09/02/2013 Celtic Connections


09/02/2013

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Coming up tonight, some of the best from Celtic Connections 2013.

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# He drinks dark rum and he chews tobacco... #

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On the programme, great music from Heidi Talbot...

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# And we roll all night We roll all day

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# Spend our money all on Sally Brown... #

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# Four black sheep... #

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..Martha Wainwright...

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# Trying and dying to be free... #

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Two, three, four! # When I'm lonely... #

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The Two Man Gentlemen Band.

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# Oh, when I want you only

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# I drink a fancy beer... #

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..India Alba...

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..and Blazin' Fiddles.

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Hello and welcome to the Old Fruitmarket in Glasgow.

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It's a great line-up of acts picked from the thousands

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of performers who have played at Celtic Connections this year.

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'It's the festival's 20th anniversary

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'and over the years it has become one of the country's most

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'important musical events, with audiences enjoying artists from

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'a huge range of musical backgrounds and from both home and abroad.'

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So to start us off tonight,

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what could be more appropriate than a singer from Ireland

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who's now based in Scotland

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and who also performed at the very first Celtic Connections in 1994?

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With her husband John McCusker and some well-known faces,

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here is Heidi Talbot.

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# I am the sea that surrounds you

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# The garden that grounds you

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# The sun and the wind and the rain

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# I am every season

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# Your every reason

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# To start it all over again

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# Soon you'll sail a wide river

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# We'll set sail together

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# And oceans will call out your name

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# And by stars you will follow

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# Your hopes for tomorrow

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# And start it all over again

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# Start it all over again

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# And if you stagger or stumble

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# If dreams start to crumble

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# I'll pick up the pieces of pain

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# I will cradle you, cry with you

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# Pray that tonight we'll just

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# Start it all over again

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# Start it all over again

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# Who has eyes that can see

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# All the things you could be?

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# Who has ears for the sweetest refrain?

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# May your heart sing for ever

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# Where the sea meets the river

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# And start it all over again

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# Start it all over again. #

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CHEERING AND APPLAUSE

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Thank you very much.

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One of the huge strengths of Celtic Connections over the last few years

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has been the range of musical genres added to the line-up.

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Our next act do exactly the same thing, merging influences

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from blues, jazz and Western swing into a very entertaining double act.

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From the States, they are the Two Man Gentlemen Band.

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Now friends, far be it from us

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to, er, come here as guests in your fine city

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and suggest one of our own songs

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to be sort of a local municipal anthem for you, but...

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LAUGHTER

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that's precisely what we're going to do right now.

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It's a song celebrating one of your great inventions here in Glasgow,

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and one of your tastiest exports.

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Are you ready, friend? Two, three, four.

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# Friday night when my hunger's up

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# I line up with the livery in the taxi line

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# A fine brown girl behind the counter

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# Walk up to her and here's what I order

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# Tik-tik-tikka masala

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# Tikka masala, baby

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# Tik-tik-tikka masala

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# I like it spicy when you make it for me

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# Tik-tik-tikka masala

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# Tikka masala, baby Tik-tik-tikka masala

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# I like your spice

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# On the night I met you

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# Holly, take my hand please

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# Closed my eyes, it was sunrise

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# Floating with you down the River Ganges

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# Floating with you down the River Ganges

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# Tik-tik-tikka masala

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# Tikka masala, baby Tik-tik-tikka masala

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# I like your spice

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# On the night I met you

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# Holly, take my hand please Take my hand please

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# Closed my eyes, it was sunrise

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# Floating with you down the River Ganges

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# Floating with you down the River Ganges

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# Tik-tik-tikka masala

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# Tikka masala, baby Tik-tik-tikka masala

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# I like it spicy when you

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# Tik-tik-tikka masala

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# Tikka masala, baby Tik-tik-tikka masala

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# I like your spice, oh. #

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Let's go now!

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# Oh, tik-tik-tikka masala

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# Tikka masala, baby Tik-tik-tikka masala

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# I like your spice

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# Tikka masala. #

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CHEERING AND APPLAUSE

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Next up, a firm favourite on the Scottish traditional music scene.

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First formed to showcase the styles and flavours of fiddle music

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from across the Highlands and Islands,

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they've been a hit at many Celtic Connections over the years,

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and have performed to audiences all over the world.

