time I stood up tonight. -What was that got you? | 0:32:41 | 0:32:43 | |
-It was infectious. -Infectious. | 0:32:43 | 0:32:45 | |
We are sitting there going, OK, what's wrong with that? | 0:32:45 | 0:32:48 | |
That's there, Oh, no, that's there as well. Come on. | 0:32:48 | 0:32:51 | |
Oh. Was there a story? You are a big fan of the story. | 0:32:51 | 0:32:54 | |
-Yeah, there was a story. -What was the story? | 0:32:54 | 0:32:56 | |
They were living on a prayer, Rob, weren't you listening? | 0:32:56 | 0:32:59 | |
Nikki, though, you're a big fan of rock and roll | 0:33:01 | 0:33:03 | |
but that didn't get you up? | 0:33:03 | 0:33:05 | |
No, the first line was a little weak for me. | 0:33:05 | 0:33:08 | |
-You got to be strong if you are doing rock and roll, boys. -OK. | 0:33:08 | 0:33:11 | |
Well, Triple Fret, | 0:33:11 | 0:33:12 | |
a great score of 67, just not enough to break into the top three. | 0:33:12 | 0:33:15 | |
Well done, Triple Fret, everyone. | 0:33:15 | 0:33:17 | |
Which means Wild Tonics are holding on in there in third spot. | 0:33:21 | 0:33:26 | |
Let's bring on our next performer. | 0:33:26 | 0:33:30 | |
Do you think Wild Tonics were worried? | 0:33:30 | 0:33:32 | |
They didn't seem worried at all. | 0:33:32 | 0:33:34 | |
-No. They are, they are very confident. -Is it false confidence? | 0:33:34 | 0:33:37 | |
I'm so bad at this. | 0:33:41 | 0:33:43 | |
I love singing because it lets you become someone else for a little | 0:33:44 | 0:33:49 | |
while and I think that's quite nice, | 0:33:49 | 0:33:50 | |
a nice feeling to just be someone else. | 0:33:50 | 0:33:54 | |
I'm so awkward. I'm dying inside right now. | 0:33:55 | 0:33:58 | |
So we've got 80, 79 and 75. | 0:33:58 | 0:34:01 | |
It's very, very tight, isn't it? Who do you want up next? | 0:34:01 | 0:34:04 | |
Something powerhouse. Bring down the roof. | 0:34:04 | 0:34:07 | |
I sing in the shower, in the kitchen, in the bedroom. | 0:34:07 | 0:34:12 | |
I might not be the most experienced performer, | 0:34:12 | 0:34:14 | |
but I'm just as passionate, just as excited. | 0:34:14 | 0:34:18 | |
-Yeah. -HE CHUCKLES | 0:34:20 | 0:34:22 | |
He looks like him off Napoleon Dynamite. | 0:34:28 | 0:34:30 | |
He's got 75 to beat to take third spot from the Wild Tonics. | 0:34:30 | 0:34:33 | |
Hello. My name's Blake, and I'm from Kent. | 0:34:36 | 0:34:39 | |
I hope you enjoy this as much as I enjoy singing it. | 0:34:41 | 0:34:45 | |
Come on, dude. | 0:34:45 | 0:34:46 | |
-WHISPERS: -He's terrified. | 0:34:48 | 0:34:50 | |
He's super nervous. | 0:34:52 | 0:34:54 | |
Give him a smile. | 0:34:54 | 0:34:55 | |
# Party girls don't get hurt | 0:34:59 | 0:35:01 | |
# Can't feel anything, when will I learn? | 0:35:01 | 0:35:04 | |
# I push it down, push it down... | 0:35:04 | 0:35:06 | |
-APPLAUSE -Wow. | 0:35:06 | 0:35:09 | |
# One, two, three, one, two, three, drink | 0:35:10 | 0:35:13 | |
# One, two, three, one, two, three, drink... # | 0:35:13 | 0:35:15 | |
This is a hard song. | 0:35:15 | 0:35:16 | |
# One, two, three, one, two, three, drink | 0:35:16 | 0:35:19 | |
# Throw 'em back till I lose count | 0:35:19 | 0:35:22 | |
# I'm gonna swing from the chandelier | 0:35:22 | 0:35:30 | |
# From the chandelier | 0:35:30 | 0:35:35 | |
# I'm gonna live like tomorrow doesn't exist... | 0:35:35 | 0:35:41 | |
-It's a beautiful sound. -# Like it doesn't exist | 0:35:41 | 0:35:45 | |
# I'm gonna fly | 0:35:45 | 0:35:49 | |
# Like a bird through the night | 0:35:49 | 0:35:53 | |
-# Feel my tears as they dry... -Oh, yes! | 0:35:53 | 0:35:57 | |
# And I'm gonna swing from the chandelier | 0:35:57 | 0:36:04 | |
# From the chandelier... | 0:36:04 | 0:36:06 | |
The Wild Tonics must be worried. | 0:36:06 | 0:36:08 | |
