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Welcome to the Royal Albert Hall. Shortly we will be having a live performance here, which will be | 0:00:02 | 0:00:05 | |
unique and I hope extraordinary, of southern soul music. | 0:00:05 | 0:00:08 | |
We celebrate the music of Stax Records, | 0:00:08 | 0:00:10 | |
with the help of some of their greatest surviving artists | 0:00:10 | 0:00:13 | |
and some wonderful British artists who are fans of that music. | 0:00:13 | 0:00:16 | |
They'll be backed and accompanied by myself | 0:00:16 | 0:00:18 | |
and the Rhythm & Blues Orchestra. | 0:00:18 | 0:00:20 | |
Welcome to the BBC Proms. | 0:00:20 | 0:00:22 | |
One, two, three, four. | 0:00:44 | 0:00:46 | |
MUSIC: Knock On Wood by Eddie Floyd | 0:00:46 | 0:00:49 | |
# Knock, knock on wood... # | 0:00:54 | 0:00:57 | |
Stax was one of the main portals for the entrance of soul music | 0:00:57 | 0:01:03 | |
into the American scene. | 0:01:03 | 0:01:05 | |
There's gospel in there, there's pop | 0:01:05 | 0:01:08 | |
and a little bit from jazz. | 0:01:08 | 0:01:09 | |
We would take downhome blues and turn it into dance music. | 0:01:09 | 0:01:12 | |
Give it up, even if it was a slow tune, | 0:01:12 | 0:01:15 | |
you'd want to dance to it. It was that kind of thing. | 0:01:15 | 0:01:17 | |
# Hold on | 0:01:17 | 0:01:19 | |
# I'm coming | 0:01:19 | 0:01:21 | |
# Hold on... # | 0:01:21 | 0:01:23 | |
We were a black and white staff, black and white creators. | 0:01:23 | 0:01:27 | |
So that merging of the influences and our backgrounds | 0:01:27 | 0:01:33 | |
was one of the major things that made the music of Stax what it was. | 0:01:33 | 0:01:38 | |
It's one of the first times in music where black and white musicians | 0:01:40 | 0:01:44 | |
mixed together, and it broke down racial barriers at the time. | 0:01:44 | 0:01:48 | |
# Have I told you lately that I love you... # | 0:01:48 | 0:01:54 | |
We knew that we were doing good music, | 0:01:54 | 0:01:56 | |
but we had no idea that it would go worldwide. | 0:01:56 | 0:02:00 | |
1967, we got the tour together to come to the UK. | 0:02:03 | 0:02:08 | |
Called it the Stax/Volt Tour. | 0:02:10 | 0:02:12 | |
They were very surprised about the reception that they had. | 0:02:12 | 0:02:16 | |
I mean, they went crazy for what we were doing. | 0:02:16 | 0:02:20 | |
And, actually, we weren't doing anything, we were just singing. | 0:02:20 | 0:02:23 | |
We were singing as hard as we could. | 0:02:23 | 0:02:26 | |
# Soul man... # | 0:02:26 | 0:02:28 | |
They knew our music, they were listening to our records, | 0:02:28 | 0:02:30 | |
they were being played by radio stations. | 0:02:30 | 0:02:32 | |
So we came into what became sort of a home for us for many years, | 0:02:32 | 0:02:37 | |
even to this day. | 0:02:37 | 0:02:39 | |
# I can't stand up... # | 0:02:42 | 0:02:44 | |
Well, doing what we're doing here is a celebration, | 0:02:44 | 0:02:47 | |
to do it at the Royal Albert Hall is pretty special. | 0:02:47 | 0:02:50 | |
If I hadn't been asked to do it I would have been very annoyed. | 0:02:50 | 0:02:53 | |
I love this music and I've recorded quite a lot of it myself. | 0:02:53 | 0:02:56 | |
I'm thrilled to be a part of it. | 0:02:56 | 0:02:59 | |
To celebrate the anniversary of Stax, amazing. | 0:02:59 | 0:03:03 | |
Ladies and gentlemen, Jools Holland. | 0:03:10 | 0:03:13 | |
CHEERING AND APPLAUSE | 0:03:13 | 0:03:16 | |
Are you feeling good? | 0:03:26 | 0:03:27 | |
Are you feeling ready? | 0:03:28 | 0:03:30 | |
Are you feeling ready for an extraordinary concert? | 0:03:31 | 0:03:34 | |
Here we are in this amazing room, | 0:03:35 | 0:03:37 | |
in the short time we have, | 0:03:37 | 0:03:39 | |
we have some amazing artists | 0:03:39 | 0:03:40 | |
because we have some of the original Stax artists. | 0:03:40 | 0:03:44 | |
We have some classic British artists. | 0:03:44 | 0:03:47 | |
On the Hammond organ we have Mr Booker T Jones. | 0:03:47 | 0:03:50 | |
CHEERING | 0:03:50 | 0:03:54 | |
On guitar we have Mr Steve Cropper. | 0:03:54 | 0:03:56 | |
CHEERING | 0:03:56 | 0:03:58 | |
We have the orchestra at our disposal. | 0:03:58 | 0:04:00 | |
Are you ready for some guests, our first guests? | 0:04:02 | 0:04:05 | |
We've got the original artists and we've got British artists. | 0:04:05 | 0:04:08 | |
I love those artists. So let's start with them. | 0:04:08 | 0:04:10 | |
Welcome onto the stage Mr James Morrison. | 0:04:10 | 0:04:14 | |
CHEERING AND APPLAUSE | 0:04:14 | 0:04:18 | |
And welcome onto the stage... | 0:04:18 | 0:04:20 | |
There's James Morrison. | 0:04:20 | 0:04:23 | |
Let's welcome onto the stage Beverley Knight. | 0:04:23 | 0:04:26 | |
CHEERING AND APPLAUSE | 0:04:26 | 0:04:28 | |
Beverley Knight. | 0:04:28 | 0:04:30 | |
Beverley Knight. | 0:04:35 | 0:04:38 | |
Ready for more? | 0:04:38 | 0:04:39 | |
Let's welcome onto the stage Sir Tom Jones. | 0:04:39 | 0:04:44 | |
CHEERING AND APPLAUSE | 0:04:44 | 0:04:47 | |
All right. Are you ready? | 0:04:57 | 0:04:59 | |
Are you ready? | 0:05:00 | 0:05:02 | |
One, two, one, two, three and... | 0:05:03 | 0:05:06 | |
# Do you like good music? | 0:05:12 | 0:05:14 | |
# Yeah, yeah | 0:05:14 | 0:05:16 | |
# Sweet soul music | 0:05:16 | 0:05:17 | |
# Yeah, yeah | 0:05:17 | 0:05:19 | |
# Just as long as it swings now | 0:05:19 | 0:05:20 | |
# Yeah, yeah | 0:05:20 | 0:05:21 | |
# Oh, yeah | 0:05:21 | 0:05:23 | |
# Oh, yeah | 0:05:23 | 0:05:24 | |
# We're out on the floor, y'all | 0:05:24 | 0:05:26 | |
# Yeah, yeah | 0:05:26 | 0:05:28 | |
# Dancin' to the go-go | 0:05:28 | 0:05:29 | |
# Yeah, yeah | 0:05:29 | 0:05:30 | |
# Yes, we're dancing to the music | 0:05:30 | 0:05:32 | |
# Yeah, yeah | 0:05:32 | 0:05:33 | |
# Oh, yeah | 0:05:33 | 0:05:35 | |
# Oh, yeah | 0:05:35 | 0:05:36 | |
# Spotlight on Lou Rawls, y'all | 0:05:36 | 0:05:38 | |
# Yeah, yeah | 0:05:38 | 0:05:39 | |
# Oh, don't we look boss, y'all | 0:05:39 | 0:05:41 | |
# Yeah, yeah | 0:05:41 | 0:05:42 | |
# Singing Love's A Hurtin' Thing, y'all | 0:05:42 | 0:05:44 | |
# Yeah, yeah | 0:05:44 | 0:05:45 | |
# Oh, yeah | 0:05:45 | 0:05:46 | |
# Oh, yeah | 0:05:46 | 0:05:48 | |
# Spotlight on Sam and Dave, y'all | 0:05:48 | 0:05:50 | |
# Yeah, yeah | 0:05:50 | 0:05:51 | |
# Oh, don't they look great, y'all? | 0:05:51 | 0:05:53 | |
# Yeah, yeah | 0:05:53 | 0:05:54 | |
# Singing, Hold On I'm Coming | 0:05:54 | 0:05:56 | |
# Yeah, yeah | 0:05:56 | 0:05:57 | |
# Oh, yeah | 0:05:57 | 0:05:58 | |
# Oh, yeah | 0:05:58 | 0:06:00 | |
# Spotlight on Wilson Pickett, now | 0:06:00 | 0:06:02 | |
# Yeah, yeah | 0:06:02 | 0:06:03 | |
# That wicked, wicked Pickett, now | 0:06:03 | 0:06:05 | |
# Yeah, yeah | 0:06:05 | 0:06:06 | |
# Singing, Mustang Sally | 0:06:06 | 0:06:07 | |
# Yeah, yeah | 0:06:07 | 0:06:09 | |
# Oh, yeah | 0:06:09 | 0:06:10 | |
# Oh, yeah | 0:06:10 | 0:06:11 | |
# Spotlight on Otis Redding now | 0:06:11 | 0:06:13 | |
# Yeah, yeah | 0:06:13 | 0:06:14 | |
# Singing Fa-fa-fa-fa-fa-fa-fa-fa-fa | 0:06:14 | 0:06:16 | |
# Yeah, yeah | 0:06:16 | 0:06:18 | |
# Singing Fa-fa-fa-fa-fa-fa-fa-fa-fa | 0:06:18 | 0:06:20 | |
# Yeah, yeah | 0:06:20 | 0:06:21 | |
# Oh, yeah | 0:06:21 | 0:06:22 | |
# Oh, yeah | 0:06:22 | 0:06:23 | |
# Spotlight on James Brown, y'all | 0:06:32 | 0:06:34 | |
# Yeah, yeah | 0:06:34 | 0:06:36 | |
# He's the king of them all | 0:06:36 | 0:06:37 | |
# Yeah, yeah | 0:06:37 | 0:06:38 | |
# He's the king of them all, y'all | 0:06:38 | 0:06:40 | |
# Yeah, yeah | 0:06:40 | 0:06:41 | |
# Oh, yeah | 0:06:41 | 0:06:43 | |
# Oh, yeah | 0:06:43 | 0:06:44 | |
# Do you like good music? | 0:06:44 | 0:06:46 | |
# Yeah, yeah | 0:06:46 | 0:06:47 | |
# That sweet soul music | 0:06:47 | 0:06:49 | |
# Yeah, yeah | 0:06:49 | 0:06:50 | |
# Just as long as it's swinging | 0:06:50 | 0:06:52 | |
# Yeah, yeah | 0:06:52 | 0:06:53 | |
# Oh, yeah | 0:06:53 | 0:06:55 | |
# Oh, yeah | 0:06:55 | 0:06:56 | |
# Oh, yeah | 0:06:56 | 0:06:57 | |
# Oh, yeah | 0:06:58 | 0:07:00 | |
# Got to feel it now | 0:07:00 | 0:07:01 | |
# I know ya got to | 0:07:01 | 0:07:02 | |
# Come on, we get the feeling | 0:07:02 | 0:07:04 | |
# I know you got the feeling, y'all | 0:07:04 | 0:07:05 | |
# I got the feeling | 0:07:05 | 0:07:07 | |
# I know you got the feeling | 0:07:07 | 0:07:08 | |
# Have you got the feeling? | 0:07:08 | 0:07:10 | |
# Oh, we got the feeling | 0:07:10 | 0:07:11 | |
# Have we got the feeling? | 0:07:11 | 0:07:13 | |
# Oh, we got the feeling | 0:07:13 | 0:07:14 | |
# Come on and get the feeling | 0:07:14 | 0:07:16 | |
# Oh, yeah | 0:07:16 | 0:07:17 | |
# Yeah, get the feeling | 0:07:17 | 0:07:19 | |
# Yeah, yeah | 0:07:19 | 0:07:20 | |
# Come on | 0:07:20 | 0:07:21 | |
# Yeah | 0:07:23 | 0:07:24 | |
# Oh | 0:07:26 | 0:07:27 | |
# Yeah | 0:07:27 | 0:07:29 | |
# Well, all right... # | 0:07:30 | 0:07:32 | |
CHEERING AND APPLAUSE | 0:07:34 | 0:07:37 | |
