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-888 - -888 | 0:00:00 | 0:00:02 | |
-Ssh. | 0:00:02 | 0:00:03 | |
-Do you hear that, Morgan? | 0:00:05 | 0:00:06 | |
-What? I can only hear the sea. | 0:00:07 | 0:00:09 | |
-Exactly. | 0:00:10 | 0:00:11 | |
-The calm after the storm. | 0:00:11 | 0:00:14 | |
-The choral wave has quietened -here in Aberystwyth. | 0:00:14 | 0:00:18 | |
-But what a competition it's been! | 0:00:18 | 0:00:21 | |
-Here are the highlights -of Cor Cymru 2011. | 0:00:22 | 0:00:25 | |
-888 | 0:00:25 | 0:00:26 | |
-888 - -888 | 0:00:26 | 0:00:28 | |
-888 | 0:00:32 | 0:00:34 | |
-888 | 0:00:36 | 0:00:38 | |
-Every two years, they come -in their thousands, full of hope. | 0:00:43 | 0:00:48 | |
-But since the competition started -back in 2003... | 0:00:48 | 0:00:52 | |
-..one choral tribe from -Newcastle Emlyn has dominated. | 0:00:53 | 0:00:58 | |
-This year, Islwyn Evans -is aiming for his fourth title. | 0:00:58 | 0:01:03 | |
-Tim Rhys-Evans was the only one -to break the cycle. | 0:01:04 | 0:01:08 | |
-That was six years ago -with Serendipity. | 0:01:08 | 0:01:12 | |
-Who will challenge the Alex Ferguson -of the choral world? | 0:01:12 | 0:01:16 | |
-Will another conductor -come to the fore? | 0:01:17 | 0:01:19 | |
-The audience is looking forward -to this evening's performances. | 0:01:26 | 0:01:30 | |
-There are plenty of avid supporters -here in Aberystwyth this evening. | 0:01:30 | 0:01:34 | |
-Our official judges eagerly await -singing of a high standard. | 0:01:35 | 0:01:38 | |
-At the end is Denes Szabo, -in the middle is Carlo Rizzi... | 0:01:38 | 0:01:42 | |
-..and then Stephen Connolly. | 0:01:42 | 0:01:44 | |
-Please give them -a round of applause. | 0:01:44 | 0:01:47 | |
-We're also joined once again -by our dynamic duo... | 0:01:51 | 0:01:55 | |
-..who've been giving their comments -throughout the competition. | 0:01:56 | 0:01:59 | |
-They are our unofficial judges, -Caryl Parry Jones and Eric Roberts. | 0:02:00 | 0:02:04 | |
-They have arrived. | 0:02:10 | 0:02:12 | |
-This choir will sing the first -notes of the competition. | 0:02:12 | 0:02:17 | |
-Ysgol Gerdd Ceredigion. | 0:02:18 | 0:02:19 | |
-# Gee up little horse, -carrying us two | 0:02:28 | 0:02:30 | |
-# Over the mountain to gather nuts | 0:02:30 | 0:02:32 | |
-# Water in the river, -the stones are slippery | 0:02:32 | 0:02:34 | |
-# We both fall down, -well what a trick! | 0:02:34 | 0:02:41 | |
-# Gee up little horse, -carrying us two | 0:02:44 | 0:02:47 | |
-# Over the mountain to gather nuts | 0:02:47 | 0:02:50 | |
-# Water in the river, -the stones are slippery | 0:02:50 | 0:02:54 | |
-# We both fall down, -well what a trick! | 0:02:55 | 0:03:05 | |
-# Go to sleep my pretty baby | 0:03:16 | 0:03:22 | |
-# Go to sleep my pretty baby | 0:03:22 | 0:03:27 | |
-# Go to sleep my pretty baby | 0:03:28 | 0:03:33 | |
-# You can sleep until the morning | 0:03:33 | 0:03:39 | |
-# You can sleep until the morning | 0:03:40 | 0:03:47 | |
-# Go to sleep my pretty baby | 0:03:57 | 0:04:04 | |
-# Having closed and locked the door | 0:04:04 | 0:04:10 | |
-# Go to sleep my pretty baby | 0:04:10 | 0:04:16 | |
-# You can sleep until the morning | 0:04:16 | 0:04:22 | |
-# You can sleep until the morning | 0:04:23 | 0:04:30 | |
-# Ooh | 0:04:30 | 0:04:41 | |
-# Here comes Mother -over the white stile | 0:04:46 | 0:04:49 | |
-# Something in her apron -and a pitcher on her head | 0:04:49 | 0:04:52 | |
-# The cow in the cowshed -is lowing for her calf | 0:04:52 | 0:04:56 | |
-# And the calf is on the other side | 0:04:56 | 0:04:59 | |
-# Jim Crow Crustyn, -one, two and four | 0:05:00 | 0:05:03 | |
-# And the piglet -is sitting so prettily on the stool | 0:05:03 | 0:05:06 | |
-# Davy bach and I -are going to Aberdare fair | 0:05:09 | 0:05:12 | |
-# Davy wants a rooster -and I want a hen | 0:05:12 | 0:05:15 | |
-# Shonny bricka monny -owns a cow and a calf | 0:05:16 | 0:05:19 | |
-# A little goat and pig -and a go-go-go cockerel | 0:05:20 | 0:05:24 | |
-# Little dandy cockerel -crying through the night | 0:05:24 | 0:05:27 | |
-# Wanting to borrow a penny -to buy a red waistcoat | 0:05:27 | 0:05:29 | |
-# Little dandy cockerel -crying through the night | 0:05:30 | 0:05:32 | |
-# Wanting to borrow a penny | 0:05:33 | 0:05:35 | |
-# To buy a red waistcoat # | 0:05:35 | 0:05:41 | |
-# Rock, rock, rock my soul | 0:05:50 | 0:05:53 | |
-# Rock, rock, rock my soul | 0:05:53 | 0:05:56 | |
-# Rock my soul -in the bosom of Abraham | 0:05:57 | 0:05:59 | |
-# Rock my soul -in the bosom of Abraham | 0:05:59 | 0:06:02 | |
