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BBC Music Awards

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This programme contains scenes of repetitive flashing images.

:00:08.:01:21.

Hello and welcome to the middle of the country

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Yes, it's the second annual BBC Music Awards

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here at Birmingham's Genting Arena, where an amazing line up

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Dressing rooms are bursting at the seams

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And the crowd of 10,000 people inside have waited long enough.

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# I've got fire for a heart I'm not scared of the dark

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# I got a river for a soul And baby you're a boat

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# If I didn't have you there would be nothing left

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# The shell of a man who could never be his best

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# If I didn't have you, I'd never see the sun

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# You taught me how to be someone, yeah

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# When no one else was ever behind me

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# All these lights They can't blind me

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# With your love, nobody can drag me down

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# When no one else was ever behind me

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# All these lights They can't blind me

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# With your love, nobody can drag me down

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# I got fire for a heart I'm not scared of the dark

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# I got a river for a soul And baby you're a boat

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# If I didn't have you there would be nothing left (nothing left)

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# The shell of a man who could never be his best (be his best)

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# If I didn't have you, I'd never see the sun (see the sun)

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# You taught me how to be someone, yeah

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# When no one else was ever behind me

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# All these lights They can't blind me

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# With your love, nobody can drag me down

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# All my life you stood by me When no one else was ever behind me

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# All these lights They can't blind me

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# With your love, nobody can drag me down

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# All my life you stood by me When no one else was ever behind me

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# All these lights They can't blind me

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# With your love, nobody can drag me down

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The BBC Music Awards! Come on. Here we are.

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Thank you for coming back to the BBC Music Awards to give

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You guys seem really energised. Is that because you love the album so

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much? Well, we really got to know it. And it feels nice. Feeling good.

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Good. So you figured out how to do it, and

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enjoy it, and then you stop. It sounds a simple plan but yes.

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Come on, why don't you put on the brakes, and say to the guys now you

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are going to continue on? Cam on! Chaps, I hear that you get I phones

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thrown at you? Yes. We have had that. We would prefer teddy bears.

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OK. OK. If you insist on having a brake. There is a spare place on Top

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Gear. One of you can have the job for the best favourite car.

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DV 5. That is the Aston Martin, nice.

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Ford Fiesta. X R2. Cool! How did you know it about

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that? I don't know. The DV 10.

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Nice. Fearne? Jaguar E Type Series 1.

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She gets the job. Go on, One Direction, off you go.

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Thanks, chaps. Over the next two hours,

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right here on this stage, will be live performances from some

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of the biggest artists Ellie Goulding, Hozier,

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James Bay, Years Years, Jess Glynne, Little Mix,

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Stereophonics, OMI, Paul Heaton

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Jacqui Abbott The Shires, Jack Garratt and rock legend himself

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- the one and only Mr Rod Stewart! Many of the artists you'll see

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are nominated for awards tonight. Five of these little beauties are up

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for grabs, including a new award this year for best BBC Live

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Performance. It's been an incredible year

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of music, so let's just enjoy some Time to turn it up, we are going

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live to Radio 1's Big Weekend. # Shake it off. Thank you, Radio 1!

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I want everybody to scream! Just an amazing 2015. 2015 has been an

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amazing year. Jump! Jump! Good evening and welcome

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to Horse Guard's Parade in St James, London.

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It's Disclosure! # Why, oh, why do you have to lie

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# We know what your made of. BBC Radio 2 Live in Hyde Park.

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# We were young and restless... # Stay with me...

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# Rule Britannia # Britannia rules the waves...

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# One more time... What an epic year of music.

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Another brilliant year. And James Bay fans, watch out for this unique

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twist on health and safety later on. And now for the next superstar

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performer. Back to the music now and time

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to whip yourselves up into a frenzy and go fifty shades

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of cray?zy for our next superstar You are officially number one in the

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UK. You have done the unthinkable. # You're the light, you're the night

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# You're the colour of my blood # You're the only

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thing I wanna touch # Never knew that it

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could mean so much, so much # 'Cause I've never been

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so high # Let me take you

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past our satellites # You can see the world

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you brought to life, to life # So love me like you do,

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la-la-love me like you do # Touch me like you do, ta-ta-touch

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me like you do # Fading in, fading out,

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on the edge of paradise # Every inch of your skin is a holy

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grail I've got to find # Only you can set my

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heart on fire, on fire # Love me like you do,

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la-la-love me like you do # Touch me like you do, ta-ta-touch

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me like you do # Love me like you do,

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la-la-love me like you do # Love me like you do, la-la-love me

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like you do (yeah) # Touch me like you do,

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ta-ta-touch me like you do # I'll let you set the pace

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# 'Cause I'm not thinking straight # My head's spinning around

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I can't see clear no more # Love me like you do,

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la-la-love me like you do # Love me like you do,

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la-la-love me like you do (yeah) # Touch me like you do,

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ta-ta-touch me like you do # Love me like you do,

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la-la-love me like you do (oh) # Touch me like you do,

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ta-ta-touch me like you do The wonderful Ellie

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Goulding - accompanied there by the fantastic BBC

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Concert Orchestra conducted by Steve Sidwell -

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back by popular demand. Let's hear it for the orchestra.

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Gorgeous. CHEERING AND APPLAUSE Last year Ed Sheeran

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was crowned British Artist of the Year and there's no shortage

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of talent vying for that award We'll be profiling the six nominees

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throughout the show, so here we go with nominee number

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one for British Artist I like this one! I can't help

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myself. When she sings, it's like this powerful explosion. It's

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awesome. Florence is emotional, passionate, but the fact she wrote

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the lyrics and music... That's the love affair right there. I started

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writing the lyrics for this album while I was still touring the last

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one. It's like little snippets of things that you start collecting in

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a notebook, and you look through and you have the beginnings of a song.

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There's quite a lot of descriptions of things that have happened, like

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Ship To Wreck. Perhaps I Said Something To Someone When I Was

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Drunk A Bit Too Soon! To Nail That Performance At Glastonbury. I Love

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The Epic Nature Of Glastonbury. It's A Beast That You Are In The Middle

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Of. It's Transformative. Florence At Glastonbury, The Friday Night

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Headliner. In The Middle Of The Crowd At The Front, And It Was Hands

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Down The Gig Of The Year For Me. Florence Live Is The Most Enjoyable

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Experience Because She's Completely Immersed In The Music, And Because

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She Is, You Jump In With Her. It's A Big Weights That's Lifted Off,

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Because It's Not Your Own Experience, It's The Collective

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Experience That Everyone Is Having. I Think It's Quite Healing. Lyrics

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Florence Has Become A Force To Be Reckoned With. I don't thing she can

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do any wrong at the moment. What can I possibly do next? Just keep

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expanding, musically, really. Keep doing things I find exciting.

