Stax with Jools Holland BBC Proms


Stax with Jools Holland

A tribute to soul label Stax, with Jools Holland and his Rhythm & Blues Orchestra, Booker T Jones, Sam Moore, Sir Tom Jones, William Bell, Steve Cropper, Eddie Floyd and others.


Similar Content

Browse content similar to Stax with Jools Holland. Check below for episodes and series from the same categories and more!

Transcript


LineFromTo

Welcome to the Royal Albert Hall. Shortly we will be having a live performance here, which will be

0:00:020:00:05

unique and I hope extraordinary, of southern soul music.

0:00:050:00:08

We celebrate the music of Stax Records,

0:00:080:00:10

with the help of some of their greatest surviving artists

0:00:100:00:13

and some wonderful British artists who are fans of that music.

0:00:130:00:16

They'll be backed and accompanied by myself

0:00:160:00:18

and the Rhythm & Blues Orchestra.

0:00:180:00:20

Welcome to the BBC Proms.

0:00:200:00:22

One, two, three, four.

0:00:440:00:46

MUSIC: Knock On Wood by Eddie Floyd

0:00:460:00:49

# Knock, knock on wood... #

0:00:540:00:57

Stax was one of the main portals for the entrance of soul music

0:00:570:01:03

into the American scene.

0:01:030:01:05

There's gospel in there, there's pop

0:01:050:01:08

and a little bit from jazz.

0:01:080:01:09

We would take downhome blues and turn it into dance music.

0:01:090:01:12

Give it up, even if it was a slow tune,

0:01:120:01:15

you'd want to dance to it. It was that kind of thing.

0:01:150:01:17

# Hold on

0:01:170:01:19

# I'm coming

0:01:190:01:21

# Hold on... #

0:01:210:01:23

We were a black and white staff, black and white creators.

0:01:230:01:27

So that merging of the influences and our backgrounds

0:01:270:01:33

was one of the major things that made the music of Stax what it was.

0:01:330:01:38

It's one of the first times in music where black and white musicians

0:01:400:01:44

mixed together, and it broke down racial barriers at the time.

0:01:440:01:48

# Have I told you lately that I love you... #

0:01:480:01:54

We knew that we were doing good music,

0:01:540:01:56

but we had no idea that it would go worldwide.

0:01:560:02:00

1967, we got the tour together to come to the UK.

0:02:030:02:08

Called it the Stax/Volt Tour.

0:02:100:02:12

They were very surprised about the reception that they had.

0:02:120:02:16

I mean, they went crazy for what we were doing.

0:02:160:02:20

And, actually, we weren't doing anything, we were just singing.

0:02:200:02:23

We were singing as hard as we could.

0:02:230:02:26

# Soul man... #

0:02:260:02:28

They knew our music, they were listening to our records,

0:02:280:02:30

they were being played by radio stations.

0:02:300:02:32

So we came into what became sort of a home for us for many years,

0:02:320:02:37

even to this day.

0:02:370:02:39

# I can't stand up... #

0:02:420:02:44

Well, doing what we're doing here is a celebration,

0:02:440:02:47

to do it at the Royal Albert Hall is pretty special.

0:02:470:02:50

If I hadn't been asked to do it I would have been very annoyed.

0:02:500:02:53

I love this music and I've recorded quite a lot of it myself.

0:02:530:02:56

I'm thrilled to be a part of it.

0:02:560:02:59

To celebrate the anniversary of Stax, amazing.

0:02:590:03:03

Ladies and gentlemen, Jools Holland.

0:03:100:03:13

CHEERING AND APPLAUSE

0:03:130:03:16

Are you feeling good?

0:03:260:03:27

Are you feeling ready?

0:03:280:03:30

Are you feeling ready for an extraordinary concert?

0:03:310:03:34

Here we are in this amazing room,

0:03:350:03:37

in the short time we have,

0:03:370:03:39

we have some amazing artists

0:03:390:03:40

because we have some of the original Stax artists.

0:03:400:03:44

We have some classic British artists.

0:03:440:03:47

On the Hammond organ we have Mr Booker T Jones.

0:03:470:03:50

CHEERING

0:03:500:03:54

On guitar we have Mr Steve Cropper.

0:03:540:03:56

CHEERING

0:03:560:03:58

We have the orchestra at our disposal.

0:03:580:04:00

Are you ready for some guests, our first guests?

0:04:020:04:05

We've got the original artists and we've got British artists.

0:04:050:04:08

I love those artists. So let's start with them.

0:04:080:04:10

Welcome onto the stage Mr James Morrison.

0:04:100:04:14

CHEERING AND APPLAUSE

0:04:140:04:18

And welcome onto the stage...

0:04:180:04:20

There's James Morrison.

0:04:200:04:23

Let's welcome onto the stage Beverley Knight.

0:04:230:04:26

CHEERING AND APPLAUSE

0:04:260:04:28

Beverley Knight.

0:04:280:04:30

Beverley Knight.

0:04:350:04:38

Ready for more?

0:04:380:04:39

Let's welcome onto the stage Sir Tom Jones.

0:04:390:04:44

CHEERING AND APPLAUSE

0:04:440:04:47

All right. Are you ready?

0:04:570:04:59

Are you ready?

0:05:000:05:02

One, two, one, two, three and...

0:05:030:05:06

# Do you like good music?

0:05:120:05:14

# Yeah, yeah

0:05:140:05:16

# Sweet soul music

0:05:160:05:17

# Yeah, yeah

0:05:170:05:19

# Just as long as it swings now

0:05:190:05:20

# Yeah, yeah

0:05:200:05:21

# Oh, yeah

0:05:210:05:23

# Oh, yeah

0:05:230:05:24

# We're out on the floor, y'all

0:05:240:05:26

# Yeah, yeah

0:05:260:05:28

# Dancin' to the go-go

0:05:280:05:29

# Yeah, yeah

0:05:290:05:30

# Yes, we're dancing to the music

0:05:300:05:32

# Yeah, yeah

0:05:320:05:33

# Oh, yeah

0:05:330:05:35

# Oh, yeah

0:05:350:05:36

# Spotlight on Lou Rawls, y'all

0:05:360:05:38

# Yeah, yeah

0:05:380:05:39

# Oh, don't we look boss, y'all

0:05:390:05:41

# Yeah, yeah

0:05:410:05:42

# Singing Love's A Hurtin' Thing, y'all

0:05:420:05:44

# Yeah, yeah

0:05:440:05:45

# Oh, yeah

0:05:450:05:46

# Oh, yeah

0:05:460:05:48

# Spotlight on Sam and Dave, y'all

0:05:480:05:50

# Yeah, yeah

0:05:500:05:51

# Oh, don't they look great, y'all?

0:05:510:05:53

# Yeah, yeah

0:05:530:05:54

# Singing, Hold On I'm Coming

0:05:540:05:56

# Yeah, yeah

0:05:560:05:57

# Oh, yeah

0:05:570:05:58

# Oh, yeah

0:05:580:06:00

# Spotlight on Wilson Pickett, now

0:06:000:06:02

# Yeah, yeah

0:06:020:06:03

# That wicked, wicked Pickett, now

0:06:030:06:05

# Yeah, yeah

0:06:050:06:06

# Singing, Mustang Sally

0:06:060:06:07

# Yeah, yeah

0:06:070:06:09

# Oh, yeah

0:06:090:06:10

# Oh, yeah

0:06:100:06:11

# Spotlight on Otis Redding now

0:06:110:06:13

# Yeah, yeah

0:06:130:06:14

# Singing Fa-fa-fa-fa-fa-fa-fa-fa-fa

0:06:140:06:16

# Yeah, yeah

0:06:160:06:18

# Singing Fa-fa-fa-fa-fa-fa-fa-fa-fa

0:06:180:06:20

# Yeah, yeah

0:06:200:06:21

# Oh, yeah

0:06:210:06:22

# Oh, yeah

0:06:220:06:23

# Spotlight on James Brown, y'all

0:06:320:06:34

# Yeah, yeah

0:06:340:06:36

# He's the king of them all

0:06:360:06:37

# Yeah, yeah

0:06:370:06:38

# He's the king of them all, y'all

0:06:380:06:40

# Yeah, yeah

0:06:400:06:41

# Oh, yeah

0:06:410:06:43

# Oh, yeah

0:06:430:06:44

# Do you like good music?

0:06:440:06:46

# Yeah, yeah

0:06:460:06:47

# That sweet soul music

0:06:470:06:49

# Yeah, yeah

0:06:490:06:50

# Just as long as it's swinging

0:06:500:06:52

# Yeah, yeah

0:06:520:06:53

# Oh, yeah

0:06:530:06:55

# Oh, yeah

0:06:550:06:56

# Oh, yeah

0:06:560:06:57

# Oh, yeah

0:06:580:07:00

# Got to feel it now

0:07:000:07:01

# I know ya got to

0:07:010:07:02

# Come on, we get the feeling

0:07:020:07:04

# I know you got the feeling, y'all

0:07:040:07:05

# I got the feeling

0:07:050:07:07

# I know you got the feeling

0:07:070:07:08

# Have you got the feeling?

0:07:080:07:10

# Oh, we got the feeling

0:07:100:07:11

# Have we got the feeling?

0:07:110:07:13

# Oh, we got the feeling

0:07:130:07:14

# Come on and get the feeling

0:07:140:07:16

# Oh, yeah

0:07:160:07:17

# Yeah, get the feeling

0:07:170:07:19

# Yeah, yeah

0:07:190:07:20

# Come on

0:07:200:07:21

# Yeah

0:07:230:07:24

# Oh

0:07:260:07:27

# Yeah

0:07:270:07:29

# Well, all right... #

0:07:300:07:32

CHEERING AND APPLAUSE

0:07:340:07:37

James Morrison, Beverley Knight.