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So, for the next few minutes all you're going to hear

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is the sound of Blazin' Fiddles.

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Ladies and gentlemen, the wonderful Anna Massie!

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APPLAUSE

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How does he do it? Mr Angus Lyon!

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APPLAUSE

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All the way from the beautiful west coast,

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please welcome Mr Alan Henderson

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and Mr Iain MacFarlane.

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APPLAUSE

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Ladies and gentlemen, Jenna Reid and Bruce Macgregor!

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APPLAUSE

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CHEERING AND APPLAUSE

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Our next performer is an artist with a family lineage steeped in music.

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Her mother, Canadian singer-songwriter Kate McGarrigle.

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Her father's name is Loudon, her brother is Rufus

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and she is the rather talented Martha Wainwright.

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# Get in the car We're late for the gig

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# But don't go too fast It's been snowing since 10.00am

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# And we'll never be this free again

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# Crossin' the bridge over the Gatineau

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# To the side that I know

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# Where the light becomes strange

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# We'll never be this free again

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# On our way home, singin' the songs

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# That we learned on our mother's knee

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# Four black sheep in need

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# Trying and dying to be free

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# Jesse's been drinking again and again

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# He won't believe, he can't believe

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# We can see right through his soul

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# Mom and Dad, they're on their way

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# They know these roads They've been leading a lonely life

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# Black sheep, they too were born in the night

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# And we'll meet at the lodge

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# To suck on life and scream up at the sky

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# That we don't feel the same

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# And we'll never be this free again

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# May walked away in the snow

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# Sayin' she was through

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# And Frere Jacques never woke to ring the bell

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# To tell us what we already knew

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# That out there in the freezing night

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# We would not be all right

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# Four black sheep travelling at different speeds

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# Angry at the world

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# Losing the way in the cold deep snow

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# Red on black on white it glowed

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# We would never be this free again

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# Oh, we would never be this free again

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# Oh, after the show Back on the road to Montreal

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# There were diamonds piercing our eyes

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# And the snow piling up on either side

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# Oh, and Jesse took the wheel

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# There was an appeal to stop the ride

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# But we were just four black sheep in the night

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# Oh, trying to hold onto our lives

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# Oh, and we never made it home

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# Spinning out on the road We took to the sky

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# Where we were finally free for the last time

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# Oh, red on black on white in the night

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# I said red on black on white in the night

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# I said red on black on white in the night

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# I said red on black on white in the night

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# I said, I said, I said, I said I said, I said, I said

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# Oh, I said, I said, I said I said, I said, I said

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# I said red on black on white

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# Oh-ho-ho-ha-ha, in the night. #

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CHEERING AND APPLAUSE

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Music from around the world is now a distinctive part

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of Celtic Connections, with the emphasis firmly on the

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connections that are made between some diverse musical traditions.

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This next band personify the quest

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for some musical links between cultures.

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That's why they're called India Alba.

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CHEERING AND APPLAUSE

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It's been 25 years

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since Canadian band Cowboy Junkies released the pioneering

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Trinity Session album famously recorded in a church in Toronto.

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Over the last few years there's been a flurry of new recordings,

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with a series of four albums released between 2010 and 2012.

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They did a great sell-out gig at Kelvingrove Art Gallery

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and we filmed them recording this session for Radio 2.

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# Meet me on the banks of the Yangtze, Suzie

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# Beside the gates of the New-West Yard

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# We'll watch the barges cart away

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# The waste of another day

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# We'll watch the barges cart away

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# The waste of another day

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# Meet me in the middle of Renmin Park

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# Where the stone bridge meets the pond

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# We'll watch the ducklings gobbling bread

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# And the stealth of the approaching swan

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# We'll watch the ducklings gobbling bread

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# And the stealth of the approaching swan

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# Listen for the song of the propane seller

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# Bouncing off the walls

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# His morning cry a promise

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# To you from me

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# His morning song a blessing

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# On you and me

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# Meet me on the banks of the Yangtze, Suzie

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# Beside the gates of the New-West Yard

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# We'll watch the darkness leach away

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# Into the haze of another day

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# We'll watch the darkness leach away

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# Into the haze of another day. #

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We're going to ask for your help on this. Each time we say "fancy beer",

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we invite you to shout out "fancy beer".