# Won't look down, won't open my eyes | 0:36:10 | 0:36:13 | |
# Keep my glass full until morning light | 0:36:13 | 0:36:15 | |
# Cos I'm just holding on for tonight | 0:36:15 | 0:36:18 | |
# On for tonight | 0:36:18 | 0:36:19 | |
-# And I'm... -Final bit of the song. | 0:36:19 | 0:36:22 | |
# Gonna swing from the chandelier | 0:36:22 | 0:36:28 | |
# From the chandelier. # | 0:36:28 | 0:36:33 | |
CHEERING AND APPLAUSE | 0:36:33 | 0:36:36 | |
It's a tie! | 0:36:42 | 0:36:44 | |
-Yeah! -Oh, God, oh, God, oh, God. -CHEERING | 0:36:44 | 0:36:48 | |
Well done, Blake. You scored 75, | 0:36:49 | 0:36:52 | |
which means we've got a tie for third place | 0:36:52 | 0:36:55 | |
between you and the Wild Tonics. Tense, innit? | 0:36:55 | 0:36:58 | |
How you feeling? | 0:36:58 | 0:36:59 | |
-Tense. -LAUGHTER | 0:36:59 | 0:37:02 | |
Tina T? | 0:37:02 | 0:37:03 | |
I don't want to lose you! | 0:37:03 | 0:37:05 | |
-Wait for the mic. -I'm sorry, I'm so excited. | 0:37:05 | 0:37:08 | |
All right, Tina. We don't need another hero, calm down. | 0:37:08 | 0:37:10 | |
LAUGHTER That's all right, innit? | 0:37:10 | 0:37:13 | |
What did you love about that, Tina? | 0:37:13 | 0:37:15 | |
When he came out on stage, at first I wasn't quite sure. | 0:37:15 | 0:37:17 | |
But I really liked your tone | 0:37:17 | 0:37:20 | |
and you seemed to focus on what you were singing. | 0:37:20 | 0:37:23 | |
I don't want to lose you. Good luck, darling. | 0:37:23 | 0:37:25 | |
-You love a pun, don't you? -I do. -I do have a quick question for you. | 0:37:25 | 0:37:28 | |
At my hotel room I have the window shut cos I can't stand the rain. | 0:37:28 | 0:37:31 | |
And... CHEERING | 0:37:31 | 0:37:33 | |
..it's really hot in there and I'm getting steamy windows. | 0:37:33 | 0:37:36 | |
It's that hotel in Nutbush, you know, with the city limits? That one. | 0:37:36 | 0:37:40 | |
-LAUGHTER -Why are you taking all my lines? | 0:37:40 | 0:37:43 | |
I mean, I think Tina Turner would have something to say to both of us. | 0:37:43 | 0:37:46 | |
LAUGHTER Thank you very much. | 0:37:46 | 0:37:48 | |
I can't be bothered to go upstairs and I've got to go up there, | 0:37:48 | 0:37:50 | |
can you just give me a leg up? | 0:37:50 | 0:37:51 | |
Yeah, if you could take that. APPLAUSE | 0:37:51 | 0:37:54 | |
Go on, up you get. | 0:37:54 | 0:37:56 | |
Oh, yes! | 0:37:56 | 0:37:57 | |
Oh, my God! | 0:38:00 | 0:38:01 | |
Sorry, sorry. LAUGHTER | 0:38:01 | 0:38:04 | |
I feel like I'll just take the stairs next time. | 0:38:04 | 0:38:07 | |
You didn't have to throw, I wasn't going top level! | 0:38:07 | 0:38:10 | |
Lili. Lili, let's be honest, you've stood up for everyone so far. | 0:38:12 | 0:38:17 | |
-Do you know... -Yes, I did. -You know you don't have to? | 0:38:17 | 0:38:19 | |
-You can just.... -I know. | 0:38:19 | 0:38:20 | |
I understand the premises of the game. | 0:38:20 | 0:38:23 | |
APPLAUSE | 0:38:23 | 0:38:26 | |
Absolutely burned! Fair enough. | 0:38:26 | 0:38:28 | |
Thank you. | 0:38:28 | 0:38:30 | |
What would it take for you not to stand up? | 0:38:30 | 0:38:32 | |
To be terribly, awfully bad. | 0:38:32 | 0:38:35 | |
Fair enough. | 0:38:35 | 0:38:37 | |
Now, as the Wild Tonics and Blake both have 75, | 0:38:37 | 0:38:40 | |
we've got ourselves a tie. | 0:38:40 | 0:38:43 | |
-AUDIENCE: -Ooh! | 0:38:43 | 0:38:45 | |
Tie-lights. LAUGHTER | 0:38:45 | 0:38:48 | |
Now, 100, you need to decide which performance you liked the best | 0:38:48 | 0:38:52 | |
and therefore stays in the competition. | 0:38:52 | 0:38:54 | |
If you preferred the Wild Tonics, press your button now. | 0:38:54 | 0:38:59 | |
# Sweet dreams are made of this | 0:38:59 | 0:39:01 | |
# Who am I to disagree? # | 0:39:01 | 0:39:03 | |
If you preferred Blake, press your button now. | 0:39:03 | 0:39:08 | |
# Like a bird through the night | 0:39:08 | 0:39:11 | |
# Feel my tears as they dry. # | 0:39:11 | 0:39:13 | |
100, the results are in and I can tell you, you've decided | 0:39:16 | 0:39:20 | |
