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APPLAUSE | 0:00:13 | 0:00:14 | |
Ladies and gentlemen, welcome to Glasgow Green. | 0:00:14 | 0:00:17 | |
Please give a huge round of applause | 0:00:17 | 0:00:19 | |
to the BBC Scottish Symphony Orchestra | 0:00:19 | 0:00:21 | |
and their conductor this evening, Stephen Bell! | 0:00:21 | 0:00:25 | |
CHEERING | 0:00:25 | 0:00:27 | |
CHEERING AND APPLAUSE | 0:05:05 | 0:05:06 | |
Well, what a wonderful way to start Proms in the Park, | 0:05:09 | 0:05:12 | |
ladies and gentlemen! | 0:05:12 | 0:05:14 | |
CHEERING | 0:05:14 | 0:05:16 | |
Well, we've got a fantastic line-up for you this evening, | 0:05:16 | 0:05:19 | |
ladies and gentlemen, here at the Glasgow Green, with an incredible | 0:05:19 | 0:05:22 | |
array of talent, ready to celebrate music of all kinds. | 0:05:22 | 0:05:25 | |
Joining me tonight on the stage, we've got | 0:05:25 | 0:05:28 | |
the vocal powerhouse that is Alexandra Burke. | 0:05:28 | 0:05:31 | |
CHEERING | 0:05:31 | 0:05:33 | |
Saxophonist sensation Amy Dickson. | 0:05:33 | 0:05:36 | |
We'll be hearing the soundtrack from the BBC hit drama Poldark, | 0:05:36 | 0:05:40 | |
a specially arranged piece from Oscar-winning composer Anne Dudley, | 0:05:40 | 0:05:43 | |
which, for the ladies - the ladies, I hasten to add - | 0:05:43 | 0:05:48 | |
may be accompanied with pictures of Ross Poldark. | 0:05:48 | 0:05:52 | |
WHOOPING | 0:05:52 | 0:05:53 | |
And on stage with the Symphony Orchestra for the first time, | 0:05:53 | 0:05:56 | |
we've got a brilliant community choir, Big Big Sing. | 0:05:56 | 0:06:00 | |
CHEERING | 0:06:00 | 0:06:01 | |
But none of this could happen without our very own | 0:06:01 | 0:06:04 | |
BBC Scottish Symphony Orchestra, | 0:06:04 | 0:06:07 | |
led by Laura Samuel and conducted by Stephen Bell. | 0:06:07 | 0:06:10 | |
CHEERING | 0:06:10 | 0:06:11 | |
Well, our next piece was composed and featured in | 0:06:17 | 0:06:21 | |
Wagner's famous Ring Cycle. | 0:06:21 | 0:06:24 | |
It is the very dramatic Ride Of The Valkyries! | 0:06:24 | 0:06:27 | |
CHEERING AND WHOOPING | 0:10:57 | 0:10:59 | |
Wagner's Ride Of The Valkyries, a magnificent piece of music. | 0:11:06 | 0:11:10 | |
Now, our first guest has been singing since the age of five. | 0:11:10 | 0:11:16 | |
But it wasn't until she won the X Factor in 2008 that the nation | 0:11:16 | 0:11:21 | |
became aware of this huge musical talent. | 0:11:21 | 0:11:24 | |
She's here tonight to perform that fabulous Hallelujah. | 0:11:24 | 0:11:28 | |
Please welcome Alexandra Burke! | 0:11:28 | 0:11:30 | |
CHEERING | 0:11:30 | 0:11:32 | |
SCATTERED ULULATING | 0:11:43 | 0:11:45 | |
# I heard there was a secret chord | 0:11:53 | 0:11:57 | |
# That David played And it pleased the Lord | 0:11:57 | 0:12:02 | |
# But you don't really care for music, do ya? | 0:12:02 | 0:12:09 | |
# Well, it goes like this - the fourth, the fifth | 0:12:09 | 0:12:14 | |
# The minor fall and the major lift | 0:12:14 | 0:12:18 | |
# The baffled king composing Hallelujah | 0:12:18 | 0:12:26 | |
# Hallelujah | 0:12:26 | 0:12:30 | |
# Hallelujah | 0:12:30 | 0:12:34 | |
# Hallelujah | 0:12:34 | 0:12:39 | |
# Hallelujah | 0:12:39 | 0:12:45 | |
# Well, your faith was strong but you needed proof | 0:12:52 | 