Browse content similar to 09/02/2013. Check below for episodes and series from the same categories and more!
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Coming up tonight, some of the best from Celtic Connections 2013. | 0:00:02 | 0:00:06 | |
# He drinks dark rum and he chews tobacco... # | 0:00:18 | 0:00:22 | |
On the programme, great music from Heidi Talbot... | 0:00:22 | 0:00:24 | |
# And we roll all night We roll all day | 0:00:24 | 0:00:28 | |
# Spend our money all on Sally Brown... # | 0:00:28 | 0:00:31 | |
# Four black sheep... # | 0:00:31 | 0:00:33 | |
..Martha Wainwright... | 0:00:33 | 0:00:34 | |
# Trying and dying to be free... # | 0:00:36 | 0:00:40 | |
Two, three, four! # When I'm lonely... # | 0:00:40 | 0:00:43 | |
The Two Man Gentlemen Band. | 0:00:43 | 0:00:46 | |
# Oh, when I want you only | 0:00:46 | 0:00:48 | |
# I drink a fancy beer... # | 0:00:48 | 0:00:50 | |
..India Alba... | 0:00:54 | 0:00:56 | |
..and Blazin' Fiddles. | 0:01:06 | 0:01:09 | |
Hello and welcome to the Old Fruitmarket in Glasgow. | 0:01:12 | 0:01:16 | |
It's a great line-up of acts picked from the thousands | 0:01:16 | 0:01:19 | |
of performers who have played at Celtic Connections this year. | 0:01:19 | 0:01:22 | |
'It's the festival's 20th anniversary | 0:01:22 | 0:01:24 | |
'and over the years it has become one of the country's most | 0:01:24 | 0:01:27 | |
'important musical events, with audiences enjoying artists from | 0:01:27 | 0:01:31 | |
'a huge range of musical backgrounds and from both home and abroad.' | 0:01:31 | 0:01:36 | |
So to start us off tonight, | 0:01:36 | 0:01:37 | |
what could be more appropriate than a singer from Ireland | 0:01:37 | 0:01:40 | |
who's now based in Scotland | 0:01:40 | 0:01:41 | |
and who also performed at the very first Celtic Connections in 1994? | 0:01:41 | 0:01:46 | |
With her husband John McCusker and some well-known faces, | 0:01:46 | 0:01:50 | |
here is Heidi Talbot. | 0:01:50 | 0:01:52 | |
# I am the sea that surrounds you | 0:01:59 | 0:02:04 | |
# The garden that grounds you | 0:02:04 | 0:02:07 | |
# The sun and the wind and the rain | 0:02:07 | 0:02:12 | |
# I am every season | 0:02:13 | 0:02:18 | |
# Your every reason | 0:02:18 | 0:02:21 | |
# To start it all over again | 0:02:21 | 0:02:26 | |
# Soon you'll sail a wide river | 0:02:27 | 0:02:32 | |
# We'll set sail together | 0:02:32 | 0:02:35 | |
# And oceans will call out your name | 0:02:35 | 0:02:41 | |
# And by stars you will follow | 0:02:42 | 0:02:46 | |
# Your hopes for tomorrow | 0:02:46 | 0:02:50 | |
# And start it all over again | 0:02:50 | 0:02:54 | |
# Start it all over again | 0:02:57 | 0:03:02 | |
# And if you stagger or stumble | 0:03:04 | 0:03:08 | |
# If dreams start to crumble | 0:03:08 | 0:03:11 | |
# I'll pick up the pieces of pain | 0:03:11 | 0:03:16 | |
# I will cradle you, cry with you | 0:03:18 | 0:03:22 | |
# Pray that tonight we'll just | 0:03:22 | 0:03:26 | |
# Start it all over again | 0:03:26 | 0:03:30 | |
# Start it all over again | 0:03:33 | 0:03:38 | |
# Who has eyes that can see | 0:04:12 | 0:04:15 | |
# All the things you could be? | 0:04:15 | 0:04:19 | |
# Who has ears for the sweetest refrain? | 0:04:19 | 0:04:25 | |
# May your heart sing for ever | 0:04:26 | 0:04:30 | |
# Where the sea meets the river | 0:04:30 | 0:04:33 | |
# And start it all over again | 0:04:33 | 0:04:38 | |
# Start it all over again. # | 0:04:41 | 0:04:46 | |
CHEERING AND APPLAUSE | 0:05:45 | 0:05:47 | |
Thank you very much. | 0:05:50 | 0:05:51 | |
One of the huge strengths of Celtic Connections over the last few years | 0:05:54 | 0:05:57 | |
has been the range of musical genres added to the line-up. | 0:05:57 | 0:06:01 | |
Our next act do exactly the same thing, merging influences | 0:06:01 | 0:06:04 | |
from blues, jazz and Western swing into a very entertaining double act. | 0:06:04 | 0:06:10 | |
From the States, they are the Two Man Gentlemen Band. | 0:06:10 | 0:06:14 | |
Now friends, far be it from us | 0:06:14 | 0:06:18 | |
to, er, come here as guests in your fine city | 0:06:18 | 0:06:21 | |
and suggest one of our own songs | 0:06:21 | 0:06:23 | |
