Browse content similar to Last Night of the Proms - Part 1. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
A very warm welcome to the climax of the world's largest classical | :00:43. | :00:49. | |
musical festival. The Last Night Of The Proms 2012. There have been 75 | :00:49. | :00:57. | |
concerts at the Royal Albert Hall. Tonight certificate celebrating -- | :00:57. | :01:04. | |
tonight we are celebrating. We have some show stopping opera arias. A | :01:04. | :01:08. | |
few surprise Olympic appearances and the traditional Last Night | :01:08. | :01:12. | |
party treats. The celebrations are spilling out beyond the Albert Hall | :01:12. | :01:17. | |
to events across the country with Proms in the Park in Belfast, | :01:17. | :01:21. | |
Caerphilly, and glass glow and in high -- Glasgow and in Hyde Park. | :01:21. | :01:28. | |
We have over 200 musicians on stage already. The magnificent BBC | :01:28. | :01:33. | |
Symphony Orchestra and chorus led by Stephen Bryant. Waiting | :01:33. | :01:38. | |
backstage are two stars, Joseph Calleja and Nicola Benedetti. | :01:38. | :01:42. | |
And there is our leader, Stephen Bryant coming on now. But we are | :01:42. | :01:50. | |
going to be kicking off with a short fanfare for orchestra written | :01:50. | :01:58. | |
by composer and and clarinettist, Mark Simpson. He shot to fame in | :01:58. | :02:04. | |
2006 as the first ever winner of both BBC Young Musician of the Year | :02:04. | :02:13. | |
and Young Composer of the Year. The fanfare was was commissioned by the | :02:13. | :02:23. | |
:02:23. | :02:48. | ||
BBC and it is called Sparks. Here MUSIC: "Sparks" | :02:48. | :02:58. | |
:02:58. | :02:58. | ||
Apology for the loss of subtitles for 262 seconds | :02:58. | :07:20. | |
That was the world premiere of Sparks. The curtain raiser to Last | :07:20. | :07:28. | |
Night Of the Proms with the con conductor, vir Jiri Belohlavek and | :07:28. | :07:32. | |
that's 26-year-old Mark Simpson who dedicated it to his mum who | :07:32. | :07:38. | |
described it as a little present to the best mum in the world. | :07:38. | :07:43. | |
Well now, it is time for the first of the many Last Night traditions. | :07:43. | :07:52. | |
This one honours the founder of the Proms, Sir Henry Wood. | :07:52. | :08:02. | |
:08:02. | :08:06. | ||
Well, doing the honours for Sir Henry are two dedicated Promenaders. | :08:06. | :08:12. | |
And there they are. They are Ian Slade and Erhard Miller. They have | :08:12. | :08:18. | |
put the laurels on Sir Henry and polished that bust which is lent to | :08:18. | :08:28. | |
:08:28. | :08:56. | ||
the BBC Proms every summer by the MUSIC: "Towards A New Life" | :08:56. | :09:06. | |
:09:06. | :09:06. | ||
Apology for the loss of subtitles for 262 seconds | :09:06. | :14:10. | |
It was dedicated to the Czech Army and Army and conducted by Jiri | :14:10. | :14:15. | |
Belohlavek. It won a silver at the 1932 Olympics when you could win | :14:15. | :14:25. | |
:14:25. | :14:25. | ||
Apology for the loss of subtitles for 262 seconds | :14:25. | :23:18. | |
MUSIC: "Songs Of Farewell" MUSIC: "Songs Of Farewell" | :23:18. | :23:28. | |
:23:28. | :23:28. | ||
Apology for the loss of subtitles for 262 seconds | :23:28. | :32:35. | |
Songs of Farewell and conducted by Jiri Belohlavek. The work of a | :32:35. | :32:42. | |
composer whose 150th an versery -- anniversary, The Proms has been | :32:42. | :32:46. | |
celebrating this year. Tonight, I'm joined throughout the | :32:46. | :32:53. | |
concert by a very special guest, Australian born and American | :32:53. | :32:59. | |
soprano, Danielle de Niese. Your first Last Night of the Proms. | :32:59. | :33:06. | |
can't believe it. I used to watch the Proms concert and I have been | :33:06. | :33:11. | |
to the Royal Albert Hall so many times, but my view has been | :33:11. | :33:14. | |
different because I have been on the stage. It is a coming together | :33:14. | :33:20. | |
of so many wonderful musicians, it is like our Olympics and our Team | :33:20. | :33:27. | |
