David Bowie BBC Proms


David Bowie

Similar Content

Browse content similar to David Bowie. Check below for episodes and series from the same categories and more!

Transcript


LineFromTo

This programme contains strong language.

:00:00.:00:10.

David Bowie is undefinable, Romantic. Beautiful. Trance

:00:11.:00:15.

formedive. Ahead of his time. Handsome. Space child. Dude. Great

:00:16.:00:23.

guy. # There's a Starman waiting in the

:00:24.:00:26.

sky # Head's like to come and meet uses

:00:27.:00:33.

# Oh, you pretty things # Don't you know you're driving your

:00:34.:00:42.

mamas and papas insane # Lives on his back... #

:00:43.:00:47.

He changes your life. He changed my life. If he talked about a musician

:00:48.:00:53.

or a film or a book or an arti you wanted to explore it. He led you

:00:54.:00:58.

into a world of exploration. I'm very honoured to be involved in

:00:59.:01:03.

curating this special concert in tribute to the work of David Bowie

:01:04.:01:11.

and I'm also directing Stargaze, classically trained musicians. We

:01:12.:01:15.

have brought together eight or nine singers from the world of pop and

:01:16.:01:22.

soul music, classical singer and rock music.

:01:23.:01:28.

# We spoke of... # We want to bring out the different

:01:29.:01:32.

elements that in the songs. Maybe in different colours, different ways.

:01:33.:01:38.

Three songs I was asked to arrangement there were no boundaries

:01:39.:01:42.

as to how the arrangement would go. It let me get closer to the song.

:01:43.:01:47.

The lyrics have so much power. It's great. We had a long list of artists

:01:48.:01:53.

we spoke to. Some said, this is amazing, we want to try it. Even

:01:54.:02:00.

though it scares me a lot, not only because it's David Bowie, and this

:02:01.:02:03.

particular year, but also because they are working out of their

:02:04.:02:11.

comfort zone. A very experiment It's al concert. Expect to really hear

:02:12.:02:17.

things that you've never heard before.

:02:18.:02:25.

# Makes a man take thingses over... #

:02:26.:02:29.

Fame has that funk element. When we did it in rehearsal, I was like -

:02:30.:02:34.

OK, it has a whole new lilt. We wanted to really show off the depths

:02:35.:02:40.

of the compositions of David Bowie's songs and it's reach beyond genre

:02:41.:02:54.

borders. We always say from David Bowie he has a super loyal and super

:02:55.:03:04.

male. It makes sense for me to sing between male and female.

:03:05.:03:17.

# I will be King... # Underneath everything there is this

:03:18.:03:23.

idea that we're honouring and the music is all about rev reasons for

:03:24.:03:27.

David Bowie and what he did. I think for the audience it's going to feel

:03:28.:03:34.

slightly out-of-body. Slightly psychedelic at times. I think people

:03:35.:03:37.

will be talking about this for a long time.

:03:38.:03:43.

# Look up here # I'm in heaven

:03:44.:03:48.

# I've got scars that can't be seen... #

:03:49.:03:51.

I think there will be will be some grieving in it. Ultimately, I think

:03:52.:03:55.

I think it should be celeb rate are you. You can ask me that again if I

:03:56.:04:03.

get through the songs. Pole tongsly, celebratory. -- potentially

:04:04.:04:05.

celebratory. # Here are we, one magical

:04:06.:04:33.

moment, such is the stuff # Bending sound, dredging

:04:34.:10:10.

the ocean # Tall in this room overlooking the

:10:11.:10:22.

ocean # Here are we, one magical movement

:10:23.:10:53.

from Kether to Malkuth # There are you, you drive

:10:54.:11:11.

like a demon from station to station # The return of the Thin White Duke,

:11:12.:11:22.

throwing darts in lovers' eyes # The return of the Thin White Duke,

:11:23.:11:44.

making sure white stays # Once there were

:11:45.:11:54.

mountains on mountains # And once there were

:11:55.:11:57.

sun birds to soar with # Got to keep searching

:11:58.:11:59.

and searching # Oh, what will I be believing

:12:00.:12:08.

and who will connect me with love? # Wonderful, wonderful,

:12:09.:12:13.

wonder when # Have you sought fortune,

:12:14.:12:16.

evasive and shy? # Drink to the men

:12:17.:12:23.

who protect you and I # Drink, drink, drain your glass,

:12:24.:12:28.

raise your glass high # It's not the side-effects

:12:29.:12:33.

of the cocaine # I won't let the day

:12:34.:12:37.

pass without her # Should I believe that

:12:38.:13:08.

