Highlights ‹ 2017 ‹ BBC Radio 1's Big Weekend

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We performed that include pyrotechnics and repetitive flashing	:00:00.	:00:00.
images. BBC Radio 1's Big Weekend.	:00:00.	:00:18.
Hull. Hello and welcome to Radio 1's Big Weekend, in Hull. I am Scot	:00:19.	:00:22.
mill, this is Clara and we are coming to you live on BBC Four and	:00:23.	:00:27.
BBC Radio one for the next two hours with everything from the festival	:00:28.	:00:30.
including the headline set from Kings of Leon. Now this weekend, as	:00:31.	:00:36.
we have gathered to enjoy great music making the overwhelming	:00:37.	:00:38.
response for everything this week has been the tragic event in	:00:39.	:00:42.
Manchester, obviously in all of our thoughts. And presenting on Radio 1	:00:43.	:00:48.
for the last few days has just, you know kind of made us realise we	:00:49.	:00:52.
won't stop living our lives. Definitely. This will not stop us	:00:53.	:00:58.
going to concerts and enjoy ourself I think the outpouring from	:00:59.	:01:01.
listeners an people watching TV programmes we make has been, we are	:01:02.	:01:05.
not going to stop ant it continues this weekend. We have had a minute's	:01:06.	:01:12.
silence yesterday and today, it has been so respectful and but after a	:01:13.	:01:16.
celebration, because that, music brings us together and that is what,	:01:17.	:01:21.
this weekend has been about. Soer for the next two hours this is what	:01:22.	:01:23.
we have coming up. # I'm only human	:01:24.	:01:47.
# I'm human # I'm only human, human	:01:48.	:01:56.
# Maybe isle foolish, maybe I'm blind,	:01:57.	:02:02.
# See what's behind # But I'm only human after all,	:02:03.	:02:03.
I'm only human after all # Take a look in the mirror	:02:04.	:02:06.
and what do you see # Do you see it clearer	:02:07.	:02:18.
or are you deceived # Cos I'm only human after all,	:02:19.	:02:22.
you're only human after all # Some people got	:02:23.	:02:35.
the real problems # Some people think	:02:36.	:02:43.
I can solve them # I'm only human after all,	:02:44.	:02:53.
I'm only human after all # Don't ask my opinion,	:02:54.	:02:59.
don't ask me to lie # For making you cry,	:03:00.	:03:11.
making you cry # Cos I'm only human after all,	:03:12.	:03:18.
I'm only human after all # Don't put your blame on me,	:03:19.	:03:25.
don't put the blame on me # Some people	:03:26.	:03:32.
got the real problems # Some people	:03:33.	:03:36.
think I can solve them # I'm only human after all,	:03:37.	:03:43.
I'm only human after all. # That's all it takes	:03:44.	:03:51.
to put the blame on me # Should go looking	:03:52.	:04:06.
somewhere higher # I'm only human after all,	:04:07.	:04:23.
I'm only human after all # Don't put the blame on me,	:04:24.	:04:33.
don't put the blame on me # I'm only human	:04:34.	:04:39.
I do what I can Thank you so much. Singing with	:04:40.	:04:55.
everything he can. Rag 'n' Bone Man, that was Human, hello. It is Scott	:04:56.	:05:00.
Mills and Clara an foe, bringing you high lights of the festival and we	:05:01.	:05:05.
will wrap it up, it will by a amazing, Kings of Leon coming up. We	:05:06.	:05:08.
are going to their private compound. Yes the compound. I don't know how,	:05:09.	:05:12.
because the passes we have got, not round my neck at the moment, I don't	:05:13.	:05:17.
know where it is, they don't allow us into the dressing room. We will	:05:18.	:05:22.
try and blag our way in. I am wondering what a Kings of Leon	:05:23.	:05:26.
compound will be like Kings of Leon have their whole own section to	:05:27.	:05:30.
Radio 1's big weekend, they are headliners, we want to treat them	:05:31.	:05:33.
nicely. We have been trying to guess what they have in it. We will find	:05:34.	:05:36.
out later. Make sure you stay listening. Gemma Lee the headliner	:05:37.	:05:46.
guilts her own section. Kings of Leon, their own poo vat space. So we	:05:47.	:05:50.
are going to that in a minute, first offal all, we are going to see and	:05:51.	:05:55.
hear something from Stormzy. Amazing on the main stage earlier. I would	:05:56.	:05:59.
say like totally flawless. One of the biggest crowd pullers of the	:06:00.	:06:06.
day. So let us play Big for your Boots.	:06:07.	:06:18.