to be sort of a local municipal anthem for you, but... | 0:06:23 | 0:06:27 | |
LAUGHTER | 0:06:27 | 0:06:29 | |
that's precisely what we're going to do right now. | 0:06:29 | 0:06:32 | |
It's a song celebrating one of your great inventions here in Glasgow, | 0:06:34 | 0:06:38 | |
and one of your tastiest exports. | 0:06:38 | 0:06:40 | |
Are you ready, friend? Two, three, four. | 0:06:40 | 0:06:43 | |
# Friday night when my hunger's up | 0:06:43 | 0:06:46 | |
# I line up with the livery in the taxi line | 0:06:46 | 0:06:48 | |
# A fine brown girl behind the counter | 0:06:48 | 0:06:51 | |
# Walk up to her and here's what I order | 0:06:51 | 0:06:53 | |
# Tik-tik-tikka masala | 0:06:53 | 0:06:55 | |
# Tikka masala, baby | 0:06:56 | 0:06:58 | |
# Tik-tik-tikka masala | 0:06:58 | 0:07:00 | |
# I like it spicy when you make it for me | 0:07:00 | 0:07:02 | |
# Tik-tik-tikka masala | 0:07:02 | 0:07:04 | |
# Tikka masala, baby Tik-tik-tikka masala | 0:07:05 | 0:07:09 | |
# I like your spice | 0:07:09 | 0:07:11 | |
# On the night I met you | 0:07:11 | 0:07:14 | |
# Holly, take my hand please | 0:07:14 | 0:07:16 | |
# Closed my eyes, it was sunrise | 0:07:16 | 0:07:19 | |
# Floating with you down the River Ganges | 0:07:19 | 0:07:21 | |
# Floating with you down the River Ganges | 0:07:21 | 0:07:24 | |
# Tik-tik-tikka masala | 0:07:24 | 0:07:27 | |
# Tikka masala, baby Tik-tik-tikka masala | 0:07:27 | 0:07:31 | |
# I like your spice | 0:07:31 | 0:07:32 | |
# On the night I met you | 0:07:53 | 0:07:56 | |
# Holly, take my hand please Take my hand please | 0:07:56 | 0:07:58 | |
# Closed my eyes, it was sunrise | 0:07:58 | 0:08:00 | |
# Floating with you down the River Ganges | 0:08:00 | 0:08:03 | |
# Floating with you down the River Ganges | 0:08:03 | 0:08:05 | |
# Tik-tik-tikka masala | 0:08:05 | 0:08:07 | |
# Tikka masala, baby Tik-tik-tikka masala | 0:08:08 | 0:08:12 | |
# I like it spicy when you | 0:08:12 | 0:08:15 | |
# Tik-tik-tikka masala | 0:08:15 | 0:08:17 | |
# Tikka masala, baby Tik-tik-tikka masala | 0:08:18 | 0:08:21 | |
# I like your spice, oh. # | 0:08:21 | 0:08:24 | |
Let's go now! | 0:08:41 | 0:08:43 | |
# Oh, tik-tik-tikka masala | 0:08:53 | 0:08:57 | |
# Tikka masala, baby Tik-tik-tikka masala | 0:08:57 | 0:09:01 | |
# I like your spice | 0:09:01 | 0:09:02 | |
# Tikka masala. # | 0:09:02 | 0:09:04 | |
CHEERING AND APPLAUSE | 0:09:08 | 0:09:10 | |
Next up, a firm favourite on the Scottish traditional music scene. | 0:09:15 | 0:09:19 | |
First formed to showcase the styles and flavours of fiddle music | 0:09:19 | 0:09:23 | |
from across the Highlands and Islands, | 0:09:23 | 0:09:24 | |
they've been a hit at many Celtic Connections over the years, | 0:09:24 | 0:09:27 | |
and have performed to audiences all over the world. | 0:09:27 | 0:09:30 | |
So, for the next few minutes all you're going to hear | 0:09:30 | 0:09:34 | |
is the sound of Blazin' Fiddles. | 0:09:34 | 0:09:36 | |
Ladies and gentlemen, the wonderful Anna Massie! | 0:12:46 | 0:12:49 | |
APPLAUSE | 0:12:49 | 0:12:51 | |
How does he do it? Mr Angus Lyon! | 0:13:03 | 0:13:06 | |
APPLAUSE | 0:13:07 | 0:13:09 | |
All the way from the beautiful west coast, | 0:13:29 | 0:13:32 | |
please welcome Mr Alan Henderson | 0:13:32 | 0:13:35 | |
and Mr Iain MacFarlane. | 0:13:35 | 0:13:37 | |
APPLAUSE | 0:13:37 | 0:13:39 | |
Ladies and gentlemen, Jenna Reid and Bruce Macgregor! | 0:14:09 | 0:14:12 | |
APPLAUSE | 0:14:12 | 0:14:14 | |
CHEERING AND APPLAUSE | 0:16:03 | 0:16:06 | |
Our next performer is an artist with a family lineage steeped in music. | 0:16:12 | 0:16:16 | |
Her mother, Canadian singer-songwriter Kate McGarrigle. | 0:16:16 | 0:16:19 | |
Her father's name is Loudon, her brother is Rufus | 0:16:19 | 0:16:22 | |
and she is the rather talented Martha Wainwright. | 0:16:22 | 0:16:26 | |
