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Making its promises debut, one of it orchestras, Orchestra Sinfonica | :00:35. | :00:42. | |
Making its promises debut, one of it Milano Giuseppe Verdi. We are at the | :00:42. | :00:45. | |
end of this year's Proms near. Before Saturday, we have a general | :00:45. | :00:51. | |
of a concert at the -- gem of a concert at the the Royal Albert | :00:51. | :00:54. | |
of a concert at the -- gem of a tonight. We have Tchaikovsky's | :00:54. | :00:54. | |
Manfred. A work inspired by the tonight. We have Tchaikovsky's | :00:54. | :01:00. | |
of the same name completes the cycle of his symphonies. Following hitz | :01:00. | :01:07. | |
appearance at last year's last night It is part of the bicentenary of the | :01:07. | :01:21. | |
perform arias he has enacted on stages around the world. He will | :01:21. | :01:29. | |
perform Rigoletto. The Orchestra Sinfonica di Milano Giuseppe Verdi | :01:29. | :01:35. | |
is based in Milan and known as La Verdi. The orchestra was founded in | :01:35. | :01:45. | |
1993. Today, the orchestra is under the baton of an exciting conductor, | :01:45. | :01:55. | |
Xian Zhang. The first woman ever to We will be hearing later from her | :01:55. | :02:10. | |
Tonight's prom will start with the overture to forz forz, a tale of -- | :02:10. | :02:22. | |
with a prelude. The work was not as La Forza Del Destino. It started | :02:22. | :02:26. | |
with a prelude. The work was not as successful as Verdi would have | :02:26. | :02:28. | |
wished. The following year he set replaced it with the magnificent | :02:28. | :02:32. | |
most of the opera's memorable tunes. overture we will hear tonight. It is | :02:32. | :02:59. | |
most of the opera's memorable tunes. Here she comes, the conductor, Xian | :02:59. | :03:02. | |
Zhang to conduct the Orchestra Sinfonica di Milano Giuseppe Verdi, | :03:02. | :03:07. | |
The Orchestra Sinfonica di Milano Giuseppe Verdi, conducted by Xian | :03:07. | :11:06. | |
Zhang. A triumphant start. That Giuseppe Verdi, conducted by Xian | :11:06. | :11:12. | |
the overture to Verdi's the The Next, we have two Verdi arias, sung | :11:12. | :11:28. | |
Attila, the despair from the young hero, who believes he has been | :11:28. | :11:33. | |
betrayed by his lover. We have a happier note with the love song | :11:33. | :11:47. | |
I like to call Giuseppe Verdi the father of opera. He was an amazing | :11:47. | :11:55. | |
icon, an amazing composer, still is, point of reference. When we talk | :11:55. | :11:59. | |
about the Verdi line is this flowing of music from one note to another, | :11:59. | :12:03. | |
from one bar to another, which really is unique. It is very good | :12:03. | :12:08. | |
for the voice if you know how to sing Verdi, it is really beneficial. | :12:08. | :12:13. | |
It hells you place your -- helps you place your voice and master your | :12:13. | :12:18. | |
voice, just like Mozart can be a doctor for the voice. You cannot | :12:18. | :12:24. | |
really sing Verdi wrong for long. Your voice, you will pay the price | :12:24. | :12:29. | |
if you do. Because you spent a long time, didn't you, training your | :12:29. | :12:34. | |
voice for this work. It is a process studying when you are an opera | :12:34. | :12:42. | |
singer. You have to keep abreast with your instrument - which is | :12:42. | :12:45. | |
singer. You have to keep abreast whole body, not just the vocal | :12:45. | :12:47. | |
chords and you have to constantly learn new music. Work with new | :12:47. | :12:53. | |
people, who bring new dimensions of the same work. Even operas that | :12:53. | :12:57. | |
people, who bring new dimensions of have done, literally hundreds of | :12:57. | :13:01. | |
times like Rigoletto, when it is a good conductor, especially when | :13:01. | :13:04. | |
times like Rigoletto, when it is a sit around a piano where him for a | :13:04. | :13:07. | |
couple of hours, you will always find something new about the score, | :13:07. | :13:12. | |
Joseph Calleja, always popular, singing oh Sorrow from Verdi's opera | :13:13. | :16:59. | |
betrayal, we'll have something happier next w the romantic love | :16:59. | :17:03. | |
Debut conductor here. A wonderful artist, whose early early ambition | :17:03. | :25:22. | |
