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Tonight, we enter the rich, romantic world of Rachmaninov | :00:08. | :00:10. | |
with two of his most loved works, his hauntingly beautiful second | :00:11. | :00:13. | |
symphony and his virtuosic third piano concerto, | :00:14. | :00:23. | |
This evening, the Royal Albert Hall plays host to the BBC | :00:24. | :00:47. | |
Scottish Symphony Orchestra who will perform two masterworks, | :00:48. | :00:56. | |
both written by Rachmaninov in the first decade of the 20th | :00:57. | :00:58. | |
century, two pieces that today must be among his most popular works. | :00:59. | :01:01. | |
Later, the orchestra's chief conductor, Thomas Dausgaard, | :01:02. | :01:06. | |
will lead a performance of the second symphony, | :01:07. | :01:09. | |
the work that represented a return to health for a composer left broken | :01:10. | :01:12. | |
and devastated by the failure of his first symphony. | :01:13. | :01:16. | |
We start, though, with the piano concerto that Rachmaninov wrote | :01:17. | :01:20. | |
to perform himself on a tour of the United States. | :01:21. | :01:23. | |
He was famous for his big, broad hands and his limitless energy | :01:24. | :01:26. | |
He found the challenges of his third concerto easy. | :01:27. | :01:32. | |
Pianists who have tackled the work since describe it as one of the most | :01:33. | :01:35. | |
technically daunting in the repertoire, a sort | :01:36. | :01:37. | |
of musical Mount Everest that has to be conquered. | :01:38. | :01:41. | |
Tonight, the brilliant young Ukranian-born pianist | :01:42. | :01:42. | |
Alexander Gavrylyuk takes on the challenge. | :01:43. | :01:47. | |
So two great, popular pieces on the programme, | :01:48. | :01:49. | |
but we are going to go a stage further. | :01:50. | :01:51. | |
As well as an orchestra who have come here from Glasgow, | :01:52. | :01:55. | |
we welcome an ensemble of singers from Riga, the Latvian Radio Choir, | :01:56. | :01:58. | |
who are going to sing Russian Orthodox chants, | :01:59. | :02:00. | |
some of which, harmonised and re-imagined, seeped | :02:01. | :02:03. | |
into these symphonic works, making the journey from | :02:04. | :02:05. | |
I've been talking to conductor Thomas Dausgaard about what we learn | :02:06. | :02:13. | |
by listening to the music Rachmanonov himself | :02:14. | :02:14. | |
I'll was founded an inspiration to think what could have influenced the | :02:15. | :02:28. | |
composer's imagination. In this concert with Rachmaninov's music, | :02:29. | :02:34. | |
there are some important routes, like Russian Orthodox chanting in | :02:35. | :02:38. | |
the church, and the way that has influenced his work on so many | :02:39. | :02:44. | |
levels, it is important to share with the audience. We have a | :02:45. | :02:50. | |
wonderful chorus joining us for tonight's performance. At the top of | :02:51. | :02:54. | |
each piece, they will sing and Orthodox chant. The one song before | :02:55. | :03:00. | |
the third piano Concerto is exciting and striking. When the third | :03:01. | :03:06. | |
concerto premiered, Rachmaninov was asked whether it had any relation to | :03:07. | :03:11. | |
his theme, and he said, no, I completely compose that myself, but | :03:12. | :03:15. | |
my subconscious might have worked with me. That is super interesting. | :03:16. | :03:21. | |
That is what works with is all all the time. For the second symphony, | :03:22. | :03:25. | |
there is not such an obvious choice of chant, but there is still | :03:26. | :03:31. | |
something moving in the opening melodic line of the symphony. So | :03:32. | :03:39. | |
many references, also, to other kinds of church music, bell-ringing. | :03:40. | :03:44. | |
It will put us in a good frame of mind for it. | :03:45. | :03:49. | |
Well, in just a second, pianist Alexander Gavrylyuk | :03:50. | :03:51. | |
is going to take his place at the piano, ready to play | :03:52. | :03:54. | |
Thomas Dausgaard will conduct the BBC Scottish Symphony Orchestra. | :03:55. | :03:57. | |
Before that the Latvian Radio Choir are going to sing Grob Tvoy, Spase, | :03:58. | :04:00. | |
MUSIC: Piano Concerto No. 3 by Rachmaninov. | :04:01. | :15:27. | |
MUSIC: Piano Concerto No 3 in D Minor by Rachmaninov. | :15:28. | :30:34. | |
MUSIC: Piano Concerto No 3 in D Minor by Rachmaninov. | :30:35. | :54:11. | |
