The Urban Prom 2013 BBC Proms


The Urban Prom 2013

Similar Content

Browse content similar to The Urban Prom 2013. Check below for episodes and series from the same categories and more!

Transcript


LineFromTo

here at the fantastic Royal Albert Hall. You guys look fantastic. Make

:00:43.:00:51.

some noise! Welcome. I am Sarah-Jane Crawford. I am Charlie Sloth. The

:00:51.:00:55.

people's Prince: The best looking fat guy in the universe. Why are you

:00:55.:00:58.

doing that stupid voice? It's the Prom, one should make an effort.

:00:58.:01:01.

Back stage we spoke about this. The voice. Be yourself. This is what

:01:01.:01:06.

it's all about. Yo, I am Charlie Sloth. The best looking fat guy in

:01:06.:01:09.

the universe. There's definitely a couple of mums in the audience

:01:09.:01:12.

tonight I will do a thing with... No, that's where you are going wrong

:01:12.:01:18.

again. This is the Royal Albert Hall, rein it in a bit. This is

:01:18.:01:27.

about the fusion of music. I will explain later. We have some great

:01:27.:01:37.
:01:37.:01:41.

artists performing. Like Wretch 32. Like Laura Mvula. Lady Leshurr.

:01:41.:01:50.

also have Fazer. Oh! You can't say that word again. We also have Fazer.

:01:50.:01:57.

Who shall be bringing out seven youngsters he's been mentoring.

:01:57.:02:00.

Seven Chapters. It gives me nothing but pleasure to bring to the stage

:02:00.:02:04.

the first act of the evening. One of the greatest singers to come out of

:02:04.:02:10.

the UK in the last 20 years, in my humble opinion. And mine.It's the

:02:10.:02:20.
:02:20.:02:53.

# No pity # Where no-one seems

:02:53.:02:56.

# Talk with me Feel my heart beating

:02:56.:02:58.

# But no-one ever hears my pain

:02:58.:03:02.

# The way I'm living is cold and now I'm sitting

:03:02.:03:04.

# Cos you and I done walked away

:03:04.:03:06.

# And these days how I've been feeling

:03:07.:03:09.

# Is numbing everything in a haze

:03:09.:03:13.

# I've been lost for days and homeless, broken, hatin'

:03:13.:03:17.

# But we never hide Can't turn back

:03:17.:03:23.

# Where do we go if there's no love

:03:23.:03:26.

# Where do we turn if there's no-one

:03:26.:03:28.

# Where are we gonna go?

:03:28.:03:29.

# Lord knows I need you here to tell me so

:03:29.:03:33.

# Where do we go if there's no love

:03:33.:03:35.

# Where do we turn if there's no-one

:03:35.:03:37.

# Where are we gona go?

:03:37.:03:40.

# Lord knows these days They feel so dark, alone

:03:40.:03:44.

# Dark alone

:03:44.:03:45.

# Oohhh

:03:45.:03:51.

# Nobody is left here for me

:03:51.:03:53.

# They've run after the fortune and fame

:03:53.:03:56.

# My honey had changed for my money

:03:56.:03:59.

# It's funny how I get blamed

:03:59.:04:02.

# I've been fighting for love Never a diamond

:04:02.:04:05.

# Because dollars seems to own this place

:04:05.:04:08.

# And I feel like it's been killing my soul

:04:08.:04:10.

# In this world that just hates

:04:10.:04:12.

# I've been lost for days in hopeless, broken places

:04:12.:04:19.

# But we never hide Can't turn back

:04:19.:04:23.

# Where do we go if there's no love

:04:23.:04:25.

# Where do we turn if there's no-one

:04:25.:04:27.

# Where are we gonna go?

:04:27.:04:30.

# Lord knows I need you here to tell me so

:04:30.:04:34.

# Where do we go if there's no love

:04:34.:04:36.

# Where do we turn if there's no-one

:04:36.:04:38.

# Where are we gonna go?

:04:38.:04:41.

# Lord knows these days feel so dark, alone

:04:41.:04:44.

# Dark alone

:04:44.:04:47.

# All we can do is dry these tears

:04:47.:04:50.

# Even when we don't want to

:04:50.:04:52.

# All we can do is fight these fears

:04:52.:04:55.

# Even when they all come true

:04:55.:04:58.

# I don't want to be alone

:04:59.:05:02.

# But I'm all alone here for you

:05:02.:05:06.

# Where do we go if there's no love

:05:06.:05:08.

# Where do we turn if there's no-one

:05:08.:05:11.

# Lord knows, Lord knows I need you here

:05:11.:05:18.

# Where do we go if there's no love

:05:18.:05:20.

# Where do we turn if there's no-one

:05:20.:05:23.

# Where are we gonna go?

:05:23.:05:24.

# Lord knows these days feel so dark, alone

:05:24.:05:29.

# Dark alone

:05:29.:05:31.

# Oooh, ooh, ooh

:05:31.:05:33.

# Lord, tell me so

:05:33.:05:37.

# Oooh

:05:37.:05:39.

# Lord, tell me so

:05:39.:05:41.

# Oooh

:05:41.:05:43.

# Lord, tell me so

:05:43.:05:46.

# Oooh

:05:46.:05:50.

# Oooh

:05:51.:06:00.

# Whoa whoa whoa

:06:00.:06:10.
:06:10.:06:18.

APPLAUSE AND CHEERING

:06:18.:06:28.
:06:28.:06:29.

It's

:06:29.:06:29.

It's urban

:06:29.:06:30.

It's urban night

:06:30.:06:37.

It's urban night at the Proms. This is a culture clash. It ain't the

:06:37.:06:41.

same old. This is a next level event. UK's finest urban artists

:06:41.:06:51.
:06:51.:06:58.

You just saw Maverick Sabre, frontrunner much the new general

:06:58.:07:03.

racial. -- generation. When you step out on stage there it's an intense

:07:03.:07:13.
:07:13.:07:15.

Coming up: The singer-songwriter with the very set vocals, Laura

:07:15.:07:25.
:07:25.:07:28.

Mvula. Playing the Royal Albert Hall And British soul music's brightest

:07:28.:07:32.

new star, Jacob Banks. Every song I write, it's a part of my soul I am

:07:32.:07:37.

giving away and a little bit of my story of things I have seen. I am a

:07:37.:07:42.

story-teller. The urban artists have landed and they're about to smash

:07:42.:07:52.
:07:52.:07:52.

Apology for the loss of subtitles for 45 seconds

:07:52.:08:38.

the Proms. It's going to be a # Hey there, you

:08:38.:08:48.
:08:48.:08:48.

# Hey there, you Try to stand up on your own two feet

:08:48.:08:53.

# And stumble into the sky

:08:53.:09:02.

# When the lights go out and you're on your own

:09:02.:09:06.

# How are you gonna make it through till the morning sun?

:09:06.:09:16.

# Sing to the moon and the stars will shine

:09:16.:09:21.

# Over you Lead you to the other side

:09:21.:09:28.

# Sing to the moon and the stars will shine

:09:28.:09:33.

# Over you Heaven's gonna turn the time

:09:33.:09:43.
:09:43.:09:54.

# Hey there you Looking for a brighter season

:09:54.:09:59.

# Need to lay your burden down

:09:59.:10:04.

# Hey there you Drowning in a hopeless feeling

:10:04.:10:11.

# Buried under deeper ground

:10:11.:10:19.

# When the lights go out it's a waiting game

:10:19.:10:26.

# Never gonna see a day when your world will change

:10:26.:10:33.

# Sing to the moon and the stars will shine

:10:33.:10:38.

# Over you Lead you to the other side

:10:38.:10:44.

# Sing to the moon and the stars will shine

:10:44.:10:50.

# Over you Heaven's gonna turn the time

:10:50.:11:00.
:11:00.:11:25.

# Sing to the moon and the stars will shine

:11:25.:11:27.

# Over you Lead you to the other side

:11:27.:11:31.

# Sing to the moon and the stars will shine

:11:31.:11:37.