I've been stricken? # Does my face show

:13:09.:13:23.

some kind of glow? # The European cannon

:13:24.:13:27.

is here, yes it's here Good evening, ladies and gentlemen.

:13:28.:14:09.

APPLAUSE. This is Conor O'Brien on the guitar and Neil Hannon. Conor

:14:10.:14:26.

O'Brien from Villagers. This is the Stargaze gaze. They will be our

:14:27.:14:30.

house band tonight. I'm Amanda Palmer.

:14:31.:14:38.

We are so incredibly honoured to be here. And the most important thing,

:14:39.:14:48.

I think, is that we feel this is not a wake for David Bowie, this is an

:14:49.:14:56.

amazing art form, Hall, secular celebration of some of the most

:14:57.:15:01.

incredible music in the world. So thank you so much for being here

:15:02.:15:05.

with us. And Conor O'Brien is going to take it away with this next song.

:15:06.:15:09.

Put your hands together. APPLAUSE

:15:10.:15:41.

The man who sold the world, sung by Conor O'Brien. Thank you, Connor.

:15:42.:20:58.

We got as many composers and arrangers involved in this evening

:20:59.:21:10.

as singers and soloists. This next song was arranged by a Dutch

:21:11.:21:14.

composer, and I am not going to give it away quite yet, but we welcome

:21:15.:21:18.

back onstage Neil Hannon. # Will die

:21:19.:21:54.

This is not America # Falcon spirals to the ground

:21:55.:22:08.

This could be the biggest sky # This is not America

:22:09.:23:19.

Oh, this is not the miracle # Oooh

:23:20.:23:42.

For this could be the biggest sky this ain't America, but trust me, we

:23:43.:24:30.

love it. This is my home, no place like the other. This ain't America.

:24:31.:24:39.

Trust me, we are on it. In the projects, and trust me, there's no

:24:40.:24:43.

place like home. That's my man them. Standard. To Stansted. I'm saying,

:24:44.:24:50.

this ain't America. # Oh

:24:51.:24:55.

Sha la la la Neil Hannon, ladies and gentlemen.

:24:56.:26:06.

And joining him on stage was our special guest, Elf Kid. Thank you.

:26:07.:26:24.

Now it's my great pleasure to welcome onstage Mr Marc Almond.

:26:25.:26:35.

# But her friend is nowhere to be seen

:26:36.:27:25.

# Now she walks through her sunken dream

:27:26.:27:30.

# And she's hooked to the silver screen

:27:31.:27:39.

# For she's lived it ten times or more

:27:40.:27:50.

# She could spit in the eyes of fools

:27:51.:27:52.

# Take a look at the law man beating up the wrong guy

:27:53.:28:18.

# That Mickey Mouse has grown up a cow

:28:19.:29:11.

# Now the workers have struck for fame

:29:12.:29:16.

# See the mice in their million hordes

:29:17.:29:24.

# Take a look at the law man beating up the wrong guy

:29:25.:30:16.

Thank you, and this song was arranged for Malc by the great

:30:17.:31:41.

British composer, Anna Meredith. APPLAUSE. This winning combination

:31:42.:31:49.

will be back later, actually. But now, we welcome on stage Anna Calvi

:31:50.:31:57.

and Jherek Bischoff. APPLAUSE.

:31:58.:32:25.

Jherek Bischoff has arranged this next song. Thank you, Jherek.

:32:26.:33:33.

# The lady from another grinning soul

:33:34.:34:09.

# And when the clothes are strewn, don't be afraid of the room

:34:10.:34:47.

# She'll lay belief on you, but she won't stake her life on you

:34:48.:35:49.

# How can life become her point of view

:35:50.:36:01.

# And when the clothes are strewn don't be afraid of the room

:36:02.:36:08.

