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After an extraordinary summer, that's seen the Queen's spectacular | :00:06. | :00:08. | |
Diamond Jubilee, the triumphant Olympic and Paralympic Games, as | :00:08. | :00:11. | |
well as the cultural riches of Festival 2012, it's time to cap off | :00:11. | :00:14. | |
the celebrations with a UK-wide party to mark the Last Night of the | :00:14. | :00:24. | |
:00:24. | :00:53. | ||
Welcome to the Last Night Of The Proms celebrations from around the | :00:53. | :01:00. | |
UK! As you can see, I'm surrounded by an enormous crowd gathered to | :01:00. | :01:10. | |
party here in London's Hyde Park. But not only here! People are also | :01:10. | :01:13. | |
out in force in front of Caerphilly Castle in Wales, in Northern | :01:13. | :01:15. | |
Ireland at Belfast's spectacular Titanic Slipways and in Scotland at | :01:16. | :01:18. | |
Glasgow's City Halls - everyone eagerly anticipating an evening of | :01:18. | :01:28. | |
:01:28. | :01:41. | ||
It is a wonderful event. Proms in the Park Caerphilly, come on! | :01:41. | :01:46. | |
a brilliant way to celebrate the summer we have had. I got a good | :01:46. | :01:52. | |
spot, I hope the miss sus is here, she will be here in a minute. | :01:52. | :02:02. | |
:02:02. | :02:04. | ||
Proms is always fantastic. You get a good audience. What a fantastic | :02:04. | :02:08. | |
event. It is a special feeling. is my favourite event of the year | :02:09. | :02:14. | |
to be honest. It will be a big party, I'm looking forward toy. | :02:14. | :02:24. | |
:02:24. | :02:29. | ||
you there. I hope she will be Over the next 90 minutes, we'll be | :02:29. | :02:32. | |
hearing the very best from the concerts taking place across the UK. | :02:32. | :02:36. | |
Here's a little taste of some of the huge variety of music that we | :02:36. | :02:46. | |
:02:46. | :02:48. | ||
can look forward to. In Hyde Park, we have pop legend Kylie Minogue. | :02:48. | :02:52. | |
can't get you out of my head! the extraordinary voice of Alfie | :02:52. | :02:59. | |
Boe. From Belfast, the internationally acclaimed singer | :02:59. | :03:09. | |
:03:09. | :03:11. | ||
Hayley Westenra. # He spent the summer by my side! In Caerphilly we | :03:11. | :03:20. | |
have BBC Young Musician 2012 Laura van der Heijden. And in Glasgow, | :03:20. | :03:30. | |
:03:30. | :03:32. | ||
the pianist Joanna MacGregor. There's plenty of local flavour | :03:32. | :03:41. | |
from each of the home countries. Not forgetting the traditional | :03:41. | :03:51. | |
:03:51. | :03:53. | ||
singalong, where prommers join forces across the UK. Sit back and | :03:53. | :03:58. | |
relax. We are in for for a treat. Earlier this summer we celebrated | :03:58. | :04:01. | |
the Queen's Diamond Jubilee, with music playing a big part in the | :04:01. | :04:03. | |
festivities. Appropriate then that the rousing piece opening our | :04:03. | :04:06. | |
programme tonight - Walton's 'Crown Imperial' - was played at Her | :04:06. | :04:09. | |
Majesty's Coronation in 1953 and again last year at the wedding of | :04:09. | :04:15. | |
the Duke and Duchess of Cambridge. It's over to the BBC Concert | :04:15. | :04:25. | |
:04:25. | :04:25. | ||
Apology for the loss of subtitles for 369 seconds | :04:25. | :10:34. | |
Orchestra, conducted by Richard Walton's Crown Imperial getting us | :10:34. | :10:42. | |
underway here in Hyde Park. Meanwhile over at Belfast's Titanic | :10:42. | :10:45. | |
Slipways, American tenor Noah Stewart is waiting to tell us about | :10:45. | :10:51. | |
his route into opera. I grew up with the story of the Titanic to be | :10:51. | :11:00. | |
here singing where it began is amazing. I love singing. I went to | :11:01. | :11:05. | |
the Julie art school for music and art and I fell in love with opera. | :11:05. | :11:10. | |
All my friends wanted to be pop stars, but I said, I want to do | :11:10. | :11:20. | |
:11:20. | :11:30. | ||
# Nessun dorma! Nessun dorma! # Tu pure, o, Principessa, nella | :11:30. | :11:40. | |
:11:40. | :11:53. | ||
tua fredda stanza, guardi le stelle. # che tremano d'amore e di speranza. | :11:54. | :12:03. | |