# Over you Heaven's gonna turn the time

:11:37.:11:43.

# Sing to the moon and the stars will shine

:11:43.:11:49.

# Over you Lead you to the other side

:11:49.:11:55.

# Sing to the moon and the stars will shine

:11:55.:12:01.

# Over you Heaven's gonna turn the time

:12:01.:12:07.

# Sing to the moon and the stars will shine

:12:08.:12:17.
:12:18.:12:22.

# Sing to the moon and the stars will shine

:12:22.:12:25.

# Over you Lead you to the other side

:12:25.:12:35.
:12:35.:12:38.

CHEERING AND APPLAUSE

:12:38.:12:48.
:12:48.:12:53.

Next

:12:53.:12:54.

Next up

:12:54.:12:55.

Next up is

:12:55.:13:05.
:13:05.:13:05.

Apology for the loss of subtitles for 45 seconds

:13:05.:13:46.

Next up is Jacob Banks. Arranged by # Cos the road to the river

:13:46.:13:54.

# Cos their hopes and dreams have been torn apart

:13:54.:13:59.

# So I pray Oh Lord, I pray for a rainy day

:13:59.:14:04.
:14:04.:14:09.
:14:09.:14:14.

# So I pray Oh Lord, I pray for a rainy day

:14:15.:14:19.

# Somewhere there's a father living on his knees

:14:19.:14:23.

# Waiting for his little boy to come back home

:14:23.:14:28.

# He's travelled far Far and wide across the sea

:14:28.:14:33.

# Fighting a hopeless war on his own

:14:33.:14:38.

# Somewhere his dream is running wild and free

:14:38.:14:42.

# Chasing a rainbow only they could see

:14:42.:14:47.

# It's a lonely road but it's the only way to go

:14:47.:14:52.

# Will they make it there? We will never know

:14:52.:14:56.

# So I pray Oh Lord, I pray for a rainy day

:14:56.:15:03.
:15:03.:15:06.

# So I pray Oh Lord, I pray for a rainy day

:15:06.:15:10.
:15:10.:15:17.

# It's cold outside Such a shame

:15:17.:15:25.

# It's cold outside So much pain

:15:25.:15:34.

# So I pray Oh Lord, I pray for a rainy day

:15:34.:15:38.

# So I pray Oh Lord, I pray for a rainy day

:15:38.:15:44.

# So I pray Oh Lord, I pray for a rainy day

:15:44.:15:54.
:15:54.:15:54.

Apology for the loss of subtitles for 45 seconds

:15:54.:16:57.

Oh Lord, I pray for a rainy day. # APPLAUSE AND CHEERING

:16:57.:17:04.

Some fans out there for you. Jacob Banks everyone. How amazing! That

:17:04.:17:07.

was absolutely independent credible. That was so good. And did you know

:17:07.:17:13.

he started in music two years ago? Don't lie to me. Honestly.Don't lie

:17:13.:17:20.

to me. Would I lie to you?Would I lie to you... Leave it. Move on.

:17:20.:17:26.

This event brings together Radio 3, Radio 1, One Extra and BBC Three

:17:26.:17:29.

which of course you are watching right now. It's probably the first

:17:29.:17:35.

time all of those guys from the BBC have ever spoke. Yeah. Awkward.Move

:17:35.:17:42.

on. The next artist last year performed at the Barbican. They know

:17:42.:17:49.

already! But this year he will perform for the first time with the

:17:49.:17:58.

legendry Jules Buckley and the BBC orchestra. I prefer to call him

:17:58.:18:04.

Jules the G. Can I come up? Is there space for us? Can you not leave the

:18:04.:18:10.

man alone? This guy is only 32 years of age but already... Yes, big

:18:10.:18:14.

cheer. He is on a private jet already. Little older than me.

:18:14.:18:17.

Already he is on top of his game, travelling around the world and he

:18:17.:18:22.

could be anywhere in the world right now but he is here with us at the

:18:22.:18:27.

Royal Albert Hall. Make some noise for that, please. Now, I have to say

:18:27.:18:31.

I have been watching you in rehearsals. You are a very talented

:18:31.:18:39.

man. When you are conducting it reminds me of when I am dancing to

:18:39.:18:42.

Gram. Can you leave the man who arranged the piece to do his job and

:18:42.:18:52.
:18:52.:19:26.

welcome to the stage the incredible Hello everyone. I am Fazer. For

:19:26.:19:30.

those that don't know I composed this myself by the way. Everything

:19:30.:19:35.

you are going to hear. It's done by myself.

:19:35.:19:45.
:19:45.:19:59.

And my produfks partner. -- # I started writing songs

:19:59.:20:01.

# Standing on the stage singing songs from a tender age

:20:01.:20:02.

# Yes, that's all I knew apart from wearing and selling the cane

:20:02.:20:05.

# Used to have a girl but all she did was stress my brain

:20:05.:20:07.

# Had to let it go, was looking forward to bad days, bad days

:20:07.:20:10.

# Cos when you're stuck in a cycle I swear you never know

:20:10.:20:12.

# You keep going round and round until you let it go

:20:12.:20:15.

# I used to wish for things I'd thought I'd never gain

:20:15.:20:19.

# Tried to make it work in each and every way

:20:19.:20:22.

# But it's a shame when feelings fade and things change

:20:22.:20:25.

# Things change and that's a shame

:20:25.:20:27.

# As I stare across the skies

:20:27.:20:28.

# I see nothing but a billion fireflies

:20:28.:20:32.

# Reminding me that I can make my life

:20:32.:20:36.

# Shine, it's not over, over, over

:20:36.:20:46.
:20:46.:20:53.

# It was all good just a year ago

:20:53.:20:55.

# Now I don't recognise myself in the mirror

:20:55.:20:57.

# Though I'm used to seeing three silhouettes in the video

:20:57.:21:00.

# But now it's me, myself and I I'ma kill it though

:21:00.:21:02.

# A moment from overdosing I swear I'm just barely coping

:21:02.:21:04.

# I chill with my brother Lewis I feel like a goner

:21:04.:21:07.

# Cos my heart keep beating Keeps, keeps beating

:21:07.:21:09.

# Only get one life and the fireflies are leaving

:21:09.:21:12.

# So hello world Can you people hear me calling

:21:12.:21:13.

# I always put my all in Working from night to morning

:21:13.:21:22.

# Ride, ride, ride, ride, ride

:21:22.:21:24.

# As I stare across the skies

:21:24.:21:26.

# I see nothing but a billion fireflies

:21:26.:21:31.

# Reminding me that I can make my life

:21:31.:21:36.

# Shine, it's not over, over, over

:21:36.:21:42.

# Cos I can see the fireflies, fireflies, fireflies

:21:42.:21:47.

# I see the fireflies, fireflies, fireflies, fireflies

:21:47.:21:55.

# I swear I'm like a firefly

:21:56.:21:57.

# I require darkness in order to shine

:21:57.:21:58.

# I take the cold days out of this world

:21:58.:22:00.

# And make a little nest by lighting the sky

:22:00.:22:04.

# My dad taught me everything changes in time

:22:04.:22:05.

# I know that he was right That's the way of life

:22:05.:22:07.

# That's why I try and stay away from losing my cool

:22:07.:22:10.

# I swear my biggest fear is losing it all

:22:10.:22:13.

# As I stare across the skies

:22:13.:22:15.

# I see nothing but a billion fireflies

:22:15.:22:19.

# Reminding me that I can make my life

:22:19.:22:24.

# Shine, it's not over, over, over

:22:24.:22:31.

# Cos I can see the fireflies

:22:31.:22:41.
:22:41.:22:42.

# Not over

:22:42.:22:45.

APPLAUSE AND CHEERING

:22:45.:22:52.

Thank

:22:52.:22:52.

Thank you,

:22:52.:22:52.

Thank you, ladies

:22:52.:22:58.

Thank you, ladies and gentlemen. I am Fazer.

:22:58.:23:03.

