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Welcome to Cardiff and the world's greatest | :00:00. | :00:09. | |
Over the next six nights we will introduce you to 20 | :00:10. | :00:13. | |
thrilling performers, exciting new talent drawn | :00:14. | :00:15. | |
Our singers arrived here just a few days ago, | :00:16. | :00:20. | |
all with one ambition to showcase their skills | :00:21. | :00:22. | |
and artistry on this biggest of international stages. | :00:23. | :00:26. | |
And at the end of this week, one of them will be named BBC | :00:27. | :00:29. | |
First held in 1983, BBC Cardiff Singer has been the launch | :00:30. | :01:14. | |
pad for some of the biggest names in opera. | :01:15. | :01:23. | |
This time nearly 400 singers entered from 64 countries and following live | :01:24. | :01:28. | |
auditions in cities around the world, 20 | :01:29. | :01:30. | |
Their challenge now is to impress a formidable international jury. | :01:31. | :01:41. | |
This is sinking of the highest standard. Cardiff is probably the | :01:42. | :01:47. | |
most important competition. I'm looking forward to being moved. | :01:48. | :01:50. | |
For a competition with such a rich history of notable success stories, | :01:51. | :01:53. | |
the world is waiting to find out who will be the next | :01:54. | :01:56. | |
It seems like a matter of weeks since we were last | :01:57. | :02:06. | |
here but two years have passed - where's the time gone? | :02:07. | :02:10. | |
Once again lovers of opera and song along with agents, producers, | :02:11. | :02:12. | |
critics and directors are gathered here in Cardiff to identify | :02:13. | :02:15. | |
the classical singing stars of the future. | :02:16. | :02:23. | |
We are on here BBC4 every night now through to Sunday's final, | :02:24. | :02:25. | |
with some familiar faces to guide us through this great vocal tournament. | :02:26. | :02:29. | |
Including American soprano Angel Blue, who comes to Cardiff | :02:30. | :02:32. | |
straight from singing Mimi in La Boheme at the | :02:33. | :02:34. | |
There's a real sense of excitement building backstage as we wait | :02:35. | :02:47. | |
to hear our first five competitors this evening. | :02:48. | :02:53. | |
I look forward to speaking to you after we have heard our first | :02:54. | :02:56. | |
singer. Thanks Angel, the wait | :02:57. | :03:00. | |
is almost over. The BBC National Orchestra of Wales | :03:01. | :03:02. | |
on stage, to be joined tonight by singers from Italy, | :03:03. | :03:05. | |
Russia, the USA, Just time for a quick | :03:06. | :03:07. | |
word from my guests, British soprano Lucy Crowe, | :03:08. | :03:10. | |
who later this month will star in Mozart's 'Mitridate' | :03:11. | :03:13. | |
at the Royal Opera House, and the American Lawrence Brownlee, | :03:14. | :03:17. | |
currently singing the title-role in Charlie Parker's 'Yardbird' | :03:18. | :03:21. | |
at English National Opera, a "remarkable" performance | :03:22. | :03:23. | |
according to the Guardian. Lucy, what are you going to be | :03:24. | :03:25. | |
looking for this evening? Looking for star quality which is of | :03:26. | :03:38. | |
course hard to define but essentially it is charisma, someone | :03:39. | :03:40. | |
who can communicate the wonderful music they will be singing in a | :03:41. | :03:46. | |
unique way, showing us their personality in a compassionate way. | :03:47. | :03:54. | |
We also want them to show us, taking their heart out and laying it on the | :03:55. | :03:59. | |
table, here is my sole! You get at most four pieces of music to win | :04:00. | :04:04. | |
over the jury and make an impression is is the. Absolutely, the most | :04:05. | :04:10. | |
important thing is we have to do is artist is find something that shows | :04:11. | :04:14. | |
our strengths, what we do well and we present that with our hearts and | :04:15. | :04:18. | |
hopefully people enjoy it. A lot more from both of you as the evening | :04:19. | :04:20. | |
progresses. And you can share your thoughts | :04:21. | :04:21. | |
with us on our Facebook page or on Twitter throughout the week - | :04:22. | :04:24. | |
hashtag CardiffSinger ? but it's our impressive panel | :04:25. | :04:26. | |