0:12:56 | |
# You saw her bathing on the roof | 0:12:56 | 0:13:00 | |
# Her beauty and the moonlight overthrew ya | 0:13:00 | 0:13:09 | |
# She tied you to her kitchen chair | 0:13:09 | 0:13:13 | |
# She broke your throne And she cut your hair | 0:13:13 | 0:13:18 | |
# And from your lips she drew the hallelujah | 0:13:18 | 0:13:25 | |
# Hallelujah | 0:13:25 | 0:13:30 | |
# Hallelujah | 0:13:30 | 0:13:33 | |
# Hallelujah | 0:13:34 | 0:13:38 | |
# Hallelujah | 0:13:38 | 0:13:46 | |
SCATTERED CHEERING AND WHOOPING | 0:13:49 | 0:13:51 | |
# Well, maybe there's a God above | 0:14:02 | 0:14:06 | |
# But all I've ever learned from love | 0:14:06 | 0:14:11 | |
# Was how to shoot somebody who'd outdrew ya | 0:14:11 | 0:14:20 | |
# It's not a cry that you hear at night | 0:14:20 | 0:14:24 | |
# It's not someone who's seen the light | 0:14:24 | 0:14:29 | |
# It's a cold and it's a broken hallelujah | 0:14:29 | 0:14:40 | |
# Hallelujah | 0:14:41 | 0:14:45 | |
# Hallelujah | 0:14:45 | 0:14:50 | |
# Hallelu... | 0:14:50 | 0:14:56 | |
# Hallelujah | 0:14:56 | 0:15:00 | |
# Hallelujah | 0:15:00 | 0:15:05 | |
# Hallelujah | 0:15:05 | 0:15:08 | |
# Hallelujah | 0:15:08 | 0:15:16 | |
CHEERING | 0:15:18 | 0:15:20 | |
# Hallelujah | 0:15:20 | 0:15:25 | |
# Hallelujah. # | 0:15:25 | 0:15:33 | |
Thank you. | 0:15:34 | 0:15:35 | |
Alexandra Burke, everyone, yes! | 0:15:42 | 0:15:44 | |
And more from the wonderful Alexandra later on in the show. | 0:15:46 | 0:15:50 | |
Well, filming began in Cornwall earlier this week | 0:15:50 | 0:15:54 | |
for the second series of BBC's drama Poldark. | 0:15:54 | 0:16:00 | |
Now, nearly six million people tuned in to the last episode, | 0:16:00 | 0:16:03 | |
and the soundtrack went straight to number two in the classical charts. | 0:16:03 | 0:16:06 | |
It was a huge, huge success. | 0:16:06 | 0:16:09 | |
So we were absolutely delighted when Poldark's composer, | 0:16:09 | 0:16:12 | |
Anne Dudley, agreed to create a specially arranged piece | 0:16:12 | 0:16:15 | |
to accompany some of the visually stunning shots from the show. | 0:16:15 | 0:16:18 | |
So, please give a huge round of applause for the aural | 0:16:18 | 0:16:21 | |
and visual feast that is the Poldark Suite. | 0:16:21 | 0:16:24 | |
CHEERING | 0:16:26 | 0:16:27 | |
APPLAUSE AND CHEERING | 0:21:20 | 0:21:23 | |
A world premiere there, folks, yes, the Poldark Suite. | 0:21:23 | 0:21:27 | |
Absolutely wonderful, evocative music there by Anne Dudley, | 0:21:27 | 0:21:30 | |
inspired by the sweeping Cornish landscape. Absolutely great. | 0:21:30 | 0:21:34 | |
Well, our next guests are an inspiration to us all. | 0:21:34 | 0:21:38 | |
Big Big Sing project started in Glasgow. | 0:21:38 | 0:21:41 | |
It's a UK-wide phenomenon now. | 0:21:41 | 0:21:43 | |
It encourages everyone of all ages, of all standards, to get singing. | 0:21:43 | 0:21:47 | |
So I thought, what better place to highlight | 0:21:47 | 0:21:50 | |
and showcase their talents than here at Proms in the Park? | 0:21:50 | 0:21:53 | |
So, whilst the choir are organising themselves, | 0:21:53 | 0:21:55 | |
I'd like to introduce you to their choirmaster, Stephen Deazley. | 0:21:55 | 0:21:59 | |
CHEERING | 0:21:59 | 0:22:01 | |
Hello, Glasgow. | 0:22:01 | 0:22:03 | |