Here's another song that Jherek Bischoff arranged. Actually, this

:36:09.:38:42.

was part of the tribute EP that inspired a lot of the cure ration of

:38:43.:38:49.

this programme that Jherek Bischoff and Amanda Palmer did shortly after

:38:50.:38:55.

David Bowie's passing. It was a true inspiration and, but tonight we hear

:38:56.:39:01.

it with a different singer. It's my great pleasure to welcome on stage,

:39:02.:39:09.

Paul Buchanan. APPLAUSE.

:39:10.:39:21.

Hi. You should feel free to sing, if you like. CHEERING.

:39:22.:39:32.

Is that a, yes? CHEERING. # I heard a rumour

:39:33.:39:50.

from ground control # They got a message

:39:51.:39:57.

from the action man # The shrieking of nothing

:39:58.:40:04.

is killing me # Just pictures of Jap girls

:40:05.:40:21.

in synthesis # But the little green wheels

:40:22.:40:25.

are following me # One flash of light,

:40:26.:41:12.

but no smoking pistol # I never did anything

:41:13.:41:31.

out of the blue # No

:41:32.:41:48.

No, no # You better not mess

:41:49.:41:50.

with Major Tom. # # You better not mess

:41:51.:43:04.

with Major Tom. # And now we welcome onstage Laura

:43:05.:43:57.

Mvula. This next song was arranged by Greg

:43:58.:45:01.

Saunier. # Puts you there

:45:02.:46:10.

where things are hollow # Is it any wonder

:46:11.:46:19.

you are too cool to fool? This next one was also arranged by

:46:20.:48:20.

Greg Saunier. Shall we say it was recomposed? Now

:48:21.:51:41.

we welcome back onstage Laura Mvula and Paul Buchanan.

:51:42.:51:57.

I would like to introduce the next three songs, actually, because we

:51:58.:52:04.

wanted to find a special place in this concert for David Bowie's last

:52:05.:52:11.

work and we decided to have a little trilogy...

:52:12.:52:12.

APPLAUSE We wanted to have a little trilogy

:52:13.:52:30.

of songs here. The first one, Girl Loves Me which was arranged by

:52:31.:52:35.

Stargaze, and is a duet between Laura and Paul. And then a song that

:52:36.:52:40.

meant a lot to Paul when he first heard it, and it was one of his

:52:41.:52:44.

wishes to sing this, I Can't Give Everything Away. And then we welcome

:52:45.:52:52.

back onstage Amanda and Anna Calvi to play the amazing Black Star.

:52:53.:53:10.

# Cheena so sound, so titty up this Malchick, say

:53:11.:53:15.

# Party up moodge, ninety vellocet round on Tuesday

:53:16.:53:22.

# Real bad dizzy snatch making all the homies mad, Thursday

:53:23.:53:28.

# Popo blind to the polly in the hole by Friday

:53:29.:53:36.

# I'm go to this Giggenbach show I'm sailin' in the chestnut tree

:53:37.:53:57.

# Yippie loving little zipshot # Professor wanshot yarbles

:53:58.:55:07.

Arranged by another young British composer, Josephine Stephenson. I

:55:08.:57:40.

Can't Give Everything Away. # The post returns

:57:41.:58:42.

for prodigal songs # With blackout harks

:58:43.:58:51.

with flowered muse # The blackout harks

:58:52.:58:55.

with flowered muse So now we're going to ask back on

:58:56.:03:52.

stage the formidable trio of Anna Calvi, Amanda Palmer and Jherek

:03:53.:03:53.

Bischoff. APPLAUSE So right after David Bowie

:03:54.:04:19.

passed away Jherek Bischoff put out this EP of string songs. We decided

:04:20.:04:28.

to try Blackstar which felt so intimidating because it was brand

:04:29.:04:31.

new and David Bowie had just left a week before. Once he was gone and we

:04:32.:04:37.

heard that album, we understood what it was. It was such a gift. And... I

:04:38.:04:48.

think he's in the house tonight. APPLAUSE.

:04:49.:04:51.