of judges that the singers They will choose a winner | :04:27. | :04:29. | |
of each round, guaranteed a place in Sunday's final, | :04:30. | :04:32. | |
and on Friday we'll find out who they've have chosen | :04:33. | :04:35. | |
as their extra, wildcard selection. Let's introduce the | :04:36. | :04:40. | |
Cardiff Singer Jury. Grammy award-winning | :04:41. | :04:43. | |
Korean Soprano Sumi Jo. What impresses me most is embeddable | :04:44. | :04:57. | |
technique and in aid musicality which nobody can teach you. Make | :04:58. | :04:59. | |
people happy, that's your job. The renowned Austrian Baritone, | :05:00. | :05:03. | |
Wolfgang Holzmair. What I really look for is do they | :05:04. | :05:11. | |
tell me a story, that is more important for me than the voice | :05:12. | :05:12. | |
quality or the show quality. The voice I'm looking for is | :05:13. | :05:24. | |
expressive, catches my attention, something that is going to excite | :05:25. | :05:26. | |
me. Internationally | :05:27. | :05:31. | |
acclaimed Estonian conductor - There are some wonderful voices but | :05:32. | :05:39. | |
it is the whole package that matters. | :05:40. | :05:45. | |
And chairing the jury, Artistic Director | :05:46. | :05:47. | |
Technical excellence is important but they have liver a message from | :05:48. | :05:57. | |
one human being to another. The 2017 BBC Cardiff Singer | :05:58. | :06:02. | |
of the World jury. Singing for them tonight and vying | :06:03. | :06:04. | |
for a place in Sunday's final - Anthony Clark | :06:05. | :06:07. | |
Evans ? a Baritone from Mongolian tenor, | :06:08. | :06:24. | |
Batjargal Bayarsaikhan. Italian bass-baritone, | :06:25. | :06:33. | |
Roberto Lorenzi Born in Luke Gunn with the hometown | :06:34. | :06:52. | |
of Puccini, Roberto make his debut in Labyrinth in Milan when he was | :06:53. | :07:00. | |
just 22. Nowadays he is an established ensemble member at the | :07:01. | :07:06. | |
Zurich Opera house. To be here is unbelievable, you look around and | :07:07. | :07:09. | |
you see, and hear in the middle of a lot of professional singers. And you | :07:10. | :07:17. | |
say, yeah, OK, I can enjoy it and have fun and make the public have | :07:18. | :07:27. | |
fun as well I hope. In my life I always searched for a way to grow | :07:28. | :07:33. | |
and become better and better like an artist, like a man as well, and I | :07:34. | :07:39. | |
think this kind of experience are the most important to grow. | :07:40. | :07:44. | |
So to launch BBC Cardiff Singer of the World 2017, | :07:45. | :07:46. | |
The BBC National Orchestra of Wales accompany tonight's singers, | :07:47. | :07:51. | |
under the direction of its principal conductor, Thomas Sondergard. | :07:52. | :07:55. | |
A real competition favourite to begin - | :07:56. | :07:58. | |
the 'Catalogue Aria' from Mozart's Don Giovanni. | :07:59. | :08:12. | |
APPLAUSE Roberto Lorenzi launching the | :08:13. | :13:46. | |
competition this year, thinking from Mozart. Bellini next. | :13:47. | :18:22. | |
APPLAUSE 27-year-old Italian bass baritone, | :18:23. | :18:35. | |
Roberto Lorenzi, apparently based at the opera house in Zurich. | :18:36. | :18:51. | |
One down, 19 to go. Lucie and Lawrence are here. How was that for | :18:52. | :18:58. | |
you, as a start to a competition? It's quite a tough challenge to go | :18:59. | :19:02. | |
on first in an event like this? It's very scary to be the first one on. | :19:03. | :19:06. | |
He did a great job. I think it was wise to start with Mozart. I think | :19:07. | :19:10. | |
it's not a challenging piece for singer or for the audience. That's | :19:11. | :19:14. | |
really important. However I really wanted a bit more cheekiness and | :19:15. | :19:20. | |
flirtiness. He's talking about the bedding of thousands of women. He | :19:21. | :19:23. | |
just needed to give us a bit more cheekiness of that. It's | :19:24. | :19:27. | |
interesting, he's clearly very patriotic as an Italian, but he only | :19:28. | :19:32. | |
sang in Italian. You take your strengths and if that's the | :19:33. | :19:36. | |
repertoire he's going to sing most of his career, if he's guided in | :19:37. | :19:40. | |