I am back stage. I am about to speak to a man who is fresh off the stage,

:23:03.:23:08.

it's MrFazer. I like to grab them when they're fresh off stage because

:23:08.:23:12.

I get the energy. How are you? well. How are you? So good. You look

:23:12.:23:18.

fantastic. Thank you. This is not the finale outfit yet. I am feeling

:23:18.:23:23.

good right now. Earlier he was like this is the urban, and later comes

:23:23.:23:27.

the classic. How was the performance? Great. The crowd, I

:23:27.:23:31.

think they need something to hype them up a little bit. I started to

:23:31.:23:37.

do that already and obviously Lady Leshurr has taken over. We are in a

:23:37.:23:41.

good place. The baton was passed and you guys are on fire. When I

:23:41.:23:44.

announced you were going to be performing, even before I said your

:23:44.:23:50.

name, when it was like a hint of Fazer, they went argh! Oh, gosh. The

:23:50.:23:54.

fans out here, there is a load of dedicated fans that came to see the

:23:54.:23:58.

show. I am doing records that are not out in the charts yet. But yeah,

:23:58.:24:01.

the first exclusive for everybody that's watching TV and listening at

:24:01.:24:05.

home. Yeah, man, excited about it all. What I love about you is you

:24:05.:24:09.

play different instruments, so it must be brilliant to do something

:24:09.:24:12.

like this. I feel at home working with the orchestra. It's been a

:24:12.:24:15.

great experience rehearsing with them and telling them, can you cut

:24:15.:24:19.

this part here and watching the orchestra have a meltdown because 80

:24:19.:24:24.

people have to change each score on the paper. Yeah, fun. It's totally

:24:24.:24:27.

different. I reckon people should have a look at what you have been

:24:27.:24:31.

doing and the rest of these fabulous artists.

:24:31.:24:38.

It's urban night at the Proms. And the rap pack are taking over.

:24:38.:24:47.

They're flipping the script to make an urban classic. Our finest home

:24:47.:24:53.

grown lyricists alongside the BBC Symphony Orchestra. One third of

:24:53.:24:57.

multiplatinum selling N-Dubz, rapper and producer Fazer is now a solo

:24:57.:25:02.

star in his own right. It's a special moment and to perform with

:25:02.:25:12.
:25:12.:25:14.

an orchestra, I am like, lost for Chart-topper, Wretch 32 is the hard

:25:14.:25:19.

rapper with a lazy flow. Having a massive orchestra out there, I feel

:25:19.:25:25.

like I have extra arms and legs and power. It's really exciting.

:25:26.:25:33.

Blazing a trail for Birmingham Lady Leshurr is the woman with an

:25:33.:25:37.

explosive style. I like Mozart. I rapped over that before. It's like a

:25:37.:25:46.

challenge to me. I love a challenge. So let the rappers delight.

:25:46.:25:56.
:25:56.:26:01.

urban classical Proms, history in How you lot feeling out here? All

:26:01.:26:11.
:26:11.:26:13.

right. I go by the name of Lady Leshurr. Wow, there's loads of

:26:13.:26:23.
:26:23.:26:33.

# Lemme see the place go # Lemme see the place go

:26:33.:26:37.

# Lemme see the place go Lemme see your hands go

:26:37.:26:44.

# I got these people going crazy cos I'm dancing so insanely

:26:44.:26:47.

# And there's no-one to restrain me I'm such a lovely lady

:26:47.:26:51.

# They be watching who I came with cos they say I'm looking tasty

:26:51.:26:54.

# You can love me, you can hate me Either way I'll be the same me

:26:54.:26:59.

# And I'll be breaking it down

:26:59.:27:01.

# And if you didn't know by now I'll be making a sound

:27:01.:27:02.

# And if you never heard of L I'll be saying it now

:27:02.:27:04.

# That my delivery is wow I ain't playing around

:27:04.:27:06.

# And I'll be taking it down

:27:06.:27:08.

# And if you come in I promise you won't be making it out

:27:08.:27:09.

# And I can take you higher even if you stay on the ground

:27:09.:27:11.

# Because I take you higher

:27:11.:27:14.

# Cos I be killing 'em, killing 'em

:27:14.:27:15.

# Yeah I'm killing 'em, killing 'em

:27:15.:27:15.

# And whenever they hear my tunes

:27:15.:27:16.

# Yeah they're feeling them, feeling them

:27:16.:27:17.

# And I got nothing to lose I be winning and, winning and

:27:17.:27:19.

# And I won't stop till I get A million, million

:27:19.:27:21.

# I be killing 'em, killing 'em Killing 'em, killing 'em

:27:21.:27:23.

# Whenever they hear my tunes

:27:23.:27:23.

# Yeah they're feeling them, feeling them

:27:23.:27:25.

# And I got nothing to lose I be winning and, winning and

:27:25.:27:26.

# And I won't stop till I get A million, million

:27:26.:27:36.
:27:36.:27:45.

# Cos I be killing 'em, killing 'em

:27:45.:27:46.

# Yeah I'm killing 'em, killing 'em

:27:46.:27:48.

# And whenever they hear my tunes

:27:48.:27:49.

# Yeah they're feeling them, feeling them

:27:49.:27:50.

# And I got nothing to lose I be winning and, winning and

:27:50.:27:51.

# And I won't stop till I get A million, million

:27:51.:27:52.

# Cos I be killing 'em, killing 'em Killing 'em, killing 'em

:27:52.:27:53.

# Whenever they hear my tunes

:27:53.:27:54.

# Yeah they're feeling them, feeling them

:27:54.:27:55.

# And I got nothing to lose I be winning and, winning and

:27:55.:27:56.

# And I won't stop till I get A million, million

:27:56.:28:01.

# Lemme see the place go Lemme see your hands go

:28:01.:28:11.
:28:11.:28:14.

# I got these people going loopy cos my style is so exclusive

:28:14.:28:16.

# Now they wanna introduce me I'm such a lovely cutie

:28:16.:28:19.

# No these guys, they don't amuse me cos they say I'm lacking juicy

:28:19.:28:24.

# You can judge me, you can sue me Either way I'm just gon' do me

:28:24.:28:30.

# Cos I'll be tearing it down

:28:30.:28:32.

# I make the place go wild cos they're feeling my sound

:28:32.:28:33.

# And I leave their mind spinning kinda like a merry-go-round

:28:33.:28:34.

# And know that I'm winnig Flyer than a pelican now

:28:34.:28:36.

# You see the junk in the trunk like an elephant's mouth

:28:36.:28:37.

# You see I'm crunk in the club and I'm getting 'em down

:28:37.:28:39.

# I say "what's up" when I'm up and whenever I'm down

:28:39.:28:40.

# Because I take you higher even if you stay on the ground

:28:40.:28:42.

# Cos I be killing 'em, killing 'em Yeah I'm killing 'em, killing 'em

:28:42.:28:49.

# And I got nothing to lose I be winning and, winning and

:28:49.:28:50.

# And I won't stop till I get A million, million

:28:50.:28:51.

# I be killing 'em, killing 'em Killing 'em, killing 'em

:28:51.:28:52.

# Whenever they hear my tunes

:28:52.:28:53.

# Yeah they're feeling them, feeling them

:28:53.:28:54.

# And I got nothing to lose I be winning and, winning and

:28:54.:28:55.

# And I won't stop till I get A million, million

:28:55.:29:05.
:29:05.:29:13.

# Olly olly olly Oi oi oi

:29:13.:29:14.

# Cos I be killing 'em, killing 'em Yeah I'm killing 'em, killing 'em

:29:14.:29:16.

# And whenever they hear my tunes

:29:16.:29:20.

# I be killing 'em, killing 'em Killing 'em, killing 'em

:29:20.:29:22.

# Whenever they hear my tunes

:29:22.:29:23.

# Yeah they're feeling them feeling them

:29:23.:29:26.

# And I got nothing to lose I be winning and, winning and

:29:26.:29:27.

# And I won't stop till I get A million, million

:29:27.:29:32.

APPLAUSE AND CHEERING

:29:32.:29:42.
:29:42.:29:49.

