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This programme contains scenes of repetitive flashing images. | :00:08. | :01:21. | |
Hello and welcome to the middle of the country | :01:22. | :01:24. | |
Yes, it's the second annual BBC Music Awards | :01:25. | :01:27. | |
here at Birmingham's Genting Arena, where an amazing line up | :01:28. | :01:29. | |
Dressing rooms are bursting at the seams | :01:30. | :02:05. | |
And the crowd of 10,000 people inside have waited long enough. | :02:06. | :02:10. | |
# I've got fire for a heart I'm not scared of the dark | :02:11. | :02:29. | |
# I got a river for a soul And baby you're a boat | :02:30. | :02:35. | |
# If I didn't have you there would be nothing left | :02:36. | :02:42. | |
# The shell of a man who could never be his best | :02:43. | :02:45. | |
# If I didn't have you, I'd never see the sun | :02:46. | :02:47. | |
# You taught me how to be someone, yeah | :02:48. | :02:51. | |
# When no one else was ever behind me | :02:52. | :03:00. | |
# All these lights They can't blind me | :03:01. | :03:03. | |
# With your love, nobody can drag me down | :03:04. | :03:07. | |
# When no one else was ever behind me | :03:08. | :03:13. | |
# All these lights They can't blind me | :03:14. | :03:16. | |
# With your love, nobody can drag me down | :03:17. | :03:23. | |
# I got fire for a heart I'm not scared of the dark | :03:24. | :03:38. | |
# I got a river for a soul And baby you're a boat | :03:39. | :03:46. | |
# If I didn't have you there would be nothing left (nothing left) | :03:47. | :03:51. | |
# The shell of a man who could never be his best (be his best) | :03:52. | :03:55. | |
# If I didn't have you, I'd never see the sun (see the sun) | :03:56. | :03:58. | |
# You taught me how to be someone, yeah | :03:59. | :04:02. | |
# When no one else was ever behind me | :04:03. | :04:09. | |
# All these lights They can't blind me | :04:10. | :04:14. | |
# With your love, nobody can drag me down | :04:15. | :04:18. | |
# All my life you stood by me When no one else was ever behind me | :04:19. | :04:44. | |
# All these lights They can't blind me | :04:45. | :04:47. | |
# With your love, nobody can drag me down | :04:48. | :04:51. | |
# All my life you stood by me When no one else was ever behind me | :04:52. | :04:55. | |
# All these lights They can't blind me | :04:56. | :04:57. | |
# With your love, nobody can drag me down | :04:58. | :04:59. | |
The BBC Music Awards! Come on. Here we are. | :05:00. | :06:03. | |
Thank you for coming back to the BBC Music Awards to give | :06:04. | :06:16. | |
You guys seem really energised. Is that because you love the album so | :06:17. | :06:22. | |
much? Well, we really got to know it. And it feels nice. Feeling good. | :06:23. | :06:30. | |
Good. So you figured out how to do it, and | :06:31. | :06:37. | |
enjoy it, and then you stop. It sounds a simple plan but yes. | :06:38. | :06:46. | |
Come on, why don't you put on the brakes, and say to the guys now you | :06:47. | :06:57. | |
are going to continue on? Cam on! Chaps, I hear that you get I phones | :06:58. | :07:05. | |
thrown at you? Yes. We have had that. We would prefer teddy bears. | :07:06. | :07:14. | |
OK. OK. If you insist on having a brake. There is a spare place on Top | :07:15. | :07:19. | |
Gear. One of you can have the job for the best favourite car. | :07:20. | :07:26. | |
DV 5. That is the Aston Martin, nice. | :07:27. | :07:35. | |
Ford Fiesta. X R2. Cool! How did you know it about | :07:36. | :07:42. | |
that? I don't know. The DV 10. | :07:43. | :07:44. | |
Nice. Fearne? Jaguar E Type Series 1. | :07:45. | :07:54. | |
She gets the job. Go on, One Direction, off you go. | :07:55. | :07:57. | |
Thanks, chaps. Over the next two hours, | :07:58. | :08:03. | |
right here on this stage, will be live performances from some | :08:04. | :08:06. | |
of the biggest artists Ellie Goulding, Hozier, | :08:07. | :08:08. | |
James Bay, Years Years, Jess Glynne, Little Mix, | :08:09. | :08:11. | |
Stereophonics, OMI, Paul Heaton | :08:12. | :08:12. | |
Jacqui Abbott The Shires, Jack Garratt and rock legend himself | :08:13. | :08:14. | |
- the one and only Mr Rod Stewart! Many of the artists you'll see | :08:15. | :08:20. | |
are nominated for awards tonight. Five of these little beauties are up | :08:21. | :08:23. | |
for grabs, including a new award this year for best BBC Live | :08:24. | :08:27. | |
Performance. It's been an incredible year | :08:28. | :08:33. | |
of music, so let's just enjoy some Time to turn it up, we are going | :08:34. | :08:59. | |
live to Radio 1's Big Weekend. # Shake it off. Thank you, Radio 1! | :09:00. | :09:12. | |
I want everybody to scream! Just an amazing 2015. 2015 has been an | :09:13. | :09:17. | |
amazing year. Jump! Jump! Good evening and welcome | :09:18. | :09:29. | |
to Horse Guard's Parade in St James, London. | :09:30. | :09:43. | |
It's Disclosure! # Why, oh, why do you have to lie | :09:44. | :09:49. | |
# We know what your made of. BBC Radio 2 Live in Hyde Park. | :09:50. | :10:30. | |
# We were young and restless... # Stay with me... | :10:31. | :10:39. | |
# Rule Britannia # Britannia rules the waves... | :10:40. | :10:52. | |
# One more time... What an epic year of music. | :10:53. | :10:57. | |
Another brilliant year. And James Bay fans, watch out for this unique | :10:58. | :11:06. | |
twist on health and safety later on. And now for the next superstar | :11:07. | :11:08. | |
performer. Back to the music now and time | :11:09. | :11:17. | |
to whip yourselves up into a frenzy and go fifty shades | :11:18. | :11:19. | |
of cray?zy for our next superstar You are officially number one in the | :11:20. | :11:22. | |
UK. You have done the unthinkable. # You're the light, you're the night | :11:23. | :11:30. | |
# You're the colour of my blood # You're the only | :11:31. | :11:54. | |
thing I wanna touch # Never knew that it | :11:55. | :11:59. | |
could mean so much, so much # 'Cause I've never been | :12:00. | :12:03. | |
so high # Let me take you | :12:04. | :12:13. | |
past our satellites # You can see the world | :12:14. | :12:19. | |
you brought to life, to life # So love me like you do, | :12:20. | :12:27. | |
la-la-love me like you do # Touch me like you do, ta-ta-touch | :12:28. | :12:33. | |
me like you do # Fading in, fading out, | :12:34. | :12:43. | |
on the edge of paradise # Every inch of your skin is a holy | :12:44. | :12:54. | |
grail I've got to find # Only you can set my | :12:55. | :13:05. | |
heart on fire, on fire # Love me like you do, | :13:06. | :13:08. | |
la-la-love me like you do # Touch me like you do, ta-ta-touch | :13:09. | :13:32. | |
me like you do # Love me like you do, | :13:33. | :13:42. | |
la-la-love me like you do # Love me like you do, la-la-love me | :13:43. | :13:54. | |
like you do (yeah) # Touch me like you do, | :13:55. | :13:59. | |
ta-ta-touch me like you do # I'll let you set the pace | :14:00. | :14:06. | |
# 'Cause I'm not thinking straight # My head's spinning around | :14:07. | :14:27. | |
I can't see clear no more # Love me like you do, | :14:28. | :14:30. | |
la-la-love me like you do # Love me like you do, | :14:31. | :14:48. | |
la-la-love me like you do (yeah) # Touch me like you do, | :14:49. | :14:53. | |
ta-ta-touch me like you do # Love me like you do, | :14:54. | :14:57. | |
la-la-love me like you do (oh) # Touch me like you do, | :14:58. | :15:13. | |