the performer taking that third spot and staying in the competition is... | 0:39:20 | 0:39:24 | |
..Blake... | 0:39:26 | 0:39:28 | |
CHEERING AND APPLAUSE | 0:39:28 | 0:39:30 | |
..which means, sadly, we lose the Wild Tonics. | 0:39:30 | 0:39:33 | |
You've been sat in the top three for quite a while now. | 0:39:33 | 0:39:36 | |
How are you feeling? | 0:39:36 | 0:39:37 | |
Feeling really good. | 0:39:37 | 0:39:39 | |
I mean, if we're to lose this seat to anyone, mate, you were cracking. | 0:39:39 | 0:39:41 | |
-Amazing. -Beautiful. | 0:39:41 | 0:39:43 | |
Give it up for the Wild Tonics. | 0:39:43 | 0:39:45 | |
CHEERING | 0:39:45 | 0:39:48 | |
Remember, the performer in the top spot at the end of the night | 0:39:50 | 0:39:53 | |
will go straight to the final, | 0:39:53 | 0:39:55 | |
and second and third will go into the sing off. | 0:39:55 | 0:39:59 | |
Give me your hand. You're amazing. | 0:39:59 | 0:40:02 | |
I am so over the moon. | 0:40:02 | 0:40:04 | |
I am, even though I didn't stand up, I'm happy he went through. | 0:40:04 | 0:40:07 | |
Oh, I thought he was great. | 0:40:07 | 0:40:08 | |
That's what I was looking for, I needed something like that. | 0:40:08 | 0:40:10 | |
-GERI TAP DANCES -We're not allowed to... | 0:40:10 | 0:40:13 | |
-Not allowed, not allowed... -Sorry. | 0:40:13 | 0:40:16 | |
She's been practising. | 0:40:16 | 0:40:17 | |
I felt the Billy in me. | 0:40:17 | 0:40:20 | |
I'm James Lomas. | 0:40:23 | 0:40:24 | |
I'm probably best known for playing the original Billy | 0:40:24 | 0:40:27 | |
in Billy Elliot The Musical. | 0:40:27 | 0:40:29 | |
When I was 13, | 0:40:29 | 0:40:30 | |
I auditioned with 3,500 boys and I got the role of Billy Elliot. | 0:40:30 | 0:40:34 | |
When you sing it's like... Open your mouths. OK? | 0:40:34 | 0:40:37 | |
I'm now a singing coach and I teach Billy Elliot workshops. | 0:40:37 | 0:40:41 | |
It's really good to give back to the kids and to see them progress, | 0:40:41 | 0:40:44 | |
and it makes me really happy. | 0:40:44 | 0:40:45 | |
I want to be up on my feet and singing along and enjoying myself, | 0:40:45 | 0:40:49 | |
so my tip for any performer would be to enjoy it, | 0:40:49 | 0:40:54 | |
cos if you're enjoying it, we're enjoying it. | 0:40:54 | 0:40:57 | |
So far tonight, a musical theatre performance | 0:40:57 | 0:41:00 | |
and two ballads have scored the highest. | 0:41:00 | 0:41:02 | |
But can hugely popular singalong anthems propel our acts | 0:41:02 | 0:41:06 | |
into the top three? | 0:41:06 | 0:41:07 | |
I'm Steve, from Liverpool. | 0:41:09 | 0:41:10 | |
I'm 56 years young and I'm getting younger every year. | 0:41:10 | 0:41:13 | |
He looks like a grey Elvis. | 0:41:13 | 0:41:15 | |
I do a lot of soul and Motown. | 0:41:15 | 0:41:17 | |
This song is right down that path. | 0:41:17 | 0:41:19 | |
It's very, very funky. | 0:41:19 | 0:41:21 | |
# Uptown, funk you up | 0:41:21 | 0:41:23 | |
# Come on, uptown funk you up | 0:41:23 | 0:41:24 | |
# I say what... | 0:41:24 | 0:41:25 | |
It's just on one level. | 0:41:25 | 0:41:27 | |
# I said uptown funk you up | 0:41:27 | 0:41:29 | |
# We gotta do it... # | 0:41:29 | 0:41:31 | |
The original key, that's where it needs to be. | 0:41:31 | 0:41:33 | |
It just doesn't have that bite unless it's up where Bruno Mars sings it. | 0:41:33 | 0:41:36 | |
Your teeth, oh, my God, I was falling in love with your teeth, | 0:41:36 | 0:41:39 | |
but it's not about the teeth. | 0:41:39 | 0:41:40 | |
-But... -I am here. -Yeah, so the... | 0:41:40 | 0:41:42 | |
-LAUGHTER -Aw! | 0:41:42 | 0:41:45 | |
My name is Carmen. | 0:41:45 | 0:41:47 | |
The song that I'm singing is one of my dad's favourite songs | 0:41:47 | 0:41:50 | |
of the '70s. | 0:41:50 | 0:41:51 | |
Everyone seems to love this song so I'm really hoping the 100 get up. | 0:41:51 | 0:41:55 | |