:12:04. | :12:04. | ||
# Ma il mio mistero e chiuso in me, il nome mio nessun sapr! | :12:04. | :12:14. | |
:12:14. | :12:21. | ||
# No, no, sulla tua bocca lo dir quando la luce splender! | :12:21. | :12:31. | |
:12:31. | :12:35. | ||
# Ed il mio bacio scioglier il silenzio. | :12:35. | :12:44. | |
# che ti fa mia! # Il nome suo nessun sapr! | :12:44. | :12:54. | |
:12:54. | :13:11. | ||
# Dilegua, o notte! # Tramontate, stelle! | :13:11. | :13:21. | |
:13:21. | :13:28. | ||
# Tramontate, stelle! # All'alba vincer! | :13:28. | :13:38. | |
:13:38. | :14:00. | ||
CHEERING AND APPLAUSE. Noah Stewart with Nessun Dorma - None Shall | :14:00. | :14:06. | |
Sleep - from Puccini's Turandot, here in Belfast. Meanwhile, in | :14:06. | :14:09. | |
Caerphilly another tenor, Andrew Staples stepped in at just 24 hours | :14:09. | :14:11. | |
notice and joins forces with Elin Manahan Thomas for the Drinking | :14:11. | :14:15. | |
Song from Verdi's La Traviata At a late night party in Paris, the | :14:15. | :14:18. | |
young tenor Alfredo is in love with the soprano Violetta and he is | :14:18. | :14:28. | |
:14:28. | :15:00. | ||
# Libiamo, libiamo ne'lieti calici che la bellezza infiora. | :15:00. | :15:02. | |
# E la fuggevol, fuggevol ora s'inebrii a volutt Libiam ne'dolci | :15:02. | :15:08. | |
fremiti che suscita l'amore, poiche quell'ochio al core onnipotente va. | :15:08. | :15:16. | |
# Libiamo, amore, amor fra i calici pi caldi baci avr. | :15:16. | :15:19. | |
# Coro # Ah! Libiam, amor, fra' calici pi | :15:19. | :15:29. | |
:15:29. | :15:48. | ||
caldi baci avr Violetta. # Tra voi tra voi sapr dividere | :15:48. | :15:57. | |
# il tempo mio giocondo. # Tutto e follia, follia nel mondo. | :15:57. | :16:07. | |
# ci che non e piacer. # Godiam, fugace e rapido. | :16:07. | :16:12. | |
# e'il gaudio dell'amore, # e'un fior che nasce e muore, | :16:12. | :16:20. | |
# ne pi si pu goder. # Godiamo, c'invita, c'invita un | :16:20. | :16:28. | |
fervido accento lusinghier. # Coro. | :16:28. | :16:36. | |
# Godiamo, la tazza, la tazza e il cantico, la notte abbella e il riso. | :16:36. | :16:39. | |
# In questo, in questo paradiso ne scopra il nuovo d | :16:39. | :16:49. | |
:16:49. | :16:51. | ||
# La vita e nel tripudio. # Quando non s'ami ancora. | :16:51. | :17:01. | |
:17:01. | :17:03. | ||
# Nol dite a chi l'ignora. # E'il mio destin cos. | :17:03. | :17:05. | |
# Godiamo, la tazza, la tazza e il cantico, | :17:05. | :17:09. | |
# La notte abbella e il riso. # In questo, in questo paradiso ne | :17:09. | :17:19. | |
:17:19. | :17:36. | ||
scopra il nuovo d. Elin Manahan Thomas and Andrew Staples with the | :17:36. | :17:39. | |
BBC NOW and chorus conducted by Tecwyn Evans getting us into party | :17:39. | :17:46. | |
mood with the Drinking Song from Verdi's La Traviata. Over in | :17:46. | :17:48. | |
Glasgow's City Halls, pianist Joanna MacGregor is playing | :17:48. | :17:58. | |
:17:58. | :17:58. | ||
Apology for the loss of subtitles for 369 seconds | :17:58. | :20:46. | |
Joanna MacGregor with the BBC Scottish Symphony Orchestra and | :20:46. | :20:49. | |
conductor Stephen Bell performing Gershwin's Rhapsody in Blue. Time | :20:49. | :20:59. | |
:20:59. | :21:01. | ||
to return to Hyde Park, and earlier backstage I met singer Alfie Boe. | :21:01. | :21:06. | |
How does it feel to be at Proms in the Park? It is wonderful and a | :21:06. | :21:10. | |
good opportunity for everyone to get together and celebrate British | :21:10. | :21:20. | |
:21:20. | :21:20. | ||
music. It is going to be fun. will you sing? A song that is a | :21:20. | :21:30. | |
:21:30. | :21:31. | ||
Apology for the loss of subtitles for 369 seconds | :21:31. | :24:37. | |
Neopolitan song about the guitars These events attract all sorts of | :24:37. | :24:43. | |
people, you have fans of the artist and people, families, friends x | :24:43. | :24:49. | |
coming to have a great night out. Now does this year feel better than | :24:49. | :24:58. | |
ever? Yes the Jubilee and the Olympics makes it fantastic. Proud | :24:58. | :25:03. | |