# Energy crew # Energy crew.	:06:19.	:06:21.
# You're getting way too big for your boots	:06:22.	:06:25.
# I've got the big size twelves on my feet	:06:26.	:06:29.
# Dem boy dere tried twist up the truth	:06:30.	:06:37.
# How dare you twist up the truth, look	:06:38.	:06:39.
# You're getting way too big for your boots	:06:40.	:06:41.
# I've got the big size twelves on my feet	:06:42.	:06:45.
# Dem boy dere tried twist up the truth	:06:46.	:06:53.
# Wanna come round here like a badboy?	:06:54.	:06:57.
# Bun all the talking, go on then, do it	:06:58.	:07:00.
# Running through the party, bottle of Bacardi	:07:01.	:07:02.
# Bro's in my ear saying "Stormz, don't do it"	:07:03.	:07:05.
# Devil on my shoulder, I don't lack	:07:06.	:07:06.
# Hit 'em with a crowbar, I don't scrap	:07:07.	:07:09.
# Even when I'm sober, I'm so gassed	:07:10.	:07:10.
# Say you ride but there's no car and no mash (what	:07:11.	:07:13.
# Never had a MAC-10 or a trey pound	:07:14.	:07:18.
# You were never bad then, you ain't bad now	:07:19.	:07:20.
# Never had the MAC then, little not-a, back down	:07:21.	:07:22.
# Wait, I saw bare kicks, saw bare clothes	:07:23.	:07:25.
# I don't like them, they're not my ting	:07:26.	:07:28.
# They went silent, they're all weirdos	:07:29.	:07:30.
# Mandem are calm, but you see my don there?	:07:31.	:07:36.
# Don't care who you know from my block	:07:37.	:07:40.
# You're not Al Capone, you'll get boxed	:07:41.	:07:42.
# I'll still do the road in my socks	:07:43.	:07:46.
# You're by yourself, go and group up	:07:47.	:07:57.
# And when Krept went States for the BETs	:07:58.	:07:59.
# I was covering Krept like a bootcut	:08:00.	:08:01.
# Ith mad, that's a family ting, straight family ting	:08:02.	:08:04.
# Telling me to come round hers on a Valerie ting	:08:05.	:08:10.
# Dem boy dere wanna chat about bars	:08:11.	:08:15.
# Wanna chat about crud but, but, but	:08:16.	:08:17.
# You're getting way too big for your boots	:08:18.	:08:19.
# I've got the big size twelves on my feet	:08:20.	:08:23.
# Dem boy dere tried twist up the truth	:08:24.	:08:31.
# How dare you twist up the truth, look	:08:32.	:08:33.
# You're getting way too big for your boots	:08:34.	:08:35.
# I've got the big size twelves on my feet	:08:36.	:08:39.
# I'm the man of the house and my shows sold out	:08:40.	:08:47.
# Like the brudda from the Boondocks	:08:48.	:08:48.
# Still steal meat from the stew pot	:08:49.	:08:51.
# Little man, that's a Hublot, not a Hublot	:08:52.	:08:56.
# I go mad, yeah, I'm down to die for this	:08:57.	:08:59.
# I don't care, bro, I'm down to pipe your chick	:09:00.	:09:02.
# I came here to relax but if it gets mad	:09:03.	:09:05.
# Try tell me I'm way too big to rebel?	:09:06.	:09:09.
# Nah, man, you're never too big to rebel	:09:10.	:09:11.
# I was in the O2 singing my lungs out	:09:12.	:09:13.
# Rudeboy, you're never too big for Adele	:09:14.	:09:15.
# Leave my yard, blow a kiss to my girl	:09:16.	:09:18.
# Gotta keep trophies down at my mum's bit	:09:19.	:09:22.
# Man, I'm getting way too big for my shelf	:09:23.	:09:24.
# Man, I see bare MCs wanna sideline	:09:25.	:09:26.
# You're getting way too old for the timeline	:09:27.	:09:28.
# You're getting way too old for a diss	:09:29.	:09:30.
# Get out the booth, go home to your son	:09:31.	:09:34.
# You're getting way too big for your boots	:09:35.	:09:38.
# I've got the big size twelves on my feet	:09:39.	:09:42.
# Dem boy dere tried twist up the truth	:09:43.	:09:50.
# You're getting way too big for your boots	:09:51.	:09:52.
# I've got the big size twelves on my feet	:09:53.	:09:56.
# Dem boy dere tried twist up the truth	:09:57.	:10:04.
Radio 1 make some noise. Hey. Radio 1. Have you still got energy though?	:10:05.	:10:08.
CHEERING AND APPLAUSE # How's it gonna feel	:10:09.	:10:28.
when there's no-one to support ya? # How's it gonna feel	:10:29.	:10:48.
when you're standing there alone? # This is the point we have	:10:49.	:10:53.
the choice to be happy together # You can achieve anything	:10:54.	:11:24.
# Just remember, no "I" in team # When you gonna rise, seek a man	:11:25.	:11:34.
you can dispose of? # When you gonna try to	:11:35.	:12:00.
boil my last bone? # This is the point we have	:12:01.	:12:08.
the choice to survive the winter Biffy Clyro. It is Scot and Clara	:12:09.	:14:09.
and we are with:in their backstage come ?. You were listening to us	:14:10.	:14:13.
yesterday, and we were like is it going to be glamorous, and here we	:14:14.	:14:18.
have? Here we are. That is what you expected? You have your own for a	:14:19.	:14:23.
cabin each Yes, we do have that. They try to keep us apart as much as	:14:24.	:14:27.
possible perfect we hit the stage. What makes this different from the	:14:28.	:14:32.
average kind of rock star dressing room? I don't know, I haven't been	:14:33.	:14:39.
in many rock star dressing rooms. Probably nicer towels, toiletries.	:14:40.	:14:45.