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-Fancy beer! AUDIENCE:

-Fancy beer!

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I think that'll do.

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Three, four!

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# Ah-ah-ah

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# Ah-ah-ah

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# Fancy beer

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-AUDIENCE:

-Fancy beer!

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Two, three, four!

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# When I'm lonely I drink a fancy beer

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Fancy beer!

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# When I want you only I drink a fancy beer

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Fancy beer!

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# And when the weather's stormy And daybreak is far

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# I throw an extra dollar fifty on the bar

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# There's no sense in saving pennies If I don't know where you are

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-# Oh, I drink a fancy beer

-Fancy beer!

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# Bop bop beep bop bop Biddle-a diddle-a diddle-a da

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# Be ba de da dee da Da da boh

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# Di bum di bum di bum di bum Di bum di bum di bum di bum

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# Ba ba ba ba ba oh!

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PLAYS KAZOO ALONG TO TUNE

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# Oh, when I'm randy When I'm randy

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-# I drink a fancy beer AUDIENCE:

-Fancy beer!

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# When I look for a piece of candy But I can't get it

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-# I drink a fancy beer

-Fancy beer!

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# When there's no-one there to hold me for the whole of the night

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# I put in an order for a 7 pint

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# Though I ain't made of money I look classy and tight

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# Oh, drinking a fancy beer

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Fancy beer!

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# A friendly drink when you're feeling lonely

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# A friendly drink when you're feeling randy

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# F-f-f-f-f-f-f-f

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# F-f-f-f-f-f-f

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Two, three, four!

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CHEERING AND WHISTLING

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# Oh, when I'm lonely

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# When I'm lonely

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# I drink a fancy beer

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-AUDIENCE:

-Fancy beer!

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# Oh, when I want you home

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# I drink a fancy beer

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-AUDIENCE:

-Fancy beer!

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# And when the weather's stormy

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-# And daybreak's far

-And the daybreak, it is far

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# I throw an extra dollar fifty on the bar

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# There's no sense in saving pennies If I don't know where you are

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# I drink a fancy beer

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-AUDIENCE:

-Fancy beer!

-Fancy beer!

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# Oh, I drink a fancy beer

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-AUDIENCE:

-Fancy beer!

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Friends, would you like to hear the big finish?

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CHEERING

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Would you like to hear the big finish with the John Cougar Mellencamp bonus?

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-AUDIENCE:

-Yeah!

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Would you like to hear it with the John Mellencamp bonus and the Samurai double bonus?

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-Yeah!

-Two, three, four!

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# Oh, I drink a fancy beer

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Fancy beer!

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# Oh, I drink a fancy beer

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Fancy beer!

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# Oh, I...

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# I drink a fancy, fancy beer

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# Oh, I drink a fancy beer. #

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John Cougar Mellencamp bonus!

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CHEERING AND APPLAUSE

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Now some more from Heidi Talbot.

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In true festival spirit, this next piece includes

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a great collaboration between two Celtic regulars.

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Firstly, from Admiral Fallow, Louis Abbott, and Julie Fowlis.

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This is a song called Sally Brown that

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I found on a compilation record of sea shanties that was put

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together by Johnny Depp, and I really loved the song when I heard it and

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on the recording, Teddy Thompson was singing the song

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so I decided to record it and a little part of me thought,

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"If I record this song, maybe Johnny Depp will hear it

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"and he'll like my version and then he'll want to meet me and

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"we'll go to the pub and have a chat and it'll be very nice."

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So, anyway.

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So, this is Sally Brown. So, I'll teach you the chords.

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That's a lovely story.

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This is my husband, by the way. So, he's, you know...

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LAUGHTER

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-..a wee bit put out about the whole thing.

-Great story. Interesting.

