Browse content similar to 02/06/2013. Check below for episodes and series from the same categories and more!
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Londonderry 2013. We're pretty excited to be here, it is fair to | 0:00:27 | 0:00:34 | |
say. My name is Rigsy. I am in fell and we will have live action here. | 0:00:34 | 0:00:40 | |
Derry is buzzing and so are we. is what is coming up. More amazing | 0:00:40 | 0:00:45 | |
live music then you can shake a Triple A Passat. Macklemore, two | 0:00:46 | 0:00:50 | |
Door Cinema Club and more, plus back station and it ends with Rita Ora, | 0:00:50 | 0:00:55 | |
Dizzee Rascal and this lot of the biggest Irish break to -- | 0:00:55 | 0:01:01 | |
breakthrough act from last five years chart toppers Two Door Cinema | 0:01:01 | 0:01:11 | |
0:01:11 | 0:01:24 | ||
Club B. -- The Script. # While we were drinking Irish | 0:01:24 | 0:01:28 | |
# Whoever's coming back to mine you better bring the guitar | 0:01:28 | 0:01:30 | |
# You play a sad song, yeah, sing it from the heart | 0:01:30 | 0:01:31 | |
# Tell a sad story, yeah, tell it from the start | 0:01:31 | 0:01:33 | |
# Pass me on the pain that you made into art | 0:01:33 | 0:01:34 | |
# Yeah, piercin' through my skin like a heroin dart | 0:01:34 | 0:01:36 | |
# When someone's strummin' on the strings and they're spittin' things | 0:01:36 | 0:01:38 | |
# Everybody's movin' groovin' vibes when the other sings | 0:01:38 | 0:01:40 | |
# They gon' kill you with their passion and their soul | 0:01:40 | 0:01:43 | |
# When the first verse drops, you'll be fightin' back the tears and all | 0:01:43 | 0:01:46 | |
# While another man's crying in his beers and all | 0:01:46 | 0:01:49 | |
# While his woman's sayin' cheers to it all | 0:01:49 | 0:01:51 | |
# Ain't no shame in the game, just the way we were raised | 0:01:51 | 0:01:53 | |
# For all we sing about better days, better days | 0:01:53 | 0:01:55 | |
# Ooh, ooh | 0:01:56 | 0:02:01 | |
Oh, we'll remember this night when we're old and grey | 0:02:01 | 0:02:03 | |
# Cos in the future these will be the good ol' days | 0:02:03 | 0:02:06 | |
# Oh and we're arm in arm as we sing away | 0:02:06 | 0:02:13 | |
# In the future this will be the good ol' days | 0:02:13 | 0:02:17 | |
# Ten o'clock and it's off, what started as a pub crawl | 0:02:17 | 0:02:19 | |
# Now we're all lost | 0:02:19 | 0:02:23 | |
# Better live it out tonight tomorrow's gonna cost | 0:02:23 | 0:02:24 | |
# So get up on that piano, boy and play your ass off | 0:02:24 | 0:02:26 | |
# You're playing real good everybody sing along | 0:02:26 | 0:02:28 | |
# If your bang is out of beat everybody move along | 0:02:28 | 0:02:30 | |
# Play us somethin' real we can hang our hopes on | 0:02:30 | 0:02:33 | |
# Sing a rebel song and watch us march along | 0:02:33 | 0:02:36 | |
# Won't you come along? | 0:02:36 | 0:02:37 | |
# Oh, these times are hard | 0:02:37 | 0:02:40 | |
# Yeah, meet Jenny, meet Pete, meet Mary, meet Keith | 0:02:40 | 0:02:44 | |
# They're bustin' on the streets seven days a week | 0:02:44 | 0:02:46 | |
# Pay a pound, pay a penny, make it full or leave it empty | 0:02:46 | 0:02:49 | |
# They play, you listen, that's plenty | 0:02:49 | 0:02:50 | |
# It's two am now, we're dancing in the rain and uh | 0:02:50 | 0:02:51 | |
# Hanging out of each other like the pain is gone | 0:02:52 | 0:02:53 | |
# These are my people these are my crowd | 0:02:53 | 0:02:54 | |
# And I'm never too proud to sing about | 0:02:54 | 0:02:57 | |
# Ooh, ooh | 0:02:57 | 0:03:02 | |
# Oh, we'll remember this night when we're old and grey | 0:03:02 | 0:03:04 | |
# Cos in the future these will be the good ol' days | 0:03:04 | 0:03:11 | |
# Oh and we're arm in arm as we sing away | 0:03:12 | 0:03:14 | |
# In the future these will be the good ol' days | 0:03:14 | 0:03:19 | |
# The good ol', the good ol' days | 0:03:19 | 0:03:21 | |
# The good ol', the good ol' days | 0:03:21 | 0:03:23 | |
# The good ol', the good ol' days | 0:03:23 | 0:03:33 | |
0:03:33 | 0:03:42 | ||
# Oh I got the whole place singin' # Even the old man there with the | 0:03:42 | 0:03:46 | |
# Singin' ooh ooh, come on sing it sing it, ooh ooh | 0:03:47 | 0:03:49 | |
# I got the whole place singin' yeah singin' this song | 0:03:49 | 0:03:50 | |
# Even the girl over there with the red dress on | 0:03:51 | 0:03:53 | |
# Singin' ooh ooh, she's singin' ooh ooh | 0:03:53 | 0:03:58 | |
# Oh, I got the whole bar drinkin' yeah, singin' these tunes | 0:03:58 | 0:04:05 | |
# Singin' ooh ooh | 0:04:05 | 0:04:08 | |
# Ooh, ooh | 0:04:08 | 0:04:15 | |
# And the tag along friends with the fake ID's | 0:04:15 | 0:04:17 | |
# Singin' ooh ooh | 0:04:17 | 0:04:25 | |
# Ooh, ooh | 0:04:25 | 0:04:31 | |
# Ooh, ooh | 0:04:31 | 0:04:34 | |
# We we're arm in arm as we sing away | 0:04:34 | 0:04:36 | |
# In the future these will be the good ol' days | 0:04:36 | 0:04:39 | |
# The good ol', the good ol' days | 0:04:39 | 0:04:42 | |
# The good ol', the good ol' days | 0:04:42 | 0:04:45 | |
# The good ol', the good ol' days | 0:04:45 | 0:04:55 | |
0:04:55 | 0:05:28 | ||