It smells good. I expected to be more greasy We kept people out.	:14:46.	:14:51.
Sunday and a for a potty is not the place you want to be. This is nice I	:14:52.	:14:56.
could take a nap in there. Not as glamorous as I thought it would be.	:14:57.	:15:01.
We are not as flashy as people think we are. Not here at least. Our	:15:02.	:15:05.
houses are beautiful. We are upset they would not let a	:15:06.	:15:15.
sandy helicopter back year. They said it was not big enough. Maybe	:15:16.	:15:21.
next year. Maybe. Is it quite cool to be in this kind of, let's call it	:15:22.	:15:26.
basic, Humble setup? Does it take you back to the days when you guys	:15:27.	:15:31.
first started, when you did not have your own compound? Yes, it feels	:15:32.	:15:37.
that way, but it is also a lonely life, being a headliner. You do not	:15:38.	:15:40.
get to mingle with the other bands, like we used to. That was the fun of	:15:41.	:15:48.
playing festivals. We feel like we have an infectious disease. They are	:15:49.	:15:57.
keeping us away from everybody else. Obviously Radio 1's Big Weekend is	:15:58.	:16:01.
something we do every year and have done for years, free festival for	:16:02.	:16:04.
the Company Mac listeners. You have played it before but this is the	:16:05.	:16:08.
first time headlining. It will be special to bring down the curtain	:16:09.	:16:11.
tonight? Last time we played it was a few years back. I felt like we	:16:12.	:16:17.
played pretty early. Maybe it was not that early. We had the	:16:18.	:16:22.
opportunity to bring Chris Martin onstage for a song. It will be a let	:16:23.	:16:27.
down tonight. We have no special guest. Is this a double bluff when	:16:28.	:16:32.
you actually have? It will be all of Coldplay. When it comes to	:16:33.	:16:36.
headlining massive festivals, how do you go about picking the songs?	:16:37.	:16:41.
Waltz came out last year. That is another body of work to the	:16:42.	:16:46.
catalogue. How do you go about it? It usually depends on how long of	:16:47.	:16:50.
the said we have. Today's said is half of what we would normally play	:16:51.	:16:55.
at her own show. We try to stick as many hits in there as we can. With a	:16:56.	:16:59.
crowd like this, they have been dancing and pumping all weekend, you	:17:00.	:17:03.
can of want to keep it in that same vein. We have a couple of slow ones	:17:04.	:17:08.
in there for the lovers. For the lovers? Now Selena Gomes covers this	:17:09.	:17:16.
time around? No, I do not think so. They did that for us in the live	:17:17.	:17:21.
Lounge. Chris Martin might come out and do a Selena Gomes song. Kings Of	:17:22.	:17:28.
Leon, thank you so much, and enjoy the headlining set at Big Weekend in	:17:29.	:17:33.
Hull. You can watch that on BBC Four at nine o'clock this evening. Nine	:17:34.	:17:36.
o'clock for Kings Of Leon on BBC Four. And you can still hear it on	:17:37.	:17:42.
Radio 1. Do you know who was good over the weekend, HAIM. We are going	:17:43.	:17:46.
to play a song for you now. # We were on one endless road	:17:47.	:18:41.
But I had a wandering heart # But just know that	:18:42.	:18:49.
I want you back. # Just know that I want you I'll	:18:50.	:19:31.
take the fall and the fault in us # I'll give you all the love I never	:19:32.	:19:39.
gave before I left you # Just know that I want you back	:19:40.	:19:43.
Just know that I want you back # Just know that I want you I'll	:19:44.	:19:46.
take the fall and the fault in us # I'll give you all the love I never	:19:47.	:19:50.
gave before I left you # And it may never be enough	:19:51.	:19:54.
But don't take it out on me now # And I had a fear of forgiveness	:19:55.	:20:00.
Said it from the beginning # I was too proud to say I was wrong	:20:01.	:20:14.
Said you'd always see me through # All that time is gone,	:20:15.	:20:18.
no more fearing control # So just know that I want you back	:20:19.	:20:20.
Just know that I want you back # Just know that I want you I'll	:20:21.	:20:29.
take the fall and the fault in us # I'll give you all the love I never	:20:30.	:20:33.
gave before I left you # Just know that I want you back	:20:34.	:20:43.