-# Rock my soul -in the bosom of Abraham | 0:06:02 | 0:06:06 | |
-# Oh, rock my soul | 0:06:06 | 0:06:09 | |
-# Rock my soul -in the bosom of Abraham | 0:06:09 | 0:06:12 | |
-# Rock my soul -in the bosom of Abraham | 0:06:12 | 0:06:15 | |
-# Rock my soul -in the bosom of Abraham | 0:06:15 | 0:06:18 | |
-# Oh, rock my soul | 0:06:18 | 0:06:20 | |
-# I went down in the valley to pray | 0:06:20 | 0:06:23 | |
-# Oh, rock my soul | 0:06:24 | 0:06:27 | |
-# I felt my soul so happy, -I sung all day | 0:06:27 | 0:06:30 | |
-# Oh, rock my soul | 0:06:31 | 0:06:34 | |
-# Rock my soul -in the bosom of Abraham | 0:06:34 | 0:06:36 | |
-# Rock my soul -in the bosom of Abraham | 0:06:37 | 0:06:39 | |
-# Rock my soul -in the bosom of Abraham | 0:06:40 | 0:06:42 | |
-# Oh, rock my soul | 0:06:43 | 0:06:45 | |
-# Rock my soul | 0:06:46 | 0:06:47 | |
-# Rock my soul | 0:06:48 | 0:06:49 | |
-# Rock my soul | 0:06:49 | 0:06:50 | |
-# Rock my soul | 0:06:51 | 0:06:52 | |
-# Rock my soul | 0:06:52 | 0:06:54 | |
-# Rock my soul | 0:06:54 | 0:06:55 | |
-# Oh, rock my soul | 0:06:56 | 0:06:57 | |
-# When I was grieving just like you | 0:06:58 | 0:07:01 | |
-# Oh, rock my soul | 0:07:01 | 0:07:03 | |
-# I grieved until I rose up high | 0:07:04 | 0:07:07 | |
-# Oh, rock my soul | 0:07:07 | 0:07:10 | |
-# Rock my soul | 0:07:10 | 0:07:13 | |
-# Rock my soul | 0:07:14 | 0:07:17 | |
-# Rock my soul | 0:07:17 | 0:07:20 | |
-# Oh, rock my soul | 0:07:20 | 0:07:23 | |
-# Rock my soul | 0:07:23 | 0:07:26 | |
-# Rock my soul | 0:07:27 | 0:07:30 | |
-# Rock my soul | 0:07:30 | 0:07:32 | |
-# Oh, rock my soul | 0:07:33 | 0:07:36 | |
-# Rock my soul -in the bosom of Abraham | 0:07:36 | 0:07:40 | |
-# Rock my soul -in the bosom of Abraham | 0:07:40 | 0:07:43 | |
-# Rock my soul -in the bosom of Abraham | 0:07:43 | 0:07:46 | |
-# Oh, rock my soul | 0:07:46 | 0:07:49 | |
-# Rock, rock, rock, my soul # | 0:07:49 | 0:07:57 | |
-# Cruella De Vil, Cruella De Vil | 0:08:08 | 0:08:11 | |
-# If she doesn't scare you, -no evil thing will | 0:08:12 | 0:08:14 | |
-# To see her -is to take a sudden chill | 0:08:15 | 0:08:18 | |
-# Cruella, Cruella De Vil | 0:08:18 | 0:08:21 | |
-# The curl of her lips, -the ice in her stare | 0:08:21 | 0:08:24 | |
-# All innocent children -had better beware | 0:08:25 | 0:08:28 | |
-# She's like a spider -waiting for the kill | 0:08:28 | 0:08:31 | |
-# Cruella, Cruella De Vil | 0:08:32 | 0:08:34 | |
-# At first you think -Cruella is the devil | 0:08:34 | 0:08:37 | |
-# But after time has worn away -the shock | 0:08:38 | 0:08:40 | |
-# You come to realize -you've seen her kind of eyes | 0:08:41 | 0:08:44 | |
-# Watching you -from underneath a rock | 0:08:44 | 0:08:47 | |
-# This vampire bat, -this inhuman beast | 0:08:47 | 0:08:50 | |
-# She ought to be locked up -and never released | 0:08:51 | 0:08:53 | |
-# The world -was such a wholesome place | 0:08:54 | 0:08:55 | |
-# Until Cruella Cruella De Vil! | 0:08:56 | 0:09:00 | |
-# At first you think -Cruella is the devil | 0:09:00 | 0:09:02 | |
-# But after time has worn away -the shock | 0:09:03 | 0:09:06 | |
-# You come to realize -you've seen her kind of eyes | 0:09:06 | 0:09:09 | |
-# Watching you -from underneath a rock | 0:09:10 | 0:09:12 | |
-# This vampire bat, -this inhuman beast | 0:09:13 | 0:09:16 | |
-# She ought to be locked up -and never released | 0:09:16 | 0:09:19 | |
-# The world -was such a wholesome place | 0:09:19 | 0:09:21 | |
-# Until Cruella Cruella De Vil! | 0:09:21 | 0:09:25 | |
-# Cruella, Cruella De Vil | 0:09:25 | 0:09:30 | |
-# Cruella! # | 0:09:31 | 0:09:32 | |
-You finished with Cruella de Vil. | 0:09:39 | 0:09:41 | |
-Does that song reflect -Islwyn's personality? | 0:09:42 | 0:09:45 | |
-No. He's a softie. | 0:09:45 | 0:09:47 | |
-How well did they open -the competition, Caryl? | 0:09:47 | 0:09:51 | |
-Well, they were alright. | 0:09:52 | 0:09:54 | |
-They were incredible. | 0:09:55 | 0:09:57 | |
-That's the only word I can think of. | 0:09:57 | 0:10:00 | |
-I thought that Islwyn -chose an excellent programme. | 0:10:01 | 0:10:04 | |
-It was very suitable for children -in terms of content... | 0:10:04 | 0:10:07 | |
-..but was deluxe - that is, -it was very challenging too. | 0:10:07 | 0:10:11 | |
-I sat back and enjoyed it. -I laughed and cried. | 0:10:13 | 0:10:16 | |
-I was on the edge of my seat. -Thank you. | 0:10:16 | 0:10:19 | |
-You've made an old lady very happy. | 0:10:19 | 0:10:22 | |
-There were no passengers -on that stage tonight. | 0:10:23 | 0:10:26 | |
-Every one of them was keen to sing -and to have their say... | 0:10:26 | 0:10:32 | |
