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APPLAUSE | 0:00:26 | 0:00:29 | |
MUSIC: "Wallace And Gromit Theme Tune" by Julian Nott | 0:00:32 | 0:00:36 | |
APPLAUSE | 0:01:03 | 0:01:05 | |
Hello everyone, | 0:01:13 | 0:01:14 | |
and welcome to the Royal Albert Hall for a very special Prom. | 0:01:14 | 0:01:17 | |
We'll be going on a journey this afternoon through some | 0:01:17 | 0:01:20 | |
wonderful orchestral music with the Aurora Orchestra behind me, | 0:01:20 | 0:01:24 | |
including the premiere of a new piece for piano and orchestra | 0:01:24 | 0:01:28 | |
called My Concerto In Ee, lad. | 0:01:28 | 0:01:30 | |
It's by a composer I admit I had never heard of before. | 0:01:30 | 0:01:33 | |
He goes by the name of Wallace. | 0:01:33 | 0:01:35 | |
Now, Wallace, it turns out, | 0:01:36 | 0:01:38 | |
is famous for being an ingenious inventor, | 0:01:38 | 0:01:41 | |
and his friend Gromit, it appears, is a dog, | 0:01:41 | 0:01:44 | |
but did you know they're both great music lovers? | 0:01:44 | 0:01:47 | |
PHONE RINGS | 0:01:47 | 0:01:49 | |
Sorry, I'm not quite sure what that is. It's probably a phone. | 0:01:49 | 0:01:53 | |
Hello? | 0:01:53 | 0:01:55 | |
'Well, this is a fine how do you do, isn't it? | 0:01:55 | 0:01:58 | |
'Not much of a conductor is he, lad! | 0:01:58 | 0:02:01 | |
'Haven't seen him punch a single ticket. | 0:02:01 | 0:02:03 | |
Hello, it's Nick here. | 0:02:03 | 0:02:06 | |
'Oh, hello! Can you put me on speaker?' | 0:02:06 | 0:02:09 | |
You really are already on speaker. | 0:02:09 | 0:02:11 | |
'Ah, good! | 0:02:11 | 0:02:12 | |
'Ahem, ladies and gentlemen, Wallace here. | 0:02:12 | 0:02:16 | |
'I'm sorry I can't be with you, but I'm backstage, | 0:02:16 | 0:02:20 | |
'personally overseeing the final preparations | 0:02:20 | 0:02:24 | |
'for my special performance. | 0:02:24 | 0:02:26 | |
'I've also been making some improvements | 0:02:26 | 0:02:30 | |
'to ensure the show runs a little smoother. | 0:02:30 | 0:02:34 | |
'So, without further ado I'll hand you back to the conductor, | 0:02:34 | 0:02:37 | |
'so have your tickets ready. | 0:02:37 | 0:02:40 | |
'Bye for now!' | 0:02:41 | 0:02:43 | |
Well, thanks for that, Wallace. | 0:02:44 | 0:02:46 | |
As I was saying, it's time for our next piece. | 0:02:46 | 0:02:49 | |
Csardas by Vittorio Monti. | 0:02:49 | 0:02:51 | |
I don't have my music. Excuse me, everyone. | 0:02:56 | 0:02:59 | |
PHONE RINGS | 0:03:03 | 0:03:05 | |
Erm, the phone's ringing, lad! | 0:03:05 | 0:03:08 | |
Don't worry, I'll get it! | 0:03:08 | 0:03:11 | |
Wallace and Gromit, musical marvels, making music marvellous. | 0:03:12 | 0:03:17 | |
'Wallace, it's Nick again.' | 0:03:17 | 0:03:19 | |
I thought this Maestro-Matic was all set to go, | 0:03:19 | 0:03:22 | |
'but I can't find my next piece of music anywhere.' | 0:03:22 | 0:03:25 | |
Oh, really? Are you quite sure? | 0:03:25 | 0:03:28 | |
I'm absolutely sure. I've looked all over my stand. | 0:03:28 | 0:03:31 | |
Not to worry, my trusty assistant and I | 0:03:31 | 0:03:35 | |
will have another copy with you in a jiffy, won't we, Gromit? | 0:03:35 | 0:03:39 | |
Well, he'd better do or this could get very embarrassing! | 0:03:39 | 0:03:41 | |