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Isn't it true you quite like Florence? I really like her...

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Moving on... Our next band are coming to the end

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of a hugely successful tour but have still found time

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to squeeze in an extra special performance

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just for us tonight. Are you ready for the Stereophonics?

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They are playing every signal festival this season. This music

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industry, there's no business like it, no business I know. Welcome to

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the Stereophonics. Ladies and gentlemen

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Stereophonics... # Yeah you believe you're

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the king of the jungle, # You got the t-shirt,

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do you know how the song goes. # You're looking good

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but the fact is you're lazy, # 7-11, buy a six pack o'beer,

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you're funny and crazy. # If there's a party you're

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the last one to leave it. # It's not too late,

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we can stop all the dreamin', # Get out this town,

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look around, we don't need it. # Hell and heaven,

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they can wait for you, # (We don't belong anywhere)

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that you want to do. # I said, come on pretty baby,

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take a chance on me, # It's a shame on me

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cause I didn't see, # That you were looking at me baby

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by the ferris wheel. # I know you're cool but you think

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that you're chocolate, # Get off my nerves,

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cause I still got a soft spot. # You look at me, you think

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I got all the answers, # Maybe I do, but I'm

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scared takin' chances. # Floating our bottle,

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but we aint sailing nowhere, # Rip out the cork, get

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the wind into our hair. # Get off the train

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in the rain at the station, # Knock back the drink,

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cause we think the boat's sinkin'. # Hell and heaven,

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they can wait for you, # (We don't belong anywhere)

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that you want to do. # I said, come on pretty baby,

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take a dance with me. # I said, a shame on me

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cause I didn't see, # That you were looking at me baby

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by the ferris wheel. # I said a stand by me,

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stick around with me, # Cause it's a long walk back

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to where we've just been. # I said, a hey there baby

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so you're banking on me, # I just I wish I never

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found her but hey C'est la vie. # I said they're playing

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our song on the radio, # And we're singing out loud,

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all the words that we know # And it's a long tongue

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Sally pickng on Peggy Sue # Oh it's about me and you cause

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it's time that we grew, # And you said yeah yeah

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yeah come along with me, # And then you think all the things

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that you want to see, # I said a woah pretty baby

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come and take my hand # I'm gonna shake you all night,

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baby yes I can, whoa! # Such as life in

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the rear view mirror, # The open road up

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ahead is the future. # Time came round and

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wrecked our place, # (We don't belong anywhere)

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I got a smile on my face. # Come on baby take

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a chance with me, # Stick around on the town

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if you wanna see. # We don't belong anywhere

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is what she said to me, # So come on, take a dance

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and spin around with me. # She said shout now baby,

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set me free C'est la vie, # I said I'll stand by me,

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stick around with me. # And when the street lights fall,

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you can buy my beer, # Yeah yeah,

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comes, I'll be gone C'est la vie. Thank you to Kelly,

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Richard, Adam, Jamie - Seven number one albums can't be

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wrong. Believe it or not, in two

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days' time Frank Sinatra would have celebrated

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his 100th birthday. Steve, please could

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you give us a burst of the most well-known

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Sinatra track in the world. New York, New York -

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that is an irresistible singalong This is what happens when you are

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out shopping in Birmingham, and you sing to a screen. It's a special

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type of oke you wouldn't get anywhere else in the world. People

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in New York watch out. Because in Birmingham we have set the bar.

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# These little town blues # Are melting away.

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# I'll make a brand new start of it in old New York

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That's better than rehearsal, I have to say. Well done, Birmingham.

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of Birmingham and to our 10,000 strong karaoke choir

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Next up we've got a performance of one of the biggest

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songs of the year, from a young Irish man who's also up for two

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Hozier as had an amazing year. Incredibly talented singer

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songwriter. Glastonbury was a big deal for me. Making waves all over

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the world. Winning Grammys, taking over the world. Definitely has a

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long career ahead of him. Some of the best lyrics and songs we've

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heard in 2015. # She tells me

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"Worship in the bedroom" # I'll worship like a dog

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at the shrine of your lies # I'll tell you my sins

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and you can sharpen your knife # If I'm a pagan

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of the good times # I'll worship like a dog

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at the shrine of your lies # I'll tell you my sins

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and you can sharpen your knife # If I'm a pagan

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of the good times # Something meaty

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for the main course # I'll worship like a dog

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at the shrine of your lies # I'll tell you my sins

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so you can sharpen your knife # I'll worship like a dog

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at the shrine of your lies # I'll tell you my sins

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so you can sharpen your knife # There is no sweeter innocence

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than our gentle sin # In the madness and soil

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of that sad earthly scene # I'll worship like a dog

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at the shrine of your lies # I'll tell you my sins

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and you can sharpen your knife # Good God, let me

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give you my life # # I'll worship like a dog

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at the shrine of your lies # I'll tell you my sins

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and you can sharpen your knife # Good God, let me

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give you my life # That voice gets me every time.

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to performances by Little Mix, OMI, Jess Glynne and

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But now it's time for the first award of the night -

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This award has been voted for by the presenters

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and producers of TV and radio music programmes across the BBC

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as well as independent music journalists.

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And here to announce the winner we're delighted

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to introduce Birmingham's very own community leader and star

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You still working after all these years?

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You gingers need to give us other minorities a chance.

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Or as we have to refer to him nowadays, Ainsley Harriot.

:31:27.:31:33.

Another flashy dresser is Rod Stewart.

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He's about as Pakistani as you can get...

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Alright, relax, I was just coming to that.

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Before you open the envelope we need to take a look

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at the nominees for International Artist of the Year.

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Citizen Khan, please reveal the winner.

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How exciting! The BBC music award for International Artist of the

:33:55.:34:00.

Year, goes to... Taylor Swift! Hi, it's Taylor. I wish I could be with

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you but I'm on tour in Australia. But thank you so much for this.

:34:06.:34:10.

Oh, my gosh. This is really... This is nice. It is really heavy. Thank

:34:11.:34:17.

you so much for the BBC Music Award for International Artist of the

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Year. It was a real are highlight to play in Norwich. You were so

:34:23.:34:27.

supportive. I really appreciate you shipping this. That must have cost a

:34:28.:34:32.

lot. This is like, honestly it is really heavy. Thank you so much.