handsome for oneself. You're very kind. Thanks for joining me.And oh | 0:05:28 | 0:05:31 | |
you had fun because eyesight. From your point of view, a good days | 0:05:31 | 0:05:37 | |
work? People say, you would like you are enjoying yourself but we're just | 0:05:37 | 0:05:42 | |
happy to be employed. It is rare we get to come through here, even | 0:05:42 | 0:05:46 | |
playing gigs, but now that we see the vibe, we know we have to make | 0:05:46 | 0:05:54 | |
this into a good show. But look at the rest of the bill, these are the | 0:05:54 | 0:05:58 | |
established old guard at this point. An extra responsibility to deliver. | 0:05:58 | 0:06:04 | |
Everyone expects it. We always put the pressure on ourselves. For our | 0:06:04 | 0:06:08 | |
first year, we carried sticks around with ourselves, to beat ourselves up | 0:06:08 | 0:06:13 | |
every so often. We're not good enough! I think now we are having | 0:06:13 | 0:06:17 | |
more fun, we are moral laxity. The hard work has paid off. We just | 0:06:17 | 0:06:24 | |
don't care! I'm going to let you go because you have been fantastic, but | 0:06:24 | 0:06:27 | |
you you have been seeing other bands. Enjoy the weekend and we will | 0:06:27 | 0:06:34 | |
see some live music from Dizzee Rascal. With a very special guest. | 0:06:34 | 0:06:42 | |
I've brought along a friend of mine. He goes by the name of Robbie | 0:06:42 | 0:06:52 | |
0:06:52 | 0:07:04 | ||
Williams. Come on, let's do this. OK. This song is called Goin' Crazy. | 0:07:04 | 0:07:14 | |
0:07:14 | 0:07:24 | ||
What's going on on the side? # Wake up in the afternoon... # What's | 0:07:24 | 0:07:27 | |
going on over this side? # Cover up the mirror just to get a better | 0:07:27 | 0:07:33 | |
view... # I'm coming down! # Been around the world and never even left | 0:07:33 | 0:07:37 | |
the room... # How are you feeling? # And I, I can't figure out... # Come | 0:07:37 | 0:07:41 | |
on, let's have it! # Why so I just scream and shout # I believe, I | 0:07:41 | 0:07:44 | |
believe, I believe I believe I'm going crazy # Going crazy, going | 0:07:44 | 0:07:54 | |
0:07:54 | 0:08:27 | ||
crazy # I believe I'm losing my # I believe, I believe, I believe I | 0:08:27 | 0:08:37 | |
0:08:37 | 0:08:44 | ||
# Goin crazy, goin' crazy, goin' Living in a bubble, my life is a | 0:08:44 | 0:08:48 | |
Now pass me a shot, and make it a double | 0:08:48 | 0:08:50 | |
I'm a whole lot of trouble and I don't do subtle | 0:08:50 | 0:08:52 | |
It's all or nothing, I don't wanna juggle | 0:08:52 | 0:08:54 | |
No crabs in a bucket, I don't wanna huddle | 0:08:54 | 0:08:56 | |
I've got my own name, tryn'a figure out the whole game | 0:08:56 | 0:08:58 | |
Going insane, 150 in the slow lane | 0:08:58 | 0:09:00 | |
Getting ahead of myself | 0:09:00 | 0:09:02 | |
My God, already thinking how can I better myself | 0:09:02 | 0:09:03 | |
Should I be somebody else? Should I be pacing myself? | 0:09:03 | 0:09:05 | |
My car's a rocket, and if I get too carried away | 0:09:05 | 0:09:07 | |
I wouldn't know when to stop it. | 0:09:07 | 0:09:09 | |
# I, I can't figure out | 0:09:09 | 0:09:14 | |
# Why, so I just scream and shout | 0:09:14 | 0:09:22 | |
Yeah, yeah | 0:09:22 | 0:09:25 | |
# I believe, I believe, I believe I believe I'm going crazy | 0:09:25 | 0:09:29 | |
# Goin' crazy, goin' crazy, goin' crazy | 0:09:30 | 0:09:32 | |
# I believe I'm losing my mind... # | 0:09:32 | 0:09:38 | |
Come on, come on! | 0:09:39 | 0:09:41 | |
# Tryin'a get a hold of you | 0:09:41 | 0:09:43 | |
# Tryin'a get control of | 0:09:43 | 0:09:50 | |
# Tryin'a get control of me. # | 0:09:50 | 0:09:54 | |
Make some noise! | 0:09:55 | 0:09:57 | |
# I believe, I believe, I believe I believe I'm going crazy | 0:09:57 | 0:10:02 | |
# Goin' crazy, goin' crazy, goin' crazy | 0:10:02 | 0:10:05 | |
# I believe I'm losing my mind... # | 0:10:05 | 0:10:12 | |
What's happening? Lovely, lovely. | 0:10:12 | 0:10:15 | |
Yes, boss. Thank you, brother. Dizzee Rascal. Robbie Williams. | 0:10:15 | 0:10:21 | |
Love, love, love. Loads of love, folk. | 0:10:21 | 0:10:24 | |
CHEERING AND APPLAUSE | 0:10:24 | 0:10:34 | |
0:10:34 | 0:10:35 | ||
this, but I am mucking in behind the scenes. | 0:10:35 | 0:10:35 | |
scenes. Everyone | 0:10:36 | 0:10:36 | |
scenes. Everyone is | 0:10:36 | 0:10:36 | |
scenes. Everyone is doing | 0:10:36 | 0:10:41 | |
scenes. Everyone is doing their bit. I selling T-shirts. Rigsy is | 0:10:41 | 0:10:46 | |
backstage and he will tell you what else is going on. It is the day | 0:10:46 | 0:10:53 | |
before the shows open to the public, and we're going to give you up to. | 0:10:53 | 0:11:00 | |
High visibility jacket and glasses, let's go backstage. As soon as I'd | 0:11:00 | 0:11:03 | |
arrived, had to visit these important Portakabins. Whether you | 0:11:03 | 0:11:10 | |
are performing or try to make a TV programme, you need one of these. | 0:11:10 | 0:11:19 | |