that direction, it's a safe thing. He can build doing those things that | :19:41. | :19:44. | |
he's going to be doing. What I found interesting is the fact he's an | :19:45. | :19:48. | |
Italian singer, I think he lacked some of the double consonants | :19:49. | :19:51. | |
occasionally. The wonderful thing I think we have as artists is to be | :19:52. | :19:55. | |
able to use those things to really enthuse what we do. So he has | :19:56. | :19:59. | |
everything in front of him to take advantage of that. We'll leave it | :20:00. | :20:02. | |
there for now. Thank you both very much indeed. Let's go back stage and | :20:03. | :20:07. | |
hear Roberto's opinion as to his performance. Angel will be talking | :20:08. | :20:11. | |
to each singer as they come off stage. | :20:12. | :20:18. | |
Roberto, complimente. Thank you so much. You started out the | :20:19. | :20:23. | |
competition this year, a very strong performance. So beautiful. Thank you | :20:24. | :20:28. | |
so much. It was like the hardest piece that I did, I think, maybe. | :20:29. | :20:39. | |
You know, if you think to Italy, and I think to Italy while I'm singing, | :20:40. | :20:44. | |
for this maybe. Full of feeling, maybe. Yes, definitely full of | :20:45. | :20:48. | |
feeling, great emotion. You've made Italy very proud today. Thank you. | :20:49. | :20:52. | |
Thank you very much. If you miss any of our singers this week, you can | :20:53. | :20:56. | |
catch up with our programmes on BBCi player. There's an aria from each | :20:57. | :21:00. | |
singer on our website. But now, let's move on with our competition. | :21:01. | :21:07. | |
Our next singer is Russian mezzo-soprano, Nadezhda Karyazina. | :21:08. | :21:24. | |
Originally from Moscow, 30-year-old Nadezhda Karyazina has performed | :21:25. | :21:33. | |
with the likes of Palace doe Domingo and Jose Careras. She was at the | :21:34. | :21:39. | |
Bolshoi theatre and now sings at the Hamburg state op ra. I'm following | :21:40. | :21:45. | |
this competition last ten years. It's like Olympic Games. Very | :21:46. | :21:50. | |
exciting, every two years about this. I was waiting when I will be | :21:51. | :21:59. | |
ready for this competition. Last year, I thought maybe it's time to | :22:00. | :22:13. | |
try myself. I was so happy when I have an e-mail that I got through | :22:14. | :22:26. | |
and I can come to Cardiff and sing. It's amazing feeling. I'm vibrating | :22:27. | :22:31. | |
with the music already. I'm sure that it's once in a life experience. | :22:32. | :22:39. | |
Nadezhda Karyazina begins her programme singing from La Favorita. | :22:40. | :22:56. | |
Leonara is to marry her beloved Fernando, but she knows he is going | :22:57. | :22:59. | |
to have to tell him the truth about her past, that she was the king's | :23:00. | :23:00. | |
mistress. CHEERING AND APPLAUSE | :23:01. | :29:25. | |
Nadezhda Karyazina singing music by Donizetti from La Favorita. Nadezhda | :29:26. | :29:35. | |
will finish with an operatic favourite, Rossini with the barber | :29:36. | :29:40. | |
of Seville. APPLAUSE | :29:41. | :34:56. | |
Nadezhda Karyazina, trained in Moscow but spent two years in London | :34:57. | :34:59. | |
as part of the Royal Opera house young artists programme. It was | :35:00. | :35:08. | |
thrilling to be sitting alongside her heroes there she said. We can | :35:09. | :35:16. | |
straightway get a response from Lucy and Lawrence. La Favorita is an | :35:17. | :35:20. | |
opera that is rarely performed but that aria is a fantastic way of | :35:21. | :35:26. | |
showing off the smoky middle of her voice. Absolutely, it was stunning, | :35:27. | :35:32. | |
a great opener for her also as I said, she bared her soul for us. We | :35:33. | :35:36. | |
got a sense of the energy and pain and you could feel it. Absolutely. | :35:37. | :35:44. | |
She is a beautiful wild horse that needs taming a bit! Develop that | :35:45. | :35:52. | |
thought! What we look for is a refinement. And along the way we | :35:53. | :35:58. | |
learn from colleagues, you get a chance to share the stage with them, | :35:59. | :36:01. | |
they are doing wonderful things and things that are natural and things | :36:02. | :36:06. | |