0:07:380:07:43

We'd like to invite Tom Jones to stay on now to sing

0:07:450:07:49

a beautiful song of Otis Redding's. Sir Tom Jones.

0:07:490:07:53

-CHEERING AND APPLAUSE

-Thank you.

0:07:530:07:57

Thank you very much. Everybody feeling good?

0:07:570:07:59

AUDIENCE: Yeah!

0:07:590:08:01

We're going to have a good time tonight.

0:08:010:08:03

Soul music. Stax.

0:08:030:08:06

# Baby, here I am, I'm a man that's on the scene

0:08:150:08:19

# And I can give you what you want but you got to go home with me

0:08:190:08:24

# I've got some good old loving and I got a lot more in store

0:08:240:08:29

# When I get through pouring it on you, you got to come back for more

0:08:290:08:34

# Boys may come a dime by the dozen

0:08:340:08:37

# That ain't nothing but drug store loving

0:08:370:08:39

# Pretty little thing, let me light your candle

0:08:390:08:41

# Cos, mama, I'm so hard to handle, now, yessir'am

0:08:410:08:44

# Action speaks louder than words and I'm a man with great experience

0:08:490:08:54

# I know you got you another man I can love you better than him

0:08:540:08:59

# Take my hand, don't be afraid, I'm gonna prove every word I say

0:08:590:09:04

# I'm advertising love for free, so won't you place your ad with me?

0:09:040:09:09

# Boys may come a dime by the dozen

0:09:090:09:11

# That ain't nothing but drug store loving

0:09:110:09:14

# Pretty little thing, let me light your candle

0:09:140:09:16

# Cos, mama, I'm so hard to handle, now, yessir'am

0:09:160:09:20

# Hard to handle

0:09:200:09:22

# You know I am, baby

0:09:220:09:24

# Oh, yeah

0:09:240:09:26

# Baby, here I am, I'm a man that's on the scene

0:09:290:09:34

# And I can give you what you want but you got to go home with me

0:09:340:09:39

# Well, I've got some good old loving and I got a lot more in store

0:09:390:09:44

# When I get through pouring it on you, you got to come back for more

0:09:440:09:49

# Boys may come a dime by the dozen

0:09:490:09:51

# That ain't nothing but drug store loving

0:09:510:09:53

# Pretty little thing, let me light your candle

0:09:530:09:56

# Cos, mama, I'm so hard to handle, now, yessir'am

0:09:560:10:00

# Hard to handle

0:10:000:10:01

# You know I am, baby

0:10:010:10:03

# Uh-uh

0:10:040:10:05

# Give it to me, I got to have it

0:10:090:10:13

# Good old loving

0:10:130:10:15

# Cos I'm a big ol' man, mama

0:10:150:10:18

# And I'm so hard to handle

0:10:180:10:20

# Oh, yeah

0:10:200:10:22

# Uh-huh

0:10:230:10:24

# Oh, baby

0:10:260:10:27

# Hey

0:10:280:10:30

# Ah!

0:10:300:10:32

# Yeah

0:10:320:10:33

# Oh! #

0:10:380:10:40

CHEERING AND APPLAUSE

0:10:430:10:46

The amazing Sir Tom Jones.

0:10:470:10:50

Good, yes?!

0:10:500:10:51

So we're going to invite somebody on to do a duet with Tom now.

0:10:520:10:55

Somebody who did this song originally and we're

0:10:570:11:00

so thrilled and delighted he's come to be with us this evening.

0:11:000:11:03

Are you ready for one of the great Stax legends?

0:11:030:11:06

Are you ready?

0:11:060:11:07

Then please welcome to this stage the amazing voice

0:11:090:11:11

of Mr Sam Moore and Sir Tom Jones together.

0:11:110:11:15

Sam Moore.

0:11:150:11:16

# I'm

0:11:250:11:29

# I'm the living result

0:11:290:11:33

# Of a man

0:11:340:11:36

# Tom, I've been hurt too much

0:11:380:11:41

I know what you're talking about.

0:11:410:11:43

# You see

0:11:430:11:44

# I've tasted

0:11:440:11:45

Yes, sir.

0:11:450:11:48

# The bitterness of my own tears

0:11:480:11:54

# Sadness is all my lonely heart can feel

0:11:540:12:02

# I can't stand up for falling down

0:12:030:12:12

# I can't stand up for falling down

0:12:120:12:21

# Simple as love is

0:12:230:12:26

# Still it confused me

0:12:280:12:31

# Well

0:12:310:12:33

# Because you see I'm not loved

0:12:330:12:35

Why?

0:12:350:12:36

# The way I should be

0:12:360:12:39

# Well

0:12:390:12:40

# I've lived with heartaches

0:12:420:12:45

# And I've roomed with fear

0:12:460:12:50

Yes, you have

0:12:500:12:51

# I've dealt with despair

0:12:510:12:55

# And I've wrestled with tears

0:12:550:12:59

# I can't stand up for falling down

0:12:590:13:09

# I can't stand up for falling down

0:13:090:13:18

# The vow we made

0:13:200:13:24

# You just

0:13:240:13:25

# You just broke it in two

0:13:250:13:27

# But you see, buddy

0:13:270:13:30

# That didn't stop you and I from lovin'

0:13:300:13:33

# Lovin'

0:13:330:13:34

-# Lovin'

-Lovin'

0:13:340:13:35

-# Lovin' you

-Lovin' you

0:13:350:13:37

# I can't stand up for falling down

0:13:370:13:47

# I can't stand up for falling down

0:13:470:13:56

-# I can't stand

-I can't stand

0:13:560:13:58

-# I can't stand

-I can't stand

0:13:580:14:01

-# I can't stand

-I can't stand

0:14:010:14:03

-# I can't stand

-No

0:14:030:14:05

# I can't stand up for falling down. #

0:14:050:14:16

Did y'all hear that? Tom!

0:14:170:14:20

CHEERING AND APPLAUSE

0:14:200:14:22

-Tom.

-Yes.

-Sam Moore.

0:14:220:14:25

And thank you for joining him, the wonderful Sir Tom Jones.

0:14:250:14:28

More of Sir Tom later.

0:14:300:14:31

Sam Moore is the Soul Man,

0:14:350:14:39

and 50 years ago Soul Man was a great hit for Sam.

0:14:390:14:43

Feeling good?

0:14:430:14:45

I'm tired.

0:14:450:14:47

Put your hands together.

0:14:590:15:01

# Oh!

0:15:080:15:10

Listen to this.

0:15:110:15:13

# Comin' to you on a dusty road

0:15:140:15:19

# Good lovin', I got a truck load

0:15:190:15:23

# When you get it, you got something

0:15:230:15:28

# So don't worry, cos I'm coming

0:15:280:15:31

You say it.

0:15:310:15:32

-# I'm a

-Soul man

0:15:320:15:34

I can't hear that.

0:15:340:15:37

# Soul man

0:15:370:15:39

Louder, louder.

0:15:390:15:41

# Soul man

0:15:410:15:43

# Well, well, well, well

0:15:430:15:45

# Soul man

0:15:450:15:47

Listen.

0:15:470:15:50

# I was brought up on a side street

0:15:500:15:55

# I learned how to love before I could eat

0:15:550:15:59

# I was educated at Woodstock

0:15:590:16:02

# When I start lovin' oh, I can't stop

0:16:020:16:07

-# Cos I'm a

-Soul man

0:16:070:16:10

Huh?

0:16:100:16:12

# Soul man

0:16:120:16:14

# Well, well, well, well

0:16:140:16:17

# Soul man

0:16:170:16:19

Huh?

0:16:200:16:21

# Soul man

0:16:210:16:23

# Got what I got the hard way

0:16:260:16:30

# And I'll make it better each and every day

0:16:300:16:34

# So, honey, don't you fret

0:16:340:16:38

# Cos you ain't seen nothing yet

0:16:380:16:42

-# Cos I'm a

-Soul man

0:16:420:16:45

What?

0:16:450:16:48

# Soul man

0:16:480:16:49

Sing.

0:16:510:16:53

# Soul man

0:16:530:16:54

Scream it.

0:16:540:16:56

-# I'm a

-Soul man

0:16:560:16:58

There you go.