And just up the hill, we have the broadcast HQ. This is online, BBC | 0:11:19 | 0:11:23 | |
Northern Ireland, BBC Three and around here, Radio 1. So we will | 0:11:24 | 0:11:33 | |
have same low and us, Albright broadcasting from inside here. -- | 0:11:33 | 0:11:43 | |
0:11:43 | 0:11:45 | ||
Zane Lowe. The onstage action is controlled from a near. -- in here. | 0:11:45 | 0:11:49 | |
As you can tell, the event has not started because I am able to walk | 0:11:49 | 0:11:59 | |
0:11:59 | 0:12:02 | ||
onto the second stage. Hi, Derry! The 1p Ken -- the Big Weekend | 0:12:02 | 0:12:05 | |
requires an army working hard in the army marches on its stomach. And | 0:12:05 | 0:12:12 | |
this is where those stomachs get filled. This is what the main stage | 0:12:12 | 0:12:22 | |
0:12:22 | 0:12:26 | ||
looks like 24 hours before kick-off. In this comedy of yours, is the | 0:12:26 | 0:12:31 | |
dressing room, where Calvin, Dizzee Rascal and the lads will be hanging | 0:12:31 | 0:12:41 | |
0:12:41 | 0:12:47 | ||
out before and after the Thank you for asking me to be on | 0:12:47 | 0:12:51 | |
# Got your hands up cos you think you've got it | 0:12:51 | 0:12:52 | |
# Going crazy we're not even started | 0:12:52 | 0:12:53 | |
# Eh-oh, eh-oh, eh-eh | 0:12:53 | 0:12:55 | |
# Eh-oh, eh-oh Ooh-ooh-ooh! | 0:12:55 | 0:12:56 | |
# It's so funny that you think you're winning | 0:12:56 | 0:12:59 | |
# Cos somebody told you who was spinning | 0:12:59 | 0:13:02 | |
# Eh-oh, eh-oh, eh-eh | 0:13:02 | 0:13:03 | |
# Eh-oh, eh-oh | 0:13:03 | 0:13:05 | |
# Oh, yeah! | 0:13:05 | 0:13:07 | |
# You know you're only in it | 0:13:07 | 0:13:08 | |
# Cos it's hot right now | 0:13:08 | 0:13:09 | |
# Hot right now | 0:13:09 | 0:13:11 | |
# Turn it up right now | 0:13:11 | 0:13:12 | |
# Put your hands in the air if you want it right now | 0:13:12 | 0:13:14 | |
# Eh-oh, eh-oh, hot right now | 0:13:14 | 0:13:17 | |
# You know you're only in it | 0:13:17 | 0:13:18 | |
# Cos it's hot right now | 0:13:19 | 0:13:20 | |
# Hot right now | 0:13:20 | 0:13:21 | |
# Turn it up right now | 0:13:21 | 0:13:23 | |
# Put your hands in the air if you want it right now | 0:13:23 | 0:13:25 | |
# Eh-oh, eh-oh, hot right now | 0:13:25 | 0:13:30 | |
# Throw your hands up | 0:13:30 | 0:13:31 | |
# Throw your hands up | 0:13:31 | 0:13:36 | |
# You got the latest place | 0:13:36 | 0:13:36 | |
# It's on your radar | 0:13:37 | 0:13:38 | |
# But by the time you show your face it's over | 0:13:38 | 0:13:40 | |
# Eh-oh, eh-oh, eh-eh | 0:13:40 | 0:13:42 | |
# Eh-oh, eh-oh, ooh-ooh-ooh | 0:13:42 | 0:13:45 | |
# You got the magic numbers on your speed dial | 0:13:45 | 0:13:48 | |
# And you're too busy dropping names | 0:13:48 | 0:13:53 | |
# But me won | 0:13:53 | 0:13:54 | |
# Eh-oh, eh-oh | 0:13:54 | 0:13:54 | |
# Me won | 0:13:55 | 0:13:55 | |
# Eh-oh, eh-oh | 0:13:55 | 0:13:56 | |
# Oh, yeah! | 0:13:57 | 0:13:57 | |
# You know you're only in it | 0:13:57 | 0:13:58 | |
# Cos it's hot right now | 0:13:59 | 0:13:59 | |
# Hot right now | 0:13:59 | 0:14:00 | |
# Turn it up right now | 0:14:00 | 0:14:01 | |
# Put your hands in the air if you want it right now | 0:14:02 | 0:14:04 | |
# Eh-oh, eh-oh, hot right now | 0:14:04 | 0:14:07 | |
# You know you're only in it | 0:14:07 | 0:14:08 | |
# Cos it's hot right now | 0:14:08 | 0:14:10 | |
# Hot right now | 0:14:10 | 0:14:11 | |
# Turn it up right now | 0:14:11 | 0:14:13 | |
# Put your hands in the air if you want it right now | 0:14:13 | 0:14:15 | |
# Eh-oh, eh-oh, hot right now | 0:14:15 | 0:14:24 | |
# Let me see the club get hotter, hotter | 0:14:24 | 0:14:26 | |
# I wanna see your hands up higher, higher | 0:14:26 | 0:14:29 | |
# I don't need close shouts Oh-oh-oh-oh! | 0:14:29 | 0:14:31 | |
# Can I get a "Wo-o-o-oah"? | 0:14:31 | 0:14:34 | |
# Let me see the club get hotter, hotter | 0:14:35 | 0:14:37 | |
# I wanna see your hands up higher, higher | 0:14:37 | 0:14:40 | |
# I don't need close shouts Oh-oh-oh-oh! | 0:14:40 | 0:14:46 | |
# Can I get a "Wo-o-o-oah"? # | 0:14:46 | 0:14:56 | |
doing this interview because it is so | 0:14:56 | 0:14:56 | |
so loud. | 0:14:56 | 0:14:57 | |
so loud. Can | 0:14:57 | 0:14:57 | |
so loud. Can you | 0:14:57 | 0:15:01 | |
so loud. Can you keep it down, we're having an interview! I get the | 0:15:01 | 0:15:04 | |
impression you are the kind of person that will take this in and go | 0:15:04 | 0:15:12 | |
and see these bands. You have worked with half of the bill, DJ fresh, do | 0:15:12 | 0:15:17 | |
you walk around and think you have to go and see these guys? I am a fan | 0:15:17 | 0:15:21 | |
before anything. I was a fan before I was lucky enough to work with them | 0:15:21 | 0:15:30 | |
so why stop now? I am a fan, so I love watching people perform. | 0:15:30 | 0:15:35 | |
run-up to one big we turned, -- one Big Weekend, there was a series of | 0:15:35 | 0:15:45 | |
0:15:45 | 0:15:49 | ||
workshops for young eagle in the Radio 1 team brought some serious | 0:15:49 | 0:15:53 | |