James Morrison, Beverley Knight. | 0:07:38 | 0:07:43 | |
We'd like to invite Tom Jones to stay on now to sing | 0:07:45 | 0:07:49 | |
a beautiful song of Otis Redding's. Sir Tom Jones. | 0:07:49 | 0:07:53 | |
-CHEERING AND APPLAUSE -Thank you. | 0:07:53 | 0:07:57 | |
Thank you very much. Everybody feeling good? | 0:07:57 | 0:07:59 | |
AUDIENCE: Yeah! | 0:07:59 | 0:08:01 | |
We're going to have a good time tonight. | 0:08:01 | 0:08:03 | |
Soul music. Stax. | 0:08:03 | 0:08:06 | |
# Baby, here I am, I'm a man that's on the scene | 0:08:15 | 0:08:19 | |
# And I can give you what you want but you got to go home with me | 0:08:19 | 0:08:24 | |
# I've got some good old loving and I got a lot more in store | 0:08:24 | 0:08:29 | |
# When I get through pouring it on you, you got to come back for more | 0:08:29 | 0:08:34 | |
# Boys may come a dime by the dozen | 0:08:34 | 0:08:37 | |
# That ain't nothing but drug store loving | 0:08:37 | 0:08:39 | |
# Pretty little thing, let me light your candle | 0:08:39 | 0:08:41 | |
# Cos, mama, I'm so hard to handle, now, yessir'am | 0:08:41 | 0:08:44 | |
# Action speaks louder than words and I'm a man with great experience | 0:08:49 | 0:08:54 | |
# I know you got you another man I can love you better than him | 0:08:54 | 0:08:59 | |
# Take my hand, don't be afraid, I'm gonna prove every word I say | 0:08:59 | 0:09:04 | |
# I'm advertising love for free, so won't you place your ad with me? | 0:09:04 | 0:09:09 | |
# Boys may come a dime by the dozen | 0:09:09 | 0:09:11 | |
# That ain't nothing but drug store loving | 0:09:11 | 0:09:14 | |
# Pretty little thing, let me light your candle | 0:09:14 | 0:09:16 | |
# Cos, mama, I'm so hard to handle, now, yessir'am | 0:09:16 | 0:09:20 | |
# Hard to handle | 0:09:20 | 0:09:22 | |
# You know I am, baby | 0:09:22 | 0:09:24 | |
# Oh, yeah | 0:09:24 | 0:09:26 | |
# Baby, here I am, I'm a man that's on the scene | 0:09:29 | 0:09:34 | |
# And I can give you what you want but you got to go home with me | 0:09:34 | 0:09:39 | |
# Well, I've got some good old loving and I got a lot more in store | 0:09:39 | 0:09:44 | |
# When I get through pouring it on you, you got to come back for more | 0:09:44 | 0:09:49 | |
# Boys may come a dime by the dozen | 0:09:49 | 0:09:51 | |
# That ain't nothing but drug store loving | 0:09:51 | 0:09:53 | |
# Pretty little thing, let me light your candle | 0:09:53 | 0:09:56 | |
# Cos, mama, I'm so hard to handle, now, yessir'am | 0:09:56 | 0:10:00 | |
# Hard to handle | 0:10:00 | 0:10:01 | |
# You know I am, baby | 0:10:01 | 0:10:03 | |
# Uh-uh | 0:10:04 | 0:10:05 | |
# Give it to me, I got to have it | 0:10:09 | 0:10:13 | |
# Good old loving | 0:10:13 | 0:10:15 | |
# Cos I'm a big ol' man, mama | 0:10:15 | 0:10:18 | |
# And I'm so hard to handle | 0:10:18 | 0:10:20 | |
# Oh, yeah | 0:10:20 | 0:10:22 | |
# Uh-huh | 0:10:23 | 0:10:24 | |
# Oh, baby | 0:10:26 | 0:10:27 | |
# Hey | 0:10:28 | 0:10:30 | |
# Ah! | 0:10:30 | 0:10:32 | |
# Yeah | 0:10:32 | 0:10:33 | |
# Oh! # | 0:10:38 | 0:10:40 | |
CHEERING AND APPLAUSE | 0:10:43 | 0:10:46 | |
The amazing Sir Tom Jones. | 0:10:47 | 0:10:50 | |
Good, yes?! | 0:10:50 | 0:10:51 | |
So we're going to invite somebody on to do a duet with Tom now. | 0:10:52 | 0:10:55 | |
Somebody who did this song originally and we're | 0:10:57 | 0:11:00 | |
so thrilled and delighted he's come to be with us this evening. | 0:11:00 | 0:11:03 | |
Are you ready for one of the great Stax legends? | 0:11:03 | 0:11:06 | |
Are you ready? | 0:11:06 | 0:11:07 | |
Then please welcome to this stage the amazing voice | 0:11:09 | 0:11:11 | |
of Mr Sam Moore and Sir Tom Jones together. | 0:11:11 | 0:11:15 | |
Sam Moore. | 0:11:15 | 0:11:16 | |
# I'm | 0:11:25 | 0:11:29 | |
# I'm the living result | 0:11:29 | 0:11:33 | |
# Of a man | 0:11:34 | 0:11:36 | |
# Tom, I've been hurt too much | 0:11:38 | 0:11:41 | |
I know what you're talking about. | 0:11:41 | 0:11:43 | |
# You see | 0:11:43 | 0:11:44 | |
# I've tasted | 0:11:44 | 0:11:45 | |
Yes, sir. | 0:11:45 | 0:11:48 | |
# The bitterness of my own tears | 0:11:48 | 0:11:54 | |
# Sadness is all my lonely heart can feel | 0:11:54 | 0:12:02 | |
# I can't stand up for falling down | 0:12:03 | 0:12:12 | |
# I can't stand up for falling down | 0:12:12 | 0:12:21 | |
# Simple as love is | 0:12:23 | 0:12:26 | |
# Still it confused me | 0:12:28 | 0:12:31 | |
# Well | 0:12:31 | 0:12:33 | |
# Because you see I'm not loved | 0:12:33 | 0:12:35 | |
Why? | 0:12:35 | 0:12:36 | |
# The way I should be | 0:12:36 | 0:12:39 | |
# Well | 0:12:39 | 0:12:40 | |
# I've lived with heartaches | 0:12:42 | 0:12:45 | |
# And I've roomed with fear | 0:12:46 | 0:12:50 | |
Yes, you have | 0:12:50 | 0:12:51 | |
# I've dealt with despair | 0:12:51 | 0:12:55 | |
# And I've wrestled with tears | 0:12:55 | 0:12:59 | |
# I can't stand up for falling down | 0:12:59 | 0:13:09 | |
# I can't stand up for falling down | 0:13:09 | 0:13:18 | |
# The vow we made | 0:13:20 | 0:13:24 | |
# You just | 0:13:24 | 0:13:25 | |
# You just broke it in two | 0:13:25 | 0:13:27 | |
# But you see, buddy | 0:13:27 | 0:13:30 | |
# That didn't stop you and I from lovin' | 0:13:30 | 0:13:33 | |
# Lovin' | 0:13:33 | 0:13:34 | |
-# Lovin' -Lovin' | 0:13:34 | 0:13:35 | |
-# Lovin' you -Lovin' you | 0:13:35 | 0:13:37 | |
# I can't stand up for falling down | 0:13:37 | 0:13:47 | |
# I can't stand up for falling down | 0:13:47 | 0:13:56 | |
-# I can't stand -I can't stand | 0:13:56 | 0:13:58 | |
-# I can't stand -I can't stand | 0:13:58 | 0:14:01 | |
-# I can't stand -I can't stand | 0:14:01 | 0:14:03 | |
-# I can't stand -No | 0:14:03 | 0:14:05 | |
# I can't stand up for falling down. # | 0:14:05 | 0:14:16 | |
Did y'all hear that? Tom! | 0:14:17 | 0:14:20 | |
CHEERING AND APPLAUSE | 0:14:20 | 0:14:22 | |
-Tom. -Yes. -Sam Moore. | 0:14:22 | 0:14:25 | |
And thank you for joining him, the wonderful Sir Tom Jones. | 0:14:25 | 0:14:28 | |
More of Sir Tom later. | 0:14:30 | 0:14:31 | |
Sam Moore is the Soul Man, | 0:14:35 | 0:14:39 | |
and 50 years ago Soul Man was a great hit for Sam. | 0:14:39 | 0:14:43 | |
Feeling good? | 0:14:43 | 0:14:45 | |
I'm tired. | 0:14:45 | 0:14:47 | |
Put your hands together. | 0:14:59 | 0:15:01 | |
# Oh! | 0:15:08 | 0:15:10 | |
Listen to this. | 0:15:11 | 0:15:13 | |
# Comin' to you on a dusty road | 0:15:14 | 0:15:19 | |
# Good lovin', I got a truck load | 0:15:19 | 0:15:23 | |
# When you get it, you got something | 0:15:23 | 0:15:28 | |
# So don't worry, cos I'm coming | 0:15:28 | 0:15:31 | |
You say it. | 0:15:31 | 0:15:32 | |
-# I'm a -Soul man | 0:15:32 | 0:15:34 | |
I can't hear that. | 0:15:34 | 0:15:37 | |
# Soul man | 0:15:37 | 0:15:39 | |
Louder, louder. | 0:15:39 | 0:15:41 | |
# Soul man | 0:15:41 | 0:15:43 | |
# Well, well, well, well | 0:15:43 | 0:15:45 | |
# Soul man | 0:15:45 | 0:15:47 | |
Listen. | 0:15:47 | 0:15:50 | |
# I was brought up on a side street | 0:15:50 | 0:15:55 | |
# I learned how to love before I could eat | 0:15:55 | 0:15:59 | |
# I was educated at Woodstock | 0:15:59 | 0:16:02 | |
# When I start lovin' oh, I can't stop | 0:16:02 | 0:16:07 | |
-# Cos I'm a -Soul man | 0:16:07 | 0:16:10 | |
Huh? | 0:16:10 | 0:16:12 | |
# Soul man | 0:16:12 | 0:16:14 | |
# Well, well, well, well | 0:16:14 | 0:16:17 | |
# Soul man | 0:16:17 | 0:16:19 | |
Huh? | 0:16:20 | 0:16:21 | |