# He talks about you in his sleep | 0:41:55 | 0:41:57 | |
# Nothing I can do to keep from crying | 0:41:57 | 0:42:00 | |
# When he calls your name, Jolene... | 0:42:00 | 0:42:03 | |
You don't growl in country music, ever. | 0:42:03 | 0:42:06 | |
# Jolene, Jolene, Jolene, Jolene... | 0:42:06 | 0:42:09 | |
I am no Carol Vorderman, but I've got a hunch that's a one. | 0:42:09 | 0:42:12 | |
-Two. -# Please don't take my man... # | 0:42:12 | 0:42:15 | |
-Oh! -That's very harsh. | 0:42:17 | 0:42:19 | |
I mean, are you friends with Jolene or something? | 0:42:19 | 0:42:22 | |
You were brilliant, honestly. I loved every second of it. | 0:42:22 | 0:42:24 | |
Two? Two? What's wrong with you all? | 0:42:24 | 0:42:27 | |
I'm sorry, this is not good enough. I need goose bumps. | 0:42:27 | 0:42:29 | |
-We need a moment. -We need goose bumps. -I want goose bumps. | 0:42:29 | 0:42:32 | |
-Put the air con up. We want... -Stop! | 0:42:32 | 0:42:34 | |
Hi there. | 0:42:36 | 0:42:37 | |
I love singing mostly because it makes me feel so good about | 0:42:39 | 0:42:44 | |
myself and, most importantly, it makes me speak smoothly. | 0:42:44 | 0:42:49 | |
I have a slight s-stammer. | 0:42:49 | 0:42:53 | |
-That's it. -HE LAUGHS | 0:42:53 | 0:42:55 | |
-I want somebody who really, really means it... -Oh, yeah. | 0:42:55 | 0:42:58 | |
-..on this one. -I've got to connect with them. -Yeah. | 0:42:58 | 0:43:01 | |
I want everything to be fine and to sing well | 0:43:01 | 0:43:03 | |
and to get all of the 100 on their feet. | 0:43:03 | 0:43:08 | |
But, yeah, I won't say that I won't have a bit of anxiety, yeah. | 0:43:08 | 0:43:13 | |
Right, ladies and gents, thanks very much, next performer coming out. | 0:43:13 | 0:43:16 | |
I have to do my best and sing... | 0:43:16 | 0:43:18 | |
..and sing my heart out. | 0:43:18 | 0:43:20 | |
Oh. | 0:43:25 | 0:43:26 | |
Hello, everybody. My name is... | 0:43:35 | 0:43:39 | |
HE STAMMERS | 0:43:39 | 0:43:43 | |
..Norbert, | 0:43:43 | 0:43:45 | |
I'm 24, and I will be singing a song which means the world. | 0:43:45 | 0:43:52 | |
God. | 0:43:53 | 0:43:54 | |
More than 75 gets him into the top three. Good luck, Norbert. | 0:43:59 | 0:44:02 | |
-Do it. -Please, please, please be good. | 0:44:04 | 0:44:07 | |
# Say something, I'm giving up on you... | 0:44:16 | 0:44:21 | |
APPLAUSE AND CHEERING | 0:44:21 | 0:44:23 | |
Aww. | 0:44:23 | 0:44:24 | |
# I'll be the one, if you want me to | 0:44:27 | 0:44:31 | |
# And I... | 0:44:35 | 0:44:37 | |
-Wow. -It's beautiful. | 0:44:37 | 0:44:39 | |
# Am feeling so small... | 0:44:39 | 0:44:43 | |
Oh, my God. | 0:44:43 | 0:44:44 | |
# It was over my head... | 0:44:44 | 0:44:48 | |
I have to go. | 0:44:48 | 0:44:49 | |
# I know nothing at all | 0:44:49 | 0:44:52 | |
# Say something, I'm giving up on you | 0:44:56 | 0:45:01 | |
# And I'm sorry that I couldn't get to you | 0:45:07 | 0:45:12 | |
# And anywhere I would've followed you | 0:45:17 | 0:45:22 | |
# Oh-oh-oh-oh | 0:45:22 | 0:45:27 | |
# Say something, I'm giving up on you | 0:45:27 | 0:45:35 | |
# Say something, I'm giving up on you. # | 0:45:37 | 0:45:44 | |
CHEERING AND APPLAUSE | 0:45:48 | 0:45:51 | |
Thank you. | 0:45:54 | 0:45:55 | |
CHEERING AND APPLAUSE | 0:45:59 | 0:46:02 | |
Wow, Norbert. | 0:46:17 | 0:46:19 | |
-Incredible score of 92. You've got the top spot. -Wow. | 0:46:19 | 0:46:22 | |
CHEERING | 0:46:22 | 0:46:25 | |
-I'm actually speechless. -Geri, that was amazing, wasn't it? | 0:46:25 | 0:46:29 | |
-Absolutely brilliant. I just felt it. -Thanks a lot. | 0:46:29 | 0:46:33 | |
Yeah, really, I could feel it, and, also, we all get nervous, | 0:46:33 | 0:46:36 | |
we could feel your nerves, and then you just push through it | 0:46:36 | 0:46:39 | |
and then you automatically got 92 people behind you. | 0:46:39 | 0:46:42 | |