knowledge to the nerve centre in Derry on setting up the Radio 1 | 0:15:53 | 0:15:56 | |
Academy. Over the week, young people got free training in music, media | 0:15:56 | 0:16:01 | |
and fashion from experts in each field. I've got a tour from the lady | 0:16:01 | 0:16:07 | |
in charge. So these guys were involved with one of the workshops | 0:16:07 | 0:16:13 | |
earlier on. It was a script writing workshop. The guys turn up in their | 0:16:13 | 0:16:17 | |
own scripts. They did not know anybody who was going to be there. | 0:16:17 | 0:16:23 | |
So the cast of East Enders came out by surprise to perform the scripts. | 0:16:23 | 0:16:28 | |
Wow. Every workshop has something a bit different about it. There have | 0:16:28 | 0:16:34 | |
been some stars, the cast of East Enders, The Script have performed on | 0:16:34 | 0:16:37 | |
that stage in the Radio 1 DJs, but of course it is all about the young | 0:16:37 | 0:16:43 | |
locals. Absolutely. The academy would not be the academy without | 0:16:43 | 0:16:46 | |
young people coming through the door, and also the partnerships we | 0:16:46 | 0:16:52 | |
are making with local organisations. When we go at the end of the week, | 0:16:52 | 0:16:55 | |
they will be able to carry on their journey with local partners, like | 0:16:55 | 0:17:05 | |
0:17:05 | 0:17:13 | ||
T-shirt designs. One of these T-shirts will be chosen and will be | 0:17:13 | 0:17:21 | |
made and sold. Wow. Some great opportunities. So there is a major | 0:17:21 | 0:17:28 | |
future fashion designer somewhere in this room? I think so.You will be | 0:17:28 | 0:17:32 | |
more familiar with this place. good old-fashioned radio studio. Who | 0:17:32 | 0:17:39 | |
has been broadcasting through here? We have had you Stevens, Alice | 0:17:39 | 0:17:45 | |
Levine, and the breakfast show. It is a good place to end, because it | 0:17:45 | 0:17:50 | |
is the Radio 1 Academy, and Radio 1 have made this all happen. They | 0:17:50 | 0:17:53 | |
bring brand value and a young audience, and we bring the learning | 0:17:53 | 0:17:57 | |
side of it. It is just mixing those things together, learning and Radio | 0:17:57 | 0:18:06 | |
1. That is what makes the Academy really great. I'm about to go over | 0:18:06 | 0:18:09 | |
to the main stage to do one of the most important interviews of the | 0:18:09 | 0:18:13 | |
entire weekend, but look at this, the T-shirt is on sale! How cool is | 0:18:13 | 0:18:21 | |
that? One thing is sure, the taxi | 0:18:21 | 0:18:24 | |
drivers, hotel owners and the rest are not talking about Bruno Mars or | 0:18:25 | 0:18:29 | |
Biffy Clyro, they are talking about this young lady who won tickets and | 0:18:29 | 0:18:32 | |
the opportunity to introduce Olly Murs on the main stage. That is | 0:18:32 | 0:18:37 | |
going to happen in a few moments, how are you feeling? I cannot wait, | 0:18:37 | 0:18:40 | |
it is the opportunity of a lifetime. I hope everyone will be talking | 0:18:40 | 0:18:46 | |
about it for weeks to come. Are you nervous? I am, but I will just go | 0:18:46 | 0:18:51 | |
out and enjoy it. Everyone is on your side. You are a local girl? Ten | 0:18:51 | 0:18:56 | |
minutes away. Hopefully everyone will enjoy it. I think there are | 0:18:56 | 0:19:00 | |
about 15,000 people on your side. From everybody here, good luck. | 0:19:00 | 0:19:04 | |
We're going to see how she got on and then a little bit of the man | 0:19:04 | 0:19:14 | |
0:19:14 | 0:19:36 | ||
himself, Olly Murs. Radio 1 's Big Northern Ireland. I've got a | 0:19:36 | 0:19:46 | |
0:19:46 | 0:20:00 | ||
Which one of you wants to dance with # Look around there's a whole lot | 0:20:00 | 0:20:08 | |
# I was wondering if you and me could spend a minute | 0:20:08 | 0:20:11 | |
# On the floor up close getting lost in it | 0:20:11 | 0:20:14 | |
# I won't give up without a fight | 0:20:14 | 0:20:19 | |
# I just wanna, oh, baby | 0:20:19 | 0:20:25 | |
# I just want you to dance with me tonight | 0:20:25 | 0:20:30 | |
# So come on, oh, baby | 0:20:30 | 0:20:36 | |
# I just want you to dance with me tonight | 0:20:36 | 0:20:43 | |
# We're getting sweaty hot and heavy in the crowd now | 0:20:43 | 0:20:46 | |
# Loosen up and let your hands go down, down | 0:20:46 | 0:20:49 | |
# Go with it, girl, yeah, Just close your eyes, yeah | 0:20:49 | 0:20:54 | |
# I feel the music moving through your body | 0:20:54 | 0:20:58 | |
# Looking at you I can tell you want me | 0:20:58 | 0:21:01 | |
# Don't stop, keep going till the morning light, yeah | 0:21:01 | 0:21:06 | |
# When I saw you there sitting all alone in the dark | 0:21:06 | 0:21:11 | |
# Acting like you didn't have a care | 0:21:11 | 0:21:15 | |
# I knew right then that you'd be mine | 0:21:15 | 0:21:18 | |
# And we'd be dancing the whole damn night, right | 0:21:18 | 0:21:22 | |
# Oh, baby | 0:21:22 | 0:21:27 | |
# I just want you to dance with me tonight | 0:21:27 | 0:21:32 | |
# So come on, oh, baby | 0:21:32 | 0:21:38 | |
# I just want you to dance with me tonight | 0:21:38 | 0:21:44 | |
# Break it down now | 0:21:44 | 0:21:45 | |
# Yeah, yeah, yeah, yeah, yeah | 0:21:46 | 0:21:48 | |
# Shake it like that | 0:21:48 | 0:21:50 | |
# Yeah, yeah, yeah, yeah, yeah | 0:21:50 | 0:21:52 | |
# Now bring it all back to dance with me tonight | 0:21:52 | 0:21:54 | |
# One more time, one more time Come on now | 0:21:54 | 0:22:00 | |
# Yeah, yeah, yeah, yeah, yeah | 0:22:00 | 0:22:04 | |
# I just want you to dance with me tonight | 0:22:04 | 0:22:07 | |
# I just wanna, oh, baby | 0:22:07 | 0:22:13 | |
# I just want you to dance with me tonight... # | 0:22:14 | 0:22:17 | |
I can't hear you! | 0:22:17 | 0:22:22 | |