# Soul man | 0:16:21 | 0:16:23 | |
# Got what I got the hard way | 0:16:26 | 0:16:30 | |
# And I'll make it better each and every day | 0:16:30 | 0:16:34 | |
# So, honey, don't you fret | 0:16:34 | 0:16:38 | |
# Cos you ain't seen nothing yet | 0:16:38 | 0:16:42 | |
-# Cos I'm a -Soul man | 0:16:42 | 0:16:45 | |
What? | 0:16:45 | 0:16:48 | |
# Soul man | 0:16:48 | 0:16:49 | |
Sing. | 0:16:51 | 0:16:53 | |
# Soul man | 0:16:53 | 0:16:54 | |
Scream it. | 0:16:54 | 0:16:56 | |
-# I'm a -Soul man | 0:16:56 | 0:16:58 | |
There you go. | 0:16:58 | 0:17:00 | |
# Grab the rope and I'll pull you in | 0:17:01 | 0:17:05 | |
# Give you hope | 0:17:05 | 0:17:07 | |
# And then be your only boyfriend | 0:17:07 | 0:17:10 | |
-# Say, yeah -Yeah | 0:17:10 | 0:17:11 | |
-# Yeah -Yeah | 0:17:11 | 0:17:13 | |
Come on. Come on, fella. Come on. | 0:17:17 | 0:17:19 | |
Do it! | 0:17:19 | 0:17:21 | |
# Soul man | 0:17:21 | 0:17:23 | |
-# I'm a -Soul man | 0:17:24 | 0:17:27 | |
What? | 0:17:27 | 0:17:29 | |
-# I'm a -Soul man | 0:17:29 | 0:17:31 | |
# Oh, I'm a soul man | 0:17:31 | 0:17:34 | |
# Soul man | 0:17:34 | 0:17:36 | |
# You, you, you, you, you | 0:17:36 | 0:17:38 | |
# Soul man | 0:17:38 | 0:17:41 | |
# If you say it loud I can hear you | 0:17:41 | 0:17:43 | |
# Soul man... # | 0:17:43 | 0:17:44 | |
Wait a minute. Jools. | 0:17:44 | 0:17:46 | |
-Can we talk? -Yeah. -Really? | 0:17:48 | 0:17:52 | |
It was brought to my attention | 0:17:52 | 0:17:55 | |
that the prince? | 0:17:55 | 0:17:59 | |
Here, yeah. | 0:17:59 | 0:18:02 | |
I was told that he likes this song. | 0:18:02 | 0:18:06 | |
Soul Man. | 0:18:06 | 0:18:09 | |
Do you have any kind of connection? | 0:18:09 | 0:18:11 | |
I can't help you with that. | 0:18:11 | 0:18:12 | |
-Can you get to him for me? -A bit tricky at the moment. | 0:18:12 | 0:18:15 | |
-Yeah? -I can help you with the band. | 0:18:15 | 0:18:18 | |
Oh, you can help me with the band? | 0:18:18 | 0:18:21 | |
Well, the next time you get a chance to see him or talk to him, | 0:18:21 | 0:18:25 | |
-tell him it's for him. -OK. | 0:18:25 | 0:18:27 | |
# Everybody put your hands together | 0:18:29 | 0:18:32 | |
# Put your hands together | 0:18:37 | 0:18:39 | |
# Feel it | 0:18:42 | 0:18:43 | |
# Feel it | 0:18:46 | 0:18:48 | |
# Feel it | 0:18:50 | 0:18:53 | |
# Oh-oh... # | 0:18:54 | 0:18:56 | |
Jools, I had it long enough. | 0:18:57 | 0:18:59 | |
I've got to get the hell out of here. | 0:18:59 | 0:19:03 | |
I'm ready, ladies and gentlemen, and I want to just say | 0:19:03 | 0:19:07 | |
thank you for listening to me. | 0:19:07 | 0:19:09 | |
# Oh-oh... # | 0:19:09 | 0:19:13 | |
Bye, Tom. Bye, Jools. | 0:19:14 | 0:19:16 | |
# Soul man | 0:19:21 | 0:19:23 | |
# Soul man | 0:19:23 | 0:19:25 | |
# Soul man | 0:19:25 | 0:19:27 | |
# Soul man | 0:19:27 | 0:19:29 | |
# Soul man | 0:19:29 | 0:19:31 | |
# Soul man | 0:19:31 | 0:19:33 | |
# Soul man | 0:19:33 | 0:19:35 | |
# Soul man | 0:19:35 | 0:19:37 | |
# Soul man | 0:19:37 | 0:19:40 | |
# Soul man | 0:19:40 | 0:19:41 | |
# Soul man | 0:19:41 | 0:19:44 | |
# Soul man | 0:19:44 | 0:19:46 | |
# Soul man | 0:19:46 | 0:19:48 | |
# Soul man | 0:19:48 | 0:19:50 | |
# Soul man | 0:19:50 | 0:19:52 | |
# Soul man. # | 0:19:52 | 0:19:54 | |
CHEERING AND APPLAUSE | 0:19:56 | 0:19:59 | |
The remarkable, the amazing Mr Sam Moore! | 0:19:59 | 0:20:05 | |
Great hearing Steve do that bit of guitar there - | 0:20:08 | 0:20:10 | |
the remarkable, the beautiful Sam Moore. | 0:20:10 | 0:20:12 | |
OK, so we're going to pay tribute now to the great Carla Thomas, | 0:20:12 | 0:20:15 | |
who was a special part of Stax, | 0:20:15 | 0:20:17 | |
and to do that, there's one beautiful person we'd like | 0:20:17 | 0:20:20 | |
to bring and reintroduce you to now. Are you ready? | 0:20:20 | 0:20:23 | |
-AUDIENCE: -Yes! | 0:20:23 | 0:20:24 | |
Please let us welcome onto the stage the wonderful Beverley Knight. | 0:20:24 | 0:20:28 | |
CHEERING AND APPLAUSE | 0:20:28 | 0:20:31 | |
# Well, all right | 0:20:37 | 0:20:39 | |
# Mmm | 0:20:39 | 0:20:41 | |
# Baby | 0:20:41 | 0:20:44 | |
# Ooh, baby | 0:20:44 | 0:20:46 | |
# I love to call you baby | 0:20:46 | 0:20:50 | |
# Baby | 0:20:50 | 0:20:52 | |
# Ooh-ooh, baby | 0:20:52 | 0:20:54 | |
# I love for you to call me baby | 0:20:54 | 0:20:58 | |
# When you squeeze me real tight | 0:20:58 | 0:21:03 | |
# You make the wrong things right | 0:21:03 | 0:21:07 | |
# And I can't stop loving you | 0:21:09 | 0:21:12 | |
# And I can't stop wanting you | 0:21:12 | 0:21:16 | |
-# Baby -Baby | 0:21:16 | 0:21:18 | |
# Oh, baby | 0:21:18 | 0:21:20 | |
# You look so good to me, baby | 0:21:20 | 0:21:23 | |
-# Baby -Baby | 0:21:23 | 0:21:26 | |
# Ooh-ooh, baby | 0:21:26 | 0:21:28 | |
# You are so good to me, baby | 0:21:28 | 0:21:32 | |
# Just one look in your eyes | 0:21:32 | 0:21:37 | |
# And my temperature goes sky-high | 0:21:37 | 0:21:40 | |
# Yes, sir | 0:21:40 | 0:21:42 | |
# I live for you, I can't help it | 0:21:42 | 0:21:46 | |
# You know I really don't want to help it | 0:21:46 | 0:21:50 | |
-# Yeah -B-A-B-Y, baby | 0:21:50 | 0:21:53 | |
# My baby, my baby | 0:21:53 | 0:21:54 | |
-# B-A-B-Y, baby -Now, lookee here | 0:21:54 | 0:21:57 | |
# Whenever the sun don't shine | 0:21:59 | 0:22:03 | |
# You throw out a lifeline | 0:22:03 | 0:22:06 | |
# Yes, you do | 0:22:06 | 0:22:08 | |
# And I get real close to you, yes | 0:22:08 | 0:22:11 | |
# And your sweet kisses see me through | 0:22:11 | 0:22:14 | |
# Ohhhhhhh | 0:22:14 | 0:22:17 | |
# All right now | 0:22:19 | 0:22:21 | |
# Ohhh | 0:22:23 | 0:22:24 | |
-# I said baby -Baby | 0:22:27 | 0:22:30 | |
# Oh, baby | 0:22:30 | 0:22:32 | |
# You look so good to me, baby | 0:22:32 | 0:22:35 | |
-# Well, baby -Baby | 0:22:35 | 0:22:38 | |
# Oh-oh, baby | 0:22:38 | 0:22:40 | |
# You are so good to me, baby | 0:22:40 | 0:22:44 | |
# When you squeeze me real tight | 0:22:44 | 0:22:48 | |
# You make the wrong things right | 0:22:48 | 0:22:52 | |
# And I can't stop loving you | 0:22:53 | 0:22:57 | |
# And I won't stop calling you | 0:22:57 | 0:23:01 | |
-# Ohhhhh, baby -Baby | 0:23:01 | 0:23:04 | |
# Baby, how I love to call you baby | 0:23:04 | 0:23:09 | |
# Baby, baby | 0:23:09 | 0:23:11 | |
# BA-B-Y, baby | 0:23:11 | 0:23:13 | |
# I love to call you by your name, sugar boy | 0:23:13 | 0:23:16 | |
# How you look so sweet | 0:23:18 | 0:23:20 | |
# Give me love so sweet | 0:23:20 | 0:23:22 | |
# You feel so good, yeah | 0:23:22 | 0:23:25 | |
# Oh, baby | 0:23:26 | 0:23:28 | |
# My little baby boy | 0:23:28 | 0:23:30 | |
# You're so good | 0:23:30 | 0:23:32 | |
# So good, so good | 0:23:32 | 0:23:35 | |
# All right | 0:23:35 | 0:23:36 | |
# Baby | 0:23:36 | 0:23:39 | |
# Baby | 0:23:39 | 0:23:41 | |
# Yeah. # | 0:23:41 | 0:23:43 | |
CHEERING AND APPLAUSE | 0:23:43 | 0:23:46 | |
The wonderful Beverley Knight! | 0:23:50 | 0:23:52 | |
CHEERING Beverley Knight. | 0:23:52 | 0:23:55 | |
So, now we're delighted and honoured | 0:23:57 | 0:24:00 | |
to welcome one of the great writers and the great voices of Stax. | 0:24:00 | 0:24:06 | |
Please big it up in the biggest possible Royal Albert Hall way | 0:24:06 | 0:24:09 | |
and welcome to this stage William Bell! | 0:24:09 | 0:24:13 | |
CHEERING AND APPLAUSE | 0:24:13 | 0:24:16 | |