# Just know that I want you I'll take the fall and the fault in us	:20:44.	:20:47.
# I'll give you all the love I never gave before I left you	:20:48.	:20:50.
# Just know that I want you back, baby	:20:51.	:20:52.
# Just know that I want you back Just know that I want you	:20:53.	:21:00.
# I'll take the fall and the fault in us	:21:01.	:21:02.
# I'll give you all the love I never gave before I left you	:21:03.	:21:09.
# Just know that I want you back Just know that I want you back	:21:10.	:21:17.
# Just know that I want you I'll take the fall and the fault in us	:21:18.	:21:21.
# I'll give you all the love I never gave before I left you	:21:22.	:21:24.
# Just know that I want you back Just know that I want you	:21:25.	:21:31.
# I'll take the fall and the fault in us	:21:32.	:21:34.
# I'll give you all the love I never gave before I left you	:21:35.	:21:38.
# Just know that I want you back Just know that I want you	:21:39.	:21:45.
# Just know that I want you I'll take the fall and the fault in us	:21:46.	:21:49.
# I'll give you all the love I never gave before I left you	:21:50.	:21:53.
# Just know that I want you back, baby	:21:54.	:21:55.
# Just know that I want you back, baby	:21:56.	:21:59.
# I'll take the fall and the fault in us	:22:00.	:22:01.
# I'll give you all the love I never gave before I left you.	:22:02.	:22:09.
That was HAIM. It was from the red begin stage yesterday. We are at	:22:10.	:22:19.
Radio 1's Big Weekend. I am Scott Mills. Kerr has gone off to get	:22:20.	:22:22.
ready to bring Kings Of Leon onto stage. I am joined by Alice Levein.	:22:23.	:22:31.
Hello. If you're watching is now on BBC Four, radio one do a Big Weekend	:22:32.	:22:34.
which is the first festival of the summer. Last year we were in Exeter,	:22:35.	:22:38.
we are travelling festival. This year we are in Hull in the beautiful	:22:39.	:22:42.
surroundings of Burton Constable Hall. We have a ferris wheel, the	:22:43.	:22:51.
weighted begin stage, like a red top tent. Behind us is Clean Bandit,	:22:52.	:22:54.
playing their biggest hit, rather become on the Main Stage. They had	:22:55.	:22:58.
Louisa Johnson with them. She brought them out. A highlight was	:22:59.	:23:04.
HAIM. Another incredible moment was at earlier today. Christine And The	:23:05.	:23:09.
Queens. There are French band that we play a lot on Radio 1. Not just	:23:10.	:23:12.
their vocal talents, but they have all the moves. It is about the	:23:13.	:23:18.
choreography. Michael Jackson moves. Like Madonna. It felt like this	:23:19.	:23:23.
incredible festival event. They put on a stage show. What I like about	:23:24.	:23:28.
Big Weekend, there is something for everyone. Stormzy was really strong	:23:29.	:23:34.
on the Main Stage. Little Mix, polished pop performance. Katy Perry	:23:35.	:23:37.
with fireworks going off all over the stage. Something for everyone.	:23:38.	:23:42.
Royal Blood on the widow begin stage tonight. That will be incredible.	:23:43.	:23:46.
Talking of Christine And The Queens, we will hear that on radio one. We	:23:47.	:23:49.
will see it on BBC Four. # I will die	:23:50.	:24:29.
before before Methusalah # And every morning	:24:30.	:24:36.
with eyes all red # I'll miss them for	:24:37.	:24:46.
the tears they shed # Can't	:24:47.	:24:49.
help it if we're tilted # Trample over beauty	:24:50.	:25:03.
while singing their thoughts # When they said "Je suis	:25:04.	:25:36.
plus folle que toi" # Can't help it	:25:37.	:25:44.
if we're tilted # Can't help it	:25:45.	:25:50.
if we're tilted # Pire qu'une simple moitie	:25:51.	:26:01.
on compte a demi-demi # Pile sur un des bas	:26:02.	:26:10.
cotes comme des origamis # Le bras tendu parait casse tout	:26:11.	:26:13.
n'est qu'epis et eclis # Et une creepy song	:26:14.	:26:15.
en etendard qui fait # Can't help it	:26:16.	:26:25.
if we're tilted # Can't help it	:26:26.	:26:49.
if we're tilted Christine And The Queens from	:26:50.	:27:56.
earlier on on the Winnard begins tent. Amazing because they have not	:27:57.	:28:00.
been performing for eight months. She was so happy to be her, we have	:28:01.	:28:04.
really missed you. This is the perfect welcome back to doing all	:28:05.	:28:08.
that life touring. Doing a new record is a really exciting. We are	:28:09.	:28:15.
not really small. These are massive deckchairs if you're watching on BBC	:28:16.	:28:18.
force. It is Scott and Alice with you. We are in the bag stage artist	:28:19.	:28:22.
area. There are massive deckchairs. This is where the catering happens	:28:23.	:28:25.
for the artist which is better than the food on the other side of	:28:26.	:28:30.
defence. Nick Grimshaw discovered earlier you cannot get bread with	:28:31.	:28:33.
good in any in the area for the artist. They have got a posh juicer	:28:34.	:28:37.
in there. Everything you would expect from people who have pampered	:28:38.	:28:45.
lifestyles. You cannot have them out there with punters. There are	:28:46.	:28:48.
oatcakes in there, backwards. Exactly what you would expect.	:28:49.	:28:51.
Someone was saying today that the queue for the bar at Big Weekend was	:28:52.	:28:57.
a 1.5 hour wait. Not so much year. There is one man serving in their	:28:58.	:29:01.
own bar over there. One bottle of champagne. It is called the bar.	:29:02.	:29:06.
This is where art is hang out. We are spotted Rita Ora with Nick	:29:07.	:29:12.