Alexander Gavrylyuk playing Rachmaninov's Third Piano Concerto | :54:12. | :54:41. | |
Thomas Dausgaard conducting the BBC Scottish Symphony Orchestra. | :54:42. | :54:53. | |
And this Sunday evening prom began with a traditional chant from the | :54:54. | :55:05. | |
Russian Orthodox Church, sung by the Latvian Radio Choir, music that | :55:06. | :55:10. | |
inspired Rachmaninov when he was writing this Piano Concerto. It it | :55:11. | :55:25. | |
is a work that he wrote to play himself, and when he toured North | :55:26. | :55:41. | |
America in 1909 it was well greeted. When he played it at Carnegie Hall, | :55:42. | :55:49. | |
the conductor was Gustav Mahler. It was a moment that Rachmaninov | :55:50. | :55:59. | |
treasured. Rachmaninov's music has always been important to Alexander | :56:00. | :56:04. | |
Gavrylyuk. He moved to Australia at the age of 13 and said he found it | :56:05. | :56:09. | |
to be a very different planets and missed his native Ukraine. He turned | :56:10. | :56:14. | |
to music to find reflections of his feelings and he said Rachmaninov was | :56:15. | :56:16. | |
always near and in his heart. The music reflects human emotional | :56:17. | :56:48. | |
life, says Alexander Gavrylyuk, more than anything I know. This power can | :56:49. | :56:53. | |
lead to special moments of revelation. We are going to have an | :56:54. | :57:03. | |
That glorious moment of silent reflection after that encore from | :57:04. | :01:38. | |
Alexander Gavrylyuk. Rachmaninov's Vocalise, originally a song for | :01:39. | :01:42. | |
piano containing no words, but some using a single vowel of the singer's | :01:43. | :01:55. | |
choosing. -- but sung using. Alexander Gavrylyuk, star of the BBC | :01:56. | :01:57. | |
Proms this Sunday. You are watching BBC | :01:58. | :02:29. | |
Four at the Proms. Coming up in a moment, | :02:30. | :02:32. | |
Rachmaninov's second symphony, preceded by more | :02:33. | :02:35. | |
of the Russian Orthodox Chant His grandmother was very religious | :02:36. | :02:37. | |
and it was she who took the young Rachmaninov to the churches | :02:38. | :02:49. | |
of St Petersburg. "Being only a youngster I took less | :02:50. | :02:50. | |
interest in God and worship than in the singing, | :02:51. | :02:53. | |
which was of unrivalled beauty", "I usually took pains to find a room | :02:54. | :02:55. | |
underneath the gallery and never Thanks to my good memory, I also | :02:56. | :02:59. | |
remembered most of what I heard. This I turned into capital, | :03:00. | :03:04. | |
literally, by sitting down at the piano when I came home | :03:05. | :03:06. | |
and playing it. For this performance my grandmother | :03:07. | :03:13. | |
never failed to reward me with 25 kopeks, a large sum to an urchin | :03:14. | :03:15. | |
of 10 or 11." It was music he was never to forget, | :03:16. | :03:19. | |
music that seeped into many of his The Latvian Radio Choir | :03:20. | :03:23. | |
performed downstairs Now they have come up | :03:24. | :03:27. | |
here to the gallery, and before they sing, | :03:28. | :03:35. | |
two members of the Karlis and Inga. Let me start with | :03:36. | :03:49. | |
you, Inga. It is fascinating to hear how Thomas Dausgaard was inspired by | :03:50. | :03:57. | |
the chanting. Yes, all of his music is full of Orthodox chants, and also | :03:58. | :04:03. | |
Orthodox bells. We heard that in the piano concert, in the symphony, it | :04:04. | :04:10. | |
is repeated. We memorise church music and the bells. Your country, | :04:11. | :04:18. | |
Latvia, is a land of Song. So many great Latvian choral composers. How | :04:19. | :04:23. | |
often do you sing this Russian material? We do it quite a lot. | :04:24. | :04:30. | |
Historically, we are tied to Russian culture. We understand the Russian | :04:31. | :04:40. | |
language itself, which helps us as performers to perform Russian choral | :04:41. | :04:44. | |
music, because it takes the stress away to understand what you're | :04:45. | :04:48. | |
singing about and pronunciation. We do it quite a lot. This music was | :04:49. | :04:52. | |
written to be sung in the great churches and cathedrals of St | :04:53. | :04:57. | |
Petersburg and other Russian cities. What is it like doing it in this | :04:58. | :05:04. | |
concert Hall? We can see what it was late in the evening, when the whole | :05:05. | :05:09. | |
is Phil. In the daytime, with rehearsal, it was a good feeling. I | :05:10. | :05:13. | |