# Have I told you lately that I love you? | 0:24:30 | 0:24:35 | |
# If I didn't, darling, I'm sorry | 0:24:38 | 0:24:41 | |
# Did I reach out and hold you | 0:24:43 | 0:24:46 | |
# In my loving arms | 0:24:46 | 0:24:49 | |
# Ohhhh | 0:24:49 | 0:24:52 | |
# When you needed me? | 0:24:52 | 0:24:54 | |
# Now I realise you need love, too | 0:24:55 | 0:24:59 | |
# I'll spend my life making up to you | 0:24:59 | 0:25:02 | |
# Ohhh, I forgot to be your lover | 0:25:05 | 0:25:09 | |
# And I'm sorry, baby | 0:25:10 | 0:25:14 | |
# Have I taken the time to share with you | 0:25:16 | 0:25:20 | |
# All the burdens that lovers bear | 0:25:23 | 0:25:28 | |
# Have I done the little simple things to show you | 0:25:30 | 0:25:35 | |
# Just how much I care? | 0:25:36 | 0:25:41 | |
# Ohhh, I've been working for you | 0:25:41 | 0:25:44 | |
# Doing all I can | 0:25:44 | 0:25:45 | |
# Working all the time didn't make me a man | 0:25:45 | 0:25:50 | |
# Ohhh, I forgot to be your lover | 0:25:51 | 0:25:55 | |
# And I'm sorry | 0:25:56 | 0:25:59 | |
# I'll make it up to you, yeah | 0:25:59 | 0:26:02 | |
# Ohhh, baby | 0:26:04 | 0:26:07 | |
# Said I'm sorry | 0:26:07 | 0:26:11 | |
# Oh, yes, I am | 0:26:11 | 0:26:14 | |
# Ohhh, I forgot to be your lover | 0:26:15 | 0:26:19 | |
# Said I'm only a man and I forgot | 0:26:21 | 0:26:25 | |
# Keep on holding on | 0:26:28 | 0:26:31 | |
# Ohhh, a little tighter | 0:26:31 | 0:26:34 | |
# Ohhh, keep on holding on | 0:26:34 | 0:26:39 | |
# A little longer | 0:26:39 | 0:26:43 | |
# Please | 0:26:43 | 0:26:47 | |
# I forgot to be your lover | 0:26:48 | 0:26:52 | |
# Course I did | 0:26:52 | 0:26:54 | |
# Whoa | 0:26:54 | 0:26:57 | |
# I forgot to be your lover | 0:26:57 | 0:26:59 | |
# Yes, I did | 0:26:59 | 0:27:02 | |
# Keep on holding on | 0:27:02 | 0:27:05 | |
# Keep on holding on | 0:27:08 | 0:27:12 | |
# I'm so sorry | 0:27:12 | 0:27:15 | |
# I'm so sorry | 0:27:15 | 0:27:17 | |
# I forgot, yeah | 0:27:17 | 0:27:19 | |
# I forgot to be your lover. # | 0:27:21 | 0:27:25 | |
CHEERING AND APPLAUSE | 0:27:28 | 0:27:31 | |
The fantastic William Bell. | 0:27:33 | 0:27:36 | |
William's going to stay on and do another one of his great songs | 0:27:36 | 0:27:39 | |
and to do that with him, we welcome back Beverley Knight. | 0:27:39 | 0:27:44 | |
CHEERING AND APPLAUSE | 0:27:44 | 0:27:47 | |
# Since I've been gone | 0:28:01 | 0:28:04 | |
# You've had your number changed | 0:28:04 | 0:28:08 | |
# But my love for you, girl | 0:28:11 | 0:28:14 | |
# Still remains the same | 0:28:14 | 0:28:18 | |
# Now I've been loving you | 0:28:20 | 0:28:24 | |
# And you've been loving me | 0:28:25 | 0:28:29 | |
# So long | 0:28:30 | 0:28:33 | |
# But, baby, what's wrong? | 0:28:33 | 0:28:38 | |
# So, baby | 0:28:38 | 0:28:40 | |
# Baby, baby, baby | 0:28:40 | 0:28:44 | |
# Please let me have your number, yeah | 0:28:45 | 0:28:50 | |
# Baby, baby, baby | 0:28:51 | 0:28:54 | |
# Please let me have your number | 0:28:56 | 0:28:59 | |
# Listen to me | 0:28:59 | 0:29:01 | |
# I'm sorry you couldn't call me | 0:29:01 | 0:29:05 | |
# When you got home | 0:29:05 | 0:29:09 | |
# But other fellas kept on calling | 0:29:11 | 0:29:15 | |
# While you were gone | 0:29:15 | 0:29:19 | |
# So I had the number changed | 0:29:20 | 0:29:25 | |
# But I, I'm not acting strange | 0:29:25 | 0:29:30 | |
# Welcome home | 0:29:30 | 0:29:34 | |
# Nothing's wrong, no | 0:29:34 | 0:29:38 | |
# So I'm saying | 0:29:38 | 0:29:40 | |
# Baby, baby, baby | 0:29:40 | 0:29:44 | |
# You can have my private number | 0:29:45 | 0:29:49 | |
# Oh, yes | 0:29:49 | 0:29:51 | |
# Baby, baby, baby | 0:29:51 | 0:29:54 | |
# You can have my private number | 0:29:55 | 0:29:59 | |
# Oh, yes | 0:29:59 | 0:30:01 | |
# So glad I got it, yeah | 0:30:03 | 0:30:06 | |
# Oooh, yeah | 0:30:06 | 0:30:09 | |
# Baby, baby, baby | 0:30:11 | 0:30:14 | |
# Oooh, I'm so glad you got my private number | 0:30:15 | 0:30:19 | |
# Oh, yes | 0:30:19 | 0:30:21 | |
# Baby, baby, baby | 0:30:21 | 0:30:24 | |
# Ohhh, I'm glad I've got your private number | 0:30:24 | 0:30:29 | |
# I know you are now | 0:30:29 | 0:30:31 | |
# Baby, baby, baby | 0:30:31 | 0:30:34 | |
# Yeah-yeah-yeah-yeah | 0:30:34 | 0:30:36 | |
# So glad you've got it | 0:30:36 | 0:30:38 | |
# So glad you've got it | 0:30:38 | 0:30:40 | |
# Uh-huh | 0:30:40 | 0:30:42 | |
# Ohhh, I'm glad | 0:30:42 | 0:30:44 | |
# So am I | 0:30:44 | 0:30:45 | |
# Said I'm so glad | 0:30:45 | 0:30:47 | |
# So am I, yes | 0:30:47 | 0:30:50 | |
# Said I'm glad I've got your private... | 0:30:50 | 0:30:56 | |
# Number. # | 0:30:58 | 0:31:05 | |
CHEERING AND APPLAUSE | 0:31:05 | 0:31:08 | |
William Bell, Beverley Knight. | 0:31:10 | 0:31:14 | |
William Bell and Beverley Knight. | 0:31:16 | 0:31:19 | |
I'm enjoying this very much. | 0:31:24 | 0:31:26 | |
Are you, band, enjoying it? | 0:31:26 | 0:31:28 | |
Are you enjoying it? | 0:31:28 | 0:31:30 | |
CHEERING Me, too. This is great. | 0:31:30 | 0:31:33 | |
So I think now for one more of the big names of Stax | 0:31:33 | 0:31:37 | |
and one of the big songs, | 0:31:37 | 0:31:39 | |
actually co-written with Steve Cropper over there. | 0:31:39 | 0:31:43 | |
CHEERING AND APPLAUSE Yes, Steve Cropper. | 0:31:43 | 0:31:45 | |
Booker T on the organ. I mean, what a band! | 0:31:45 | 0:31:48 | |
CHEERING AND APPLAUSE | 0:31:48 | 0:31:51 | |
So, now, we welcome Mr Eddie Floyd. | 0:31:51 | 0:31:55 | |
-CHEERING AND APPLAUSE -All right! | 0:31:55 | 0:31:59 | |
Everybody! | 0:31:59 | 0:32:01 | |
Put your hands together. Come on! | 0:32:01 | 0:32:04 | |
# I don't wanna lose this good thing... # | 0:32:06 | 0:32:11 | |
Put your hands together. | 0:32:11 | 0:32:12 | |
# That I got | 0:32:12 | 0:32:15 | |
# Cos if I do | 0:32:15 | 0:32:18 | |
# I will surely | 0:32:18 | 0:32:21 | |
# Surely lose a lot | 0:32:21 | 0:32:24 | |
# Cos your love is better | 0:32:24 | 0:32:28 | |
# Than any love I know | 0:32:30 | 0:32:33 | |
# It's like thunder, lightning | 0:32:33 | 0:32:38 | |
# The way you love me is frightening | 0:32:39 | 0:32:42 | |
-# Everybody, knock -Knock | 0:32:42 | 0:32:44 | |
# On wood | 0:32:44 | 0:32:47 | |
# You got it | 0:32:49 | 0:32:51 | |
# I'm not superstitious about ya | 0:32:53 | 0:32:58 | |
# But I can't take no chance | 0:32:59 | 0:33:02 | |
# You got me spinning, baby | 0:33:02 | 0:33:07 | |
# Baby, I'm in a trance | 0:33:08 | 0:33:11 | |
# Cos your love is better | 0:33:11 | 0:33:15 | |
# Than any love I know | 0:33:17 | 0:33:20 | |
# It's like thunder, lightning | 0:33:20 | 0:33:24 | |
# The way you love me is frightening | 0:33:26 | 0:33:29 | |
-# I better knock -Knock | 0:33:29 | 0:33:31 | |
# On wood... # | 0:33:32 | 0:33:34 | |
Come on! | 0:33:34 | 0:33:36 | |
Everybody! | 0:33:36 | 0:33:38 | |
Put your hands together. | 0:33:40 | 0:33:42 | |
# It's no secret | 0:33:49 | 0:33:52 | |
# That woman | 0:33:52 | 0:33:54 | |
# Is my loving cup | 0:33:54 | 0:33:58 | |
# She'll see to it | 0:33:58 | 0:34:02 | |
# That I get enough | 0:34:04 | 0:34:07 | |
# Just one touch from her | 0:34:07 | 0:34:11 | |
# You know it means so much | 0:34:13 | 0:34:16 | |
# It's like thunder, lightning | 0:34:16 | 0:34:20 | |
# They way you love me is frightening | 0:34:21 | 0:34:25 | |
-# I better knock -Knock | 0:34:25 | 0:34:27 | |
# On wood... # | 0:34:27 | 0:34:29 | |
To the bridge! | 0:34:35 | 0:34:37 | |
# It's no secret | 0:34:44 | 0:34:46 | |
# That woman | 0:34:46 | 0:34:50 | |
# Is my loving cup | 0:34:50 | 0:34:52 | |
# Cos she'll see to it | 0:34:52 | 0:34:57 | |
# That I get enough | 0:34:59 | 0:35:02 | |
# Just one touch from her | 0:35:02 | 0:35:06 | |
# You know it means so much | 0:35:08 | 0:35:11 | |
# It's like thunder, lightning | 0:35:11 | 0:35:15 | |
# The way you love me is frightening | 0:35:15 | 0:35:19 | |
-# I better knock -Knock | 0:35:19 | 0:35:22 | |
# On wood | 0:35:22 | 0:35:24 | |
# Come on | 0:35:25 | 0:35:27 | |
# Everybody, knock, knock on wood | 0:35:31 | 0:35:34 | |
# Knock, knock, knock on wood | 0:35:36 | 0:35:39 | |
# I don't hear you | 0:35:39 | 0:35:40 | |
# Knock, knock, knock on wood | 0:35:40 | 0:35:43 | |
# I can't hear you | 0:35:43 | 0:35:45 | |
# Knock, knock, knock on wood | 0:35:45 | 0:35:47 | |
# You gotta, everybody | 0:35:47 | 0:35:49 | |
# Knock, knock | 0:35:49 | 0:35:52 | |
-# Come on now -Knock, knock | 0:35:53 | 0:35:54 | |
# Everybody in the house | 0:35:57 | 0:36:00 | |
# You got it | 0:36:01 | 0:36:03 | |
# Knock, knock, knock, knock | 0:36:03 | 0:36:05 | |
# Hey! | 0:36:05 | 0:36:06 | |
# Knock, knock on wood | 0:36:06 | 0:36:09 | |
# We don't wanna go But we gotta go | 0:36:11 | 0:36:15 | |
# I don't wanna go, but I gotta go | 0:36:15 | 0:36:18 | |
# Come on | 0:36:20 | 0:36:21 | |
# Give me... # | 0:36:22 | 0:36:25 | |
CHEERING AND APPLAUSE | 0:36:34 | 0:36:37 | |
Whoo! | 0:36:45 | 0:36:46 | |
The legendary and fabulous Eddie Floyd! | 0:36:46 | 0:36:51 | |
-CHEERING AND APPLAUSE -Thank you! | 0:36:51 | 0:36:54 | |
Eddie Floyd. | 0:36:54 | 0:36:56 | |