:34:33.:34:35.

It's amazing. Was that bad?! Congratulation, you

:34:36.:34:47.

utter ba parks, Taylor Swift. Well, done, Taylor.

:34:48.:34:49.

So far this year we've got One Direction,

:34:50.:34:52.

The Saturdays and McBusted all announcing that they're

:34:53.:34:57.

taking a break, but thankfully there's one brilliant band

:34:58.:34:59.

sticking around to give us our pop fix.

:35:00.:35:09.

Urge surely the biggest girl band in the world right now.

:35:10.:35:15.

2015 for us this year has been massive.

:35:16.:35:22.

# All the girls on the block knocking at my door

:35:23.:35:27.

# Wanna know what it is make the boys want more

:35:28.:35:30.

# Is your lover playing on your side?

:35:31.:35:32.

# Said he loves you but he ain't got time

:35:33.:35:35.

# Full of honey just to make him sweet

:35:36.:35:49.

# Crystal balling just to help him see

:35:50.:35:51.

# What he's been missing so come and get it

:35:52.:35:58.

# Take a sip of my secret potion I'll make you fall in love

:35:59.:36:14.

# For a spell that can't be broken one drop should be enough

:36:15.:36:18.

# I got the recipe and it's called black magic

:36:19.:36:21.

# Take a sip of my secret potion one taste and you'll be mine

:36:22.:36:27.

# It's a spell that can't be broken and'll keep you up all night

:36:28.:36:30.

# I got the recipe and it's called black magic

:36:31.:36:34.

# Need that magic to change him overnight

:36:35.:36:46.

# Take a sip of my secret potion I'll make you fall in love

:36:47.:37:06.

# For a spell that can't be broken one drop should be enough

:37:07.:37:09.

# I got the recipe and it's called black magic

:37:10.:37:13.

# Take a sip of my secret potion one taste and you'll be mine

:37:14.:37:19.

# It's a spell that can't be broken and'll keep you up all night

:37:20.:37:22.

# I got the recipe and it's called black magic

:37:23.:37:28.

# All the girls on the block knocking at my door

:37:29.:37:37.

# Wanna know what it is make the boys want more

:37:38.:37:42.

# All the girls on the block knocking at my door

:37:43.:37:47.

# Wanna know what it is make the boys want more

:37:48.:37:52.

# Take a sip from my secret potion I'll make you fall in love

:37:53.:37:57.

# For a spell that can't be broken one drop should be enough

:37:58.:38:00.

# Boy, you belong to me I got the recipe

:38:01.:38:04.

# Take a sip of my secret potion I'll make you fall in love

:38:05.:38:13.

# For a spell that can't be broken one drop should be enough

:38:14.:38:16.

# I got the recipe and it's called black magic

:38:17.:38:22.

Best girl band on the planet right there! Best girl band on the planet

:38:23.:39:11.

right now! Little Mix! Official! It is now time to take a look

:39:12.:39:16.

at our second nominee for the big award of the night -

:39:17.:39:19.

British Artist of the Year - and what a year this

:39:20.:39:23.

young man has had. I've not heard this one. Good beat

:39:24.:39:36.

to it. Really nice. Soothing. Oh, that's better. Like that? Who is

:39:37.:39:45.

this? Jam gee X Factor. Jamie was part of a band, X Factor.

:39:46.:39:51.

It is interesting seeing person being a part of a band and learning

:39:52.:39:57.

from that and then moving on and one of the interesting thing is creating

:39:58.:40:00.

sound. I love coming up with ideas. I was

:40:01.:40:08.

making music on the road with the band. When I got home I thought

:40:09.:40:14.

about doing it in the studio. I didn't think about putting it into

:40:15.:40:23.

an album until last year. His album, In Colour, it is a real

:40:24.:40:29.

onlyiage to the British race. The intricacy in the introduction is

:40:30.:40:32.

really, really high. I was trying to make it the best

:40:33.:40:40.

album that it could ever be. I am really glad to get it out of my head

:40:41.:40:47.

and I get to play. The sample for Out Of Places is

:40:48.:40:52.

always sung. It is usually something that is played at the end of the

:40:53.:40:57.

set. He is a very eclectic taste.

:40:58.:41:04.

When you listen to the music, he goes anywhere where. So it keeps you

:41:05.:41:07.

guessing. I just want to meet people and learn

:41:08.:41:12.

more, basically. There are no boundaries. Another brilliant

:41:13.:41:21.

Fearne, can I just say you're looking great tonight.

:41:22.:41:27.

And you're doing a really good job presenting.

:41:28.:41:36.

And you're a lovely person. I mean, like off the charts.

:41:37.:41:42.

(GETTING IT) Oh, it looks like I've found myself

:41:43.:41:44.

This record is number one in over 20 countries.

:41:45.:41:58.

The biggest yet in my music career. Such a party album.

:41:59.:42:04.

# Oh, I think that I found myself a cheerleader

:42:05.:42:47.

# She is always right there when I need her

:42:48.:42:49.

# Oh, I think that I found myself a cheerleader

:42:50.:42:51.

# She is always right there when I need her

:42:52.:42:54.

# Oh, I think that I found myself a cheerleader

:42:55.:43:00.

# She is always right there when I need her

:43:01.:43:02.

# She grants my wishes like a genie in a bottle, yeah, yeah

:43:03.:43:13.

# Oh, I think that I found myself a cheerleader

:43:14.:43:31.

# She is always right there when I need her

:43:32.:43:33.

# Oh, I think that I found myself a cheerleader

:43:34.:43:35.

# She is always right there when I need her

:43:36.:43:39.

I All my beautiful cheerleaders, let me hear you make some noise.

:43:40.:44:24.

# Baby, did I mention you're the only girl for me

:44:25.:44:29.

# Mama loves you too, she thinks I made the right selection

:44:30.:44:33.

# Oh, I think that I found myself a cheerleader

:44:34.:44:40.

# She is always right there when I need her

:44:41.:44:44.

# Oh, I think that I found myself a cheerleader

:44:45.:45:07.

Those dancers deserve a sit down. That's the shore.

:45:08.:45:23.

OMI's Cheerleader is one of our nominations for Song

:45:24.:45:25.

They say life begins at 40, which means that this song's

:45:26.:45:32.

