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So far this summer, we have had some spectacular football at the World | :00:00. | :00:13. | |
Cup in Brazil. Mud and rain did nothing to dampen the spirits at | :00:14. | :00:18. | |
Glastonbury and the tennis world descended on SW 19 for a top-flight | :00:19. | :00:23. | |
Wimbledon championship. Now it is time for the "Jewel in the Crown" of | :00:24. | :00:28. | |
BBC music. Welcome to the 120th season of the BBC Proms. | :00:29. | :01:04. | |
. We see the very best of the best. They give their best and sometimes | :01:05. | :01:11. | |
better than that. It is a tremendous experience. You cannot miss a single | :01:12. | :01:17. | |
note. It is something everybody should do | :01:18. | :01:21. | |
at least once in their lifetime. It is unbelievable that you can come | :01:22. | :01:25. | |
and see some of the best performers living on stage, for ?5. The people | :01:26. | :01:30. | |
that come and stand in the queue for hours - that shows you that you're | :01:31. | :01:34. | |
doing something really right. When you hear the audience | :01:35. | :01:39. | |
supporting you and clapping and cheering, it gives me goose bumps. | :01:40. | :01:45. | |
It is the greatest musical there is. You feel like rock stars. If they | :01:46. | :01:50. | |
reach out, you can reach out. You can touch across. | :01:51. | :01:54. | |
There is a sense of history. Everybody has performed there. | :01:55. | :01:58. | |
People walk into the building and leave the building smiling. What's | :01:59. | :02:03. | |
more important than that? In the Proms 2014, there is a huge choice | :02:04. | :02:07. | |
of performances to look forward to across the summer and across the | :02:08. | :02:12. | |
BBC. It is a truly global season. We have more international orchestras | :02:13. | :02:16. | |
visiting than ever before, from China, to Melbourne, to ka tar to | :02:17. | :02:22. | |
Iceland. The range of music is just as wide. Of course, we'll have the | :02:23. | :02:28. | |
classics by great composers. That's not all. | :02:29. | :02:33. | |
We mark the centenary of the First World War with many concerts, | :02:34. | :02:38. | |
including the War Horse Proms. And the world premier of the Requiem | :02:39. | :02:46. | |
Fragments. We feature music by Richard straus to mark the 150th | :02:47. | :02:54. | |
birthday of his birth. John Wilson and his orchestra are back. We are | :02:55. | :02:59. | |
transported back to the swing era with the Battle of the Bands. Some | :03:00. | :03:04. | |
of the music to look forward to over the next eight weeks. | :03:05. | :03:13. | |
So, hello. Tonight, we open the Proms 2014 in grand style w a single | :03:14. | :03:18. | |
masterpiece by the great English composer Sir Edward Elgar. We will | :03:19. | :03:24. | |
hear his powerful oratorio, The Kingdom, performed by the BBC | :03:25. | :03:27. | |
Symphony Orchestra and Chorus and the BBC BBC National Chorus of | :03:28. | :03:31. | |
Wales. Nearly 400 performers in all. It is one of 26 Proms on television | :03:32. | :03:34. | |
during the season. All the concerts can be heard live | :03:35. | :03:53. | |
on Radio 3 and you can find the details on the website. | :03:54. | :03:59. | |
Tonight's performance is conducted by Sir Andrew Davis. Always a | :04:00. | :04:04. | |
favourite here at the Proms. Returning this season in his 70th | :04:05. | :04:09. | |
birthday year. Elgar's The Kingdom is ideally suited to the Victorian | :04:10. | :04:15. | |
splendour of the Royal Albert Hall. The five parts tell the stories of | :04:16. | :04:20. | |
the apostles as order they men reacting to extraordinary events. It | :04:21. | :04:25. | |
was intended as the central part of a grander scheme. | :04:26. | :04:31. | |
When writing in earnest at his Hereford home Edward Elgar realised | :04:32. | :04:36. | |
his life long ambition to explore the roots of the Christian church | :04:37. | :04:42. | |
demanded a trilogy of oratorios. He started with the apostles and | :04:43. | :04:46. | |
intended to end with The Last Judgement, which he didn't manage to | :04:47. | :04:50. | |
finish. The heart, The Kingdom, remains. | :04:51. | :04:54. | |
The Kingdom has every possible mood you can think of. It has amazement. | :04:55. | :04:59. | |
It has anger. The simplicity of it and the genuine | :05:00. | :05:13. | |
feeling of community and the fact that this binds everybody the | :05:14. | :05:16. | |