that seem innate, something that comes out of you. And I think these | :36:07. | :36:12. | |
younger singers are learning along the way and hopefully they will get | :36:13. | :36:17. | |
a grasp of what it is to inhabit these characters. There is something | :36:18. | :36:21. | |
almost geographically specific to me about her voice, the Russians do | :36:22. | :36:26. | |
that special sound very well. It gets you, doesn't it. It is a | :36:27. | :36:31. | |
gorgeous voice. We can go straight stage because Nadezhda is with | :36:32. | :36:37. | |
Angel. That was a wonderful performance, how did you feel you | :36:38. | :36:42. | |
did? I am never happy with myself but I think it went quite well. The | :36:43. | :36:49. | |
public liked you a lot. The public is amazing, they were listening, so | :36:50. | :36:56. | |
open listening with heart. They were so welcoming and supporting it is an | :36:57. | :37:02. | |
amazing feeling. Bravo to you, you sang beautifully. Back to you, | :37:03. | :37:04. | |
Petroc. Thank you. Onto to singer number three in this | :37:05. | :37:05. | |
first round of Cardiff Singer of the World 2017, | :37:06. | :37:08. | |
an American baritone, 32-year-old Clark has sung rolled | :37:09. | :37:34. | |
all over America to stopping his career five years ago but it is a | :37:35. | :37:37. | |
career that had a slightly rocky start. I went to college and it did | :37:38. | :37:44. | |
not work out, did not graduate and I got a job selling cars and did that | :37:45. | :37:48. | |
for a while but kind of got an itch in my belly and I had to see if I | :37:49. | :37:55. | |
was going to be able to make it singing opera. And the way to do | :37:56. | :37:58. | |
that was to try some competitions so I did the Metropolitan Opera | :37:59. | :38:03. | |
competition in New York City and was one of the winners out of 1500 or so | :38:04. | :38:07. | |
people and that is how I got my first break in the business and it | :38:08. | :38:09. | |
went from there. Clarke says he came across Cardiff | :38:10. | :38:19. | |
Singer while researching great singers of the past online. I went | :38:20. | :38:24. | |
through the annals of history and saw who was there and there was an | :38:25. | :38:31. | |
American baritone who was the winner of the second competition I believed | :38:32. | :38:35. | |
and that gave me some inspiration. I did some more research and I was | :38:36. | :38:38. | |
like, we have at the American winners. It would be great to add my | :38:39. | :38:45. | |
name to that list but just to be here it is a wonderful experience. | :38:46. | :38:51. | |
Clark, as he likes to be known had described this role as one that felt | :38:52. | :39:00. | |
like $1 million right off the bat which is why he has chosen to sing | :39:01. | :39:03. | |
from it here in Cardiff. Anthony Clark Evans singing from | :39:04. | :43:51. | |
Wagner. He was a graduate of the Chicago Opera Young singer bowled | :43:52. | :44:01. | |
programme and is going to finish singing from the Calvo's Pagliacci. | :44:02. | :49:17. | |
CHEERING AND APPLAUSE Well that's the loudest cheering | :49:18. | :49:29. | |
we've heard so far this evening for Anthony Clark Evans from the USA. | :49:30. | :49:42. | |
Thomas Sondergard conducting the BBC National Orchestra of Wales. Well, | :49:43. | :49:51. | |
you know, this trip to Cardiff is the first time that Clark has ever | :49:52. | :49:55. | |
left the United States of America. Lawrence, I think he made the right | :49:56. | :49:59. | |
decision to book that ticket. I think so too. What an exciting | :50:00. | :50:04. | |
performance. You just understand that he enjoyed every moment that he | :50:05. | :50:09. | |
was on stage and I think he really raised the level tonight. So much | :50:10. | :50:14. | |
colour, so much character, so much variation in his sound and | :50:15. | :50:19. | |
everything. For me, so much ease. Here was someone who was completely | :50:20. | :50:24. | |
at home with himself and his skill. He seemed to be out there just | :50:25. | :50:29. | |
enjoying himself. Absolutely, the most amazing stage presence, | :50:30. | :50:31. | |
charisma, which is what we were hoping for. He was the first artist | :50:32. | :50:35. | |