ta-ta-touch me like you do The wonderful Ellie | :15:14. | :15:18. | |
Goulding - accompanied there by the fantastic BBC | :15:19. | :15:49. | |
Concert Orchestra conducted by Steve Sidwell - | :15:50. | :15:53. | |
back by popular demand. Let's hear it for the orchestra. | :15:54. | :16:00. | |
Gorgeous. CHEERING AND APPLAUSE Last year Ed Sheeran | :16:01. | :16:05. | |
was crowned British Artist of the Year and there's no shortage | :16:06. | :16:07. | |
of talent vying for that award We'll be profiling the six nominees | :16:08. | :16:11. | |
throughout the show, so here we go with nominee number | :16:12. | :16:18. | |
one for British Artist I like this one! I can't help | :16:19. | :16:36. | |
myself. When she sings, it's like this powerful explosion. It's | :16:37. | :16:45. | |
awesome. Florence is emotional, passionate, but the fact she wrote | :16:46. | :16:49. | |
the lyrics and music... That's the love affair right there. I started | :16:50. | :16:56. | |
writing the lyrics for this album while I was still touring the last | :16:57. | :17:01. | |
one. It's like little snippets of things that you start collecting in | :17:02. | :17:05. | |
a notebook, and you look through and you have the beginnings of a song. | :17:06. | :17:08. | |
There's quite a lot of descriptions of things that have happened, like | :17:09. | :17:22. | |
Ship To Wreck. Perhaps I Said Something To Someone When I Was | :17:23. | :17:27. | |
Drunk A Bit Too Soon! To Nail That Performance At Glastonbury. I Love | :17:28. | :17:32. | |
The Epic Nature Of Glastonbury. It's A Beast That You Are In The Middle | :17:33. | :17:38. | |
Of. It's Transformative. Florence At Glastonbury, The Friday Night | :17:39. | :17:41. | |
Headliner. In The Middle Of The Crowd At The Front, And It Was Hands | :17:42. | :17:45. | |
Down The Gig Of The Year For Me. Florence Live Is The Most Enjoyable | :17:46. | :17:51. | |
Experience Because She's Completely Immersed In The Music, And Because | :17:52. | :17:57. | |
She Is, You Jump In With Her. It's A Big Weights That's Lifted Off, | :17:58. | :18:01. | |
Because It's Not Your Own Experience, It's The Collective | :18:02. | :18:03. | |
Experience That Everyone Is Having. I Think It's Quite Healing. Lyrics | :18:04. | :18:15. | |
Florence Has Become A Force To Be Reckoned With. I don't thing she can | :18:16. | :18:24. | |
do any wrong at the moment. What can I possibly do next? Just keep | :18:25. | :18:31. | |
expanding, musically, really. Keep doing things I find exciting. | :18:32. | :18:47. | |
Isn't it true you quite like Florence? I really like her... | :18:48. | :18:52. | |
Moving on... Our next band are coming to the end | :18:53. | :18:53. | |
of a hugely successful tour but have still found time | :18:54. | :18:56. | |
to squeeze in an extra special performance | :18:57. | :18:59. | |
just for us tonight. Are you ready for the Stereophonics? | :19:00. | :19:09. | |
They are playing every signal festival this season. This music | :19:10. | :19:15. | |
industry, there's no business like it, no business I know. Welcome to | :19:16. | :19:19. | |
the Stereophonics. Ladies and gentlemen | :19:20. | :19:24. | |
Stereophonics... # Yeah you believe you're | :19:25. | :19:42. | |
the king of the jungle, # You got the t-shirt, | :19:43. | :19:46. | |
do you know how the song goes. # You're looking good | :19:47. | :19:49. | |
but the fact is you're lazy, # 7-11, buy a six pack o'beer, | :19:50. | :19:52. | |
you're funny and crazy. # If there's a party you're | :19:53. | :20:03. | |
the last one to leave it. # It's not too late, | :20:04. | :20:06. | |
we can stop all the dreamin', # Get out this town, | :20:07. | :20:09. | |
look around, we don't need it. # Hell and heaven, | :20:10. | :20:11. | |
they can wait for you, # (We don't belong anywhere) | :20:12. | :20:13. | |
that you want to do. # I said, come on pretty baby, | :20:14. | :20:19. | |
take a chance on me, # It's a shame on me | :20:20. | :20:24. | |
cause I didn't see, # That you were looking at me baby | :20:25. | :20:26. | |
by the ferris wheel. # I know you're cool but you think | :20:27. | :20:29. | |
that you're chocolate, # Get off my nerves, | :20:30. | :20:32. | |
cause I still got a soft spot. # You look at me, you think | :20:33. | :20:34. | |
I got all the answers, # Maybe I do, but I'm | :20:35. | :20:37. | |
scared takin' chances. # Floating our bottle, | :20:38. | :20:39. | |
but we aint sailing nowhere, # Rip out the cork, get | :20:40. | :20:43. | |
the wind into our hair. # Get off the train | :20:44. | :20:46. | |
in the rain at the station, # Knock back the drink, | :20:47. | :20:48. | |
cause we think the boat's sinkin'. # Hell and heaven, | :20:49. | :20:53. | |
they can wait for you, # (We don't belong anywhere) | :20:54. | :20:55. | |
that you want to do. # I said, come on pretty baby, | :20:56. | :21:02. | |
take a dance with me. # I said, a shame on me | :21:03. | :21:06. | |
cause I didn't see, # That you were looking at me baby | :21:07. | :21:09. | |
by the ferris wheel. # I said a stand by me, | :21:10. | :21:12. | |
stick around with me, # Cause it's a long walk back | :21:13. | :21:14. | |
to where we've just been. # I said, a hey there baby | :21:15. | :21:18. | |
so you're banking on me, # I just I wish I never | :21:19. | :21:21. | |
found her but hey C'est la vie. # I said they're playing | :21:22. | :21:25. | |
our song on the radio, # And we're singing out loud, | :21:26. | :21:28. | |
all the words that we know # And it's a long tongue | :21:29. | :21:40. | |
Sally pickng on Peggy Sue # Oh it's about me and you cause | :21:41. | :21:43. | |
it's time that we grew, # And you said yeah yeah | :21:44. | :21:46. | |
yeah come along with me, # And then you think all the things | :21:47. | :21:49. | |
that you want to see, # I said a woah pretty baby | :21:50. | :21:52. | |
come and take my hand # I'm gonna shake you all night, | :21:53. | :21:55. | |
baby yes I can, whoa! # Such as life in | :21:56. | :21:58. | |
the rear view mirror, # The open road up | :21:59. | :22:00. | |
ahead is the future. # Time came round and | :22:01. | :22:02. | |
wrecked our place, # (We don't belong anywhere) | :22:03. | :22:04. | |
I got a smile on my face. # Come on baby take | :22:05. | :22:09. | |
a chance with me, # Stick around on the town | :22:10. | :22:11. | |
if you wanna see. # We don't belong anywhere | :22:12. | :22:13. | |
is what she said to me, # So come on, take a dance | :22:14. | :22:16. | |
and spin around with me. # She said shout now baby, | :22:17. | :22:19. | |
set me free C'est la vie, # I said I'll stand by me, | :22:20. | :22:21. | |
stick around with me. # And when the street lights fall, | :22:22. | :22:26. | |
you can buy my beer, # Yeah yeah, | :22:27. | :22:29. | |
comes, I'll be gone C'est la vie. Thank you to Kelly, | :22:30. | :22:35. | |
Richard, Adam, Jamie - Seven number one albums can't be | :22:36. | :23:19. | |
wrong. Believe it or not, in two | :23:20. | :23:28. | |
days' time Frank Sinatra would have celebrated | :23:29. | :23:30. | |
his 100th birthday. Steve, please could | :23:31. | :23:32. | |
you give us a burst of the most well-known | :23:33. | :23:34. | |
Sinatra track in the world. New York, New York - | :23:35. | :23:36. | |
that is an irresistible singalong This is what happens when you are | :23:37. | :24:11. | |
out shopping in Birmingham, and you sing to a screen. It's a special | :24:12. | :24:20. | |