together is something I think is the biggest feature of the work. | :05:17. | :05:23. | |
I love the Royal Albert Hall. It is a wonderful place in which to | :05:24. | :05:30. | |
perform pieces on this scale. We have the BBC Symphony Orchestra and | :05:31. | :05:33. | |
Chorus and the BBC National Chorus of Wales. The thrill of that many | :05:34. | :05:39. | |
people, and also in the very still moments, I think - there's nothing | :05:40. | :05:44. | |
as wonderful. If you want to go to a concert and | :05:45. | :05:50. | |
come away being thrilled with the grandeur of it and there are grand | :05:51. | :05:57. | |
moment in this piece, but that is not what it's about ultimately. It | :05:58. | :06:02. | |
has a wonderful sense of why we are here. Always at the end of The | :06:03. | :06:08. | |
Kingdom, I found it difficult to retain the objectivity that a | :06:09. | :06:13. | |
conductor always has to have. I find the piece as touching as | :06:14. | :06:19. | |
anything that Elgar wrote. It is a supreme example of Elgar | :06:20. | :06:27. | |
bearing his most intimate soul to us and that is what really makes this | :06:28. | :06:36. | |
one of his greatest works. Sir Andrew Davis there. Andrew Davis | :06:37. | :06:41. | |
is a leading interpreter of Elgar's music. Earlier this year he received | :06:42. | :06:48. | |
the Elgar Society Medal, to mark his significant contribution to the | :06:49. | :06:53. | |
composer's legacy and that is the leader of the BBC Symphony Orchestra | :06:54. | :06:55. | |
and Chorus, that composer's legacy and that is the | :06:56. | :06:56. | |
leader of the BBC Symphony is Stephen Bryant. | :06:57. | :07:06. | |
And any minute now, should expect our conductor of the evening to join | :07:07. | :07:15. | |
us. And there he is. Just following on | :07:16. | :07:23. | |
from the soloists. Andrew Davis with Erin Wall, who sings the Blessed | :07:24. | :07:29. | |
Virgin. Catherine Wyn-Rogers who sings Mary Magdalene. Andrew | :07:30. | :07:34. | |
Staples, St John and Christopher Purves, who sings St Peter. There is | :07:35. | :07:38. | |
Andrew Davis. Elgar's The Kingdom. | :07:39. | :39:13. | |
Performed by the BBC Symphony Orchestra and Chorus and the BBC | :39:14. | :39:18. | |
nags BBC National Chorus of Wales and conducted by Sir Andrew Davis. | :39:19. | :39:25. | |
Clearly moved by the whole experience. As he brings the leader | :39:26. | :39:32. | |
of the orchestra to his feet, warm applause here in the Royal Albert | :39:33. | :39:34. | |
Hall for all 400 performers. APPLAUSE | :39:35. | :39:52. | |
This is Sir Davis's 70th birthday year, during which he's been | :39:53. | :40:01. | |
conducting three of Elgar's great oratorios. | :40:02. | :40:09. | |
Not just conductor laureate of the BBC symphony orchestra, he's chief | :40:10. | :40:21. | |
conductor of the Melbourne sim fon ni Melbourne Symphony Orchestra. | :40:22. | :40:37. | |
Elgar conducted the first performance of his work in | :40:38. | :40:43. | |
Birmingham n 1906. The following days the papers reported his | :40:44. | :40:49. | |
emotions were so stirred by his work, that tears were streaming down | :40:50. | :40:53. | |
his face several times during the oratorio. A warm applause now for | :40:54. | :41:00. | |
the soloists. We can see the barrow tone Christopher Purves. Tenor | :41:01. | :41:08. | |
Andrew Staples. And the soprano Erin Wall and | :41:09. | :41:21. | |
mezzo-soprano, Catherine Wyn-Rogers. APPLAUSE | :41:22. | :41:24. | |
#12k3w4r the chorus masters there. -- the chorus masters there. They do | :41:25. | :41:29. | |
so much work. Stephen Jackson and Adrian Partington. | :41:30. | :41:41. | |
And that brings us to the end of the first night of the Proms, 2014. I do | :41:42. | :42:05. | |
hope you have enjoyed it and that you will tune into all the Proms, | :42:06. | :42:13. | |
live on Radio 3, on BBC Four a week today Petroc Trelawny and Danielle | :42:14. | :42:18. | |
de Niese will be here with a concert of Beethovan, Dvorak and Richard | :42:19. | :42:23. | |
Strauss.ly be back on the 26th July and I will review the week's musical | :42:24. | :42:28. | |
events here at the Proms. Do join me for. That for now, as the applause | :42:29. | :42:31. | |
continues here, at the Royal Albert Hall, from all of us, have a very | :42:32. | :42:33. | |
good night. through the clouds for television's | :42:34. | :43:57. | |
most ambitious experiment. With this, we're going to be able | :43:58. | :44:03. | |
to see the weather from the inside. | :44:04. | :44:08. |