Actually, you got the whole room behind you. | 0:46:42 | 0:46:44 | |
So people were very touched. Well done, Norbert. | 0:46:44 | 0:46:47 | |
-Thanks a lot... -It was really, really touching. -..everybody. | 0:46:47 | 0:46:50 | |
Maxine, you were loving that. | 0:46:50 | 0:46:51 | |
-You felt connected with that performance? -Definitely. | 0:46:51 | 0:46:54 | |
I'm always moved by the voice and we felt you, your voice is amazing. | 0:46:54 | 0:47:00 | |
-Thank you. -Well done. | 0:47:00 | 0:47:01 | |
Maria, did you find that emotional? | 0:47:05 | 0:47:07 | |
Well, to be honest, I couldn't actually sing along with you there. | 0:47:07 | 0:47:10 | |
I really did want to but I did feel very emotional. | 0:47:10 | 0:47:14 | |
You were amazing and I know it affected my wicked witch sister | 0:47:14 | 0:47:18 | |
today who's not stood up for many people. | 0:47:18 | 0:47:21 | |
-TEARFULLY: -No, it did. I can't say it. I can't. | 0:47:21 | 0:47:24 | |
I don't want to make you cry. | 0:47:24 | 0:47:26 | |
But as soon as you started singing, oh, my God. And I'm... | 0:47:26 | 0:47:30 | |
I am the tough one out of the two. | 0:47:30 | 0:47:32 | |
What have you done to me? | 0:47:32 | 0:47:34 | |
-It was lovely. It was lovely. -Thank you very much, Tracey. | 0:47:34 | 0:47:37 | |
Well, Norbert, with a huge score of 92, | 0:47:41 | 0:47:44 | |
you take the first spot | 0:47:44 | 0:47:45 | |
which sadly means, Blake, you'll be leaving us. | 0:47:45 | 0:47:48 | |
Give it up for Blake, everyone. | 0:47:48 | 0:47:50 | |
Norbert, take your seat in the top spot. | 0:47:50 | 0:47:52 | |
Which means... | 0:48:01 | 0:48:03 | |
Harriette, with just one act left to perform, | 0:48:03 | 0:48:05 | |
you are now the act in danger. | 0:48:05 | 0:48:07 | |
How are you feeling in the third spot? | 0:48:07 | 0:48:09 | |
Well, that was amazing. | 0:48:09 | 0:48:10 | |
Absolutely amazing so I deserve to be here. | 0:48:10 | 0:48:13 | |
-Fair enough. Thank you very much, Harriette. -That's all right. | 0:48:13 | 0:48:17 | |
How amazing was that, Geri? | 0:48:17 | 0:48:19 | |
It was what he brought to the song and the freedom that he brought. | 0:48:19 | 0:48:22 | |
-A good performer unlocks your emotion. -Yes, yes. | 0:48:22 | 0:48:24 | |
-That's the whole point of an artist. -Yes, yes. | 0:48:24 | 0:48:27 | |
-I can't see anyone beating 92, I'm not going to lie. -No. | 0:48:27 | 0:48:29 | |
-You'll be fine. -I think you've smashed the show. -Just relax now. | 0:48:29 | 0:48:33 | |
Yeah, you're fine now. | 0:48:33 | 0:48:35 | |
Jodie Steele, take one. | 0:48:35 | 0:48:37 | |
Where am I looking? There? There. Hi... Oh, there. | 0:48:37 | 0:48:40 | |
I have been lucky enough to perform in quite a few musicals. | 0:48:44 | 0:48:49 | |
It's been something that I've always, always wanted to do | 0:48:49 | 0:48:52 | |
for as long as I can remember. | 0:48:52 | 0:48:53 | |
I sing when I'm down, I sing when I'm happy, | 0:48:53 | 0:48:55 | |
in the car - always in the car. | 0:48:55 | 0:48:57 | |
It's like a full-on concert down the M25, like... | 0:48:57 | 0:49:02 | |
It's a tight competition and I like the way... | 0:49:02 | 0:49:04 | |
-It's close, actually. -..you just can't call it. | 0:49:04 | 0:49:07 | |
I'm really nervous about going up in front of 100 singers. | 0:49:07 | 0:49:11 | |
Obviously there's loads of talented people here | 0:49:11 | 0:49:14 | |
and they might not like me, but I really hope that they do. | 0:49:14 | 0:49:17 | |
-You all right, Jodie? -Yeah. -Make a start coming out. -Come on, then. | 0:49:19 | 0:49:23 | |
I can't even really fathom having £50,000. | 0:49:23 | 0:49:26 | |
It would be incredible. It would change my life. | 0:49:26 | 0:49:28 | |
Fingers crossed. | 0:49:28 | 0:49:30 | |
Let's see if our final act can get themselves into that top three. | 0:49:40 | 0:49:44 | |