Make

:29:49.:29:49.

Make some

:29:49.:29:49.

Make some noise

:29:50.:29:59.
:30:00.:30:09.

Everyone clap. Look at this. This is # Yeah they're feeling them

:30:09.:30:11.

# And I won't stop till I get A million, million

:30:11.:30:17.

# Uh, yeah

:30:17.:30:18.

# Uh, yeah

:30:18.:30:28.

APPLAUSE AND CHEERING

:30:28.:30:37.

APPLAUSE AND CHEERING Thank

:30:37.:30:37.

APPLAUSE AND CHEERING Thank you

:30:37.:30:47.
:30:47.:30:47.

Apology for the loss of subtitles for 45 seconds

:30:47.:32:36.

# When the candles are placed # Let there be no light

:32:36.:32:46.
:32:46.:32:52.

# This little light of mine # Even when I'm in the dark

:32:52.:32:57.

# Let me fly, my mind's got wings on it

:32:57.:32:58.

# Gotta blue, gotta brown got pink on it

:32:59.:33:01.

# My little bro's got a sixth on it I splash cash and I drink solid

:33:01.:33:04.

# I don't wanna act bad Don't wanna see a pap flash

:33:04.:33:07.

# I just wanna black out without backlash

:33:07.:33:12.

# Wanna be alive, not just employed There, following my heart

:33:12.:33:15.

# Even the light's got faith in the dark, amen

:33:15.:33:19.

# When the lights hurt my brain Sometimes I pray for a blackout

:33:19.:33:25.

# When the candles are placed Nothing more I crave than a blackout

:33:25.:33:32.

# Let there be no light

:33:32.:33:33.

# Let there be no light till the sunrise

:33:33.:33:35.

Only then will I open my eyes

:33:35.:33:38.

# Let there be no light

:33:38.:33:48.
:33:48.:33:48.

# Is it that way you move your hips or that piercing on your lips

:33:48.:33:50.

# Or that there Serrano flowing like it's serving through a drip

:33:51.:34:00.
:34:01.:34:03.

# Got a feeling that you're feeling how I'm feeling

:34:03.:34:05.

# Would waking up with me tomorrow morning make your evening?

:34:05.:34:08.

# If so, let's find a corner in the place that I can breathe in

:34:08.:34:13.

# My ego's claustrophobic, you should know we've had a threesome

:34:13.:34:19.

# Leave it

:34:19.:34:19.

# When the lights hurt my brain Sometimes I pray for a blackout

:34:20.:34:24.

# When the candles are placed Nothing more I crave than a blackout

:34:24.:34:31.

# Let there be no light

:34:31.:34:33.

# Let there be no light till the sunrise

:34:33.:34:40.

Only then will I open my eyes

:34:40.:34:41.

# Let there be no light

:34:41.:34:46.

# Take away my light Take away my shine

:34:46.:34:48.

# Take away my eyesight Give me a beat and let me rhyme

:34:49.:34:51.

# Take away my light Take away my shine

:34:51.:34:53.

# Take away my eyesight Give me a beat and let me rhyme

:34:53.:34:54.

# Take away my light Take away my shine

:34:54.:34:56.

# Take away my eyesight Give me a beat and let me rhyme

:34:56.:34:58.

# Take away my light Take away my shine

:34:58.:35:00.

# Take away my eyesight Give me a beat and let me rhyme

:35:00.:35:10.
:35:10.:35:15.

# Take away my light Take away my shine

:35:15.:35:24.

# Let there be no light Only then will I open my eyes

:35:24.:35:31.

# Let me fly, my mind's got wings on it

:35:31.:35:39.

# When the lights hurt my brain Sometimes I pray for a blackout

:35:39.:35:41.

# When the candles are placed Nothing more I crave than a blackout

:35:41.:35:47.

# Let there be no light. #

:35:47.:35:48.

APPLAUSE AND CHEERING

:35:49.:35:58.

Now

:35:58.:35:58.

Now there's

:35:58.:35:58.

Now there's something

:35:58.:36:01.

Now there's something in me that wants to see the Royal Albert Hall

:36:01.:36:07.

jump. Do you guys have it in you? Let's go, let's bounce! On the

:36:07.:36:17.
:36:17.:36:17.

Apology for the loss of subtitles for 45 seconds

:36:17.:36:59.

Can I get yeah! Thank you.

:36:59.:37:09.
:37:09.:37:09.

Apology for the loss of subtitles for 45 seconds

:37:09.:37:54.

# Saw you wandering # Singing wonder

:37:54.:38:00.

# You can't simply hide a dream in the blue

:38:00.:38:09.

# Don't try to fight Don't let me go

:38:09.:38:16.

# You've gone too far from what I know

:38:16.:38:21.

# I lost my heart in the dark with you

:38:21.:38:26.

# Father, Father, why you let me go?

:38:26.:38:32.

# Father, please don't let me go

:38:32.:38:40.

# Brother, Brother, let me love you

:38:40.:38:43.

# Whisper all your deepest fears

:38:43.:38:53.
:38:53.:38:58.

# Singing wonder Wonder what you might do

:38:58.:39:00.

# You can't simply hide a dream in the blue

:39:00.:39:06.

# Don't try to fight Don't let me go

:39:06.:39:12.

# You've gone too far from what I know

:39:12.:39:18.

# I lost my heart in the dark with you

:39:18.:39:24.

# Father, Father, why you let me go?

:39:24.:39:31.

# Father, please don't let me go

:39:31.:39:41.

# Let me love you

:39:41.:39:42.

# Let me love you

:39:42.:39:44.

# Let me love you

:39:44.:39:54.
:39:54.:40:15.

# Don't try to fight # You've gone too far

:40:15.:40:22.

# I lost my heart in the dark with you

:40:22.:40:29.

# Father, Father, why you let me go?

:40:29.:40:33.

# Father, please

:40:34.:40:43.
:40:44.:40:44.

Apology for the loss of subtitles for 45 seconds

:40:44.:41:28.

# Father, Father Why you let me go?

:41:28.:41:35.

# Father, please don't let me go

:41:35.:41:43.

# Father, Father Why you let me go?

:41:43.:41:48.

# Father. #

:41:48.:41:54.

# Father, please don't let me go

:41:54.:41:57.

# Father, Father Why you let me go?

:41:57.:42:05.

# Father

:42:05.:42:08.

# Father, please don't let me go

:42:08.:42:18.
:42:18.:42:18.

Apology for the loss of subtitles for 45 seconds

:42:18.:43:44.

CHEERING AND APPLAUSE

:43:44.:43:54.
:43:54.:44:17.

We

:44:17.:44:17.

We are

:44:17.:44:17.

We are here

:44:17.:44:23.

We are here today at the BBC studios in London, we are having a

:44:23.:44:25.

run-through and rehearsal for everything leading up to the big

:44:25.:44:35.
:44:35.:44:39.

show that's coming up, which is artists have played classical Proms,

:44:39.:44:44.

you know, I think we are all trying to bring that edge and that

:44:44.:44:52.

hardness, but at the same time, you know, we love great music. I

:44:52.:44:56.

wouldn't say it's a culture clash. I would say it's two groups of people

:44:56.:44:59.

meeting who wouldn't necessarily meet, which is what makes it

:44:59.:45:03.

special. I think the common interest is music, which is a beautiful thing

:45:03.:45:09.

because that is the universal language. It's like infusing two

:45:09.:45:11.

different genres and making something that hasn't been done

:45:11.:45:21.
:45:21.:45:33.

flagship BBC ensemble at the Proms and it's a whopper sized ensemble,

:45:33.:45:37.

average about 90 players. You can expect seriously heavy sounds from

:45:37.:45:47.
:45:47.:45:56.

the City of Birmingham Symphony Orchestra. I remember feeling such a

:45:56.:46:01.

yearning to be a part of what I was hearing, just a few doors away from

:46:01.:46:11.
:46:11.:46:36.

me. But never really stepped into to hear it kind of come to this

:46:36.:46:40.

point seven years later, I am hearing a Symphony Orchestra play

:46:40.:46:48.

it, is, yeah, it's a proud moment for me, definitely. I think what

:46:48.:46:54.

