Last Night Celebrations in Scotland BBC Proms


Last Night Celebrations in Scotland

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Hello. I'm Jamie MacDougall. I'm Kaye Adams, and welcome to the

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Caird Hall in Dundee for the BBC Proms' Last Night of the Proms in

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Scotland. We have a great show coming up for you tonight with some

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of the world's finest musicians and singers joining us on the stage.

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Already on the stage we have the fabulous BBC Scottish Symphony

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Orchestra guest led tonight by Helena Woods. Hot footing it fresh

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from the West End we have one of the country's best-loved singers,

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Alfie Boe and one of Scotland's most successful singer/songwriters,

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Fran Healy will be performing with the BBC SSO for the first time.

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From Orkney, one of the brightest new talents on the traditional

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music scene, BBC Scotland Young Traditional Musician of the Year

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Kristan Harvey will be playing with the BBC orchestra. Behind me

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looking resplendent we have our own Dundee Proms Chorus. They have been

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brought together just to perform for us tonight. They haven't

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performed in public before, so we'll be hearing their debut

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performance in a few moments' time. We have show tunes to Shostakovich,

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Puccini to pipes. It's a real celebration of music of all kinds

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and to lead us and the BBC Scottish Symphony Orchestra through this

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evening, will you please welcome our conductor, Stephen Bell?

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Apology for the loss of subtitles for 397 seconds

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Stephen Bell and the BBC Scottish to a great start with Shostakovich

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first heard at the Bolshoi many Moscow, 1954. Time to meet our

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first soloist of the evening. Are you ready? He's rather good, I can

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tell you. Legend has it he only joined the local amateur operatic

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society because his sister told him it was a good place to meet girls.

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That's why we do it. Bear that in mind. He was also spotted by a

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talent scout who heard him singing while at work in the local car

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factory. The car factory's loss is certainly our gain because he's now

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regarded as one of the finest tenor voices in the world joom ladies and

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gentlemen, singing Recondita Armonia by Puccini, please welcome

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the fabulous Alfie Boe. It's a pleasure to always be a part

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of a Prom, you know, whether it's during the run of the Proms or the

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last night or the first night. I've done all three sections, but always

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been a part of the Last Night of the Proms is - is a huge joy and a

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Apology for the loss of subtitles for 397 seconds

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pleasure. # Le diverse bellezze

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Apology for the loss of subtitles for 397 seconds

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APPLAUSE Well, a very appreciative Dundee

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audience there, and they can look forward to more from him later in

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Apology for the loss of subtitles for 397 seconds

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I think that left everyone shaken and stirred. Absolutely. That of

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course was a medley of some of the best James Bond themes, our own

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tribute to the great John Barry - Goldfinger, Thunderball, From

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Russia with Love - did you recognise them? The Dundee Proms

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Chorus is a choir of all ages and experience. We just ask that they

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come along to the rehearsals and sing their heart out which they

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absolutely do. Tonight the rehearsals are over. They're about

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to sing for you for the very first time. Remember, this group have not

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sung in public before, so performing Verdi's Chorus of the

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Apology for the loss of subtitles for 397 seconds

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Hebrew Slaves with Stephen Bell, I # Come on babe

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The Dundee Proms Chorus, ladies and gentlemen, and weren't they

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fantastic? I would like to introduce you now to the lady who

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has trained the choir, though I am sure not like the slave driver you

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would find in the Opera Nobuco. Please welcome the inspirational

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Anna Flanagan. APPLAUSE

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Well, the journey that the choir has taken to get here tonight with

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me has been a very intense one, and there's been no period where they

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have been able to relax at all. We have had eight pieces to learn in a

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very short space of time, so they have had to hit the ground running

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really from the word go. What I really try and do is to get them to

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feel really confident, happy and relaxed and free to be themselves

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and to go for the pieces, so they don't hold back, but they have to

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imagine they're performing it right from the minute they start singing

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it, so we get to that level really quickly!

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# Come on babe # I'm gonna rouge my knees

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# Start the car # Where the gin is cold

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# It's just a noisy hall Where there's a nightly brawl

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# And all that jazz

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# Slick your hair and wear your buckle shoes

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# And all that jazz

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# I hear that Father Dip Is gonna blow the blues

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# And all that jazz

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# Hold on, hon We're gonna bunny hug

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# I bought some aspirin Down at United Drug

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# In case you shake apart And want a brand new start

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# To do that jazz

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# Skidoo And all that jazz

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# Gotcha

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# Whoopee

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# And all that jazz

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# Ha! Ha! Ha!

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# It's just a noisy hall Where there's a nightly brawl

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# And all that jazz

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# Oh, you're gonna see your sheba shimmy shake

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# And all that jazz

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# Oh, she's gonna shimmy till her garters break

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# And all that jazz

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# Show her where to park her girdle

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# Oh, her mother's blood'd curdle

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# If she'd hear her baby's queer

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# For all that jazz

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# Find a flask We're playing fast and loose

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# And all that jazz

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# And all that jazz

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# Right up here Is where I store the juice

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# And all that jazz And all that jazz

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# Come on, babe We're gonna brush the sky

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# I bet you luck Lindy Never flew so high

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# Cos in the stratosphere How could he lend an ear

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# To all that jazz?