A bit of Glasgow banter there from Stephen. | 0:22:05 | 0:22:07 | |
Stephen, tell us a little about the Big Big Sing. | 0:22:07 | 0:22:10 | |
OK, so Big Big Sing was born in Glasgow last year | 0:22:10 | 0:22:12 | |
as part of the Commonwealth Games. | 0:22:12 | 0:22:14 | |
It was funded by the cultural programme, | 0:22:14 | 0:22:16 | |
and now it works right across the UK. | 0:22:16 | 0:22:18 | |
Every country of the UK, we work, | 0:22:18 | 0:22:20 | |
and the idea is to get singing, | 0:22:20 | 0:22:22 | |
so to enjoy the health benefits, | 0:22:22 | 0:22:24 | |
the social aspects, to try something new, | 0:22:24 | 0:22:26 | |
meet new friends and have a good time. | 0:22:26 | 0:22:29 | |
And they're all colour-coordinated, too. | 0:22:29 | 0:22:31 | |
Ladies and gentlemen, Big Big Sing and Stephen, with Sinnerman! | 0:22:31 | 0:22:35 | |
LOUD ACCLAIM | 0:22:35 | 0:22:37 | |
# Oh, sinnerman, where you gonna run to? | 0:22:47 | 0:22:51 | |
# Oh, sinnerman, where you gonna run to? | 0:22:51 | 0:22:54 | |
# Oh, sinnerman, where you gonna run to? | 0:22:54 | 0:22:58 | |
# All on that day | 0:22:58 | 0:23:01 | |
# Run to the rock "Won't you hide me?" | 0:23:04 | 0:23:07 | |
# Run to the river "Won't you hide me?" | 0:23:07 | 0:23:11 | |
# Run to the grave "Won't you hide me?" | 0:23:11 | 0:23:15 | |
# All on that day | 0:23:15 | 0:23:20 | |
# Oh, sinnerman, where you gonna run to? | 0:23:20 | 0:23:23 | |
# Oh, sinnerman, where you gonna run to? | 0:23:23 | 0:23:27 | |
# Oh, sinnerman, where you gonna run to | 0:23:27 | 0:23:31 | |
# All on that day? | 0:23:31 | 0:23:34 | |
# Run to the rock "Won't you hide me?" | 0:23:36 | 0:23:40 | |
# Run to the river "Won't you hide me?" | 0:23:40 | 0:23:43 | |
# Run to the grave "Won't you hide me?" | 0:23:43 | 0:23:47 | |
# All on that day | 0:23:47 | 0:23:52 | |
# Lord said, "Sinnerman, the rock it won't hide you" | 0:23:52 | 0:23:56 | |
# Lord said, "Sinnerman, the river it won't hide you" | 0:23:56 | 0:23:59 | |
# Lord said, "Sinnerman, the grave won't hide you" | 0:23:59 | 0:24:03 | |
# All on that day | 0:24:03 | 0:24:07 | |
# Oh, sinnerman, where you gonna run to? | 0:24:23 | 0:24:26 | |
# Oh, sinnerman, where you gonna run to? | 0:24:26 | 0:24:29 | |
# Oh, sinnerman, where you gonna run to? | 0:24:29 | 0:24:33 | |
# All on that day | 0:24:33 | 0:24:36 | |
# Run to the moon "Won't you hide me?" | 0:24:39 | 0:24:42 | |
# Run to the sea "Won't you hide me?" | 0:24:42 | 0:24:46 | |
# Run to the sun "Won't you hide me?" | 0:24:46 | 0:24:50 | |
# All on that day | 0:24:50 | 0:24:55 | |
# Lord said, "Sinnerman, the moon it is bleedin'" | 0:24:55 | 0:24:58 | |
# Lord said, "Sinnerman, the sea it is boilin'" | 0:24:58 | 0:25:02 | |
# Lord said, "Sinnerman, the sun is freezin'" | 0:25:02 | 0:25:06 | |
# All on that day | 0:25:06 | 0:25:09 | |
# All on that day | 0:25:09 | 0:25:13 | |
# Oh, oh, oh, whoa-oh | 0:25:16 | 0:25:22 | |
# Whoa-oh, oh, whoa-oh | 0:25:22 | 0:25:29 | |
# Whoa-oh, oh, whoa-oh | 0:25:29 | 0:25:36 | |
# Whoa-oh, oh, whoa-oh, oh, oh, oh | 0:25:36 | 0:25:41 | |
# All on that day | 0:25:41 | 0:25:45 | |
# Oh, sinnerman, where you gonna run to? | 0:25:47 | 0:25:50 | |
# Oh, sinnerman, where you gonna run to? | 0:25:50 | 0:25:54 | |
# Oh, sinnerman, where you gonna run