Hmph, doesn't he know who I am? | 0:03:43 | 0:03:46 | |
I was commissioned by Sir Albert Hall himself! | 0:03:46 | 0:03:48 | |
It's nice to see my true genius being recognised at last. | 0:03:50 | 0:03:53 | |
Thanks, lad. | 0:03:53 | 0:03:55 | |
That conductor'll soon be whistling a different tune, | 0:03:57 | 0:04:00 | |
I can tell you. | 0:04:00 | 0:04:01 | |
BELL RINGS | 0:04:06 | 0:04:08 | |
LAUGHTER | 0:04:09 | 0:04:11 | |
APPLAUSE | 0:04:16 | 0:04:18 | |
Here it is, finally! | 0:04:25 | 0:04:26 | |
Let's please welcome special guest, Tasmin Little. | 0:04:28 | 0:04:31 | |
APPLAUSE | 0:04:32 | 0:04:35 | |
MUSIC: "Csardas" by Vittorio Monti | 0:04:47 | 0:04:52 | |
APPLAUSE | 0:07:47 | 0:07:50 | |
Hmm, not bad, I suppose. | 0:08:07 | 0:08:09 | |
But wait till they hear my piece, Gromit. | 0:08:09 | 0:08:12 | |
# Pom, pom-pom, pom, pom | 0:08:12 | 0:08:15 | |
Wallace's Piano Concerto In Ee, lad. | 0:08:15 | 0:08:19 | |
Oh, speaking of which, how's that piano coming along? | 0:08:19 | 0:08:23 | |
Come on, lad, put some welly into it. | 0:08:23 | 0:08:26 | |
CLANG | 0:08:29 | 0:08:30 | |
Oh, heck! | 0:08:30 | 0:08:31 | |
Oh, that's just grand! | 0:08:31 | 0:08:34 | |
Here, maybe we can jemmy it out with this. | 0:08:34 | 0:08:37 | |
Mmm, this'll do the trick. | 0:08:39 | 0:08:40 | |
It's only an old one, lad. | 0:08:40 | 0:08:43 | |
Oh. | 0:08:45 | 0:08:48 | |
Don't worry! I'll soon remedy this. | 0:08:49 | 0:08:52 | |
Aaah! Oooh! | 0:08:52 | 0:08:56 | |
Oh, I'll never get this show on the road! | 0:08:56 | 0:09:00 | |
But maybe... | 0:09:02 | 0:09:04 | |
I imagine, believe it or not, | 0:09:05 | 0:09:08 | |
that Wallace and Gromit probably need even more time | 0:09:08 | 0:09:10 | |
to get everything ready for their piano concerto, | 0:09:10 | 0:09:13 | |
so I thought we'd take a little look down memory lane. | 0:09:13 | 0:09:16 | |
Both Wallace and Gromit have had their fair share of nasty exploits, | 0:09:16 | 0:09:20 | |
meeting some pretty horrible creatures, | 0:09:20 | 0:09:24 | |
and some fairly nasty characters crop up in orchestral music, too. | 0:09:24 | 0:09:28 | |
The Firebird by Russian composer Igor Stravinsky | 0:09:28 | 0:09:32 | |
tells the story of evil King Katschei | 0:09:32 | 0:09:35 | |
who wants to turn Prince Ivan into stone. | 0:09:35 | 0:09:38 | |
Perhaps Wallace could have used that trick in some of his adventures. | 0:09:38 | 0:09:41 | |
MUSIC: "The Infernal Dance Of King Katschei" by Stravinsky | 0:09:47 | 0:09:50 | |
APPLAUSE | 0:13:54 | 0:13:56 | |
Now, over the years we've also seen Wallace's softer side | 0:13:59 | 0:14:03 | |
and I know he's proved to be a bit of a catch with the ladies. | 0:14:03 | 0:14:06 | |
To celebrate that, we're going to play one of the most romantic pieces of classical music ever written. | 0:14:06 | 0:14:11 | |
Claude Debussy's "Clair De Lune", or Moonlight. | 0:14:11 | 0:14:15 | |
It was originally written for piano, | 0:14:15 | 0:14:16 | |
but here, we'll play it in a version for orchestra. | 0:14:16 | 0:14:20 | |
Speaking of piano, I wonder how they're getting on back there. | 0:14:20 | 0:14:23 | |
ENGINE STARTS | 0:14:23 | 0:14:25 | |