type of oke you wouldn't get anywhere else in the world. People | :24:21. | :24:27. | |
in New York watch out. Because in Birmingham we have set the bar. | :24:28. | :24:33. | |
# These little town blues # Are melting away. | :24:34. | :24:45. | |
# I'll make a brand new start of it in old New York | :24:46. | :25:04. | |
That's better than rehearsal, I have to say. Well done, Birmingham. | :25:05. | :25:26. | |
of Birmingham and to our 10,000 strong karaoke choir | :25:27. | :25:30. | |
Next up we've got a performance of one of the biggest | :25:31. | :25:38. | |
songs of the year, from a young Irish man who's also up for two | :25:39. | :25:41. | |
Hozier as had an amazing year. Incredibly talented singer | :25:42. | :25:53. | |
songwriter. Glastonbury was a big deal for me. Making waves all over | :25:54. | :25:59. | |
the world. Winning Grammys, taking over the world. Definitely has a | :26:00. | :26:04. | |
long career ahead of him. Some of the best lyrics and songs we've | :26:05. | :26:05. | |
heard in 2015. # She tells me | :26:06. | :26:08. | |
"Worship in the bedroom" # I'll worship like a dog | :26:09. | :26:45. | |
at the shrine of your lies # I'll tell you my sins | :26:46. | :27:17. | |
and you can sharpen your knife # If I'm a pagan | :27:18. | :27:20. | |
of the good times # I'll worship like a dog | :27:21. | :27:31. | |
at the shrine of your lies # I'll tell you my sins | :27:32. | :27:35. | |
and you can sharpen your knife # If I'm a pagan | :27:36. | :27:38. | |
of the good times # Something meaty | :27:39. | :27:46. | |
for the main course # I'll worship like a dog | :27:47. | :28:01. | |
at the shrine of your lies # I'll tell you my sins | :28:02. | :28:22. | |
so you can sharpen your knife # I'll worship like a dog | :28:23. | :28:26. | |
at the shrine of your lies # I'll tell you my sins | :28:27. | :28:38. | |
so you can sharpen your knife # There is no sweeter innocence | :28:39. | :28:41. | |
than our gentle sin # In the madness and soil | :28:42. | :29:04. | |
of that sad earthly scene # I'll worship like a dog | :29:05. | :29:11. | |
at the shrine of your lies # I'll tell you my sins | :29:12. | :29:43. | |
and you can sharpen your knife # Good God, let me | :29:44. | :29:46. | |
give you my life # # I'll worship like a dog | :29:47. | :29:53. | |
at the shrine of your lies # I'll tell you my sins | :29:54. | :29:58. | |
and you can sharpen your knife # Good God, let me | :29:59. | :30:01. | |
give you my life # That voice gets me every time. | :30:02. | :30:33. | |
to performances by Little Mix, OMI, Jess Glynne and | :30:34. | :30:38. | |
But now it's time for the first award of the night - | :30:39. | :30:42. | |
This award has been voted for by the presenters | :30:43. | :30:47. | |
and producers of TV and radio music programmes across the BBC | :30:48. | :30:50. | |
as well as independent music journalists. | :30:51. | :30:53. | |
And here to announce the winner we're delighted | :30:54. | :30:57. | |
to introduce Birmingham's very own community leader and star | :30:58. | :30:59. | |
You still working after all these years? | :31:00. | :31:20. | |
You gingers need to give us other minorities a chance. | :31:21. | :31:26. | |
Or as we have to refer to him nowadays, Ainsley Harriot. | :31:27. | :31:33. | |
Another flashy dresser is Rod Stewart. | :31:34. | :31:55. | |
He's about as Pakistani as you can get... | :31:56. | :32:01. | |
Alright, relax, I was just coming to that. | :32:02. | :32:13. | |
Before you open the envelope we need to take a look | :32:14. | :32:16. | |
at the nominees for International Artist of the Year. | :32:17. | :33:46. | |
Citizen Khan, please reveal the winner. | :33:47. | :33:54. | |
How exciting! The BBC music award for International Artist of the | :33:55. | :34:00. | |
Year, goes to... Taylor Swift! Hi, it's Taylor. I wish I could be with | :34:01. | :34:05. | |
you but I'm on tour in Australia. But thank you so much for this. | :34:06. | :34:10. | |
Oh, my gosh. This is really... This is nice. It is really heavy. Thank | :34:11. | :34:17. | |
you so much for the BBC Music Award for International Artist of the | :34:18. | :34:22. | |
Year. It was a real are highlight to play in Norwich. You were so | :34:23. | :34:27. | |
supportive. I really appreciate you shipping this. That must have cost a | :34:28. | :34:32. | |
lot. This is like, honestly it is really heavy. Thank you so much. | :34:33. | :34:35. | |
It's amazing. Was that bad?! Congratulation, you | :34:36. | :34:47. | |
utter ba parks, Taylor Swift. Well, done, Taylor. | :34:48. | :34:49. | |
So far this year we've got One Direction, | :34:50. | :34:52. | |
The Saturdays and McBusted all announcing that they're | :34:53. | :34:57. | |
taking a break, but thankfully there's one brilliant band | :34:58. | :34:59. | |
sticking around to give us our pop fix. | :35:00. | :35:09. | |
Urge surely the biggest girl band in the world right now. | :35:10. | :35:15. | |
2015 for us this year has been massive. | :35:16. | :35:22. | |
# All the girls on the block knocking at my door | :35:23. | :35:27. | |
# Wanna know what it is make the boys want more | :35:28. | :35:30. | |
# Is your lover playing on your side? | :35:31. | :35:32. | |
# Said he loves you but he ain't got time | :35:33. | :35:35. | |
# Full of honey just to make him sweet | :35:36. | :35:49. | |
# Crystal balling just to help him see | :35:50. | :35:51. | |
# What he's been missing so come and get it | :35:52. | :35:58. | |
# Take a sip of my secret potion I'll make you fall in love | :35:59. | :36:14. | |
# For a spell that can't be broken one drop should be enough | :36:15. | :36:18. | |
# I got the recipe and it's called black magic | :36:19. | :36:21. | |
# Take a sip of my secret potion one taste and you'll be mine | :36:22. | :36:27. | |
# It's a spell that can't be broken and'll keep you up all night | :36:28. | :36:30. | |
# I got the recipe and it's called black magic | :36:31. | :36:34. | |
# Need that magic to change him overnight | :36:35. | :36:46. | |
# Take a sip of my secret potion I'll make you fall in love | :36:47. | :37:06. | |
# For a spell that can't be broken one drop should be enough | :37:07. | :37:09. | |
# I got the recipe and it's called black magic | :37:10. | :37:13. | |
# Take a sip of my secret potion one taste and you'll be mine | :37:14. | :37:19. | |
# It's a spell that can't be broken and'll keep you up all night | :37:20. | :37:22. | |
# I got the recipe and it's called black magic | :37:23. | :37:28. | |
# All the girls on the block knocking at my door | :37:29. | :37:37. | |
# Wanna know what it is make the boys want more | :37:38. | :37:42. | |
# All the girls on the block knocking at my door | :37:43. | :37:47. | |
# Wanna know what it is make the boys want more | :37:48. | :37:52. | |
# Take a sip from my secret potion I'll make you fall in love | :37:53. | :37:57. | |
# For a spell that can't be broken one drop should be enough | :37:58. | :38:00. | |
# Boy, you belong to me I got the recipe | :38:01. | :38:04. | |
# Take a sip of my secret potion I'll make you fall in love | :38:05. | :38:13. | |
# For a spell that can't be broken one drop should be enough | :38:14. | :38:16. | |
# I got the recipe and it's called black magic | :38:17. | :38:22. | |
Best girl band on the planet right there! Best girl band on the planet | :38:23. | :39:11. | |
right now! Little Mix! Official! It is now time to take a look | :39:12. | :39:16. | |