to? | 0:25:54 | 0:25:58 | |
# All on that day | 0:25:58 | 0:26:00 | |
# Run to the rock "Won't you hide me?" | 0:26:02 | 0:26:06 | |
# Run to the river "Won't you hide me?" | 0:26:06 | 0:26:09 | |
# Run to the grave "Won't you hide me?" | 0:26:09 | 0:26:13 | |
# All on that day | 0:26:13 | 0:26:19 | |
# Lord said, "Sinnerman, | 0:26:19 | 0:26:23 | |
# You should have been a-prayin'" | 0:26:23 | 0:26:28 | |
# Lord said, "Sinnerman, | 0:26:28 | 0:26:31 | |
# "You should have been a-prayin'" | 0:26:31 | 0:26:36 | |
# Lord said, "Sinnerman, | 0:26:36 | 0:26:38 | |
# You should have been a-prayin'" | 0:26:38 | 0:26:43 | |
# All on that day | 0:26:43 | 0:26:47 | |
# Lord said, "Sinnerman, you should have been a-prayin'" | 0:26:47 | 0:26:51 | |
# Lord said, "Sinnerman, you should have been a-prayin'" | 0:26:51 | 0:26:54 | |
# Lord said, "Sinnerman, you should have been a-prayin'" | 0:26:54 | 0:26:58 | |
# All on that day | 0:26:58 | 0:27:02 | |
# All on that day. # | 0:27:02 | 0:27:04 | |
RAPTUROUS ACCLAIM | 0:27:09 | 0:27:12 | |
Big Big Sing! | 0:27:15 | 0:27:18 | |
Yes, let that be an inspiration to you all, and join a community choir. | 0:27:18 | 0:27:21 | |
Just two months they've been together, and they sound like that. | 0:27:21 | 0:27:24 | |
Absolutely fantastic. | 0:27:24 | 0:27:25 | |
Well, this year sees the 150th anniversary of the birth | 0:27:25 | 0:27:30 | |
of the legendary Finnish composer, Jean Sibelius. | 0:27:30 | 0:27:33 | |
His work's been celebrated throughout the Proms season | 0:27:33 | 0:27:36 | |
this year, and our next piece is one of his most popular. | 0:27:36 | 0:27:41 | |
The Karelia Suite. | 0:27:41 | 0:27:43 | |
APPLAUSE | 0:31:36 | 0:31:39 | |
Well, our next performer made her concerto debut aged 16. | 0:31:44 | 0:31:48 | |
She moved from Australia to London when she was 19 to study | 0:31:48 | 0:31:50 | |
at the Royal College of Music and, since arriving, | 0:31:50 | 0:31:53 | |
she's spearheaded something of a classical saxophone revival | 0:31:53 | 0:31:56 | |
with her unique take on the instrument which has garnered her | 0:31:56 | 0:31:59 | |
a Classical Brit and a Grammy nomination last year. | 0:31:59 | 0:32:04 | |
She's joined us this evening to play a track from her current album, | 0:32:04 | 0:32:07 | |
A Summer Place. | 0:32:07 | 0:32:09 | |
Please welcome Amy Dickson with What's It All About, Alfie? | 0:32:09 | 0:32:13 | |
CHEERING AND WHOOPING | 0:32:13 | 0:32:16 | |
Well, our next guest, ladies and gentlemen, | 0:36:35 | 0:36:38 | |
won the BBC Radio Scotland Young Traditional Musician of the Year. | 0:36:38 | 0:36:42 | |
A brilliant talent from Dumfries, | 0:36:42 | 0:36:44 | |
she graduated, first class honours, | 0:36:44 | 0:36:46 | |
from the Royal Conservatoire of Scotland in 2011. | 0:36:46 | 0:36:49 | |
Please give a huge round of applause | 0:36:49 | 0:36:51 | |
to Claire Hastings and Let Ramensky Go! | 0:36:51 | 0:36:55 | |
CHEERING | 0:36:55 | 0:36:57 | |