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# And all that jazz

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# And all that jazz

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# Ooh ahh

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# But, oh, I love my life

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# No, I'm no-one's wife

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# But, oh, I love my life

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# And all that jazz!

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# That's jazz! #

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APPLAUSE AND CHEERING

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APPLAUSE

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I

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I would

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I would like

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I would like to introduce you to the next of our fantastic soloists.

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Kristan Harvey started playing the violin at the age of nine in her

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home in Orkney that early start paid off because earlier this year

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she was handed the title BBC Radio Scotland Young Traditional Musician

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of the Year. She joins us for two songs. The second is a specially-

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arranged medley for tonight for Kristan and the BBC Symphony

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Orchestra, but to start with, Gillian's Waltz accompanied by

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Stuart Semple. Please welcome I think bringing traditional music

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into The Proms is an absolutely brilliant idea. The two styles of

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music are still probably quite separate to a lot of people, and

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joining them together I think is just great. When I am on stage with

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the orchestra, I think it will be quite nerve-wracking. I'm assuming

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that it will be. I have had the opportunity before to sit in an

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orchestra and watch what the soloist is doing, but I've never

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been the soloist, so that's going to be quite an experience for me.

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Apology for the loss of subtitles for 397 seconds

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That was, of course, the William wonderful BBC Scottish Symphony

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Orchestra. Wasn't our wonderful violinist Kristan Harvey fantastic,

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21 years of age, ladies and gentlemen?

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APPLAUSE Now, next up tonight, one of the

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most successful Scottish singer/songwriters of his

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generation. He's had a string of hits with his band Travis,

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including our other National Anthem - you know it, don't you - Why Does

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It Always Rain on Me? Yes, we know that one here in Scotland. Also,

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he's had great critical acclaim with his solo album Recorder.

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Please give a huge welcome to Fran Healy.

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APPLAUSE I've never done anything like this

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before. I remember my first experience of a big orchestra was

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at maid avail studios, and we were doing this session for I think it

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was Steve Lemac. We were sort of walking out of the building, and I

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heard this really big sound, and I looked through a door, and there

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was this giant orchestra playing, and I'd never, ever seen an

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orchestra. And this was me being about - I was about 20 - 5 or 6 at

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the time, and it left quite an impression on me. I'm really

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honoured to be a part of the Proms because ever since I was a kid, you

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would hear it on the radio occasionally or see it on the TV,

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and now here I am standing with a guitar, and you know, not a

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trombone or, I don't know, a cello or something. So it's really cool.

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I'm really excited to do it. APPLAUSE

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You've got two numbers for us tonight. Tell us, what are you

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going to sing? The first song I am going to sing is a song called Sing.

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We all know that one. Yeah, and I'm going to do that just busking, so

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I'll put my hat down, and you can chuck money if you want.

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LAUGHTER Then I am going to sing another

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song called Closer, and that's going to be with these guys.

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Fantastic. We won't hold people any longer. Enjoy, everyone, Fran Healy.

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# Lately # Solo

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# You've been waiting # For the love you bring

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# Hold her and tell her # Cos no-one's gonna be stopped

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Apology for the loss of subtitles for 397 seconds

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# Baby, there's something # So, na, na, na, no, nothing

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Apology for the loss of subtitles for 397 seconds

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I'm just going to tune quickly, because if I'm out of tune, they

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all sound bad. LAUGHTER

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Apology for the loss of subtitles for 397 seconds

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Perfect. # And when I see you

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Apology for the loss of subtitles for 397 seconds

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# And when I need you then # And when I see you

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Apology for the loss of subtitles for 397 seconds

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# And when I need you then # And when I see you

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Apology for the loss of subtitles for 397 seconds

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# And when I need you then I know Ladies and gentlemen it is time to

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welcome back one of the biggest names of the West End. He has made

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the part of Jean Valjean in Les Miserables his own. He has a string

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of solo albums and awards to his As an artist on stage at the Proms

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it is fantastic to see the audience enjoy the music, really have a fun

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time, just there for the sheer joy of celebrating music and having a

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good time. Having a good time, really. When you see that happening

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in the audience, it just transfers on to the stage. It gives you more

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energy, more enthusiasm for the show. Bringing home for me has been

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a catalyst for my career. It's an amazing song in general. It's such

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an emotional one for me to sing. It really does - every time I sing it,

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it pulls on the heart strings. It's a very special song. It's going to

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be prt of my career for a very long time. -- part of my career for a

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Apology for the loss of subtitles for 397 seconds

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# He's like the son A fantastic response from the

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audience. Now joining Alfie on # Who will be strong

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# That will give you the right # Will you stand up

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# The blood of the martyrs # Will you stand up

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Apology for the loss of subtitles for 397 seconds

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# The blood of the martyrs Starting the second part of our

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concert from Dundee, to lead the BBC Scottish Symphony Orchestra,

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Stephen Bell. Coming up Rogers and hammer steen and more from Alfie.