CROWD: # Come on, baby | 0:22:22 | 0:22:25 | |
# I just want you to dance with me tonight | 0:22:25 | 0:22:31 | |
# Oh, yeah, baby | 0:22:31 | 0:22:35 | |
# I just want you to dance with me tonight | 0:22:35 | 0:22:42 | |
# Oh, come on, baby | 0:22:43 | 0:22:48 | |
# I just want you to dance with me tonight | 0:22:48 | 0:22:54 | |
# Everybody sing | 0:22:54 | 0:22:57 | |
# Close your eyes | 0:22:57 | 0:22:59 | |
# We can dance all through the night | 0:22:59 | 0:23:01 | |
# I just want you to dance with me tonight | 0:23:01 | 0:23:07 | |
# Close your eyes | 0:23:07 | 0:23:10 | |
# We can dance all through the night | 0:23:10 | 0:23:12 | |
# I just want you to dance with me tonight. # | 0:23:12 | 0:23:17 | |
CHEERING AND APPLAUSE | 0:23:17 | 0:23:27 | |
0:23:27 | 0:23:35 | ||
Radio | 0:23:35 | 0:23:35 | |
Radio 1 | 0:23:35 | 0:23:35 | |
Radio 1 are | 0:23:35 | 0:23:39 | |
giving the local up-and-coming talent of Derry the opportunity to | 0:23:40 | 0:23:45 | |
play a BBC live event across the water at the nerve centre. Let's | 0:23:45 | 0:23:55 | |
0:23:55 | 0:23:55 | ||
Apology for the loss of subtitles for 80 seconds | 0:23:55 | 0:25:16 | |
# We found love. # Lying at the bottom of my memory. | 0:25:16 | 0:25:26 | |
0:25:26 | 0:25:40 | ||
# Of you and me. # I, I, I, I can't keep up. # I'm | 0:25:40 | 0:25:47 | |
out of control. # I can't keep up, because of what | 0:25:47 | 0:25:55 | |
is happening. # Sometimes I'd take a little time. | 0:25:55 | 0:26:01 | |
# If I'd get through the day, sometimes I'd just say a little | 0:26:01 | 0:26:07 | |
time. # Till I get through the day, | 0:26:07 | 0:26:17 | |
0:26:17 | 0:26:33 | ||
# Your heart's an explosion. # Makes promises it's not capable. # | 0:26:33 | 0:26:42 | |
Your heart, your heart... Up next, we have one of the biggest | 0:26:42 | 0:26:46 | |
UK pop acts of the last five years, neatly playing on the day that gave | 0:26:46 | 0:26:56 | |
0:26:56 | 0:27:00 | ||
them their name. You do go, the # Oh why are we are waiting so long | 0:27:00 | 0:27:10 | |
# Oh why are we are waiting so long # Been a long time coming, now I | 0:27:10 | 0:27:20 | |
0:27:20 | 0:27:36 | ||
# You know what you need # Cos I've been watchin' | 0:27:36 | 0:27:46 | |
0:27:46 | 0:28:03 | ||
# Oh, why are we are waiting so long # Oh, why are we are waiting so long | 0:28:03 | 0:28:13 | |
0:28:13 | 0:28:22 | ||
# Don't be 'fraid to show her, what # So give it to me, why are we | 0:28:23 | 0:28:32 | |
0:28:33 | 0:28:33 | ||
Apology for the loss of subtitles for 80 seconds | 0:28:33 | 0:31:02 | |
# I know what you need and I'm not # You know you gotta step up | 0:31:02 | 0:31:11 | |
# Got a little competition now # To cope with living on your own | 0:31:11 | 0:31:20 | |
# We're gonna show the world that # And it can work for you and you | 0:31:20 | 0:31:25 | |
# Let's get this started, girl we're moving up we're moving up | 0:31:25 | 0:31:27 | |
# It's been a lot to change but you will always get what you want | 0:31:27 | 0:31:33 | |
# It took a little time to make a little better | 0:31:33 | 0:31:34 | |
# It's only going up just one thing and another | 0:31:34 | 0:31:36 | |
# You know | 0:31:36 | 0:31:38 | |
# You know | 0:31:38 | 0:31:40 | |
# It took a little time to make a little better | 0:31:40 | 0:31:42 | |
# It's only going up just one thing and another | 0:31:42 | 0:31:44 | |
# You know | 0:31:44 | 0:31:46 | |
# You know | 0:31:46 | 0:31:49 | |
# Let's make this happen, girl we're gonna show the world | 0:31:49 | 0:31:51 | |
# That something good can work and it can work for you | 0:31:51 | 0:31:54 | |
# And you know that it will | 0:31:54 | 0:31:56 | |
# Let's get this started, girl we're moving up, we're moving up | 0:31:56 | 0:31:59 | |
# It's been a lot to change but you will always get what you want. # | 0:31:59 | 0:32:05 | |
EXCITED WHOOPING AND SHOUTING | 0:32:05 | 0:32:15 | |
0:32:15 | 0:32:21 | ||