to be British! For all the right reasons. I like you have a | :25:03. | :25:08. | |
Paralympic flag on your face. That is wonderful. Have a fantastic | :25:08. | :25:17. | |
evening all of you. Thank you so much. There's no doubt it's a very | :25:17. | :25:20. | |
special atmosphere here, and one that each venue shares in its own | :25:20. | :25:27. | |
particular way. Weather is great. All watched it on television and | :25:27. | :25:34. | |
wanted to come. It is a great atmosphere. Fantastic atmosphere | :25:34. | :25:41. | |
always in the City Halls. We all get a great audience. I will wave | :25:41. | :25:45. | |
my flag. You couldn't have more families here. Everyone enjoying it | :25:45. | :25:52. | |
and the children getting a great spwrduction to classical music. - | :25:52. | :25:56. | |
great introduction to classical music. We had a picnic. Well we did | :25:56. | :26:04. | |
have. We brought a few bits. My friend gets peckish on a cold | :26:04. | :26:10. | |
evening. It is great, we have plenty of booze, so we can get | :26:10. | :26:18. | |
tanked up. We're rating for rule Britannia. A fantastic evening. | :26:18. | :26:27. | |
is more fun than being in the Royal Albert Hall. $$YELOW And they've | :26:27. | :26:30. | |
got a lot to look forward to, still to come tonight, Music from Phantom | :26:30. | :26:33. | |
of the Opera, Irish Folk music from McPeake, and of course global | :26:33. | :26:43. | |
:26:43. | :26:59. | ||
# I can't get you out of my head! # Earlier this year I presented the | :26:59. | :27:01. | |
television coverage of BBC Young Musician 2012 and was lucky enough | :27:01. | :27:05. | |
to witness at first hand our next performer win that coveted title. | :27:05. | :27:07. | |
It's over to Caerphilly now to hear the astonishingly talented 15-year- | :27:08. | :27:10. | |
old, Laura Van Der Heijden play the 3rd Movement of Elgar's Cello | :27:11. | :27:20. | |
:27:21. | :27:21. | ||
Apology for the loss of subtitles for 369 seconds | :27:21. | :32:06. | |
15-year-old BBC Young Musician 2012 Laura van der Heijden with the | :32:06. | :32:15. | |
beautiful slow movement from Elgar's cello concerto. Belfast | :32:15. | :32:18. | |
next, where clearly looking forward to returning home is flautist | :32:18. | :32:28. | |
Eimear McGeown. I'm based in London, so any time to play a home audience | :32:28. | :32:32. | |
is nice. You go to your roots and being at the Titanic, it is a | :32:32. | :32:36. | |
special place to hold it, by the water and stuff. It is a special | :32:36. | :32:46. | |
:32:46. | :32:46. | ||
Apology for the loss of subtitles for 369 seconds | :32:46. | :35:21. | |
Eimear McGeown accompanied by the Ulster Orchestra and conductor | :35:21. | :35:23. | |
Christopher Bell with the Carmen Fantasy, based on themes from | :35:23. | :35:29. | |
Bizet's opera. In Glasgow, here's the soprano Carolyn Sampson who's | :35:29. | :35:33. | |
going to sing a song by that witty writer and composer Noel Coward - | :35:33. | :35:43. | |
:35:43. | :36:06. | ||
# Seorita Nina, from Argentina, despised the Tango | :36:06. | :36:09. | |
# Although she never was a girl to let a man go | :36:09. | :36:11. | |
# She wouldn't sacrifice her principles for sex. | :36:11. | :36:13. | |
# She looked with scorn on the gyrations | :36:13. | :36:15. | |
# Of her relations who danced the conga. | :36:15. | :36:18. | |
# And swore that if she had to stand it any longer | :36:18. | :36:20. | |
# She'd lose all dignity and wring their silly necks. | :36:20. | :36:24. | |
# She said that frankly she was blinded To all the over advertised | :36:24. | :36:27. | |
romantic charms. # And then she got more bloody | :36:27. | :36:32. | |
minded And told them where to put their tropic palms. | :36:32. | :36:36. | |
# And she could not refrain from saying that their idiotic swaying. | :36:36. | :36:42. | |
# And those damned guitarras playing were an insult to her race. | :36:43. | :36:50. | |
# And that she really couldn't face # Such international disgrace. | :36:50. | :36:57. | |
# She declined to Begin The Beguine when they besought her to. | :36:57. | :37:00. | |
# And with language profane and obscene she cursed the man who | :37:00. | :37:10. | |
:37:10. | :37:12. | ||