to use a broad spectrum of colour. The dynamics. And to go straight | :50:36. | :50:40. | |
from doing something with the emotional power of the Wagner we | :50:41. | :50:44. | |
heard, into a piece of such brilliant comedy, which he made | :50:45. | :50:49. | |
funny. So many things. You saw so much the care of the funny, the | :50:50. | :50:53. | |
humour, of course, the pain, so much. It was a wonderful | :50:54. | :50:57. | |
performance. There's an amazing buzz and excitement in the hall. Everyone | :50:58. | :51:00. | |
is like, my goodness, what have we just seen. What a heart warming | :51:01. | :51:04. | |
story. He decided he couldn't afford singing. He went off and sold cars. | :51:05. | :51:09. | |
He came back five years ago and walked onto that stage and wins our | :51:10. | :51:12. | |
hearts. I think he's meant to do this. Thank you both. Let's hear | :51:13. | :51:15. | |
what Clark thought of his performance. I hope he's pleased. | :51:16. | :51:20. | |
Well, that was awesome. How do you feel like you were received tonight? | :51:21. | :51:24. | |
Well, I think they liked the prologue. That's a thing, I guess. | :51:25. | :51:28. | |
That's a nice thing. This has to feel like a triumph for you being | :51:29. | :51:33. | |
this is your first time outside the United States singing. I don't know | :51:34. | :51:37. | |
about triumph, maybe this coming weekend. If that happens. So if I'm | :51:38. | :51:42. | |
so lucky to get there, that would be the real triumph. But I feel really | :51:43. | :51:47. | |
good about that performance. That's about all I can really say. You | :51:48. | :51:50. | |
should feel really good about. It you did a wonderful job. Thank you | :51:51. | :51:53. | |
for representing the United States very well. Thank you. Petroc, back | :51:54. | :51:59. | |
to you. More Wagner promised if he makes it to Sunday's final. We will | :52:00. | :52:03. | |
find out who is the winner of this round at the end of this evening's | :52:04. | :52:07. | |
programme. Nicole Cabell and Jamie Barton both American winners of this | :52:08. | :52:10. | |
competition in the past. We've another American singer for you to | :52:11. | :52:15. | |
hear this year in round three. Our next singer in tonight's round one | :52:16. | :52:20. | |
is a Norwegian mezzo-soprano, Lilly Jorstad. | :52:21. | :52:32. | |
31-year-old mezzo-soprano Lilly was born into a musical family in | :52:33. | :52:37. | |
Russia, before moving to Norway in her teens. After training at La | :52:38. | :52:43. | |
Scala's opera academy in Milan, she enjoys a busy performing schedule | :52:44. | :52:46. | |
around Europe. I'm here, I'm in Cardiff. I can't believe. It's most | :52:47. | :52:50. | |
famous competition in the world. When I watch on the TV, this | :52:51. | :53:09. | |
competition, I think wow. It was like another planet, another world, | :53:10. | :53:18. | |
absolutely. I would like the people and audience remember me, just it, | :53:19. | :53:23. | |
not more. Because if they have something inside after my perform, | :53:24. | :53:32. | |
so it's absolutely amazing. Lilly Jorstad is going to open her | :53:33. | :53:38. | |
programme with an aria from Gluck's Orpheus and Euridice. Orpheus | :53:39. | :53:44. | |
determined to rescue Euridice from Hades and calls on love to | :53:45. | :53:46. | |
strengthen his soul. APPLAUSE | :53:47. | :01:27. | |
An opera about an opera to finish her selection, from Richard Strauss. | :01:28. | :01:34. | |
The composite declares his passionate belief, the great art of | :01:35. | :01:39. | |
music immediately before the opera begins. -- composer. | :01:40. | :03:54. | |
APPLAUSE Lilly Jorstad performing here in the | :03:55. | :04:07. | |
first round of BBC Cardiff Singer of the World 2017. Russian born Naveed | :04:08. | :04:14. | |
King the music in the blood, her grandmother directed a quiet and her | :04:15. | :04:17. | |
mother was a pianist and opera singer. Let's find out straightaway | :04:18. | :04:25. | |
what Lucy and Lawrence made of that. And starting with the Gluck, a | :04:26. | :04:30. | |
pretty brave choice to begin a programme with all those bars of | :04:31. | :04:37. | |
