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Charlie Mingus's music is a great combination between bombastic and | :00:08. | :00:13. | |
beta. Blue whatever it plays, it has a feeling of tension, like it's | :00:14. | :00:18. | |
about to explode. It's always blues. If you don't know what that means | :00:19. | :00:24. | |
then check out Charlie Mingus. He's one of the baddest musicians to ever | :00:25. | :00:25. | |
lived. He's the King Mingus. Charles Mingus's work as a bass | :00:26. | :01:07. | |
player and as a composer, in many ways the two things merged into one. | :01:08. | :01:12. | |
They are both attached to his soul directly. Charles Mingus is where | :01:13. | :01:19. | |
chaos and beauty meet, and that place is a wonderful place, and a | :01:20. | :01:29. | |
tragic place. Over three decades he recorded 100 albums and worked with | :01:30. | :01:33. | |
everybody from Louis Armstrong, Charlie Parker, Miles Davis. Duke | :01:34. | :01:39. | |
Ellington was one of his biggest inspirations. For me that's huge. I | :01:40. | :01:44. | |
like Mingus because of that, that's all I need to hear! He was a | :01:45. | :01:51. | |
virtuosic bass player, he had unbelievable feel. This was a guy in | :01:52. | :01:59. | |
Charlie Parker's band. He played on the cutting edge. Every corner of | :02:00. | :02:04. | |
this music that you could exist in, Charles Mingus existed in. I think | :02:05. | :02:10. | |
what stands Mingus apart from a lot of his contemporaries is summed up | :02:11. | :02:14. | |
by blues and roots. I think it's the rates element for me which is what | :02:15. | :02:19. | |
resonates the most. It's this freight train of an approach to | :02:20. | :02:25. | |
mesmeric baselines, that you just don't forget. All his music, there a | :02:26. | :02:34. | |
melodic line through it that allows even a casual listener to just be | :02:35. | :02:39. | |
able to become immersed in the soul of it. He has integrity with | :02:40. | :02:44. | |
whatever he does, so if he's making music to get you shaking, you know | :02:45. | :02:48. | |
that this is a guy who knows how to shake. I think the Proms audience | :02:49. | :03:00. | |
can expect a very interesting adaptation of Mingus's music. It's | :03:01. | :03:06. | |
going to be nice and spicy. So I'm the bottom of hot sauce! -- bottle. | :03:07. | :03:16. | |
We want to have some friction, some battles, some war, and we want to | :03:17. | :03:20. | |
show people the depth of a composer who is seminal and stands amongst | :03:21. | :03:25. | |
all of the true greats of jazz music. | :03:26. | :03:31. | |
APPLAUSE That are | :03:32. | :50:23. | |
# Take away the grief you've caused # Can't sleep at night | :50:24. | :50:27. | |
# With the fear that I'll live it all again | :50:28. | :50:36. | |
# When you say she doesn't want me | :50:37. | :50:45. | |
# That has paid the price of love | :50:46. | :51:10. | |
People who are eccentric and also having some dark sides to their | :51:11. | :05:07. | |
character, they are very attractive for people after their time. Because | :05:08. | :05:13. | |
the moment they live, they suffer from it because they aren't | :05:14. | :05:21. | |
adjusting to society. Later on, they put people in heaven. It's always a | :05:22. | :05:23. | |
little bit late, I think. It would be very difficult for you | :05:24. | :05:37. | |
to find a musician or artist who has music with more struggle in it. But | :05:38. | :05:51. | |
you can see that this is also, there is a conceptual crew lying in his | :05:52. | :05:55. | |
music. His experience is struggle, so why would his music be laden with | :05:56. | :06:06. | |
release? It's not a simple music, it's not a music that says this is a | :06:07. | :06:11. | |
surface level of who I am. It says that levels to me and the music that | :06:12. | :06:15. | |
I play, that you have to come towards me to really comprehend. The | :06:16. | :06:23. | |
way that his legacy lives on through me is that people shouldn't always | :06:24. | :06:27. | |
just copy what other people are doing. It's more important to create | :06:28. | :06:32. | |
your own style based on your influences, because that's what he | :06:33. | :06:38. | |
did. I think you such an inspiration because he was a rebel, he was an | :06:39. | :06:43. | |
extremely complex, charismatic but enigmatic character. For me, to take | :06:44. | :06:50. | |
that into the symphonic context, is what made it appealing. I feel like | :06:51. | :06:59. | |
Charles Mingus's legacy is unquestionable. There are teachings | :07:00. | :07:03. | |
of his methods, the writings of his ways, and the fact is that if you | :07:04. | :07:07. | |
listen to his record now they still stand the test of time. | :07:08. | :07:13. | |
# All alone, sad clown with his circus closed down. | :07:14. | :23:35. | |
# Lost in a merry-go-ound, came a melody in my heart so yearning. | :23:36. | :23:46. | |
# Taught me to hear music out of love, | :23:47. | :23:49. | |
# Infinite, with the lover and beloved, | :23:50. | :24:14. | |
# Waiting To show what he sees | :24:15. | :32:48. | |
--so afraid And the one that keeps | :32:49. | :33:02. | |
# One's so sweet so overly loving and gentle | :33:03. | :33:11. | |
# He lets people into his innermost sacred temple | :33:12. | :33:20. | |
The insulting plan God must be a boogie man! | :33:21. | :33:44. | |
# Which one do you think he'd want the world to see | :33:45. | :35:14. | |
# Well world opinion's not a lot of help | :35:15. | :35:18. | |
# When a man's only trying to find out how to feel about himself | :35:19. | :35:24. | |
The cock-eyed plan God must be a boogie man! | :35:25. | :35:36. |