In a short time, we have, in this show, | 0:36:56 | 0:36:59 | |
we'll be having a bit more of Eddie in a while, but now we welcome | 0:36:59 | 0:37:03 | |
a British artist who has an extraordinary and wonderful voice. | 0:37:03 | 0:37:07 | |
He's going to give us a song that Otis did. | 0:37:07 | 0:37:09 | |
We'd like to welcome to this stage now Mr James Morrison. | 0:37:09 | 0:37:15 | |
CHEERING AND APPLAUSE | 0:37:15 | 0:37:18 | |
# Ohhh, she may be weary | 0:37:32 | 0:37:36 | |
# And young girls, they do get weary | 0:37:37 | 0:37:40 | |
# Wearing that same old shaggy dress, yeah-yeah | 0:37:42 | 0:37:49 | |
# But when she gets weary | 0:37:51 | 0:37:55 | |
# Try a little tenderness, yeah-yeah | 0:37:56 | 0:38:02 | |
# Oh, nah-nah-nah | 0:38:05 | 0:38:07 | |
# Ohhh | 0:38:08 | 0:38:10 | |
# You know she's waiting | 0:38:10 | 0:38:14 | |
# Just anticipating | 0:38:14 | 0:38:18 | |
# The things that she'll never | 0:38:18 | 0:38:22 | |
# Never, never, never possess, yeah-yeah-yeah | 0:38:22 | 0:38:27 | |
# But while she's there waiting | 0:38:27 | 0:38:31 | |
# Oh, try a little tenderness | 0:38:33 | 0:38:38 | |
# That's all you've got to do | 0:38:40 | 0:38:41 | |
# It's not just sentimental, no-no-no | 0:38:46 | 0:38:53 | |
# She has her grief and care, yeah-yeah-yeah | 0:38:55 | 0:39:01 | |
# But the soft words | 0:39:03 | 0:39:06 | |
# They are spoke so gentle, yeah | 0:39:06 | 0:39:10 | |
# It makes it easier | 0:39:12 | 0:39:15 | |
# Easier to bear | 0:39:15 | 0:39:20 | |
# You won't regret it, no-no | 0:39:20 | 0:39:24 | |
# Young girls, they don't forget it | 0:39:25 | 0:39:27 | |
# Love is their whole happiness | 0:39:28 | 0:39:34 | |
# But it's all so easy | 0:39:38 | 0:39:42 | |
# All you got to do | 0:39:42 | 0:39:44 | |
# Is try a little tenderness | 0:39:44 | 0:39:48 | |
# Yeah, tenderness | 0:39:48 | 0:39:52 | |
# Got to | 0:39:52 | 0:39:53 | |
# You've got to hold her, squeeze her | 0:39:53 | 0:39:56 | |
# Never leave her | 0:39:56 | 0:39:59 | |
# You got to try, try, try | 0:39:59 | 0:40:01 | |
# You've got to try a little tenderness | 0:40:01 | 0:40:04 | |
# A little tenderness | 0:40:04 | 0:40:06 | |
# You've got, you've got to make that woman know you love her | 0:40:06 | 0:40:11 | |
# You've got to hold her, squeeze her | 0:40:11 | 0:40:14 | |
# Never leave her | 0:40:14 | 0:40:16 | |
# Got to, nah-nah-nah-nah-nah | 0:40:16 | 0:40:18 | |
# You've got to try a little tenderness | 0:40:18 | 0:40:21 | |
# A little tenderness | 0:40:21 | 0:40:24 | |
# You've got to | 0:40:24 | 0:40:25 | |
# You've got to take my advice | 0:40:25 | 0:40:28 | |
# You've got to hold her, squeeze her | 0:40:28 | 0:40:31 | |
# Never leave her | 0:40:31 | 0:40:33 | |
# You've got to try-try-try-try-try-try | 0:40:33 | 0:40:36 | |
# Try a little tenderness | 0:40:36 | 0:40:38 | |
# Tenderness | 0:40:38 | 0:40:41 | |
# Come on, have mercy on the woman you love | 0:40:41 | 0:40:44 | |
# You've got to hold her and squeeze her | 0:40:44 | 0:40:48 | |
# Never leave her | 0:40:48 | 0:40:50 | |
# You've got to take my advice | 0:40:50 | 0:40:52 | |
# And try a little tenderness | 0:40:52 | 0:40:56 | |
# Tenderness | 0:40:56 | 0:40:58 | |
# That's all you really need | 0:40:58 | 0:41:01 | |
# You've got to hold her, squeeze her | 0:41:01 | 0:41:05 | |
# Never leave her | 0:41:05 | 0:41:07 | |
# Ahhhh | 0:41:07 | 0:41:09 | |
# You've got to try | 0:41:09 | 0:41:10 | |
# Yeahhhh | 0:41:10 | 0:41:13 | |
# Tenderness | 0:41:13 | 0:41:17 | |
# You've got to hold her, squeeze her | 0:41:17 | 0:41:21 | |
# Never leave her | 0:41:21 | 0:41:23 | |
# You've got to try-try-try | 0:41:23 | 0:41:25 | |
# Yeahhhhhh. # | 0:41:27 | 0:41:32 | |
CHEERING AND APPLAUSE | 0:41:38 | 0:41:41 | |
The amazing voice of James Morrison. | 0:41:41 | 0:41:45 | |
CHEERING AND APPLAUSE | 0:41:45 | 0:41:49 | |
The amazing voice of James Morrison. | 0:41:50 | 0:41:53 | |
OK, ladies and gentlemen, now we're going to enjoy - | 0:41:55 | 0:41:57 | |
I certainly am - one of the most famous instrumentals | 0:41:57 | 0:42:01 | |
of all time, written by this man here. | 0:42:01 | 0:42:05 | |
It's a piece of music that I can frequently be found dancing to | 0:42:05 | 0:42:10 | |
in private moments at home and maybe the viewers at home | 0:42:10 | 0:42:13 | |
would like to have a little private dance or you might like to, too. | 0:42:13 | 0:42:16 | |
I'm so delighted that we have playing, as he played | 0:42:16 | 0:42:18 | |
on the original, we've got Steve Cropper and we welcome, | 0:42:18 | 0:42:23 | |
with Green Onions, Booker T! | 0:42:23 | 0:42:26 | |
CHEERING AND APPLAUSE | 0:42:26 | 0:42:28 | |
CHEERING AND APPLAUSE | 0:45:27 | 0:45:31 | |
Booker T! Booker T Jones! Green Onions! | 0:45:34 | 0:45:38 | |
Steve Cropper on that guitar there. | 0:45:39 | 0:45:41 | |
And I think maybe a round of applause for a group of people | 0:45:43 | 0:45:47 | |
that are enjoying themselves a great deal this evening - | 0:45:47 | 0:45:50 | |
the Rhythm & Blues Orchestra, ladies and gentlemen! | 0:45:50 | 0:45:52 | |
CHEERING AND APPLAUSE A bit of love in there this evening. | 0:45:52 | 0:45:55 | |
And, of course, | 0:45:57 | 0:45:58 | |
the Rhythm & Blues Orchestra would not be complete | 0:45:58 | 0:46:01 | |
without one very special person indeed | 0:46:01 | 0:46:04 | |
so please welcome onto this stage, | 0:46:04 | 0:46:07 | |
the one and only Ruby Turner. | 0:46:07 | 0:46:10 | |
CHEERING AND APPLAUSE | 0:46:10 | 0:46:12 | |
# Ohhh-ohhh | 0:46:20 | 0:46:22 | |
# I know a place | 0:46:25 | 0:46:27 | |
# Ain't nobody crying | 0:46:29 | 0:46:31 | |
# Ain't nobody worried | 0:46:33 | 0:46:36 | |
# Ain't no smiling faces | 0:46:38 | 0:46:40 | |
# No, no, lying to the races | 0:46:41 | 0:46:45 | |
# Come on, come on | 0:46:45 | 0:46:48 | |
# Help me, come on | 0:46:48 | 0:46:50 | |
# Help me, y'all | 0:46:52 | 0:46:54 | |
# I'll take you there | 0:46:54 | 0:46:56 | |
# Help me now | 0:46:56 | 0:46:58 | |
# I'll take you there | 0:46:58 | 0:47:00 | |
# Help me, y'all | 0:47:02 | 0:47:03 | |
# I'll take you there | 0:47:03 | 0:47:06 | |
# Ohhh | 0:47:06 | 0:47:08 | |
# I'll take you there | 0:47:08 | 0:47:10 | |
# Oh, mercy | 0:47:10 | 0:47:12 | |
# I'll take you there | 0:47:12 | 0:47:14 | |
# Let me take you there | 0:47:14 | 0:47:17 | |
# I'll take you there | 0:47:17 | 0:47:19 | |
# Ohhh, let me take you there | 0:47:19 | 0:47:22 | |
# I'll take you there | 0:47:22 | 0:47:23 | |
# Come on, lay it on me | 0:47:23 | 0:47:25 | |
# Play your piano now | 0:47:28 | 0:47:30 | |
# All right | 0:47:30 | 0:47:32 | |
# Do it | 0:47:32 | 0:47:35 | |
# All right | 0:47:35 | 0:47:36 | |
# Do it, come on now | 0:47:36 | 0:47:39 | |
# Yeah, yeah | 0:47:39 | 0:47:42 | |
# Dah-dah-dah | 0:47:46 | 0:47:47 | |
# Ooh | 0:47:47 | 0:47:50 | |
# Ohhh | 0:47:50 | 0:47:52 | |
# Mmm-hmm | 0:47:52 | 0:47:55 | |
# All right | 0:47:55 | 0:47:57 | |
# All right now | 0:47:58 | 0:48:00 | |
# Doh-doh-doh-doh-doh | 0:48:11 | 0:48:13 | |
# Doh-doh-doh-doh-doh | 0:48:13 | 0:48:16 | |
# Oh, sock it to me | 0:48:16 | 0:48:18 | |
# I, ohhhh, I | 0:48:18 | 0:48:22 | |
# I know a place, Lord | 0:48:22 | 0:48:24 | |
# I'll take you there | 0:48:24 | 0:48:26 | |
# Ain't nobody crying, no | 0:48:26 | 0:48:29 | |
# I'll take you there | 0:48:29 | 0:48:31 | |
# Ain't nobody worried | 0:48:31 | 0:48:34 | |
# I'll take you there | 0:48:34 | 0:48:35 | |
# Ain't no smiling faces, Lord | 0:48:35 | 0:48:38 | |
# I'll take you there | 0:48:38 | 0:48:40 | |
# Say lying to the races | 0:48:40 | 0:48:42 | |
# Come on | 0:48:42 | 0:48:44 | |
# Come on | 0:48:44 | 0:48:45 | |
# I said let me take you there | 0:48:45 | 0:48:49 | |
# Come on, come on | 0:48:49 | 0:48:51 | |
# Let me take you there | 0:48:51 | 0:48:54 | |
# Oh, Lord, I'm leading the way | 0:48:54 | 0:48:57 | |
# I'll take you there | 0:48:57 | 0:48:58 | |
# Come on, come on, come on | 0:48:58 | 0:49:00 | |
# Let me, Lord | 0:49:00 | 0:49:02 | |
# I'll take you there | 0:49:02 | 0:49:03 | |
# I say come on, come on | 0:49:03 | 0:49:05 | |
# Lead the way, Lord | 0:49:05 | 0:49:06 | |
# Take you there, Lord | 0:49:06 | 0:49:08 | |
# Let me lead the way | 0:49:08 | 0:49:11 | |
# I'll take you there | 0:49:11 | 0:49:12 | |
# Oh-ohhh | 0:49:12 | 0:49:14 | |
# Let me, Lord | 0:49:14 | 0:49:16 | |
# Take you there | 0:49:16 | 0:49:17 | |
# Come on, come on | 0:49:17 | 0:49:19 | |
# Let me, I'll take you there | 0:49:19 | 0:49:22 | |
# Oh, Lord, lead the way | 0:49:22 | 0:49:24 | |
# I'll take you there | 0:49:24 | 0:49:26 | |
# Lead the way, Lord | 0:49:28 | 0:49:29 | |
# I'll take you there | 0:49:29 | 0:49:31 | |
# Come on, come on | 0:49:31 | 0:49:33 | |
# Let me take you there | 0:49:33 | 0:49:38 | |
# Come on | 0:49:38 | 0:49:40 | |
# Let me take you there | 0:49:40 | 0:49:46 | |
# Come on, let me | 0:49:46 | 0:49:48 | |
# Let me, Lord | 0:49:48 | 0:49:49 | |
# Let me take you | 0:49:49 | 0:49:51 | |
# Take you there | 0:49:51 | 0:49:53 | |
# Oh, Lord, yeah | 0:49:53 | 0:49:55 | |
# Ohhh-ohh, yeah. # | 0:49:55 | 0:49:57 | |
-Thank you. -CHEERING AND APPLAUSE | 0:49:57 | 0:50:00 | |