# Get in the car We're late for the gig | 0:16:29 | 0:16:32 | |
# But don't go too fast It's been snowing since 10.00am | 0:16:32 | 0:16:37 | |
# And we'll never be this free again | 0:16:38 | 0:16:43 | |
# Crossin' the bridge over the Gatineau | 0:16:44 | 0:16:47 | |
# To the side that I know | 0:16:47 | 0:16:49 | |
# Where the light becomes strange | 0:16:49 | 0:16:52 | |
# We'll never be this free again | 0:16:53 | 0:16:58 | |
# On our way home, singin' the songs | 0:16:59 | 0:17:01 | |
# That we learned on our mother's knee | 0:17:01 | 0:17:03 | |
# Four black sheep in need | 0:17:03 | 0:17:07 | |
# Trying and dying to be free | 0:17:08 | 0:17:12 | |
# Jesse's been drinking again and again | 0:17:13 | 0:17:16 | |
# He won't believe, he can't believe | 0:17:16 | 0:17:19 | |
# We can see right through his soul | 0:17:19 | 0:17:26 | |
# Mom and Dad, they're on their way | 0:17:26 | 0:17:28 | |
# They know these roads They've been leading a lonely life | 0:17:28 | 0:17:34 | |
# Black sheep, they too were born in the night | 0:17:35 | 0:17:39 | |
# And we'll meet at the lodge | 0:17:39 | 0:17:42 | |
# To suck on life and scream up at the sky | 0:17:42 | 0:17:44 | |
# That we don't feel the same | 0:17:44 | 0:17:48 | |
# And we'll never be this free again | 0:17:48 | 0:17:53 | |
# May walked away in the snow | 0:17:57 | 0:18:01 | |
# Sayin' she was through | 0:18:01 | 0:18:03 | |
# And Frere Jacques never woke to ring the bell | 0:18:06 | 0:18:10 | |
# To tell us what we already knew | 0:18:10 | 0:18:12 | |
# That out there in the freezing night | 0:18:15 | 0:18:19 | |
# We would not be all right | 0:18:19 | 0:18:22 | |
# Four black sheep travelling at different speeds | 0:18:24 | 0:18:28 | |
# Angry at the world | 0:18:28 | 0:18:31 | |
# Losing the way in the cold deep snow | 0:18:31 | 0:18:34 | |
# Red on black on white it glowed | 0:18:34 | 0:18:41 | |
# We would never be this free again | 0:18:41 | 0:18:45 | |
# Oh, we would never be this free again | 0:18:45 | 0:18:51 | |
# Oh, after the show Back on the road to Montreal | 0:18:53 | 0:18:57 | |
# There were diamonds piercing our eyes | 0:18:57 | 0:19:01 | |
# And the snow piling up on either side | 0:19:01 | 0:19:06 | |
# Oh, and Jesse took the wheel | 0:19:06 | 0:19:08 | |
# There was an appeal to stop the ride | 0:19:08 | 0:19:10 | |
# But we were just four black sheep in the night | 0:19:10 | 0:19:13 | |
# Oh, trying to hold onto our lives | 0:19:13 | 0:19:18 | |
# Oh, and we never made it home | 0:19:18 | 0:19:21 | |
# Spinning out on the road We took to the sky | 0:19:21 | 0:19:23 | |
# Where we were finally free for the last time | 0:19:23 | 0:19:27 | |
# Oh, red on black on white in the night | 0:19:27 | 0:19:32 | |
# I said red on black on white in the night | 0:19:32 | 0:19:36 | |
# I said red on black on white in the night | 0:19:36 | 0:19:41 | |
# I said red on black on white in the night | 0:19:41 | 0:19:45 | |
# I said, I said, I said, I said I said, I said, I said | 0:19:45 | 0:19:50 | |
# Oh, I said, I said, I said I said, I said, I said | 0:19:50 | 0:19:54 | |
# I said red on black on white | 0:19:54 | 0:19:59 | |
# Oh-ho-ho-ha-ha, in the night. # | 0:19:59 | 0:20:04 | |
CHEERING AND APPLAUSE | 0:20:07 | 0:20:09 | |
Music from around the world is now a distinctive part | 0:20:12 | 0:20:15 | |
of Celtic Connections, with the emphasis firmly on the | 0:20:15 | 0:20:17 | |
connections that are made between some diverse musical traditions. | 0:20:17 | 0:20:21 | |
This next band personify the quest | 0:20:21 | 0:20:24 | |
for some musical links between cultures. | 0:20:24 | 0:20:27 | |
That's why they're called India Alba. | 0:20:27 | 0:20:29 | |
CHEERING AND APPLAUSE | 0:25:54 | 0:25:57 | |
It's been 25 years | 0:26:02 | 0:26:03 | |
since Canadian band Cowboy Junkies released the pioneering | 0:26:03 | 0:26:07 | |
Trinity Session album famously recorded in a church in Toronto. | 0:26:07 | 0:26:11 | |
Over the last few years there's been a flurry of new recordings, | 0:26:11 | 0:26:14 | |
with a series of four albums released between 2010 and 2012. | 0:26:14 | 0:26:20 | |
They did a great sell-out gig at Kelvingrove Art Gallery | 0:26:20 | 0:26:23 | |
and we filmed them recording this session for Radio 2. | 0:26:23 | 0:26:27 | |
