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Well, after all the excitement of last year in London 2012, this | :00:32. | :00:35. | |
summer had a lot to live up to. last year in London 2012, this | :00:35. | :00:38. | |
Actually it did pretty well. We last year in London 2012, this | :00:38. | :00:46. | |
baby. And another unforgettable With Glasgow preparing to host the | :00:46. | :00:55. | |
Commonwealth Games in just under a year's time, I have come to Scotland | :00:55. | :00:59. | |
to enjoy their annual Proms in the Park celebrations. As you can see, | :00:59. | :01:03. | |
I'm surrounded by thousands of prommers who have turned out to | :01:03. | :01:05. | |
party here on Glasgow Green. They are not alone. People are out on | :01:06. | :01:11. | |
force at venues across the can country. In front of Caerphilly | :01:11. | :01:19. | |
Ireland, at Belfast's spectacular Titanic Slipways and in London's | :01:19. | :01:21. | |
Hyde Park where a sellout crowd Titanic Slipways and in London's | :01:21. | :01:26. | |
gathered. As always we are all eagerly-anticipating a magnificent | :01:26. | :01:30. | |
night of music making, splingled with a special Proms' magic. -- | :01:30. | :01:33. | |
Over the next 90 minutes we'll hear the best from all four Proms in | :01:33. | :02:17. | |
Over the next 90 minutes we'll hear parks concerts taking place around | :02:17. | :02:20. | |
the UK. It is a star-studded line-up that reflects the huge variety of | :02:20. | :02:24. | |
music that is the hallmark of the block become Proms. Caerphilly | :02:24. | :02:29. | |
music that is the hallmark of the BBC Proms. In Caerphilly we have | :02:29. | :02:36. | |
West End star John Owen Jones. A and wared-winning trumpeter, | :02:36. | :02:40. | |
And an exciting early preview of a show tipped to become as successful | :02:40. | :03:00. | |
And here in Glasgow, Spice Girl show tipped to become as successful | :03:00. | :03:18. | |
And here in Glasgow, Spice Girl turned soloist Melanie C. Melanie C | :03:18. | :03:18. | |
And chart-topping singer, alibi So, something for everyone and that | :03:19. | :03:44. | |
And chart-topping singer, alibi Here in Hyde Park we are a stone's | :03:45. | :03:47. | |
And chart-topping singer, alibi throw from the Royal Albert Hall | :03:47. | :03:49. | |
And chart-topping singer, alibi where there have been over 70 Proms | :03:49. | :03:50. | |
And chart-topping singer, alibi concerts throughout the summer. | :03:50. | :03:54. | |
And chart-topping singer, alibi we have 40,000 people waiting to | :03:54. | :04:00. | |
celebrate the Last Night. World renowned tenor, Joseph Calleja. | :04:00. | :04:10. | |
celebrate the Last Night. World Edna Everage. Yes, it's me Possums. | :04:10. | :04:17. | |
celebrate the Last Night. World Let's get things started with the | :04:17. | :04:30. | |
BBC Concert Orchestra, conducted by Richard Richard Balcombe to play | :04:30. | :04:37. | |
to Caerphilly now, to hear Welsh West End star, Sophie Evans. From | :04:37. | :06:32. | |
# Some day when I take to the floor # Oh, look at me hair, what do can | :06:32. | :07:57. | |
# The rats on the street all dance # There's the flasher who lives | :07:57. | :08:11. | |
# The rats on the street all dance # There's a bum on his bar room | :08:11. | :08:14. | |
# They wish me luck on my way to # and some day when I take to the | :08:15. | :08:21. | |
# The world's gonna wake up and # and some day when I take to the | :08:21. | :08:36. | |
# I know there's a place where I # I see all those party lights | :08:36. | :08:40. | |
# so someone invite me before I # I see all those party lights | :08:40. | :08:59. | |
# Oh, oh, oh something inside of me # My ma tells me no, but my feet | :08:59. | :09:10. | |
# It's like a drummer inside my # Oh, oh, oh don't make me wait | :09:10. | :09:16. | |
# One more moment for you my life to # Every day's like an open door | :09:16. | :09:39. | |
# Every sound's like a symphony # And I promise Baltimore that some | :09:39. | :09:42. | |
# The world's gonna wake up and Maltese tenor, Joseph Calleja was | :09:43. | :10:23. | |
entertain the enthusiastic crowd in the star of and unforgettable Last | :10:23. | :12:50. | |