taught her to She cursed Cole Porter too. | :37:12. | :37:15. | |
# From this it's fairly clear that Nina, in her demeanour Was so | :37:15. | :37:22. | |
offensive that when the hatred of her friends grew too intensive. | :37:22. | :37:28. | |
# She thought she'd better beat it while she had the chance. | :37:28. | :37:33. | |
# After some trial and tribulation, she reached the station. | :37:33. | :37:39. | |
# And met a sailor, who had acquired a wooden leg in Venezuela. | :37:39. | :37:49. | |
:37:49. | :37:54. | ||
# And so he married him, because he couldn't dance. # There surely | :37:54. | :37:57. | |
never could've been a # More irritating girl than Nina. | :37:57. | :38:04. | |
# They never speak in Argentina Of this degenerate bambina. | :38:04. | :38:14. | |
:38:14. | :38:28. | ||
# Who had the luck to find romance She wouldn't zans! Carolyn Sampson | :38:28. | :38:31. | |
enjoying a bit of musical fun there with Noel Coward's Nina from | :38:31. | :38:35. | |
Argentina. Stephen Bell conducted the BBC Scottish Symphony Orchestra. | :38:35. | :38:39. | |
Next, a multinational vocal group with over 26 million album sales. | :38:39. | :38:45. | |
And a lot of those fans clearly here in Hyde Park. Here's Il Divo | :38:45. | :38:55. | |
:38:55. | :39:10. | ||
with "Its Time to Say Goodbye." # Quando sono solo Sogno allorizzonte | :39:10. | :39:20. | |
:39:20. | :39:20. | ||
E mancan le parole. # Si lo soche non ce luce. | :39:20. | :39:27. | |
# In un stanz # Quando manca il sole. | :39:27. | :39:37. | |
:39:37. | :39:39. | ||
# Se non ci sei to # Con me. Con me. | :39:39. | :39:49. | |
:39:49. | :39:53. | ||
# Su ne finestre. # Mostra a tutti il mio cuore. | :39:53. | :40:03. | |
:40:03. | :40:03. | ||
# Che hai acceso # Chudi dentro me. | :40:03. | :40:06. | |
# La luce che # Hai incontrato per strada. | :40:06. | :40:16. | |
:40:16. | :40:44. | ||
# Time to say goodbye. # Horizons are never far. | :40:44. | :40:54. | |
:40:54. | :40:56. | ||
# If I live on this life with pride. # Holding eternal love. | :40:56. | :41:05. | |
# In my heart I will go. On ships overseas/ | :41:05. | :41:11. | |
# That now I know No. They dont exist anymore. | :41:11. | :41:21. | |
:41:21. | :41:21. | ||
# Its time to say goodbye. # So with you I will go. | :41:21. | :41:29. | |
# On ships overseas #That now I know. # No. They dont | :41:29. | :41:39. | |
:41:39. | :41:41. | ||
exist anymore. # Its time to say goodbye. | :41:41. | :41:51. | |
:41:51. | :42:00. | ||
# So with you I will go. Il Divo raising the temperature and | :42:00. | :42:03. | |
party atmosphere here in Hyde Park. Coming up we have a Gospel Choir | :42:03. | :42:11. | |
celebrating its 30th anniversary. Their founder is Bazil Meade. | :42:11. | :42:16. | |
have per formed on many stages of this size. Live Aid, we were here. | :42:16. | :42:22. | |
We were at the Proms in the Royal Albert Hall and sang at many huge | :42:22. | :42:27. | |
stages. But this is special, because of the atmosphere. It is | :42:27. | :42:34. | |
wonderful. Put your hands together Hyde Park. And they've performed | :42:34. | :42:37. | |
with Elton John, Paul McCartney, Madonna, Sting and many more. Here | :42:37. | :42:46. | |
are the London Community Gospel Choir with Faith. # I'm going to | :42:46. | :42:56. | |
:42:56. | :42:56. | ||
tell you what we need and how much you believe. # It is faith, faith, | :42:56. | :43:06. | |
:43:06. | :43:09. | ||
faith! Yeah faith is what we need! # If we could just believe! # We | :43:10. | :43:19. | |
need faith # I'm going to tell you what we need # It is for you to see | :43:19. | :43:29. | |
:43:29. | :43:34. | ||
# I said faith, faith, faith! Faith is what we need! # If we just | :43:34. | :43:44. | |
:43:44. | :43:54. | ||
believe! # Faith can move a mountain # It can open any door # I | :43:54. | :44:04. | |
:44:04. | :44:10. | ||
need a change, so faith, faith, faith! Faith is what we need. # If | :44:10. | :44:20. | |
:44:20. | :44:23. | ||
you have a problem, yeah! # In your darkest hour. # Make clear it is | :44:23. | :44:33. | |