-..about these songs. | 0:10:32 | 0:10:33 | |
-The change in sound -in the three Welsh lullabies... | 0:10:34 | 0:10:39 | |
-..was unforgettable. | 0:10:39 | 0:10:41 | |
-They were fantastic. | 0:10:42 | 0:10:43 | |
-There is a very favourable response -backstage. | 0:10:47 | 0:10:50 | |
-You've made an old lady very happy. | 0:10:50 | 0:10:54 | |
-What do you think of that? | 0:10:55 | 0:10:56 | |
-What do you think of that? - -Class! | 0:10:56 | 0:10:57 | |
-You gave a class performance. | 0:10:58 | 0:11:01 | |
-Yes. | 0:11:01 | 0:11:02 | |
-888 | 0:11:08 | 0:11:08 | |
-888 - -888 | 0:11:08 | 0:11:10 | |
-Please welcome the second choir -in tonight's competition... | 0:11:13 | 0:11:16 | |
-..Ysgol Glanaethwy's Senior Choir. | 0:11:16 | 0:11:19 | |
-# I hear that the skylark | 0:11:24 | 0:11:29 | |
-# Has died upon the mountain | 0:11:30 | 0:11:35 | |
-# If I knew the words were true | 0:11:35 | 0:11:41 | |
-# I'd take a band of armed men | 0:11:41 | 0:11:46 | |
-# To carry the skylark's body home | 0:11:46 | 0:11:51 | |
-# I hear that the falcon | 0:11:53 | 0:11:56 | |
-# Flies regularly above the moor | 0:11:57 | 0:12:02 | |
-# That its heart -and wings cowardly beat | 0:12:02 | 0:12:07 | |
-# As they pass the skylark's corpse | 0:12:07 | 0:12:13 | |
-# Like a murderer's heart | 0:12:13 | 0:12:16 | |
-# Murderer! | 0:12:17 | 0:12:19 | |
-# Murderer! | 0:12:19 | 0:12:22 | |
-# I hear that the lapwing -kept the falcon from the wagtail | 0:12:23 | 0:12:29 | |
-# Leaving it free -but cowering among the briars | 0:12:30 | 0:12:37 | |
-# As a bittern stalks it | 0:12:38 | 0:12:44 | |
-# I hear from the swallow | 0:12:45 | 0:12:48 | |
-# That the fairies are organising | 0:12:48 | 0:12:51 | |
-# A crystal coffin for the lark | 0:12:51 | 0:12:55 | |
-# And a shroud of apple wood | 0:12:55 | 0:12:57 | |
-# Wrapped up in a coat of petals | 0:12:58 | 0:13:01 | |
-# Despite bringing an armed brigade | 0:13:01 | 0:13:04 | |
-# Despite frightening the falcon | 0:13:04 | 0:13:07 | |
-# Despite the crystal and flowers | 0:13:07 | 0:13:10 | |
-# Despite the fairies -and their skills | 0:13:10 | 0:13:13 | |
-# The lark will come home | 0:13:14 | 0:13:16 | |
-# The lark will come home | 0:13:17 | 0:13:21 | |
-# The lark will come home # | 0:13:21 | 0:13:25 | |
-# Noah, Noah, Noah, Noah | 0:13:39 | 0:13:41 | |
-# Noah, Noah, Noah, Noah | 0:13:41 | 0:13:42 | |
-# Noah, Noah, Noah, Noah, Noah | 0:13:43 | 0:13:47 | |
-# Noah, Noah, Noah | 0:13:47 | 0:13:50 | |
-# It was raining, raining, raining | 0:13:52 | 0:13:56 | |
-# Pouring night and day | 0:13:57 | 0:13:59 | |
-# Safely Noah in the ark, -in the ark he lay | 0:14:00 | 0:14:02 | |
-# Nothing but rain, rain, rain below | 0:14:04 | 0:14:09 | |
-# Nothing but rain overhead | 0:14:09 | 0:14:14 | |
-# Pitt'ring, patt'ring pitt'ring | 0:14:15 | 0:14:17 | |
-# Pitt'ring, patt'ring pitt'ring | 0:14:17 | 0:14:18 | |
-# Pitt'ring, patt'ring pitt'ring | 0:14:18 | 0:14:21 | |
-# His wife was complaining | 0:14:21 | 0:14:24 | |
-# Oh, when, oh, when, oh when | 0:14:26 | 0:14:30 | |
-# Shall we go back -to the old life again? | 0:14:30 | 0:14:33 | |
-# Food and drink were rationed -for fear of drought | 0:14:39 | 0:14:43 | |
-# The byres and stables -had to be cleaned out | 0:14:43 | 0:14:47 | |
-# Wild lions were roaring, -pigs squealing in fright | 0:14:50 | 0:14:53 | |
-# Bears they were smelling | 0:14:56 | 0:14:58 | |
-# Oh, what a foul sight! | 0:14:58 | 0:15:00 | |
-# Oh, what a foul sight! | 0:15:01 | 0:15:04 | |
-# Noah, Noah, when shall we go back? | 0:15:09 | 0:15:13 | |
-# Noah, Noah, when shall we go back? | 0:15:14 | 0:15:18 | |
-# I cannot live through a hotchpotch -like this, like this! | 0:15:19 | 0:15:23 | |
-# I cannot live through a hotchpotch -like this, like this, like this! | 0:15:24 | 0:15:30 | |
-# But then the old captain -could see far ahead | 0:15:40 | 0:15:44 | |
-# Far better his cargo, -he'd take none instead | 0:15:44 | 0:15:51 | |
-# Noah, Noah, Noah, Noah | 0:15:59 | 0:16:01 | |
-# Noah, Noah, Noah, Noah | 0:16:04 | 0:16:06 | |
-# A postwoman came from -a woodland bleak | 0:16:28 | 0:16:33 | |
-# A small green envelope in her beak | 0:16:34 | 0:16:40 | |
-# Dry land was near -and all would be well | 0:16:43 | 0:16:48 | |
-# Farewell to the shoreless lake -and the smell! | 0:16:49 | 0:17:01 | |
-# Pitt'ring, patt'ring, -pitt'ring, patt'ring | 0:17:01 | 0:17:04 | |
-# Noah, Noah, Noah, Noah | 0:17:06 | 0:17:08 | |
-# Noah, Noah, Noah, Noah | 0:17:08 | 0:17:13 | |
-# Noah, Noah, Noah # | 0:17:14 | 0:17:17 | |