# But now we've gone and thrown it all away.

:45:33.:45:43.

It's one of the greatest rock songs ever

:45:44.:45:47.

recorded, and it came in to the world 40 years ago.

:45:48.:45:50.

40 years since Bohemian Rhapsody was released. Amazing.

:45:51.:46:04.

Reproduction is amazing, so tight and crisp, and the fact it's all in

:46:05.:46:16.

different time signatures. Freddie! In his head, it was all there, Fred,

:46:17.:46:32.

but even then he was making it up as he went along.

:46:33.:46:34.

The first thing I heard was, mamma, just Kildemand. I thought it was

:46:35.:46:44.

brilliant, not knowing what was to come. -- just killed a man.

:46:45.:46:50.

I thought, how do exactly as I please.

:46:51.:46:57.

As many harmonies as possible. Just go over the top.

:46:58.:47:05.

The record company came to us and said, don't do it, it's too long and

:47:06.:47:14.

nobody will play it! Then you do the

:47:15.:47:19.

Wayne's World it now! It still holds up today, still one

:47:20.:47:52.

of my all-time favourite songs. Just a clever song, operatic, breaking

:47:53.:47:55.

down barriers. Timeous, absolutely timeless. That song is not only

:47:56.:48:04.

legendary, it's one of those songs that is one of the pillars of that

:48:05.:48:06.

era. Wait a minute Fearne,

:48:07.:48:11.

I see a little silhouetto There really is a little

:48:12.:48:16.

silhouetto of a man. TO THE GUITAR RIFF FROM BOHEMIAN

:48:17.:48:28.

RHAPSODY (ORCHESTRA) So lovely to have you here. What an

:48:29.:48:54.

incredible song. Did you know at the time you had something insanely

:48:55.:48:58.

special with that? I think we knew it was pretty amazing, but it wasn't

:48:59.:49:01.

that much of as a prize, because we had been complex for a while, since

:49:02.:49:06.

the first album. It was another one of those. And it was long, so there

:49:07.:49:11.

was a resistance from the media, but off it went. No stopping it. Have we

:49:12.:49:16.

figured out what it's about, does it matter? I think it's really good

:49:17.:49:22.

that we can't. Yes! Let's not figure it out ever. It's something out of

:49:23.:49:29.

Freddie's mind. His fevered brow cooked it up. If you watch the film

:49:30.:49:33.

about him, which will come out probably in the next millennium, you

:49:34.:49:39.

might find out. Last New Year's EV played a very special gig with Adam

:49:40.:49:45.

Lambert. Yes, it was for the BBC. And we will perform again pretty

:49:46.:49:49.

soon. Good news, you heard it first at the BBC Music Awards. It might be

:49:50.:49:54.

at the Isle of Wight festival in the summer. There's a scoop for you. You

:49:55.:50:01.

know a thing or two about performing live, so we are honoured you will

:50:02.:50:05.

stick around to reveal for us the BBC Live Performance of the Year

:50:06.:50:07.

award. Let's look at the nominated performances.

:50:08.:51:47.

Brian May to do the honours. The BBC music award for Live Performance of

:51:48.:52:01.

the Year goes to... Adele. Hello everybody, sorry I can't be there,

:52:02.:52:10.

but thank you so much for my award. Thank you to the BBC, hope you have

:52:11.:52:13.

a wonderful night and sorry I'm not there. We love you, Adele. She is so

:52:14.:52:23.

back. And Queen playing the Isle of Wight Festival, you heard it here

:52:24.:52:24.

first. It's the one everybody wants to

:52:25.:52:46.

dance to. Ed Sheeran is... LAUGHTER Lovely. Thinking out loud. I know

:52:47.:52:57.

who you are now! Ed Sheeran is taking the one-man band to the next

:52:58.:53:01.

level. Some people can only deliver a couple of songs, or 20 can do

:53:02.:53:06.

ballads and funk and pop, that's a quadruple threat. An album can take

:53:07.:53:13.

as much effort as he wanted to take. For me, it took every hour of my day

:53:14.:53:18.

for a long time. I made sure it was the record I wanted to make.

:53:19.:53:23.

Sometimes I think I'm really good friends with him, because we play

:53:24.:53:26.

him every single day and people never get tired of him. There's an

:53:27.:53:34.

insatiable love for Ed Sheeran. If you are a musician first, you can

:53:35.:53:37.

dabble in whatever genre you feel like. Ed Sheeran started out urban,

:53:38.:53:46.

then moved into pop, now he's on the Rudimentary label. He has a great

:53:47.:53:54.

power, and it comes from training, playing to big crowds with just a

:53:55.:53:59.

guitar and him. Definitely up there with the famous artists of all time,

:54:00.:54:06.

in his own league, and we adore him. It's interesting seeing his journey,

:54:07.:54:09.

working the clubs, to being one of the biggest selling artists around

:54:10.:54:12.

the world and it's a testament to his talent. I've learned more how to

:54:13.:54:17.

perform with bigger crowds and how to hold audiences a lot more. If

:54:18.:54:23.

everything ended today, I would be happy I've had that to show for it.

:54:24.:54:30.

CHEERING AND APPLAUSE Onstage, bringing that vision to

:54:31.:54:55.

life, that's the most exciting part. She's had so many number one

:54:56.:55:01.

singles. Everywhere. Make some noise for Jess Glynne.

:55:02.:55:09.

# Standing in a crowded room and I can't see your face

:55:10.:55:21.

# Well Standing in a crowded room and I can't see your face

:55:22.:55:25.

# Put your arms around me Tell me everything's OK

:55:26.:55:27.

# In my mind, I'm running round a cold and empty space

:55:28.:55:30.

# Just put your arms around me Tell me everything's OK

:55:31.:55:41.

# Break my bones but you won't see me fall, oh

:55:42.:55:49.

# The rising tide will rise against them all, oh

:55:50.:55:56.

# Cos I don't wanna walk on my own any more

:55:57.:56:07.

# I'm ready for this There's no denying

:56:08.:56:16.

# I'm ready for this You stop me falling

:56:17.:56:20.

# I'm ready for this I need you all in

:56:21.:56:24.

# I'm ready for this So darling, hold my hand

:56:25.:56:28.

# Soul is like a melting pot when you're not next to me

:56:29.:56:35.

# Tell me that you've got me and you're never gonna leave

:56:36.:56:43.

# Tryna find a moment where I can find release

:56:44.:56:51.

# Please tell me that you've got me and you're never gonna leave

:56:52.:56:58.