Ho hoo! | 0:14:26 | 0:14:28 | |
CLANG | 0:14:28 | 0:14:29 | |
Stand back, lad! | 0:14:29 | 0:14:31 | |
ENGINE REVS | 0:14:31 | 0:14:33 | |
Wahey! | 0:14:33 | 0:14:34 | |
It's perfectly tuned! | 0:14:36 | 0:14:38 | |
Say hello to my Petrol-Powered Piano! It's a classic! | 0:14:42 | 0:14:47 | |
It's got a remote control, too. | 0:14:47 | 0:14:49 | |
Woo-hoo! | 0:14:51 | 0:14:53 | |
Ha! | 0:14:53 | 0:14:55 | |
MUSIC: "Clair De Lune" by Debussy | 0:14:55 | 0:14:57 | |
LAUGHTER | 0:16:24 | 0:16:25 | |
LAUGHTER | 0:17:35 | 0:17:37 | |
LAUGHTER | 0:18:04 | 0:18:08 | |
LAUGHTER | 0:18:12 | 0:18:13 | |
LAUGHTER | 0:18:35 | 0:18:36 | |
APPLAUSE | 0:19:18 | 0:19:21 | |
Oh dear, the ones that got away. | 0:19:26 | 0:19:31 | |
Ah, well, no use crying over spilt milk. | 0:19:31 | 0:19:33 | |
Oooh! | 0:19:33 | 0:19:35 | |
Hey! Gromit! | 0:19:35 | 0:19:37 | |
You'd better get this patched up, pronto. | 0:19:41 | 0:19:44 | |
They need the lights! | 0:19:44 | 0:19:45 | |
'Oh, I knew I should've put new batteries on the shopping list!' | 0:19:50 | 0:19:54 | |
MUSIC: "Overture to The Magic Flute" by Mozart | 0:19:55 | 0:19:58 | |
'Uh, oh, no! They've started already!' | 0:19:58 | 0:20:00 | |
'Here, pass me a spare fuse, lad.' | 0:20:04 | 0:20:07 | |
'Oh, crumbs! They're in my tool box! | 0:20:11 | 0:20:15 | |
'Hold the fort, lad, I'll be back in a mo!' | 0:20:15 | 0:20:17 | |
'Oh look, a shortcut. | 0:20:26 | 0:20:28 | |
'It's a good job I know this place like the back of my hand.' | 0:20:28 | 0:20:31 | |
-THUD -'Ow! | 0:20:34 | 0:20:37 | |
'I must have been looking at the wrong hand.' | 0:20:37 | 0:20:39 | |
-TWANG -'Oooh! | 0:20:43 | 0:20:45 | |
'I've twanged me G-string!' | 0:20:45 | 0:20:47 | |
'The toolbox is around here somewhere. | 0:21:01 | 0:21:03 | |
'Don't worry, Gromit, I've got it.' | 0:21:04 | 0:21:06 | |
APPLAUSE | 0:23:02 | 0:23:04 | |
Thank goodness the lights are all back on now. | 0:23:09 | 0:23:11 | |
We'll definitely need them on full power for our next piece. | 0:23:11 | 0:23:15 | |
This is an excerpt from the fourth symphony by Russian composer | 0:23:15 | 0:23:18 | |
Dmitri Shostakovich. | 0:23:18 | 0:23:20 | |
Now, this bit of music is called a fugue. | 0:23:21 | 0:23:24 | |
A fugue is a little bit like a musical version of a chase, | 0:23:24 | 0:23:27 | |
Now, I know Wallace and Gromit have both had | 0:23:27 | 0:23:30 | |
their fair share of chases in their time. | 0:23:30 | 0:23:32 | |
MUSIC: "Fugue From 1st Movement Of Symphony No. 4" By Shostakovich | 0:23:32 | 0:23:35 | |
APPLAUSE | 0:26:32 | 0:26:35 | |
Come on, Gromit! It's nearly time for me Concerto. | 0:26:48 | 0:26:51 | |
And, er, I've programmed the piano to play itself. Here, listen. | 0:26:51 | 0:26:58 | |
-DISSONANT CLANG -Eh? | 0:26:58 | 0:27:00 | |
RANDOM NOTES | 0:27:02 | 0:27:03 | |
Oh, crotchets! | 0:27:03 | 0:27:07 | |
Oh, fire! | 0:27:13 | 0:27:16 | |
It's castrato-ed! | 0:27:16 | 0:27:18 | |
Oh! | 0:27:18 | 0:27:20 | |
Oh, it's opus, lad! | 0:27:24 | 0:27:26 | |
Me masterpiece is in pieces. | 0:27:26 | 0:27:29 | |
What are we to do? | 0:27:29 | 0:27:30 | |
GROMIT CLICKS FINGERS | 0:27:33 | 0:27:34 | |
Hmmm? | 0:27:34 | 0:27:35 | |