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Apology for the loss of subtitles for 397 seconds

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And that piece was of course called That's Entertainment. We have lots

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more of that to come for you this evening. Now it is time to welcome

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back to the stage, with another classic Travis track, a huge

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welcome, please for Fran Healy. All I want to do is rock with, the

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first song I thought, this is a proper song. I could hear it in my

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head, I wrote it using an acoustic guitar. I had the idea of it

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getting louder and louder towards the end. There is a song by Roy

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Orbison called Running Scared. It gets bigger and bigger and it ends

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at the loudest point. I wanted to make a song like that.

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So remember to give it plenty of # I would really like to talk

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Apology for the loss of subtitles for 397 seconds

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Thank you, everyone. Both the BBC Scottish Symphony

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Orchestra and the audience really relishing that piece, written in

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1874. Time now to welcome on to the stage the Dundee Proms chorus.

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This experience, for the choir, has been hugely important. Whenever an

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experience like this happens for any choir it is very significant in

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their lives. It is something different to anything else they've

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done. They've had to, as singers, be exposed, let go and sing.

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L, without -- without any reservations at all. They have to

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trust the conductor to do that. Some may never have performed

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before. It is a huge thrill and rush for them that they may get, in

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other ways in their lives, so to get it through a performance and

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through a community choir like this really gives them confidence and

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it's a pleasurable memory for them. It is a lovely experience for them.

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It benefits their lives all around, through and through, as a community

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choir and as individuals. It's amazing for them.

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Apology for the loss of subtitles for 397 seconds

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# Wherever you're going Ladies and gentlemen, please raise

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the roof and welcome back Mr Alfie Boe.

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Out of the three songs, I'm most looking forward to seeing First

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Time I Ever Saw Your Face. I only see that there's two types of music

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- good and bad. I don't see any division between genres. Tonight I

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will sing opera, theatre music and pop. As long as you are legitimate

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to your own voice and don't change the way you sing from pop to opera

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# The first time # I thought the sun

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# And the moon and stars were the gifts you gave

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# To the dark and the empty skies my love

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# The first time ever I kissed your mouth

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# And felt your heart beat close to mine

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# Like the trembling heart of a captive bird

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# That was there at my command my love

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# And the first time ever I lay with you

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# I felt your heart so close to mine

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# And I knew our joy would fill the earth

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# And last till the end of time my love

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# It would last till the end of time my love

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# The first time ever I saw your face

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# Your face

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# Your face

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# Your face. #

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CHEERING AND APPLAUSE

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Of

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Of course

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Of course it

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Of course it wouldn't be a Last Night of the Proms concert without

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Apology for the loss of subtitles for 397 seconds

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a sing along. Coming up two # And the sweet silver song

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Apology for the loss of subtitles for 397 seconds

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# Tho' your dreams be tossed # And the sweet silver song

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Apology for the loss of subtitles for 397 seconds

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# Tho' your dreams be tossed Both the choir and audience in good

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Apology for the loss of subtitles for 397 seconds

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voice there, Climb Ev'ry Mountain # Faithful and loyal

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# In times of danger # Lonely the exile

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# Bring back their souls o'er the ocean breeze

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# To the land where their fathers lie

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# Rise, Caledonia Let your voices ring

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# In this Highland Cathedral of our God and King

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# Whom joy and liberty to all will bring

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# Come, let your heart With love and courage, sing

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# Rise, Caledonia Let your voices ring

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# In this Highland Cathedral of our God and King

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# Whom joy and liberty To all will bring

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# Come, let your heart With love and courage, sing

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# Come let your heart With love and courage, sing. #

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CHEERING AND APPLAUSE

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Ladies

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Ladies and

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Ladies and gentlemen,

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Ladies and gentlemen, let's hear it one more time for the Dundee Proms

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chorus. Chorcheer

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-- cheercheer -- CHEERING AND APPLAUSE.

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LADIES AND GENTLEMEN, THAT BRINGS US ALMOST TO THE CLOSE OF OUR

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CONCERT THIS EVENING. It is time to thank Anna Flanagan, to Kristan

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Harvey, to our piper. To Alfie Boe, Fran Healy and of

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course the BBC Scottish Symphony Orchestra, conducted by Stephen

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Bell. It is time now to end our wonderful

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evening of music with a very Scottish finale. We hope you've had

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a wonderful time this evening. We have had a wonderful time this

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evening. Mr Conductor, Auld Lang # Should old acquaintance be forgot

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# For auld lang syne, my dear # And here's a hand

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# And well take # For auld lang syne, my dear

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