# Let's make this happen, girl we're gonna show the world | 0:32:21 | 0:32:23 | |
# That something good can work and it can work for you | 0:32:23 | 0:32:26 | |
# And you know that it will | 0:32:26 | 0:32:28 | |
# Let's get this started, girl we're moving up, we're moving up | 0:32:28 | 0:32:31 | |
# It's been a lot to change but you will always get what you want | 0:32:31 | 0:32:35 | |
# Let's make this happen, girl we're gonna show the world | 0:32:35 | 0:32:39 | |
# That something good can work and it can work for you | 0:32:39 | 0:32:41 | |
# And you know that it will | 0:32:41 | 0:32:44 | |
# Let's get this started, girl we're moving up, we're moving up | 0:32:44 | 0:32:47 | |
# It's been a lot to change but you will always get what you want. # | 0:32:47 | 0:32:53 | |
CHEERING AND APPLAUSE | 0:32:54 | 0:33:03 | |
0:33:04 | 0:33:30 | ||
comeback spend a couple of with my folks, | 0:33:31 | 0:33:31 | |
folks, and | 0:33:31 | 0:33:31 | |
folks, and I've | 0:33:31 | 0:33:31 | |
folks, and I've become | 0:33:31 | 0:33:36 | |
folks, and I've become really lazy. I'd just a guy want to stay in bed | 0:33:36 | 0:33:40 | |
and lounge around the house. This time it has been really nice, I have | 0:33:40 | 0:33:45 | |
come back and I have been up in Belfast, seeing the people want to | 0:33:45 | 0:33:50 | |
see. It has been so nice to be back and reconnecting. Connecting with | 0:33:50 | 0:33:57 | |
people I do not normally get to. I've got home to my mums house, and | 0:33:57 | 0:34:01 | |
she had made me a lasagne. It is my favourite. Was it better than my | 0:34:02 | 0:34:06 | |
lasagne? It reminds me of home more than your lasagne. That is a good | 0:34:06 | 0:34:14 | |
answer. What are your bedrooms like? Not in a creepy way, but are | 0:34:14 | 0:34:20 | |
they untouched since it you were 16? Mine is a sofa bed in a white room. | 0:34:20 | 0:34:24 | |
Mine became a gym as soon as I'm at the door. I have a younger brother | 0:34:24 | 0:34:27 | |
and I have the bigger bedroom when was growing up so as I am, he took | 0:34:27 | 0:34:37 | |
0:34:37 | 0:34:38 | ||
over the bedroom. So now I've get the small spare room. Of course no | 0:34:38 | 0:34:43 | |
festival would be complete without a light show and our team has worked | 0:34:43 | 0:34:53 | |
0:34:53 | 0:34:59 | ||
around the clock to put on something mapping, so this is the most | 0:34:59 | 0:35:06 | |
creative project we have ever taken off. -- ever taken on. Our | 0:35:06 | 0:35:09 | |
presenters are the four elements that make the Big Weekend, the | 0:35:09 | 0:35:15 | |
location, the artists, the presenters and the music. We have | 0:35:15 | 0:35:20 | |
also done a collaboration with Calvin Harris, so he has provided | 0:35:20 | 0:35:27 | |
the soundtrack and we have designed the animation around it. You can see | 0:35:27 | 0:35:30 | |
the wonder as I look at this tiny little version, so let's see what it | 0:35:30 | 0:35:40 | |
0:35:40 | 0:36:12 | ||
looks like real. # I've been waiting all night for | 0:36:12 | 0:36:22 | |
0:36:22 | 0:36:23 | ||
# I've been waiting all night for # I've been waiting all night for | 0:36:23 | 0:36:33 | |
0:36:33 | 0:36:33 | ||
Apology for the loss of subtitles for 80 seconds | 0:36:33 | 0:37:41 | |
# I've been waiting all night for right now, playing the relatively | 0:37:41 | 0:37:51 | |
0:37:51 | 0:38:13 | ||
tiny second stage. This is Return of the Mack, what it is, what | 0:38:13 | 0:38:18 | |
Instead of getting on the internet and checking a new hit me, get up | 0:38:18 | 0:38:20 | |
# Thrift shop, pimp strut walking little bit of humble | 0:38:20 | 0:38:24 | |
# Little bit of cautious | 0:38:24 | 0:38:25 | |
Somewhere between like Rocky and Cosby | 0:38:25 | 0:38:26 | |
Sweater gang, nope, nope, y'all can't copy up | 0:38:26 | 0:38:28 | |
Bad moon walking, this here, is our party | 0:38:28 | 0:38:30 | |
My posse's been on Broadway and we did it our way | 0:38:30 | 0:38:33 | |
Grown music, I shed my skin | 0:38:33 | 0:38:34 | |
And put my bones into everything I record to it | 0:38:34 | 0:38:37 | |
And yet I'm on | 0:38:37 | 0:38:39 | |
Let that stage light go and shine on down | 0:38:39 | 0:38:42 | |
Got that Bob Barker suit game and plinko in my style | 0:38:42 | 0:38:46 | |
Money, stay on my craft and stick around for those pounds | 0:38:46 | 0:38:48 | |
But I do that to pass the torch and put on for my town | 0:38:48 | 0:38:51 | |
Trust me on my I-N-D-E-P-E-N-D-E-N-T hustler | 0:38:51 | 0:38:56 | |
Chasing dreams since I was 14 with the four-track | 0:38:56 | 0:38:59 | |
Bussing halfway cross that city with the backpack | 0:38:59 | 0:39:03 | |
Fat cat, crushing labels out here | 0:39:03 | 0:39:06 | |
Now they can't tell me nothing | 0:39:06 | 0:39:08 | |
We give that to the people Spread it across the country | 0:39:08 | 0:39:11 | |
Labels out here | 0:39:11 | 0:39:12 | |
Now they can't tell me nothing | 0:39:12 | 0:39:14 | |
We give it to the people | 0:39:14 | 0:39:16 | |
Spread it across the country. | 0:39:16 | 0:39:21 | |