0:16:580:17:00

# Grab the rope and I'll pull you in

0:17:010:17:05

# Give you hope

0:17:050:17:07

# And then be your only boyfriend

0:17:070:17:10

-# Say, yeah

-Yeah

0:17:100:17:11

-# Yeah

-Yeah

0:17:110:17:13

Come on. Come on, fella. Come on.

0:17:170:17:19

Do it!

0:17:190:17:21

# Soul man

0:17:210:17:23

-# I'm a

-Soul man

0:17:240:17:27

What?

0:17:270:17:29

-# I'm a

-Soul man

0:17:290:17:31

# Oh, I'm a soul man

0:17:310:17:34

# Soul man

0:17:340:17:36

# You, you, you, you, you

0:17:360:17:38

# Soul man

0:17:380:17:41

# If you say it loud I can hear you

0:17:410:17:43

# Soul man... #

0:17:430:17:44

Wait a minute. Jools.

0:17:440:17:46

-Can we talk?

-Yeah.

-Really?

0:17:480:17:52

It was brought to my attention

0:17:520:17:55

that the prince?

0:17:550:17:59

Here, yeah.

0:17:590:18:02

I was told that he likes this song.

0:18:020:18:06

Soul Man.

0:18:060:18:09

Do you have any kind of connection?

0:18:090:18:11

I can't help you with that.

0:18:110:18:12

-Can you get to him for me?

-A bit tricky at the moment.

0:18:120:18:15

-Yeah?

-I can help you with the band.

0:18:150:18:18

Oh, you can help me with the band?

0:18:180:18:21

Well, the next time you get a chance to see him or talk to him,

0:18:210:18:25

-tell him it's for him.

-OK.

0:18:250:18:27

# Everybody put your hands together

0:18:290:18:32

# Put your hands together

0:18:370:18:39

# Feel it

0:18:420:18:43

# Feel it

0:18:460:18:48

# Feel it

0:18:500:18:53

# Oh-oh... #

0:18:540:18:56

Jools, I had it long enough.

0:18:570:18:59

I've got to get the hell out of here.

0:18:590:19:03

I'm ready, ladies and gentlemen, and I want to just say

0:19:030:19:07

thank you for listening to me.

0:19:070:19:09

# Oh-oh... #

0:19:090:19:13

Bye, Tom. Bye, Jools.

0:19:140:19:16

# Soul man

0:19:210:19:23

# Soul man

0:19:230:19:25

# Soul man

0:19:250:19:27

# Soul man

0:19:270:19:29

# Soul man

0:19:290:19:31

# Soul man

0:19:310:19:33

# Soul man

0:19:330:19:35

# Soul man

0:19:350:19:37

# Soul man

0:19:370:19:40

# Soul man

0:19:400:19:41

# Soul man

0:19:410:19:44

# Soul man

0:19:440:19:46

# Soul man

0:19:460:19:48

# Soul man

0:19:480:19:50

# Soul man

0:19:500:19:52

# Soul man. #

0:19:520:19:54

CHEERING AND APPLAUSE

0:19:560:19:59

The remarkable, the amazing Mr Sam Moore!

0:19:590:20:05

Great hearing Steve do that bit of guitar there -

0:20:080:20:10

the remarkable, the beautiful Sam Moore.

0:20:100:20:12

OK, so we're going to pay tribute now to the great Carla Thomas,

0:20:120:20:15

who was a special part of Stax,

0:20:150:20:17

and to do that, there's one beautiful person we'd like

0:20:170:20:20

to bring and reintroduce you to now. Are you ready?

0:20:200:20:23

-AUDIENCE:

-Yes!

0:20:230:20:24

Please let us welcome onto the stage the wonderful Beverley Knight.

0:20:240:20:28

CHEERING AND APPLAUSE

0:20:280:20:31

# Well, all right

0:20:370:20:39

# Mmm

0:20:390:20:41

# Baby

0:20:410:20:44

# Ooh, baby

0:20:440:20:46

# I love to call you baby

0:20:460:20:50

# Baby

0:20:500:20:52

# Ooh-ooh, baby

0:20:520:20:54

# I love for you to call me baby

0:20:540:20:58

# When you squeeze me real tight

0:20:580:21:03

# You make the wrong things right

0:21:030:21:07

# And I can't stop loving you

0:21:090:21:12

# And I can't stop wanting you

0:21:120:21:16

-# Baby

-Baby

0:21:160:21:18

# Oh, baby

0:21:180:21:20

# You look so good to me, baby

0:21:200:21:23

-# Baby

-Baby

0:21:230:21:26

# Ooh-ooh, baby

0:21:260:21:28

# You are so good to me, baby

0:21:280:21:32

# Just one look in your eyes

0:21:320:21:37

# And my temperature goes sky-high

0:21:370:21:40

# Yes, sir

0:21:400:21:42

# I live for you, I can't help it

0:21:420:21:46

# You know I really don't want to help it

0:21:460:21:50

-# Yeah

-B-A-B-Y, baby

0:21:500:21:53

# My baby, my baby

0:21:530:21:54

-# B-A-B-Y, baby

-Now, lookee here

0:21:540:21:57

# Whenever the sun don't shine

0:21:590:22:03

# You throw out a lifeline

0:22:030:22:06

# Yes, you do

0:22:060:22:08

# And I get real close to you, yes

0:22:080:22:11

# And your sweet kisses see me through

0:22:110:22:14

# Ohhhhhhh

0:22:140:22:17

# All right now

0:22:190:22:21

# Ohhh

0:22:230:22:24

-# I said baby

-Baby

0:22:270:22:30

# Oh, baby

0:22:300:22:32

# You look so good to me, baby

0:22:320:22:35

-# Well, baby

-Baby

0:22:350:22:38

# Oh-oh, baby

0:22:380:22:40

# You are so good to me, baby

0:22:400:22:44

# When you squeeze me real tight

0:22:440:22:48

# You make the wrong things right

0:22:480:22:52

# And I can't stop loving you

0:22:530:22:57

# And I won't stop calling you

0:22:570:23:01

-# Ohhhhh, baby

-Baby

0:23:010:23:04

# Baby, how I love to call you baby

0:23:040:23:09

# Baby, baby

0:23:090:23:11

# BA-B-Y, baby

0:23:110:23:13

# I love to call you by your name, sugar boy

0:23:130:23:16

# How you look so sweet

0:23:180:23:20

# Give me love so sweet

0:23:200:23:22

# You feel so good, yeah

0:23:220:23:25

# Oh, baby

0:23:260:23:28

# My little baby boy

0:23:280:23:30

# You're so good

0:23:300:23:32

# So good, so good

0:23:320:23:35

# All right

0:23:350:23:36

# Baby

0:23:360:23:39

# Baby

0:23:390:23:41

# Yeah. #

0:23:410:23:43

CHEERING AND APPLAUSE

0:23:430:23:46

The wonderful Beverley Knight!

0:23:500:23:52

CHEERING Beverley Knight.

0:23:520:23:55

So, now we're delighted and honoured

0:23:570:24:00

to welcome one of the great writers and the great voices of Stax.

0:24:000:24:06

Please big it up in the biggest possible Royal Albert Hall way

0:24:060:24:09

and welcome to this stage William Bell!

0:24:090:24:13

CHEERING AND APPLAUSE

0:24:130:24:16

# Have I told you lately that I love you?

0:24:300:24:35

# If I didn't, darling, I'm sorry

0:24:380:24:41

# Did I reach out and hold you

0:24:430:24:46

# In my loving arms

0:24:460:24:49

# Ohhhh

0:24:490:24:52

# When you needed me?

0:24:520:24:54

# Now I realise you need love, too

0:24:550:24:59

# I'll spend my life making up to you

0:24:590:25:02

# Ohhh, I forgot to be your lover

0:25:050:25:09

# And I'm sorry, baby

0:25:100:25:14

# Have I taken the time to share with you

0:25:160:25:20

# All the burdens that lovers bear

0:25:230:25:28

# Have I done the little simple things to show you

0:25:300:25:35

# Just how much I care?

0:25:360:25:41

# Ohhh, I've been working for you

0:25:410:25:44

# Doing all I can

0:25:440:25:45

# Working all the time didn't make me a man

0:25:450:25:50

# Ohhh, I forgot to be your lover

0:25:510:25:55

# And I'm sorry

0:25:560:25:59

# I'll make it up to you, yeah

0:25:590:26:02

# Ohhh, baby

0:26:040:26:07

# Said I'm sorry

0:26:070:26:11

# Oh, yes, I am

0:26:110:26:14

# Ohhh, I forgot to be your lover

0:26:150:26:19

# Said I'm only a man and I forgot

0:26:210:26:25

# Keep on holding on

0:26:280:26:31

# Ohhh, a little tighter

0:26:310:26:34

# Ohhh, keep on holding on

0:26:340:26:39

# A little longer

0:26:390:26:43

# Please

0:26:430:26:47

# I forgot to be your lover

0:26:480:26:52

# Course I did

0:26:520:26:54

# Whoa

0:26:540:26:57

# I forgot to be your lover

0:26:570:26:59

# Yes, I did

0:26:590:27:02

# Keep on holding on

0:27:020:27:05

# Keep on holding on

0:27:080:27:12

# I'm so sorry

0:27:120:27:15

# I'm so sorry

0:27:150:27:17

# I forgot, yeah

0:27:170:27:19

# I forgot to be your lover. #

0:27:210:27:25

CHEERING AND APPLAUSE

0:27:280:27:31

The fantastic William Bell.