Jules and the orchestra and the artists have done is incredible.

:46:54.:46:58.

It's new. He says some stuff and me and Wretch 32 are kind of like, he

:46:58.:47:05.

will be like, bar one 73, take the cue off and put a quaver on and we

:47:05.:47:15.
:47:15.:47:21.

thing. A really big deal for me. I am enjoying every moment. I think

:47:21.:47:25.

after each one of us perform on the night it's going to be turmoil.

:47:25.:47:29.

Everyone jumping and stitch. Yeah, it's going to be -- juching and

:47:29.:47:34.

stuff. It's going to be crazy. will get nerves, but once I am out

:47:34.:47:37.

there, I am just going to do what I do best.

:47:37.:47:45.

I think it's going to be mind-blowing. The end.

:47:45.:47:49.

Hello the Royal Albert Hall. It's Sarah Jane Crawford here. Are you

:47:49.:47:59.

having a good time? I am Charlie Sloth. Hello, mum, hello dad. Now

:47:59.:48:05.

tonight's been amazing: It has been. They just love Fazer. I have had a

:48:05.:48:11.

brilliant time. Have these guys had a good dime? That weren't very loud.

:48:11.:48:18.

Have you had a good time? Oh my God! Sarah Jane, is that Elton John up

:48:18.:48:23.

there? Look, he is up there. Why do you do this whenever we are in a

:48:23.:48:29.

grand venue? It's not Elton. If it's you, give me a wave. Exactly. Let's

:48:30.:48:34.

move this along to a young lady I know that you like very much.

:48:34.:48:43.

very much. It's Lady Leshurr. bring her out right now. Look At Me

:48:43.:48:53.
:48:53.:49:04.

You all right. Let me try something before you start. Let me hear you

:49:04.:49:07.

say yeah! All right, you might know of this song. If you know the words,

:49:07.:49:11.

please sing along. I am going to transform into Chris Brown and then

:49:11.:49:21.
:49:21.:49:21.

I am going to transform into Buster Rhymes I, I everyone to get happy. I

:49:21.:49:31.
:49:31.:49:35.

like seeing smiling faces. Everybody Royal Albert Hall. You should be in

:49:35.:49:45.
:49:45.:50:23.

# Look at me now, oh # I didn't really mean to say

:50:23.:50:33.
:50:33.:50:41.

# But since we talking about # Now I'ma get up on this riddim

:50:41.:50:51.
:50:51.:50:51.

Apology for the loss of subtitles for 45 seconds

:50:51.:51:33.

# And I'ma blow, gonna explode # Look at me now

:51:33.:51:43.
:51:43.:51:43.

Apology for the loss of subtitles for 45 seconds

:51:43.:52:43.

# Oh oh I'm getting famous # Oh oh oh woah oh oh

:52:43.:52:50.

# I need blue skies I need, oh oh, good times

:52:50.:52:54.

# I need Something good, yeah

:52:54.:53:00.

# Something good, something good Yeah something good oh oh woah oh oh

:53:00.:53:09.

# All these days seem so far away

:53:10.:53:12.

# When I want to see how far away I've come

:53:12.:53:18.

# Back then, I had not seen half them things

:53:18.:53:22.

# I'd ever thought I'd see

:53:22.:53:23.

# Become someone I'd never thought I'd be

:53:23.:53:25.

# Oh woah oh oh

:53:25.:53:27.

# Oh oh oh woah

:53:28.:53:30.

# Oh oh, I need sunshine and I need angels

:53:30.:53:36.

# I need Something good, yeah

:53:36.:53:38.

# I need blue skies I need, oh oh, good times

:53:38.:53:41.

I need Something good, yeah

:53:41.:53:45.

# Something good Something good, yeah

:53:45.:53:48.

# Something good oh oh woah oh oh

:53:48.:53:58.
:53:58.:54:04.

# Something good oh oh woah oh oh

:54:04.:54:05.

# All these days seem to fade away as I lost faith in myself

:54:05.:54:06.

# Question everything I stood for

:54:07.:54:09.

# No, ain't more left to look for in life

:54:09.:54:12.

# I began to lose all

:54:12.:54:14.

# Found it harder to cope With everything around me

:54:14.:54:19.

# And them people that would doubt me

:54:19.:54:21.

# Oh, I was in a place that I did not want to be

:54:21.:54:24.

# Seeing face after face that I did not want to see hahayaya

:54:24.:54:27.

# I did not go out of my mind only God knows

:54:27.:54:32.

# And all them girls that I used to see running round

:54:32.:54:34.

# Was like the rain that I used to see pouring down, hey hey hey

:54:34.:54:39.

# It did nothing for me

:54:39.:54:41.

# Oh oh oh woah oh oh I need sunshine and I need angels

:54:41.:54:47.

# I need Something good, yeah

:54:47.:54:52.

# I need blue skies I need, oh oh, good times

:54:52.:54:57.

# I need Something good

:54:57.:55:02.

# Yeah, something good Something good

:55:02.:55:04.

Oh oh woah oh oh

:55:04.:55:10.

# Something good, something good Yeah yeah yeah

:55:10.:55:15.

# I need, oh whoa

:55:15.:55:17.

# I need sunshine, I need angels

:55:17.:55:19.

# I need something good, yeah I need blue skies

:55:19.:55:23.

# I need them old times

:55:23.:55:30.

# I need something good, yeah I need blue skies

:55:30.:55:37.

# Something good

:55:37.:55:39.

# I need

:55:39.:55:41.

# I need

:55:41.:55:44.

# I need

:55:44.:55:54.
:55:54.:56:25.

are here in the Royal Albert Hall. My mum and dad are going to be so

:56:25.:56:29.

proud of me. They will. You look lovely tonight. You have got the

:56:29.:56:34.

little bow to match my lipstick. Sarah Jane, you have I have to say,

:56:34.:56:39.

you look stunning tonight. Doesn't she look stunning! Although it does

:56:39.:56:43.

look like a wedding dress. Well... There was something that I was going

:56:43.:56:51.

to ask you. OK, what's that?You know. OK, moving on! Very quickly.

:56:51.:56:56.

He does this to me all the time. This next record has been arranged

:56:56.:57:01.

by Tom Trap. You know what it's the incredible lyricist Wretch 32 and

:57:01.:57:11.
:57:11.:57:36.

the amazing vocalist Jacob Banks. that OK?

:57:36.:57:39.

CHEERING This is Doing OK.

:57:39.:57:49.
:57:49.:57:56.

# Playing blues songs # Now they hear me sing

:57:56.:57:58.

# I been waiting long for the sun to shine down

:57:58.:58:01.

# I'm doing OK Hey oh, hey, hey oh, oh

:58:01.:58:05.
:58:05.:58:10.

# I'm doing OK Hey oh, hey, hey oh, oh

:58:10.:58:14.

# I'm doing OK Hey oh, hey, hey oh, oh

:58:14.:58:20.

# Imagine that!

:58:20.:58:23.

# Used to run around the flats saying "brap"

:58:23.:58:26.

# Now I got the whole festival saying that

:58:26.:58:28.

# Thinking about the youths that have tags

:58:28.:58:30.

# Now look at me paying VAT!

:58:30.:58:32.

# I remember coming home to my bags The door wasn't on the latch

:58:32.:58:39.

# But Mum, I'll always love you for that

:58:39.:58:40.

# Only real women make a man

:58:40.:58:41.

# That's why I wanna give you more than a hand

:58:41.:58:43.

# That's why I wanna give you more than my bank

:58:43.:58:47.

# I just wanna see you fly Wanna bring back my nan

:58:47.:58:48.

# Wanna put you in the sky Give you land when you land!

:58:48.:58:50.

# But still you ain't met your new man

:58:50.:58:52.

# He better do you right 'fore I turn this to a rap

:58:52.:58:53.