at our second nominee for the big award of the night - | :39:17. | :39:19. | |
British Artist of the Year - and what a year this | :39:20. | :39:23. | |
young man has had. I've not heard this one. Good beat | :39:24. | :39:36. | |
to it. Really nice. Soothing. Oh, that's better. Like that? Who is | :39:37. | :39:45. | |
this? Jam gee X Factor. Jamie was part of a band, X Factor. | :39:46. | :39:51. | |
It is interesting seeing person being a part of a band and learning | :39:52. | :39:57. | |
from that and then moving on and one of the interesting thing is creating | :39:58. | :40:00. | |
sound. I love coming up with ideas. I was | :40:01. | :40:08. | |
making music on the road with the band. When I got home I thought | :40:09. | :40:14. | |
about doing it in the studio. I didn't think about putting it into | :40:15. | :40:23. | |
an album until last year. His album, In Colour, it is a real | :40:24. | :40:29. | |
onlyiage to the British race. The intricacy in the introduction is | :40:30. | :40:32. | |
really, really high. I was trying to make it the best | :40:33. | :40:40. | |
album that it could ever be. I am really glad to get it out of my head | :40:41. | :40:47. | |
and I get to play. The sample for Out Of Places is | :40:48. | :40:52. | |
always sung. It is usually something that is played at the end of the | :40:53. | :40:57. | |
set. He is a very eclectic taste. | :40:58. | :41:04. | |
When you listen to the music, he goes anywhere where. So it keeps you | :41:05. | :41:07. | |
guessing. I just want to meet people and learn | :41:08. | :41:12. | |
more, basically. There are no boundaries. Another brilliant | :41:13. | :41:21. | |
Fearne, can I just say you're looking great tonight. | :41:22. | :41:27. | |
And you're doing a really good job presenting. | :41:28. | :41:36. | |
And you're a lovely person. I mean, like off the charts. | :41:37. | :41:42. | |
(GETTING IT) Oh, it looks like I've found myself | :41:43. | :41:44. | |
This record is number one in over 20 countries. | :41:45. | :41:58. | |
The biggest yet in my music career. Such a party album. | :41:59. | :42:04. | |
# Oh, I think that I found myself a cheerleader | :42:05. | :42:47. | |
# She is always right there when I need her | :42:48. | :42:49. | |
# Oh, I think that I found myself a cheerleader | :42:50. | :42:51. | |
# She is always right there when I need her | :42:52. | :42:54. | |
# Oh, I think that I found myself a cheerleader | :42:55. | :43:00. | |
# She is always right there when I need her | :43:01. | :43:02. | |
# She grants my wishes like a genie in a bottle, yeah, yeah | :43:03. | :43:13. | |
# Oh, I think that I found myself a cheerleader | :43:14. | :43:31. | |
# She is always right there when I need her | :43:32. | :43:33. | |
# Oh, I think that I found myself a cheerleader | :43:34. | :43:35. | |
# She is always right there when I need her | :43:36. | :43:39. | |
I All my beautiful cheerleaders, let me hear you make some noise. | :43:40. | :44:24. | |
# Baby, did I mention you're the only girl for me | :44:25. | :44:29. | |
# Mama loves you too, she thinks I made the right selection | :44:30. | :44:33. | |
# Oh, I think that I found myself a cheerleader | :44:34. | :44:40. | |
# She is always right there when I need her | :44:41. | :44:44. | |
# Oh, I think that I found myself a cheerleader | :44:45. | :45:07. | |
Those dancers deserve a sit down. That's the shore. | :45:08. | :45:23. | |
OMI's Cheerleader is one of our nominations for Song | :45:24. | :45:25. | |
They say life begins at 40, which means that this song's | :45:26. | :45:32. | |
# But now we've gone and thrown it all away. | :45:33. | :45:43. | |
It's one of the greatest rock songs ever | :45:44. | :45:47. | |
recorded, and it came in to the world 40 years ago. | :45:48. | :45:50. | |
40 years since Bohemian Rhapsody was released. Amazing. | :45:51. | :46:04. | |
Reproduction is amazing, so tight and crisp, and the fact it's all in | :46:05. | :46:16. | |
different time signatures. Freddie! In his head, it was all there, Fred, | :46:17. | :46:32. | |
but even then he was making it up as he went along. | :46:33. | :46:34. | |
The first thing I heard was, mamma, just Kildemand. I thought it was | :46:35. | :46:44. | |
brilliant, not knowing what was to come. -- just killed a man. | :46:45. | :46:50. | |
I thought, how do exactly as I please. | :46:51. | :46:57. | |
As many harmonies as possible. Just go over the top. | :46:58. | :47:05. | |
The record company came to us and said, don't do it, it's too long and | :47:06. | :47:14. | |
nobody will play it! Then you do the | :47:15. | :47:19. | |
Wayne's World it now! It still holds up today, still one | :47:20. | :47:52. | |
of my all-time favourite songs. Just a clever song, operatic, breaking | :47:53. | :47:55. | |
down barriers. Timeous, absolutely timeless. That song is not only | :47:56. | :48:04. | |
legendary, it's one of those songs that is one of the pillars of that | :48:05. | :48:06. | |
era. Wait a minute Fearne, | :48:07. | :48:11. | |
I see a little silhouetto There really is a little | :48:12. | :48:16. | |
silhouetto of a man. TO THE GUITAR RIFF FROM BOHEMIAN | :48:17. | :48:28. | |
RHAPSODY (ORCHESTRA) So lovely to have you here. What an | :48:29. | :48:54. | |
incredible song. Did you know at the time you had something insanely | :48:55. | :48:58. | |
special with that? I think we knew it was pretty amazing, but it wasn't | :48:59. | :49:01. | |
that much of as a prize, because we had been complex for a while, since | :49:02. | :49:06. | |
the first album. It was another one of those. And it was long, so there | :49:07. | :49:11. | |
was a resistance from the media, but off it went. No stopping it. Have we | :49:12. | :49:16. | |
figured out what it's about, does it matter? I think it's really good | :49:17. | :49:22. | |
that we can't. Yes! Let's not figure it out ever. It's something out of | :49:23. | :49:29. | |
Freddie's mind. His fevered brow cooked it up. If you watch the film | :49:30. | :49:33. | |
about him, which will come out probably in the next millennium, you | :49:34. | :49:39. | |
might find out. Last New Year's EV played a very special gig with Adam | :49:40. | :49:45. | |
Lambert. Yes, it was for the BBC. And we will perform again pretty | :49:46. | :49:49. | |
soon. Good news, you heard it first at the BBC Music Awards. It might be | :49:50. | :49:54. | |
at the Isle of Wight festival in the summer. There's a scoop for you. You | :49:55. | :50:01. | |
know a thing or two about performing live, so we are honoured you will | :50:02. | :50:05. | |
stick around to reveal for us the BBC Live Performance of the Year | :50:06. | :50:07. | |
award. Let's look at the nominated performances. | :50:08. | :51:47. | |
Brian May to do the honours. The BBC music award for Live Performance of | :51:48. | :52:01. | |
the Year goes to... Adele. Hello everybody, sorry I can't be there, | :52:02. | :52:10. | |
but thank you so much for my award. Thank you to the BBC, hope you have | :52:11. | :52:13. | |
a wonderful night and sorry I'm not there. We love you, Adele. She is so | :52:14. | :52:23. | |
back. And Queen playing the Isle of Wight Festival, you heard it here | :52:24. | :52:24. | |
first. It's the one everybody wants to | :52:25. | :52:46. | |
dance to. Ed Sheeran is... LAUGHTER Lovely. Thinking out loud. I know | :52:47. | :52:57. | |
who you are now! Ed Sheeran is taking the one-man band to the next | :52:58. | :53:01. | |