0:27:330:27:36

William's going to stay on and do another one of his great songs

0:27:360:27:39

and to do that with him, we welcome back Beverley Knight.

0:27:390:27:44

CHEERING AND APPLAUSE

0:27:440:27:47

# Since I've been gone

0:28:010:28:04

# You've had your number changed

0:28:040:28:08

# But my love for you, girl

0:28:110:28:14

# Still remains the same

0:28:140:28:18

# Now I've been loving you

0:28:200:28:24

# And you've been loving me

0:28:250:28:29

# So long

0:28:300:28:33

# But, baby, what's wrong?

0:28:330:28:38

# So, baby

0:28:380:28:40

# Baby, baby, baby

0:28:400:28:44

# Please let me have your number, yeah

0:28:450:28:50

# Baby, baby, baby

0:28:510:28:54

# Please let me have your number

0:28:560:28:59

# Listen to me

0:28:590:29:01

# I'm sorry you couldn't call me

0:29:010:29:05

# When you got home

0:29:050:29:09

# But other fellas kept on calling

0:29:110:29:15

# While you were gone

0:29:150:29:19

# So I had the number changed

0:29:200:29:25

# But I, I'm not acting strange

0:29:250:29:30

# Welcome home

0:29:300:29:34

# Nothing's wrong, no

0:29:340:29:38

# So I'm saying

0:29:380:29:40

# Baby, baby, baby

0:29:400:29:44

# You can have my private number

0:29:450:29:49

# Oh, yes

0:29:490:29:51

# Baby, baby, baby

0:29:510:29:54

# You can have my private number

0:29:550:29:59

# Oh, yes

0:29:590:30:01

# So glad I got it, yeah

0:30:030:30:06

# Oooh, yeah

0:30:060:30:09

# Baby, baby, baby

0:30:110:30:14

# Oooh, I'm so glad you got my private number

0:30:150:30:19

# Oh, yes

0:30:190:30:21

# Baby, baby, baby

0:30:210:30:24

# Ohhh, I'm glad I've got your private number

0:30:240:30:29

# I know you are now

0:30:290:30:31

# Baby, baby, baby

0:30:310:30:34

# Yeah-yeah-yeah-yeah

0:30:340:30:36

# So glad you've got it

0:30:360:30:38

# So glad you've got it

0:30:380:30:40

# Uh-huh

0:30:400:30:42

# Ohhh, I'm glad

0:30:420:30:44

# So am I

0:30:440:30:45

# Said I'm so glad

0:30:450:30:47

# So am I, yes

0:30:470:30:50

# Said I'm glad I've got your private...

0:30:500:30:56

# Number. #

0:30:580:31:05

CHEERING AND APPLAUSE

0:31:050:31:08

William Bell, Beverley Knight.

0:31:100:31:14

William Bell and Beverley Knight.

0:31:160:31:19

I'm enjoying this very much.

0:31:240:31:26

Are you, band, enjoying it?

0:31:260:31:28

Are you enjoying it?

0:31:280:31:30

CHEERING Me, too. This is great.

0:31:300:31:33

So I think now for one more of the big names of Stax

0:31:330:31:37

and one of the big songs,

0:31:370:31:39

actually co-written with Steve Cropper over there.

0:31:390:31:43

CHEERING AND APPLAUSE Yes, Steve Cropper.

0:31:430:31:45

Booker T on the organ. I mean, what a band!

0:31:450:31:48

CHEERING AND APPLAUSE

0:31:480:31:51

So, now, we welcome Mr Eddie Floyd.

0:31:510:31:55

-CHEERING AND APPLAUSE

-All right!

0:31:550:31:59

Everybody!

0:31:590:32:01

Put your hands together. Come on!

0:32:010:32:04

# I don't wanna lose this good thing... #

0:32:060:32:11

Put your hands together.

0:32:110:32:12

# That I got

0:32:120:32:15

# Cos if I do

0:32:150:32:18

# I will surely

0:32:180:32:21

# Surely lose a lot

0:32:210:32:24

# Cos your love is better

0:32:240:32:28

# Than any love I know

0:32:300:32:33

# It's like thunder, lightning

0:32:330:32:38

# The way you love me is frightening

0:32:390:32:42

-# Everybody, knock

-Knock

0:32:420:32:44

# On wood

0:32:440:32:47

# You got it

0:32:490:32:51

# I'm not superstitious about ya

0:32:530:32:58

# But I can't take no chance

0:32:590:33:02

# You got me spinning, baby

0:33:020:33:07

# Baby, I'm in a trance

0:33:080:33:11

# Cos your love is better

0:33:110:33:15

# Than any love I know

0:33:170:33:20

# It's like thunder, lightning

0:33:200:33:24

# The way you love me is frightening

0:33:260:33:29

-# I better knock

-Knock

0:33:290:33:31

# On wood... #

0:33:320:33:34

Come on!

0:33:340:33:36

Everybody!

0:33:360:33:38

Put your hands together.

0:33:400:33:42

# It's no secret

0:33:490:33:52

# That woman

0:33:520:33:54

# Is my loving cup

0:33:540:33:58

# She'll see to it

0:33:580:34:02

# That I get enough

0:34:040:34:07

# Just one touch from her

0:34:070:34:11

# You know it means so much

0:34:130:34:16

# It's like thunder, lightning

0:34:160:34:20

# They way you love me is frightening

0:34:210:34:25

-# I better knock

-Knock

0:34:250:34:27

# On wood... #

0:34:270:34:29

To the bridge!

0:34:350:34:37

# It's no secret

0:34:440:34:46

# That woman

0:34:460:34:50

# Is my loving cup

0:34:500:34:52

# Cos she'll see to it

0:34:520:34:57

# That I get enough

0:34:590:35:02

# Just one touch from her

0:35:020:35:06

# You know it means so much

0:35:080:35:11

# It's like thunder, lightning

0:35:110:35:15

# The way you love me is frightening

0:35:150:35:19

-# I better knock

-Knock

0:35:190:35:22

# On wood

0:35:220:35:24

# Come on

0:35:250:35:27

# Everybody, knock, knock on wood

0:35:310:35:34

# Knock, knock, knock on wood

0:35:360:35:39

# I don't hear you

0:35:390:35:40

# Knock, knock, knock on wood

0:35:400:35:43

# I can't hear you

0:35:430:35:45

# Knock, knock, knock on wood

0:35:450:35:47

# You gotta, everybody

0:35:470:35:49

# Knock, knock

0:35:490:35:52

-# Come on now

-Knock, knock

0:35:530:35:54

# Everybody in the house

0:35:570:36:00

# You got it

0:36:010:36:03

# Knock, knock, knock, knock

0:36:030:36:05

# Hey!

0:36:050:36:06

# Knock, knock on wood

0:36:060:36:09

# We don't wanna go But we gotta go

0:36:110:36:15

# I don't wanna go, but I gotta go

0:36:150:36:18

# Come on

0:36:200:36:21

# Give me... #

0:36:220:36:25

CHEERING AND APPLAUSE

0:36:340:36:37

Whoo!

0:36:450:36:46

The legendary and fabulous Eddie Floyd!

0:36:460:36:51

-CHEERING AND APPLAUSE

-Thank you!

0:36:510:36:54

Eddie Floyd.

0:36:540:36:56

In a short time, we have, in this show,

0:36:560:36:59

we'll be having a bit more of Eddie in a while, but now we welcome

0:36:590:37:03

a British artist who has an extraordinary and wonderful voice.

0:37:030:37:07

He's going to give us a song that Otis did.

0:37:070:37:09

We'd like to welcome to this stage now Mr James Morrison.