Grimshaw. She ran not because she has no attention span. When they	:29:13.	:29:15.
have taken off the costumes and the full here and make up, they are	:29:16.	:29:20.
like, not now, I am on downtime. Shall we have more live music? That	:29:21.	:29:25.
sounds wonderful. Let's have more of Twin Atlantic. This is brothers and	:29:26.	:29:27.
sisters. # Are you still out there?	:29:28.	:29:57.
Are you still out there? # Because enough is enough	:29:58.	:30:00.
I'm finished with love # But I have the guts	:30:01.	:30:02.
to say I still care # I'm over the rush	:30:03.	:30:04.
I'm divided and lost # I'm not giving up	:30:05.	:30:10.
I'm not giving up # I'm talking to my brothers	:30:11.	:30:15.
and sisters # I miss the conversations	:30:16.	:30:17.
between us # There's nothing wrong	:30:18.	:30:23.
with being a dreamer # Please don't drift off	:30:24.	:30:25.
and leave me here in a sea of weird # Don't be fake, mate	:30:26.	:30:37.
cos you'll lose that love # You'll forget the point	:30:38.	:30:39.
and the power of words # Are you still out there?	:30:40.	:30:52.
Are you still with me, friend? # Because enough is enough	:30:53.	:30:59.
I won't take the brunt # I'm not giving up	:31:00.	:31:01.
I'm not giving up # I'm talking to my brothers	:31:02.	:31:10.
and sisters # I miss the conversations	:31:11.	:31:13.
between us # There's nothing wrong with	:31:14.	:31:18.
being a dreamer # So where are you now?	:31:19.	:31:21.
Where are you now? # I'm talking to the liars	:31:22.	:31:26.
and cheaters # The ones who hide the truth	:31:27.	:31:28.
to deceive us # There's nothing wrong with	:31:29.	:31:32.
being a dreamer # So where are you now?	:31:33.	:31:35.
Where are you now? # Are you still out there?	:31:36.	:31:58.
Are you still out there? # I'm talking to my brothers	:31:59.	:32:05.
and sisters # I miss the conversations	:32:06.	:32:09.
between us # There's nothing wrong with	:32:10.	:32:14.
being a dreamer # So where are you now?	:32:15.	:32:21.
Where are you now? # My brothers and sisters	:32:22.	:32:23.
I miss the conversations between us # There's nothing wrong with	:32:24.	:32:28.
being a dreamer # So where are you now?	:32:29.	:32:32.
Where are you now? # I'm talking to	:32:33.	:32:37.
the liars and cheaters The ones who hide the truth	:32:38.	:32:40.
to deceive us # There's nothing wrong with	:32:41.	:32:43.
being a dreamer # So where are you now?	:32:44.	:32:52.
Where are you now? # That is Twin Atlantic from Radio 1's	:32:53.	:33:11.
big weekend in Hull. With Brothers and Sisters we are back in the	:33:12.	:33:16.
studioches you can listen to us on Radio 1 or watch us on Radio 4.	:33:17.	:33:21.
Kings of Leon are coming on at 9.00. It will be awesome. We are lucky	:33:22.	:33:27.
enough to be joined straight off the stage Clean Bandit. Hello. How did	:33:28.	:33:34.
that go ahead? I heard a bit of it. You said we have brought loads of	:33:35.	:33:39.
favourite vocalist, is it exciting you head on the road with your big	:33:40.	:33:43.
gang and put on this amazing show? Is it good fun? Yes we have a	:33:44.	:33:53.
massive gang, we have lead singers, Kirsten Andreas minute, it was a	:33:54.	:33:56.
pleasure listening to them. We have been in America for ages so this is	:33:57.	:34:01.
the first gig we have done at home. It is amazing. Well done. I can't	:34:02.	:34:08.
stop looking at your outfit. If you are watching, it speaks for itself	:34:09.	:34:12.
but for people on the radio, talk us through it. The The idea was like a	:34:13.	:34:17.
human disco ball. That is the idea. So it is shards of mirror, we both	:34:18.	:34:26.
have shards, and, yes, isn't the most comfortable outfit. It is not	:34:27.	:34:31.
something you wear at home. I said earlier your hair has grown loads,	:34:32.	:34:37.
you were like ah. Somebody was grooming you like a horse's pony	:34:38.	:34:41.
tail. I want to be super smooth for the TV. This is the start of your	:34:42.	:34:46.
summer, what is happening the the next few months? Loads of festivals.	:34:47.	:34:52.
Someone told me we were doing 30 odd festivals in the next few months. ?	:34:53.	:34:56.
Do you just get told? Yes, see you at the next one. See you there. We	:34:57.	:35:01.
get taken there. Maybe in the past you have done the hello Hamburg and	:35:02.	:35:07.
you have been in Brighton. We did that in Glasgow, hello Manchester,	:35:08.	:35:11.
it didn't go down well. At least know the city. It is hard though.	:35:12.	:35:18.