level. Some people can only deliver a couple of songs, or 20 can do | :53:02. | :53:06. | |
ballads and funk and pop, that's a quadruple threat. An album can take | :53:07. | :53:13. | |
as much effort as he wanted to take. For me, it took every hour of my day | :53:14. | :53:18. | |
for a long time. I made sure it was the record I wanted to make. | :53:19. | :53:23. | |
Sometimes I think I'm really good friends with him, because we play | :53:24. | :53:26. | |
him every single day and people never get tired of him. There's an | :53:27. | :53:34. | |
insatiable love for Ed Sheeran. If you are a musician first, you can | :53:35. | :53:37. | |
dabble in whatever genre you feel like. Ed Sheeran started out urban, | :53:38. | :53:46. | |
then moved into pop, now he's on the Rudimentary label. He has a great | :53:47. | :53:54. | |
power, and it comes from training, playing to big crowds with just a | :53:55. | :53:59. | |
guitar and him. Definitely up there with the famous artists of all time, | :54:00. | :54:06. | |
in his own league, and we adore him. It's interesting seeing his journey, | :54:07. | :54:09. | |
working the clubs, to being one of the biggest selling artists around | :54:10. | :54:12. | |
the world and it's a testament to his talent. I've learned more how to | :54:13. | :54:17. | |
perform with bigger crowds and how to hold audiences a lot more. If | :54:18. | :54:23. | |
everything ended today, I would be happy I've had that to show for it. | :54:24. | :54:30. | |
CHEERING AND APPLAUSE Onstage, bringing that vision to | :54:31. | :54:55. | |
life, that's the most exciting part. She's had so many number one | :54:56. | :55:01. | |
singles. Everywhere. Make some noise for Jess Glynne. | :55:02. | :55:09. | |
# Standing in a crowded room and I can't see your face | :55:10. | :55:21. | |
# Well Standing in a crowded room and I can't see your face | :55:22. | :55:25. | |
# Put your arms around me Tell me everything's OK | :55:26. | :55:27. | |
# In my mind, I'm running round a cold and empty space | :55:28. | :55:30. | |
# Just put your arms around me Tell me everything's OK | :55:31. | :55:41. | |
# Break my bones but you won't see me fall, oh | :55:42. | :55:49. | |
# The rising tide will rise against them all, oh | :55:50. | :55:56. | |
# Cos I don't wanna walk on my own any more | :55:57. | :56:07. | |
# I'm ready for this There's no denying | :56:08. | :56:16. | |
# I'm ready for this You stop me falling | :56:17. | :56:20. | |
# I'm ready for this I need you all in | :56:21. | :56:24. | |
# I'm ready for this So darling, hold my hand | :56:25. | :56:28. | |
# Soul is like a melting pot when you're not next to me | :56:29. | :56:35. | |
# Tell me that you've got me and you're never gonna leave | :56:36. | :56:43. | |
# Tryna find a moment where I can find release | :56:44. | :56:51. | |
# Please tell me that you've got me and you're never gonna leave | :56:52. | :56:58. | |
# Break my bones but you won't see me fall, oh | :56:59. | :57:08. | |
# The rising tide will rise against them all, oh | :57:09. | :57:14. | |
# Cos I don't wanna walk on my own any more | :57:15. | :57:25. | |
# I'm ready for this There's no denying | :57:26. | :57:34. | |
# I'm ready for this You stop me falling | :57:35. | :57:38. | |
# I'm ready for this I need you all in | :57:39. | :57:43. | |
# I'm ready for this So darling, hold my hand | :57:44. | :57:49. | |
# So please don't make me wait cos I don't wanna break | :57:50. | :57:56. | |
# That you don't make me wait and never let me break | :57:57. | :58:13. | |
# I'm ready for this There's no denying | :58:14. | :58:37. | |
# I'm ready for this You stop me falling | :58:38. | :58:41. | |
# I'm ready for this I need you all in | :58:42. | :58:46. | |
# I'm ready for this So darling, hold my hand | :58:47. | :58:51. | |
Jess Glynne. The show has been lucky so far. Having a great time. | :58:52. | :59:09. | |
Jess Glynne's Hold My Hand is another of our nominations | :59:10. | :59:12. | |
As well as celebrating the best of this year's music we'd | :59:13. | :59:17. | |
like to take a moment now to reflect on those who've given | :59:18. | :59:21. | |
us some treasured musical memories and who we've sadly lost | :59:22. | :59:23. | |
Gone but thanks to their music, never to be forgotten. What a | :59:24. | :03:11. | |
marvellous live tribute from the BBC Concert Orchestra. How lovely was | :03:12. | :03:13. | |
that. Years Years, Faithless, | :03:14. | :03:16. | |
Rod Stewart, plus a fantastic musical collaboration, | :03:17. | :03:20. | |
Greg James causes chaos and we find out which song you voted | :03:21. | :03:22. | |
as Song of the Year. You've got to take your hat off | :03:23. | :03:29. | |
to our next performer, just don't expect him | :03:30. | :03:38. | |
to do the same. He really gets me at the heart. I | :03:39. | :03:46. | |
love this guy. It is one of the recordings that I | :03:47. | :03:52. | |
am the most proud of. He has been successful in the | :03:53. | :04:00. | |
States, so he has had a great year. # Hold each other. | :04:01. | :04:03. | |
# Hold back the river Let me look in your eyes | :04:04. | :04:31. | |
# Can stop for a minute and see where you hide | :04:32. | :04:42. | |
# Hold back the river Let me look in your eyes | :04:43. | :05:22. | |
# Can stop for a minute and be by your side | :05:23. | :05:29. | |
# Hold back the river Let me look in your eyes | :05:30. | :05:36. | |
# Can stop for a minute and see where you hide | :05:37. | :05:44. | |
# Hold back the river Let me look in your eyes | :05:45. | :06:36. | |
# Can stop for a minute and be by your side | :06:37. | :06:43. | |
# Hold back the river Let me look in your eyes | :06:44. | :06:51. | |
# Can stop for a minute and be by your side | :06:52. | :06:58. | |
James Bay. Nominated for three Grammys as well. | :06:59. | :08:17. | |
I know. What a year. There is James, performing on a show | :08:18. | :08:19. | |
There is James, performing on a show like this. | :08:20. | :08:23. | |
come on stage and entertain thousands of people. | :08:24. | :08:26. | |
How difficult do you think that could possibly be? | :08:27. | :08:28. | |
Well if Madonna's infamous fall, or Dave Grohl's broken leg | :08:29. | :08:31. | |
are anything to go by, it represents a real challenge | :08:32. | :08:33. | |
We wanted to avoid any mishaps here, so we asked Radio 1's | :08:34. | :08:39. | |
Greg James to brief all our performers tonight on how | :08:40. | :08:42. | |
Attention, gentleman! Right, welcome to back stage at the BBC Music | :08:43. | :08:56. | |
Awards it is my job to keep you all safe and to keep harm at bay. The | :08:57. | :09:01. | |
most important thing to remember... Don't touch anything! I mean... | :09:02. | :09:07. | |
Sorry. Can you hold that a second? Hello? I will have to call you book, | :09:08. | :09:14. | |
I'm doing a briefing. OK. Where's he gone? Oh, come on, mate. | :09:15. | :09:26. | |
Sorry mate. You all right. Take it easy. You shouldn't have let | :09:27. | :09:34. | |
go. That's one of your songs. | :09:35. | :09:38. | |
The red carpet emergency. It is my job to tell you how to run off the | :09:39. | :09:46. | |
carpet here. We are doing this in your high heels. | :09:47. | :09:53. | |
Can you not just take those off. If there is a fire? Look, heel, toe, | :09:54. | :10:03. | |
heel, toe, and that is easy, you get the idea? And then you come back... | :10:04. | :10:15. | |