LAUGHTER | 0:27:41 | 0:27:43 | |
So it's nearing the moment we've all been waiting for. | 0:27:44 | 0:27:47 | |
The piano should be ready any time soon | 0:27:47 | 0:27:49 | |
and I for one can't wait to... | 0:27:49 | 0:27:51 | |
BELL RINGS | 0:27:51 | 0:27:52 | |
What on earth is that again? | 0:27:52 | 0:27:54 | |
A telegram from Wallace. | 0:27:59 | 0:28:00 | |
"Maestro, stop. The concerto, no can do, stop. | 0:28:02 | 0:28:08 | |
"Sorry, technical hitch. | 0:28:09 | 0:28:11 | |
"You'll have to fill, stop. | 0:28:12 | 0:28:15 | |
"Do you know any good tunes?" | 0:28:17 | 0:28:18 | |
LAUGHTER | 0:28:18 | 0:28:20 | |
"Over." | 0:28:20 | 0:28:22 | |
Well. | 0:28:26 | 0:28:27 | |
Does anyone know any good tunes? | 0:28:27 | 0:28:30 | |
BRASS PLAYS WALLACE AND GROMIT THEME | 0:28:30 | 0:28:33 | |
Thanks, Simon, but I think we've had that one already | 0:28:41 | 0:28:43 | |
and we're going to have it again in the concert. | 0:28:43 | 0:28:45 | |
It could get a little tedious. | 0:28:45 | 0:28:47 | |
But I tell you what, the last bar in that tuba sounded pretty good. | 0:28:47 | 0:28:50 | |
Can you just give us that again, Richard? | 0:28:50 | 0:28:52 | |
TUBA PLAYS | 0:28:52 | 0:28:54 | |
I think we might have the makings of a piece. | 0:28:54 | 0:28:57 | |
Shall we try that, but not in the tuba, in the double bass? | 0:28:58 | 0:29:01 | |
That's more like it. | 0:29:04 | 0:29:05 | |
Let's have a little bit of rhythm on the kit. | 0:29:08 | 0:29:11 | |
Now, this could go on all day, so we probably need a tune. | 0:29:15 | 0:29:19 | |
How about something from the flute? | 0:29:20 | 0:29:22 | |
You all recognise that, I hope. | 0:29:28 | 0:29:30 | |
Nice bit of Mozart, but not quite right. | 0:29:30 | 0:29:32 | |
We need something with a bit more swing. | 0:29:32 | 0:29:34 | |
I know, the clarinet. Always go to the clarinet if you want some swing. | 0:29:34 | 0:29:38 | |
That's it. | 0:29:48 | 0:29:49 | |
Why have one clarinet when you can have two? Shall we have two? | 0:29:49 | 0:29:52 | |
Now while we're in the wind section, shall we try out the bassoons? | 0:30:04 | 0:30:07 | |
I love the bassoons. Here they are. | 0:30:07 | 0:30:09 | |
How about some oboes? Let's hear the oboes take flight. | 0:30:21 | 0:30:24 | |
And finally in the woodwind section, we've got four fluttering flutes. | 0:30:35 | 0:30:40 | |
Now we've got all the woodwind instruments, let's hear them | 0:30:52 | 0:30:54 | |
playing together as a section, shall we? | 0:30:54 | 0:30:57 | |
Great stuff. Let's go over to those shiny-looking gold instruments | 0:31:14 | 0:31:17 | |
over there, the brass, but before we do, a brief burst on the saxophone. | 0:31:17 | 0:31:21 | |
Now the friendly trombones. | 0:31:32 | 0:31:34 | |
The French horns. | 0:31:43 | 0:31:45 | |
Let's see what those trumpets can play. | 0:31:54 | 0:31:57 | |
I'm hoping they can come up with something better | 0:31:57 | 0:31:59 | |
than the one at the beginning. | 0:31:59 | 0:32:02 | |
Something suave, cool, sophisticated. Let's see. | 0:32:02 | 0:32:06 | |
TRUMPETS PLAY WALLACE AND GROMIT THEME | 0:32:08 | 0:32:12 | |
We know that one, let's hear what happens | 0:32:27 | 0:32:30 | |