# There was a lad in Glesga toon, Ramensky was his name | 0:37:14 | 0:37:19 | |
# Johnny didnae know it then but he was set for fame | 0:37:19 | 0:37:23 | |
# He did a wee bit job or two, he blew them open wide | 0:37:23 | 0:37:28 | |
# But they caught him and they tried him | 0:37:28 | 0:37:30 | |
# And they bunged him right inside | 0:37:30 | 0:37:33 | |
# Alley-oo alley-ay | 0:37:33 | 0:37:35 | |
# Alley-oo alley-oh | 0:37:35 | 0:37:38 | |
# Open up your prison gates and let Ramensky go | 0:37:38 | 0:37:43 | |
# And when they let him oot he said he'd try his best, but then | 0:37:46 | 0:37:50 | |
# He yielded tae temptation and they bunged him in again | 0:37:50 | 0:37:54 | |
# Noo Johnny hit the headlines, entertained the boys below | 0:37:54 | 0:37:59 | |
# When he climbed up tae the prison roof and gave a one-man show | 0:37:59 | 0:38:03 | |
# Alley-oo alley-ay | 0:38:03 | 0:38:06 | |
# Alley-oo alley-oh | 0:38:06 | 0:38:08 | |
# Open up your prison gates and let Ramensky go | 0:38:08 | 0:38:13 | |
# But when the war was raging, the brass-hats had a plan | 0:38:16 | 0:38:20 | |
# Tae purloin some information, but they couldnae find a man | 0:38:20 | 0:38:25 | |
# So they nobbled John in prison, asked if he'd take a chance | 0:38:25 | 0:38:29 | |
# Then they dropped him in a parachute | 0:38:29 | 0:38:32 | |
# Beyond the coast of France | 0:38:32 | 0:38:34 | |
# Alley-oo alley-ay | 0:38:34 | 0:38:36 | |
# Alley-oo alley-oh | 0:38:36 | 0:38:39 | |
# Open up your prison gates and let Ramensky go | 0:38:39 | 0:38:43 | |
# And when the war was over, they shook him by the hand | 0:38:46 | 0:38:51 | |
# For stealing secret documents fae the German High Command | 0:38:51 | 0:38:55 | |
# So Johnny was rewarded for the job he did sae well | 0:38:55 | 0:39:00 | |
# They granted him a pardon fae the prison and the cell | 0:39:00 | 0:39:05 | |
# Alley-oo alley-ay | 0:39:05 | 0:39:07 | |
# Alley-oo alley-oh | 0:39:07 | 0:39:10 | |
# Open up your prison gates and let Ramensky go | 0:39:10 | 0:39:15 | |
# But Johnny was in error when he tried his hand once more | 0:39:17 | 0:39:22 | |
# For they caught him at a blastin', and it wasnae worth the score | 0:39:22 | 0:39:26 | |
# The jury pled for mercy, but the judge's voice was heard | 0:39:26 | 0:39:31 | |
# "Ten years without remission, and that's my final word" | 0:39:31 | 0:39:35 | |
# "Ten years, my lord, that's far too long", wee Johnny cried in vain | 0:39:35 | 0:39:40 | |
# "For if you send me up for ten I'll ne'er come oot again | 0:39:40 | 0:39:44 | |
# "Oh, give me another chance, my lord, I'm tellin' you no lie | 0:39:44 | 0:39:48 | |
# If you send me up for ten I'll sicken and I'll die | 0:39:48 | 0:39:53 | |
# Alley-oo alley-ay | 0:39:53 | 0:39:55 | |
# Alley-oo alley-oh | 0:39:55 | 0:39:58 | |
# Open up your prison gates and let Ramensky go | 0:39:58 | 0:40:03 | |
# Now Peterhead's a fortress | 0:40:05 | 0:40:07 | |
# Its walls are thick and stout | 0:40:07 | 0:40:10 | |
# But it couldnae hold wee Johnny | 0:40:10 | 0:40:12 | |
# When he felt like walking out | 0:40:12 | 0:40:14 | |
# Five times he took a powder | 0:40:14 | 0:40:16 | |
# He left them in a fix | 0:40:16 | 0:40:18 | |
# And every day they sweat and pray | 0:40:18 | 0:40:21 | |
# In case he makes it six | 0:40:21 | 0:40:23 | |
# Alley-oo, alley-ay | 0:40:23 | 0:40:25 | |
# Alley-oo, alley-oh | 0:40:25 | 0:40:28 | |
# Open up your prison gates | 0:40:28 | 0:40:30 | |
# And let Ramensky go. # | 0:40:30 | 0:40:36 | |
APPLAUSE AND CHEERING | 0:40:36 | 0:40:39 | |