Thank you, everyone. | 0:50:00 | 0:50:02 | |
The wonderful Ruby Turner. | 0:50:04 | 0:50:06 | |
CHEERING AND APPLAUSE Our very own wonderful Ruby Turner. | 0:50:06 | 0:50:09 | |
With a Staples vibe there. | 0:50:11 | 0:50:13 | |
All right, so Stax had some amazing songs | 0:50:13 | 0:50:15 | |
and this next song is maybe one of the... | 0:50:15 | 0:50:17 | |
Well, it's maybe one of the greatest songs of the 20th century | 0:50:17 | 0:50:20 | |
and the man that wrote it with Otis Redding | 0:50:20 | 0:50:24 | |
is this man here, Mr Steve Cropper. | 0:50:24 | 0:50:26 | |
CHEERING AND APPLAUSE | 0:50:26 | 0:50:30 | |
So, we'd like to have a fantastic and a unique, | 0:50:30 | 0:50:33 | |
a completely unique version of this, | 0:50:33 | 0:50:36 | |
a quiet and small, beautiful version | 0:50:36 | 0:50:38 | |
so I'd like you to welcome now to the stage | 0:50:38 | 0:50:41 | |
while the two of them perform this, | 0:50:41 | 0:50:43 | |
the wonderful Sir Tom Jones. | 0:50:43 | 0:50:46 | |
CHEERING AND APPLAUSE | 0:50:46 | 0:50:48 | |
# Sittin' in the mornin' sun | 0:51:08 | 0:51:11 | |
# I'll be sittin' when the evenin' comes | 0:51:13 | 0:51:16 | |
# Watching the ships roll in | 0:51:18 | 0:51:21 | |
# Then I watch 'em roll away again | 0:51:23 | 0:51:26 | |
# Sittin' on the dock of a bay | 0:51:28 | 0:51:32 | |
# Watching the tide roll away | 0:51:32 | 0:51:36 | |
# Sittin' on the dock of a bay | 0:51:38 | 0:51:42 | |
# Wastin' time | 0:51:42 | 0:51:44 | |
# I left my home in Georgia | 0:51:47 | 0:51:51 | |
# Headed for the 'Frisco bay | 0:51:52 | 0:51:55 | |
# I had nothing to live for | 0:51:57 | 0:52:01 | |
# Look like nothin's gonna come my way | 0:52:01 | 0:52:05 | |
# Sittin' on the dock of a bay | 0:52:07 | 0:52:11 | |
# Watching the tide roll away | 0:52:11 | 0:52:14 | |
# Sittin' on the dock of a bay | 0:52:16 | 0:52:20 | |
# Wastin' time | 0:52:20 | 0:52:22 | |
# Look like nothing's gonna change | 0:52:27 | 0:52:31 | |
# Every little thing still remains the same | 0:52:32 | 0:52:36 | |
# I can't do what ten people want me to do | 0:52:37 | 0:52:40 | |
# So I guess I'll remain the same | 0:52:41 | 0:52:46 | |
# Sittin' here resting my bones | 0:52:46 | 0:52:49 | |
# And the loneliness won't leave me alone | 0:52:50 | 0:52:54 | |
# Two thousand miles I roamed | 0:52:55 | 0:52:59 | |
# Just to make this dock my home | 0:52:59 | 0:53:04 | |
# Listen to me Sittin' on the dock of a bay | 0:53:04 | 0:53:09 | |
# Watching the tide roll away | 0:53:09 | 0:53:13 | |
# Sittin' on the dock of a bay | 0:53:15 | 0:53:19 | |
# Wastin' time | 0:53:19 | 0:53:22 | |
# Wastin' time | 0:53:24 | 0:53:26 | |
# Wastin' time | 0:53:28 | 0:53:30 | |
# I'm just wastin' time | 0:53:32 | 0:53:35 | |
# Wastin' time Yeah. # | 0:53:38 | 0:53:42 | |
CHEERING AND APPLAUSE | 0:53:42 | 0:53:44 | |
Steve Cropper. And Booker T over there. | 0:53:44 | 0:53:48 | |
Extraordinary. Sir Tom Jones. | 0:53:51 | 0:53:54 | |
Steve Cropper. | 0:53:56 | 0:53:58 | |
Also, on the organ, Booker T. | 0:54:02 | 0:54:05 | |
And Booker T Jones, he's now going to perform, | 0:54:05 | 0:54:08 | |
he played beautifully there, | 0:54:08 | 0:54:10 | |
a Duke Ellington's piece called Blues For New Orleans. | 0:54:10 | 0:54:13 | |
Now, why would be having a Duke Ellington piece here? | 0:54:13 | 0:54:16 | |
Well, it's really because this, when we were talking a while ago, | 0:54:16 | 0:54:21 | |
we discovered, I discovered, that Booker T, when he'd been | 0:54:21 | 0:54:26 | |
13 years old, there in Memphis, | 0:54:26 | 0:54:27 | |
Duke Ellington Orchestra come through town. | 0:54:27 | 0:54:30 | |
Duke Ellington needs an organ player to go on tour with him. | 0:54:30 | 0:54:33 | |
So word goes out. He's heard how brilliant this young boy is. | 0:54:33 | 0:54:36 | |
"Can you come with me on tour?" He thinks, "Great." | 0:54:36 | 0:54:39 | |
His mum says, "On tour with a jazz orchestra at 13? | 0:54:39 | 0:54:42 | |
"You're having a laugh. Course not." | 0:54:42 | 0:54:45 | |
He was never allowed to go. | 0:54:45 | 0:54:47 | |
Had he have been, this is what he would have done. | 0:54:47 | 0:54:50 | |
So at last that dream has come true. For him, and for me. | 0:54:50 | 0:54:52 | |
APPLAUSE | 0:54:52 | 0:54:55 | |
BRIEF APPLAUSE | 0:57:50 | 0:57:52 | |
MUSIC CONTINUES | 0:57:52 | 0:57:54 | |
BRIEF APPLAUSE | 0:58:56 | 0:58:59 | |
MUSIC CONTINUES | 0:58:59 | 0:59:02 | |
CHEERING AND APPLAUSE | 1:00:15 | 1:00:19 | |
Booker T. | 1:00:19 | 1:00:20 | |
Booker T Jones, Blues For New Orleans. | 1:00:20 | 1:00:24 | |
I dedicate that to Billy Preston whose birthday it would be tomorrow. | 1:00:24 | 1:00:27 | |
All right. We haven't got a lot of time left | 1:00:29 | 1:00:31 | |
so we're going to bring now, | 1:00:31 | 1:00:33 | |
we've got now two contemporary British artists | 1:00:33 | 1:00:36 | |
with their own dazzling version of a Rufus Thomas song. | 1:00:36 | 1:00:40 | |
So please welcome onto this stage Sweetie Irie and Nadia Rose. | 1:00:40 | 1:00:46 | |
CHEERING AND APPLAUSE | 1:00:46 | 1:00:48 | |
Yeah. | 1:00:48 | 1:00:49 | |
Yeah. Hey! | 1:00:51 | 1:00:54 | |
Happy birthday, Grandma! Hey, hey... | 1:00:54 | 1:00:58 | |
-THEY RAP: -We've got the golden touch | 1:00:58 | 1:00:59 | |
Pulling, upload, and it's too much | 1:00:59 | 1:01:02 | |
HE RAPS | 1:01:02 | 1:01:03 | |
-Need a holiday -Yeah | 1:01:03 | 1:01:06 | |
They looked and wanna see ID | 1:01:06 | 1:01:07 | |
HE RAPS | 1:01:07 | 1:01:09 | |
Yo! Bad girl ting but I do it nice | 1:01:09 | 1:01:11 | |
Throw it back like I'm throwin' dice | 1:01:11 | 1:01:13 | |
Inna ma tight up skirt, tight up skirt | 1:01:13 | 1:01:16 | |
# Walking the dog | 1:01:16 | 1:01:17 | |
Just shake that boom boom-boom boom-boom-bo | 1:01:17 | 1:01:19 | |
-When you're -# Walking the... | 1:01:19 | 1:01:21 | |
Ooh... Inna ma tight up skirt, tight up skirt | 1:01:21 | 1:01:23 | |
# Walking the dog | 1:01:23 | 1:01:25 | |
Shake that boom boom-boom boom-boom | 1:01:25 | 1:01:27 | |
-Whoa! -Shake that boom boom-boom boom-boom | 1:01:27 | 1:01:29 | |
Yeah. See me there? | 1:01:29 | 1:01:30 | |
See me, yeah? You looking up, at a superstar, yeah | 1:01:30 | 1:01:33 | |
Swagger team, steppy me | 1:01:33 | 1:01:35 | |
Shake my moneymaker like a tambourine | 1:01:35 | 1:01:38 | |
I know that Jools... I'm getting hotter | 1:01:38 | 1:01:41 | |
Bad girl ting but I do it nice | 1:01:41 | 1:01:43 | |
Throw it back like I'm throwing dice | 1:01:43 | 1:01:45 | |
Inna ma tight up skirt, tight up skirt | 1:01:45 | 1:01:48 | |
# Walking the dog | 1:01:48 | 1:01:49 | |
-Just shake that boom boom-boom boom-boom... -Whoa! -..when you're | 1:01:49 | 1:01:52 | |
# Walking the | 1:01:52 | 1:01:53 | |
Oooh! Inna ma tight up skirt, tight up skirt | 1:01:53 | 1:01:56 | |
# Walking the dog | 1:01:56 | 1:01:57 | |
-Just shake that boom boom-boom boom-boom... -Whoa | 1:01:57 | 1:01:59 | |
Shake that boom boom-boom boom-boom | 1:01:59 | 1:02:01 | |
SAXOPHONE BREAK | 1:02:01 | 1:02:03 | |
Whoa! | 1:02:16 | 1:02:18 | |
Whoa! Whoa! Whoa! Whoa! | 1:02:29 | 1:02:31 | |
Boom! Waking later, get that paper for them laters | 1:02:33 | 1:02:38 | |