She's still nervous. | 0:49:47 | 0:49:49 | |
Hiya. I'm Jodie, I'm from Basingstoke, | 0:49:51 | 0:49:53 | |
and I hope you enjoy my take on this absolute tune. | 0:49:53 | 0:49:57 | |
-So I'm not getting up unless it's absolutely... -Amazing, yeah. | 0:49:57 | 0:50:00 | |
Kid's TV presenter. | 0:50:02 | 0:50:05 | |
Yeah. | 0:50:05 | 0:50:06 | |
-She's got a lot of competition. -Mm. | 0:50:08 | 0:50:10 | |
Take a breath. Relax. | 0:50:10 | 0:50:12 | |
GUITAR PLAYS SOFTLY | 0:50:16 | 0:50:19 | |
# Oh, I want to dance with somebody | 0:50:19 | 0:50:23 | |
-# With somebody who loves me... -I didn't expect that. | 0:50:25 | 0:50:31 | |
Ooh. | 0:50:31 | 0:50:32 | |
# Clock strikes upon the hour | 0:50:33 | 0:50:37 | |
# And the sun begins to fade | 0:50:37 | 0:50:42 | |
# Still enough time to figure out | 0:50:42 | 0:50:46 | |
# How to chase my blues away | 0:50:46 | 0:50:51 | |
# I've done all right up till now | 0:50:51 | 0:50:55 | |
# It's the light of day... | 0:50:55 | 0:50:56 | |
Oh, they are flying up. This is going to be close. | 0:50:56 | 0:50:59 | |
# That shows me how | 0:50:59 | 0:51:00 | |
# But when the night falls | 0:51:00 | 0:51:03 | |
# My loneliness calls | 0:51:03 | 0:51:07 | |
# Oh, I wanna dance with somebody | 0:51:07 | 0:51:11 | |
# Oh, yeah | 0:51:11 | 0:51:13 | |
# I wanna feel the heat with somebody... # | 0:51:13 | 0:51:16 | |
A big score here could send her into the final | 0:51:16 | 0:51:18 | |
and Norbert into the sing-off. | 0:51:18 | 0:51:20 | |
# With somebody who loves me | 0:51:22 | 0:51:26 | |
# Oh, I want to dance with somebody | 0:51:26 | 0:51:31 | |
# I want to feel the heat with somebody | 0:51:31 | 0:51:35 | |
# I want to dance with somebody | 0:51:35 | 0:51:40 | |
# With somebody who lo-oves me-e! # | 0:51:40 | 0:51:53 | |
CHEERING AND APPLAUSE | 0:51:53 | 0:51:56 | |
Yes, girl! | 0:51:56 | 0:51:58 | |
Oh, my God, she's amazing! | 0:51:58 | 0:52:00 | |
# Oh, I want to dance with somebody... # | 0:52:03 | 0:52:07 | |
Wow! | 0:52:07 | 0:52:08 | |
# I want to feel the heat with somebody. # | 0:52:08 | 0:52:10 | |
That is awesome! | 0:52:10 | 0:52:13 | |
Wow! Jodie, you've gone straight to the final. | 0:52:15 | 0:52:19 | |
Thank you so, so much. Thank you. | 0:52:19 | 0:52:21 | |
Wow. Unbelievable stuff. | 0:52:22 | 0:52:25 | |
Shena, you've actually played Whitney Houston before, | 0:52:25 | 0:52:28 | |
what did you think? | 0:52:28 | 0:52:30 | |
Jodie, thank you so much for bringing Whitney to us today. | 0:52:30 | 0:52:34 | |
-Thank you. -Oh, my goodness. | 0:52:34 | 0:52:35 | |
I'm speechless. When she started singing, her voice was so beautiful, | 0:52:35 | 0:52:39 | |
and she did her own style on it and it was just unique and it was incredible. | 0:52:39 | 0:52:42 | |
-Thank you. -Well done. | 0:52:42 | 0:52:44 | |
If my maths are correct, 97% of you liked it, | 0:52:44 | 0:52:48 | |
but not everyone did. Paulus. | 0:52:48 | 0:52:51 | |
BOOING Come on, Paulus. | 0:52:51 | 0:52:53 | |
You didn't stand up for that and most of the 100 did. | 0:52:53 | 0:52:56 | |
Why did you not stand up? | 0:52:56 | 0:52:57 | |
No, I didn't stand up. Not that it wasn't good, Jodie, | 0:52:57 | 0:53:00 | |
it was good, but for me, | 0:53:00 | 0:53:02 | |
there's too many trills and licks and flicks. | 0:53:02 | 0:53:05 | |
It didn't work for me. | 0:53:05 | 0:53:06 | |
Did not work for Paulus, | 0:53:06 | 0:53:08 | |
not much does so don't worry about that. | 0:53:08 | 0:53:10 | |
Geri! | 0:53:10 | 0:53:11 | |
-Jodie. -Hello. -Hello. -Ah! | 0:53:11 | 0:53:14 | |
I think the word is effortless, | 0:53:14 | 0:53:15 | |
and also it was cute and instantly likeable. | 0:53:15 | 0:53:18 | |
-97 speaks for itself. Wow. Well done. -Thank you so much. | 0:53:18 | 0:53:22 | |
-Thank you. -Thank you, Geri. | 0:53:22 | 0:53:25 | |