# Break my bones but you won't see me fall, oh

:56:59.:57:08.

# The rising tide will rise against them all, oh

:57:09.:57:14.

# Cos I don't wanna walk on my own any more

:57:15.:57:25.

# I'm ready for this There's no denying

:57:26.:57:34.

# I'm ready for this You stop me falling

:57:35.:57:38.

# I'm ready for this I need you all in

:57:39.:57:43.

# I'm ready for this So darling, hold my hand

:57:44.:57:49.

# So please don't make me wait cos I don't wanna break

:57:50.:57:56.

# That you don't make me wait and never let me break

:57:57.:58:13.

# I'm ready for this There's no denying

:58:14.:58:37.

# I'm ready for this You stop me falling

:58:38.:58:41.

# I'm ready for this I need you all in

:58:42.:58:46.

# I'm ready for this So darling, hold my hand

:58:47.:58:51.

Jess Glynne. The show has been lucky so far. Having a great time.

:58:52.:59:09.

Jess Glynne's Hold My Hand is another of our nominations

:59:10.:59:12.

As well as celebrating the best of this year's music we'd

:59:13.:59:17.

like to take a moment now to reflect on those who've given

:59:18.:59:21.

us some treasured musical memories and who we've sadly lost

:59:22.:59:23.

Gone but thanks to their music, never to be forgotten. What a

:59:24.:03:11.

marvellous live tribute from the BBC Concert Orchestra. How lovely was

:03:12.:03:13.

that. Years Years, Faithless,

:03:14.:03:16.

Rod Stewart, plus a fantastic musical collaboration,

:03:17.:03:20.

Greg James causes chaos and we find out which song you voted

:03:21.:03:22.

as Song of the Year. You've got to take your hat off

:03:23.:03:29.

to our next performer, just don't expect him

:03:30.:03:38.

to do the same. He really gets me at the heart. I

:03:39.:03:46.

love this guy. It is one of the recordings that I

:03:47.:03:52.

am the most proud of. He has been successful in the

:03:53.:04:00.

States, so he has had a great year. # Hold each other.

:04:01.:04:03.

# Hold back the river Let me look in your eyes

:04:04.:04:31.

# Can stop for a minute and see where you hide

:04:32.:04:42.

# Hold back the river Let me look in your eyes

:04:43.:05:22.

# Can stop for a minute and be by your side

:05:23.:05:29.

# Hold back the river Let me look in your eyes

:05:30.:05:36.

# Can stop for a minute and see where you hide

:05:37.:05:44.

# Hold back the river Let me look in your eyes

:05:45.:06:36.

# Can stop for a minute and be by your side

:06:37.:06:43.

# Hold back the river Let me look in your eyes

:06:44.:06:51.

# Can stop for a minute and be by your side

:06:52.:06:58.

James Bay. Nominated for three Grammys as well.

:06:59.:08:17.

I know. What a year. There is James, performing on a show

:08:18.:08:19.

There is James, performing on a show like this.

:08:20.:08:23.

come on stage and entertain thousands of people.

:08:24.:08:26.

How difficult do you think that could possibly be?

:08:27.:08:28.

Well if Madonna's infamous fall, or Dave Grohl's broken leg

:08:29.:08:31.

are anything to go by, it represents a real challenge

:08:32.:08:33.

We wanted to avoid any mishaps here, so we asked Radio 1's

:08:34.:08:39.

Greg James to brief all our performers tonight on how

:08:40.:08:42.

Attention, gentleman! Right, welcome to back stage at the BBC Music

:08:43.:08:56.

Awards it is my job to keep you all safe and to keep harm at bay. The

:08:57.:09:01.

most important thing to remember... Don't touch anything! I mean...

:09:02.:09:07.

Sorry. Can you hold that a second? Hello? I will have to call you book,

:09:08.:09:14.

I'm doing a briefing. OK. Where's he gone? Oh, come on, mate.

:09:15.:09:26.

Sorry mate. You all right. Take it easy. You shouldn't have let

:09:27.:09:34.

go. That's one of your songs.

:09:35.:09:38.

The red carpet emergency. It is my job to tell you how to run off the

:09:39.:09:46.

carpet here. We are doing this in your high heels.

:09:47.:09:53.

Can you not just take those off. If there is a fire? Look, heel, toe,

:09:54.:10:03.

heel, toe, and that is easy, you get the idea? And then you come back...

:10:04.:10:15.

Oh! Gentleman, welcome to the artists' catering. There is hot food

:10:16.:10:26.

all over the place. Ah! Oh! OK! Welcome to back stage at the BBC

:10:27.:10:33.

Music Awards. There are hazards everywhere, believe me, I learned

:10:34.:10:37.

the hard way. I'll be keeping an eye out for

:10:38.:10:44.

anything that catches... Ah! This is a classic example. What DOW if you

:10:45.:10:48.

see a hazard like this? Exactly, nothing. Leave it to the

:10:49.:11:00.

professionals! I'm fine! This is a tough day! Niall welcome to the main

:11:01.:11:07.

stage. A few things before the performance later. Have you done a

:11:08.:11:12.

stage dive before? Never done it. I find it quite dangerous.

:11:13.:11:16.

OK. I'm going to show you how to stage dive.

:11:17.:11:19.

Are you sure you know how to do it? Easy. You take a run up. I have a

:11:20.:11:27.

crash mat to break my fall. On the night there will be lots of people

:11:28.:11:33.

to catch you. OK. Ready? Yes. So, watch and learn. Ah... ! Greg? .

:11:34.:11:45.

I don't know. Hello darling.

:11:46.:11:52.

Greg?! Very good. That was a great one.

:11:53.:11:56.

Let me assure you that no DJs were harmed in the making of that

:11:57.:12:00.

film, and just to prove it, let's invite him out

:12:01.:12:02.

here to present our next award winner, along with Radio 2 presenter

:12:03.:12:05.

Come on, Greg. He looks all right now.

:12:06.:12:18.

He's scrubbed up. Scrubbed up very well. I'm fine. It

:12:19.:12:25.

was very good. Glad you're OK. I'm fine.

:12:26.:12:29.

But, of course, Greg was not around a few years ago when Fearne got into

:12:30.:12:33.

all sorts of bother. Look at this.

:12:34.:12:42.

Oh, no. Oh, my God! How did that happen?!

:12:43.:12:50.

What happened there, then? Someone hadn't unlocked the door. I ran

:12:51.:12:53.

quite fast. She survived.