Read the newspaper | 1:02:38 | 1:02:40 | |
HE RAPS | 1:02:40 | 1:02:41 | |
Oh, ay | 1:02:41 | 1:02:42 | |
You a keeper - skin-tight jeans, brand-new sleeves | 1:02:42 | 1:02:46 | |
Bad girl ting but I do it nice | 1:02:46 | 1:02:48 | |
Throw it back like I'm throwing dice | 1:02:48 | 1:02:50 | |
Do it to you nice, do it nice, so nice, say it twice, yeah | 1:02:50 | 1:02:54 | |
I'll make you say me, oh, me Then I say my, oh my | 1:02:54 | 1:02:57 | |
Whoa! And if you couldn't see it for yourself by now | 1:02:57 | 1:03:00 | |
Then you'd better realise... Whoa | 1:03:00 | 1:03:02 | |
Bad girl ting but I do it nice | 1:03:02 | 1:03:04 | |
-Throw it back like I'm throwing dice -# Walking the dog | 1:03:04 | 1:03:06 | |
-Inna ma tight up skirt, tight up skirt -# Walking the dog | 1:03:06 | 1:03:10 | |
-Just shake that boom boom-boom boom-boom... -Whoa | 1:03:10 | 1:03:12 | |
-When you're -# Walking the... | 1:03:12 | 1:03:13 | |
-# Oooh... -Inna ma tight up skirt, tight up skirt | 1:03:13 | 1:03:17 | |
# Walking the dog | 1:03:17 | 1:03:18 | |
-Just shake that boom boom-boom boom-boom... -Whoa! -..shake that | 1:03:18 | 1:03:21 | |
-# Walking the dog... -Again! | 1:03:21 | 1:03:23 | |
Inna ma tight up skirt, tight up skirt | 1:03:23 | 1:03:25 | |
# Walking the dog | 1:03:25 | 1:03:26 | |
-Just shake that boom boom-boom boom-boom... -Whoa! -..when you're | 1:03:26 | 1:03:29 | |
# Walking the... Oooh | 1:03:29 | 1:03:30 | |
Inna your tight up skirt, tight up skirt | 1:03:30 | 1:03:33 | |
# Walking the dog. # | 1:03:33 | 1:03:34 | |
-Just shake that -Boom boom-boom boom-boom | 1:03:34 | 1:03:36 | |
-Whoa! -Shake that boom boom-boom boom-boom! | 1:03:36 | 1:03:39 | |
CHEERING AND APPLAUSE | 1:03:41 | 1:03:42 | |
-Thank you. -Sweetie Irie! | 1:03:44 | 1:03:46 | |
Sweetie Irie. Nadia Rose! | 1:03:46 | 1:03:49 | |
On the saxophone, Mr Derek Nash! | 1:03:51 | 1:03:54 | |
And on the other saxophone, the amazing Lisa Grahame! | 1:03:54 | 1:03:58 | |
OK... | 1:04:00 | 1:04:03 | |
So I think we're getting towards the very end now. Next... | 1:04:03 | 1:04:05 | |
Not quite there, we're not quite. Next, a lovely Isaac Hayes song, | 1:04:05 | 1:04:09 | |
and we'd like to welcome back onto the stage... | 1:04:09 | 1:04:12 | |
Beverley Knight and Sam Moore! | 1:04:12 | 1:04:16 | |
CHEERING AND APPLAUSE | 1:04:16 | 1:04:17 | |
Wooo! | 1:04:19 | 1:04:21 | |
Come on! | 1:04:23 | 1:04:24 | |
-Beverley... -Sam? | 1:04:34 | 1:04:36 | |
# Don't you ever... | 1:04:36 | 1:04:38 | |
-Mm-hm? -# Feel sad | 1:04:38 | 1:04:40 | |
# I want you to lean on me when times get bad | 1:04:41 | 1:04:45 | |
# When that old day comes and I know you're down | 1:04:45 | 1:04:49 | |
# In a river of trouble | 1:04:49 | 1:04:52 | |
# And you're about to drown | 1:04:52 | 1:04:54 | |
-BOTH: -# Hold on | 1:04:54 | 1:04:56 | |
# I'm comin' | 1:04:56 | 1:04:58 | |
# Hold on, I'm comin' Tell me about it | 1:04:58 | 1:05:02 | |
# I'm on my way | 1:05:02 | 1:05:04 | |
-Well... -# Your lover | 1:05:04 | 1:05:07 | |
# If you get cold | 1:05:07 | 1:05:08 | |
-# I will be your cover -Ohhhh... | 1:05:08 | 1:05:10 | |
# You don't got to worry cos I'm here | 1:05:10 | 1:05:14 | |
# You don't got to suffer, Sam | 1:05:14 | 1:05:16 | |
-What, me? -# Cos I'm here | 1:05:16 | 1:05:19 | |
-BOTH: -# Hold on | 1:05:19 | 1:05:21 | |
# I'm comin' | 1:05:21 | 1:05:23 | |
# Hold on | 1:05:23 | 1:05:26 | |
# I'm comin' | 1:05:26 | 1:05:27 | |
# Hold on, I'm comin' | 1:05:27 | 1:05:31 | |
-# Hold on... -Hold on... -I'm comin' | 1:05:31 | 1:05:34 | |
# I'm comin' | 1:05:34 | 1:05:35 | |
All right! | 1:05:35 | 1:05:37 | |
-# Reach out to me -Yeah? | 1:05:37 | 1:05:40 | |
# For satisfaction, yes | 1:05:40 | 1:05:44 | |
Come on! | 1:05:44 | 1:05:45 | |
# Call my name | 1:05:45 | 1:05:46 | |
I'll call your name | 1:05:46 | 1:05:48 | |
# For a quick reaction | 1:05:48 | 1:05:50 | |
# Yeah! Yeah! Yeah! | 1:05:50 | 1:05:53 | |
# Haaaaaa...haaa-haa-haaah | 1:05:53 | 1:05:57 | |
# Oh, Lord | 1:05:57 | 1:05:59 | |
# All right | 1:05:59 | 1:06:01 | |
# Hey-ey-ey | 1:06:01 | 1:06:03 | |
Y'all like that? | 1:06:03 | 1:06:04 | |
-One more thing... -OK! | 1:06:06 | 1:06:08 | |
# Don't you ever | 1:06:09 | 1:06:11 | |
-# I will never -I don't want you to feel sad | 1:06:11 | 1:06:13 | |
# I just want you to lean on me | 1:06:13 | 1:06:15 | |
# When times get bad | 1:06:15 | 1:06:17 | |
# When that day comes | 1:06:17 | 1:06:19 | |
-# When it comes -And I know you're down | 1:06:19 | 1:06:21 | |
# In a river of trouble | 1:06:21 | 1:06:23 | |
-# A lotta trouble -You about to drown... -All right! | 1:06:23 | 1:06:26 | |
-BOTH: -# Hold on | 1:06:26 | 1:06:27 | |
-# I'm comin' -Hold on! | 1:06:27 | 1:06:29 | |
-# Hold on -I'm comin' | 1:06:29 | 1:06:32 | |
-# I'm comin' -I want you to take my hand | 1:06:32 | 1:06:34 | |
# Hold on | 1:06:34 | 1:06:36 | |
-# I'm comin' -# Please... | 1:06:36 | 1:06:38 | |
# Hold on | 1:06:38 | 1:06:39 | |
-# Please... -I'm comin'... -Hold on! -Oh, yeah | 1:06:39 | 1:06:43 | |
-# Hold on... -I'm comin' -I'm gonna getcha... -I'm comin' | 1:06:43 | 1:06:45 | |
# I'm comin' to getcha | 1:06:45 | 1:06:47 | |
# Hold on | 1:06:47 | 1:06:49 | |
-# I'm comin'... -Come on! -Come on! | 1:06:49 | 1:06:51 | |
-# Come on! -And hold on... | 1:06:51 | 1:06:54 | |
# Hold on | 1:06:54 | 1:06:57 | |
# Ohhh! | 1:06:57 | 1:06:58 | |
-# All right! -Hold on | 1:06:58 | 1:07:00 | |
-# I'm holdin' -You got enough? | 1:07:00 | 1:07:02 | |
-# I had enough -Come on | 1:07:02 | 1:07:04 | |
Thanks, everybody. | 1:07:04 | 1:07:05 | |
Thank you! | 1:07:05 | 1:07:07 | |
-# Hold on! -Hold on! | 1:07:07 | 1:07:09 | |
-# Hold on! -Hold on! | 1:07:09 | 1:07:11 | |
-# Hold on! -Sam, I gotcha baby | 1:07:11 | 1:07:14 | |
-# Yes, I do -Hold on | 1:07:14 | 1:07:16 | |
# Hold on! | 1:07:16 | 1:07:17 | |
-# Hold on -Hold on! | 1:07:17 | 1:07:19 | |
-# Hold on! -Hold on | 1:07:19 | 1:07:21 | |
-# Hold on -Hold on | 1:07:21 | 1:07:23 | |
-# Hold on -Hold on | 1:07:23 | 1:07:25 | |
-# Hold on -Ho-o-o-o-old! | 1:07:25 | 1:07:27 | |
-# Hold on -Oh, yeah! | 1:07:27 | 1:07:29 | |
-# Hold on... -Yeah! # | 1:07:29 | 1:07:31 | |
WHOOPING AND WHISTLING | 1:07:33 | 1:07:36 | |
FINAL FLOURISH FROM BAND | 1:07:38 | 1:07:39 | |
CHEERING AND APPLAUSE | 1:07:40 | 1:07:42 | |
Sam Moore, Beverley Knight! | 1:07:45 | 1:07:47 | |
This is our last piece now, a beautiful duet. | 1:07:48 | 1:07:51 | |
Are you ready for another beautiful duet? | 1:07:51 | 1:07:53 | |
CHEERING | 1:07:53 | 1:07:55 | |
It's our last song, so I think if you want to have | 1:07:55 | 1:07:58 | |
a bit of a dance around, please do. Isn't it wonderful here tonight? | 1:07:58 | 1:08:01 | |
I've seen some shows here, but I just love this one. | 1:08:01 | 1:08:04 | |
So, let's please welcome back now, Eddie Floyd and James Morrison! | 1:08:04 | 1:08:08 | |
-CHEERING -Thank you! | 1:08:08 | 1:08:10 | |
Everybody! | 1:08:14 | 1:08:17 | |
Come on! | 1:08:19 | 1:08:20 | |
# If you need a little lovin' | 1:08:22 | 1:08:26 | |
# Call on me | 1:08:26 | 1:08:28 | |
# If you want some kissin' | 1:08:31 | 1:08:35 | |
-# Call me -Call me | 1:08:35 | 1:08:37 | |
# I'll be right here at home | 1:08:39 | 1:08:42 | |
# All you gotta do is pick up the telephone | 1:08:43 | 1:08:47 | |
# 634-5789 | 1:08:47 | 1:08:51 | |
-# That's my number -634-5789 | 1:08:51 | 1:08:55 | |
# And if you want | 1:08:55 | 1:08:57 | |
-# A little huggin' -Yeah | 1:08:57 | 1:08:59 | |
-# Call me -Call me | 1:08:59 | 1:09:01 | |
# If you need | 1:09:03 | 1:09:05 | |
# Some of my kissin' | 1:09:05 | 1:09:07 | |
-# Call me -Yeah | 1:09:07 | 1:09:10 | |
# No more lonely nights will you be alone | 1:09:10 | 1:09:16 | |
# All you gotta do is pick up the telephone | 1:09:16 | 1:09:19 | |
# 634-5789 | 1:09:19 | 1:09:23 | |
# That's my number | 1:09:23 | 1:09:24 | |
# 634-5789 | 1:09:24 | 1:09:27 | |
-# Oh, I'll be right there -Yeah! | 1:09:28 | 1:09:32 | |
-# Just as soon as I can -That's right! | 1:09:32 | 1:09:35 | |
# Oh, I might be a little bit late | 1:09:37 | 1:09:39 | |
# I hope that you understand | 1:09:39 | 1:09:44 | |
-Everybody! -# Oh, yeah! | 1:09:44 | 1:09:46 | |