# Meet me on the banks of the Yangtze, Suzie | 0:27:00 | 0:27:06 | |
# Beside the gates of the New-West Yard | 0:27:06 | 0:27:12 | |
# We'll watch the barges cart away | 0:27:14 | 0:27:18 | |
# The waste of another day | 0:27:20 | 0:27:24 | |
# We'll watch the barges cart away | 0:27:27 | 0:27:31 | |
# The waste of another day | 0:27:33 | 0:27:37 | |
# Meet me in the middle of Renmin Park | 0:27:40 | 0:27:45 | |
# Where the stone bridge meets the pond | 0:27:46 | 0:27:50 | |
# We'll watch the ducklings gobbling bread | 0:27:54 | 0:27:58 | |
# And the stealth of the approaching swan | 0:27:59 | 0:28:04 | |
# We'll watch the ducklings gobbling bread | 0:28:07 | 0:28:11 | |
# And the stealth of the approaching swan | 0:28:12 | 0:28:17 | |
# Listen for the song of the propane seller | 0:28:19 | 0:28:25 | |
# Bouncing off the walls | 0:28:27 | 0:28:31 | |
# His morning cry a promise | 0:28:34 | 0:28:37 | |
# To you from me | 0:28:43 | 0:28:44 | |
# His morning song a blessing | 0:28:47 | 0:28:51 | |
# On you and me | 0:28:53 | 0:28:55 | |
# Meet me on the banks of the Yangtze, Suzie | 0:29:39 | 0:29:45 | |
# Beside the gates of the New-West Yard | 0:29:45 | 0:29:51 | |
# We'll watch the darkness leach away | 0:29:54 | 0:29:58 | |
# Into the haze of another day | 0:29:59 | 0:30:04 | |
# We'll watch the darkness leach away | 0:30:07 | 0:30:11 | |
# Into the haze of another day. # | 0:30:12 | 0:30:18 | |
We're going to ask for your help on this. Each time we say "fancy beer", | 0:30:24 | 0:30:27 | |
we invite you to shout out "fancy beer". | 0:30:27 | 0:30:29 | |
-Fancy beer! AUDIENCE: -Fancy beer! | 0:30:29 | 0:30:31 | |
I think that'll do. | 0:30:31 | 0:30:32 | |
Three, four! | 0:30:32 | 0:30:33 | |
# Ah-ah-ah | 0:30:34 | 0:30:38 | |
# Ah-ah-ah | 0:30:38 | 0:30:42 | |
# Fancy beer | 0:30:42 | 0:30:44 | |
-AUDIENCE: -Fancy beer! | 0:30:44 | 0:30:46 | |
Two, three, four! | 0:30:46 | 0:30:47 | |
# When I'm lonely I drink a fancy beer | 0:30:47 | 0:30:50 | |
Fancy beer! | 0:30:50 | 0:30:52 | |
# When I want you only I drink a fancy beer | 0:30:52 | 0:30:55 | |
Fancy beer! | 0:30:55 | 0:30:56 | |
# And when the weather's stormy And daybreak is far | 0:30:56 | 0:30:59 | |
# I throw an extra dollar fifty on the bar | 0:30:59 | 0:31:01 | |
# There's no sense in saving pennies If I don't know where you are | 0:31:01 | 0:31:04 | |
-# Oh, I drink a fancy beer -Fancy beer! | 0:31:04 | 0:31:06 | |
# Bop bop beep bop bop Biddle-a diddle-a diddle-a da | 0:31:06 | 0:31:09 | |
# Be ba de da dee da Da da boh | 0:31:09 | 0:31:12 | |
# Di bum di bum di bum di bum Di bum di bum di bum di bum | 0:31:12 | 0:31:15 | |
# Ba ba ba ba ba oh! | 0:31:15 | 0:31:16 | |
PLAYS KAZOO ALONG TO TUNE | 0:31:16 | 0:31:20 | |
# Oh, when I'm randy When I'm randy | 0:31:26 | 0:31:29 | |
-# I drink a fancy beer AUDIENCE: -Fancy beer! | 0:31:29 | 0:31:31 | |
# When I look for a piece of candy But I can't get it | 0:31:31 | 0:31:34 | |
-# I drink a fancy beer -Fancy beer! | 0:31:34 | 0:31:36 | |
# When there's no-one there to hold me for the whole of the night | 0:31:36 | 0:31:39 | |
# I put in an order for a 7 pint | 0:31:39 | 0:31:42 | |
# Though I ain't made of money I look classy and tight | 0:31:42 | 0:31:44 | |
# Oh, drinking a fancy beer | 0:31:44 | 0:31:46 | |
Fancy beer! | 0:31:46 | 0:31:47 | |
# A friendly drink when you're feeling lonely | 0:31:47 | 0:31:50 | |
# A friendly drink when you're feeling randy | 0:31:50 | 0:31:52 | |
# F-f-f-f-f-f-f-f | 0:31:52 | 0:31:55 | |
# F-f-f-f-f-f-f | 0:31:55 | 0:31:57 | |
Two, three, four! | 0:31:57 | 0:31:58 | |
CHEERING AND WHISTLING | 0:32:21 | 0:32:23 | |
# Oh, when I'm lonely | 0:32:25 | 0:32:29 | |
# When I'm lonely | 0:32:29 | 0:32:31 | |
# I drink a fancy beer | 0:32:31 | 0:32:34 | |
-AUDIENCE: -Fancy beer! | 0:32:34 | 0:32:36 | |
# Oh, when I want you home | 0:32:36 | 0:32:41 | |
# I drink a fancy beer | 0:32:41 | 0:32:44 | |
-AUDIENCE: -Fancy beer! | 0:32:44 | 0:32:46 | |
# And when the weather's stormy | 0:32:46 | 0:32:48 | |
-# And daybreak's far -And the daybreak, it is far | 0:32:48 | 0:32:51 | |