That was a song dead Taited to the Now from Glasgow we're going to | :12:50. | :13:01. | |
That was a song dead Taited to the Spice Girl Melanie C as she sings | :13:01. | :13:05. | |
# Don't you think it's rather funny # I never thought I'd come to this | :13:05. | :14:55. | |
# Don't you think it's rather funny # he scarce me so -- -- scares me so | :14:55. | :15:12. | |
# I never thought I'd come to this Melanie C and I Don't Know How To | :15:12. | :16:19. | |
Love Him. To end this sequence we end over to Titanic Slipways in | :16:19. | :16:24. | |
Belfast to hear Katherine Jenkins who is in a flirtatious mood as | :16:24. | :16:34. | |
Belfast to hear Katherine Jenkins takes on the role of Bizet's Carmen. | :16:34. | :19:34. | |
This summer the BBC pointed the spectacular scenery of the Hebrides. | :19:34. | :19:38. | |
coast of Scotland. Well, if you spectacular scenery of the Hebrides. | :19:38. | :19:44. | |
that series, you will know that accompaniment to some breath-taking | :19:44. | :19:51. | |
photography. With me is Donald Shaw one of the composers and musicians | :19:51. | :19:53. | |
who feature on that soundtrack. one of the composers and musicians | :19:54. | :19:58. | |
and started to write themes and I was inspired by the initial images | :19:59. | :20:05. | |
and started to write themes and develop them from there. Some of the | :20:05. | :20:08. | |
instruments like the Irish flute and the pipes and the Scottish fiddle, | :20:08. | :20:12. | |
some of these instruments have very strong human voice qualities about | :20:12. | :20:20. | |
they have a lot of emotion in the way they are played and that comes | :20:20. | :20:22. | |
to playing with the Orchestra, way they are played and that comes | :20:22. | :20:32. | |
to playing with the Orchestra, fantastic musicians. There is always | :20:32. | :20:34. | |
something a little bit more kind of powerful and uplifting when you | :20:34. | :20:37. | |
something a little bit more kind of performance with an Orchestra like | :20:37. | :20:38. | |
serious, Hebrides, Islands on the Still to come, the legend that is | :20:38. | :25:15. | |
genetically modified, I'm real. Gramophone artist of the year, | :25:15. | :25:18. | |
And two Welsh stars of the West Gramophone artist of the year, | :25:18. | :25:27. | |
Next May the BBC Young Musician final 2014 returns to Scotland after | :25:28. | :25:45. | |
cultural events leading up to the Commonwealth Games. Well, our next | :25:45. | :25:46. | |
performer is a former winner of Commonwealth Games. Well, our next | :25:46. | :25:51. | |
competition, just 12 years old when she took the title in 2002. And | :25:51. | :25:55. | |
competition, just 12 years old when very glad to say, since then, she | :25:55. | :25:58. | |
has been building a reputation as one of the most exciting performers | :25:58. | :26:03. | |
Jennifer, what have been your career highlights since you took the title | :26:03. | :26:06. | |
in 2002? It has to be the first highlights since you took the title | :26:06. | :26:10. | |
I played in the Albert Hall Prom. I was 15 and I was surrounded by the | :26:10. | :26:16. | |
prommers. I played back, I think, just -- Bach, just solo in the | :26:16. | :26:20. | |
middle of the Albert Hall. It was amazing. A real highlight. How do | :26:20. | :26:24. | |
you feel when you are performing on stage. I imagine there is pressure | :26:24. | :26:30. | |
but also a lot of joy? It is a really rewarding experience. It | :26:30. | :26:33. | |
but also a lot of joy? It is a bit like a roar coaster ride being a | :26:33. | :26:33. | |
performer. -- a roller coaster. bit like a roar coaster ride being a | :26:33. | :26:38. | |
is something I love doing. It comes with huge pressures and stress but I | :26:38. | :26:42. | |