:12:54.:12:58.

You needed a key. Can I say how lovely you looked in

:12:59.:13:03.

high heels. It is a real look for you.

:13:04.:13:10.

Thank you. Working the calves. Jovment o, you have been back stage.

:13:11.:13:14.

What is the atmosphere like? It's been great. One Direction have been

:13:15.:13:21.

in the Jacuzzi together. And Little Mix are there. It is all fun.

:13:22.:13:25.

The award you're here to present is for Song of the Year.

:13:26.:13:28.

Now, this was a public vote on a shortlist of 10 songs.

:13:29.:13:31.

The shortlist consisted of the 10 songs which had the most airplay

:13:32.:13:35.

this year across Radio 1, Radio 2, 1xtra and 6 Music.

:13:36.:13:38.

And yesterday you, along with the viewers and listeners,

:13:39.:13:40.

Here's a reminder of the ten biggest songs of 2015.

:13:41.:15:49.

There we go, some incredible songs. Time to announce it. Jo Whiley

:15:50.:16:00.

doesn't open her own envelopes. She doesn't get paper cuts. I will do

:16:01.:16:06.

the reading. The BBC music award for Song of the Year goes to... Hozier.

:16:07.:16:25.

Thank you very much. Thank you so much. I genuinely was not expecting

:16:26.:16:54.

that. Especially looking at the other nominations, some absolute

:16:55.:17:01.

juggernauts there. Some amazing songs, so to be among them was an

:17:02.:17:09.

honour and to win is a shock. Thank you so much to anyone who voted, all

:17:10.:17:14.

the fans, and coming as an outsider to the UK, it's a real honour and

:17:15.:17:22.

joy. Thank you for voting. Thank you to the BBC, because I guess you

:17:23.:17:25.

wouldn't have heard the song if the BBC hadn't supported it. Thank you

:17:26.:17:32.

to the DJs and the BBC and my manager, Caroline, Dennis, my folks,

:17:33.:17:36.

John and Lorraine, they are in the audience somewhere. My agents, Kirk,

:17:37.:17:50.

Emma, and everybody at Island Records.

:17:51.:17:53.

Next up is a musical collaboration I'm very excited about,

:17:54.:17:56.

featuring two singers who've been lighting up the stage for years,

:17:57.:17:58.

and a duo whose journey has just begun.

:17:59.:18:05.

Hit record, sell-out tours, people are thrilled to hear them sing

:18:06.:18:16.

together again. And The Shires. The first UK country act to sign for a

:18:17.:18:18.

major national label. Please welcome Paul Heaton,

:18:19.:18:20.

Jacqui Abbott and The Shires # And he's waiting

:18:21.:18:43.

at the door for me # Got my love and it fits me

:18:44.:18:49.

like a glove # Sugar is the centre

:18:50.:18:58.

of the honeycomb # Sweeter still the heart

:18:59.:19:21.

that actually owns my own # Well, they'll say

:19:22.:19:25.

it's way too cold # And they won't be drinking

:19:26.:20:13.

moonshine but G and T's # Dancing with sweet country girls

:20:14.:20:26.

all night # They'll leave

:20:27.:20:43.

their villlage greens # I'm standing here

:20:44.:21:05.

outside your door # Already I'm so lonesome

:21:06.:21:33.

I could die # Hold me like

:21:34.:21:56.

you'll never let me go # So many times I've let you down

:21:57.:22:42.

# So may times I've played around # I'm telling you now, they don't

:22:43.:22:48.

# Tell me that you'll wait for me # Hold me like

:22:49.:22:53.

you'll never let me go How wonderful to hear those

:22:54.:22:57.

two groups together. The Shires, Paul Heaton and Jacqui

:22:58.:23:25.

Abbott. Now here's our fourth

:23:26.:23:28.

nominee for the big one - # Hello, it's me. It's Adele. I

:23:29.:23:49.

think it was going to be Lionel Richie's hello... You know! I feel

:23:50.:23:59.

at peace when I listen to her songs. I like this one, Adele. Adele. Less

:24:00.:24:06.

than a week after releasing her third album, London Adele, is set to

:24:07.:24:10.

break records on both sides of the Atlantic. She's nailed it with the

:24:11.:24:15.

third album. It's the biggest selling British album ever. It will

:24:16.:24:20.

be a timeless record, already the biggest record in the world.

:24:21.:24:28.

# I've been walking in the same way. It's wonderful when you see people

:24:29.:24:37.

evolve. When you see an artist, unlike Adele, who can deliver her

:24:38.:24:41.

songs perfectly with an acoustic guitar, and then do a James Bond

:24:42.:24:44.

song with an orchestral, it's a great artist. To see her on the BBC,

:24:45.:24:52.

it reminded me of when she performed Hometown Glory on a rainy afternoon

:24:53.:25:03.

in a wet car park. # Round my hometown... Adele

:25:04.:25:13.

disappeared for three years pretty much. No social media or public

:25:14.:25:18.

appearances. Lived a normal life, made a record and came back, and has

:25:19.:25:21.

made the biggest impact in music in so long. She's one of the greatest

:25:22.:25:31.

singers I've ever recorded. Every time she sings a line differently,

:25:32.:25:37.

there's no bad line, just different nuance in it. I love, not just her

:25:38.:25:46.

voice, but she's a singer-songwriter, and she is

:25:47.:25:50.

unique. You know that's her voice, no matter what song she's singing.

:25:51.:25:59.

Now, BBC Introducing is something genuinely brilliant and has

:26:00.:26:01.

Florence and The Machine and James Bay.

:26:02.:26:06.

It takes some of the amazing emerging and unsigned acts

:26:07.:26:08.

from around the country and shines a much deserved spotlight on them.

:26:09.:26:11.

They get exposure, and we get to hear some incredible new sounds,

:26:12.:26:14.

Here's Jools Holland to tell us more.

:26:15.:26:22.

BBC introducing is great, because it means there's a window for new

:26:23.:26:28.

people. The BBC has always helped things evolve. If nobody does that

:26:29.:26:30.

we become stagnant. I think the most exciting discovery

:26:31.:26:53.

this year, for me, is Jack Garratt. I'm not sure I'd seen anyone do what

:26:54.:26:58.

he does. He writes, plays every instrument, sings and produces all

:26:59.:27:03.

his own music. The music I write is essentially what I want to listen

:27:04.:27:08.

to. I nearly one onstage, and what I'm doing is playing lots of

:27:09.:27:12.

different things at the same time. I physically don't have the seven

:27:13.:27:16.

limbs I need to do my show, so the best way to do that was to leave

:27:17.:27:22.

some stuff out. # Let me be something... When I loop

:27:23.:27:27.