# I throw an extra dollar fifty on the bar | 0:32:51 | 0:32:55 | |
# There's no sense in saving pennies If I don't know where you are | 0:32:55 | 0:33:00 | |
# I drink a fancy beer | 0:33:00 | 0:33:03 | |
-AUDIENCE: -Fancy beer! -Fancy beer! | 0:33:03 | 0:33:05 | |
# Oh, I drink a fancy beer | 0:33:05 | 0:33:09 | |
-AUDIENCE: -Fancy beer! | 0:33:09 | 0:33:11 | |
Friends, would you like to hear the big finish? | 0:33:11 | 0:33:13 | |
CHEERING | 0:33:13 | 0:33:14 | |
Would you like to hear the big finish with the John Cougar Mellencamp bonus? | 0:33:14 | 0:33:18 | |
-AUDIENCE: -Yeah! | 0:33:18 | 0:33:19 | |
Would you like to hear it with the John Mellencamp bonus and the Samurai double bonus? | 0:33:19 | 0:33:22 | |
-Yeah! -Two, three, four! | 0:33:22 | 0:33:24 | |
# Oh, I drink a fancy beer | 0:33:40 | 0:33:42 | |
Fancy beer! | 0:33:42 | 0:33:43 | |
# Oh, I drink a fancy beer | 0:33:43 | 0:33:45 | |
Fancy beer! | 0:33:45 | 0:33:46 | |
# Oh, I... | 0:33:46 | 0:33:47 | |
# I drink a fancy, fancy beer | 0:33:47 | 0:33:52 | |
# Oh, I drink a fancy beer. # | 0:33:53 | 0:33:56 | |
John Cougar Mellencamp bonus! | 0:33:56 | 0:33:58 | |
CHEERING AND APPLAUSE | 0:33:58 | 0:33:59 | |
Now some more from Heidi Talbot. | 0:34:07 | 0:34:09 | |
In true festival spirit, this next piece includes | 0:34:09 | 0:34:12 | |
a great collaboration between two Celtic regulars. | 0:34:12 | 0:34:15 | |
Firstly, from Admiral Fallow, Louis Abbott, and Julie Fowlis. | 0:34:15 | 0:34:19 | |
This is a song called Sally Brown that | 0:34:20 | 0:34:22 | |
I found on a compilation record of sea shanties that was put | 0:34:22 | 0:34:26 | |
together by Johnny Depp, and I really loved the song when I heard it and | 0:34:26 | 0:34:31 | |
on the recording, Teddy Thompson was singing the song | 0:34:31 | 0:34:34 | |
so I decided to record it and a little part of me thought, | 0:34:34 | 0:34:37 | |
"If I record this song, maybe Johnny Depp will hear it | 0:34:37 | 0:34:40 | |
"and he'll like my version and then he'll want to meet me and | 0:34:40 | 0:34:45 | |
"we'll go to the pub and have a chat and it'll be very nice." | 0:34:45 | 0:34:50 | |
So, anyway. | 0:34:50 | 0:34:52 | |
So, this is Sally Brown. So, I'll teach you the chords. | 0:34:52 | 0:34:55 | |
That's a lovely story. | 0:34:55 | 0:34:57 | |
This is my husband, by the way. So, he's, you know... | 0:34:58 | 0:35:01 | |
LAUGHTER | 0:35:01 | 0:35:02 | |
-..a wee bit put out about the whole thing. -Great story. Interesting. | 0:35:02 | 0:35:07 | |
# Sally Brown she's a fine young lady | 0:35:12 | 0:35:16 | |
# Way-hey, we roll and go | 0:35:16 | 0:35:19 | |
# She's the mother of a Creole baby | 0:35:19 | 0:35:22 | |
# Way-hey, we roll and go | 0:35:22 | 0:35:25 | |
# And we roll all night We roll all day | 0:35:25 | 0:35:28 | |
# Spend our money all on Sally Brown | 0:35:28 | 0:35:31 | |
# I shipped onboard of a Liverpool liner | 0:35:34 | 0:35:37 | |
# Way-hey, we roll and go | 0:35:37 | 0:35:40 | |
# Her mother doesn't like a tarry sailor | 0:35:40 | 0:35:43 | |
# Way-hey, we roll and go | 0:35:43 | 0:35:46 | |
# And we roll all night We roll all day | 0:35:46 | 0:35:50 | |
# Spend our money all on Sally Brown | 0:35:50 | 0:35:53 | |
# She wants her to marry a one-legged captain | 0:35:55 | 0:35:59 | |
# Way-hey, we roll and go | 0:35:59 | 0:36:02 | |
# He drinks dark rum and he chews tobacco | 0:36:02 | 0:36:05 | |
# Way-hey, we roll and go | 0:36:05 | 0:36:08 | |
# And we roll all night We roll all day | 0:36:08 | 0:36:11 | |
# Spend our money all on Sally Brown | 0:36:11 | 0:36:14 | |
# For seven long years I courted Sally | 0:36:20 | 0:36:23 | |
# Way-hey, we roll and go | 0:36:23 | 0:36:26 | |
# The sweetest girl in all the valley | 0:36:26 | 0:36:29 | |
# Way-hey, we roll and go | 0:36:29 | 0:36:32 | |
# And we roll all night We roll all day | 0:36:32 | 0:36:35 | |
# Spend our money all on Sally Brown | 0:36:35 | 0:36:38 | |
# For seven long years she wouldn't marry | 0:36:53 | 0:36:56 | |
# Way-hey, we roll and go | 0:36:56 | 0:36:59 | |
# And I no longer cared to tarry | 0:36:59 | 0:37:02 | |
# Way-hey, we roll and go | 0:37:02 | 0:37:05 | |
# And we roll all night We roll all day | 0:37:05 | 0:37:08 | |
# Spend our money all on Sally