Oh! Gentleman, welcome to the artists' catering. There is hot food | :10:16. | :10:26. | |
all over the place. Ah! Oh! OK! Welcome to back stage at the BBC | :10:27. | :10:33. | |
Music Awards. There are hazards everywhere, believe me, I learned | :10:34. | :10:37. | |
the hard way. I'll be keeping an eye out for | :10:38. | :10:44. | |
anything that catches... Ah! This is a classic example. What DOW if you | :10:45. | :10:48. | |
see a hazard like this? Exactly, nothing. Leave it to the | :10:49. | :11:00. | |
professionals! I'm fine! This is a tough day! Niall welcome to the main | :11:01. | :11:07. | |
stage. A few things before the performance later. Have you done a | :11:08. | :11:12. | |
stage dive before? Never done it. I find it quite dangerous. | :11:13. | :11:16. | |
OK. I'm going to show you how to stage dive. | :11:17. | :11:19. | |
Are you sure you know how to do it? Easy. You take a run up. I have a | :11:20. | :11:27. | |
crash mat to break my fall. On the night there will be lots of people | :11:28. | :11:33. | |
to catch you. OK. Ready? Yes. So, watch and learn. Ah... ! Greg? . | :11:34. | :11:45. | |
I don't know. Hello darling. | :11:46. | :11:52. | |
Greg?! Very good. That was a great one. | :11:53. | :11:56. | |
Let me assure you that no DJs were harmed in the making of that | :11:57. | :12:00. | |
film, and just to prove it, let's invite him out | :12:01. | :12:02. | |
here to present our next award winner, along with Radio 2 presenter | :12:03. | :12:05. | |
Come on, Greg. He looks all right now. | :12:06. | :12:18. | |
He's scrubbed up. Scrubbed up very well. I'm fine. It | :12:19. | :12:25. | |
was very good. Glad you're OK. I'm fine. | :12:26. | :12:29. | |
But, of course, Greg was not around a few years ago when Fearne got into | :12:30. | :12:33. | |
all sorts of bother. Look at this. | :12:34. | :12:42. | |
Oh, no. Oh, my God! How did that happen?! | :12:43. | :12:50. | |
What happened there, then? Someone hadn't unlocked the door. I ran | :12:51. | :12:53. | |
quite fast. She survived. | :12:54. | :12:58. | |
You needed a key. Can I say how lovely you looked in | :12:59. | :13:03. | |
high heels. It is a real look for you. | :13:04. | :13:10. | |
Thank you. Working the calves. Jovment o, you have been back stage. | :13:11. | :13:14. | |
What is the atmosphere like? It's been great. One Direction have been | :13:15. | :13:21. | |
in the Jacuzzi together. And Little Mix are there. It is all fun. | :13:22. | :13:25. | |
The award you're here to present is for Song of the Year. | :13:26. | :13:28. | |
Now, this was a public vote on a shortlist of 10 songs. | :13:29. | :13:31. | |
The shortlist consisted of the 10 songs which had the most airplay | :13:32. | :13:35. | |
this year across Radio 1, Radio 2, 1xtra and 6 Music. | :13:36. | :13:38. | |
And yesterday you, along with the viewers and listeners, | :13:39. | :13:40. | |
Here's a reminder of the ten biggest songs of 2015. | :13:41. | :15:49. | |
There we go, some incredible songs. Time to announce it. Jo Whiley | :15:50. | :16:00. | |
doesn't open her own envelopes. She doesn't get paper cuts. I will do | :16:01. | :16:06. | |
the reading. The BBC music award for Song of the Year goes to... Hozier. | :16:07. | :16:25. | |
Thank you very much. Thank you so much. I genuinely was not expecting | :16:26. | :16:54. | |
that. Especially looking at the other nominations, some absolute | :16:55. | :17:01. | |
juggernauts there. Some amazing songs, so to be among them was an | :17:02. | :17:09. | |
honour and to win is a shock. Thank you so much to anyone who voted, all | :17:10. | :17:14. | |
the fans, and coming as an outsider to the UK, it's a real honour and | :17:15. | :17:22. | |
joy. Thank you for voting. Thank you to the BBC, because I guess you | :17:23. | :17:25. | |
wouldn't have heard the song if the BBC hadn't supported it. Thank you | :17:26. | :17:32. | |
to the DJs and the BBC and my manager, Caroline, Dennis, my folks, | :17:33. | :17:36. | |
John and Lorraine, they are in the audience somewhere. My agents, Kirk, | :17:37. | :17:50. | |
Emma, and everybody at Island Records. | :17:51. | :17:53. | |
Next up is a musical collaboration I'm very excited about, | :17:54. | :17:56. | |
featuring two singers who've been lighting up the stage for years, | :17:57. | :17:58. | |
and a duo whose journey has just begun. | :17:59. | :18:05. | |
Hit record, sell-out tours, people are thrilled to hear them sing | :18:06. | :18:16. | |
together again. And The Shires. The first UK country act to sign for a | :18:17. | :18:18. | |
major national label. Please welcome Paul Heaton, | :18:19. | :18:20. | |
Jacqui Abbott and The Shires # And he's waiting | :18:21. | :18:43. | |
at the door for me # Got my love and it fits me | :18:44. | :18:49. | |
like a glove # Sugar is the centre | :18:50. | :18:58. | |
of the honeycomb # Sweeter still the heart | :18:59. | :19:21. | |
that actually owns my own # Well, they'll say | :19:22. | :19:25. | |
it's way too cold # And they won't be drinking | :19:26. | :20:13. | |
moonshine but G and T's # Dancing with sweet country girls | :20:14. | :20:26. | |
all night # They'll leave | :20:27. | :20:43. | |
their villlage greens # I'm standing here | :20:44. | :21:05. | |
outside your door # Already I'm so lonesome | :21:06. | :21:33. | |
I could die # Hold me like | :21:34. | :21:56. | |
you'll never let me go # So many times I've let you down | :21:57. | :22:42. | |
# So may times I've played around # I'm telling you now, they don't | :22:43. | :22:48. | |
# Tell me that you'll wait for me # Hold me like | :22:49. | :22:53. | |
you'll never let me go How wonderful to hear those | :22:54. | :22:57. | |
two groups together. The Shires, Paul Heaton and Jacqui | :22:58. | :23:25. | |
Abbott. Now here's our fourth | :23:26. | :23:28. | |
nominee for the big one - # Hello, it's me. It's Adele. I | :23:29. | :23:49. | |
think it was going to be Lionel Richie's hello... You know! I feel | :23:50. | :23:59. | |
at peace when I listen to her songs. I like this one, Adele. Adele. Less | :24:00. | :24:06. | |
than a week after releasing her third album, London Adele, is set to | :24:07. | :24:10. | |
break records on both sides of the Atlantic. She's nailed it with the | :24:11. | :24:15. | |
third album. It's the biggest selling British album ever. It will | :24:16. | :24:20. | |
be a timeless record, already the biggest record in the world. | :24:21. | :24:28. | |
# I've been walking in the same way. It's wonderful when you see people | :24:29. | :24:37. | |
evolve. When you see an artist, unlike Adele, who can deliver her | :24:38. | :24:41. | |
songs perfectly with an acoustic guitar, and then do a James Bond | :24:42. | :24:44. | |
song with an orchestral, it's a great artist. To see her on the BBC, | :24:45. | :24:52. | |
it reminded me of when she performed Hometown Glory on a rainy afternoon | :24:53. | :25:03. | |
in a wet car park. # Round my hometown... Adele | :25:04. | :25:13. | |
disappeared for three years pretty much. No social media or public | :25:14. | :25:18. | |
appearances. Lived a normal life, made a record and came back, and has | :25:19. | :25:21. | |
made the biggest impact in music in so long. She's one of the greatest | :25:22. | :25:31. | |
singers I've ever recorded. Every time she sings a line differently, | :25:32. | :25:37. | |
there's no bad line, just different nuance in it. I love, not just her | :25:38. | :25:46. | |
