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It's the world's biggest classical music festival. | :00:00. | :00:00. | |
We'll be feasting on scintillating music and sensational performers | :00:07. | :00:09. | |
for the next two months, so you might do well | :00:10. | :00:11. | |
Welcome to the First Night of the BBC Proms 2017! | :00:12. | :00:39. | |
Hello and a very warm welcome from me, Katie Derham, | :00:40. | :00:42. | |
and the whole BBC Proms team here at the Royal Albert Hall in London. | :00:43. | :00:45. | |
It's the launch of what promises to be another cracking Proms season. | :00:46. | :00:48. | |
We've even got new titles, complete with jellyfish. | :00:49. | :00:53. | |
We'll be with you tonight on BBC Four for the next hour, | :00:54. | :00:56. | |
where we'll be enjoying Beethoven's Third Piano Concerto, | :00:57. | :00:58. | |
with coverage continuing on BBC Two at 9pm for a performance | :00:59. | :01:01. | |
Over the coming two months we'll be showcasing the very best music | :01:02. | :01:08. | |
Much-loved masterworks will sit alongside world premieres specially | :01:09. | :01:12. | |
commissioned for the season, all performed by exceptional musicians. | :01:13. | :01:16. | |
And on that stage right now, those exceptional musicians | :01:17. | :01:21. | |
from the BBC Symphony Orchestra are getting in the zone, | :01:22. | :01:24. | |
the Prommers in the arena are settling in to their spots, | :01:25. | :01:27. | |
and we're all bursting with anticipation. | :01:28. | :01:29. | |
In just a few moments conductor Edward Gardner | :01:30. | :01:32. | |
will take to the stage, so the first of 75 Proms concerts can launch. | :01:33. | :01:36. | |
And we're kicking off the season with one of those world premieres - | :01:37. | :01:40. | |
an exhilarating five minute piece by Tom Coult. | :01:41. | :01:43. | |
It's called St John's Dance, named after a bizarre social | :01:44. | :01:46. | |
phenomenon in medieval Europe, also known as Dancing Mania. | :01:47. | :01:51. | |
Groups of peasants would start dancing for no obvious reason. | :01:52. | :01:54. | |
They'd carry on in a trance-like state for hours, days, weeks | :01:55. | :01:58. | |
and even months on end, often until they collapsed from exhaustion. | :01:59. | :02:01. | |
Thankfully we're not expecting that to happen to the audience | :02:02. | :02:04. | |
But we are expecting an appearance from the composer Tom Coult, | :02:05. | :02:10. | |
who says, "My piece is a relentless series of dances - often | :02:11. | :02:13. | |
spiralling out of control, often with two or more heard | :02:14. | :02:16. | |
That ripple of applause suggests the leader is coming onto stage, there | :02:17. | :02:50. | |
he is, Stephen Bryant. It is an exciting moment, this is the First | :02:51. | :02:59. | |
Night of the Proms. And any minute now, we should be seeing our | :03:00. | :03:03. | |
conductor tonight, Edward Gardner. Here he comes. It is the first time | :03:04. | :03:11. | |
he has conducted Tom Coult's music that he describes it as incredibly | :03:12. | :03:16. | |
vibrant and vivid with a unique fingerprint. Can't wait. So, let's | :03:17. | :03:21. | |
get going with the First Night of the Proms. | :03:22. | :03:36. | |
MUSIC: St John's Dance by Tom Coult | :03:37. | :09:41. | |
The BBC Symphony Orchestra. And there is Tom Coult coming to the | :09:42. | :10:19. | |
stage to take his bowl. -- bow. Great excitement. | :10:20. | :10:22. | |
29-year-old Tom Coult is surely one of the outstanding | :10:23. | :10:24. | |
He studied with leading British composer George Benjamin | :10:25. | :10:27. | |
and was recently nominated for a South Bank Sky Arts Award. | :10:28. | :10:30. | |
One of Tom's biggest fans is from very close to home. | :10:31. | :10:33. | |
He says, "My Mum's been wanting me to be in the Proms for ages, | :10:34. | :10:36. | |
I'm looking forward to hearing more from Tom in the future. | :10:37. | :10:51. | |
Now then, let's turn our attention to the titan of classical music - | :10:52. | :10:54. | |
Beethoven, and his magnificent but tumultuous Third Piano Concerto. | :10:55. | :10:57. | |
It was first performed in Vienna by Beethoven himself in 1803. | :10:58. | :11:00. | |
It's one of his most angst-ridden works. | :11:01. | :11:04. | |
The first and third movements are brim-full of high drama | :11:05. | :11:06. | |
and tension, offset by the dreamy, tender reflection | :11:07. | :11:10. | |
The emotion of the piece is certainly not lost | :11:11. | :11:16. | |
on our soloist, Igor Levit, who calls the Third Piano Concerto | :11:17. | :11:19. | |
At 30, he's the same age as Beethoven was when he wrote this | :11:20. | :11:24. | |
piece, and Levit has said that not a single day goes by without him | :11:25. | :11:28. | |
Well, we spoke to him in rehearsals about this deep | :11:29. | :11:32. | |
All these questions got about myself, who I am, what my role as an | :11:33. | :11:54. | |
artist is, what musically matters to me, I always felt that Beethoven was | :11:55. | :12:00. | |
the one-to-one to these questions. It is the most humane, | :12:01. | :12:06. | |
unpredictable, chaotic, beautiful, sane, insane, funny, sad, whatever | :12:07. | :12:12. | |