# All right | 1:09:48 | 1:09:49 | |
Come on... | 1:09:53 | 1:09:55 | |
Yeah! | 1:09:56 | 1:09:58 | |
-Everybody! -# 634-5789 | 1:10:08 | 1:10:12 | |
-# That's my number -634-5789 | 1:10:12 | 1:10:16 | |
-Yay! -# 634-5789 | 1:10:16 | 1:10:20 | |
-# That's my number -634-5789 | 1:10:20 | 1:10:23 | |
# If you need a little lovin' | 1:10:23 | 1:10:27 | |
-# Call on... -On me | 1:10:27 | 1:10:31 | |
# If you want | 1:10:31 | 1:10:34 | |
# Some kissin' | 1:10:34 | 1:10:36 | |
# Call me | 1:10:36 | 1:10:38 | |
# No more lonely nights will you be alone | 1:10:40 | 1:10:43 | |
# Yeah | 1:10:43 | 1:10:44 | |
# All you gotta do is pick up the telephone | 1:10:44 | 1:10:48 | |
# 634-5789 | 1:10:48 | 1:10:51 | |
-# That's my number -634-5789 | 1:10:51 | 1:10:56 | |
# That's my number | 1:10:56 | 1:10:57 | |
-# 634-5789 -That's my number... | 1:10:57 | 1:11:01 | |
# 634-5789! # | 1:11:01 | 1:11:05 | |
CHEERING | 1:11:05 | 1:11:08 | |
Eddie Floyd, the wonderful Eddie Floyd. The amazing James Morrison! | 1:11:08 | 1:11:11 | |
Thank you! | 1:11:11 | 1:11:13 | |
CHEERING CONTINUES | 1:11:13 | 1:11:14 | |
Thank you to all of our guests. | 1:11:17 | 1:11:19 | |
Thank you to the Rhythm & Blues Orchestra! | 1:11:20 | 1:11:23 | |
WHOOPING AND WHISTLING | 1:11:23 | 1:11:25 | |
Beautiful singers... | 1:11:25 | 1:11:27 | |
Dave, Gilson, Mark, everyone. | 1:11:27 | 1:11:30 | |
Shall we have one more song? | 1:11:30 | 1:11:31 | |
-AUDIENCE: -Yeah! | 1:11:31 | 1:11:33 | |
-Shall we have one more song? -Yeah! | 1:11:33 | 1:11:35 | |
Have you had a frenzy with us this evening? | 1:11:35 | 1:11:38 | |
Yes! | 1:11:38 | 1:11:39 | |
I have. Gilson... | 1:11:39 | 1:11:42 | |
Maybe give us a bit of rhythm. | 1:11:47 | 1:11:49 | |
All right. | 1:11:52 | 1:11:54 | |
Have you thought, these singers are amazing that we've had tonight, | 1:11:55 | 1:11:59 | |
that this music is amazing that we've had some might? | 1:11:59 | 1:12:01 | |
Isn't it fantastic? | 1:12:01 | 1:12:03 | |
WHOOPING Aw, give me a... | 1:12:03 | 1:12:06 | |
# Yeah, yeah, yeah, yeah | 1:12:06 | 1:12:08 | |
# Yeah, yeah, yeah, yeah | 1:12:08 | 1:12:11 | |
# Yeah, yeah, yeah, yeah | 1:12:11 | 1:12:14 | |
# Yeah, yeah, yeah, yeah | 1:12:14 | 1:12:16 | |
# Oh, yeah | 1:12:16 | 1:12:18 | |
# Oh, yeah | 1:12:18 | 1:12:20 | |
Are you ready, then? | 1:12:20 | 1:12:21 | |
Hey, let's thank Booker T Jones on the organ! | 1:12:21 | 1:12:24 | |
CHEERING | 1:12:24 | 1:12:26 | |
Steve Cropper on the guitar! | 1:12:30 | 1:12:32 | |
CHEERING | 1:12:32 | 1:12:33 | |
And now let's welcome back | 1:12:37 | 1:12:39 | |
onto this stage...Sir Tom Jones! | 1:12:39 | 1:12:41 | |
CHEERING AND WHISTLING | 1:12:41 | 1:12:43 | |
Yeah, Sir Tom Jones! | 1:12:47 | 1:12:49 | |
Eddie Floyd! | 1:12:49 | 1:12:51 | |
Sam Moore! | 1:12:51 | 1:12:53 | |
Beverley Knight! | 1:12:56 | 1:12:58 | |
Tom, Eddie, Sam, Beverley. | 1:13:04 | 1:13:07 | |
Ruby Turner! | 1:13:07 | 1:13:09 | |
CHEERING AND WHOOPING | 1:13:09 | 1:13:11 | |
James Morrison! | 1:13:14 | 1:13:16 | |
William Bell! | 1:13:16 | 1:13:20 | |
Sweetie Irie and Nadia Rose! | 1:13:20 | 1:13:22 | |
Here they are, we love 'em. | 1:13:24 | 1:13:26 | |
All right. You feeling good? | 1:13:26 | 1:13:29 | |
Are you ready? | 1:13:29 | 1:13:31 | |
One, two - one, two, three and... | 1:13:32 | 1:13:35 | |
THEY PLAY THE INTRO TO SWEET SOUL MUSIC | 1:13:35 | 1:13:38 | |
# Do you like good music? | 1:13:41 | 1:13:43 | |
# Yeah, yeah | 1:13:43 | 1:13:45 | |
# That sweet soul music | 1:13:45 | 1:13:46 | |
# Yeah, yeah | 1:13:46 | 1:13:47 | |
-# Just as long as it swings now -Yeah, yeah | 1:13:47 | 1:13:50 | |
-# Oh, yeah, ohhh yeah -Yeah, yeah | 1:13:50 | 1:13:53 | |
-# Out on the dance floor -Yeah, yeah | 1:13:53 | 1:13:56 | |
# Going to the go-go | 1:13:56 | 1:13:58 | |
# Yeah, yeah | 1:13:58 | 1:13:59 | |
-# Dancing to the go-go -Yeah, yeah | 1:13:59 | 1:14:02 | |
# Oh, yeah! Oh, yeah | 1:14:02 | 1:14:05 | |
# Spotlight on Lou Rawls | 1:14:05 | 1:14:07 | |
# Yeah, yeah | 1:14:07 | 1:14:08 | |
# He's the boss of 'em all | 1:14:08 | 1:14:10 | |
# Yeah, yeah | 1:14:10 | 1:14:11 | |
# Singin' "Love's a hurtin' thing" | 1:14:11 | 1:14:12 | |
# Yeah, yeah | 1:14:12 | 1:14:14 | |
# Yeah! Yeah, yeah | 1:14:14 | 1:14:16 | |
-# Spotlight on Sam and Dave, y'all -Yeah, yeah | 1:14:16 | 1:14:19 | |
# Oh, don't they look good now | 1:14:19 | 1:14:21 | |
# Yeah, yeah | 1:14:21 | 1:14:23 | |
# Singin' "Hold on, I'm comin", y'all | 1:14:23 | 1:14:24 | |
# Yeah, yeah | 1:14:24 | 1:14:25 | |
-# Oh, yeah! Ohhh, yeah -Yeah, yeah | 1:14:25 | 1:14:29 | |
-# Spotlight on Wilson Pickett now -Yeah, yeah | 1:14:29 | 1:14:31 | |
-# That wicked little Pickett now -Yeah, yeah | 1:14:31 | 1:14:34 | |
# Singin' "Mustang Sally" now | 1:14:34 | 1:14:36 | |
# Yeah, yeah | 1:14:36 | 1:14:37 | |
# Oh, yeah! Oh, yeah | 1:14:37 | 1:14:40 | |
-# Spotlight on Otis Redding now -Yeah, yeah | 1:14:40 | 1:14:43 | |
-# Singing "fa-fa-fa-fa fa fa fa" -Yeah, yeah | 1:14:43 | 1:14:46 | |
# Singing "fa-fa-fa-fa fa fa fa" | 1:14:46 | 1:14:48 | |
-# Yeah, yeah -# Oh, yeah! Oh, yeah | 1:14:48 | 1:14:51 | |
Give it over to you. | 1:14:51 | 1:14:52 | |
# Spotlight on James Brown, y'all | 1:15:01 | 1:15:04 | |
-# He's the king of them all, y'all -Of 'em all, yeah | 1:15:04 | 1:15:07 | |
-# He's the king of them all, y'all -Yeah, yeah | 1:15:07 | 1:15:10 | |
# Oh, yeah! Oh, yeah | 1:15:10 | 1:15:12 | |
-# Do you like good music? -Yeah, yeah | 1:15:12 | 1:15:15 | |
# Sweet soul music | 1:15:15 | 1:15:17 | |
# Yeah, yeah | 1:15:17 | 1:15:19 | |
-# Just long as it's swinging, yeah -Yeah, yeah | 1:15:19 | 1:15:22 | |
-# Oh, yeah, ohhhh, yeah -Yeah, yeah, yeah, yeah | 1:15:22 | 1:15:25 | |
# Oh, yeah, yeah, yeah Yeah, yeah | 1:15:25 | 1:15:28 | |
-# Yeah! -Yeah, yeah | 1:15:28 | 1:15:30 | |
# Do you like soul music? | 1:15:30 | 1:15:32 | |
# Yeah, yeah | 1:15:32 | 1:15:34 | |
# Give me a little movement | 1:15:34 | 1:15:35 | |
# Yeah, yeah | 1:15:35 | 1:15:37 | |
# We saw Irie at the Prom night | 1:15:37 | 1:15:39 | |
# Yeah, yeah | 1:15:39 | 1:15:40 | |
# Oh - I hope you feel nice | 1:15:40 | 1:15:42 | |
# Yeah, yeah I said do you like good music? | 1:15:42 | 1:15:45 | |
# Yeah, yeah | 1:15:45 | 1:15:46 | |
# Give me a lickle movement | 1:15:46 | 1:15:48 | |
# Yeah, yeah | 1:15:48 | 1:15:49 | |
# We saw Irie at the Prom night | 1:15:49 | 1:15:51 | |
# Whoa, yeah | 1:15:51 | 1:15:52 | |
-# I hope you feel nice -# Yeah, yeah | 1:15:52 | 1:15:55 | |
-All right. -# Yeah, yeah | 1:15:56 | 1:15:57 | |
-# Got to get the feeling now -Yeah, yeah | 1:15:57 | 1:16:01 | |
-# Got to get the feeling now -Got to get the feeling now | 1:16:01 | 1:16:03 | |
# Got to get the feeling now | 1:16:03 | 1:16:05 | |
# Yeah! And you got to get the feeling | 1:16:05 | 1:16:08 | |
-# Yeah, yeah -Everybody get the feeling | 1:16:08 | 1:16:11 | |
-# Yeah, yeah -And we all get the feeling | 1:16:11 | 1:16:14 | |
# Yeah, yeah | 1:16:14 | 1:16:15 | |
-# Jools Holland's got the feeling -Sir Tom Jones! | 1:16:15 | 1:16:18 | |
-# And the band's got the feeling -Yeah, yeah | 1:16:18 | 1:16:20 | |
-# Everybody's got the feeling -Yeah, yeah | 1:16:20 | 1:16:24 | |
-# This soul has got the feeling -Yeah, yeah | 1:16:24 | 1:16:27 | |
-# Down deep in your bones now -Yeah, yeah! | 1:16:27 | 1:16:30 | |
-# Oh, soul got the feeling -Yeah, yeah | 1:16:30 | 1:16:33 | |
-# And you know you got the feeling -Yeah, yeah | 1:16:33 | 1:16:35 | |
-# If you haven't got the feeling... -Yeah, yeah | 1:16:35 | 1:16:38 | |
# ..Come on, get the feeling! | 1:16:38 | 1:16:40 | |
-# Yeah, yeah -Yeah! | 1:16:40 | 1:16:43 | |
# Yeah, yeah... | 1:16:43 | 1:16:45 | |
All right! | 1:16:47 | 1:16:48 | |
Uh-huh! | 1:16:50 | 1:16:51 | |
Well! | 1:16:54 | 1:16:55 | |
# Do you like... | 1:16:56 | 1:16:59 | |
# ..good music? Yeah, yeah. # | 1:16:59 | 1:17:02 | |
CHEERING AND WHOOPING | 1:17:13 | 1:17:15 | |
The amazing array! | 1:17:16 | 1:17:19 | |
Thank you for being a beautiful crowd, we love you. | 1:17:19 | 1:17:22 | |
Goodnight. Thank you! | 1:17:22 | 1:17:24 |