:44:33. | :44:35. | ||
power. # Faith! Said I believe # You have got to have it # What you | :44:35. | :44:45. | |
:44:45. | :44:47. | ||
need # Sing what you need. Faith, faith, faith! # Faith, faith faith! | :44:47. | :44:57. | |
:44:57. | :45:03. | ||
Faith is what we need. If we just believe. # Yeah! # We need faith | :45:03. | :45:13. | |
:45:13. | :45:34. | ||
# Well I said faith is what we need trust God and you will see. Can I | :45:34. | :45:43. | |
say it, can I say it again? # Faith is what we need # Trust in God and | :45:43. | :45:53. | |
you will see. # Come on choir. Trust in God and you will see! | :45:53. | :46:02. | |
Faith in God is what we need. Faith is what we need. # Trust in God and | :46:02. | :46:09. | |
you will see. Trust in God and you will see. # Trust in God and you | :46:09. | :46:19. | |
:46:19. | :46:35. | ||
will see. # A little bit of faith # Yeah yeah yeah! I said FAITH! A bit | :46:35. | :46:45. | |
:46:45. | :46:50. | ||
of faith. Said just a little... Just a little bit # I said just a | :46:50. | :46:57. | |
little bit # A little bit of faith can move a mountain. # Set you free. | :46:57. | :47:07. | |
:47:07. | :47:10. | ||
# Yeah! Faith! Faith! Say faith! Say faith! # Faith! I said all you | :47:10. | :47:20. | |
:47:20. | :47:21. | ||
need. # I say yeah, faith. Faith! Faith! Faith! Faith! # Yeah! Faith | :47:21. | :47:29. | |
is what you need # Faith is what we need # If we just believe. # Faith | :47:29. | :47:39. | |
:47:39. | :47:47. | ||
is what we need! Said we need... Said we need # Faith can move a | :47:47. | :47:57. | |
:47:57. | :48:22. | ||
mountain. # It can set you free! Annette bow enwith the London | :48:22. | :48:32. | |
:48:32. | :48:32. | ||
Community Gospel Choir. In Hyde Park we're getting ready to | :48:32. | :48:36. | |
celebrate our Olympic and Paralympic heroes. Earlier I caught | :48:36. | :48:46. | |
:48:46. | :48:54. | ||
up with a gold medallist, Heather Staning. How was it. It is still a | :48:54. | :48:59. | |
massive buzz. Has it sunk in for you that first gold medal? Yes just | :48:59. | :49:03. | |
about. There has been a lot of fun and it has been amazing to take my | :49:03. | :49:08. | |
medal and show people. Everyone is just so proud. And disappointed you | :49:08. | :49:15. | |
don't have with you. It is probably a good thing. Why are you here? | :49:15. | :49:22. | |
heard Kylie is on? Yes. I'm excited about that. I just love being here | :49:22. | :49:27. | |
and enjoying the atmosphere. It feels like the summer cannot be | :49:27. | :49:31. | |
bettered. From the Jubilee to the Paralympics and the Proms. Do you | :49:31. | :49:37. | |
feel you have so much ahead that you can go on, Rio perhaps? | :49:37. | :49:42. | |
potentially. The summer's been phenomenal and it would be tough to | :49:42. | :49:46. | |
top that. I know Rio would be fantastic. A great party! Probably | :49:46. | :49:53. | |
not as great as the Proms in the Park. From all of us, thank you for | :49:53. | :50:03. | |
:50:03. | :50:03. | ||
Apology for the loss of subtitles for 369 seconds | :50:03. | :52:54. | |
Still to come: Some pop royalty - Kylie. In Belfast there is Hayley | :52:54. | :53:01. | |
Westenra. And of course we have still got the annual Proms sing | :53:01. | :53:11. | |
:53:11. | :53:13. | ||
along. This year, Northern Ireland witnessed the grand opening of its | :53:13. | :53:15. | |
spectacular new Titanic Belfast visitor attraction, in front of | :53:15. | :53:19. | |
which - in the Titanic Slipways - the world's most famous ship was | :53:19. | :53:22. | |
built and from where it set sail one hundred years ago. And that's | :53:22. | :53:25. | |
where we go to now for our next piece of music from James Cameron's | :53:25. | :53:29. | |
epic film about that iconic, but doomed ship, that still has such a | :53:29. | :53:39. | |
:53:39. | :53:39. | ||
Apology for the loss of subtitles for 369 seconds | :53:39. | :56:29. | |
A reminder of the events of 100 years ago, when the Titanic was | :56:29. | :56:32. | |
launched from this very site. The Proms in the Park presenters here | :56:32. | :56:38. | |