# This is the moment | 0:39:21 | 0:39:22 | |
# Tonight is the night, we'll fight till its over | 0:39:22 | 0:39:28 | |
# Tonight is the night, we'll fight till it's over | 0:39:28 | 0:39:30 | |
# So we put our hands up like the ceiling can't hold us | 0:39:30 | 0:39:32 | |
# Like the ceiling can't hold us | 0:39:32 | 0:39:33 | |
# Here we go back, this is the moment | 0:39:33 | 0:39:34 | |
# Tonight is the night, we'll fight till it's over | 0:39:34 | 0:39:37 | |
# So we put our hands up like the ceiling can't hold us | 0:39:37 | 0:39:41 | |
# Like the ceiling can't hold us. # | 0:39:41 | 0:39:45 | |
Now, can I kick it? | 0:39:45 | 0:39:46 | |
Thank you. Yeah, I'm so damn grateful | 0:39:46 | 0:39:48 | |
I grew up, really wanted gold fronts | 0:39:48 | 0:39:50 | |
But that's what you get when Wu Tang raised you | 0:39:50 | 0:39:52 | |
Y'all can't stop me, go hard like I got an 808 in my heartbeat | 0:39:52 | 0:39:54 | |
And I'm eating at the beat like you gave a little speed | 0:39:55 | 0:39:56 | |
To a great white shark on shark week | 0:39:56 | 0:39:58 | |
Raw. Tell me go up | 0:39:58 | 0:39:59 | |
Gone! Deuces goodbye | 0:39:59 | 0:40:00 | |
I got a world to see, and my girl she wanna see Rome | 0:40:00 | 0:40:02 | |
Caesar make you a believer | 0:40:03 | 0:40:04 | |
Now I never ever did it for a throne | 0:40:04 | 0:40:06 | |
That validation comes from giving it back to the people | 0:40:06 | 0:40:08 | |
Now sing this song and it goes like | 0:40:08 | 0:40:11 | |
Raise those hands, this is our party | 0:40:11 | 0:40:14 | |
We came here to live life like nobody was watching | 0:40:14 | 0:40:17 | |
I got my city right behind me | 0:40:17 | 0:40:19 | |
If I fall, they got me | 0:40:19 | 0:40:20 | |
Learn from that failure gain humility | 0:40:20 | 0:40:22 | |
And then we keep marching ourselves | 0:40:22 | 0:40:24 | |
# Here we go back, this is the moment | 0:40:24 | 0:40:32 | |
# Tonight is the night, we'll fight till it's over | 0:40:32 | 0:40:34 | |
# So we put our hands up like the ceiling can't hold us | 0:40:34 | 0:40:35 | |
# Like the ceiling can't hold us | 0:40:35 | 0:40:37 | |
# Here, we go back, this is the moment | 0:40:37 | 0:40:40 | |
# Tonight is the night | 0:40:40 | 0:40:41 | |
# We'll fight till it's over | 0:40:41 | 0:40:44 | |
# So we put our hands up like the ceiling can't hold us | 0:40:44 | 0:40:47 | |
# Like the ceiling can't hold us | 0:40:47 | 0:40:56 | |
# And so we put our hands up. # | 0:40:56 | 0:41:06 | |
You can do louder than that! | 0:41:06 | 0:41:09 | |
And so we put our hands up... | 0:41:09 | 0:41:13 | |
Are you ready? Are you ready? | 0:41:13 | 0:41:16 | |
Let's go! | 0:41:16 | 0:41:17 | |
Na na na na na na na na | 0:41:17 | 0:41:22 | |
And all my people say | 0:41:22 | 0:41:23 | |
Na na na na | 0:41:23 | 0:41:26 | |
And all my people say | 0:41:26 | 0:41:28 | |
Na na na na na na na na | 0:41:28 | 0:41:38 | |
0:41:38 | 0:41:45 | ||
# This is the moment | 0:41:45 | 0:41:46 | |
# Tonight is the night, well fight till it's over | 0:41:46 | 0:41:50 | |
# Tonight is the night, we'll fight till it's over | 0:41:50 | 0:41:53 | |
# So we put our hands up like the ceiling can't hold us | 0:41:53 | 0:41:57 | |
# Like the ceiling can't hold us | 0:41:57 | 0:41:58 | |
# This is the moment | 0:41:58 | 0:42:02 | |
# Tonight is the night, we'll fight till it's over | 0:42:02 | 0:42:05 | |
# So we put our hands up like the ceiling can't hold us | 0:42:05 | 0:42:08 | |
# Like the ceiling can't hold us. # | 0:42:08 | 0:42:10 | |
CHEERING AND APPLAUSE | 0:42:10 | 0:42:20 | |
0:42:20 | 0:42:28 | ||
Great. How are you doing? Welcome to Derry. | 0:42:28 | 0:42:28 | |
Derry. It | 0:42:28 | 0:42:28 | |
Derry. It is | 0:42:28 | 0:42:29 | |
Derry. It is great | 0:42:29 | 0:42:33 | |
Derry. It is great to be back. crowds are all was exceptional here, | 0:42:33 | 0:42:37 | |
very similar to Scotland. There is a real vibe. There is a Celtic | 0:42:37 | 0:42:41 | |
affinity. When you were coming here six or seven years ago, you were | 0:42:41 | 0:42:48 | |
playing 200 capacity venues. It must be amazing to be playing here in | 0:42:48 | 0:42:54 | |
Derry, headlining one Big Weekend. It is fantastic. We have had great | 0:42:54 | 0:42:59 | |
support over the years and it feels like a chance for us and those | 0:42:59 | 0:43:03 | |
people to have a bit of a celebration in a way. Like Simon | 0:43:03 | 0:43:10 | |
says, the crowd here is fantastic. You are hard pushed to top a gig in | 0:43:10 | 0:43:20 | |
0:43:20 | 0:43:20 | ||
Apology for the loss of subtitles for 80 seconds | 0:43:20 | 0:44:20 | |
# It's you and me till the end of # I'll take a bruise I know you're | 0:44:20 | 0:44:30 | |
0:44:30 | 0:44:30 | ||
Apology for the loss of subtitles for 80 seconds | 0:44:30 | 0:45:20 | |
# It's you and me till # I'll take a bruise I know your | 0:45:20 | 0:45:30 | |
0:45:30 | 0:45:30 | ||
Apology for the loss of subtitles for 80 seconds | 0:45:30 | 0:46:56 | |
# It's you and me till # I'll take a bruise I know you're | 0:46:56 | 0:47:06 | |
0:47:06 | 0:47:45 | ||
just some pop stars crooning in a field. At all, Derry is vibrant and | 0:47:45 | 0:47:49 | |
brilliant Tom of the city of culture 2013. Rigsy finds out what it means | 0:47:49 | 0:47:55 | |
