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Welcome to Cadogan Hall in London, | 0:00:13 | 0:00:15 | |
home of chamber music at the BBC Proms. | 0:00:15 | 0:00:18 | |
Today, the young Norwegian violinist Vilde Frang | 0:00:18 | 0:00:21 | |
and German pianist Michail Lifits. | 0:00:21 | 0:00:23 | |
They are going to play Ravel later | 0:00:23 | 0:00:25 | |
and music by the Mexican composer Manuel Ponce, | 0:00:25 | 0:00:28 | |
but it's Mozart to begin. | 0:00:28 | 0:00:30 | |
His Violin Sonata in G. | 0:00:33 | 0:00:36 | |
He composed it in 1781, during his last few months | 0:00:36 | 0:00:39 | |
working for his hated employer, the Archbishop of Salzburg. | 0:00:39 | 0:00:43 | |
It was written for the celebrations | 0:00:43 | 0:00:45 | |
around the accession of the new Austrian Emperor, Joseph II. | 0:00:45 | 0:00:49 | |
Mozart himself played the piano part of the premiere. | 0:00:49 | 0:00:51 | |
He was under such pressure to complete the work | 0:00:51 | 0:00:54 | |
he had no time to write down the music | 0:00:54 | 0:00:56 | |
and had to play from memory. | 0:00:56 | 0:00:57 | |
APPLAUSE | 0:17:11 | 0:17:12 | |
Mozart's Violin Sonata K.379, | 0:17:16 | 0:17:19 | |
played here at the BBC Proms by Vilde Frang and Michail Lifits. | 0:17:19 | 0:17:23 | |
They are going to take us to Paris next, in the 1920s, | 0:17:23 | 0:17:27 | |
for music by Ravel. | 0:17:27 | 0:17:28 | |
His sonata, in which he said | 0:17:33 | 0:17:34 | |
he wanted to prove the essential incompatibility of violin and piano. | 0:17:34 | 0:17:39 | |
"I am setting out to contrast the two instruments", he said, | 0:17:39 | 0:17:42 | |
"not have them cooperate." | 0:17:42 | 0:17:44 | |
The piece is much inspired by American jazz. | 0:17:46 | 0:17:49 | |
This is the Second Movement, Blues. | 0:17:49 | 0:17:51 | |
APPLAUSE | 0:23:37 | 0:23:40 | |
The Second Movement of Ravel's Second Violin Sonata. | 0:23:45 | 0:23:48 | |
Vilde Frang and Michail Lifits finished the Cadogan Hall Prom | 0:23:48 | 0:23:52 | |
with an ever-perfect encore, | 0:23:52 | 0:23:54 | |
Estrellita, Little Star, | 0:23:54 | 0:23:56 | |
written a century ago by the Mexican composer Manuel Ponce. | 0:23:56 | 0:24:00 | |
APPLAUSE | 0:27:06 | 0:27:09 |