are Northern Ireland's Noel Thompson and Claire McCollum. | :56:38. | :56:43. | |
next guest has been an international singing star for a | :56:43. | :56:52. | |
decade already, although she is still only 25. She started busking | :56:52. | :56:58. | |
in New Zealand, but is now her country's most successful recording | :56:58. | :57:07. | |
artist. Please give a warm Belfast welcome to Hayley Westenra. West | :57:07. | :57:17. | |
:57:17. | :57:31. | ||
will sing I Dreamed a Dream. From # There was a time when men were | :57:31. | :57:41. | |
:57:41. | :57:45. | ||
kind When their voices were soft And their words inviting. | :57:45. | :57:55. | |
:57:55. | :57:57. | ||
I dreamed love would never die. I dreamed that God would be forgiving. | :57:57. | :58:07. | |
:58:07. | :58:22. | ||
# When I was young and unafraid, a dreams were made. # There was no | :58:22. | :58:25. | |
ransom to be paid. # No song unsung, no wine untasted. | :58:25. | :58:35. | |
:58:35. | :58:37. | ||
# But the tigers come at night. # With their voices soft as thunder. | :58:37. | :58:47. | |
:58:47. | :59:00. | ||
# As they tear your hope apart. # As they turn your dream to shame. | :59:00. | :59:10. | |
:59:10. | :59:11. | ||
# He slept a summer by my side. # He filled my days with endless | :59:12. | :59:20. | |
wonder. # He took my childhood in his | :59:20. | :59:30. | |
:59:30. | :59:32. | ||
stride. # But he was gone when autumn came. | :59:32. | :59:42. | |
:59:42. | :59:42. | ||
# And still I dream he'll come to # That we will live the years | :59:42. | :59:48. | |
together. # But there are dreams that cannot | :59:48. | :59:58. | |
:59:58. | :00:05. | ||
# And there are storms we cannot weather. | :00:05. | :00:15. | |
:00:15. | :00:17. | ||
# I had a dream my life would be. # So different from this hell I'm | :00:17. | :00:19. | |
living. # So different now from what it | :00:19. | :00:29. | |
:00:29. | :01:01. | ||
seemed. Now life has killed the Hayley Westenra can I Dreamed a | :01:01. | :01:08. | |
Dream. Back to Caerphilly and on stage is one presenter, Alex Jones. | :01:08. | :01:15. | |
Knew due wet from the Phantom of the Opera. Please welcome back the | :01:15. | :01:20. | |
beautiful Elin Manahan Thomas and our hero of the night, Andrew | :01:20. | :01:27. | |
staples. Being such a tremendous last minute replacement, Andrew | :01:27. | :01:32. | |
Staples is the hero in Wales. Here he is with Elin Manahan Thomas to | :01:32. | :01:42. | |
:01:42. | :01:43. | ||
sing All I Ask of You. # No more talk of darkness. | :01:43. | :01:46. | |
# Forget these wide-eyed fears. # I'm here, nothing can harm you. | :01:46. | :01:55. | |
# My words will warm and calm you. # Let me be your freedom, let | :01:55. | :01:59. | |
daylight dry -your tears. # I'm here, with you, beside you, | :01:59. | :02:03. | |
to guard you and to guide you. you love me every waking moment, | :02:03. | :02:13. | |
:02:13. | :02:25. | ||
turn my head with talk of summertime. | :02:25. | :02:34. | |
# Say you need me with you, now and always. | :02:34. | :02:43. | |
# Promise me that all you say is true. | :02:43. | :02:53. | |
:02:53. | :03:05. | ||
# That's all I ask of you. $CYAN Say you'll share with me one | :03:05. | :03:08. | |
love, one lifetime. # Say the word and I will follow you. Share each | :03:08. | :03:10. | |
day with me, each night, each morning. | :03:10. | :03:20. | |
:03:20. | :03:20. | ||
Apology for the loss of subtitles for 369 seconds | :03:20. | :04:04. | |
# Say you love me. You know I do. # Anywhere you go let me go too. | :04:05. | :04:14. | |
:04:15. | :04:32. | ||
Elin Manahan Thomas and Andrew Staples with All I Ask of You from | :04:32. | :04:37. | |
the Phantom of the Opera. Back in Hyde Park, on stage presenting as | :04:37. | :04:45. | |
he has for so many years, our national treasure, sir Terry Wogan. | :04:45. | :04:53. | |
Do I sense your anticipation? The time is upon us for the past 25 | :04:53. | :05:00. | |
years we have watched with pride as she has gone from a young actress | :05:00. | :05:10. | |
:05:10. | :05:11. | ||