kind of - I run on that, it is like my battery. I really enjoy it so | :26:42. | :26:48. | |
atmosphere, here. How did you select the piece you will be playing for us | :26:48. | :26:50. | |
composer. I couldn't resist putting this evening? I will be playing | :26:50. | :31:05. | |
form of star of BBC Young Musician. Since taking the brass title in | :31:05. | :31:19. | |
reputation. She crosses musical boundaries with ease I'm playing an | :31:19. | :31:27. | |
arrangement of George Gershwin's Something to Watch Over Me. I cannot | :31:27. | :31:31. | |
play the words but I think of the words when I'm playing. I think | :31:31. | :31:37. | |
play the words but I think of the help's you make sense of it. -- | :31:37. | :31:37. | |
beautiful sound. Alison Balsam on Back to Hyde Park where Zeb has | :31:37. | :36:08. | |
beautiful sound. Alison Balsam on a little anxious. There goes Nigel | :36:08. | :36:10. | |
Kennedy. We are relieved he made T he had a few minutes to get here | :36:10. | :36:15. | |
from the Albert Hall. He is going up on stage and then he has to rush all | :36:15. | :36:20. | |
the way back again for the final sequence of the Last Night of the | :36:20. | :36:24. | |
Proms. It is a lot calmer now we Indeed. One of the highlights was | :36:24. | :36:42. | |
pieces. -- -- was his performance of He is now going to perform one of | :36:42. | :36:47. | |
his own pieces with Mostafa Fasad. How did it go? It was really lovely. | :36:47. | :39:12. | |
Such a great chance for Mostafa How did it go? It was really lovely. | :39:12. | :39:24. | |
be - I was taught violin by a great something on. It was great to play | :39:25. | :39:30. | |
in front of a crowd like that. I have an engagement in the Albert | :39:30. | :39:33. | |
I have grabbed a moment with Erin and Anton. This is not the norm | :39:33. | :39:47. | |
ballroom setting is it? Not the and Anton. This is not the norm | :39:47. | :39:52. | |
but spectacular. 40,000 people. Spectacular. Come on. I have been up | :39:52. | :39:54. | |
on stage. There is not a lot of Spectacular. Come on. I have been up | :39:54. | :39:58. | |
up there. It is wider than it is deep. There is just about enough for | :39:58. | :40:01. | |
us. We can sweep across the stage. It is so lovely because we are doing | :40:01. | :40:05. | |
the Viennese waltz. It just sweeps across the stage. It is lovely. | :40:05. | :40:09. | |
the Viennese waltz. It just sweeps have that incredible Orchestra | :40:09. | :40:13. | |
behind us. What a sound. And, the wonderful audience, of course, | :40:13. | :40:14. | |
Strictly's Anton and Erin bringing their own special brand of glamour | :40:14. | :42:19. | |
and romance to Proms in the Park. Meanwhile, there is another familiar | :42:19. | :42:24. | |
face back stage. It is a fantastic atmosphere. Live music, everybody | :42:24. | :42:30. | |
Fireworks going off. -- along. This year I think it might be marred | :42:30. | :42:35. | |
slightedly by an Australian. Are you worried about her? Worried? Sick | :42:35. | :42:38. | |
with worry. Because, of course, worried about her? Worried? Sick | :42:38. | :42:44. | |
know what she is going to do. She's going to call it the Last Night | :42:44. | :42:50. | |
know what she is going to do. She's the Pommees, she is going to call it | :42:50. | :42:58. | |
liberties left, right, and centre # That's what my public's done for | :42:58. | :43:03. | |
# That's the idea of fun for me # That's what my public's done for | :43:03. | :43:21. | |
# I won't be sunbathing on a beach # The things those hairdressers | :43:22. | :43:30. | |
# I won't be sunbathing on a beach # I would rather do it on a tower | :43:30. | :43:40. | |
# that's what my public means to me # And now the time has come to | :43:40. | :43:47. | |
# that's what my public means to me # I feel a lump inside my heart | :43:47. | :43:51. | |
from me Camilla's looking gorgeous # I feel warm deep down knowing | :43:51. | :44:17. | |