when we put all the brass family together. | 0:32:30 | 0:32:32 | |
Trumpets, trombones, horns, saxophone and the tuba. | 0:32:32 | 0:32:37 | |
After all that big brash brass, | 0:33:09 | 0:33:11 | |
let's see what the civilised strings can give us. | 0:33:11 | 0:33:14 | |
But having heard that Shostakovich, I'm not sure how civilised they are. | 0:33:14 | 0:33:18 | |
Let's see how fast they can go. One, two, three! | 0:33:18 | 0:33:21 | |
Let's add all the woodwind... | 0:33:46 | 0:33:48 | |
and some brass... | 0:33:48 | 0:33:50 | |
some percussion and drums... | 0:33:51 | 0:33:55 | |
Let's all have a big workout! | 0:33:55 | 0:33:56 | |
APPLAUSE | 0:34:37 | 0:34:39 | |
Ooh! | 0:34:55 | 0:34:57 | |
Oh, well done lad! You limber up, I'll get this up top. | 0:34:59 | 0:35:05 | |
BELL RINGS | 0:35:08 | 0:35:10 | |
I'm hoping this will be the Piano Concerto from Wallace | 0:35:12 | 0:35:14 | |
and they've got things fixed... No. | 0:35:14 | 0:35:16 | |
It's not at all. | 0:35:18 | 0:35:19 | |
Double Concerto For Violin And Dog. | 0:35:20 | 0:35:23 | |
LAUGHTER | 0:35:23 | 0:35:25 | |
Not at all what I was expecting. | 0:35:26 | 0:35:29 | |
But on closer examination it looks like a fine work. | 0:35:29 | 0:35:32 | |
Gromit will be the dog so we need another violin. | 0:35:35 | 0:35:38 | |
I know, I've got just the thing. | 0:35:38 | 0:35:40 | |
Tasmin, hi. Are you still in the building? | 0:35:44 | 0:35:47 | |
LAUGHTER | 0:35:47 | 0:35:48 | |
Fantastic. Listen, how do you fancy saving our skins? | 0:35:48 | 0:35:52 | |
You'd be playing a brand new piece, hot off the press. | 0:35:52 | 0:35:55 | |
Gromit. | 0:35:55 | 0:35:57 | |
That's right, Gromit, yeah. | 0:35:57 | 0:35:59 | |
In the big hall. No one's watching. | 0:35:59 | 0:36:02 | |
OK, as soon as you can. Bye! | 0:36:04 | 0:36:07 | |
Do you fancy some crackers? | 0:36:09 | 0:36:12 | |
The plate's stuck to the thing so you'll have to just... | 0:36:14 | 0:36:16 | |
Some cheese there, as well. | 0:36:16 | 0:36:19 | |
APPLAUSE | 0:36:19 | 0:36:21 | |
APPLAUSE DROWNS SPEECH | 0:36:27 | 0:36:31 | |
MUSIC: "Gromit's Double Concerto For Violin And Dog" by Iain Farrington | 0:36:41 | 0:36:45 | |
APPLAUSE | 0:40:24 | 0:40:26 | |
-CRASHING CYMBALS -Well done, lad! We did it! | 0:40:39 | 0:40:43 | |
A regular little "Poochini", aren't you, Gromit? | 0:40:43 | 0:40:46 | |
THUD | 0:40:48 | 0:40:49 | |
You should take more care of this, you know, lad. It's priceless! | 0:40:57 | 0:41:03 | |
Go on, lad, open it! It won't bite. | 0:41:07 | 0:41:12 | |
Well done, pooch. | 0:41:12 | 0:41:15 | |
Oh, oh, yes. Ahem. | 0:41:17 | 0:41:20 | |
We'd just like to say a big thanks to all of you, | 0:41:20 | 0:41:23 | |
for making this such a cracking concert! | 0:41:23 | 0:41:27 | |
Hmm, yep, really was cracking! | 0:41:28 | 0:41:30 | |
TWANG | 0:41:30 | 0:41:32 | |
Oh, fiddle! | 0:41:32 | 0:41:34 | |
Er... Ever thought of trying the bassoon, lad? | 0:41:34 | 0:41:39 | |
MUSIC: "Wallace And Gromit Theme Tune" by Julian Nott | 0:41:39 | 0:41:42 | |
-AUDIENCE: -Hey! | 0:41:42 | 0:41:43 | |
AUDIENCE CLAPS ALONG | 0:41:43 | 0:41:45 | |
Subtitles by Red Bee Media Ltd | 0:42:12 | 0:42:14 |