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# Sally Brown she's a fine young lady

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# Way-hey, we roll and go

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# She's the mother of a Creole baby

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# Way-hey, we roll and go

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# And we roll all night We roll all day

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# Spend our money all on Sally Brown

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# I shipped onboard of a Liverpool liner

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# Way-hey, we roll and go

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# Her mother doesn't like a tarry sailor

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# Way-hey, we roll and go

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# And we roll all night We roll all day

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# Spend our money all on Sally Brown

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# She wants her to marry a one-legged captain

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# Way-hey, we roll and go

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# He drinks dark rum and he chews tobacco

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# Way-hey, we roll and go

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# And we roll all night We roll all day

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# Spend our money all on Sally Brown

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# For seven long years I courted Sally

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# Way-hey, we roll and go

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# The sweetest girl in all the valley

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# Way-hey, we roll and go

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# And we roll all night We roll all day

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# Spend our money all on Sally Brown

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# For seven long years she wouldn't marry

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# Way-hey, we roll and go

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# And I no longer cared to tarry

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# Way-hey, we roll and go

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# And we roll all night We roll all day

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# Spend our money all on Sally Brown

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# So I courted Sal her only daughter

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# Way-hey, we roll and go

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# For her I sail upon the water

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# Way-hey, we roll and go

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# And we roll all night We roll all day

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# Spend our money all on Sally Brown

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# Now my troubles are all over

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# Way-hey, we roll and go

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# Sally's married to a dirty soldier

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# Way-hey, we roll and go

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# And we roll all night We roll all day

0:37:450:37:49

# Spend our money all on Sally Brown

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# And we roll all night and we roll all day

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# Spend our money all on Sally Brown

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# La, la, la-la, la, la, la-la-la-la

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# La, la, la-la-la, la, la-la-la

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# La, la, la-la, la, la, la-la-la

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# La, la-la, la-la-la, la-la, la. #

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CHEERING AND APPLAUSE

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CHEERING AND APPLAUSE

0:40:370:40:40

Thank you very much.

0:40:420:40:43

-Martha Wainwright, a warm welcome to Celtic Connections.

-Thank you.

0:40:460:40:49

I want to read something that you said.

0:40:490:40:51

"I don't think I've ever sung this hard, played this hard

0:40:510:40:54

"or tried this hard. I've made this record as a motherless child

0:40:540:40:57

-"and as a mother - two things I had never been before."

-Yes.

0:40:570:41:01

I mean, what a huge... What a huge statement

0:41:010:41:04

and what a huge change in life.

0:41:040:41:06

Yes, indeed, yeah.

0:41:060:41:07

I, you know, worked hard at this...this last record,

0:41:070:41:12

Come Home To Mama, but I think also, you know, it was a very

0:41:120:41:15

emotional record because of, you know, a lot...

0:41:150:41:19

I had a lot of feelings.

0:41:190:41:21

I wanted to make a record right after my mother died cos I think

0:41:210:41:26

she would have wanted me to, and also I just had a baby

0:41:260:41:29

and I know that that can sometimes really stall female artists

0:41:290:41:34

cos it is hard to do both, as I am learning more and more every day.

0:41:340:41:38

So I wanted to quickly return to

0:41:380:41:44

going out on the road and songwriting

0:41:440:41:47

and making an album and then going out on the road

0:41:470:41:50

and not being forgotten.

0:41:500:41:51

You have always been a very honest songwriter.

0:41:510:41:53

You've always dealt very openly and honestly with your life

0:41:530:41:56

and you come from a family of honest songwriters

0:41:560:41:58

so I guess your audience would expect nothing less from you...

0:41:580:42:01

-Yeah.

-..than to be able to deal with this stuff through your songs.

0:42:010:42:04

Yeah, that's sort of my motto.

0:42:040:42:06

My parents, I think, especially my father,

0:42:060:42:09

Loudon Wainwright III, whose poster I keep seeing here

0:42:090:42:15

and who brought me here for the first time to Glasgow and took me

0:42:150:42:20

out to Rogano's about 20 years ago or 15 years ago maybe,

0:42:200:42:26

and, you know, he used his family, you know,

0:42:260:42:31

and I didn't like it at the time, although I liked some nice songs.

0:42:310:42:35

But I have sort of ended up doing the same thing

0:42:350:42:38

and I guess that's that thing that I've heard,

0:42:380:42:41

that you should never be related to or married to a writer

0:42:410:42:45

because you're going to be miserable, you know.

0:42:450:42:48

-So that has happened to an extent.

-It's too late now.