guess it is the first time in Europe that we do it outside the church. We | :05:14. | :05:17. | |
have done it in Japan in concert halls, but not in Europe. Thank you | :05:18. | :05:24. | |
for joining us. We will send you over to the next balcony in the | :05:25. | :05:28. | |
Royal Albert Hall, to join your colleagues in the Latvian Radio | :05:29. | :05:36. | |
Choir in a few minutes time. The Latvian Radio Choir will be | :05:37. | :05:40. | |
performing Rachmaninov's Vespers later on in a late-night Prom. That | :05:41. | :05:43. | |
is on BBC Radio 3. To whet your appetite, | :05:44. | :05:50. | |
here's a short clip of the USSR Ministry Of Culture Chamber Choir's | :05:51. | :05:53. | |
performance of the Vespers The rich sound of the USSR | :05:54. | :07:15. | |
Ministry Of Culture Chamber Choir, performing at the Proms | :07:16. | :07:18. | |
back in 1991. Back to tonight's Prom now | :07:19. | :07:21. | |
and Rachmaninov's second symphony, a work that was not arrived | :07:22. | :07:26. | |
at in a hurry. The premiere of his first symphony | :07:27. | :07:29. | |
became one of classical music's One critic, a fellow composer, | :07:30. | :07:31. | |
described it as the "seven plagues of Egypt all rolled | :07:32. | :07:36. | |
into a single piece". The performance was under-rehearsed, | :07:37. | :07:41. | |
the conductor was probably drunk. Rachmaninov, embarrassed | :07:42. | :07:44. | |
and humiliated, had a nervous It was only after treatment | :07:45. | :07:46. | |
with hypnosis that he Nonetheless, it was nearly | :07:47. | :07:50. | |
a decade before he felt able The second is a vast work, | :07:51. | :07:56. | |
up to an hour long in performance, and containing the very | :07:57. | :08:01. | |
best of Rachmaninov. It's filled with glorious melodies, | :08:02. | :08:03. | |
painted out in rich, It opens with long, | :08:04. | :08:06. | |
brooding slow introduction, reminiscent of that Russian Orthodox | :08:07. | :08:11. | |
chant he so loved. And so, here comes Thomas Dausgaard | :08:12. | :08:22. | |
to conduct the BBC Scottish Symphony Orchestra in Rachmaninov's | :08:23. | :08:26. | |
second symphony, but first of all, from the gallery, | :08:27. | :08:28. | |
the Latvian Radio Choir sing Svete MUSIC: Symphony No 2 | :08:29. | :08:31. | |
in E Minor by Rachmaninov. MUSIC: Symphony No 2 | :08:32. | :33:01. | |
in E Minor by Rachmaninov. APPLAUSE | :33:02. | :09:58. | |
CHEERING Rachmaninov's Symphony No. | :09:59. | :10:23. | |
2 in E Minor. The BBC Scottish Symphony Orchestra, | :10:24. | :10:28. | |
conducted by Thomas Dausgaard. Before the symphony, | :10:29. | :10:38. | |
we heard the Latvian Radio Choir singing Svete Tikhy, | :10:39. | :10:40. | |
Serene Light. That was conducted by Sigvards | :10:41. | :10:50. | |
Klava. The principal clarinettist of the | :10:51. | :11:05. | |
BBC Scottish Symphony Orchestra rises to a great cheer. Technically | :11:06. | :11:13. | |
speaking, the second symphony is a 20th-century work, but it has all | :11:14. | :11:17. | |
the intensity and emotion of 19th-century Romanticism. A word | :11:18. | :11:22. | |
that he began the orchestration of in the summer of 1907, immediately | :11:23. | :11:26. | |
after the birth of his second daughter. | :11:27. | :11:40. | |
After the premiere, he conducted the Symphony once again in Moscow, | :11:41. | :11:46. | |
several times in Europe and the USA, but after he left Russia in December | :11:47. | :11:53. | |
1917, he never again performed it. Sadly, he left no recording of it | :11:54. | :11:54. | |
either. Just about to start on Radio 3, | :11:55. | :12:05. | |
the Latvian Radio Choir sing Rachmaninov's Vespers, | :12:06. | :12:23. | |
and they will be back on Monday lunchtime | :12:24. | :12:25. | |
when they perform Shostakovich. That's in our chamber Prom, | :12:26. | :12:31. | |
live from Cadogan Hall, 1 o'clock on Monday lunchtime, | :12:32. | :12:37. | |
on BBC Radio Three. BBC Four is back at the Proms next | :12:38. | :12:40. | |
Friday with two programmes. The Aurora Orchestra's performance | :12:41. | :12:43. | |
of Beethoven's Symphony No 3, Eroica, and from the late-night | :12:44. | :12:47. | |
Prom, the first full live performance of Ravi Shankar | :12:48. | :12:50. | |
and Philip Glass's album Passages. For now, from me, Petroc Trelawny, | :12:51. | :12:53. | |
and all of us at the Royal | :12:54. | :12:57. |