0:37:090:37:15

CHEERING AND APPLAUSE

0:37:150:37:18

# Ohhh, she may be weary

0:37:320:37:36

# And young girls, they do get weary

0:37:370:37:40

# Wearing that same old shaggy dress, yeah-yeah

0:37:420:37:49

# But when she gets weary

0:37:510:37:55

# Try a little tenderness, yeah-yeah

0:37:560:38:02

# Oh, nah-nah-nah

0:38:050:38:07

# Ohhh

0:38:080:38:10

# You know she's waiting

0:38:100:38:14

# Just anticipating

0:38:140:38:18

# The things that she'll never

0:38:180:38:22

# Never, never, never possess, yeah-yeah-yeah

0:38:220:38:27

# But while she's there waiting

0:38:270:38:31

# Oh, try a little tenderness

0:38:330:38:38

# That's all you've got to do

0:38:400:38:41

# It's not just sentimental, no-no-no

0:38:460:38:53

# She has her grief and care, yeah-yeah-yeah

0:38:550:39:01

# But the soft words

0:39:030:39:06

# They are spoke so gentle, yeah

0:39:060:39:10

# It makes it easier

0:39:120:39:15

# Easier to bear

0:39:150:39:20

# You won't regret it, no-no

0:39:200:39:24

# Young girls, they don't forget it

0:39:250:39:27

# Love is their whole happiness

0:39:280:39:34

# But it's all so easy

0:39:380:39:42

# All you got to do

0:39:420:39:44

# Is try a little tenderness

0:39:440:39:48

# Yeah, tenderness

0:39:480:39:52

# Got to

0:39:520:39:53

# You've got to hold her, squeeze her

0:39:530:39:56

# Never leave her

0:39:560:39:59

# You got to try, try, try

0:39:590:40:01

# You've got to try a little tenderness

0:40:010:40:04

# A little tenderness

0:40:040:40:06

# You've got, you've got to make that woman know you love her

0:40:060:40:11

# You've got to hold her, squeeze her

0:40:110:40:14

# Never leave her

0:40:140:40:16

# Got to, nah-nah-nah-nah-nah

0:40:160:40:18

# You've got to try a little tenderness

0:40:180:40:21

# A little tenderness

0:40:210:40:24

# You've got to

0:40:240:40:25

# You've got to take my advice

0:40:250:40:28

# You've got to hold her, squeeze her

0:40:280:40:31

# Never leave her

0:40:310:40:33

# You've got to try-try-try-try-try-try

0:40:330:40:36

# Try a little tenderness

0:40:360:40:38

# Tenderness

0:40:380:40:41

# Come on, have mercy on the woman you love

0:40:410:40:44

# You've got to hold her and squeeze her

0:40:440:40:48

# Never leave her

0:40:480:40:50

# You've got to take my advice

0:40:500:40:52

# And try a little tenderness

0:40:520:40:56

# Tenderness

0:40:560:40:58

# That's all you really need

0:40:580:41:01

# You've got to hold her, squeeze her

0:41:010:41:05

# Never leave her

0:41:050:41:07

# Ahhhh

0:41:070:41:09

# You've got to try

0:41:090:41:10

# Yeahhhh

0:41:100:41:13

# Tenderness

0:41:130:41:17

# You've got to hold her, squeeze her

0:41:170:41:21

# Never leave her

0:41:210:41:23

# You've got to try-try-try

0:41:230:41:25

# Yeahhhhhh. #

0:41:270:41:32

CHEERING AND APPLAUSE

0:41:380:41:41

The amazing voice of James Morrison.

0:41:410:41:45

CHEERING AND APPLAUSE

0:41:450:41:49

The amazing voice of James Morrison.

0:41:500:41:53

OK, ladies and gentlemen, now we're going to enjoy -

0:41:550:41:57

I certainly am - one of the most famous instrumentals

0:41:570:42:01

of all time, written by this man here.

0:42:010:42:05

It's a piece of music that I can frequently be found dancing to

0:42:050:42:10

in private moments at home and maybe the viewers at home

0:42:100:42:13

would like to have a little private dance or you might like to, too.

0:42:130:42:16

I'm so delighted that we have playing, as he played

0:42:160:42:18

on the original, we've got Steve Cropper and we welcome,

0:42:180:42:23

with Green Onions, Booker T!

0:42:230:42:26

CHEERING AND APPLAUSE

0:42:260:42:28

CHEERING AND APPLAUSE

0:45:270:45:31

Booker T! Booker T Jones! Green Onions!

0:45:340:45:38

Steve Cropper on that guitar there.

0:45:390:45:41

And I think maybe a round of applause for a group of people

0:45:430:45:47

that are enjoying themselves a great deal this evening -

0:45:470:45:50

the Rhythm & Blues Orchestra, ladies and gentlemen!

0:45:500:45:52

CHEERING AND APPLAUSE A bit of love in there this evening.

0:45:520:45:55

And, of course,

0:45:570:45:58

the Rhythm & Blues Orchestra would not be complete

0:45:580:46:01

without one very special person indeed

0:46:010:46:04

so please welcome onto this stage,

0:46:040:46:07

the one and only Ruby Turner.

0:46:070:46:10

CHEERING AND APPLAUSE

0:46:100:46:12

# Ohhh-ohhh

0:46:200:46:22

# I know a place

0:46:250:46:27

# Ain't nobody crying

0:46:290:46:31

# Ain't nobody worried

0:46:330:46:36

# Ain't no smiling faces

0:46:380:46:40

# No, no, lying to the races

0:46:410:46:45

# Come on, come on

0:46:450:46:48

# Help me, come on

0:46:480:46:50

# Help me, y'all

0:46:520:46:54

# I'll take you there

0:46:540:46:56

# Help me now

0:46:560:46:58

# I'll take you there

0:46:580:47:00

# Help me, y'all

0:47:020:47:03

# I'll take you there

0:47:030:47:06

# Ohhh

0:47:060:47:08

# I'll take you there

0:47:080:47:10

# Oh, mercy

0:47:100:47:12

# I'll take you there

0:47:120:47:14

# Let me take you there

0:47:140:47:17

# I'll take you there

0:47:170:47:19

# Ohhh, let me take you there

0:47:190:47:22

# I'll take you there

0:47:220:47:23

# Come on, lay it on me

0:47:230:47:25

# Play your piano now

0:47:280:47:30

# All right

0:47:300:47:32

# Do it

0:47:320:47:35

# All right

0:47:350:47:36

# Do it, come on now

0:47:360:47:39

# Yeah, yeah

0:47:390:47:42

# Dah-dah-dah

0:47:460:47:47

# Ooh

0:47:470:47:50

# Ohhh

0:47:500:47:52

# Mmm-hmm

0:47:520:47:55

# All right

0:47:550:47:57

# All right now

0:47:580:48:00

# Doh-doh-doh-doh-doh

0:48:110:48:13

# Doh-doh-doh-doh-doh

0:48:130:48:16

# Oh, sock it to me

0:48:160:48:18

# I, ohhhh, I

0:48:180:48:22

# I know a place, Lord

0:48:220:48:24

# I'll take you there

0:48:240:48:26

# Ain't nobody crying, no

0:48:260:48:29

# I'll take you there

0:48:290:48:31

# Ain't nobody worried

0:48:310:48:34

# I'll take you there

0:48:340:48:35

# Ain't no smiling faces, Lord

0:48:350:48:38

# I'll take you there

0:48:380:48:40

# Say lying to the races

0:48:400:48:42

# Come on

0:48:420:48:44

# Come on

0:48:440:48:45

# I said let me take you there

0:48:450:48:49

# Come on, come on

0:48:490:48:51

# Let me take you there

0:48:510:48:54

# Oh, Lord, I'm leading the way

0:48:540:48:57

# I'll take you there

0:48:570:48:58

# Come on, come on, come on

0:48:580:49:00

# Let me, Lord

0:49:000:49:02

# I'll take you there

0:49:020:49:03

# I say come on, come on

0:49:030:49:05

# Lead the way, Lord

0:49:050:49:06

# Take you there, Lord

0:49:060:49:08

# Let me lead the way

0:49:080:49:11

# I'll take you there

0:49:110:49:12

# Oh-ohhh

0:49:120:49:14

# Let me, Lord

0:49:140:49:16

# Take you there

0:49:160:49:17

# Come on, come on

0:49:170:49:19

# Let me, I'll take you there

0:49:190:49:22

# Oh, Lord, lead the way

0:49:220:49:24

# I'll take you there

0:49:240:49:26

# Lead the way, Lord

0:49:280:49:29

# I'll take you there

0:49:290:49:31

# Come on, come on

0:49:310:49:33

# Let me take you there

0:49:330:49:38

# Come on

0:49:380:49:40

# Let me take you there

0:49:400:49:46

# Come on, let me

0:49:460:49:48

# Let me, Lord

0:49:480:49:49

# Let me take you

0:49:490:49:51

# Take you there

0:49:510:49:53

# Oh, Lord, yeah

0:49:530:49:55

# Ohhh-ohh, yeah. #

0:49:550:49:57

-Thank you.

-CHEERING AND APPLAUSE

0:49:570:50:00

Thank you, everyone.

0:50:000:50:02

The wonderful Ruby Turner.

0:50:040:50:06

CHEERING AND APPLAUSE Our very own wonderful Ruby Turner.

0:50:060:50:09

With a Staples vibe there.

0:50:110:50:13

All right, so Stax had some amazing songs

0:50:130:50:15

and this next song is maybe one of the...

0:50:150:50:17

Well, it's maybe one of the greatest songs of the 20th century

0:50:170:50:20

and the man that wrote it with Otis Redding

0:50:200:50:24

is this man here, Mr Steve Cropper.

