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MUSIC: "Ode To Joy" by Beethoven | 0:00:02 | 0:00:05 | |
The Ninth Symphony by Ludwig van Beethoven | 0:00:14 | 0:00:17 | |
is the most ambitious of his great revolutionary works. | 0:00:17 | 0:00:20 | |
There are few symphonies in the history of classical music | 0:00:20 | 0:00:24 | |
that reach out over the centuries | 0:00:24 | 0:00:25 | |
with such memorable and universal appeal. | 0:00:25 | 0:00:28 | |
With each successive symphony, | 0:00:28 | 0:00:29 | |
Beethoven broke the mould that he had created, | 0:00:29 | 0:00:32 | |
and with the Ninth, his last, | 0:00:32 | 0:00:33 | |
he wrote a work of well over an hour in duration, | 0:00:33 | 0:00:36 | |
using chorus and soloists in the final movement, | 0:00:36 | 0:00:38 | |
which is the setting of Schiller's Ode To Joy, | 0:00:38 | 0:00:41 | |
and evokes universal human brotherhood. | 0:00:41 | 0:00:45 | |
In this classic recording from the 2004 BBC Proms, Sir Simon Rattle | 0:00:45 | 0:00:48 | |
brought the Berlin Philharmonic Orchestra to London | 0:00:48 | 0:00:52 | |
and united them with the City of Birmingham Symphony Chorus | 0:00:52 | 0:00:55 | |
and four world-class soloists. | 0:00:55 | 0:00:57 | |
This performance took place | 0:00:57 | 0:00:59 | |
just two years after Rattle took up his role as chief conductor of the Berlin Philharmonic, | 0:00:59 | 0:01:03 | |
and it's fascinating to hear them perform this great work - | 0:01:03 | 0:01:07 | |
the summit of symphonic repertoire. | 0:01:07 | 0:01:09 | |
It's the peak. | 0:01:09 | 0:01:11 | |
There are other symphonies which are more...which are more perfect... | 0:01:11 | 0:01:17 | |
where there's not so many edges. | 0:01:17 | 0:01:19 | |
Part of the glory of the Ninth | 0:01:19 | 0:01:21 | |
is that this was a man who had written | 0:01:21 | 0:01:23 | |
eight great symphonies already | 0:01:23 | 0:01:26 | |
and had had an enormous emotional, psychological, physical crisis | 0:01:26 | 0:01:31 | |
in between the Eighth Symphony and this. | 0:01:31 | 0:01:34 | |
And so it's someone looking at the world in a very different way, | 0:01:34 | 0:01:38 | |
in a much more cosmic way, | 0:01:38 | 0:01:39 | |
and in a way where simply the idea | 0:01:39 | 0:01:42 | |
that there are edges and grotesqueries and uglinesses | 0:01:42 | 0:01:46 | |
simply doesn't matter. | 0:01:46 | 0:01:48 | |
Then he'd really release the reins. | 0:01:48 | 0:01:50 | |
So here is Simon Rattle from his 2004 Proms performance to conduct | 0:01:56 | 0:02:01 | |
Beethoven's Ninth Symphony with the Berlin Philharmonic Orchestra. | 0:02:01 | 0:02:05 | |
MUSIC STARTS | 0:02:20 | 0:02:22 | |
APPLAUSE | 0:31:20 | 0:31:23 | |
MUSIC STARTS | 0:32:16 | 0:32:19 | |
MURMURING | 0:49:04 | 0:49:06 | |
MUSIC RESTARTS DRAMATICALLY | 0:49:28 | 0:49:30 | |
HE SINGS IN GERMAN | 0:55:51 | 0:55:54 | |
THEY SING IN GERMAN | 0:57:13 | 0:57:16 | |
THEY ALL SING IN GERMAN | 0:57:57 | 0:58:00 | |
THEY ALL SING IN GERMAN | 0:58:44 | 0:58:46 | |
HE SINGS IN GERMAN | 1:00:38 | 1:00:40 | |
THEY ALL SING IN GERMAN | 1:00:42 | 1:00:45 | |
THEY ALL SING IN GERMAN | 1:02:39 | 1:02:43 | |
THEY SING IN GERMAN | 1:03:46 | 1:03:49 | |
THEY SING IN GERMAN | 1:04:32 | 1:04:35 | |
THEY ALL SING IN GERMAN | 1:06:32 | 1:06:35 | |
THEY SING IN GERMAN | 1:06:50 | 1:06:53 | |
THEY SING IN GERMAN | 1:09:01 | 1:09:04 | |
THEY ALL SING IN GERMAN | 1:09:36 | 1:09:39 | |
THEY SING IN GERMAN | 1:10:07 | 1:10:09 | |
THEY ALL SING IN GERMAN | 1:10:15 | 1:10:18 | |
THEY SING IN GERMAN | 1:10:23 | 1:10:25 | |
THEY ALL SING IN GERMAN | 1:11:26 | 1:11:29 | |
CHEERING AND APPLAUSE | 1:12:47 | 1:12:51 | |
The Ninth Symphony by Ludwig van Beethoven | 1:12:58 | 1:13:01 | |
in this classic performance from 2004. | 1:13:01 | 1:13:04 | |
The Berlin Philharmonic Orchestra was conducted by Sir Simon Rattle | 1:13:14 | 1:13:18 | |
with the City of Birmingham Symphony Chorus, | 1:13:18 | 1:13:20 | |
and the soloists were Christiane Oelze, soprano, | 1:13:20 | 1:13:23 | |
Birgit Remmert, mezzo-soprano, | 1:13:23 | 1:13:26 | |
Timothy Robinson, tenor, | 1:13:26 | 1:13:27 | |
and John Relyea, bass. | 1:13:27 | 1:13:29 | |
APPLAUSE CONTINUES | 1:13:43 | 1:13:45 |