Brown | 0:37:08 | 0:37:11 | |
# So I courted Sal her only daughter | 0:37:14 | 0:37:18 | |
# Way-hey, we roll and go | 0:37:18 | 0:37:21 | |
# For her I sail upon the water | 0:37:21 | 0:37:24 | |
# Way-hey, we roll and go | 0:37:24 | 0:37:27 | |
# And we roll all night We roll all day | 0:37:27 | 0:37:30 | |
# Spend our money all on Sally Brown | 0:37:30 | 0:37:33 | |
# Now my troubles are all over | 0:37:33 | 0:37:36 | |
# Way-hey, we roll and go | 0:37:36 | 0:37:39 | |
# Sally's married to a dirty soldier | 0:37:39 | 0:37:43 | |
# Way-hey, we roll and go | 0:37:43 | 0:37:45 | |
# And we roll all night We roll all day | 0:37:45 | 0:37:49 | |
# Spend our money all on Sally Brown | 0:37:49 | 0:37:51 | |
# And we roll all night and we roll all day | 0:37:51 | 0:37:55 | |
# Spend our money all on Sally Brown | 0:37:55 | 0:37:59 | |
# La, la, la-la, la, la, la-la-la-la | 0:38:12 | 0:38:15 | |
# La, la, la-la-la, la, la-la-la | 0:38:15 | 0:38:18 | |
# La, la, la-la, la, la, la-la-la | 0:38:18 | 0:38:21 | |
# La, la-la, la-la-la, la-la, la. # | 0:38:21 | 0:38:27 | |
CHEERING AND APPLAUSE | 0:38:27 | 0:38:30 | |
CHEERING AND APPLAUSE | 0:40:37 | 0:40:40 | |
Thank you very much. | 0:40:42 | 0:40:43 | |
-Martha Wainwright, a warm welcome to Celtic Connections. -Thank you. | 0:40:46 | 0:40:49 | |
I want to read something that you said. | 0:40:49 | 0:40:51 | |
"I don't think I've ever sung this hard, played this hard | 0:40:51 | 0:40:54 | |
"or tried this hard. I've made this record as a motherless child | 0:40:54 | 0:40:57 | |
-"and as a mother - two things I had never been before." -Yes. | 0:40:57 | 0:41:01 | |
I mean, what a huge... What a huge statement | 0:41:01 | 0:41:04 | |
and what a huge change in life. | 0:41:04 | 0:41:06 | |
Yes, indeed, yeah. | 0:41:06 | 0:41:07 | |
I, you know, worked hard at this...this last record, | 0:41:07 | 0:41:12 | |
Come Home To Mama, but I think also, you know, it was a very | 0:41:12 | 0:41:15 | |
emotional record because of, you know, a lot... | 0:41:15 | 0:41:19 | |
I had a lot of feelings. | 0:41:19 | 0:41:21 | |
I wanted to make a record right after my mother died cos I think | 0:41:21 | 0:41:26 | |
she would have wanted me to, and also I just had a baby | 0:41:26 | 0:41:29 | |
and I know that that can sometimes really stall female artists | 0:41:29 | 0:41:34 | |
cos it is hard to do both, as I am learning more and more every day. | 0:41:34 | 0:41:38 | |
So I wanted to quickly return to | 0:41:38 | 0:41:44 | |
going out on the road and songwriting | 0:41:44 | 0:41:47 | |
and making an album and then going out on the road | 0:41:47 | 0:41:50 | |
and not being forgotten. | 0:41:50 | 0:41:51 | |
You have always been a very honest songwriter. | 0:41:51 | 0:41:53 | |
You've always dealt very openly and honestly with your life | 0:41:53 | 0:41:56 | |
and you come from a family of honest songwriters | 0:41:56 | 0:41:58 | |
so I guess your audience would expect nothing less from you... | 0:41:58 | 0:42:01 | |
-Yeah. -..than to be able to deal with this stuff through your songs. | 0:42:01 | 0:42:04 | |
Yeah, that's sort of my motto. | 0:42:04 | 0:42:06 | |
My parents, I think, especially my father, | 0:42:06 | 0:42:09 | |
Loudon Wainwright III, whose poster I keep seeing here | 0:42:09 | 0:42:15 | |
and who brought me here for the first time to Glasgow and took me | 0:42:15 | 0:42:20 | |
out to Rogano's about 20 years ago or 15 years ago maybe, | 0:42:20 | 0:42:26 | |
and, you know, he used his family, you know, | 0:42:26 | 0:42:31 | |
and I didn't like it at the time, although I liked some nice songs. | 0:42:31 | 0:42:35 | |
But I have sort of ended up doing the same thing | 0:42:35 | 0:42:38 | |
and I guess that's that thing that I've heard, | 0:42:38 | 0:42:41 | |
that you should never be related to or married to a writer | 0:42:41 | 0:42:45 | |
because you're going to be miserable, you know. | 0:42:45 | 0:42:48 | |
-So that has happened to an extent. -It's too late now. | 0:42:48 | 0:42:51 | |
You have now continued the great tradition of Wainwright | 0:42:51 | 0:42:54 | |
dialogue by writing Everything Wrong. | 0:42:54 | 0:42:58 | |