0:50:240:50:26

CHEERING AND APPLAUSE

0:50:260:50:30

So, we'd like to have a fantastic and a unique,

0:50:300:50:33

a completely unique version of this,

0:50:330:50:36

a quiet and small, beautiful version

0:50:360:50:38

so I'd like you to welcome now to the stage

0:50:380:50:41

while the two of them perform this,

0:50:410:50:43

the wonderful Sir Tom Jones.

0:50:430:50:46

CHEERING AND APPLAUSE

0:50:460:50:48

# Sittin' in the mornin' sun

0:51:080:51:11

# I'll be sittin' when the evenin' comes

0:51:130:51:16

# Watching the ships roll in

0:51:180:51:21

# Then I watch 'em roll away again

0:51:230:51:26

# Sittin' on the dock of a bay

0:51:280:51:32

# Watching the tide roll away

0:51:320:51:36

# Sittin' on the dock of a bay

0:51:380:51:42

# Wastin' time

0:51:420:51:44

# I left my home in Georgia

0:51:470:51:51

# Headed for the 'Frisco bay

0:51:520:51:55

# I had nothing to live for

0:51:570:52:01

# Look like nothin's gonna come my way

0:52:010:52:05

# Sittin' on the dock of a bay

0:52:070:52:11

# Watching the tide roll away

0:52:110:52:14

# Sittin' on the dock of a bay

0:52:160:52:20

# Wastin' time

0:52:200:52:22

# Look like nothing's gonna change

0:52:270:52:31

# Every little thing still remains the same

0:52:320:52:36

# I can't do what ten people want me to do

0:52:370:52:40

# So I guess I'll remain the same

0:52:410:52:46

# Sittin' here resting my bones

0:52:460:52:49

# And the loneliness won't leave me alone

0:52:500:52:54

# Two thousand miles I roamed

0:52:550:52:59

# Just to make this dock my home

0:52:590:53:04

# Listen to me Sittin' on the dock of a bay

0:53:040:53:09

# Watching the tide roll away

0:53:090:53:13

# Sittin' on the dock of a bay

0:53:150:53:19

# Wastin' time

0:53:190:53:22

# Wastin' time

0:53:240:53:26

# Wastin' time

0:53:280:53:30

# I'm just wastin' time

0:53:320:53:35

# Wastin' time Yeah. #

0:53:380:53:42

CHEERING AND APPLAUSE

0:53:420:53:44

Steve Cropper. And Booker T over there.

0:53:440:53:48

Extraordinary. Sir Tom Jones.

0:53:510:53:54

Steve Cropper.

0:53:560:53:58

Also, on the organ, Booker T.

0:54:020:54:05

And Booker T Jones, he's now going to perform,

0:54:050:54:08

he played beautifully there,

0:54:080:54:10

a Duke Ellington's piece called Blues For New Orleans.

0:54:100:54:13

Now, why would be having a Duke Ellington piece here?

0:54:130:54:16

Well, it's really because this, when we were talking a while ago,

0:54:160:54:21

we discovered, I discovered, that Booker T, when he'd been

0:54:210:54:26

13 years old, there in Memphis,

0:54:260:54:27

Duke Ellington Orchestra come through town.

0:54:270:54:30

Duke Ellington needs an organ player to go on tour with him.

0:54:300:54:33

So word goes out. He's heard how brilliant this young boy is.

0:54:330:54:36

"Can you come with me on tour?" He thinks, "Great."

0:54:360:54:39

His mum says, "On tour with a jazz orchestra at 13?

0:54:390:54:42

"You're having a laugh. Course not."

0:54:420:54:45

He was never allowed to go.

0:54:450:54:47

Had he have been, this is what he would have done.

0:54:470:54:50

So at last that dream has come true. For him, and for me.

0:54:500:54:52

APPLAUSE

0:54:520:54:55

BRIEF APPLAUSE

0:57:500:57:52

MUSIC CONTINUES

0:57:520:57:54

BRIEF APPLAUSE

0:58:560:58:59

MUSIC CONTINUES

0:58:590:59:02

CHEERING AND APPLAUSE

1:00:151:00:19

Booker T.

1:00:191:00:20

Booker T Jones, Blues For New Orleans.

1:00:201:00:24

I dedicate that to Billy Preston whose birthday it would be tomorrow.

1:00:241:00:27

All right. We haven't got a lot of time left

1:00:291:00:31

so we're going to bring now,

1:00:311:00:33

we've got now two contemporary British artists

1:00:331:00:36

with their own dazzling version of a Rufus Thomas song.

1:00:361:00:40

So please welcome onto this stage Sweetie Irie and Nadia Rose.

1:00:401:00:46

CHEERING AND APPLAUSE

1:00:461:00:48

Yeah.

1:00:481:00:49

Yeah. Hey!

1:00:511:00:54

Happy birthday, Grandma! Hey, hey...

1:00:541:00:58

-THEY RAP:

-We've got the golden touch

1:00:581:00:59

Pulling, upload, and it's too much

1:00:591:01:02

HE RAPS

1:01:021:01:03

-Need a holiday

-Yeah

1:01:031:01:06

They looked and wanna see ID

1:01:061:01:07

HE RAPS

1:01:071:01:09

Yo! Bad girl ting but I do it nice

1:01:091:01:11

Throw it back like I'm throwin' dice

1:01:111:01:13

Inna ma tight up skirt, tight up skirt

1:01:131:01:16

# Walking the dog

1:01:161:01:17

Just shake that boom boom-boom boom-boom-bo

1:01:171:01:19

-When you're

-# Walking the...

1:01:191:01:21

Ooh... Inna ma tight up skirt, tight up skirt

1:01:211:01:23

# Walking the dog

1:01:231:01:25

Shake that boom boom-boom boom-boom

1:01:251:01:27

-Whoa!

-Shake that boom boom-boom boom-boom

1:01:271:01:29

Yeah. See me there?

1:01:291:01:30

See me, yeah? You looking up, at a superstar, yeah

1:01:301:01:33

Swagger team, steppy me

1:01:331:01:35

Shake my moneymaker like a tambourine

1:01:351:01:38

I know that Jools... I'm getting hotter

1:01:381:01:41

Bad girl ting but I do it nice

1:01:411:01:43

Throw it back like I'm throwing dice

1:01:431:01:45

Inna ma tight up skirt, tight up skirt

1:01:451:01:48

# Walking the dog

1:01:481:01:49

-Just shake that boom boom-boom boom-boom...

-Whoa!

-..when you're

1:01:491:01:52

# Walking the

1:01:521:01:53

Oooh! Inna ma tight up skirt, tight up skirt

1:01:531:01:56

# Walking the dog

1:01:561:01:57

-Just shake that boom boom-boom boom-boom...

-Whoa

1:01:571:01:59

Shake that boom boom-boom boom-boom

1:01:591:02:01

SAXOPHONE BREAK

1:02:011:02:03

Whoa!

1:02:161:02:18

Whoa! Whoa! Whoa! Whoa!

1:02:291:02:31

Boom! Waking later, get that paper for them laters

1:02:331:02:38

Read the newspaper

1:02:381:02:40

HE RAPS

1:02:401:02:41

Oh, ay

1:02:411:02:42

You a keeper - skin-tight jeans, brand-new sleeves

1:02:421:02:46

Bad girl ting but I do it nice

1:02:461:02:48

Throw it back like I'm throwing dice

1:02:481:02:50

Do it to you nice, do it nice, so nice, say it twice, yeah

1:02:501:02:54

I'll make you say me, oh, me Then I say my, oh my

1:02:541:02:57

Whoa! And if you couldn't see it for yourself by now

1:02:571:03:00

Then you'd better realise... Whoa

1:03:001:03:02

Bad girl ting but I do it nice

1:03:021:03:04

-Throw it back like I'm throwing dice

-# Walking the dog

1:03:041:03:06

-Inna ma tight up skirt, tight up skirt

-# Walking the dog

1:03:061:03:10

-Just shake that boom boom-boom boom-boom...

-Whoa

1:03:101:03:12

-When you're

-# Walking the...

1:03:121:03:13

-# Oooh...

-Inna ma tight up skirt, tight up skirt

1:03:131:03:17

# Walking the dog

1:03:171:03:18

-Just shake that boom boom-boom boom-boom...

-Whoa!

-..shake that

1:03:181:03:21

-# Walking the dog...

-Again!

1:03:211:03:23

Inna ma tight up skirt, tight up skirt

1:03:231:03:25

# Walking the dog

1:03:251:03:26

-Just shake that boom boom-boom boom-boom...

-Whoa!

-..when you're

1:03:261:03:29

# Walking the... Oooh

1:03:291:03:30

Inna your tight up skirt, tight up skirt

1:03:301:03:33

# Walking the dog. #

1:03:331:03:34

-Just shake that

-Boom boom-boom boom-boom

1:03:341:03:36

-Whoa!

-Shake that boom boom-boom boom-boom!

1:03:361:03:39

CHEERING AND APPLAUSE

1:03:411:03:42

-Thank you.