-# Take a dive and swim to Daddy | 0:17:24 | 0:17:27 | |
-# Take a dive and swim to Daddy | 0:17:27 | 0:17:29 | |
-# Take a dive and swim to Daddy | 0:17:29 | 0:17:31 | |
-# Swim, swim, swim to Daddy! | 0:17:32 | 0:17:34 | |
-# Hit the floor and crawl to Daddy | 0:17:34 | 0:17:36 | |
-# Hit the floor and crawl to Daddy | 0:17:37 | 0:17:39 | |
-# Hit the floor and crawl to Daddy | 0:17:39 | 0:17:41 | |
-# Crawl, crawl, crawl to Daddy! | 0:17:42 | 0:17:43 | |
-# Doobie, doobie | 0:17:44 | 0:17:46 | |
-# Doobie, doobie | 0:17:46 | 0:17:48 | |
-# Doobie, doobie | 0:17:49 | 0:17:51 | |
-# Doobie, doobie | 0:17:51 | 0:17:53 | |
-# Doobie, doobie, doobie, doobie, -doobie, doobie, doobie | 0:17:53 | 0:17:56 | |
-# Doobie, doobie, doobie, doobie, -doobie, doobie, doobie | 0:17:56 | 0:17:58 | |
-# Doobie, doobie, doobie, doobie, -doobie, doobie, doobie | 0:17:58 | 0:18:00 | |
-# Doobie, doobie, doobie, doobie, -doobie, doobie, doo | 0:18:00 | 0:18:02 | |
-# Yes, the rhythm of life -is a powerful beat | 0:18:02 | 0:18:05 | |
-# And a tingle in your feet | 0:18:05 | 0:18:07 | |
-# Rhythm in the bedroom, -rhythm in the street | 0:18:08 | 0:18:10 | |
-# Yes, the rhythm -of life is a powerful beat | 0:18:10 | 0:18:12 | |
-# To feel the rhythm of life, -to feel the powerful beat | 0:18:12 | 0:18:15 | |
-# To feel the tingle in your -fingers and the tingle in your feet | 0:18:15 | 0:18:17 | |
-# Rhythm in the bedroom, -rhythm in the street | 0:18:17 | 0:18:19 | |
-# The rhythm of life -is a powerful beat | 0:18:20 | 0:18:22 | |
-# The rhythm of life -is a powerful beat | 0:18:22 | 0:18:24 | |
-# Puts a tingle in your fingers, -puts a tingle in your feet | 0:18:25 | 0:18:26 | |
-# Rhythm in the bedroom, -rhythm on the street | 0:18:27 | 0:18:29 | |
-# The rhythm of life -is a powerful beat | 0:18:29 | 0:18:31 | |
-# To feel the rhythm of life | 0:18:32 | 0:18:34 | |
-# To feel the powerful beat | 0:18:35 | 0:18:37 | |
-# To feel the tingle in your fingers | 0:18:37 | 0:18:39 | |
-# To feel the tingle in your feet | 0:18:40 | 0:18:41 | |
-# Life | 0:18:42 | 0:18:44 | |
-# Life | 0:18:45 | 0:18:46 | |
-# Life | 0:18:47 | 0:18:49 | |
-# Daddy we got the | 0:18:49 | 0:18:50 | |
-# Rhythm | 0:18:51 | 0:18:52 | |
-# Rhythm | 0:18:52 | 0:18:53 | |
-# Rhythm | 0:18:53 | 0:18:54 | |
-# Rhythm of life! # | 0:18:55 | 0:19:00 | |
-I wanted them to have fun. | 0:19:07 | 0:19:09 | |
-We are a performing arts school -after all. | 0:19:09 | 0:19:11 | |
-I wanted to incorporate those -elements into the programme. | 0:19:12 | 0:19:15 | |
-They sang to their strengths. -There's no doubt about that. | 0:19:16 | 0:19:20 | |
-But I'm not sure how many additional -marks they will receive... | 0:19:21 | 0:19:25 | |
-..for their movements. | 0:19:25 | 0:19:27 | |
-It was a very commendable -performance. | 0:19:27 | 0:19:30 | |
-It was a risk worth taking, I think. | 0:19:33 | 0:19:36 | |
-888 | 0:19:43 | 0:19:43 | |
-888 - -888 | 0:19:43 | 0:19:45 | |
-Please welcome the Male Voice Choir -from Ysgol Gerdd Ceredigion. | 0:19:48 | 0:19:52 | |
-# Has there ever on earth -been a man like the hunter | 0:20:05 | 0:20:10 | |
-# Whose chalice of joy -is as full as you please? | 0:20:10 | 0:20:14 | |
-# When the hunting horn sounds, -he's off through the meadow | 0:20:14 | 0:20:19 | |
-# To follow the deer -through rivers and trees | 0:20:19 | 0:20:23 | |
-# The amusement of kings -and the pleasure of heroes | 0:20:24 | 0:20:29 | |
-# Gives strength to the sinews -gives health so divine | 0:20:29 | 0:20:34 | |
-# And when we are roaming -among boulders and woodland | 0:20:34 | 0:20:38 | |
-# Sweet memories come -of the cup and the wine | 0:20:38 | 0:20:42 | |
-# Yo-ho! Tra la la la la la la la -la la la la la la al la la la | 0:20:43 | 0:20:45 | |
-# La la la la la la la la la la la | 0:20:45 | 0:20:47 | |
-# La la la la la la la la la la la -la la la la la la la la la la la | 0:20:48 | 0:20:54 | |
-# La la la la la la la la la la la -la la la la la la la la la la la | 0:20:54 | 0:21:00 | |
-# La la la la la la la la la la la | 0:21:01 | 0:21:03 | |
-# La la la la la la la la la la la -la la la la la la la la la la la | 0:21:03 | 0:21:10 | |
-# La la la la la la la la la la la -la la la la la la la la la la la | 0:21:10 | 0:21:15 | |
-# Diana is with us -to brighten the darkness | 0:21:26 | 0:21:31 | |
-# And to offer us shelter -in the cold light of day | 0:21:31 | 0:21:35 | |
-# We pursue hungry wolves -and the burrowing boars | 0:21:35 | 0:21:40 | |
-# That destroy all greenery -that crosses their way | 0:21:40 | 0:21:44 | |