very brave choice and if you are going to do that you have got to | :04:38. | :04:41. | |
nail it. One thing she did nail was those bars unaccompanied and she was | :04:42. | :04:51. | |
bang in June. -- tune. So much of these competitions are repertoire | :04:52. | :04:54. | |
Joseph and I think she came most to life in her last piece and with the | :04:55. | :04:59. | |
in companies like this you should start with those so you can get your | :05:00. | :05:02. | |
feet and need you and feel confident and go to the more exposed bit | :05:03. | :05:07. | |
later. Backstage Lilly is with Angel. A great performance, what was | :05:08. | :05:15. | |
your most exciting moment? When I come onto the stage and when I | :05:16. | :05:22. | |
finished! Did you have a favourite aria this evening? All of them are | :05:23. | :05:28. | |
my favourites. I love Strauss, and I tried to sing the most technical | :05:29. | :05:37. | |
repertoire like Rossini and Gluck, Vivaldi, I am very careful with my | :05:38. | :05:41. | |
repertoire. A wonderful job, congratulations. Thank you. It is | :05:42. | :05:48. | |
hard to believe but we are at our final singer. Last but certainly not | :05:49. | :05:53. | |
least is Mongolian tenor Batjargal Bayarsaikhan. | :05:54. | :06:08. | |
27-year-old Batjargal is the first of two singers representing Mongolia | :06:09. | :06:14. | |
this week. He is a printable soloist at the country's State academic | :06:15. | :06:19. | |
Theatre of opera and ballet where he has sung leading roles by Puccini, | :06:20. | :06:21. | |
Bizet and Verdi. Batjargal Bayarsaikhan opened his | :06:22. | :07:37. | |
programme singing from Puccini Butt La boheme. -- | :07:38. | :07:44. | |
A real audience pleaser to start from Batjargal Bayarsaikhan and | :07:45. | :12:46. | |
another show stopper next, Donizetti's Ah mes amis from the | :12:47. | :12:47. | |
Daughter of the Regiment. APPLAUSE | :12:48. | :15:03. | |
He said that he included the Donizetti knowing it was a risk but | :15:04. | :15:07. | |
as he says, you have to face the risk to succeed. More Donizetti to | :15:08. | :15:20. | |
finish. The Scottish Opera. Lucia di Lammermoor. | :15:21. | :18:15. | |
APPLAUSE APPLAUSE | :18:16. | :18:25. | |
There we have it, Batjargal Bayarsaikhan, the 27-year-old | :18:26. | :18:28. | |
Mongolian tenor bringing to a close this first round of BBC Cardiff | :18:29. | :18:33. | |
Singer of the World 2017. The BBC National Orchestra of Wales, leader, | :18:34. | :18:36. | |
Lesley Hatfield, conductor, Thomas Sondergard. | :18:37. | :18:51. | |
I love this moment of Cardiff Singer of the World 2017, when one of my | :18:52. | :18:58. | |
guests gets to comments on a singer of the same voice type. You were | :18:59. | :19:02. | |
very straight backed during that. When there's a tenor I'm always more | :19:03. | :19:10. | |
up to listen to them. Yes. A lot of this, we straddle some of the same | :19:11. | :19:16. | |
repertoire, I've done the Donizetti. I have looked at the Lucia di | :19:17. | :19:19. | |
Lammermoor aria. I know the pit falls in them. I look at them very | :19:20. | :19:26. | |
respectfully. I know they can be problematic. Very gratifying if you | :19:27. | :19:33. | |
can be successful. He seemed very comfortable, very assured, very | :19:34. | :19:36. | |
confident. He was comfortable. We all love a top note. But give us | :19:37. | :19:40. | |
nine or ten and we're going to really love it. He nailed all those | :19:41. | :19:44. | |
top notes. We were discussing about the blue, when you hear a top note, | :19:45. | :19:51. | |
it's like when I sing Michiela, I couldn't give it the bloom. I wasn't | :19:52. | :19:54. | |
ready yet. I feel like that with him a bit more. When he reached the top, | :19:55. | :19:58. | |
it's really impressive. But you want it to flower that little bit more. | :19:59. | :20:03. | |
He's 27. We've got singers here who are 32. He's at the younger end of | :20:04. | :20:08. | |
the experience. Yeah, it will come. That's our five singers. We'll come | :20:09. | :20:13. | |
back to you for a winner, before we get the judges' winner. Stand by for | :20:14. | :20:17. | |
that. Let's see what Batjargal thought of his performance. He's | :20:18. | :20:20. | |