voice, but she's a singer-songwriter, and she is | :25:47. | :25:50. | |
unique. You know that's her voice, no matter what song she's singing. | :25:51. | :25:59. | |
Now, BBC Introducing is something genuinely brilliant and has | :26:00. | :26:01. | |
Florence and The Machine and James Bay. | :26:02. | :26:06. | |
It takes some of the amazing emerging and unsigned acts | :26:07. | :26:08. | |
from around the country and shines a much deserved spotlight on them. | :26:09. | :26:11. | |
They get exposure, and we get to hear some incredible new sounds, | :26:12. | :26:14. | |
Here's Jools Holland to tell us more. | :26:15. | :26:22. | |
BBC introducing is great, because it means there's a window for new | :26:23. | :26:28. | |
people. The BBC has always helped things evolve. If nobody does that | :26:29. | :26:30. | |
we become stagnant. I think the most exciting discovery | :26:31. | :26:53. | |
this year, for me, is Jack Garratt. I'm not sure I'd seen anyone do what | :26:54. | :26:58. | |
he does. He writes, plays every instrument, sings and produces all | :26:59. | :27:03. | |
his own music. The music I write is essentially what I want to listen | :27:04. | :27:08. | |
to. I nearly one onstage, and what I'm doing is playing lots of | :27:09. | :27:12. | |
different things at the same time. I physically don't have the seven | :27:13. | :27:16. | |
limbs I need to do my show, so the best way to do that was to leave | :27:17. | :27:22. | |
some stuff out. # Let me be something... When I loop | :27:23. | :27:27. | |
I want to make it as quickly and efficiently as possible to get into | :27:28. | :27:32. | |
the song. That's what people want to enjoy, when the chorus lifts and you | :27:33. | :27:40. | |
can feel the song within you. People kept saying come you've got to | :27:41. | :27:43. | |
listen to him, he's totally up my street. I just remember being | :27:44. | :27:48. | |
absolutely shocked by him, like, by what he could do, just one man. He's | :27:49. | :27:54. | |
got so much more to give. I think Jack Garratt is one to watch for | :27:55. | :27:56. | |
next year. Let's meet the man himself, | :27:57. | :28:03. | |
please welcome the electronic one Jack, it is our absolute pleasure | :28:04. | :28:06. | |
to present you with the BBC It's all yours. Thank you so much, | :28:07. | :28:16. | |
it's such an honour. It's exactly that, it's been crazy. | :28:17. | :28:36. | |
So unbelievable, it is, and gone so quickly, and I'm so looking forward | :28:37. | :28:40. | |
to the next year. So many more good ones to come, that's for sure. Would | :28:41. | :28:47. | |
you like Jack to play this evening? I will play the Song kicked it off | :28:48. | :28:49. | |
for me, I will play Worry. While Jack prepares himself, | :28:50. | :28:55. | |
there's just time for me to let you know about the next big live | :28:56. | :28:58. | |
music event on BBC One. It's on New Year's Eve either side | :28:59. | :29:02. | |
of the midnight fireworks. Bryan Adams will be treating us | :29:03. | :29:07. | |
to many of his greatest hits in a special concert, | :29:08. | :29:10. | |
live in London. And other music television on New | :29:11. | :29:11. | |
Year's Eve, check your listings. And now here he is, the BBC | :29:12. | :29:23. | |
Introducing Artist of the Year, # My nights are broken up by the | :29:24. | :29:26. | |
sounds of women I'll never meet # My nights are broken up | :29:27. | :29:41. | |
by the sounds of women I'll never # And when my eyes are closed I can | :29:42. | :29:44. | |
start to feel you staring at me # Has always left me | :29:45. | :29:51. | |
feeling stuck in between # Everything I know and all the lies | :29:52. | :30:06. | |
I tell myself so I can sleep # Don't you worry about it | :30:07. | :30:10. | |
Don't you worry about it # And let me worry about it | :30:11. | :30:35. | |
Let me worry about it # You came around to say that you've | :30:36. | :30:46. | |
been away like I hadn't known # As if I don't wake up | :30:47. | :30:49. | |
every single day not seeing you go # As if this moon of ours only | :30:50. | :30:55. | |
shines a half to make me feel whole # In every step I take | :30:56. | :31:10. | |
when the wind blows # Don't you worry about it | :31:11. | :31:26. | |
Don't you worry about it # And let me worry about it | :31:27. | :31:33. | |
Let me worry about it Thank you, Birmingham! For Jack | :31:34. | :32:48. | |
Garratt there. Awesome. | :32:49. | :32:53. | |
Just incredible. An incredible performance En from an | :32:54. | :32:56. | |
incredibly talented young man. Our next nominees for British Artist | :32:57. | :32:59. | |
of the Year are another They began the year by winning | :33:00. | :33:07. | |
the BBC Music Sound Of... poll and have gone from | :33:08. | :33:11. | |
strength to strength. Go dance! I'm a big fan of Years | :33:12. | :33:23. | |
Years. It's been a crazy year. There have | :33:24. | :33:27. | |
been so many highlights. Glastonbury. | :33:28. | :33:32. | |
Number one single. Number one album. Yeah, it's been insane. | :33:33. | :33:38. | |
Years Years, they are the perfect pop, dance, hybrid. It is very hard | :33:39. | :33:42. | |
to get it right. I think they have done it very well. | :33:43. | :33:50. | |
They were the band on everyone's lips, and they were tipped to | :33:51. | :33:57. | |
succeed. I Was A King Under Your Control. | :33:58. | :34:04. | |
That was going out on a limb. At first it did not make sense. But we | :34:05. | :34:10. | |
went with it. I like the bit on the key boards. | :34:11. | :34:16. | |
That's my favourite bit of the song. Owl of the bits he is not in are the | :34:17. | :34:21. | |
best. They are a real bunch of proper | :34:22. | :34:26. | |
musicians. We started writing songs because we | :34:27. | :34:30. | |
wanted to play them live. Every festival wanted to book them. | :34:31. | :34:36. | |
Reading, Leeds, Glastonbury. They have been inescapable this year. The | :34:37. | :34:42. | |
first festival, the crowd takes you back. It takes you back. | :34:43. | :34:52. | |
I can't sing! We are touring for most of next year. | :34:53. | :34:57. | |
We will start to look at writing new stuff maybe next year and see what | :34:58. | :35:01. | |
happens, I think! The aim is to get a level of fame with just one | :35:02. | :35:08. | |
lecture, a few prints... So many! And I'm delighted to say they're | :35:09. | :35:14. | |
here with us tonight to perform their number | :35:15. | :35:18. | |
one single King. # I caught you watching me | :35:19. | :35:20. | |
under the light # They say it's easy | :35:21. | :35:41. | |
to leave you behind # All that I've compromised | :35:42. | :35:49. | |
to feel another high # Don't you remember | :35:50. | :36:07. | |
how I used to like # I dreamed you dreamed of me | :36:08. | :36:45. | |
Calling out my name # All that I've compromised | :36:46. | :36:54. | |
to feel another high # Let go, let go | :36:55. | :37:10. | |
Let go of everything. # So good. Years Years. I want his | :37:11. | :39:15. | |
It's time to reveal the last nominee for British Artist of the Year. | :39:16. | :39:29. | |
This is... Foals! I know Foals. Wow! Foals are an example of a British | :39:30. | :39:43. | |
band that have put the graft in, touring, the world releasing | :39:44. | :39:47. | |
incredible albums. It feels like they have reached their peak in | :39:48. | :39:50. | |