on a soap opera into a musical superstar. Ore for heavens sake | :05:12. | :05:18. | |
pull yourselves together! Accompanied by the BBC concert | :05:18. | :05:28. | |
:05:28. | :05:34. | ||
orchestra, welcome the goddess of Good evening everyone. How you | :05:34. | :05:44. | |
:05:44. | :05:45. | ||
doing? All right London... Does this sounds just a tiny bit | :05:45. | :05:55. | |
:05:55. | :06:09. | ||
# I just can't get you out of my head # Boy your loving is all I | :06:09. | :06:15. | |
think about # I just can't get you out of my head # Boy it's more than | :06:15. | :06:25. | |
I dare to think about come on! La la la la la! La la la la # I just | :06:25. | :06:30. | |
can't get you out of my head, boy your loving is all I think about # | :06:30. | :06:40. | |
I just can't get you out of my head boy it's more than I dare to think | :06:40. | :06:50. | |
:06:50. | :06:51. | ||
about every night # Every day just to be there in your arms! # Won't | :06:51. | :07:01. | |
:07:01. | :07:13. | ||
you stay? # Won't you stay? # Stay forever and ever and ever and when? | :07:13. | :07:23. | |
:07:23. | :07:24. | ||
And ever! Let's sing! La la la la la! # La la la, la la la la la! # | :07:24. | :07:33. | |
La la la, la la la! I just can't get you out of my head boy your | :07:33. | :07:38. | |
loving is all I think about # I just can't get you out of my head | :07:38. | :07:48. | |
:07:48. | :07:48. | ||
boy it's more than I dare to think about # There's a dark secret in me | :07:48. | :07:58. | |
:07:58. | :08:03. | ||
# Don't leave me lost in your arms. # Set me free! # Feel the need in | :08:03. | :08:13. | |
:08:13. | :08:23. | ||
me! # Set me free! # Stay forever and ever and ever... One, two | :08:23. | :08:33. | |
:08:33. | :08:33. | ||
three! La la la, la la la la! La la la, la la la la la! La la la, la la | :08:33. | :08:43. | |
:08:43. | :08:44. | ||
la la! La la la, la la la! I just can't get you out of my head. # I | :08:44. | :08:54. | |
:08:54. | :08:54. | ||
just can't get you out of my head. # I just can't get you out of my | :08:54. | :09:04. | |
:09:04. | :09:24. | ||
head. # I just can't get you out of You sound amazing. You know, the | :09:24. | :09:30. | |
one thing I don't have is a flag. Is it possible that one could reach | :09:30. | :09:40. | |
:09:40. | :09:51. | ||
That is on the Australian flag, so I like to think I'm doing both of | :09:51. | :10:01. | |
:10:01. | :10:06. | ||
them here. If it's OK can I just hear you acapella? If you weren't | :10:06. | :10:13. | |
moving ten seconds ago, I think you will move now. Yes this was the | :10:13. | :10:21. | |
first record I ever recorded. # Everybody's doing a brand-new dance | :10:21. | :10:29. | |
now Come on baby do the locomotion. Sh I know you'll get to love it if | :10:29. | :10:35. | |
you give it a chance # Little baby says they can do wit ease, it is | :10:35. | :10:41. | |
easier than learning your A Bc. So come on do the locomotion with me. | :10:41. | :10:51. | |
:10:51. | :10:52. | ||
You have got to sway your hips now # Come on baby # Jump up # Jump | :10:52. | :11:02. | |
:11:02. | :11:04. | ||
back! Well I think you have got the knack now come on baby do the | :11:04. | :11:11. | |
locomotion. Chug a chug a motion like a railroad train now, do it | :11:11. | :11:16. | |
nice and easy, now don't lose control, a little bit of rhythm and | :11:16. | :11:26. | |
:11:26. | :11:28. | ||
a lot of soul. # So come on, do the locomotion with me. Come on do the | :11:28. | :11:37. | |
locomotion yeah! # Move around the floor in a locomotion # Come on | :11:37. | :11:42. | |
baby do the locomotion # Do it holding hands if you get the notion | :11:42. | :11:49. | |
# Come on baby, do the locomotion. There's been a dance that's so easy | :11:49. | :11:55. | |
to do, it even makes you happy when you're feeling blue # So come on, | :11:55. | :12:02. | |
come on, do to locomotion with me! # You have got to swing your hips | :12:02. | :12:10. | |
now # That's right, jump up, jump back I think you have got the knack | :12:10. | :12:18. | |
# Do the lotion motion, do the locomotion. Come on do the | :12:18. | :12:28. | |
:12:28. | :12:33. | ||