Anna Calvi is going to join us. # In the villa of Ormen,

:04:52.:05:16.

in the villa of Ormen # Stands a solitary

:05:17.:05:22.

candle, ah ah, ah ah # In the centre of it all,

:05:23.:05:35.

in the centre of it all # On the day of execution,

:05:36.:05:41.

on the day of execution # Only women kneel

:05:42.:06:10.

and smile, ah ah, ah ah # At the center of it all,

:06:11.:06:21.

at the center of it all # In the villa of Ormen,

:06:22.:06:30.

in the villa of Ormen # Stands a solitary

:06:31.:07:47.

candle, ah ah, ah ah # At the center of it all,

:07:48.:07:59.

at the center of it all # Something happened

:08:00.:08:08.

on the day he died # Spirit rose a metre

:08:09.:09:20.

then stepped aside # Somebody else took his

:09:21.:09:24.

place, and bravely cried # How many people lie

:09:25.:09:30.

instead of talking tall? # He trod on sacred ground,

:09:31.:09:49.

he cried loud into the crowd # I'm a blackstar, I'm

:09:50.:09:54.

a blackstar, I'm not a gangster # I can't answer why,

:09:55.:10:02.

I'm a blackstar # Just go with me,

:10:03.:10:14.

I'm not a film star # I'm-a take you home,

:10:15.:10:20.

I'm a blackstar # Take your passport

:10:21.:10:25.

and shoes, I'm not a pop star # And your sedatives,

:10:26.:10:29.

boo, I'm a blackstar # You're a flash in the pan,

:10:30.:10:34.

I'm not a marvel star # I'm the great I am,

:10:35.:10:45.

# I'm a blackstar, way up, oh honey, I've got game

:10:46.:10:48.

# I see right so white, so open heart it's pain

:10:49.:10:53.

# I want eagles in my daydreams, diamonds in my eyes

:10:54.:11:00.

# I'm a blackstar, I'm a blackstar

:11:01.:11:05.

# Something happened on the day he died

:11:06.:11:10.

# Spirit rose a metre then stepped aside

:11:11.:11:14.

# Somebody else took his place, and bravely cried

:11:15.:11:20.

# I'm a blackstar, I'm a star star, I'm a blackstar

:11:21.:11:38.

# I can't answer why, I'm not a gangster

:11:39.:11:42.

# But I can tell you how, I'm not a film star

:11:43.:11:46.

# We were born upside-down, I'm a star star

:11:47.:11:52.

# Born the wrong way 'round, I'm not a white star

:11:53.:11:55.

# I'm not a porn star, I'm not a wandering star

:11:56.:12:13.

# In the villa of Ormen stands a solitary candle

:12:14.:12:46.

# At the centre of it all, your eyes

:12:47.:13:14.

# On the day of execution, only women kneel and smile

:13:15.:13:22.

# At the centre of it all, your eyes, your eyes

:13:23.:13:54.

Anna Calvi, ladies and gentlemen, and Jherek Bischoff, the Stargaze

:13:55.:14:38.

ensemble. Amanda Palmer. How is everybody doing? I wanted to

:14:39.:15:04.

especially thank the people who queued today. You guys did excellent

:15:05.:15:07.

queueing. # I wish I could swim

:15:08.:15:54.

# Like dolphins can swim # But nothing will keep us together

:15:55.:16:00.

# Forever and ever. # We can be heroes

:16:01.:16:25.

# Just for one day.

:16:26.:16:39.

Thank you so much. Stargaze ensemble, everybody. Andre de

:16:40.:18:54.

Ridder. And I think it's fair to say, now to

:18:55.:19:32.

something completely different. Maybe this next guest will stand out

:19:33.:19:42.

from the cast, as I think he's the only one that comes more from the

:19:43.:19:48.

classical world. And a wonderful, amazing artist from France. His name

:19:49.:19:52.

is Philippe Jarrousky. We have the pleasure to commission a

:19:53.:20:19.

wonderful American composer, David Lang, to compose and reimagine this

:20:20.:20:20.

next song. # Every chance, every

:20:21.:20:56.

chance that I take # Those kilometers

:20:57.:21:12.

and the red lights # I was always looking left

:21:13.:21:39.

and right # Always crashing in the same car

:21:40.:22:04.

# As I pushed my foot down to the floor

:22:05.:22:27.

# I was going 'round and 'round

:22:28.:22:37.