So congratulations, Jodie. | 0:53:25 | 0:53:26 | |
-With an incredible score of 97... -Thank you so much. | 0:53:26 | 0:53:30 | |
..you're into the top spot and into the final. | 0:53:30 | 0:53:33 | |
But, sadly, Harriette, we say goodbye. Have you enjoyed yourself? | 0:53:33 | 0:53:37 | |
I've had a blast, so thank you. | 0:53:37 | 0:53:39 | |
Congratulations, Jodie. Please take your seat. | 0:53:39 | 0:53:41 | |
CHEERING AND APPLAUSE | 0:53:41 | 0:53:44 | |
So we've got ourselves a finalist! | 0:53:52 | 0:53:55 | |
In the top spot and coming back for the grand final | 0:53:55 | 0:53:57 | |
and the chance to win £50,000, it's Jodie. | 0:53:57 | 0:54:00 | |
Congratulations! CHEERING | 0:54:00 | 0:54:03 | |
But that means Norbert and Chloe will face each other | 0:54:03 | 0:54:06 | |
-in tonight's sing-off. AUDIENCE: -Ooh! | 0:54:06 | 0:54:09 | |
I know, it's exciting, isn't it? | 0:54:09 | 0:54:10 | |
Only one of you can join Jodie in the final, | 0:54:10 | 0:54:13 | |
and you will now get a chance to perform again with a new song, | 0:54:13 | 0:54:16 | |
and both of your scores have been cleared | 0:54:16 | 0:54:19 | |
so it's a level playing field. | 0:54:19 | 0:54:20 | |
Now the 100, as before, | 0:54:20 | 0:54:22 | |
if you like the performance, you can get up and join in with it. | 0:54:22 | 0:54:25 | |
You can stand up for one of them, for both of them or neither of them. | 0:54:25 | 0:54:28 | |
It's up to you. | 0:54:28 | 0:54:30 | |
But you must judge them on this performance alone. | 0:54:30 | 0:54:34 | |
APPLAUSE | 0:54:34 | 0:54:37 | |
Cloe, you're up first. Good luck. | 0:54:37 | 0:54:39 | |
Good luck, darling. | 0:54:39 | 0:54:41 | |
I don't know, I hope she's chosen wisely. | 0:54:42 | 0:54:45 | |
I hope she does good. | 0:54:48 | 0:54:49 | |
Come on. | 0:54:53 | 0:54:55 | |
PIANO PLAYS | 0:54:57 | 0:55:00 | |
# You can reach me by railway | 0:55:00 | 0:55:04 | |
# You can reach me by trailway | 0:55:04 | 0:55:09 | |
# You can reach me on an airplane | 0:55:09 | 0:55:13 | |
# You can reach me with your mind | 0:55:13 | 0:55:18 | |
# You can reach me by caravan | 0:55:18 | 0:55:22 | |
# Cross the desert in an Arab land | 0:55:22 | 0:55:27 | |
# I don't care how you get here | 0:55:27 | 0:55:30 | |
# Just get here if you can | 0:55:30 | 0:55:34 | |
# There are hills and mountains between us | 0:55:34 | 0:55:40 | |
# Always something to get over | 0:55:40 | 0:55:45 | |
# If I had my way | 0:55:45 | 0:55:49 | |
# Surely you would be closer | 0:55:49 | 0:55:53 | |
# I need you closer | 0:55:53 | 0:55:57 | |
# You can windsurf into my life | 0:55:57 | 0:56:01 | |
# Take me up on a carpet ride | 0:56:01 | 0:56:06 | |
# You can reach me in a big balloon | 0:56:06 | 0:56:10 | |
# But you better make it soon | 0:56:10 | 0:56:15 | |
# You can reach me by caravan | 0:56:15 | 0:56:19 | |
# Cross the desert in an Arab land | 0:56:19 | 0:56:25 | |
# I don't care how you get here | 0:56:25 | 0:56:27 | |
# Just get here if you can. # | 0:56:27 | 0:56:33 | |
CHEERING AND APPLAUSE | 0:56:33 | 0:56:36 | |
-I thought more people would have stood for that. -Yeah. | 0:56:40 | 0:56:43 | |
Gave me goose bumps. | 0:56:43 | 0:56:45 | |
God, I'm scared. | 0:56:45 | 0:56:47 | |
Aw. | 0:56:53 | 0:56:55 | |
It's very harsh. I thought she was brilliant. | 0:56:55 | 0:56:57 | |
-Well done, Chloe. 31. -Yes. | 0:56:57 | 0:57:00 | |
-How was that? -Scary again, but I enjoyed it. I enjoyed it. | 0:57:00 | 0:57:03 | |
Very scary. Norbert, you're up next. | 0:57:03 | 0:57:06 | |
You've got 31 to beat. Good luck. | 0:57:06 | 0:57:08 | |
-Thank you. -APPLAUSE | 0:57:08 | 0:57:10 | |
MUSIC: Next To Me by Emeli Sande | 0:57:29 | 0:57:33 | |
Oh, I love this. | 0:57:33 | 0:57:35 | |