you want music imaginable. And therefore, as I feel it, the closest | :12:13. | :12:17. | |
to who we are. If you ask me why is it my favourite Concerto, I would | :12:18. | :12:23. | |
probably answer, why not? There is so much in it, so much to say. It is | :12:24. | :12:30. | |
incredibly funny. At the same time, it can be unbelievably dark. Playing | :12:31. | :12:38. | |
a Concerto is so exciting, because you can sit at home and practice. | :12:39. | :12:44. | |
Then you walk on stage for the first rehearsal. You share the stage with | :12:45. | :12:48. | |
80 plus colleagues and they start playing. They make a statement and | :12:49. | :12:53. | |
you have to accept maybe all your ideas could be overthrown in this | :12:54. | :13:00. | |
moment. Which is great. The same thing happens with the audience. We | :13:01. | :13:09. | |
obviously go on a journey together, the audience, myself, there is not | :13:10. | :13:13. | |
so much difference here. The only difference is I am the guy who | :13:14. | :13:17. | |
presses down the keys. We hear this music and we experience it together. | :13:18. | :13:25. | |
So what the journey will be about, what the emotions are, I cannot | :13:26. | :13:32. | |
possibly tell you. To play the First Night of the Proms is really | :13:33. | :13:35. | |
exciting and emotional, it means a lot. | :13:36. | :13:47. | |
APPLAUSE And here he comes, Igor Levit, for | :13:48. | :13:57. | |
what will be a special performance of Beethoven's's piano Concerto. | :13:58. | :14:05. | |
Shaking hands with Stephen Bryant and Edward Gardner standing by to | :14:06. | :14:06. | |
conduct. MUSIC: Piano Concerto No 3 | :14:07. | :14:23. | |
in C Minor by Beethoven Fabulous, life affirming performance | :14:24. | :50:10. | |
of Beethoven's Third Piano Concerto bike Igor Levit, with the BBC | :50:11. | :50:13. | |
Symphony Orchestra led by Stephen Bryant and conducted by Edward Alain | :50:14. | :50:21. | |
Webber gardener. Listen to the jeers in the hall. -- conducted by Edward | :50:22. | :50:30. | |
Gardner. He calls that work at whole miracle, written by the most human | :50:31. | :50:34. | |
of composers, and I think we heard a most heartfelt performance. He was | :50:35. | :50:40. | |
visibly moved in the second movement, I'm sure you noticed that, | :50:41. | :50:42. | |
as well. As indeed were we all. He's recorded Beethoven on disk to | :50:43. | :50:55. | |
great acclaim. He won the prestigious gramophone recording of | :50:56. | :50:58. | |
the year last year for his account of Diabelli Variations. | :50:59. | :51:05. | |
He's no stranger to the BBC, as in 2011 he was chosen as a BBC | :51:06. | :51:08. | |
Radio Three New Generation Artist - widely respected as a platform | :51:09. | :51:11. | |
for the hottest young talent in classical music. | :51:12. | :51:18. | |
They certainly spotted a good one there. | :51:19. | :51:26. | |
Coming back out to take another bow. Banking the BBC Symphony Orchestra | :51:27. | :51:37. | |
warmly. -- thanking the BBC sympathy Orchestra warmly. | :51:38. | :51:47. | |
What a very lovely man Igor Levit seems to be. | :51:48. | :52:01. | |
He was born in Russia. He lived there for eight years, before moving | :52:02. | :52:10. | |
to Germany. Nowadays he based in Berlin but as can imagine regularly | :52:11. | :52:14. | |
performs in concert houses the world over. Now, I rather think that | :52:15. | :52:20. | |
everyone who would like to hear some more from Igor Levit. Here he comes. | :52:21. | :52:33. | |
And whilst he is bowing again I'm rather hoping he's going to give us | :52:34. | :52:37. | |
an encore. MUSIC: Transcription | :52:38. | :53:11. | |
of Ode To Joy from Beethoven's Ninth | :53:12. | :53:17. | |
Symphony by Liszt. Igor Levit improvising on one | :53:18. | :56:59. | |
of the most famous tunes of Beethoven - the Ode to Joy | :57:00. | :57:19. | |
from his Ninth Symphony. And if that whetted your appetite, | :57:20. | :57:27. | |
then you can hear the whole of that glorious ninth symphony, | :57:28. | :57:30. | |
his "Choral" symphony, on 30 July - right here on BBC Four, | :57:31. | :57:32. | |
with the BBC National Orchestra Igor Levit coming back on to take | :57:33. | :57:54. | |
another bow. For that wonderful encore. And absolutely breathtaking | :57:55. | :57:59. | |
performance of Beethoven's Third Piano Concerto. | :58:00. | :58:10. | |
Don't forget, you can listen to every Prom live on Radio Three and | :58:11. | :58:17. | |
we'll be bringing you all sorts of great performances every Friday and | :58:18. | :58:21. | |
Sunday here on BBC Four, and I'll be having my guests on Proms Extra on | :58:22. | :58:25. | |
BBC Two, every Saturday night from 6:50pm, starting a week tomorrow. | :58:26. | :58:33. | |
That has got me in the mood for the 20 17th season. There's so much to | :58:34. | :58:40. | |
look forward to. Join us now on BBC Two as the coverage of the First | :58:41. | :58:41. | |
Night of the Proms continues. The BBC Proms celebrates | :58:42. | :58:50. | |
the extraordinary film music of John Williams in a concert | :58:51. | :58:59. | |
to mark his 85th birthday. ..would you dare find out | :59:00. | :59:08. | |
what you were? ..would you dare find out | :59:09. | :59:09. | |
what you were? | :59:10. | :59:31. |