# Must have been touching close to 94

:22:38.:22:52.

# Oh, but I'm always crashing in the same car #

:22:53.:23:20.

# But I'm always crashing in the same car

:23:21.:25:09.

I promised we would have Marc Almond back and I promised Anna Meredith

:25:10.:25:47.

arranging for him again. Welcome back, Marc Almond.

:25:48.:26:06.

Back in 1972, I was there and I think a lot of you were to. This is

:26:07.:26:15.

an iconic song of David Bowie's. It introduced him in 1972 to a whole

:26:16.:26:20.

new young audience. And his unforgettable appearance on Top of

:26:21.:26:24.

the Pops with the late, great guitarist, Mick Ronson. It was a

:26:25.:26:34.

life changing moment for so many teenagers, such as me. And David

:26:35.:26:39.

Bowie made us look at the world through different eyes.

:26:40.:26:47.

You can sing to this one if you want to. I'm not going to stop you.

:26:48.:27:26.

# Hey, now, now # Hey, now, now

:27:27.:27:38.

# Didn't now, now know what time it was

:27:39.:27:40.

# Some cat was layin' down some rock'n'roll lotta soul, he said

:27:41.:27:46.

# Then the loud sound did seem to fade-a-ade

:27:47.:27:51.

# Came back like a slow voice on a wave of phase-ha-hase

:27:52.:27:55.

# That weren't no DJ That was hazy cosmic jive

:27:56.:28:00.

# There's a starman waiting in the sky

:28:01.:28:08.

# He'd like to come and meet us But he thinks he'd blow our minds

:28:09.:28:13.

# There's a starman waiting in the sky

:28:14.:28:17.

# He's told us not to blow it Cos he knows it's all worthwhile

:28:18.:28:21.

# He told me - Let the children lose it

:28:22.:28:25.

# Let the children use it Let all the children boogie

:28:26.:28:46.

# I had to phone someone so I picked on you-hoo-hoo

:28:47.:28:50.

# Hey, that's far out so you heard him too-oo-oo

:28:51.:28:54.

# Switch on the TV we may pick him up on channel two

:28:55.:28:59.

# Look out your window I can see his light-a-ight

:29:00.:29:05.

# If we can sparkle he may land tonight-a-ight

:29:06.:29:10.

# Don't tell your poppa or he'll get us locked up in fright

:29:11.:29:18.

# There's a starman waiting in the sky

:29:19.:29:23.

# He'd like to come and meet us But he thinks he'd blow our minds

:29:24.:29:27.

# There's a starman waiting in the sky

:29:28.:29:32.

# He's told us not to blow it Cos he knows it's all worthwhile

:29:33.:29:37.

# He told me - Let the children lose it

:29:38.:29:39.

# Let the children use it Let all the children boogie

:29:40.:29:45.

# He'd like to come and meet us But he thinks he'd blow our minds

:29:46.:29:52.

# There's a starman waiting in the sky

:29:53.:29:57.

# He's told us not to blow it Cos he knows it's all worthwhile

:29:58.:30:01.

# He told me - Let the children lose it

:30:02.:30:05.

# Let the children use it Let all the children boogie

:30:06.:30:19.

# Let the children use it Let all the children boogie

:30:20.:31:30.

Stargaze. CHEERING AND

:31:31.:31:50.

APPLAUSE APPLAUSE

:31:51.:33:56.

Rebel Rebel. His band is ready. Please welcome the amazing John

:33:57.:33:59.

Cale. CHEERING AND

:34:00.:34:01.

APPLAUSE # Feelings he's

:34:02.:34:44.

treasured most of all # The teachers and

:34:45.:34:57.

the football stars # If all the world

:34:58.:35:02.

were under his heels INSTRUMENTAL.

:35:03.:36:24.

CHEERING AND APPLAUSE. # With your long blond hair

:36:25.:39:48.

and your eyes of blue # The only thing I ever got

:39:49.:40:25.

from you # You're acting funny,

:40:26.:40:29.

try to spend my money # You out there playing

:40:30.:40:38.

your high class games # You never do what

:40:39.:40:42.

you know you ought to # Something tells me you're

:40:43.:41:11.

the devil's daughter # I tried to find her

:41:12.:41:14.

cause I can't resist her # I tried to find her

:41:15.:42:25.

cause I can't resist her # I never knew just

:42:26.:42:29.

how much I missed her # With your long blond hair

:42:30.:42:32.

and your eyes of blue # The only thing I ever got

:42:33.:42:41.

from you # With your long blond hair,

:42:42.:42:45.