-# The amusement of kings -and the pleasure of heroes | 0:21:44 | 0:21:49 | |
-# Gives strength to the sinews -gives health so divine | 0:21:49 | 0:21:53 | |
-# And when we are roaming -among boulders and woodland | 0:21:54 | 0:21:58 | |
-# Sweet memories come -of the cup and the wine | 0:21:59 | 0:22:02 | |
-# Yo-ho! Tra la la la la la la la -la la la la la la la la la la | 0:22:03 | 0:22:06 | |
-# La la la la la la la la la la la | 0:22:06 | 0:22:10 | |
-# La la la la la la la la la la la -la la la la la la la la la la la | 0:22:10 | 0:22:14 | |
-# La la la la la la la la la la la -la la la la la la la la la la la | 0:22:14 | 0:22:20 | |
-# La la la la la la la la la la la | 0:22:21 | 0:22:23 | |
-# La la la la la la la la la la la -la la la la la la la la la la la | 0:22:23 | 0:22:27 | |
-# La la la la la la la la la la la -la la la la la la la la la la la # | 0:22:27 | 0:22:36 | |
-# On the Paoma mountain | 0:22:46 | 0:22:52 | |
-# Downy clouds a-hanging | 0:22:52 | 0:22:56 | |
-# Slowly float on vagrant breeze | 0:22:56 | 0:23:02 | |
-# O'er the city of K'ang-ting | 0:23:02 | 0:23:06 | |
-# Curved moon waning, waning | 0:23:07 | 0:23:14 | |
-# O'er the city of K'ang-ting | 0:23:15 | 0:23:19 | |
-# Daughter of the house of Li -is a lovely charmer | 0:23:19 | 0:23:26 | |
-# Friendly fellow son of Chang | 0:23:26 | 0:23:31 | |
-# Has his eyes upon her | 0:23:32 | 0:23:36 | |
-# Has his eyes upon her | 0:23:37 | 0:23:42 | |
-# Has his eyes upon her | 0:23:42 | 0:23:46 | |
-# Curved moon, waning | 0:23:48 | 0:23:53 | |
-# Waning | 0:23:54 | 0:23:56 | |
-# Has his eyes upon her | 0:23:57 | 0:24:01 | |
-# Has his eyes upon her charm | 0:24:01 | 0:24:06 | |
-# Love her for her beauty | 0:24:07 | 0:24:12 | |
-# For a love is wanting | 0:24:12 | 0:24:18 | |
-# Go then, lad, whose love is true | 0:24:19 | 0:24:25 | |
-# Let no doubt be daunting | 0:24:25 | 0:24:30 | |
-# Curved moon, waning | 0:24:31 | 0:24:35 | |
-# Waning | 0:24:36 | 0:24:39 | |
-# Let no doubt be daunting | 0:24:39 | 0:24:44 | |
-# On the Paoma | 0:24:45 | 0:24:53 | |
-# Mountain | 0:24:53 | 0:25:01 | |
-# Downy cloud | 0:25:02 | 0:25:10 | |
-# A-hanging # | 0:25:10 | 0:25:33 | |
-# Siya zazi ngoba thina | 0:25:44 | 0:25:46 | |
-# Siya zazi ngoba thina | 0:25:46 | 0:25:48 | |
-# Siya zazi ngoba thina | 0:25:48 | 0:25:50 | |
-# Siya zazi ngoba thina - -# Oh! | 0:25:50 | 0:25:52 | |
-# Ibala lami | 0:25:52 | 0:25:53 | |
-# Elimnyama | 0:25:53 | 0:25:55 | |
-# Ndiya zidla | 0:25:56 | 0:25:57 | |
-# Ngalo | 0:25:58 | 0:25:59 | |
-# Ibala lami | 0:26:00 | 0:26:02 | |
-# Elimnyama | 0:26:02 | 0:26:04 | |
-# Ndlza kufa | 0:26:05 | 0:26:07 | |
-# Nalo | 0:26:07 | 0:26:08 | |
-# Ibala lami | 0:26:09 | 0:26:11 | |
-# Elimnyama | 0:26:11 | 0:26:13 | |
-# Ndiya zidla | 0:26:13 | 0:26:15 | |
-# Ngalo | 0:26:15 | 0:26:17 | |
-# Ibala lami | 0:26:18 | 0:26:20 | |
-# Elimnyama | 0:26:21 | 0:26:23 | |
-# Ndlza kufa | 0:26:23 | 0:26:25 | |
-# Nalo | 0:26:25 | 0:26:26 | |
-# Ibala lami | 0:26:27 | 0:26:29 | |
-# Elimnyama | 0:26:29 | 0:26:31 | |
-# Ndiya zidla | 0:26:31 | 0:26:34 | |
-# Ngalo | 0:26:34 | 0:26:35 | |
-# Ibala lami | 0:26:36 | 0:26:38 | |
-# Elimnyama | 0:26:38 | 0:26:40 | |
-# Ndlza kufa | 0:26:40 | 0:26:42 | |
-# Nalo | 0:26:42 | 0:26:44 | |
-# Ibala lami | 0:26:45 | 0:26:47 | |
-# Elimnyama | 0:26:47 | 0:26:49 | |
-# Ndiya zidla | 0:26:49 | 0:26:51 | |
-# Ngalo | 0:26:51 | 0:26:53 | |
-# Ibala lami | 0:26:54 | 0:26:56 | |
-# Elimnyama | 0:26:56 | 0:26:57 | |
-# Ndiza kufa | 0:26:58 | 0:27:00 | |
-# Nalo | 0:27:00 | 0:27:01 | |
-# Ibala lami | 0:27:02 | 0:27:04 | |
-# Elimnyama | 0:27:04 | 0:27:06 | |
-# Ndiya zidla | 0:27:06 | 0:27:09 | |
-# Ngalo | 0:27:09 | 0:27:11 | |
-# Ibala lami | 0:27:11 | 0:27:13 | |
-# Elimnyama | 0:27:13 | 0:27:15 | |
-# Ndiza kufa | 0:27:16 | 0:27:18 | |
-# Nalo # | 0:27:18 | 0:27:23 | |
-You sang a piece from The Lion King. | 0:27:33 | 0:27:35 | |
-Will you be the kings -of the choral jungle? | 0:27:35 | 0:27:38 | |
-We'd like to think so! | 0:27:38 | 0:27:40 | |
-This choir takes things -such as unison singing... | 0:27:40 | 0:27:46 | |
-..and do it brilliantly. | 0:27:46 | 0:27:49 | |
-They are very young. | 0:27:49 | 0:27:51 | |
-Perhaps sometimes they could have -done with a bit more maturity. | 0:27:51 | 0:27:56 | |
-They have the talent to mature -into an iconic choir in the future. | 0:27:57 | 0:28:01 | |
-The world's their oyster -if they want to succeed. | 0:28:02 | 0:28:05 | |
-Fair play to him for saying that -but we must keep our feet grounded. | 0:28:05 | 0:28:10 | |
-Islwyn brought us down to earth -in the rehearsals this week... | 0:28:10 | 0:28:13 | |