It has been an extraordinary season. You have been performing in Proms | :33:27. | :33:32. | |
before and it is very special for a musician? It is incredible. It is | :33:32. | :33:38. | |
quite an amazing experience to be on the stage here. You see 6,000 | :33:38. | :33:40. | |
people and when you are on the stage, you feel so close to | :33:40. | :33:46. | |
everyone. So it is a very magical place, the Royal Albert Hall. | :33:46. | :33:51. | |
We are going to hear from another marvellous opera star, Joseph | :33:51. | :33:55. | |
Calleja. Tell us what is wonderful about him? He is just the voice. He | :33:55. | :34:01. | |
is the voice of the modern tenor and he harks back to the old style | :34:01. | :34:05. | |
way of singing. He is a romantic lead. He is our hero. He is | :34:05. | :34:09. | |
charming and we are going to enjoy so much his performance. | :34:09. | :34:19. | |
:34:19. | :34:22. | ||
We are going to hear an aria first. Tell us about this aria? Well, it | :34:22. | :34:31. | |
is a story of love. He resolves to exile his love, Amelia and his | :34:31. | :34:34. | |
trusted adviser back to England in order to resist the temptation of | :34:34. | :34:38. | |
love. It is all desperately moving and I | :34:38. | :34:42. | |
think Joseph Calleja is about to appear. Yes, here he is, Joseph | :34:42. | :34:52. | |
:34:52. | :35:10. | ||
Calleja to sing this aria from MUSIC: "Forse la soglia attinse" | :35:10. | :35:20. | |
:35:20. | :35:20. | ||
Apology for the loss of subtitles for 262 seconds | :35:20. | :40:15. | |
Joseph Calleja singing Forse La Soglia Attinse from The Masked Ball. | :40:15. | :40:20. | |
A wonderful performance there from Joseph Calleja whose singing career | :40:20. | :40:26. | |
started when his English auntie who lived near Scunthorpe heard him | :40:26. | :40:31. | |
doing an impression of Pavarotti and suggested he join a choir in | :40:31. | :40:38. | |
Malta. He spent every summer of his childhood in the UK in York and | :40:38. | :40:42. | |
Skipton and in the Lake District so he has great fondnesses for all his | :40:42. | :40:51. | |
visits here. We are going to hear him sing an aria in which the | :40:51. | :41:01. | |
:41:01. | :41:06. | ||
tragic hero reads poetry to the MUSIC: "Pourquoi me reveiller?" | :41:06. | :41:16. | |
:41:16. | :41:16. | ||
Apology for the loss of subtitles for 262 seconds | :41:16. | :44:09. | |
Joseph Calleja singing an aria. We are going to hear from Joseph | :44:09. | :44:16. | |
Calleja shortly, but let me ask my guest Danielle de Niese about that | :44:16. | :44:22. | |
performance. It was extraordinary, wasn't it? His ability to make what | :44:22. | :44:27. | |
we know a difficult voice category, the tenor to sound effortless, | :44:27. | :44:37. | |
:44:37. | :44:38. | ||
that's the magic of Joseph Calleja and to see the broading -- brooding, | :44:38. | :44:42. | |
another story of love. She is a married woman and you can imagine | :44:42. | :44:46. | |
why she would melt after hearing that. It was stunning. | :44:46. | :44:52. | |
It looked as if you wanted to join in? Absolutely. My god. He is a | :44:52. | :44:56. | |
fantastic tenor and I am really happy for his success. | :44:56. | :45:01. | |
What is it about the tenor voice that makes us go weak at the knees? | :45:01. | :45:11. | |
:45:11. | :45:11. | ||
You can tell tell by the creamy sound. It is luxurious and it is | :45:11. | :45:15. | |
decadent. The effortlessness is really important. And of course, | :45:15. | :45:20. | |
everyone waits for the high notes and that pressure must be enormous, | :45:20. | :45:24. | |
but when the tenor can sing the high notes and soar, we fly with | :45:24. | :45:29. | |
him. It really is magical to experience. | :45:29. | :45:34. | |
Danielle, thank you so much. We will be coming back to you later. | :45:34. | :45:39. | |
Next, we will hear the other soloist, Nicola Benedetti. She will | :45:40. | :45:48. | |
be playing a real Proms classic by Max Bruch. It is powerfully lyrical. | :45:48. | :45:57. | |
It is a favourite of Nicola's. It has so much peace and harmony in it | :45:57. | :46:01. |