0:42:480:42:51

You have now continued the great tradition of Wainwright

0:42:510:42:54

dialogue by writing Everything Wrong.

0:42:540:42:58

-Will you expect your son to write a reply song?

-Oh, God.

0:42:580:43:03

That's one person I feel like now I have a really important audience

0:43:030:43:06

member, and I hope I don't write too many songs about him, you know,

0:43:060:43:12

because that might annoy him.

0:43:120:43:15

But, yes, you know,

0:43:150:43:19

I just wanted to apologise in that song to him for my

0:43:190:43:25

wrongdoings and my future wrongdoings because I know there will be many.

0:43:250:43:29

-Get the apologies in early?

-Exactly. I am very apologetic.

0:43:290:43:33

This is my first song about motherhood.

0:43:330:43:37

And my son probably wishes, the last.

0:43:390:43:41

Well, what goes around comes around in my family. Hm.

0:43:450:43:48

# I do most everything wrong

0:43:500:43:56

# Even on the day you were born

0:44:040:44:11

# My husband's been lying and cheating

0:44:190:44:23

# I turned my cheek and reason

0:44:230:44:27

# I change my tune every day

0:44:270:44:32

# There is one thing I want you to be

0:44:390:44:44

# That is smarter than me

0:44:470:44:53

# If things, they don't seem right

0:44:560:44:59

# Open your wings and take flight

0:44:590:45:03

# Don't stick around to watch the pieces fall

0:45:030:45:09

# I don't want you to feel alone

0:45:110:45:16

# But you probably will when you are older

0:45:190:45:26

# I will try to stay alive

0:45:290:45:32

# To watch as much through your eyes

0:45:320:45:36

# But you know one day I will go

0:45:360:45:44

# Don't listen too much to what I say

0:45:440:45:49

# Making sense has never been my way

0:45:520:45:57

# I can teach you, one, two, three

0:46:000:46:04

# I can dance with you on repeat

0:46:040:46:08

# I can hold your hand for ever

0:46:080:46:12

# Na-na, na, na-na, na-na, na

0:46:120:46:16

# I can do so much

0:46:160:46:18

# But you can do so much more

0:46:180:46:24

# I am only a stepping stone

0:46:240:46:31

# For you to get where you must go

0:46:310:46:38

# And there is nothing I would rather be

0:46:390:46:43

# So put your weight on me

0:46:430:46:47

# Na-na, na-na, na-na, na, na-na-na

0:46:470:46:55

# I am your protector

0:46:550:47:02

# I am not your pretender

0:47:030:47:10

# I will try

0:47:100:47:14

# I will not lie

0:47:140:47:18

# I will not cry too much in front of you

0:47:180:47:28

# I have been really, really sad

0:47:300:47:34

# Except for having you with your dad. #

0:47:380:47:44

CHEERING AND APPLAUSE

0:47:490:47:52

Thank you very much.

0:47:520:47:54

Thank you, Glasgow. Great to be here.

0:47:540:47:56

One, two, three, four.

0:48:030:48:04

# Oh, sunburn, I'm gonna get one

0:48:090:48:13

# Bikinis, I'm gonna see some

0:48:150:48:18

# Oh, oh, greasy, fried stuff I'm gonna eat some

0:48:200:48:24

# And those pretty girls lying in the sunshine, I'm gonna meet one

0:48:250:48:29

# Oh, I'll grab you, honey If you're in my reach

0:48:300:48:34

# And we'll walk on down to Panama City beach

0:48:360:48:38

# Oh, Fruity Dreams I'm gonna drink one

0:48:390:48:43

# Tequila, I'm gonna have some... #

0:48:440:48:48

That fruity drink.

0:48:480:48:50

# Oh, swimming trunks I ain't gonna wear none

0:48:500:48:54

# But those pretty girls lying in the sunshine, I'm gonna meet one

0:48:550:48:59

# Oh, I'll grab you, honey If you're in my reach

0:49:000:49:04

# And we'll walk on down to Panama City beach, oh!

0:49:060:49:09

# Oh, oh, sunburn I'm gonna get one... #

0:49:410:49:46

Bikinis.

0:49:460:49:47

# Bikinis, I'm gonna see some... #

0:49:470:49:52

Greasy, fried stuff.