-..to make sure we worked hard. | 0:28:14 | 0:28:15 | |
-It went fairly well. | 0:28:16 | 0:28:18 | |
-Please give a warm welcome -to Cantata. | 0:28:19 | 0:28:23 | |
-# Nkosi sikeleli Afrika | 0:28:29 | 0:28:34 | |
-# Maliphakanyis uphondo Iwayo | 0:28:35 | 0:28:40 | |
-# Yivi, yiva nemithandazo yethu | 0:28:40 | 0:28:47 | |
-# Nkosi, sikelela | 0:28:47 | 0:28:52 | |
-# Nkosi | 0:28:53 | 0:28:55 | |
-# Sikelela | 0:28:56 | 0:29:01 | |
-# Nkosi sikeleli Afrika | 0:29:02 | 0:29:08 | |
-# Maliphakanyis uphondo Iwayo | 0:29:08 | 0:29:13 | |
-# Yiva, yiva nemithandazo yethu | 0:29:14 | 0:29:19 | |
-# Nkosi sikelela | 0:29:19 | 0:29:24 | |
-# Nkosi sikelela | 0:29:25 | 0:29:29 | |
-# Oh thina thina oh | 0:29:29 | 0:29:32 | |
-# Oh silulutsha | 0:29:32 | 0:29:34 | |
-# Oh thina thina oh | 0:29:35 | 0:29:37 | |
-# Oh silulutsha | 0:29:37 | 0:29:40 | |
-# Nkosi sikelela | 0:29:40 | 0:29:44 | |
-# Nkosi sikelela | 0:29:44 | 0:29:53 | |
-# Unzima lomthwalo | 0:29:53 | 0:29:57 | |
-# Ufuna madoda | 0:29:57 | 0:29:59 | |
-# Asikha thali noma siboshwa sise | 0:29:59 | 0:30:03 | |
-# Mise l'in kululeko | 0:30:03 | 0:30:04 | |
-# Unzi unzima malomthwalo | 0:30:05 | 0:30:08 | |
-# Ufuna madoda | 0:30:08 | 0:30:10 | |
-# Unzima lomthwalo | 0:30:10 | 0:30:12 | |
-# Ufuna madoda | 0:30:13 | 0:30:14 | |
-# Unzinma lomthwa lo | 0:30:15 | 0:30:17 | |
-# Ufuna ma madoda | 0:30:18 | 0:30:20 | |
-# Asikha thali noma siboshwa sise | 0:30:20 | 0:30:23 | |
-# Mise l'in kuleleko | 0:30:24 | 0:30:26 | |
-# Unzima malomthwa | 0:30:26 | 0:30:29 | |
-# Ufuna ma madoda | 0:30:29 | 0:30:31 | |
-# Unzima malomthwa | 0:30:33 | 0:30:35 | |
-# Ufuna ma madoda | 0:30:36 | 0:30:38 | |
-# Unzima malomthwa | 0:30:38 | 0:30:41 | |
-# Ufuna ma madoda | 0:30:41 | 0:30:43 | |
-# Unzima malomthwa | 0:30:43 | 0:30:45 | |
-# Ufuna ma madoda | 0:30:45 | 0:30:48 | |
-# Unzima malomthwa | 0:30:48 | 0:30:50 | |
-# Ufuna ma madoda | 0:30:51 | 0:30:53 | |
-# Unzima malomthwa | 0:30:53 | 0:30:55 | |
-# Ufuna ma madoda | 0:30:56 | 0:30:58 | |
-# Unfuna ma madoda # | 0:30:58 | 0:31:01 | |
-# See the gipsies dancing high, -see the gipsies dancing low | 0:31:12 | 0:31:15 | |
-# See the gipsies stamp their feet, -duba! | 0:31:15 | 0:31:16 | |
-# Clap their hands to every beat, -leba! | 0:31:16 | 0:31:18 | |
-# In the firelight whirling round, -duba! | 0:31:18 | 0:31:19 | |
-# To the zither's jangling sound, -leba! | 0:31:20 | 0:31:22 | |
-# See the gipsies dancing high, -see the gipsies dancing low | 0:31:22 | 0:31:24 | |
-# Dancing! -See the gipsies dancing low | 0:31:24 | 0:31:26 | |
-# See the gipsies stamp their feet, -duba! duba! | 0:31:26 | 0:31:28 | |
-# Clap their hands to every beat, -leba! leba! | 0:31:28 | 0:31:29 | |
-# See the gipsies dancing high, -see the gipsies dancing low | 0:31:30 | 0:31:32 | |
-# Leba! leba! leba! leba! -leba! leba! leba! leba! la! | 0:31:32 | 0:31:37 | |
-# 'Round the fire gipsies sway | 0:31:39 | 0:31:43 | |
-# Listen to their strumming | 0:31:43 | 0:31:46 | |
-# Rida, rida, bom, bom, bom | 0:31:47 | 0:31:51 | |
-# Listen to their strumming | 0:31:51 | 0:31:54 | |
-# 'Round the fire gipsies sway | 0:31:55 | 0:31:59 | |
-# Listen to their strumming | 0:31:59 | 0:32:03 | |
-# Rida, rida, bom, bom, bom | 0:32:03 | 0:32:06 | |
-# Listen to their strumming | 0:32:06 | 0:32:10 | |
-# Happy songs, laughter gay | 0:32:11 | 0:32:14 | |
-# Summer days are coming | 0:32:15 | 0:32:18 | |
-# Rida, rida, bom, bom, bom | 0:32:19 | 0:32:22 | |
-# Summer days are coming | 0:32:22 | 0:32:26 | |
-# Happy songs, laughter gay | 0:32:26 | 0:32:30 | |
-# Summer days are coming | 0:32:30 | 0:32:34 | |
-# Rida, rida, bom, bom, bom | 0:32:34 | 0:32:37 | |
-# Summer days are coming | 0:32:38 | 0:32:41 | |
-# See the gipsies dancing high, -See the gipsies dancing low | 0:32:42 | 0:32:46 | |
-# See the gipsies stamp their feet, -duba! | 0:32:46 | 0:32:48 | |
-# Clap their hands to every beat, -leba! | 0:32:48 | 0:32:50 | |
-# In the firelight whirling round, -duba! | 0:32:50 | 0:32:51 | |
-# To the zither's jangling sound, -leba! | 0:32:51 | 0:32:53 | |
-# See the gipsies dancing high, -see the gipsies dancing low | 0:32:53 | 0:32:57 | |
-# See the gipsies stamp their feet, -duba! duba! | 0:32:57 | 0:32:59 | |
-# Clap their hands to every beat, -leba! leba! | 0:32:59 | 0:33:01 | |
-# See the gipsies dancing high, -see the gipsies dancing low | 0:33:01 | 0:33:04 | |
-# Leba! leba! leba! leba! leba! -leba! leba! leba! la! # | 0:33:04 | 0:33:10 | |
-# Doo doo doo doo doo | 0:33:21 | 0:33:24 | |