Let Ramensky Go from Claire Hastings. | 0:40:42 | 0:40:45 | |
APPLAUSE AND CHEERING | 0:40:45 | 0:40:47 | |
Well, we are on the Glasgow Green, ladies and gentlemen. | 0:40:47 | 0:40:50 | |
We are a stone's throw away from the famous River Clyde. | 0:40:50 | 0:40:53 | |
So I thought it was appropriate to sing this next song. | 0:40:53 | 0:40:56 | |
One made famous by the legendary Scots tenor Kenneth McKellar. | 0:40:56 | 0:41:01 | |
Please join me in the chorus | 0:41:01 | 0:41:02 | |
of the Song O' The Clyde. | 0:41:02 | 0:41:04 | |
CHEERING | 0:41:04 | 0:41:06 | |
# I sing of a river I'm happy beside | 0:41:09 | 0:41:13 | |
# The song that I sing is the song of the Clyde | 0:41:13 | 0:41:17 | |
# Of all Scottish rivers | 0:41:17 | 0:41:19 | |
# It's dearest to me | 0:41:19 | 0:41:21 | |
# It flows from Leadhills all the way to the sea | 0:41:21 | 0:41:25 | |
# It borders the orchards of Lanark so fair | 0:41:25 | 0:41:29 | |
# Meanders through meadows with sheep grazing there | 0:41:29 | 0:41:33 | |
# But from Glasgow to Greenock | 0:41:33 | 0:41:35 | |
# And from towns on each side | 0:41:35 | 0:41:37 | |
# The hammers' ding-dong is the song of the Clyde | 0:41:37 | 0:41:41 | |
# Oh, the river Clyde The wonderful Clyde | 0:41:41 | 0:41:45 | |
# The name of it thrills me and fills me with pride | 0:41:45 | 0:41:49 | |
# And I'm satisfied whate'er may betide | 0:41:49 | 0:41:53 | |
# The sweetest of songs is the song of the Clyde | 0:41:53 | 0:41:57 | |
SCATTERED CHEERING | 0:41:57 | 0:41:59 | |
# Imagine we've left Craigendoran behind | 0:42:02 | 0:42:06 | |
# And wind-happy yachts by Kilcreggan we find | 0:42:06 | 0:42:09 | |
# At Kirn and Dunoon and Innellan we stay | 0:42:09 | 0:42:14 | |
# Then Scotland's Madeira that's Rothesay, they say | 0:42:14 | 0:42:17 | |
# Or maybe by Fairlie or Largs we will go | 0:42:18 | 0:42:22 | |
# Or over to Millport That thrills people so | 0:42:22 | 0:42:26 | |
# Maybe journey to Arran It can't be denied | 0:42:26 | 0:42:30 | |
# Those scenes all belong to the song of the Clyde | 0:42:30 | 0:42:34 | |
# Oh, the river Clyde The wonderful Clyde | 0:42:34 | 0:42:38 | |
# The name of it thrills me and fills me with pride | 0:42:38 | 0:42:42 | |
# And I'm satisfied whate'er may betide | 0:42:42 | 0:42:46 | |
# The sweetest of songs is the song of the Clyde | 0:42:46 | 0:42:50 | |
# There's Paw an' Maw at Glasgow Broomielaw | 0:42:54 | 0:42:56 | |
# They're goin' doon the water for The Fair | 0:42:56 | 0:42:58 | |
# There's Bob an' Mary On the Govan Ferry | 0:42:58 | 0:43:00 | |
# Wishin' jet propulsion could be there | 0:43:00 | 0:43:02 | |
# There's steamers cruisin' And there's laddies snoozin' | 0:43:02 | 0:43:04 | |
# And there's buddies fishin' frae the pier | 0:43:04 | 0:43:06 | |
# An' Paw's perspirin' Very near expirin' | 0:43:06 | 0:43:08 | |
# As he rows a boat frae here to there | 0:43:08 | 0:43:10 | |
# With eyes a-flashin' It is voted smashin | 0:43:10 | 0:43:12 | |
# To be walkin' daily on the prom | 0:43:12 | 0:43:14 | |
# And May and Evelyn are in "seventh heaven" | 0:43:14 | 0:43:16 | |
# As they stroll along with Dick and Tom | 0:43:16 | 0:43:18 | |
# And Dumbarton Rock to ev'ry Jean and Jock | 0:43:18 | 0:43:20 | |
# Extends a welcome that is high and wide | 0:43:20 | 0:43:22 | |
# Seems to know that they are on their homeward way | 0:43:22 | 0:43:24 | |
# To hear the song of the Clyde | 0:43:24 | 0:43:26 | |
# Oh, the river Clyde The wonderful Clyde | 0:43:26 | 0:43:30 | |
# The name of it thrills me and fills me with pride | 0:43:30 | 0:43:34 | |
# And I'm satisfied whate'er may betide | 0:43:34 | 0:43:38 | |
# The sweetest of songs is the song of the Clyde | 0:43:38 | 0:43:42 | |
# Oh, the river Clyde The wonderful Clyde | 0:43:42 | 0:43:47 | |
# The name of it thrills me and fills me with pride | 0:43:47 | 0:43:50 | |
# And I'm satisfied whate'er may betide | 0:43:50 | 0:43:54 | |
# The sweetest of songs is the song of the Clyde | 0:43:54 | 0:43:59 | |
# The sweetest of songs is | 0:43:59 | 0:44:02 | |
# The song of the Clyde! # | 0:44:02 | 0:44:08 | |
APPLAUSE AND CHEERING | 0:44:08 | 0:44:10 | |
Well done, Glasgow. | 0:44:13 | 0:44:14 | |
APPLAUSE AND CHEERING | 0:44:14 | 0:44:16 | |
-Thank you. -WHISTLING | 0:44:16 | 0:44:18 | |
Oh! | 0:44:18 | 0:44:19 | |
Now, we're going to celebrate the 30th anniversary of a movie | 0:44:19 | 0:44:23 | |
that was the highest-grossing film in 1985. | 0:44:23 | 0:44:26 | |
It spawned two sequels and it had a fantastic theme tune, | 0:44:26 | 0:44:29 | |
written by Alan Silvestri. | 0:44:29 | 0:44:31 | |
Ladies and gentlemen, | 0:44:31 | 0:44:33 | |
buckle up in the old DeLorean, as we head... | 0:44:33 | 0:44:35 | |
back to the future! | 0:44:35 | 0:44:37 | |
APPLAUSE AND CHEERING | 0:44:37 | 0:44:38 | |
ORCHESTRA PLAYS | 0:44:38 | 0:44:40 | |
APPLAUSE AND CHEERING | 0:47:56 | 0:47:57 | |
APPLAUSE AND CHEERING | 0:48:02 | 0:48:04 | |
Please welcome back to the stage, from The Bodyguard musical, | 0:48:04 | 0:48:07 | |
Alexandra Burke! | 0:48:07 | 0:48:09 | |
APPLAUSE AND CHEERING | 0:48:09 | 0:48:11 | |
# If | 0:48:15 | 0:48:17 | |
# I... | 0:48:17 | 0:48:19 | |
# Should stay | 0:48:20 | 0:48:23 | |
# I would only be in... | 0:48:26 | 0:48:30 | |
# Your way | 0:48:32 | 0:48:37 | |
SCATTERED CHEERING | 0:48:37 | 0:48:40 | |
# So I'll...go | 0:48:41 | 0:48:44 | |
# But I know | 0:48:46 | 0:48:49 | |
# I'll think of you | 0:48:50 | 0:48:53 | |
# Every step of... | 0:48:53 | 0:48:55 | |
# The way | 0:48:57 | 0:49:04 | |
# And I... | 0:49:09 | 0:49:11 | |
ORCHESTRA PLAYS | 0:49:11 | 0:49:13 | |
# Will always | 0:49:15 | 0:49:18 | |
# Love you | 0:49:18 | 0:49:19 | |
# You, you | 0:49:19 | 0:49:23 | |
# Will always | 0:49:23 | 0:49:25 | |
# Love you | 0:49:25 | 0:49:31 | |
# You, you, you, you | 0:49:31 | 0:49:33 | |
# You | 0:49:34 | 0:49:36 | |
# My darling, you, you, you | 0:49:36 | 0:49:39 | |
# Oh, yeah | 0:49:39 | 0:49:43 | |
# Bittersweet | 0:49:43 | 0:49:46 | |
# Memories | 0:49:46 | 0:49:50 | |
# That is all I'm taking | 0:49:50 | 0:49:54 | |
# With me | 0:49:54 | 0:49:57 | |
# So goodbye | 0:49:57 | 0:50:00 | |
# Please don't cry | 0:50:01 | 0:50:04 | |
# We both know I'm not what you, you need | 0:50:04 | 0:50:11 | |
# And I... | 0:50:11 | 0:50:17 | |
# Will always love you | 0:50:17 | 0:50:22 | |
# Will always love you | 0:50:23 | 0:50:32 | |
# You, ooh | 0:50:32 | 0:50:35 | |
# I hope life treats you kind | 0:51:01 | 0:51:07 | |
# And I hope you have all you've dreamed of | 0:51:08 | 0:51:15 | |
# And I wish you joy and happiness | 0:51:15 | 0:51:22 | |
# But above all this I wish you love | 0:51:22 | 0:51:33 | |
# And I... | 0:51:35 | 0:51:41 | |
# Will always love you | 0:51:41 | 0:51:47 | |
# I will always love you | 0:51:47 | 0:51:52 | |
# And I will always love you | 0:51:52 | 0:51:59 | |
# You, you, I will always love you | 0:51:59 | 0:52:09 | |
# Will always love you | 0:52:10 | 0:52:16 | |
# I will always... | 0:52:16 | 0:52:21 | |
# Love | 0:52:24 | 0:52:29 | |
# You-ou-ou | 0:52:31 | 0:52:38 | |
# You | 0:52:39 | 0:52:42 | |
# Darling, I love you | 0:52:42 | 0:52:45 | |
# I will always... | 0:52:45 | 0:52:48 | |
# I will always love you | 0:52:48 | 0:52:55 | |
# Ooh, ooh. # | 0:52:55 | 0:53:02 | |
CHEERING | 0:53:02 | 0:53:04 | |
An amazing performance there by Alexandra Burke, wasn't it great? | 0:53:23 | 0:53:26 | |
Come on. Yes. | 0:53:26 | 0:53:27 | |
-CHEERING -Come on. | 0:53:27 | 0:53:30 | |
Well, I'm afraid we're coming to the end of the evening, | 0:53:30 | 0:53:32 | |
-ladies and gentlemen. -BOOING | 0:53:32 | 0:53:34 | |
Yes, we are. | 0:53:34 | 0:53:36 | |
It's been a wonderful evening, thank you very much to Glasgow City | 0:53:36 | 0:53:39 | |
Council for supporting tonight's event and to all our guests. | 0:53:39 | 0:53:45 | |
To Alexandra Burke, | 0:53:45 | 0:53:46 | |
to Amy Dickson, | 0:53:46 | 0:53:48 | |
Anne Dudley and her Poldark piece, | 0:53:48 | 0:53:51 | |
Claire Hastings and, of course, our fabulous | 0:53:51 | 0:53:54 | |
BBC Scottish Symphony Orchestra | 0:53:54 | 0:53:56 | |
and our wonderful conductor Stephen Bell. | 0:53:56 | 0:53:59 | |
CHEERING | 0:53:59 | 0:54:02 | |
Now, please welcome back to the stage, Big Big Sing, | 0:54:02 | 0:54:05 | |
joining myself, the BBC Scottish Symphony Orchestra | 0:54:05 | 0:54:08 | |
and our audience here for Highland Cathedral. | 0:54:08 | 0:54:11 | |
# Land of my fathers We will always be | 0:54:24 | 0:54:30 | |
# Faithful and loyal to our own country | 0:54:30 | 0:54:37 | |
# In times of danger | 0:54:37 | 0:54:39 | |
# We will set you free | 0:54:39 | 0:54:42 | |
# Lead you to glory and to victory | 0:54:42 | 0:54:49 | |
# Hail, Caledonia to our ancient prayer | 0:54:49 | 0:54:55 | |
# In this Highland Cathedral let our standards bear | 0:54:55 | 0:55:02 | |
# Joining together with one dream to share | 0:55:02 | 0:55:07 | |
# God bless the people of this land so fair | 0:55:07 | 0:55:14 | |
# Gone is the past Let us start anew | 0:55:14 | 0:55:20 | |
# Let this hope of peace always remain | 0:55:20 | 0:55:25 | |
# Spirit of Scotia be strong and true | 0:55:25 | 0:55:32 | |
# Then your children will smile again | 0:55:32 | 0:55:37 | |
# Rise Caledonia Let your voices ring | 0:55:37 | 0:55:44 | |
# In this Highland Cathedral of our God and King | 0:55:44 | 0:55:50 | |
# Whom joy and liberty to all will bring | 0:55:50 | 0:55:57 | |
# Come, let your heart with love and courage sing | 0:55:57 | 0:56:03 | |
# Rise Caledonia Let your voices ring | 0:58:20 | 0:58:26 | |
# In this Highland Cathedral of our God and King | 0:58:26 | 0:58:32 | |
# Whom joy and liberty to all will bring | 0:58:32 | 0:58:38 | |
# Come, let your heart with love and courage sing | 0:58:38 | 0:58:45 | |
# Come, let your heart with love and courage sing. # | 0:58:45 | 0:58:55 |