2015. . I love them. I love them life. I | :39:51. | :39:55. | |
love their energy, their noise. For me they are the most exciting | :39:56. | :40:05. | |
British band right now. Every album is so different. They | :40:06. | :40:10. | |
have clearly looked at it, and gone, we have done that, let's move on. | :40:11. | :40:15. | |
The sound of the record going down is the sound of us maturing with | :40:16. | :40:20. | |
moments of experimentation, and straight up pop moments and some of | :40:21. | :40:24. | |
the heaviest moments that we have ever written as well. | :40:25. | :40:28. | |
They are so incredibly innovative, they are in your face, they are | :40:29. | :40:32. | |
fierce and they make incredible music. I have seen Yanus climb up | :40:33. | :40:40. | |
the tallest speakers and jump into the crowd. He always seems to get | :40:41. | :40:47. | |
away with it. I don't know how. We are super tense, superpassionate, | :40:48. | :40:51. | |
and we just try to smash it every night. | :40:52. | :41:01. | |
Now, The Proms - a 120 year old British institution - | :41:02. | :41:08. | |
this year combined all that pomp and circumstance with another | :41:09. | :41:10. | |
British institution that's been going for just 20 years - | :41:11. | :41:12. | |
For one night only, the Royal Albert Hall became | :41:13. | :41:16. | |
Playa d'en Bossa, with waving flags replaced by waving glow sticks, | :41:17. | :41:18. | |
and in place of Rule Britannia, a British dance anthem | :41:19. | :41:22. | |
20 years since Insomnia was released. | :41:23. | :41:40. | |
I never tire of this record. Over 15 million records sold | :41:41. | :41:43. | |
worldwide. The huge legacy. | :41:44. | :41:48. | |
They are absolutely amazing. Make some noise for Faithless! | :41:49. | :41:53. | |
Yes, Birmingham, let me see some hands up here right now. | :41:54. | :43:09. | |
# And I need to get some rest # Yo, where's the sense? | :43:10. | :43:15. | |
# I confess, I burnt a hole in the mattress | :43:16. | :43:17. | |
# Yes, yes, it was me I plead guilty | :43:18. | :43:29. | |
# I can't sleep Something's all over me | :43:30. | :43:40. | |
# Please release me and let me dream of making mad love on the heath | :43:41. | :43:47. | |
# But there's no relief I'm wide awake in my kitchen, | :43:48. | :43:56. | |
# Oh, if I could only get some sleep | :43:57. | :44:02. | |
Thank you, Birmingham, wicked as always. You are beautiful, man. | :44:03. | :45:42. | |
CHEERING AND APPLAUSE So it's time for the big one, | :45:43. | :45:48. | |
and here to reveal the winner of the British Artist | :45:49. | :45:51. | |
of the Year Award is To put his success into perspective, | :45:52. | :45:54. | |
he's had more top ten albums in the UK than Michael Jackson | :45:55. | :45:58. | |
and Beyonce put together. Please welcome, the one | :45:59. | :46:02. | |
and only, Mr Rod Stewart! So lovely to have you here with us | :46:03. | :46:27. | |
in Birmingham. Tell us about the new album you've got out. It's | :46:28. | :46:35. | |
fantastic! It's called Another Country and it's really great. | :46:36. | :46:39. | |
Delighted you are here with us. Performing shortly. After you reveal | :46:40. | :46:45. | |
for us the British Artist of the Year. Let's remind ourselves of the | :46:46. | :46:47. | |
six amazing nominees. I love, not just her voice, but she | :46:48. | :47:01. | |
writes, she's a singer-songwriter. Definitely up there with the biggest | :47:02. | :47:15. | |
artists of all time, isn't he, just in his own league. | :47:16. | :47:23. | |
Florence has become a force to be reckoned with. She's reached a new | :47:24. | :47:26. | |
level as an artist, performer. They are so incredibly innovative, | :47:27. | :47:41. | |
in-your-face, fierce, and make incredible music. | :47:42. | :47:50. | |
He has pretty eclectic take, everything from old soul records and | :47:51. | :47:53. | |
this go to hard techno. Every festival wanted to book them, | :47:54. | :48:05. | |
Reading, Leeds, Glastonbury. They have been inescapable this year. | :48:06. | :48:15. | |
Tell us who the winner is. The winner this year is... A good north | :48:16. | :48:25. | |
London girl, Adele! CHEERING AND APPLAUSE | :48:26. | :48:32. | |
Thank you, British Artist of the Year, amazing. I've only just put | :48:33. | :48:36. | |
out new music. I'm chuffed, thank you so much. I'm sorry I'm not | :48:37. | :48:40. | |
there, but I would like to say a big hello and send my love to the other | :48:41. | :48:44. | |
artists there tonight. I can't wait to see you all, and I know you now | :48:45. | :48:50. | |
that I think you're all incredible. So that's all of our awards handed | :48:51. | :48:53. | |
out for the evening, but it's not quite over yet, | :48:54. | :48:56. | |
because we're about to hear What a man, what a career. I love | :48:57. | :49:05. | |
Rod Stewart's voice. Everybody knows and loves this song. Rod Stewart, | :49:06. | :49:14. | |
yes, I think he's sexy! Yes, I do. Please welcome Rod Stewart, | :49:15. | :49:21. | |
performing Please. # Staring into space, wondering | :49:22. | :49:32. | |
what to say # Look into my eyes, I ain't that | :49:33. | :49:43. | |
kind of guy # It's cold outside and I can't bear | :49:44. | :49:47. | |
you to go # Oh, the roads are frozen and | :49:48. | :49:54. | |
I'm begging you not to drive home # Oh, let's leave our troubles | :49:55. | :50:03. | |
behind # Let's keep each other warm, | :50:04. | :50:19. | |
shelter from the storm # Give me a little time, tell me | :50:20. | :50:41. | |
what's on your mind # It's a beautiful evening and I | :50:42. | :50:54. | |
don't want it to end # Cos you're my type of woman and I | :50:55. | :50:57. | |
want to be more than a friend # Oh, I promise I'll treat you | :50:58. | :51:03. | |
right # Under the cold, clear, cool | :51:04. | :51:14. | |
moonlight # And when the sun comes up, I'll | :51:15. | :51:22. | |
be holding you close to my chest # I'm gonna love you some more and | :51:23. | :51:47. | |
I'll bring you your breakfast in bed # Tell your friends you'll be | :51:48. | :51:53. | |
just fine # Tell your friends you'll be | :51:54. | :52:03. | |
just fine Now, with a legend in the building | :52:04. | :52:14. | |
like Rod Stewart, we couldn't possibly let him go | :52:15. | :52:50. | |
without asking him to treat us So stand by to sing your | :52:51. | :52:52. | |
hearts out very shortly. I can pretty much guarantee | :52:53. | :52:59. | |
there is no other show where you will see Rod Stewart | :53:00. | :53:05. | |
and Faithless on the same bill! We've also had one of the last | :53:06. | :53:08. | |
performances from One Direction, and one of the first of many arena | :53:09. | :53:13. | |
performances from the incredible A huge thank you to all of our | :53:14. | :53:16. | |
brilliant performers, Steve Sidwell and the BBC | :53:17. | :53:21. | |
Concert Orchestra, That's almost it for this | :53:22. | :53:27. | |
year's BBC Music Awards, We'd also like to thank Birmingham | :53:28. | :53:34. | |
for being the best hosts. That's very kind, so, | :53:35. | :53:40. | |
put it in your diaries. But now, as promised, | :53:41. | :53:47. | |
we leave you in the very capable # Oh, Lord, to be | :53:48. | :53:50. | |
near you To be free We are sailing... Stormy waters! To | :53:51. | :57:43. | |
be near you... To be near you... Merry Christmas, everybody. Merry | :57:44. | :58:25. | |
Christmas. | :58:26. | :58:35. |