-# Doo doo doo doo doo | 0:33:25 | 0:33:27 | |
-# I'm gonna wash that man -right out-a-my hair | 0:33:27 | 0:33:30 | |
-# I'm gonna wash that man -right out-a-my hair | 0:33:30 | 0:33:36 | |
-# And send him on his way -ba da ba da ba da ba da | 0:33:36 | 0:33:40 | |
-# Don't try to patch it up, -tear it up, tear it up | 0:33:41 | 0:33:43 | |
-# Wash him out dry him out, -push him out, fly him out | 0:33:44 | 0:33:47 | |
-# Cancel him and let him go | 0:33:47 | 0:33:52 | |
-# Yea, sister! | 0:33:52 | 0:33:56 | |
-# I'm gonna wash that man -right out-a-my hair | 0:33:56 | 0:34:02 | |
-# I'm gonna wash that man -right out-a-my hair | 0:34:02 | 0:34:05 | |
-# And send him on his way | 0:34:06 | 0:34:10 | |
-# If a man don't understand you, -if you fly on separate beams | 0:34:11 | 0:34:17 | |
-# Waste no time, make a change, -ride that man right off your range | 0:34:17 | 0:34:23 | |
-# Rub him out of the roll call -and drum him out of your dreams | 0:34:23 | 0:34:30 | |
-# You can't light a fire -when the woods are wet | 0:34:32 | 0:34:35 | |
-# You can't make a butterfly strong | 0:34:35 | 0:34:37 | |
-# You can't fix an egg -when it ain't quite good | 0:34:38 | 0:34:41 | |
-# And you can't fix a man -when he's wrong! | 0:34:41 | 0:34:46 | |
-# You can't put back a petal -when it falls from a flower | 0:34:47 | 0:34:53 | |
-# Or sweeten up a fellow -when he starts turnin' sour | 0:34:53 | 0:34:59 | |
-# Oh no! Oh no! Oh no! | 0:34:59 | 0:35:09 | |
-# I'm gonna wash that man -right out-a-my hair | 0:35:10 | 0:35:15 | |
-# I'm gonna wash that man -right out-a-my hair | 0:35:16 | 0:35:19 | |
-# And send him on his way -ba da ba da ba da ba da | 0:35:19 | 0:35:23 | |
-# I'm gonna wash that man -right out-a-my hair | 0:35:23 | 0:35:28 | |
-# I'm gonna wash that man -right out-a-my hair | 0:35:29 | 0:35:32 | |
-# And send him on his way | 0:35:32 | 0:35:35 | |
-# Send him on his way # | 0:35:36 | 0:35:44 | |
-Two years ago on Cor Cymru you came -within a hair's breadth of winning. | 0:35:56 | 0:36:00 | |
-Will you go a step further -this year? | 0:36:01 | 0:36:04 | |
-I hope so - we'll see. | 0:36:04 | 0:36:06 | |
-We've done our best. | 0:36:06 | 0:36:09 | |
-Masterful is the word -that comes to mind. | 0:36:09 | 0:36:12 | |
-The two African songs -were excellent. | 0:36:12 | 0:36:16 | |
-With the Kodaly, the tuning and -rhythms were so clear and accurate. | 0:36:16 | 0:36:21 | |
-It was unbelievable. | 0:36:21 | 0:36:24 | |
-Move over Scarlets, -Llanelli has some new heroes. | 0:36:24 | 0:36:28 | |
-This is a very exciting choir -with a fire in their belly. | 0:36:30 | 0:36:34 | |
-They're sassy -but they're accurate too. | 0:36:35 | 0:36:37 | |
-They obviously enjoy -entertaining us. | 0:36:38 | 0:36:41 | |
-Oggy oggy oggy! | 0:36:41 | 0:36:42 | |
-Oggy oggy oggy! - -Oi oi oi! | 0:36:42 | 0:36:44 | |
-888 | 0:36:50 | 0:36:50 | |
-888 - -888 | 0:36:50 | 0:36:52 | |
-Please welcome -tonight's last choir, Cywair. | 0:36:55 | 0:36:59 | |
-# Exultate Deo | 0:37:07 | 0:37:12 | |
-# Adjutori nostro | 0:37:12 | 0:37:16 | |
-# Exultate Deo | 0:37:17 | 0:37:21 | |
-# Adjutori nostro | 0:37:21 | 0:37:25 | |
-# Adjutori nostro | 0:37:26 | 0:37:31 | |
-# Jubilate Deo | 0:37:32 | 0:37:35 | |
-# Jubilate Deo | 0:37:35 | 0:37:37 | |
-# Deo Jacob | 0:37:38 | 0:37:40 | |
-# Deo Jacob | 0:37:40 | 0:37:42 | |
-# Jubilate Deo | 0:37:43 | 0:37:46 | |
-# Jubilate Deo | 0:37:46 | 0:37:49 | |
-# Jubilate Deo, -jubilate Deo Jacob | 0:37:49 | 0:37:56 | |
-# Sumite psalmum, et date tympanum | 0:37:56 | 0:38:02 | |
-# Sumite psalmum, et date tympanum | 0:38:02 | 0:38:07 | |
-# Sumite psalmum, et date tympanum | 0:38:07 | 0:38:12 | |
-# Et date tympanum | 0:38:12 | 0:38:15 | |
-# Et date tympanum | 0:38:15 | 0:38:17 | |
-# Exultate Deo | 0:38:18 | 0:38:21 | |
-# Psalterium jucundum cum cithara | 0:38:21 | 0:38:26 | |
-# Psalterium jucundum cum cithara, -cum cithara | 0:38:26 | 0:38:32 | |
-# Bucinate in neomenia tuba | 0:38:33 | 0:38:37 | |
-# Bucinate in neomenia tuba | 0:38:38 | 0:38:42 | |
-# Bucinate in neomenia, -neomenia tuba | 0:38:42 | 0:38:48 | |
-# Insignidie, insignidie | 0:38:52 | 0:39:05 | |
-# Solemnitatis | 0:39:05 | 0:39:11 | |
-# Solemnitatis | 0:39:12 | 0:39:18 | |
-# Insignidie | 0:39:18 | 0:39:25 | |
-# Insignidie | 0:39:25 | 0:39:31 | |
-# Solemnitatis | 0:39:32 | 0:39:38 | |
-# Vestrae # | 0:39:38 | 0:39:47 | |
-# Morys the Wind on his white horse | 0:40:00 | 0:40:04 | |
-# Speedily gallops along the vale | 0:40:04 | 0:40:07 | |
-# And his raucous laugh -among the trees | 0:40:07 | 0:40:10 | |