locomotion. # Come on do the locomotion. # Baby! # I know you | :12:33. | :12:43. | |
:12:43. | :13:15. | ||
can do it! # Come on baby # Come on, Incoming! The phenomenon that is | :13:15. | :13:20. | |
Kyle -- that is Kylie. Looking like she was having the time of her life | :13:20. | :13:25. | |
there. Thank you. One of the great traditions of the Proms is a | :13:25. | :13:34. | |
glorious sing along. So let's join in as in the Royal Albert Hall we | :13:34. | :13:41. | |
start proceedings. We start with the Rogers and hammer Stein classic, | :13:41. | :13:51. | |
:13:51. | :14:06. | ||
# When you walk through a storm, hold your head up high # And don't | :14:06. | :14:16. | |
:14:16. | :14:23. | ||
be afraid of the dark. # At the end of the storm # Is a golden sky # | :14:23. | :14:33. | |
:14:33. | :14:36. | ||
And the sweet silver song of the lark. # Walk on, through the wind. | :14:36. | :14:44. | |
# Walk on through the rain. # Though your dreams be tossed and | :14:44. | :14:54. | |
:14:54. | :15:01. | ||
blown. # Walk on, walk on with hope in your heart. # And you'll never | :15:01. | :15:11. | |
:15:11. | :15:27. | ||
walk alone. # Youl'll never walk # You walk through a storm. # Hold | :15:27. | :15:37. | |
:15:37. | :15:41. | ||
your head up high. # And don't be afraid of the dark. At the end of | :15:41. | :15:51. | |
:15:51. | :15:57. | ||
the storm is a golden sky and the sweet silver song of the lark. # | :15:57. | :16:05. | |
Walk on through the wind, walk on through the rain, though your | :16:05. | :16:15. | |
:16:15. | :16:23. | ||
dreams be tossed and blown. # Walk on, walk on, with hope in your | :16:23. | :16:33. | |
:16:33. | :17:05. | ||
heart and you'll never walk alone. A packed Royal Albert Hall there, | :17:05. | :17:13. | |
joined by the voices of thousands of people across the UK. Now the | :17:13. | :17:19. | |
events bring their special local flavour. We start in Belfast with | :17:19. | :17:29. | |
:17:29. | :17:29. | ||
Apology for the loss of subtitles for 369 seconds | :17:29. | :20:06. | |
# By yon Bonnie Banks, where the sunshine s bright on Loch Lomond, | :20:06. | :20:16. | |
for me and my true love will never meet again # On the bonnie, Bonnie | :20:16. | :20:26. | |
:20:26. | :20:28. | ||
Banks of Loch Lomond. And you take the high road and I'll take the low | :20:28. | :20:36. | |
road and I'll be in Scotland before you ye. For me and my true love | :20:37. | :20:46. | |
:20:47. | :20:59. | ||
will never meet again # On the # I might well be parted in yon | :20:59. | :21:09. | |
:21:09. | :21:13. | ||
shady glen on the steep, steep side of Ben Lomond. # Where the Highland | :21:13. | :21:22. | |
hills to view # With the moonshining out in the gloming. # | :21:22. | :21:30. | |
You take the high road and I'll take the low road and I'll be in | :21:30. | :21:39. | |
Scotland before ye # For me and my true love shall never meet again # | :21:39. | :21:48. | |
On the bonnie, Bonnie Banks of Loch Lomond. # You take the high road | :21:48. | :21:58. | |
:21:58. | :22:00. | ||
and I'll take the low road # And I'll be in Scotland before you # | :22:00. | :22:06. | |
For me and my true love will never meet again on the bonnie, Bonnie | :22:06. | :22:16. | |
:22:16. | :22:16. | ||
Apology for the loss of subtitles for 369 seconds | :22:16. | :26:37. | |
# Land of Hope and Glory, mother of the free # How shall we extol thee, | :26:37. | :26:47. | |
:26:47. | :26:57. | ||
who are born of thee? # Wider still and wider shall thy bonds be set. # | :26:57. | :27:07. | |
:27:07. | :27:10. | ||
Good, who made thee mighty, make thee mightier yet. # God, who made | :27:10. | :27:20. | |
:27:20. | :27:46. | ||
What a fitting end to a spectacular summer of events across the UK. To | :27:47. | :27:54. | |
all of you, thank you for making it a summer like no other and have | :27:54. | :28:03. | |
from a very jubilant Hyde Park, good night. # For all Lang sine my | :28:03. | :28:11. | |
dear # For all Lang sine, we'll take a cup of kindness dear, for | :28:11. | :28:21. | |
:28:21. | :28:23. |