0:49:520:49:53

# Greasy, fried stuff I'm gonna eat some

0:49:530:49:57

# And those pretty girls lying in the sunshine, I'm gonna meet one

0:49:580:50:02

# Oh, I'll grab you, honey If you're in my reach

0:50:030:50:07

# And we'll walk on down to Panama City beach... #

0:50:090:50:11

Let's walk on down.

0:50:110:50:12

# Oh, I'll grab you, honey If you're in my reach

0:50:230:50:26

# And we'll walk on down to Panama City beach

0:50:280:50:30

# Oh, we'll walk on down to Panama City beach

0:50:300:50:33

# I said, we'll walk on down to Panama City... #

0:50:330:50:36

It's in Florida.

0:50:400:50:41

CHEERING AND APPLAUSE

0:50:410:50:44

This year, Celtic Connections hosted the Radio 2 Folk Awards.

0:50:560:50:59

Here's Mary Chapin Carpenter

0:50:590:51:01

performing at the ceremony in the Royal Concert Hall.

0:51:010:51:04

# There's a big white house on a leafy street

0:51:110:51:16

# On a summer's day in 1963

0:51:170:51:21

# Station wagons parked in the drive

0:51:230:51:26

# Dents in the fender and wood on the side

0:51:290:51:32

# There's kids and dogs and Instamatic cubes

0:51:340:51:37

# Squinting hard in the sun

0:51:370:51:40

# Not just yet but one day too

0:51:400:51:43

# They'll be chasing what's already gone

0:51:430:51:47

# You grow up tall and you grow up tough

0:51:570:52:01

# Trying to never admit not feeling good enough

0:52:030:52:07

# Until you find your passion and you find your way

0:52:080:52:14

# Just trying to make it unscathed through every day

0:52:140:52:17

# And it seems to happen nearly overnight

0:52:200:52:22

# Life shows you who you've become

0:52:220:52:25

# And there's no more mystery in the fading light

0:52:250:52:29

# You're just chasing what's already gone

0:52:290:52:34

# Like the line that spells the far horizon

0:52:430:52:48

# Moving with you as fast as you can run

0:52:490:52:53

# Half your life you pay it no attention

0:52:550:52:59

# The rest you can't stop wondering

0:52:590:53:02

# What you should have done

0:53:020:53:04

# Instead of chasing what's already gone

0:53:040:53:07

# Saw my father in a dream last night

0:53:300:53:34

# He was smiling and saying "You're gonna be all right"

0:53:350:53:40

# And this morning I stared back at myself

0:53:410:53:45

# Feeling as empty as I've ever felt

0:53:470:53:50

# But I keep on rolling and I hope I've learned

0:53:520:53:56

# More of what's right than what's wrong

0:53:560:53:59

# It's ashes and roses and time that burns

0:53:590:54:02

# When you're chasing what's already gone

0:54:020:54:05

# Ashes and roses and hearts that break

0:54:050:54:07

# I tried so hard to be strong

0:54:070:54:09

# And maybe my worries were not my first mistake

0:54:100:54:16

# I'm chasing what's already gone

0:54:180:54:21

# Hey, hey, hey, yeah, yeah

0:54:290:54:33

# Chasing what's already gone. #

0:54:350:54:39

CHEERING AND APPLAUSE

0:54:450:54:48

Well, that's about all we have time for tonight.

0:54:530:54:55

We have had some great music, reflecting what has been

0:54:550:54:58

a brilliant 20th anniversary for Celtic Connections.

0:54:580:55:01

There's even more music from the festival

0:55:010:55:02

at bbc.co.uk/celticconnections.

0:55:020:55:06

So, one last track from the Old Fruitmarket.

0:55:060:55:09

Here's Blazin' Fiddles.

0:55:090:55:10

Happy birthday, Celtic Connections. Here's to the next 20.

0:55:100:55:14

Hey!

0:55:360:55:38

Hey!

0:56:340:56:35

Hey!

0:56:580:56:59

Hey!

0:57:190:57:20

Hey!

0:58:030:58:04

CHEERING AND APPLAUSE

0:58:320:58:34

Subtitles by Red Bee Media Ltd

0:58:370:58:40

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