to the young people of Derry. The Big Weekend is not just about | 0:47:55 | 0:47:59 | |
bringing famous names or novel events to Derry in 2013. | 0:47:59 | 0:48:03 | |
It is also about looking past this year, towards a colourful and | 0:48:03 | 0:48:09 | |
adventurous future for the city. You are hoping to inspire the next | 0:48:09 | 0:48:15 | |
generation. Kids are getting exposed to music, traditions, opportunities | 0:48:15 | 0:48:21 | |
to learn that we never had. It is only positive. People come here and | 0:48:21 | 0:48:28 | |
they think it is amazing. We have the best music and dance scene, the | 0:48:28 | 0:48:35 | |
best theatre scene. It is about building confidence. The music | 0:48:35 | 0:48:38 | |
promise is a project designed to inspire the young people of Derry | 0:48:38 | 0:48:42 | |
using music. I asked one of the directors of the initiative about | 0:48:42 | 0:48:48 | |
their ambitions. This year, we will have approximately 1000 young | 0:48:48 | 0:48:55 | |
people. We have set up hubs in four or five different places in the | 0:48:55 | 0:49:04 | |
various partnership renewal areas. We are everywhere within the city. | 0:49:04 | 0:49:08 | |
Even in the first eight weeks, we have seen so much develop and in the | 0:49:08 | 0:49:12 | |
young people. Outside of the programme, they have even more | 0:49:12 | 0:49:16 | |
opportunities because it is the city of culture. We had a culture jam | 0:49:16 | 0:49:20 | |
weekend and one of our kids got up playing drums in front of 200 | 0:49:20 | 0:49:24 | |
people, after five weeks with us, having never played on stage in her | 0:49:24 | 0:49:31 | |
life. Obviously, with this sort of resource, and this equipment is | 0:49:31 | 0:49:34 | |
being left after the city of culture finishes, we are still in a position | 0:49:34 | 0:49:39 | |
to cater and develop a music community resource that has never | 0:49:39 | 0:49:44 | |
been done anywhere else in the world. But many in the city have | 0:49:44 | 0:49:48 | |
been involved in developing music as a positive tool for years. This man | 0:49:48 | 0:49:58 | |
teachers in schools in Derry. we're trying to do is married music | 0:49:58 | 0:50:03 | |
with technology. This project is allowing girls to experience | 0:50:03 | 0:50:10 | |
teaching, performance, music composition, and allowing them to | 0:50:10 | 0:50:18 | |
create an event at which that happens. So it is a way of bringing | 0:50:18 | 0:50:21 | |
different forms into one course, but in such a way that it is almost | 0:50:21 | 0:50:25 | |
covert, so they still learn about music and the discipline that is | 0:50:25 | 0:50:28 | |
needed to become good at during Truman, but taking it from a | 0:50:28 | 0:50:36 | |
different approach. The workshop, we're talking about 12 or | 0:50:36 | 0:50:39 | |
13-year-olds, and you can see their eyes light up, when the | 0:50:39 | 0:50:43 | |
opportunities have been opened up. It is not something that is here | 0:50:43 | 0:50:48 | |
this year and gone the next. This has been going since 1989 and we | 0:50:48 | 0:50:55 | |
intend to go until 2029 and further. Trust me, you're going to want to | 0:50:55 | 0:50:59 | |
keep an eye on some of those names for the future. It is sad but we | 0:50:59 | 0:51:06 | |
have two went down Radio 1's Big Weekend. Obviously, we can set this | 0:51:06 | 0:51:16 | |
0:51:16 | 0:51:16 | ||
Apology for the loss of subtitles for 80 seconds | 0:51:16 | 0:53:11 | |
all into an hour. Here are some of That is your lot from one Big | 0:53:11 | 0:53:16 | |
Weekend, 2013. It has been amazing. The one thing will remember is the | 0:53:16 | 0:53:21 | |
constant stream of happy, grateful faces. Not just the punters but the | 0:53:21 | 0:53:26 | |
staff, so welcoming and happy to be part of it. In the sun came out, it | 0:53:26 | 0:53:30 | |
is a good way to bring the English over. Old people young people, mums | 0:53:30 | 0:53:33 | |
and dads will remember this moment for the rest of their lives. Musical | 0:53:33 | 0:53:43 | |
0:53:43 | 0:53:44 | ||
highlights? Eddie Azalea, her hot pants. -- Iggy. Hopefully this is | 0:53:44 | 0:53:49 | |
not the end of one Big Weekend coming here, but from myself, Rigsy | 0:53:49 | 0:53:59 | |
0:53:59 | 0:54:10 | ||
# Oh, her eyes, her eyes make the # Her hair, her hair falls perfectly | 0:54:10 | 0:54:20 | |
0:54:20 | 0:54:26 | ||
# Yeah, I know, I know when I # And it's so, it's so sad to think | 0:54:26 | 0:54:36 | |
0:54:36 | 0:54:41 | ||
# But every time she asks me do I # Cos you're amazing just the way | 0:54:41 | 0:54:51 | |
0:54:51 | 0:55:13 | ||
# The whole world stops and stares # Her lips, her lips I could kiss | 0:55:13 | 0:55:23 | |
0:55:23 | 0:55:28 | ||
# She hates, but I think it's so # Oh, you know, you know, you know | 0:55:28 | 0:55:36 | |
# If perfect's what # So, don't even bother asking if | 0:55:36 | 0:55:46 | |
0:55:46 | 0:56:04 | ||
# There's not a thing that I would # The whole world stops and stares | 0:56:04 | 0:56:14 | |
0:56:14 | 0:56:26 |