conductor. She was told she could not be because her hands were too | :25:22. | :25:23. | |
have Joseph Calleja, who will sing Calleja's O Inferno. The orchestra | :25:23. | :30:29. | |
He is being -- by Xian Zhang. He is being congratulated as believes | :30:29. | :30:33. | |
He is being -- by Xian Zhang. He is stage, though not for the last time. | :30:33. | :30:41. | |
Verdi, inspired by a new-found passion for ancient E Egypt. Aida, | :30:41. | :34:19. | |
The Triumphal March, conducted by Xian Zhang, with extra brass there, | :34:19. | :34:25. | |
Here comes Joseph Calleja once again. This time we will hear him | :34:25. | :34:51. | |
sing if only I could deny trust Luisa Miller, the story of a doomed | :34:51. | :39:55. | |
Joseph and the conductor thanking and applauding the orchestra Verdi. | :39:56. | :40:02. | |
He is coming on now, back on stage here, at the Royal Albert Hall, | :40:02. | :40:42. | |
He is coming on now, back on stage give us arousing finale. Possibly | :40:42. | :40:46. | |
You can see him before that he'll be part of the last night celebrations. | :40:46. | :43:27. | |
and Brian Ferry in Proms in the part of the last night celebrations. | :43:27. | :43:35. | |
Well, I am not surprised to see Joseph Calleja coming back on the | :43:35. | :44:10. | |
stage to another another bow after that performance. He made his debut | :44:10. | :44:17. | |
at kove vent garden in 2002. Critics at the time said they could not | :44:17. | :44:21. | |
A hugely popular tenor. Here he comes again. You can hear the cheers | :44:21. | :45:31. | |
and the stamping. Made such an impression at the Last Night of | :45:31. | :45:38. | |
and the stamping. Made such an Appearing in his Team GB tracksuit, | :45:38. | :45:44. | |
with his Maltese T-shirt underneath. A huge advocate of bringing opera to | :45:44. | :45:48. | |
as many different audiences as possible. Absolute hero back in | :45:48. | :46:14. | |
holiday to maple Thorp to see his English Aunty. She heard him singing | :46:14. | :46:23. | |
to opera and she said, Joseph, do you know what, I think you have | :46:23. | :46:25. | |
as much as you don't need to know much about wine to know it is a | :46:25. | :47:26. | |
performed by the Orchestra Sinfonica victim of fate, so he identified | :47:26. | :50:41. | |
into something of a Manfred myself. victim of fate, so he identified | :50:41. | :51:22. | |
Zhang chang who has been the musical director of this orchestra since | :51:22. | :51:28. | |
2009, bringing h whole orchestra to their feet now. She has paid tribute | :51:28. | :51:33. | |
to certain sections, bringing them up first. She told me earlier she | :51:33. | :51:37. | |
really enjoys working with these musicians. She said they are all in | :51:37. | :51:43. | |
their late 30s or early 40s. They are really energetic. They want | :51:43. | :51:48. | |
their late 30s or early 40s. They have demands put upon them thanked | :51:48. | :51:51. | |
rehearsals are very -- and that rehearsals are very creative. She | :51:51. | :51:57. | |
spoke so passionately about them. Well, she is coming back on to the | :51:57. | :52:03. | |
The William Tell overture. Arousing end to this evening's concert from | :52:03. | :55:37. | |
the Orchestra Sinfonica di Milano Giuseppe Verdi, conducted by Xian | :55:37. | :55:38. | |
39th opera Rossini wrote, his very last opera, hugely popular ever | :55:39. | :56:12. | |
since. Featured in so many cartoons and adverts. For many, I know it | :56:12. | :56:22. | |
will always be to the Lone Ranger and Tonto, his faithful side kick. | :56:22. | :56:49. | |
As the cheers continue for Xian Zhang and the orchestra, it is time | :56:49. | :57:01. | |
nearly to say goodbye. You can see high height lights on the BBC web | :57:02. | :57:06. | |
#150i9, go to listen and watch. Tomorrow there is the National Youth | :57:07. | :57:11. | |
Orchestra with youth choirs from all over the world. I will be back on | :57:11. | :57:17. | |
Saturday as the Proms reaches its climax. There'll be much more, along | :57:17. | :57:21. | |
with all the traditional last night on BBC Two and later on BBC One | :57:21. | :57:30. | |
with all the traditional last night 9. 20pm. Until then, from me and | :57:30. | :57:30. |