Superbfully the UK, it all blursing to. That is good to know Grace. Hull	:35:19.	:35:24.
will be happy to know that. We will come back to you, thank you for	:35:25.	:35:30.
joining us, Clean Bandit, on the main stage, the instrument Asian. It	:35:31.	:35:35.
all work, fabulous. Let us have some more live music now, from big	:35:36.	:35:39.
weekend. We are going to play Lana Del Rey. This was a moment. Have a	:35:40.	:35:41.
look at this. 'Cause we're having too much fun Too	:35:42.	:36:59.
# And a lust for life And a lust for life, and a lust for life	:37:00.	:37:10.
# Keeps us alive, keeps us alive Keeps us alive, keeps us alive	:37:11.	:37:14.
# And a lust for life, and a lust for life	:37:15.	:37:19.
# Keeps us alive, keeps us alive Keeps us alive, keeps us alive	:37:20.	:37:22.
# Then, we dance on the H of the Hollywood sign, yeah	:37:23.	:37:29.
# 'Til we run out of breath, gotta dance 'til we die (doo wop, doo wop)	:37:30.	:37:33.
# My boyfriend's back And he's cooler than ever (shadoop, shadoop)	:37:34.	:37:36.
# There's no more night, blue skies forever	:37:37.	:37:41.
# 'Cause we're the masters of our own fate	:37:42.	:37:45.
# We're the captains of our own souls So there's no	:37:46.	:37:53.
# We're all alone, let's take control	:37:54.	:37:57.
# Take off, take off, take off all of your clothes	:37:58.	:38:27.
# They say only the good die young That just ain't right	:38:28.	:38:30.
# 'Cause we're having too much fun Too much fun tonight, yeah	:38:31.	:38:35.
# And a lust for life, and a lust for life	:38:36.	:38:53.
Keeps us alive, keeps us alive Keeps us alive, keeps us alive	:38:54.	:38:56.
# And a lust for life, and a lust for life	:38:57.	:39:01.
# Keeps us alive, keeps us alive Keeps us alive, keeps us alive	:39:02.	:39:10.
# There's no more night, blue skies forever	:39:11.	:39:19.
# I told you twice in our love letter There's no stopping now,	:39:20.	:39:22.
green lights forever # And I was like...	:39:23.	:39:27.
Take off all of your clothes Take off, take off	:39:28.	:39:37.
# And a lust for life, and a lust for life	:39:38.	:39:46.
# Keeps us alive, keeps us alive Keeps us alive, keeps us alive	:39:47.	:39:49.
# And a lust for life, and a lust for life	:39:50.	:39:54.
# Keeps us alive, keeps us alive Keeps us alive, keeps us alive	:39:55.	:40:04.
That was yesterday from the where it begins stage. We are with Clean	:40:05.	:40:12.
Bandit. You were admiring her technical proficiency, she has this	:40:13.	:40:16.
quality, she is an amazing pop star, but that classical straining is	:40:17.	:40:21.
amazing. Her change, she can so so high and so low. Her power, low, is	:40:22.	:40:27.
incredible. And, she is so gorgeous, I am like in love with her. You know	:40:28.	:40:32.
your vocalist, we were talking about your collaboration, because you love	:40:33.	:40:39.
it. She would be the dream. Louisa Johnson, how does that happen? You	:40:40.	:40:47.
heard her first. I saw her on the X Factor and was blown about by her,	:40:48.	:40:54.
she was singing, I can't remember. A song. No, I can't remember. Did you	:40:55.	:41:02.
approach her? No, we wanted to do something with her, but then, by	:41:03.	:41:10.
chance, Simon Cowell... He heard Tears, it was a ballad and it got in	:41:11.	:41:17.
his hands. How did he get that He has ways. I think he hacked my	:41:18.	:41:26.
e-mail! I had a call saying Simon Cowell would like to speak to you, I	:41:27.	:41:29.
thought it was a hoax. It happened again the next day. And he got hold	:41:30.	:41:34.
of you, what did he say? He said you have to hear her sing this song and	:41:35.	:41:40.
we said OK. When Simon says that you go OK, we will find the time. It was	:41:41.	:41:45.
this is a man's world she was singing and her like, power and	:41:46.	:41:50.
attitude, she was just amazing. Another one of your collaborators,	:41:51.	:41:55.
is that the right terminology? Was here today. Amazing set from Sean	:41:56.	:42:01.
Paul. Did you see it? No, we didn't see the set. We saw him. He had	:42:02.	:42:07.
another gig tonight so we didn't get him on stage annoyingly. Two gig	:42:08.	:42:12.
Shaun, what is he like. I know you must have some amazing Sean Paul	:42:13.	:42:21.
stories are. Surely? Well... I saw a glint in Grace's eye. We were	:42:22.	:42:25.
waiting to go on Good Morning America with him and he told us that	:42:26.	:42:31.
his mum has been asking him to put violins on dance hall for years and	:42:32.	:42:36.
years and he has like, no. I won't do it. Now she is finally happy. He	:42:37.	:42:42.
has been accepted! And we have been trying to work with him for seven	:42:43.	:42:47.
years. It has been like a dream collaboration for us, and we went to	:42:48.	:42:52.
his gig in London, about seven years ago and gave him our demo CD, and we	:42:53.	:42:59.
have been waiting ever since. That sounds a little bit scary. Do you	:43:00.	:43:04.