# Cos I'm living on kick

:58:53.:58:55.

# I was a lonely man You can find me downtown

:58:55.:58:58.

# Playing blues songs for anybody that comes round

:58:58.:59:01.

# Now they hear me sing They want to come round round

:59:01.:59:06.

# I been waiting long for the sun to shine down

:59:06.:59:11.

# Hey oh, sun is shining

:59:11.:59:17.

# I'm doing OK Hey oh, hey, hey oh, oh

:59:17.:59:19.

# I'm doing OK Hey oh, hey, hey oh, oh

:59:19.:59:23.

# I'm doing OK Hey oh, hey, hey oh, oh

:59:23.:59:31.

# If you live where I live, you'll understand why I do it big

:59:31.:59:32.

# Late night daydreaming about my kids

:59:32.:59:34.

# Till the day I die They're the reason that I live

:59:34.:59:36.

# I just had to do it right Done the legit thing

:59:36.:59:38.

# I ain't just a role model in the business!

:59:38.:59:41.

# Tell my babymother, "don't cry for me!

:59:41.:59:42.

# I'll just have to love you from a distance!"

:59:43.:59:45.

# And I'm still the man just a little more clever

:59:45.:59:48.

# I traded grams, switched them for letters

:59:48.:59:50.

# Just like Instagram makes things look better

:59:50.:59:52.

# When I hit the ground I'll live forever!

:59:52.:59:54.

# Live forever I'm alright with that

:59:54.:59:56.

# Rolex on my wrist Good times are back

:59:56.:59:58.

# Can't get evicted I can buy my flat

:59:58.:00:00.

# Life's so relaxed!

:00:00.:00:02.

I was a lonely man You can find me downtown

:00:02.:00:05.

# Playing blues songs for anybody that comes round

:00:05.:00:10.

# Now they hear me sing They want to come round round

:00:10.:00:14.

# I been waiting long for the sun to shine down

:00:14.:00:19.

# I'm doing OK Hey oh, hey, hey oh, oh

:00:19.:00:23.

# I'm doing OK Hey oh, hey, hey oh, oh

:00:23.:00:27.

# I'm doing OK Hey oh, hey, hey oh, oh

:00:27.:00:37.
:00:37.:00:48.

Some fans out Hey oh, hey, hey oh, oh

:00:48.:00:58.
:00:58.:01:12.

multiplatinum urban recording artist and producer but I am also a huge

:01:12.:01:18.

classical music fan. Ten weeks ago I set myself a massive challenge. I

:01:18.:01:21.

auditioned talented young musicians to form a new band. None of them had

:01:21.:01:26.

any interest in Bach or Beethoven but I wanted to see whether I could

:01:26.:01:30.

open them to classical music. What do you think about classical music?

:01:30.:01:38.

It's a bit boring. I find it slow. It's like old people. I found seven

:01:38.:01:47.

amazingly talented musicians. Gospel singer Chavelle, Sam a rapper. Vic a

:01:47.:01:54.

multitalented guitarist. Samara singer and rappers Curtis and

:01:54.:01:58.

Sincere. I then dropped the bomb about what they let themselves in

:01:58.:02:01.

for. In under two months we are going to be playing at the Proms at

:02:01.:02:07.

the world renowned Royal Albert Hall. Hopefully they get the same

:02:07.:02:11.

inspiration and same feeling that I got when I first worked with a

:02:11.:02:19.

orchestra, it's like 3-D music. I walked in I got goosebumps. It's

:02:19.:02:24.

music in 3-D. Now the hard work began, they're now calling

:02:24.:02:28.

themselves The Seven Chapters. We had to create a track with urban pop

:02:28.:02:32.

and classical music and was worthive of the urban classic -- worthy of

:02:32.:02:36.

the urban classic Proms. They've got the vibe, now they need to get their

:02:36.:02:41.

own words down fast. The pressure got to some of the crew. It's an

:02:41.:02:45.

emotional experience. Sorry... don't think I have had enough chance

:02:45.:02:50.

to show my writing ability. writing is basic right now.

:02:50.:02:54.

lines isn't nothing. There might not be a show if we don't step up.

:02:54.:03:00.

really needed a classical crash course. More importantly, I wanted

:03:01.:03:04.

them out with me spreading the classical vibe to other young

:03:04.:03:14.
:03:14.:03:22.

It hurts my ears, I don't like the... With the urban classic Prom

:03:22.:03:26.

fast approaching the pressure was on for all the Chapters to nail their

:03:26.:03:29.

performance with the orchestra. Today we are not doing the whole

:03:29.:03:33.

party zone thing. We are concentrating and working. We have

:03:33.:03:38.

to come hard and perform. Or go home. We need it done by today.

:03:38.:03:48.
:03:48.:03:48.

not going to lie, will they be ready on the night? Oh my... This is

:03:48.:03:55.

madness. What I am taking on my shoulders, it could go either way. I

:03:55.:04:05.
:04:05.:04:21.

Is everyone good? Can I hear some noise please! Everyone enjoy

:04:21.:04:31.
:04:31.:04:31.

Apology for the loss of subtitles for 45 seconds

:04:31.:06:33.

themselves, yeah. Here we go, here All out, all in

:06:33.:06:39.

# We are turning a page # Make some noise!

:06:39.:06:49.
:06:49.:07:28.

Our journey is a stage # It's now or never

:07:28.:07:38.
:07:38.:07:47.

# One story, seven chapters # We are making a change

:07:47.:07:50.

# All out, now all in # We are turning a page

:07:50.:07:54.

# Here are seven chapters # Our journey is a stage

:07:54.:08:04.
:08:04.:08:05.

# Here are send chapters # We are making a change

:08:05.:08:09.

# Went all out, now all in # So we are turning a page

:08:09.:08:15.

# Here are seven chapters # Turn Turning a stage

:08:15.:08:25.
:08:25.:08:35.

# Sing these words # From my chapter

:08:35.:08:45.
:08:45.:08:48.

# You heard my story # My chapter

:08:48.:08:55.

# When the time's right # No script, no actors,

:08:55.:09:01.

# One story, seven chapters # You don't know what's coming

:09:01.:09:11.
:09:11.:09:11.

Apology for the loss of subtitles for 45 seconds

:09:11.:10:18.

# Read between the lines # We went all out, now we are all in

:10:18.:10:22.

# Here are seven chapters # The journey is our stage

:10:22.:10:27.

# Here are seven chapters # This is the start

:10:27.:10:35.

# We are making a change # Oh, yeah, went all out

:10:35.:10:38.

# Now we are all in # We are turning a page

:10:38.:10:42.

# We are seven chapters # The journey is our stage

:10:43.:10:52.
:10:53.:10:54.

# We are seven chapters # We are making a change

:10:54.:10:59.

# We are turning a page # Here are seven chapters

:10:59.:11:08.

# The journey is our stage # We are turning the page. Thank you

:11:08.:11:13.

so much. You have been brilliant. You are beautiful. This is amazing.

:11:13.:11:23.
:11:23.:11:32.

Royal Albert Hall! Make some noise # I will never be what you want

:11:32.:11:36.

# And that's alright

:11:36.:11:37.

# But if I might I must stand and fight

:11:37.:11:39.

# I will never be what you want and that's alright

:11:39.:11:49.
:11:49.:11:56.

# I will never be what you want and that's alright

:11:56.:11:59.

# I play my own damn tune I shine like the moon

:11:59.:12:04.

# And very soon I'll soon fly over you

:12:04.:12:08.

# And what you gonna do when I fly over you?

:12:08.:12:14.

# Tell me who made you the centre of the universe?

:12:14.:12:18.

# Who made you the centre of the universe?

:12:18.:12:25.

# Who made you the centre of the universe?

:12:25.:12:31.

# Who made you the centre of the universe?

:12:31.:12:39.

# And every morning when I wake up I pray for you

:12:39.:12:41.

# And then I pray for me that soon you'll see

:12:41.:12:45.

# How love can be Our love will set you free

:12:45.:12:50.