-Sweetie Irie!

1:03:441:03:46

Sweetie Irie. Nadia Rose!

1:03:461:03:49

On the saxophone, Mr Derek Nash!

1:03:511:03:54

And on the other saxophone, the amazing Lisa Grahame!

1:03:541:03:58

OK...

1:04:001:04:03

So I think we're getting towards the very end now. Next...

1:04:031:04:05

Not quite there, we're not quite. Next, a lovely Isaac Hayes song,

1:04:051:04:09

and we'd like to welcome back onto the stage...

1:04:091:04:12

Beverley Knight and Sam Moore!

1:04:121:04:16

CHEERING AND APPLAUSE

1:04:161:04:17

Wooo!

1:04:191:04:21

Come on!

1:04:231:04:24

-Beverley...

-Sam?

1:04:341:04:36

# Don't you ever...

1:04:361:04:38

-Mm-hm?

-# Feel sad

1:04:381:04:40

# I want you to lean on me when times get bad

1:04:411:04:45

# When that old day comes and I know you're down

1:04:451:04:49

# In a river of trouble

1:04:491:04:52

# And you're about to drown

1:04:521:04:54

-BOTH:

-# Hold on

1:04:541:04:56

# I'm comin'

1:04:561:04:58

# Hold on, I'm comin' Tell me about it

1:04:581:05:02

# I'm on my way

1:05:021:05:04

-Well...

-# Your lover

1:05:041:05:07

# If you get cold

1:05:071:05:08

-# I will be your cover

-Ohhhh...

1:05:081:05:10

# You don't got to worry cos I'm here

1:05:101:05:14

# You don't got to suffer, Sam

1:05:141:05:16

-What, me?

-# Cos I'm here

1:05:161:05:19

-BOTH:

-# Hold on

1:05:191:05:21

# I'm comin'

1:05:211:05:23

# Hold on

1:05:231:05:26

# I'm comin'

1:05:261:05:27

# Hold on, I'm comin'

1:05:271:05:31

-# Hold on...

-Hold on...

-I'm comin'

1:05:311:05:34

# I'm comin'

1:05:341:05:35

All right!

1:05:351:05:37

-# Reach out to me

-Yeah?

1:05:371:05:40

# For satisfaction, yes

1:05:401:05:44

Come on!

1:05:441:05:45

# Call my name

1:05:451:05:46

I'll call your name

1:05:461:05:48

# For a quick reaction

1:05:481:05:50

# Yeah! Yeah! Yeah!

1:05:501:05:53

# Haaaaaa...haaa-haa-haaah

1:05:531:05:57

# Oh, Lord

1:05:571:05:59

# All right

1:05:591:06:01

# Hey-ey-ey

1:06:011:06:03

Y'all like that?

1:06:031:06:04

-One more thing...

-OK!

1:06:061:06:08

# Don't you ever

1:06:091:06:11

-# I will never

-I don't want you to feel sad

1:06:111:06:13

# I just want you to lean on me

1:06:131:06:15

# When times get bad

1:06:151:06:17

# When that day comes

1:06:171:06:19

-# When it comes

-And I know you're down

1:06:191:06:21

# In a river of trouble

1:06:211:06:23

-# A lotta trouble

-You about to drown...

-All right!

1:06:231:06:26

-BOTH:

-# Hold on

1:06:261:06:27

-# I'm comin'

-Hold on!

1:06:271:06:29

-# Hold on

-I'm comin'

1:06:291:06:32

-# I'm comin'

-I want you to take my hand

1:06:321:06:34

# Hold on

1:06:341:06:36

-# I'm comin'

-# Please...

1:06:361:06:38

# Hold on

1:06:381:06:39

-# Please...

-I'm comin'...

-Hold on!

-Oh, yeah

1:06:391:06:43

-# Hold on...

-I'm comin'

-I'm gonna getcha...

-I'm comin'

1:06:431:06:45

# I'm comin' to getcha

1:06:451:06:47

# Hold on

1:06:471:06:49

-# I'm comin'...

-Come on!

-Come on!

1:06:491:06:51

-# Come on!

-And hold on...

1:06:511:06:54

# Hold on

1:06:541:06:57

# Ohhh!

1:06:571:06:58

-# All right!

-Hold on

1:06:581:07:00

-# I'm holdin'

-You got enough?

1:07:001:07:02

-# I had enough

-Come on

1:07:021:07:04

Thanks, everybody.

1:07:041:07:05

Thank you!

1:07:051:07:07

-# Hold on!

-Hold on!

1:07:071:07:09

-# Hold on!

-Hold on!

1:07:091:07:11

-# Hold on!

-Sam, I gotcha baby

1:07:111:07:14

-# Yes, I do

-Hold on

1:07:141:07:16

# Hold on!

1:07:161:07:17

-# Hold on

-Hold on!

1:07:171:07:19

-# Hold on!

-Hold on

1:07:191:07:21

-# Hold on

-Hold on

1:07:211:07:23

-# Hold on

-Hold on

1:07:231:07:25

-# Hold on

-Ho-o-o-o-old!

1:07:251:07:27

-# Hold on

-Oh, yeah!

1:07:271:07:29

-# Hold on...

-Yeah! #

1:07:291:07:31

WHOOPING AND WHISTLING

1:07:331:07:36

FINAL FLOURISH FROM BAND

1:07:381:07:39

CHEERING AND APPLAUSE

1:07:401:07:42

Sam Moore, Beverley Knight!

1:07:451:07:47

This is our last piece now, a beautiful duet.

1:07:481:07:51

Are you ready for another beautiful duet?

1:07:511:07:53

CHEERING

1:07:531:07:55

It's our last song, so I think if you want to have

1:07:551:07:58

a bit of a dance around, please do. Isn't it wonderful here tonight?

1:07:581:08:01

I've seen some shows here, but I just love this one.

1:08:011:08:04

So, let's please welcome back now, Eddie Floyd and James Morrison!

1:08:041:08:08

-CHEERING

-Thank you!

1:08:081:08:10

Everybody!

1:08:141:08:17

Come on!

1:08:191:08:20

# If you need a little lovin'

1:08:221:08:26

# Call on me

1:08:261:08:28

# If you want some kissin'

1:08:311:08:35

-# Call me

-Call me

1:08:351:08:37

# I'll be right here at home

1:08:391:08:42

# All you gotta do is pick up the telephone

1:08:431:08:47

# 634-5789

1:08:471:08:51

-# That's my number

-634-5789

1:08:511:08:55

# And if you want

1:08:551:08:57

-# A little huggin'

-Yeah

1:08:571:08:59

-# Call me

-Call me

1:08:591:09:01

# If you need

1:09:031:09:05

# Some of my kissin'

1:09:051:09:07

-# Call me

-Yeah

1:09:071:09:10

# No more lonely nights will you be alone

1:09:101:09:16

# All you gotta do is pick up the telephone

1:09:161:09:19

# 634-5789

1:09:191:09:23

# That's my number

1:09:231:09:24

# 634-5789

1:09:241:09:27

-# Oh, I'll be right there

-Yeah!

1:09:281:09:32

-# Just as soon as I can

-That's right!

1:09:321:09:35

# Oh, I might be a little bit late

1:09:371:09:39

# I hope that you understand

1:09:391:09:44

-Everybody!

-# Oh, yeah!

1:09:441:09:46

# All right

1:09:481:09:49

Come on...

1:09:531:09:55

Yeah!

1:09:561:09:58

-Everybody!

-# 634-5789

1:10:081:10:12

-# That's my number

-634-5789

1:10:121:10:16

-Yay!

-# 634-5789

1:10:161:10:20

-# That's my number

-634-5789

1:10:201:10:23

# If you need a little lovin'

1:10:231:10:27

-# Call on...

-On me

1:10:271:10:31

# If you want

1:10:311:10:34

# Some kissin'

1:10:341:10:36

# Call me

1:10:361:10:38

# No more lonely nights will you be alone

1:10:401:10:43

# Yeah

1:10:431:10:44

# All you gotta do is pick up the telephone

1:10:441:10:48

# 634-5789

1:10:481:10:51

-# That's my number

-634-5789

1:10:511:10:56

# That's my number

1:10:561:10:57

-# 634-5789

-That's my number...

1:10:571:11:01

# 634-5789! #

1:11:011:11:05

CHEERING

1:11:051:11:08

Eddie Floyd, the wonderful Eddie Floyd. The amazing James Morrison!

1:11:081:11:11

Thank you!

1:11:111:11:13

CHEERING CONTINUES

1:11:131:11:14

Thank you to all of our guests.

1:11:171:11:19

Thank you to the Rhythm & Blues Orchestra!

1:11:201:11:23

WHOOPING AND WHISTLING

1:11:231:11:25

Beautiful singers...

1:11:251:11:27

Dave, Gilson, Mark, everyone.

1:11:271:11:30

Shall we have one more song?

1:11:301:11:31

-AUDIENCE:

-Yeah!

1:11:311:11:33

-Shall we have one more song?