back stage with Angel. Wow, Batjargal, that was impressive. | :20:21. | :20:27. | |
You don't seem nervous at all. Was he nervous at all? | :20:28. | :20:48. | |
TRANSLATION: It was quite difficult I would say. Because it's morning | :20:49. | :20:54. | |
time in Mongolia, I suffered quite a lot because my voice wasn't ready to | :20:55. | :21:01. | |
sing. It was quite a difficult - one of the most difficult singing that I | :21:02. | :21:06. | |
did so far. We didn't feel he was suffering. We were very happy with | :21:07. | :21:08. | |
how he sang. It was beautiful. TRANSLATION: That's great. Bravo to | :21:09. | :21:24. | |
you and good luck. Thank you very much. Really a very | :21:25. | :21:29. | |
exciting evening back stage tonight and here in the auditorium at St | :21:30. | :21:34. | |
David's Hall. Joining me now on his way to the jury room is the chair of | :21:35. | :21:41. | |
our judging panel, the artistic director of the Welsh National | :21:42. | :21:44. | |
Opera, David Poutney. A good first night? A good first night. For me, a | :21:45. | :21:49. | |
very clear choice. I'm not going to tell you what that is. Go on. No | :21:50. | :21:53. | |
chance. This is the first of a week of broadcasts from this competition, | :21:54. | :21:57. | |
just point out what we're listening to and who you're looking for. This | :21:58. | :22:01. | |
isn't Cardiff young Singer of the World. It's about people who are | :22:02. | :22:07. | |
already out there. Yeah, these people are, many of them are active | :22:08. | :22:11. | |
in the profession. I think it's also important to say that it's not | :22:12. | :22:15. | |
Cardiff Voice of the World. It's Cardiff Singer of the World. To me | :22:16. | :22:23. | |
that means that personality, expression, individuality, words are | :22:24. | :22:27. | |
all just as important as the basic quality of the voice. You don't want | :22:28. | :22:30. | |
someone who can stand out there and sing perfectly. That's not enough on | :22:31. | :22:34. | |
its own, has to be something happening? Absolutely not enough, | :22:35. | :22:37. | |
no. That doesn't make a singer that. Just makes a voice. You've got a | :22:38. | :22:43. | |
wonderful jury this year, Sumi Jo, Grace Bumbry, Wolfgang Holzmair. Are | :22:44. | :22:46. | |
you having a good time? A very good time. A lot of jokes flying to and | :22:47. | :22:51. | |
fro. We'll let you join them and come up with the result soon. Thank | :22:52. | :22:54. | |
you very much David Poutney. I hope it's not too difficult a decision | :22:55. | :22:57. | |
for you this evening. Remember, you can have your say on our Facebook | :22:58. | :23:01. | |
page and on Twitter using the hashtag Cardiffsinger. You can catch | :23:02. | :23:04. | |
up with the week's competition on the BBCi player and on our website. | :23:05. | :23:10. | |
Don't forget the Song Prize, 19 of our 20 singers taking part in that. | :23:11. | :23:14. | |
Coverage of the heats every lunch time this week on BBC Radio three. | :23:15. | :23:20. | |
Angel has been back stage all night. I guess the tension there must be | :23:21. | :23:23. | |
mounting? It absolutely is. Everyone is very excited tonight to see who | :23:24. | :23:28. | |
will win this evening's competition. One of the things that's really | :23:29. | :23:32. | |
great is I've had the opportunity to see the singers back stage | :23:33. | :23:35. | |
interacting and all of them have shown so much support for each | :23:36. | :23:38. | |
other, which I think is great to have in a competition like this. I | :23:39. | :23:42. | |
have to say, I myself am very excited to see who will win this | :23:43. | :23:44. | |
evening's competition. Thank you. This is just the first of | :23:45. | :23:52. | |
six nights of coverage from Cardiff Singer of the World here this week. | :23:53. | :23:58. | |
Let us remind ourselves of our five round one singers. | :23:59. | :24:06. | |
Starting us off tonight was the first of our two competitors from | :24:07. | :24:09. | |
Italy, bass baritone, Roberto Lorenzi. Second on stage was | :24:10. | :24:12. | |
Nadezhda Karyazina, mezzo-soprano from Russia. Bare Tain Anthony Clark | :24:13. | :24:17. | |