from me Camilla's looking gorgeous # Mrs Mertesacker wears the -- Mrs | :44:17. | :44:20. | |
Merkel wears the same in polyester # And there is a Possum in the crowd | :44:20. | :44:27. | |
# Who would kill to wear this gown # That's what my Sovereign means to | :44:27. | :44:30. | |
Now, the Last Night and the Proms in attract all sorts of people for | :44:30. | :46:17. | |
Now, the Last Night and the Proms in kinds of reasons. You have die-hard | :46:17. | :46:19. | |
prommers, fans of the performers, and picnicking families just out to | :46:19. | :46:22. | |
entertainment. So let's see who and picnicking families just out to | :46:22. | :46:28. | |
come to join us this year. After 4.00pm I was at the front gate ready | :46:28. | :46:35. | |
to go for action, for an evening of entertainment. There couldn't have | :46:35. | :46:42. | |
Near Croydon. The atmosphere is building already. You can hear the | :46:42. | :46:54. | |
Will you be up dancing? Oh, yeah. Who are you looking forward to | :46:54. | :47:00. | |
seeing? Nigel Kennedy. Katherine music. The music. The atmosphere, | :47:00. | :47:10. | |
the people. The crowd. Alfie Boe music. The music. The atmosphere, | :47:10. | :47:27. | |
In Glasgow, Alfie Boe sings Burt brother. I haven't seen her in | :47:27. | :48:01. | |
In Glasgow, Alfie Boe sings Burt hear from someone who certainly | :48:01. | :48:03. | |
In Glasgow, Alfie Boe sings Burt knows how to entertain a crowd in a | :48:03. | :48:03. | |
field. West End superstar, John knows how to entertain a crowd in a | :48:03. | :48:10. | |
Jones. The Proms means something special to me. It's one of those | :48:10. | :48:16. | |
generations, the Proms, you know. It is a celebration of good music, | :48:16. | :48:20. | |
generations, the Proms, you know. It people are hear for the music. It is | :48:21. | :48:21. | |
# He acts while other men talk # He looks at this world and wants | :48:21. | :49:16. | |
# He knows the meaning of success # His needs are more so he gives | :49:16. | :49:27. | |
# They call him the win winner who # And he strikes like Thunderball | :49:27. | :49:49. | |
# Any woman he wants, he'll get # He will break any heart without | :49:49. | :49:50. | |
# His days of asking are all are all # His fight goes on and on and on | :49:50. | :50:18. | |
# But he thinks that the fight is # So he strikes like Thunderball # | :50:18. | :50:54. | |
# But he thinks that the fight is Ladies and gentlemen, please welcome | :50:54. | :51:37. | |
# But he thinks that the fight is # In a world that's moving too fast. | :51:37. | :51:44. | |
# In a world whering in can last # And we'll have music all around | :51:44. | :52:04. | |
# And dance that it's the last night # on the other side of the earth | :52:04. | :52:57. | |
# there's a place where life still # You won't believe all the things | :52:57. | :53:09. | |
Last Night of the World from Miss Saigon. Performed by John Owen Jones | :53:09. | :55:43. | |
and Sophie etches with the BBC One of Ireland's most successful | :55:43. | :55:50. | |
musical exportser started life as an interval performance during the | :55:50. | :55:59. | |
Riverdance have now devised a brand new stage show, this time combining | :55:59. | :56:07. | |
Irish elements with vibrant Latin anticipation in Dublin, ahead of an | :56:07. | :56:12. | |
international tour. Now we are going to head over to Belfast to join | :56:13. | :56:16. | |
international tour. Now we are going thousands of lucky prommers who | :56:16. | :56:18. | |
international tour. Now we are going being treated to a preview of what | :56:18. | :56:18. | |
Heartbeat of Home which opens in Dublin at the end of the month. | :56:18. | :03:22. | |
Heartbeat of Home which opens in you were wondering who the voke | :03:22. | :03:28. | |
Heartbeat of Home which opens in was, she is Zimbabwean born Lucia | :03:28. | :03:37. | |
Glasgow. Proms in the Park, Alfie Boe. The song is powerful. Written | :03:37. | :03:44. | |