-# Among the trees | 0:40:11 | 0:40:13 | |
-# "Morys the Wind, -to where do you wend?" | 0:40:16 | 0:40:23 | |
-# To where do you wend?" | 0:40:24 | 0:40:30 | |
-# "To wipe the tears -of Ifan my friend | 0:40:31 | 0:40:36 | |
-# To take them upon my steed -o'er the hill | 0:40:37 | 0:40:40 | |
-# His feather bed -in the clouds to fill | 0:40:41 | 0:40:49 | |
-# To the lovely hall -in his palace fair | 0:40:50 | 0:40:55 | |
-# The walls are of pearl -and sapphire there | 0:40:55 | 0:41:00 | |
-# Where the sun comes to weave -as with golden thread | 0:41:01 | 0:41:10 | |
-# Its rainbow o'er -Ifan the Rain's soft bed | 0:41:10 | 0:41:19 | |
-# Morys, Morys, Morys, Morys | 0:41:19 | 0:41:22 | |
-# Morys the wind, Morys the wind | 0:41:22 | 0:41:26 | |
-# Oh Morys the Wind -with puffed cheeks red | 0:41:27 | 0:41:30 | |
-# Leaping and dancing -and causing dread | 0:41:30 | 0:41:33 | |
-# Morys, Morys the Wind | 0:41:35 | 0:41:39 | |
-# Morys the Wind -with puffed cheeks red | 0:41:41 | 0:41:44 | |
-# Morys the Wind # | 0:41:45 | 0:41:47 | |
-# Can anybody | 0:41:56 | 0:42:04 | |
-# Find me | 0:42:05 | 0:42:10 | |
-# Somebody to love | 0:42:11 | 0:42:19 | |
-# Oh oh oh | 0:42:22 | 0:42:25 | |
-# Each morning I get up -I die a little | 0:42:25 | 0:42:28 | |
-# Can barely stand on my feet | 0:42:28 | 0:42:30 | |
-# Take a look in the mirror | 0:42:31 | 0:42:34 | |
-# And cry -Lord what you're doing to me | 0:42:34 | 0:42:37 | |
-# I have spent all my years -in believing you | 0:42:37 | 0:42:40 | |
-# But I just -can't get no relief, Lord! | 0:42:40 | 0:42:43 | |
-# Somebody, somebody | 0:42:43 | 0:42:46 | |
-# Can anybody find me | 0:42:46 | 0:42:50 | |
-# Somebody to love? | 0:42:50 | 0:42:57 | |
-# Got no feel, I got no rhythm, -I just keep losing my beat | 0:42:57 | 0:43:02 | |
-# I'm OK, I'm alright, -ain't gonna face no defeat | 0:43:03 | 0:43:09 | |
-# I just gotta get out of this -prison cell | 0:43:09 | 0:43:12 | |
-# Someday I'm gonna be free, Lord! | 0:43:12 | 0:43:18 | |
-# Find me somebody to love | 0:43:19 | 0:43:24 | |
-# Find me somebody to love | 0:43:24 | 0:43:30 | |
-# Find me somebody to love | 0:43:30 | 0:43:32 | |
-# Oh oh oh | 0:43:33 | 0:43:38 | |
-# Somebody, somebody | 0:43:39 | 0:43:41 | |
-# Somebody find me somebody to love | 0:43:41 | 0:43:43 | |
-# Can anybody find me | 0:43:44 | 0:43:49 | |
-# Somebody to | 0:43:50 | 0:43:54 | |
-# Love | 0:43:55 | 0:44:03 | |
-# Find me somebody to love | 0:44:04 | 0:44:07 | |
-# Somebody find me somebody to love | 0:44:07 | 0:44:12 | |
-# Somebody find me somebody to love | 0:44:13 | 0:44:18 | |
-# Somebody find me -somebody to love # | 0:44:18 | 0:44:31 | |
-Tonight was more like a concert -than a competition. | 0:44:43 | 0:44:46 | |
-Every choir did so well. | 0:44:47 | 0:44:48 | |
-I'm sure everybody enjoyed -being on stage tonight. | 0:44:48 | 0:44:52 | |
-I don't know why Cywair -aren't world-famous. | 0:44:52 | 0:44:55 | |
-I don't have a clue if they -sang Morys Y Gwynt any better. | 0:45:00 | 0:45:04 | |
-It sounded fine to me. | 0:45:04 | 0:45:06 | |
-They nailed Morys Y Gwynt. | 0:45:08 | 0:45:10 | |
-It was brilliant. | 0:45:10 | 0:45:12 | |
-I wasn't sure about the last song. | 0:45:14 | 0:45:16 | |
-We really enjoyed doing that. -It was a change. | 0:45:16 | 0:45:20 | |
-Tonight was one of the most -exciting choral experiences... | 0:45:22 | 0:45:26 | |
-..I've had for a long time. | 0:45:26 | 0:45:28 | |
-If we could organize something -in Hungary... | 0:45:28 | 0:45:31 | |
-..that could match the standard -of what we saw here tonight... | 0:45:33 | 0:45:37 | |
-..we would work really hard on it. | 0:45:39 | 0:45:42 | |
-The conductor's award goes to... | 0:45:43 | 0:45:45 | |
-..Islwyn Evans. | 0:45:48 | 0:45:51 | |
-In the viewers' award, -in third place... | 0:46:05 | 0:46:08 | |
-..the children of -Ysgol Gerdd Ceredigion. | 0:46:09 | 0:46:11 | |
-In second place, -Glanaethwy Senior Choir. | 0:46:12 | 0:46:14 | |
-The winners are Cantata. | 0:46:15 | 0:46:17 | |
-The winners of Cor Cymru 2011 are... | 0:46:33 | 0:46:38 | |
-..Cywair. | 0:46:47 | 0:46:50 | |
-# At the crib of Mary's child | 0:47:12 | 0:47:20 | |
-# At the crib of Mary's child | 0:47:20 | 0:47:24 | |
-# At the crib of Mary's child | 0:47:24 | 0:47:28 | |
-# A galaxy of stars dance -in the fiery skies above Bethlehem | 0:47:28 | 0:47:36 | |
-# A galaxy of stars dance in the sky | 0:47:37 | 0:47:41 | |
-# At the crib of Mary's child | 0:47:42 | 0:47:46 | |
-# Mary's child # | 0:47:47 | 0:47:59 | |
-S4C Subtitles by Testun Cyf. | 0:48:01 | 0:48:03 | |
-. | 0:48:03 | 0:48:03 |