-Yeah!

1:11:331:11:35

Have you had a frenzy with us this evening?

1:11:351:11:38

Yes!

1:11:381:11:39

I have. Gilson...

1:11:391:11:42

Maybe give us a bit of rhythm.

1:11:471:11:49

All right.

1:11:521:11:54

Have you thought, these singers are amazing that we've had tonight,

1:11:551:11:59

that this music is amazing that we've had some might?

1:11:591:12:01

Isn't it fantastic?

1:12:011:12:03

WHOOPING Aw, give me a...

1:12:031:12:06

# Yeah, yeah, yeah, yeah

1:12:061:12:08

# Yeah, yeah, yeah, yeah

1:12:081:12:11

# Yeah, yeah, yeah, yeah

1:12:111:12:14

# Yeah, yeah, yeah, yeah

1:12:141:12:16

# Oh, yeah

1:12:161:12:18

# Oh, yeah

1:12:181:12:20

Are you ready, then?

1:12:201:12:21

Hey, let's thank Booker T Jones on the organ!

1:12:211:12:24

CHEERING

1:12:241:12:26

Steve Cropper on the guitar!

1:12:301:12:32

CHEERING

1:12:321:12:33

And now let's welcome back

1:12:371:12:39

onto this stage...Sir Tom Jones!

1:12:391:12:41

CHEERING AND WHISTLING

1:12:411:12:43

Yeah, Sir Tom Jones!

1:12:471:12:49

Eddie Floyd!

1:12:491:12:51

Sam Moore!

1:12:511:12:53

Beverley Knight!

1:12:561:12:58

Tom, Eddie, Sam, Beverley.

1:13:041:13:07

Ruby Turner!

1:13:071:13:09

CHEERING AND WHOOPING

1:13:091:13:11

James Morrison!

1:13:141:13:16

William Bell!

1:13:161:13:20

Sweetie Irie and Nadia Rose!

1:13:201:13:22

Here they are, we love 'em.

1:13:241:13:26

All right. You feeling good?

1:13:261:13:29

Are you ready?

1:13:291:13:31

One, two - one, two, three and...

1:13:321:13:35

THEY PLAY THE INTRO TO SWEET SOUL MUSIC

1:13:351:13:38

# Do you like good music?

1:13:411:13:43

# Yeah, yeah

1:13:431:13:45

# That sweet soul music

1:13:451:13:46

# Yeah, yeah

1:13:461:13:47

-# Just as long as it swings now

-Yeah, yeah

1:13:471:13:50

-# Oh, yeah, ohhh yeah

-Yeah, yeah

1:13:501:13:53

-# Out on the dance floor

-Yeah, yeah

1:13:531:13:56

# Going to the go-go

1:13:561:13:58

# Yeah, yeah

1:13:581:13:59

-# Dancing to the go-go

-Yeah, yeah

1:13:591:14:02

# Oh, yeah! Oh, yeah

1:14:021:14:05

# Spotlight on Lou Rawls

1:14:051:14:07

# Yeah, yeah

1:14:071:14:08

# He's the boss of 'em all

1:14:081:14:10

# Yeah, yeah

1:14:101:14:11

# Singin' "Love's a hurtin' thing"

1:14:111:14:12

# Yeah, yeah

1:14:121:14:14

# Yeah! Yeah, yeah

1:14:141:14:16

-# Spotlight on Sam and Dave, y'all

-Yeah, yeah

1:14:161:14:19

# Oh, don't they look good now

1:14:191:14:21

# Yeah, yeah

1:14:211:14:23

# Singin' "Hold on, I'm comin", y'all

1:14:231:14:24

# Yeah, yeah

1:14:241:14:25

-# Oh, yeah! Ohhh, yeah

-Yeah, yeah

1:14:251:14:29

-# Spotlight on Wilson Pickett now

-Yeah, yeah

1:14:291:14:31

-# That wicked little Pickett now

-Yeah, yeah

1:14:311:14:34

# Singin' "Mustang Sally" now

1:14:341:14:36

# Yeah, yeah

1:14:361:14:37

# Oh, yeah! Oh, yeah

1:14:371:14:40

-# Spotlight on Otis Redding now

-Yeah, yeah

1:14:401:14:43

-# Singing "fa-fa-fa-fa fa fa fa"

-Yeah, yeah

1:14:431:14:46

# Singing "fa-fa-fa-fa fa fa fa"

1:14:461:14:48

-# Yeah, yeah

-# Oh, yeah! Oh, yeah

1:14:481:14:51

Give it over to you.

1:14:511:14:52

# Spotlight on James Brown, y'all

1:15:011:15:04

-# He's the king of them all, y'all

-Of 'em all, yeah

1:15:041:15:07

-# He's the king of them all, y'all

-Yeah, yeah

1:15:071:15:10

# Oh, yeah! Oh, yeah

1:15:101:15:12

-# Do you like good music?

-Yeah, yeah

1:15:121:15:15

# Sweet soul music

1:15:151:15:17

# Yeah, yeah

1:15:171:15:19

-# Just long as it's swinging, yeah

-Yeah, yeah

1:15:191:15:22

-# Oh, yeah, ohhhh, yeah

-Yeah, yeah, yeah, yeah

1:15:221:15:25

# Oh, yeah, yeah, yeah Yeah, yeah

1:15:251:15:28

-# Yeah!

-Yeah, yeah

1:15:281:15:30

# Do you like soul music?

1:15:301:15:32

# Yeah, yeah

1:15:321:15:34

# Give me a little movement

1:15:341:15:35

# Yeah, yeah

1:15:351:15:37

# We saw Irie at the Prom night

1:15:371:15:39

# Yeah, yeah

1:15:391:15:40

# Oh - I hope you feel nice

1:15:401:15:42

# Yeah, yeah I said do you like good music?

1:15:421:15:45

# Yeah, yeah

1:15:451:15:46

# Give me a lickle movement

1:15:461:15:48

# Yeah, yeah

1:15:481:15:49

# We saw Irie at the Prom night

1:15:491:15:51

# Whoa, yeah

1:15:511:15:52

-# I hope you feel nice

-# Yeah, yeah

1:15:521:15:55

-All right.

-# Yeah, yeah

1:15:561:15:57

-# Got to get the feeling now

-Yeah, yeah

1:15:571:16:01

-# Got to get the feeling now

-Got to get the feeling now

1:16:011:16:03

# Got to get the feeling now

1:16:031:16:05

# Yeah! And you got to get the feeling

1:16:051:16:08

-# Yeah, yeah

-Everybody get the feeling

1:16:081:16:11

-# Yeah, yeah

-And we all get the feeling

1:16:111:16:14

# Yeah, yeah

1:16:141:16:15

-# Jools Holland's got the feeling

-Sir Tom Jones!

1:16:151:16:18

-# And the band's got the feeling

-Yeah, yeah

1:16:181:16:20

-# Everybody's got the feeling

-Yeah, yeah

1:16:201:16:24

-# This soul has got the feeling

-Yeah, yeah

1:16:241:16:27

-# Down deep in your bones now

-Yeah, yeah!

1:16:271:16:30

-# Oh, soul got the feeling

-Yeah, yeah

1:16:301:16:33

-# And you know you got the feeling

-Yeah, yeah

1:16:331:16:35

-# If you haven't got the feeling...

-Yeah, yeah

1:16:351:16:38

# ..Come on, get the feeling!

1:16:381:16:40

-# Yeah, yeah

-Yeah!

1:16:401:16:43

# Yeah, yeah...

1:16:431:16:45

All right!

1:16:471:16:48

Uh-huh!

1:16:501:16:51

Well!

1:16:541:16:55

# Do you like...

1:16:561:16:59

# ..good music? Yeah, yeah. #

1:16:591:17:02

CHEERING AND WHOOPING

1:17:131:17:15

The amazing array!

1:17:161:17:19

Thank you for being a beautiful crowd, we love you.

1:17:191:17:22

Goodnight. Thank you!

1:17:221:17:24

Founded in 1957, Memphis-based Stax Records was synonymous with southern soul - a distinctive blend of funk, gospel and R&B that brought listeners across America together at a time of racial conflict and political unrest. In this Late Night Prom, Jools Holland and his Rhythm & Blues Orchestra pay tribute to the pioneering label and celebrate the 50th anniversary of the Stax/Volt Revue's first tour of the UK, in a concert featuring some of the label's greatest surviving artists. Stax legends Booker T Jones and Sam Moore appear alongside Sir Tom Jones, a longtime fan and interpreter of the Stax songbook.

Both Jones and Moore were part of the 1967 tour and join fellow Stax artists William Bell, Steve Cropper and Eddie Floyd in this unique coming-together. They are joined by more fans of the Stax sound in Beverley Knight, James Morrison, Nadia Rose & Sweetie Irie and Ruby Turner.

Classic songs performed include the likes of Green Onions, Knock on Wood, Soul Man, Try a Little Tenderness and many more!


Download Subtitles

SRT

ASS