-Will you expect your son to write a reply song? -Oh, God. | 0:42:58 | 0:43:03 | |
That's one person I feel like now I have a really important audience | 0:43:03 | 0:43:06 | |
member, and I hope I don't write too many songs about him, you know, | 0:43:06 | 0:43:12 | |
because that might annoy him. | 0:43:12 | 0:43:15 | |
But, yes, you know, | 0:43:15 | 0:43:19 | |
I just wanted to apologise in that song to him for my | 0:43:19 | 0:43:25 | |
wrongdoings and my future wrongdoings because I know there will be many. | 0:43:25 | 0:43:29 | |
-Get the apologies in early? -Exactly. I am very apologetic. | 0:43:29 | 0:43:33 | |
This is my first song about motherhood. | 0:43:33 | 0:43:37 | |
And my son probably wishes, the last. | 0:43:39 | 0:43:41 | |
Well, what goes around comes around in my family. Hm. | 0:43:45 | 0:43:48 | |
# I do most everything wrong | 0:43:50 | 0:43:56 | |
# Even on the day you were born | 0:44:04 | 0:44:11 | |
# My husband's been lying and cheating | 0:44:19 | 0:44:23 | |
# I turned my cheek and reason | 0:44:23 | 0:44:27 | |
# I change my tune every day | 0:44:27 | 0:44:32 | |
# There is one thing I want you to be | 0:44:39 | 0:44:44 | |
# That is smarter than me | 0:44:47 | 0:44:53 | |
# If things, they don't seem right | 0:44:56 | 0:44:59 | |
# Open your wings and take flight | 0:44:59 | 0:45:03 | |
# Don't stick around to watch the pieces fall | 0:45:03 | 0:45:09 | |
# I don't want you to feel alone | 0:45:11 | 0:45:16 | |
# But you probably will when you are older | 0:45:19 | 0:45:26 | |
# I will try to stay alive | 0:45:29 | 0:45:32 | |
# To watch as much through your eyes | 0:45:32 | 0:45:36 | |
# But you know one day I will go | 0:45:36 | 0:45:44 | |
# Don't listen too much to what I say | 0:45:44 | 0:45:49 | |
# Making sense has never been my way | 0:45:52 | 0:45:57 | |
# I can teach you, one, two, three | 0:46:00 | 0:46:04 | |
# I can dance with you on repeat | 0:46:04 | 0:46:08 | |
# I can hold your hand for ever | 0:46:08 | 0:46:12 | |
# Na-na, na, na-na, na-na, na | 0:46:12 | 0:46:16 | |
# I can do so much | 0:46:16 | 0:46:18 | |
# But you can do so much more | 0:46:18 | 0:46:24 | |
# I am only a stepping stone | 0:46:24 | 0:46:31 | |
# For you to get where you must go | 0:46:31 | 0:46:38 | |
# And there is nothing I would rather be | 0:46:39 | 0:46:43 | |
# So put your weight on me | 0:46:43 | 0:46:47 | |
# Na-na, na-na, na-na, na, na-na-na | 0:46:47 | 0:46:55 | |
# I am your protector | 0:46:55 | 0:47:02 | |
# I am not your pretender | 0:47:03 | 0:47:10 | |
# I will try | 0:47:10 | 0:47:14 | |
# I will not lie | 0:47:14 | 0:47:18 | |
# I will not cry too much in front of you | 0:47:18 | 0:47:28 | |
# I have been really, really sad | 0:47:30 | 0:47:34 | |
# Except for having you with your dad. # | 0:47:38 | 0:47:44 | |
CHEERING AND APPLAUSE | 0:47:49 | 0:47:52 | |
Thank you very much. | 0:47:52 | 0:47:54 | |
Thank you, Glasgow. Great to be here. | 0:47:54 | 0:47:56 | |
One, two, three, four. | 0:48:03 | 0:48:04 | |
# Oh, sunburn, I'm gonna get one | 0:48:09 | 0:48:13 | |
# Bikinis, I'm gonna see some | 0:48:15 | 0:48:18 | |
# Oh, oh, greasy, fried stuff I'm gonna eat some | 0:48:20 | 0:48:24 | |
# And those pretty girls lying in the sunshine, I'm gonna meet one | 0:48:25 | 0:48:29 | |
# Oh, I'll grab you, honey If you're in my reach | 0:48:30 | 0:48:34 | |
# And we'll walk on down to Panama City beach | 0:48:36 | 0:48:38 | |
# Oh, Fruity Dreams I'm gonna drink one | 0:48:39 | 0:48:43 | |
# Tequila, I'm gonna have some... # | 0:48:44 | 0:48:48 | |
That fruity drink. | 0:48:48 | 0:48:50 | |
# Oh, swimming trunks I ain't gonna wear none | 0:48:50 | 0:48:54 | |
# But those pretty girls lying in the sunshine, I'm gonna meet one | 0:48:55 | 0:48:59 | |
# Oh, I'll grab you, honey If you're in my reach | 0:49:00 | 0:49:04 | |
# And we'll walk on down to Panama City beach, oh! | 0:49:06 | 0:49:09 | |
# Oh, oh, sunburn I'm gonna get one... # | 0:49:41 | 0:49:46 | |
Bikinis. | 0:49:46 | 0:49:47 | |
# Bikinis, I'm gonna see some... # | 0:49:47 | 0:49:52 | |
Greasy, fried stuff. | 0:49:52 | 0:49:53 | |