# And what it's gonna be I see the beauty in your eyes

:12:50.:12:55.

# Tell me who made you the centre of the universe?

:12:55.:12:58.

# Who made you the centre of the universe?

:12:58.:13:06.

# Who made you the centre of the universe?

:13:06.:13:12.

# Who made you the centre of the universe?

:13:12.:13:20.

# I will never be what you want and that's alright

:13:20.:13:24.

# Cos my skin ain't light and my body ain't tight

:13:24.:13:28.

# I will never be what you want and that's alright

:13:28.:13:38.
:13:38.:13:39.

# Tell me who made you the centre of the universe?

:13:39.:13:43.

# Who made you the centre of the universe?

:13:43.:13:49.

# Who made you the centre of the universe?

:13:49.:13:58.

# Who made you the centre of the universe? #

:13:58.:14:08.
:14:08.:14:13.

# Oh oh oh oh

:14:13.:14:15.

# Oh oh oh oh

:14:15.:14:22.

# Oh oh oh oh

:14:22.:14:32.
:14:32.:15:07.

OK I am back stage at the Royal Albert Hall waiting for Laura to

:15:07.:15:12.

come off stage. How was that for you? Phenomenal audience. Thank you.

:15:12.:15:17.

Did you enjoy the performance? did. I really did. I have been so

:15:17.:15:22.

nervous, but the atmosphere is so electric. It carries you.

:15:22.:15:25.

definitely does. Is this the first time for you performing at the Royal

:15:25.:15:29.

Albert Hall? This isn't the first time, the last time I performed I

:15:29.:15:32.

was 14 and I was in the orchestra and I was sitting at the back

:15:32.:15:37.

playing Harry Potter. Wow! Now how important do you think events like

:15:37.:15:45.

these are? Hugely. I hope this is a real moment, something new,

:15:45.:15:49.

something fresh. I think this could really change things for music. I

:15:49.:15:54.

love it when there's a fusion like this, when different styles come

:15:54.:15:58.

together. The attitude of all musicians and artists have been

:15:58.:16:03.

perfect. Everyone's been on board, excited, Jules is a genius. He is a

:16:03.:16:08.

genius. Seriously.I have to say, babe, you killed it tonight. Hug it

:16:08.:16:11.

up. She was absolutely independent credible. Right now, though, we are

:16:11.:16:21.
:16:21.:16:50.

Sounds like little mice should be Everybody just bounce, bounce! I see

:16:50.:17:00.
:17:00.:17:01.

you. Bounce, bounce! Oh, yeah! I see you as well. Don't think I can't see

:17:01.:17:11.
:17:11.:17:15.

# My flow is tropical # Been getting bopped

:17:15.:17:16.

# So that ya know my lyrics are frozen, so cold

:17:16.:17:18.

# I'ma let the dogs run wild

:17:18.:17:19.

# They wanna judge but I'm not on trial

:17:19.:17:21.

# I see them watching They're so hostile

:17:21.:17:23.

# And these dogs wanna cat my style

:17:23.:17:24.

# Th-th-these dogs wanna cat my style

:17:24.:17:26.

# When I come inna di place I say I'ma run it out

:17:26.:17:28.

# I'ma go crazy, I'ma go wild

:17:28.:17:29.

# Never got ever but they saying that I am wild

:17:30.:17:31.

# I'm an animal, unleash the beast

:17:31.:17:34.

# Tearing a riddim up by piece by piece

:17:34.:17:35.

# I can see they don't really wanna put a leash on Lesh'

:17:35.:17:37.

# But I take the lead I'ma speak when I beast

:17:37.:17:39.

# Giving riddim lay on a production I play ground

:17:39.:17:40.

# I can see the others coming up Better stay down

:17:40.:17:42.

# Wanna hit on the spot They better break out

:17:42.:17:44.

# It's me they wanna meet - stakeout

:17:44.:17:47.

# Haha, I find it so funny

:17:47.:17:48.

# I've got a figure besides my own money

:17:48.:17:49.

# They ain't got the stomach They like to show tummy

:17:49.:17:51.

# I know a lot of them try but don't, honey

:17:51.:17:52.

# We're in the building Blow the doors off

:17:52.:17:55.

# Who let the dogs out? Who- who- who-

:17:55.:18:00.

# Hang on every word I say Semi-colon

:18:00.:18:04.

# Turn the camera other way

:18:04.:18:09.

# I'm gon' be the ace if you play cards

:18:09.:18:11.

# Let the dogs run wild

:18:11.:18:14.

# Hang on every word I say Semi-colon

:18:14.:18:18.

# Turn the camera other way

:18:18.:18:26.

# I'm gon' be the ace if you play cards

:18:26.:18:28.

# Let the dogs run wild Let the dogs run

:18:28.:18:31.

# Lord, Lord, have mercy on me

:18:31.:18:37.

# Lord, Lord, have mercy on me

:18:37.:18:45.

# So I'ma go crazy, mental Bonkers, schizo

:18:45.:18:48.

# Looney, nutty Barmy, psycho

:18:48.:18:52.

# This is more than history Full stop, side note

:18:52.:18:56.

# I could do this with my eyes closed

:18:56.:18:57.

# When I get an idea - lightbulb

:18:57.:19:00.

# Lightbulb, now I'm getting too claustrophobe

:19:00.:19:01.

# If they wanna bark I be giving a dog a bone

:19:01.:19:03.

# They don't start telling what really can't be told

:19:03.:19:06.

# Yeah, this riddim's hard, it'll be splittin' hard as bones

:19:06.:19:09.

# I'ma let my dogs step out of the cages

:19:09.:19:10.

# I'm on the prowl, you'll hear my growl, look at our faces

:19:10.:19:14.

# We're in the building Blow the doors off

:19:14.:19:17.

# Who let the dogs out? Who- who- who-

:19:18.:19:21.

# Hang on every word I say Semi-colon

:19:21.:19:25.

# Turn the camera other way

:19:25.:19:28.

# I'm gon' be the ace if you play cards

:19:28.:19:32.

# Let the dogs run wild

:19:32.:19:36.

# Hang on every word I say Semi-colon

:19:36.:19:40.

# Turn the camera other way

:19:40.:19:47.

# I'm gon' be the ace if you play cards

:19:47.:19:48.

# Let the dogs run wild

:19:48.:19:50.

# Let the dogs run Let the dogs run wild

:19:50.:19:53.

# Let the dogs run Let the dogs run wild

:19:53.:19:55.
:19:55.:19:58.

# Let the dogs run Let the dogs run wild

:19:58.:20:04.

# Let the dogs run Run, run, run, run

:20:04.:20:14.
:20:14.:20:39.

APPLAUSE AND CHEERING

:20:39.:20:49.
:20:49.:20:52.

Right,

:20:52.:20:54.

Right, Albert

:20:54.:20:54.

Right, Albert Hall.

:20:54.:20:58.

Right, Albert Hall. This is Traktor. Can I get everybody on their seats,

:20:58.:21:08.
:21:08.:21:10.

# Cos I does it in my own lane # She'll come back, no

:21:10.:21:12.

# Computer love I Mac with my finger

:21:12.:21:15.

# Baby I'm your man Not your mister

:21:15.:21:17.

# I missed ya

:21:17.:21:18.

# My lifestyle's terribly wild

:21:18.:21:20.

# But you'll never catch me On the Jeremy Kyle Show

:21:20.:21:24.

# Explosive, terrorist style

:21:24.:21:26.

# Don't think I'ma blow I'll get you therapy now, whoa

:21:26.:21:28.

# I missed school And I haven't got a job yet

:21:29.:21:35.

# I went clubbing Till my world was revolving

:21:35.:21:37.

# Pretty women and alcohol here

:21:37.:21:43.

Like a train

:21:43.:21:46.

# Choo, choo, go hard, go faster

:21:46.:21:49.

# Stack Ps every day

:21:49.:21:54.

Like a plane

:21:54.:21:57.

# Zoom, zoom Down the rabbit hole

:21:57.:21:59.