think he listened to it? I'm not sure. Recently he heard Rather Be	:43:05.	:43:10.
and wanted us to do some production on his album, so Jack was working	:43:11.	:43:15.
with him in the studio, and, just played him Rock a Buy it was never	:43:16.	:43:21.
intended to be with him, he love it and was I will jump on this and made	:43:22.	:43:25.
that incredible verse about single mums and it totally transformed the	:43:26.	:43:32.
song. Amazing. . That is the ideal. Life is complete for us. It has been	:43:33.	:43:36.
a pleasure, Clean Bandit. Let us watch your live performance now, one	:43:37.	:43:41.
of the songs from the main stage, we are going to play Stronger. Thanks	:43:42.	:43:42.
guys. # People tell me	:43:43.	:44:04.
not to lose my self-control # People tell me	:44:05.	:44:07.
not to let myself evolve # I think it's all	:44:08.	:44:11.
just a peculiar game # And soon I'll wake up	:44:12.	:44:17.
and I'll forget it # And everyone will know me	:44:18.	:44:19.
by a different name # If I could be stronger	:44:20.	:44:25.
would you believe # That I could love you	:44:26.	:44:41.
like you want me to? # I think it's all	:44:42.	:44:45.
just a peculiar game # And soon I'll wake up	:44:46.	:45:19.
and I'll forget it # And everyone will know me	:45:20.	:45:23.
by a different name # If I could be stronger	:45:24.	:45:27.
would you believe # That I could love you	:45:28.	:45:51.
like you want me to? # Love me like you want me to	:45:52.	:45:53.
Like you want me to # If only you could promise	:45:54.	:45:58.
that you will try too # If only you could promise	:45:59.	:46:12.
that you will try too # If I could be stronger	:46:13.	:46:27.
would you believe # That I could love you	:46:28.	:46:42.
like you want me to? # If I could be stronger	:46:43.	:46:45.
would you believe # That I could love you	:46:46.	:46:57.
like you want me to? how are we feeling?	:46:58.	:47:24.
CHEERING We are going to mix things up for	:47:25.	:47:26.
you guys. We will take you back. Let's see those hands in the air.	:47:27.	:47:50.
feel like loving you. Let's see those hands in the air.	:47:51.	:48:11.
# Sure do. # Love me like you want me to.	:48:12.	:48:15.
# You sure make me feel like loving you.	:48:16.	:48:34.
That was Clean Bandit from Radio 1's Big Weekend in Hull. They have all	:48:35.	:48:43.
the hits. They certainly do. I am joined by the breakfast show's Nick	:48:44.	:48:49.
Grimshaw. Hello, everybody. Have you had a good time? I think I have had	:48:50.	:48:53.
my favourite time ever at Big Weekend. I saw you with Rita Ora a	:48:54.	:48:58.
moment ago. Yes, they are frantically trying to herd Rita Ora.	:48:59.	:49:05.
She was meant to leave at eight. It is now ten minutes the name. She was	:49:06.	:49:08.
last seen running around the site to see Shawn Mendes. He is also still	:49:09.	:49:13.
here. I feel it is your fault because you seem to be the	:49:14.	:49:15.
ringleader in the situation. Let's have some fun. Who have you seen?	:49:16.	:49:23.
Today, I was doing the radio, so we got to see Stormzy through the	:49:24.	:49:27.
telly, not out there in the crowd. He was for me the highlight today.	:49:28.	:49:31.
He was incredible, so much energy. He is so magnetic to watch. I went	:49:32.	:49:38.
out to watch Rita Ora. I went down with Adele Roberts, Radio 1's very	:49:39.	:49:42.
own, to see Rita Ora at the front. I saw a little bit of Clean Bandit and	:49:43.	:49:47.
rushed over to see you. Thank you. We should explain that we have got	:49:48.	:49:52.
the cream telephone box in Hull, in the middle of the field at Big	:49:53.	:49:57.
Weekend. Hull is famous for its cream-coloured telephone boxes. We	:49:58.	:50:00.
have plonked on in the middle of the field. I quite like the cream. We	:50:01.	:50:06.
normally have the classic red phone box but Hull has them in cream,	:50:07.	:50:11.
which I like. There it is if you're watching. Rate in the middle of the	:50:12.	:50:16.
festival site. We can call that from backstage at any point whatsoever.	:50:17.	:50:23.
Normally it will be Radio 1 DJs and the pop star. Alice Levein and I did	:50:24.	:50:27.
that yesterday. We were looking for someone to do something incredible.	:50:28.	:50:31.
I wanted someone to come on stage and introduce Katy Perry with me.	:50:32.	:50:35.
That is a big deal. We dish and unwitting members of the public on	:50:36.	:50:39.
stage. You see the phone box ringing, and you will go, I get	:50:40.	:50:45.
that. On the other end is a pop star. At Radio 1 DJ tried this	:50:46.	:50:50.
yesterday. He had fun with imagined dragons and the phone box.	:50:51.	:50:55.