# You won't find him drinking at the table | 0:57:35 | 0:57:39 | |
# Rolling dice and staying out till three | 0:57:39 | 0:57:43 | |
# You won't ever find him being unfaithful | 0:57:44 | 0:57:49 | |
# You will find him | 0:57:49 | 0:57:51 | |
# You'll find him next to me | 0:57:51 | 0:57:54 | |
# Next to me, ooh-ooh | 0:57:54 | 0:57:59 | |
# Next to me, ooh-ooh | 0:57:59 | 0:58:04 | |
-# Next to me, ooh-ooh... -I don't like that gap between. -No. | 0:58:04 | 0:58:07 | |
It needs to me a full note. | 0:58:07 | 0:58:09 | |
# You will find him You'll find him next to me | 0:58:09 | 0:58:15 | |
# When the money's spent and all my friends have vanished | 0:58:15 | 0:58:19 | |
# And I can't seem to find no help or love for free | 0:58:19 | 0:58:24 | |
# I know there's no need for me to panic | 0:58:25 | 0:58:29 | |
# Cos I'll find him I'll find him next to me... | 0:58:29 | 0:58:32 | |
He's got to got for it. He's got to give it some welly. | 0:58:32 | 0:58:35 | |
# Next to me, ooh-ooh... | 0:58:35 | 0:58:38 | |
He's not breathing. | 0:58:38 | 0:58:39 | |
# Next to me, ooh-ooh | 0:58:39 | 0:58:44 | |
# Next to me, ooh-ooh | 0:58:44 | 0:58:49 | |
# You will find him You'll find him next to me | 0:58:49 | 0:58:53 | |
# You will find him You'll find him next to me. # | 0:58:54 | 0:59:00 | |
CHEERING AND APPLAUSE | 0:59:01 | 0:59:04 | |
-I am so shocked. -I know. | 0:59:05 | 0:59:07 | |
Oh, my gosh. | 0:59:11 | 0:59:13 | |
Norbert, hard luck. | 0:59:17 | 0:59:19 | |
A score of 18 wasn't enough to beat Chloe. | 0:59:19 | 0:59:22 | |
-Well done, though. Did you enjoy it? -Yes, I loved it. | 0:59:22 | 0:59:24 | |
-I loved it. -You've been a great sport, Norbert. | 0:59:24 | 0:59:26 | |
-Thank you so much. -Norbert, everyone! | 0:59:26 | 0:59:29 | |
CHEERING | 0:59:29 | 0:59:32 | |
So we've got our second finalist of the night, Chloe! | 0:59:32 | 0:59:36 | |
CHEERING AND APPLAUSE | 0:59:36 | 0:59:40 | |
Congratulations, you're through to the final with Jodie. | 0:59:40 | 0:59:44 | |
-Hey. -Oh, my God, hello! | 0:59:44 | 0:59:47 | |
-Hello. You've done well. -Well done. | 0:59:47 | 0:59:51 | |
-Geri, deserving finalists? -Amazing. | 0:59:51 | 0:59:53 | |
The girls are just doing it, aren't they? | 0:59:53 | 0:59:56 | |
Well done to you both. | 0:59:56 | 0:59:58 | |
Well, congratulations, both of you, | 0:59:58 | 1:00:00 | |
you'll be heading to the final to join... | 1:00:00 | 1:00:02 | |
-Give it up for Jodie and Chloe. -Yes! | 1:00:09 | 1:00:11 | |
CHEERING | 1:00:11 | 1:00:14 | |
Well, that's it for tonight. Thanks to Geri and the 100. | 1:00:14 | 1:00:18 | |
Join us next week to see who can get | 1:00:18 | 1:00:19 | |
the 100 on their feet and joining in. | 1:00:19 | 1:00:22 | |
We'll see you, then. Goodnight! | 1:00:22 | 1:00:23 | |
CHEERING AND APPLAUSE | 1:00:23 | 1:00:25 | |
MUSIC: I'm Still Standing by Elton John | 1:00:25 | 1:00:28 | |
# I'm still standing better than I ever did | 1:00:29 | 1:00:34 | |
# Looking like a true survivor | 1:00:34 | 1:00:37 | |
# Feeling like a little kid | 1:00:37 | 1:00:40 | |
# I'm still standing after all this time | 1:00:40 | 1:00:45 | |
# Picking up the pieces of my life without you on my mind | 1:00:45 | 1:00:50 | |
# I'm still standing! # | 1:00:50 | 1:00:52 | |
CHEERING AND APPLAUSE | 1:00:52 | 1:00:55 | |
# I take the world by storm... # | 1:00:55 | 1:00:58 | |
So, just four places in the series final remain. | 1:00:58 | 1:01:01 | |
Yes! | 1:01:01 | 1:01:02 | |
And with only two heats left, we're bringing you huge voices... | 1:01:02 | 1:01:06 | |
..huge surprises... | 1:01:08 | 1:01:10 | |
-I was shook. -You sang it better than me. | 1:01:10 | 1:01:12 | |
My heart is full. | 1:01:12 | 1:01:13 | |
I didn't even know he had one. LAUGHTER | 1:01:13 | 1:01:15 | |
..and huge scores. | 1:01:15 | 1:01:17 | |
The oner! | 1:01:17 | 1:01:18 | |
All coming soon on All Together Now. | 1:01:20 | 1:01:23 | |
You're my favourite. | 1:01:23 | 1:01:25 |