Evans, the first of two singers this week from the USA. Fourth to sing | :24:18. | :24:23. | |
was the second moatso soprano of the evening, Lilly Jorstad from Norway. | :24:24. | :24:29. | |
And finally, tenor, Batjargal Bayarsaikhan, the first of two | :24:30. | :24:33. | |
competitors this year from Monday goalament -- Mongolia. Lucy Crowe | :24:34. | :24:42. | |
and Lawrence Brownlee have been with me all evening. Have you enjoyed | :24:43. | :24:46. | |
yourself? Very much. Have you learned something? Immensely, I've | :24:47. | :24:52. | |
enjoyed it. We're both performers, active performers. Any time we see | :24:53. | :24:55. | |
people on stage we think about our own singing. You learn about | :24:56. | :24:58. | |
yourself when you watch others. You're going to work with these | :24:59. | :25:01. | |
guys. It was what David was saying about this being very much a | :25:02. | :25:04. | |
competition for young people who are out there singing. These people are, | :25:05. | :25:08. | |
if they're not already, going to be colleagues. Absolutely, they're not | :25:09. | :25:11. | |
that much younger than us, right! One day they will. I hope they don't | :25:12. | :25:15. | |
want some of our comments. Yeah, they all do really well. It will be | :25:16. | :25:20. | |
interesting in the future to work with them. I'm going to put you on | :25:21. | :25:26. | |
the spot. Was the one obvious winner for you? Or is it a difficult | :25:27. | :25:33. | |
decision? I think there is an obvious winner, this evening. | :25:34. | :25:36. | |
Someone came out and raised the level with everything from vocal | :25:37. | :25:39. | |
colours, dynamics, stage presence, everything. Might he have been a | :25:40. | :25:43. | |
compatriot of yours? I think... LAUGHTER | :25:44. | :25:47. | |
Go USA! Anthony Clark Evans, was he your winner as well? I absolute | :25:48. | :25:52. | |
agree. I was hoping to see star quality tonight. I absolutely saw it | :25:53. | :25:58. | |
in him. He was in a world of his own. He's a baby Bryn Terfel. He | :25:59. | :26:07. | |
said the first recording he bought was Bryn Terfel's recording of Songs | :26:08. | :26:12. | |
of Travel. Thank you both very much. The jury are about to come on stage. | :26:13. | :26:15. | |
Great to have you here this evening. Thank you. Thank you for coming to | :26:16. | :26:21. | |
Cardiff. Here come the first of all the | :26:22. | :26:25. | |
patron of Cardiff Singer of the World, Dame Kiri te Kanawa, then | :26:26. | :26:32. | |
David Poutney, Estonian conductor, Anu Tali, Wolfgang Holzmair, the | :26:33. | :26:41. | |
Austrian baritone. Sumi Jo, Korean soprano and Grace Bumbry, American | :26:42. | :26:46. | |
operatic legend. David Poutney is going to speak first. | :26:47. | :26:58. | |
HE SPEAKS WELSH Good evening ladies and gentleman. A | :26:59. | :27:01. | |
noble and elegant voice has won this evening's competition. It gives me | :27:02. | :27:06. | |
great pleasure to call upon Dame Kiri te Kanawa to disclose the owner | :27:07. | :27:12. | |
of that voice. APPLAUSE | :27:13. | :27:25. | |
This evening's winner is... Anthony Clark Evans. | :27:26. | :27:35. | |
APPLAUSE His first trip outside the United | :27:36. | :27:42. | |
States of America brought him to Cardiff and this first round of | :27:43. | :27:49. | |
Cardiff Singer of the World 2017. Anthony Clark Evans, he started | :27:50. | :27:52. | |
singing, couldn't afford it continue his lessons. He became a used car | :27:53. | :27:57. | |
salesman and then five years ago, started singing once again. He is | :27:58. | :28:02. | |
guaranteed a place in Sunday night's Cardiff Singer final. I'll be back | :28:03. | :28:06. | |
tomorrow night on BBC 4 at 7. 7. 30pm, for highlights of round two, | :28:07. | :28:11. | |
with singers from Mongolia, Italy, Belgium, Wales and South Korea. Join | :28:12. | :28:16. | |
us if you can for another evening of world class operatic talent, as we | :28:17. | :28:21. | |
move one step closer to the final of BBC Cardiff Singer of the World | :28:22. | :28:24. | |
2017. For now, though, we bid you good night and leave you with the | :28:25. | :28:29. | |
round one winner, Anthony Clark Evans. | :28:30. | :28:32. |