I want to make it as quickly and efficiently as possible to get into

:27:28.:27:32.

the song. That's what people want to enjoy, when the chorus lifts and you

:27:33.:27:40.

can feel the song within you. People kept saying come you've got to

:27:41.:27:43.

listen to him, he's totally up my street. I just remember being

:27:44.:27:48.

absolutely shocked by him, like, by what he could do, just one man. He's

:27:49.:27:54.

got so much more to give. I think Jack Garratt is one to watch for

:27:55.:27:56.

next year. Let's meet the man himself,

:27:57.:28:03.

please welcome the electronic one Jack, it is our absolute pleasure

:28:04.:28:06.

to present you with the BBC It's all yours. Thank you so much,

:28:07.:28:16.

it's such an honour. It's exactly that, it's been crazy.

:28:17.:28:36.

So unbelievable, it is, and gone so quickly, and I'm so looking forward

:28:37.:28:40.

to the next year. So many more good ones to come, that's for sure. Would

:28:41.:28:47.

you like Jack to play this evening? I will play the Song kicked it off

:28:48.:28:49.

for me, I will play Worry. While Jack prepares himself,

:28:50.:28:55.

there's just time for me to let you know about the next big live

:28:56.:28:58.

music event on BBC One. It's on New Year's Eve either side

:28:59.:29:02.

of the midnight fireworks. Bryan Adams will be treating us

:29:03.:29:07.

to many of his greatest hits in a special concert,

:29:08.:29:10.

live in London. And other music television on New

:29:11.:29:11.

Year's Eve, check your listings. And now here he is, the BBC

:29:12.:29:23.

Introducing Artist of the Year, # My nights are broken up by the

:29:24.:29:26.

sounds of women I'll never meet # My nights are broken up

:29:27.:29:41.

by the sounds of women I'll never # And when my eyes are closed I can

:29:42.:29:44.

start to feel you staring at me # Has always left me

:29:45.:29:51.

feeling stuck in between # Everything I know and all the lies

:29:52.:30:06.

I tell myself so I can sleep # Don't you worry about it

:30:07.:30:10.

Don't you worry about it # And let me worry about it

:30:11.:30:35.

Let me worry about it # You came around to say that you've

:30:36.:30:46.

been away like I hadn't known # As if I don't wake up

:30:47.:30:49.

every single day not seeing you go # As if this moon of ours only

:30:50.:30:55.

shines a half to make me feel whole # In every step I take

:30:56.:31:10.

when the wind blows # Don't you worry about it

:31:11.:31:26.

Don't you worry about it # And let me worry about it

:31:27.:31:33.

Let me worry about it Thank you, Birmingham! For Jack

:31:34.:32:48.

Garratt there. Awesome.

:32:49.:32:53.

Just incredible. An incredible performance En from an

:32:54.:32:56.

incredibly talented young man. Our next nominees for British Artist

:32:57.:32:59.

of the Year are another They began the year by winning

:33:00.:33:07.

the BBC Music Sound Of... poll and have gone from

:33:08.:33:11.

strength to strength. Go dance! I'm a big fan of Years

:33:12.:33:23.

Years. It's been a crazy year. There have

:33:24.:33:27.

been so many highlights. Glastonbury.

:33:28.:33:32.

Number one single. Number one album. Yeah, it's been insane.

:33:33.:33:38.

Years Years, they are the perfect pop, dance, hybrid. It is very hard

:33:39.:33:42.

to get it right. I think they have done it very well.

:33:43.:33:50.

They were the band on everyone's lips, and they were tipped to

:33:51.:33:57.

succeed. I Was A King Under Your Control.

:33:58.:34:04.

That was going out on a limb. At first it did not make sense. But we

:34:05.:34:10.

went with it. I like the bit on the key boards.

:34:11.:34:16.

That's my favourite bit of the song. Owl of the bits he is not in are the

:34:17.:34:21.

best. They are a real bunch of proper

:34:22.:34:26.

musicians. We started writing songs because we

:34:27.:34:30.

wanted to play them live. Every festival wanted to book them.

:34:31.:34:36.

Reading, Leeds, Glastonbury. They have been inescapable this year. The

:34:37.:34:42.

first festival, the crowd takes you back. It takes you back.

:34:43.:34:52.

I can't sing! We are touring for most of next year.

:34:53.:34:57.

We will start to look at writing new stuff maybe next year and see what

:34:58.:35:01.

happens, I think! The aim is to get a level of fame with just one

:35:02.:35:08.

lecture, a few prints... So many! And I'm delighted to say they're

:35:09.:35:14.

here with us tonight to perform their number

:35:15.:35:18.

one single King. # I caught you watching me

:35:19.:35:20.

under the light # They say it's easy

:35:21.:35:41.

to leave you behind # All that I've compromised

:35:42.:35:49.

to feel another high # Don't you remember

:35:50.:36:07.

how I used to like # I dreamed you dreamed of me

:36:08.:36:45.

Calling out my name # All that I've compromised

:36:46.:36:54.

to feel another high # Let go, let go

:36:55.:37:10.

Let go of everything. # So good. Years Years. I want his

:37:11.:39:15.

It's time to reveal the last nominee for British Artist of the Year.

:39:16.:39:29.

This is... Foals! I know Foals. Wow! Foals are an example of a British

:39:30.:39:43.

band that have put the graft in, touring, the world releasing

:39:44.:39:47.

incredible albums. It feels like they have reached their peak in

:39:48.:39:50.

2015. . I love them. I love them life. I

:39:51.:39:55.

love their energy, their noise. For me they are the most exciting

:39:56.:40:05.

British band right now. Every album is so different. They

:40:06.:40:10.

have clearly looked at it, and gone, we have done that, let's move on.

:40:11.:40:15.

The sound of the record going down is the sound of us maturing with

:40:16.:40:20.

moments of experimentation, and straight up pop moments and some of

:40:21.:40:24.

the heaviest moments that we have ever written as well.

:40:25.:40:28.

They are so incredibly innovative, they are in your face, they are

:40:29.:40:32.

fierce and they make incredible music. I have seen Yanus climb up

:40:33.:40:40.

the tallest speakers and jump into the crowd. He always seems to get

:40:41.:40:47.

away with it. I don't know how. We are super tense, superpassionate,

:40:48.:40:51.

and we just try to smash it every night.