by Burt Bacharach. It has that real Bacharach feel to it, a solid swing. | :03:44. | :03:49. | |
Elvis Costello recorded it and did connected with that song immensely. | :03:49. | :03:54. | |
This is the fist time tonight I # As I tumble back down to the earth | :03:54. | :04:57. | |
# She was the light that I'd bless # God give me strength shoob God if | :04:57. | :05:25. | |
she'd grant me with her indulgence # I might as well wipe her from | :05:25. | :05:38. | |
she'd grant me with her indulgence # Maybe I was washed out like a | :05:38. | :05:38. | |
# Since I lost the power to pretend # That there could ever be a handy | :05:38. | :06:51. | |
# She was the light that I'd bless she took my last chance at happiness | :06:51. | :06:58. | |
# God give me strength knob God she took my last chance at happiness | :06:58. | :07:23. | |
The wonderful Alfie Boe. His own band and the BBC skosh BBC Scottish | :07:23. | :09:09. | |
Symphony Orchestra, conducted by Steven Bell. How we head back to | :09:09. | :09:12. | |
Belfast where Katherine Jenkins Steven Bell. How we head back to | :09:12. | :09:17. | |
Katherine Jenkins and Martynas. Accompanied by the Ulster Orchestra. | :09:17. | :13:13. | |
Now, topping the bill in Hyde Park, the legend that is Bryan Ferry. | :13:13. | :13:18. | |
# Come on, come on let's stick together. Now know we made a vow | :13:18. | :14:25. | |
# Well if you're stuck for a while # How can it be happy without its ma | :14:25. | :15:04. | |
Come on come on let's stick together # To leave one another never # | :15:04. | :16:56. | |
One of the great traditions of the Last Night celebrations is when | :16:56. | :17:17. | |
One of the great traditions of the the parks linking together with | :17:18. | :17:23. | |
One of the great traditions of the for a huge sing-along. Let's join | :17:23. | :17:25. | |
Marin Alsop, the American conductor, Good evening to those of you around | :17:25. | :17:32. | |
Caerphilly, Glasgow and in Hyde the UK watching on the big screens. | :17:32. | :17:49. | |
Caerphilly, Glasgow and in Hyde Invite you now to join us to sing | :17:49. | :18:04. | |
Caerphilly, Glasgow and in Hyde # When you walk through a storm | :18:04. | :18:04. | |
# And don't be afraid of the dark # When you walk through a storm | :18:05. | :18:37. | |
# There's golden sky And the sweet # Walk on, through the rain Rab | :18:37. | :19:00. | |
though your dreams be toss tossed # Walk on walk on with open in your | :19:00. | :19:16. | |
# When you walk through a storm # And don't be afraid of the dark | :19:16. | :20:13. | |
# At the end of the storm Is a # And the sweet silver song of the | :20:13. | :20:19. | |
# Though your dreams be tossed and # And the sweet silver song of the | :20:19. | :21:11. | |
heart And you'll never walk alone # All' never walk alone -- you'll | :21:11. | :21:14. | |
here and thousands more around the country joined in to You'll Never | :21:14. | :21:56. | |
Walk Alone. Well, to round-off this highlights programme, we are going | :21:56. | :22:00. | |
to do another trip around all of the Proms of the park events around | :22:00. | :22:06. | |
to do another trip around all of the country. They each bring their | :22:06. | :22:06. | |
special local flavour to the party. # I will not crease from metal fight | :22:06. | :27:16. | |
# Nor shall my sword sleep in my # In England's green and pleasant | :27:16. | :27:34. | |
Well, what a wonderful way to end a # In England's green and pleasant | :27:34. | :27:43. | |
magical night of music-making around the UK and another unforgettable BBC | :27:43. | :27:49. | |
Proms next year, you can do a will Glasgow is any indication of the | :27:50. | :27:58. | |
the Commonwealth Games next year, Scottish welcome that is awaiting | :27:58. | :28:02. | |
the Commonwealth Games next year, well, that will be something worth | :28:02. | :28:03. | |
seeing as well. For now, from a well, that will be something worth | :28:03. | :28:10. |