I couldn't sleep last night # With your long blond hair,

:42:46.:43:29.

I couldn't sleep last night ... #

:43:30.:44:15.

CHEERING AND APPLAUSE. I have to tell you something... Wait

:44:16.:45:17.

a minute much I have the floor! All week I've been watching these

:45:18.:45:22.

wonderful musicians here put together a show that really has

:45:23.:45:27.

poured hard soul, blood, sweat and tears into showing a different side

:45:28.:45:33.

of David Bowie. Mraus mraus. And I'm so glad, I'm so #2k3w4r5d that so

:45:34.:45:38.

many of you came out tonight to enjoy it, celebrate that side of

:45:39.:45:42.

him. That side of him will keep going. -- glad. Prosperity has that.

:45:43.:45:56.

APPLAUSE David wherever you are, for one

:45:57.:45:59.

night, we can all be Space Oddities. # Take your protein pills

:46:00.:46:30.

and put your helmet on # Check ignition and may

:46:31.:46:51.

God's love be with you # This is Ground

:46:52.:47:50.

Control to Major Tom # And the papers want to know

:47:51.:47:56.

whose shirts you wear # Now it's time to leave

:47:57.:48:09.

the capsule if you dare # I'm stepping through

:48:10.:48:26.

the door # And I'm floating

:48:27.:48:37.

in a most peculiar way # And the stars look

:48:38.:48:43.

very different today # Though I'm past one

:48:44.:48:59.

hundred thousand miles # And I think my spaceship

:49:00.:50:43.

knows which way to go # Tell my wife I love her

:50:44.:50:56.

very much, she knows # Here am I floating

:50:57.:51:12.

round my tin can # Here am I floating

:51:13.:51:43.

round my tin can # I'm here

:51:44.:53:44.

# I'm here. Mr John Cale. The house gospel

:53:45.:53:55.

choir. It's kind of hard to follow this

:53:56.:55:17.

one. But the House Gospel Choir is going to stay and we are going to

:55:18.:55:22.

ask some of the artists back onstage, including Conor O'Brien,

:55:23.:55:25.

Philippe Jarrousky, Marc Almond and Amanda Palmer.

:55:26.:55:53.

For the final song of this evening, and the next generation. And also

:55:54.:56:06.

back on this magnificent organ, Jamie McMahon near.

:56:07.:56:30.

# Please trip them gently, they don't like to fall, oh, by jingo

:56:31.:56:38.

# There's no room for anger, we're all very small, oh, by jingo

:56:39.:56:49.

# And dressing in thoughts from the skies, from paradise

:56:50.:56:59.

# But they think that we're holding a secretive ball

:57:00.:57:05.

# They're just taller children, that's all, after all

:57:06.:57:32.

# Man is an obstacle, sad as the clown, oh, by jingo

:57:33.:57:44.

# So hold on to nothing, and he won't let you down, oh, by jingo

:57:45.:57:54.

# Some people are marching together and some on their own

:57:55.:58:00.

# Others are running, the smaller ones crawl

:58:01.:58:11.

# But some sit in silence, they're just older children

:58:12.:58:15.

# I sing with impertinence, shading impermanent chords

:58:16.:58:57.

# I've borrowed your time and I'm sorry I called

:58:58.:59:07.

# But the thought just occurred

:59:08.:59:11.

# That we're nobody's children at all, after all

:59:12.:59:27.

# Live your rebirth and do what you will

:59:28.:59:29.

# Forget all I've said, please bear me no ill

:59:30.:59:41.

Thank you. Marc Almond, Amanda Palmer, thank you, Stargaze, Jherek

:59:42.:01:25.

Bischoff. Andre de Ridder. APPLAUSE

:01:26.:01:35.

And thank you, David Bowie. Thank you.

:01:36.:01:43.

Download Subtitles

SRT

ASS