:40:52.:41:01.

Now, The Proms - a 120 year old British institution -

:41:02.:41:08.

this year combined all that pomp and circumstance with another

:41:09.:41:10.

British institution that's been going for just 20 years -

:41:11.:41:12.

For one night only, the Royal Albert Hall became

:41:13.:41:16.

Playa d'en Bossa, with waving flags replaced by waving glow sticks,

:41:17.:41:18.

and in place of Rule Britannia, a British dance anthem

:41:19.:41:22.

20 years since Insomnia was released.

:41:23.:41:40.

I never tire of this record. Over 15 million records sold

:41:41.:41:43.

worldwide. The huge legacy.

:41:44.:41:48.

They are absolutely amazing. Make some noise for Faithless!

:41:49.:41:53.

Yes, Birmingham, let me see some hands up here right now.

:41:54.:43:09.

# And I need to get some rest # Yo, where's the sense?

:43:10.:43:15.

# I confess, I burnt a hole in the mattress

:43:16.:43:17.

# Yes, yes, it was me I plead guilty

:43:18.:43:29.

# I can't sleep Something's all over me

:43:30.:43:40.

# Please release me and let me dream of making mad love on the heath

:43:41.:43:47.

# But there's no relief I'm wide awake in my kitchen,

:43:48.:43:56.

# Oh, if I could only get some sleep

:43:57.:44:02.

Thank you, Birmingham, wicked as always. You are beautiful, man.

:44:03.:45:42.

CHEERING AND APPLAUSE So it's time for the big one,

:45:43.:45:48.

and here to reveal the winner of the British Artist

:45:49.:45:51.

of the Year Award is To put his success into perspective,

:45:52.:45:54.

he's had more top ten albums in the UK than Michael Jackson

:45:55.:45:58.

and Beyonce put together. Please welcome, the one

:45:59.:46:02.

and only, Mr Rod Stewart! So lovely to have you here with us

:46:03.:46:27.

in Birmingham. Tell us about the new album you've got out. It's

:46:28.:46:35.

fantastic! It's called Another Country and it's really great.

:46:36.:46:39.

Delighted you are here with us. Performing shortly. After you reveal

:46:40.:46:45.

for us the British Artist of the Year. Let's remind ourselves of the

:46:46.:46:47.

six amazing nominees. I love, not just her voice, but she

:46:48.:47:01.

writes, she's a singer-songwriter. Definitely up there with the biggest

:47:02.:47:15.

artists of all time, isn't he, just in his own league.

:47:16.:47:23.

Florence has become a force to be reckoned with. She's reached a new

:47:24.:47:26.

level as an artist, performer. They are so incredibly innovative,

:47:27.:47:41.

in-your-face, fierce, and make incredible music.

:47:42.:47:50.

He has pretty eclectic take, everything from old soul records and

:47:51.:47:53.

this go to hard techno. Every festival wanted to book them,

:47:54.:48:05.

Reading, Leeds, Glastonbury. They have been inescapable this year.

:48:06.:48:15.

Tell us who the winner is. The winner this year is... A good north

:48:16.:48:25.

London girl, Adele! CHEERING AND APPLAUSE

:48:26.:48:32.

Thank you, British Artist of the Year, amazing. I've only just put

:48:33.:48:36.

out new music. I'm chuffed, thank you so much. I'm sorry I'm not

:48:37.:48:40.

there, but I would like to say a big hello and send my love to the other

:48:41.:48:44.

artists there tonight. I can't wait to see you all, and I know you now

:48:45.:48:50.

that I think you're all incredible. So that's all of our awards handed

:48:51.:48:53.

out for the evening, but it's not quite over yet,

:48:54.:48:56.

because we're about to hear What a man, what a career. I love

:48:57.:49:05.

Rod Stewart's voice. Everybody knows and loves this song. Rod Stewart,

:49:06.:49:14.

yes, I think he's sexy! Yes, I do. Please welcome Rod Stewart,

:49:15.:49:21.

performing Please. # Staring into space, wondering

:49:22.:49:32.

what to say # Look into my eyes, I ain't that

:49:33.:49:43.

kind of guy # It's cold outside and I can't bear

:49:44.:49:47.

you to go # Oh, the roads are frozen and

:49:48.:49:54.

I'm begging you not to drive home # Oh, let's leave our troubles

:49:55.:50:03.

behind # Let's keep each other warm,

:50:04.:50:19.

shelter from the storm # Give me a little time, tell me

:50:20.:50:41.

what's on your mind # It's a beautiful evening and I

:50:42.:50:54.

don't want it to end # Cos you're my type of woman and I

:50:55.:50:57.

want to be more than a friend # Oh, I promise I'll treat you

:50:58.:51:03.

right # Under the cold, clear, cool

:51:04.:51:14.

moonlight # And when the sun comes up, I'll

:51:15.:51:22.

be holding you close to my chest # I'm gonna love you some more and

:51:23.:51:47.

I'll bring you your breakfast in bed # Tell your friends you'll be

:51:48.:51:53.

just fine # Tell your friends you'll be

:51:54.:52:03.

just fine Now, with a legend in the building

:52:04.:52:14.

like Rod Stewart, we couldn't possibly let him go

:52:15.:52:50.

without asking him to treat us So stand by to sing your

:52:51.:52:52.

hearts out very shortly. I can pretty much guarantee

:52:53.:52:59.

there is no other show where you will see Rod Stewart

:53:00.:53:05.

and Faithless on the same bill! We've also had one of the last

:53:06.:53:08.

performances from One Direction, and one of the first of many arena

:53:09.:53:13.

performances from the incredible A huge thank you to all of our

:53:14.:53:16.

brilliant performers, Steve Sidwell and the BBC

:53:17.:53:21.

Concert Orchestra, That's almost it for this

:53:22.:53:27.

year's BBC Music Awards, We'd also like to thank Birmingham

:53:28.:53:34.

for being the best hosts. That's very kind, so,

:53:35.:53:40.

put it in your diaries. But now, as promised,

:53:41.:53:47.

we leave you in the very capable # Oh, Lord, to be

:53:48.:53:50.

near you To be free We are sailing... Stormy waters! To

:53:51.:57:43.

be near you... To be near you... Merry Christmas, everybody. Merry

:57:44.:58:25.

Christmas.

:58:26.:58:35.

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