# More women, more alcohol here

:21:59.:22:02.

# I'm living my life Cos that's what I do best

:22:02.:22:05.

# Girls on my bank wanna show me interest

:22:05.:22:07.

# Eh, look, pounds or pennies I don't scrounge off any

:22:07.:22:11.

# I am fly I am not an insect

:22:11.:22:13.

# And I'm the life of the party

:22:13.:22:16.

# Came with Ken But I left with his Barbie

:22:16.:22:18.

# Baby's with me She can ride in the car seat

:22:18.:22:21.

# If she's an angel, I'm Charlie Oh, please

:22:22.:22:24.

# My lifestyle's terribly wild

:22:24.:22:27.

# But you'll never catch me On the Jeremy Kyle Show

:22:27.:22:29.

# Explosive, terrorist style

:22:29.:22:32.

# Don't think I'ma blow I'll get you therapy now, whoa

:22:32.:22:35.

# I missed school And I haven't got a job yet

:22:35.:22:37.

# My girl's pissed And my daughter's on the way

:22:37.:22:40.

# I went clubbing Till my world was revolving

:22:40.:22:43.

# Pretty women and alcohol here

:22:43.:22:49.

Like a train

:22:49.:22:52.

# Choo, choo, go hard, go faster

:22:52.:22:55.

# Stack Ps every day

:22:55.:23:01.

Like a plane

:23:01.:23:03.

# Zoom, zoom Down the rabbit hole

:23:03.:23:06.

# More women, more alcohol, here

:23:06.:23:08.

# Don't say my name When I'm at the bar

:23:08.:23:13.

# Cos I'm in the zone And I'm trying my hardest

:23:13.:23:16.

# Not to fall And I'm so gone

:23:16.:23:20.

# I'm so gone

:23:20.:23:24.

# Just leave me alone

:23:24.:23:25.

# Alone

:23:25.:23:35.
:23:35.:23:39.

# My lifestyle's terribly wild

:23:39.:23:41.

# But you'll never catch me On the Jeremy Kyle Show

:23:41.:23:43.

# Explosive, terrorist style

:23:43.:23:46.

# Don't think I'ma blow I'll get you therapy now, whoa

:23:46.:23:49.

# I missed school And I haven't got a job yet

:23:49.:23:51.

# My girl's pissed And my daughter's on the way

:23:51.:23:54.

# I went clubbing Till my world was revolving

:23:54.:23:57.

# Pretty women and alcohol here

:23:57.:24:03.

Like a train

:24:03.:24:07.

# Choo, choo, go hard, go faster

:24:07.:24:08.

# Stack Ps every day

:24:08.:24:14.

Like a plane

:24:14.:24:17.

# Zoom, zoom Down the rabbit hole

:24:17.:24:20.

# More women, more alcohol, here

:24:20.:24:30.
:24:30.:24:30.

# Hey!

:24:30.:24:40.
:24:40.:24:49.

#

:24:50.:24:52.

# Say

:24:52.:24:52.

# Say ah

:24:52.:25:02.
:25:02.:25:06.

# Say ah, yeah Royal Albert Hall, today's been a

:25:06.:25:16.
:25:16.:25:30.

special day for me. Make some noise for the orchestra!

:25:30.:25:40.
:25:40.:26:11.

dress. Could be the last link of the night. Tonight has been a

:26:11.:26:16.

monumental... He is all sophisticated now. Very, very. But I

:26:17.:26:26.

am afraid we are drawing to the end. Yes, of the first ever urban classic

:26:26.:26:36.

Proms. I know. And this is the 119th ever Prom. Next year will be the

:26:36.:26:44.

120th. That means it's like a round number, Antarctic versary. We should

:26:44.:26:48.

-- anniversary. We should be here again. Big shout out for the

:26:48.:26:54.

orchestra. To Jules Buckley, all the composers and artists who have been

:26:54.:27:04.
:27:04.:27:08.

phenomenal. Now, guys, Jules the G Buckley. I would like you guys to do

:27:08.:27:13.

something. Guys, guys, we need you to do something for us. SJ, please

:27:13.:27:16.

explain. You know the advert with Robbie Williams, the phone, the

:27:16.:27:22.

light. Tell them. We need to you get your mobile phones out right now.

:27:22.:27:26.

Get your phones out right now. your lights. We are going to go to

:27:27.:27:33.

video. Yeah. For this next track we want you to just hold your phones as

:27:33.:27:37.

high as you can and shine the light. Hold them in the air. Put the

:27:37.:27:41.

flashes on. Hold them in the air. That's it. I want to see everybody's

:27:41.:27:45.

phone in the air. There are more phones in here than that! That's

:27:45.:27:50.

looking beautiful. We are getting there. It's like a Constellation.

:27:50.:27:58.

Hello. Elton John, put yours on as well. Guys, as we lead in to the

:27:58.:28:04.

finale of this evening, I would like to introduce back on stage all of

:28:04.:28:09.

the artists from tonight's incredible show. Let's get them on

:28:09.:28:11.

right now. They're going to perform a track

:28:12.:28:18.

that we all love, the late great Bob Marley with One Love. It's one love

:28:18.:28:28.
:28:28.:28:42.

from us to you. Goodbye. Good night, memorable night. It would almost be

:28:42.:28:46.

unjustice to not get the rest of the acts that performed, before we go

:28:46.:28:50.

any further can you make some noise for the BBC Symphony Orchestra,

:28:50.:28:53.

they've been an amazing job. APPLAUSE AND CHEERING

:28:53.:28:57.

This is my man the conductor here. He is so cool. Don't let the suit

:28:57.:29:02.

fool you. He is sharp. Royal Albert Hall, make some noise for all the

:29:02.:29:12.
:29:12.:29:23.

artists that performed today! # Let's get together

:29:23.:29:33.
:29:33.:29:38.

# Let's get together # Saying give thanks and praise

:29:39.:29:46.

# There is one question I'd really love to ask

:29:46.:29:48.

# Is there a place for the hopeless sinner

:29:48.:29:53.

# Who has hurt all mankind just to save his own beliefs

:29:53.:30:00.

# One love

:30:00.:30:03.

# One heart

:30:03.:30:06.

# Let's get together and feel all right

:30:06.:30:12.

# One love

:30:12.:30:19.

# One heart

:30:19.:30:20.

# Let's get together and feel all right

:30:20.:30:26.

# Let's get together and feel all right

:30:26.:30:36.

# Let's get together to fight this holy Armageddon

:30:36.:30:39.

# So when the man comes there will be no, no doom

:30:39.:30:44.

# Have pity on those whose chances grows t'inner

:30:44.:30:51.

# There ain't no hiding place from the Father of Creation

:30:51.:30:57.

# One Love

:30:57.:30:58.

# One heart

:30:58.:31:00.

# Let's get together and feel all right

:31:00.:31:04.

# One love

:31:04.:31:08.

# One love

:31:08.:31:10.

# One heart

:31:10.:31:20.
:31:20.:31:20.

# Let's get together and feel all right

:31:20.:31:30.
:31:30.:31:30.

Apology for the loss of subtitles for 45 seconds

:31:30.:32:12.

THEY RAP

:32:12.:32:20.

THEY RAP

:32:20.:32:30.
:32:30.:32:36.

# One love

:32:36.:32:37.

# One heart

:32:37.:32:39.

# One love

:32:39.:32:41.

# One heart

:32:41.:32:45.

# One love

:32:45.:32:48.

# One heart

:32:48.:32:54.

# One love

:32:54.:32:55.

# One heart

:32:55.:32:57.

# Let's get together and feel all right

:32:57.:33:04.

# One love

:33:04.:33:06.

# One heart

:33:06.:33:09.

# Let's get together and feel all right

:33:09.:33:16.

# One love

:33:16.:33:18.

# One heart

:33:18.:33:24.

# Saying give thanks and praise to the Lord

:33:24.:33:26.

# And I will feel all right

:33:26.:33:30.

Download Subtitles

SRT

ASS