# Greasy, fried stuff I'm gonna eat some | 0:49:53 | 0:49:57 | |
# And those pretty girls lying in the sunshine, I'm gonna meet one | 0:49:58 | 0:50:02 | |
# Oh, I'll grab you, honey If you're in my reach | 0:50:03 | 0:50:07 | |
# And we'll walk on down to Panama City beach... # | 0:50:09 | 0:50:11 | |
Let's walk on down. | 0:50:11 | 0:50:12 | |
# Oh, I'll grab you, honey If you're in my reach | 0:50:23 | 0:50:26 | |
# And we'll walk on down to Panama City beach | 0:50:28 | 0:50:30 | |
# Oh, we'll walk on down to Panama City beach | 0:50:30 | 0:50:33 | |
# I said, we'll walk on down to Panama City... # | 0:50:33 | 0:50:36 | |
It's in Florida. | 0:50:40 | 0:50:41 | |
CHEERING AND APPLAUSE | 0:50:41 | 0:50:44 | |
This year, Celtic Connections hosted the Radio 2 Folk Awards. | 0:50:56 | 0:50:59 | |
Here's Mary Chapin Carpenter | 0:50:59 | 0:51:01 | |
performing at the ceremony in the Royal Concert Hall. | 0:51:01 | 0:51:04 | |
# There's a big white house on a leafy street | 0:51:11 | 0:51:16 | |
# On a summer's day in 1963 | 0:51:17 | 0:51:21 | |
# Station wagons parked in the drive | 0:51:23 | 0:51:26 | |
# Dents in the fender and wood on the side | 0:51:29 | 0:51:32 | |
# There's kids and dogs and Instamatic cubes | 0:51:34 | 0:51:37 | |
# Squinting hard in the sun | 0:51:37 | 0:51:40 | |
# Not just yet but one day too | 0:51:40 | 0:51:43 | |
# They'll be chasing what's already gone | 0:51:43 | 0:51:47 | |
# You grow up tall and you grow up tough | 0:51:57 | 0:52:01 | |
# Trying to never admit not feeling good enough | 0:52:03 | 0:52:07 | |
# Until you find your passion and you find your way | 0:52:08 | 0:52:14 | |
# Just trying to make it unscathed through every day | 0:52:14 | 0:52:17 | |
# And it seems to happen nearly overnight | 0:52:20 | 0:52:22 | |
# Life shows you who you've become | 0:52:22 | 0:52:25 | |
# And there's no more mystery in the fading light | 0:52:25 | 0:52:29 | |
# You're just chasing what's already gone | 0:52:29 | 0:52:34 | |
# Like the line that spells the far horizon | 0:52:43 | 0:52:48 | |
# Moving with you as fast as you can run | 0:52:49 | 0:52:53 | |
# Half your life you pay it no attention | 0:52:55 | 0:52:59 | |
# The rest you can't stop wondering | 0:52:59 | 0:53:02 | |
# What you should have done | 0:53:02 | 0:53:04 | |
# Instead of chasing what's already gone | 0:53:04 | 0:53:07 | |
# Saw my father in a dream last night | 0:53:30 | 0:53:34 | |
# He was smiling and saying "You're gonna be all right" | 0:53:35 | 0:53:40 | |
# And this morning I stared back at myself | 0:53:41 | 0:53:45 | |
# Feeling as empty as I've ever felt | 0:53:47 | 0:53:50 | |
# But I keep on rolling and I hope I've learned | 0:53:52 | 0:53:56 | |
# More of what's right than what's wrong | 0:53:56 | 0:53:59 | |
# It's ashes and roses and time that burns | 0:53:59 | 0:54:02 | |
# When you're chasing what's already gone | 0:54:02 | 0:54:05 | |
# Ashes and roses and hearts that break | 0:54:05 | 0:54:07 | |
# I tried so hard to be strong | 0:54:07 | 0:54:09 | |
# And maybe my worries were not my first mistake | 0:54:10 | 0:54:16 | |
# I'm chasing what's already gone | 0:54:18 | 0:54:21 | |
# Hey, hey, hey, yeah, yeah | 0:54:29 | 0:54:33 | |
# Chasing what's already gone. # | 0:54:35 | 0:54:39 | |
CHEERING AND APPLAUSE | 0:54:45 | 0:54:48 | |
Well, that's about all we have time for tonight. | 0:54:53 | 0:54:55 | |
We have had some great music, reflecting what has been | 0:54:55 | 0:54:58 | |
a brilliant 20th anniversary for Celtic Connections. | 0:54:58 | 0:55:01 | |
There's even more music from the festival | 0:55:01 | 0:55:02 | |
at bbc.co.uk/celticconnections. | 0:55:02 | 0:55:06 | |
So, one last track from the Old Fruitmarket. | 0:55:06 | 0:55:09 | |
Here's Blazin' Fiddles. | 0:55:09 | 0:55:10 | |
Happy birthday, Celtic Connections. Here's to the next 20. | 0:55:10 | 0:55:14 | |
Hey! | 0:55:36 | 0:55:38 | |
Hey! | 0:56:34 | 0:56:35 | |
Hey! | 0:56:58 | 0:56:59 | |
Hey! | 0:57:19 | 0:57:20 | |
Hey! | 0:58:03 | 0:58:04 | |
CHEERING AND APPLAUSE | 0:58:32 | 0:58:34 | |
Subtitles by Red Bee Media Ltd | 0:58:37 | 0:58:40 |