We're going to make a call and two of picks up, we will sign them on a	:50:56.	:51:00.
mission to find five Dans. If they can find them, they can come	:51:01.	:51:05.
backstage. Let's give them a ring. Ready? Hello. Well, hello. Who is	:51:06.	:51:19.
this? It is rose? You're American. I had been waiting for so long to talk	:51:20.	:51:23.
to you. Do you have any idea who this is? An American. Take a guess.	:51:24.	:51:33.
An American man. Donald Trump. Donald Trump? An American band.	:51:34.	:51:42.
Argues here today? Let's have a look. Is it to say being? At famous	:51:43.	:51:54.
American band, to say being. Are you Scottish? You're American. We can	:51:55.	:52:01.
see you, by the way. They can see us. It is not Emeli Sande. It is not	:52:02.	:52:14.
to say being. James Arthur. I really like imagined dragons. What do you	:52:15.	:52:18.
think about them? They're pretty bad. Who? Imagined dragons? Awful.	:52:19.	:52:30.
Galantis. No. I think it is imagined dragons, myself. This is imagined	:52:31.	:52:40.
dragons. We have a secret mission for you guys. Lovely. If you choose	:52:41.	:52:45.
to accept this mission, there could be good repercussions. You have to	:52:46.	:52:48.
go out in the festival grounds and find five people by the name of Dan.	:52:49.	:52:54.
How long have we got? Have we had got time? You have four minutes,	:52:55.	:52:59.
starting now. Three minutes and 40 seconds. Are you called Dan? Are you	:53:00.	:53:10.
called Dan or Danielle? Anyone? Are you called band. Daniel? Daniel, are	:53:11.	:53:19.
you Daniel? Daniel and Dan, come on. Come with me. You have made it this	:53:20.	:53:24.
far. In order to get into the backstage area, we will see how many	:53:25.	:53:30.
Dans you manage to find. Late in the Dans. Are you a Dan? You are	:53:31.	:53:38.
Danielle. In Yukon. Imagine Dragons. In Yukon, you're allowed in as well.	:53:39.	:53:47.
Are you a real Dan? I know you, Dan. Imagine Dragons. I make that five	:53:48.	:53:55.
Dans. Lucy Andrews, welcome to the backstage area, well done. That is	:53:56.	:54:00.
so stupid. That is amazing. Can you get loads of Dans and bring them	:54:01.	:54:06.
backstage. I like imagined dragons, they are fun. They did a great said	:54:07.	:54:12.
yesterday. I love the phone box idea. I did one with Lance -- I did	:54:13.	:54:18.
one with Zara Larsson. You can watch it on the website. She is lots of	:54:19.	:54:24.
fun, the Swedish pop star. The phone rings, and the photo of them flashes	:54:25.	:54:29.
up. They are like, my God. We just bought them a pint yesterday. Come	:54:30.	:54:35.
backstage and have a nice pint. Some live stuff now. Yes, London Grammar,	:54:36.	:54:38.
from Radio 1's Big Weekend. # I can see that you're giving up It	:54:39.	:55:36.
should not mean that much to me # And I don't know where the rest go	:55:37.	:55:39.
But everybody's been telling me no # But I'll always have a thing	:55:40.	:55:43.
for you I'd move the earth # But nothing made you want me	:55:44.	:55:46.
better There is nothing I can do # But steal the moon But nothing	:55:47.	:55:50.
made you want me better # Oh woman oh man Choose	:55:51.	:55:53.
a path for a child # Great mirrored plans	:55:54.	:56:01.
Oh woman oh man Take a devil by the hands	:56:02.	:56:04.
to # And I can see that	:56:05.	:56:06.
you're giving up # So tell me it should not	:56:07.	:56:10.
mean this much to me # And I don't know	:56:11.	:56:13.
where the rest goes # But I'll always have a thing	:56:14.	:56:15.
for you # But nothing made	:56:16.	:56:29.
you want me better # And nothing made	:56:30.	:56:32.
you want me better # Take a devil by the	:56:33.	:56:45.
hands to yellow sands # Take a devil by the	:56:46.	:57:22.
hands to yellow sands Absolutely beautiful performance	:57:23.	:59:21.
from London Grammar at Radio 1's Big Weekend. Scott Mills Radio 1, and	:59:22.	:59:26.
live on BBC Four. Hello if you're watching tonight. Many people are	:59:27.	:59:29.
tweeting saying they are loving the live music. The main event is coming	:59:30.	:59:34.
up, Kings Of Leon. If you're watching, I am on my own. Nick	:59:35.	:59:39.
Grimshaw has gone away getting ready to introduce Kings Of Leon. Also on	:59:40.	:59:43.
the stages Klara and Greg James. We will be with them in a moment. It is	:59:44.	:59:48.
happening in a matter of moments. All the performances you can watch	:59:49.	:59:52.
on the Radio 1 website, everything from today and yesterday in Hull.	:59:53.	:59:58.
After nine o'clock we will be getting ready for a Kings Of Leon	:59:59.	:00:02.
taking to the stage. If you're listening on Radio 1, we will be	:00:03.	:00:04.
back after Blossoms.	:00:05.	:00:05.

Highlights BBC Radio 1's Big Weekend

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BBC Radio 1's Big Weekend

Kings of Leon Live

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