Uchafbwyntiau 2012 Dechrau Canu Dechrau Canmol
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Transcript
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-Subtitles - -Subtitles | 0:00:00 | 0:00:01 | |
-Welcome to -the last programme in the series... | 0:00:01 | 0:00:04 | |
-..looking back -over this year's highlights. | 0:00:04 | 0:00:07 | |
-Welcome to -Dechrau Canu Dechrau Canmol. | 0:00:07 | 0:00:10 | |
-# Soli Deo gloria | 0:00:12 | 0:00:16 | |
-# Soli Deo gloria | 0:00:16 | 0:00:20 | |
-# Soli Deo gloria # | 0:00:23 | 0:00:28 | |
-One of the joys -of journeying around Wales... | 0:00:42 | 0:00:45 | |
-..visiting various congregations... | 0:00:46 | 0:00:48 | |
-..is meeting local people... | 0:00:49 | 0:00:51 | |
-..and hearing about -their lives and their faith. | 0:00:51 | 0:00:55 | |
-Tonight, we will look back -at some of the series' contributors. | 0:00:55 | 0:01:00 | |
-We will also hear hymns... | 0:01:01 | 0:01:03 | |
-..and performances -from the current series. | 0:01:03 | 0:01:07 | |
-Our first hymn comes from Alltwen -Chapel in the Swansea valley. | 0:01:07 | 0:01:11 | |
-Tyred Iesu I'r Anialwch -At Bechadur Gwael Ei Lun. | 0:01:11 | 0:01:16 | |
-One of the most memorable locations -was the church at Llandinorwig... | 0:03:35 | 0:03:40 | |
-..on the outskirts of Deiniolen. | 0:03:40 | 0:03:43 | |
-I went there -to meet Canon Idris Thomas... | 0:03:43 | 0:03:46 | |
-..to hear about the communities who -lived in the shadow of the quarries. | 0:03:46 | 0:03:51 | |
-We're on very high ground here. | 0:03:55 | 0:03:58 | |
-It's a very dramatic backdrop -with the slate heap up ahead. | 0:03:58 | 0:04:02 | |
-Were you born and raised here? | 0:04:02 | 0:04:04 | |
-Were you born and raised here? - -Yes, I was born just behind us... | 0:04:04 | 0:04:06 | |
-..in the community of Pendraw. | 0:04:06 | 0:04:09 | |
-The only way out of Pendraw... | 0:04:09 | 0:04:11 | |
-..was along the path through -Padarn Country Park to Llanberis. | 0:04:11 | 0:04:16 | |
-Behind us -is the community of Dinorwig. | 0:04:17 | 0:04:20 | |
-The Presbyterian chapel -can be seen clearly from here. | 0:04:20 | 0:04:24 | |
-John Jones was the minister -at the time of the tragedy. | 0:04:24 | 0:04:28 | |
-What exactly happened? | 0:04:28 | 0:04:30 | |
-The first of July 1899... | 0:04:30 | 0:04:33 | |
-..was the day of -the Peris Valley Sunday school trip. | 0:04:34 | 0:04:37 | |
-750 people went on that trip. | 0:04:37 | 0:04:39 | |
-It was the only day of the year... | 0:04:40 | 0:04:42 | |
-..when people from quarrying -backgrounds could enjoy themselves. | 0:04:42 | 0:04:48 | |
-But it ended in tragedy. | 0:04:48 | 0:04:50 | |
-After reaching Pwllheli, -some went shopping... | 0:04:52 | 0:04:56 | |
-..while others went to -what was known as South Beach. | 0:04:56 | 0:05:00 | |
-Nine children and three adults -ventured out in a rowing boat. | 0:05:00 | 0:05:04 | |
-They'd rowed a mile out to sea -when the boat capsized. | 0:05:04 | 0:05:08 | |
-12 of them drowned, but the rower, -Robert Thomas, was rescued... | 0:05:09 | 0:05:13 | |
-..because he was a strong swimmer. | 0:05:13 | 0:05:16 | |
-On the following Thursday -after the tragedy... | 0:05:16 | 0:05:19 | |
-..a large-scale funeral took place -with 4,500 mourners. | 0:05:20 | 0:05:24 | |
-You've written a book about the -tragedy entitled Pel Goch Ar Y Dwr. | 0:05:24 | 0:05:28 | |
-What's the significance -of the red ball? | 0:05:28 | 0:05:31 | |
-A girl from the quarrying community -wasn't going on the trip. | 0:05:32 | 0:05:36 | |
-She went to -her cousin's house to tell her... | 0:05:36 | 0:05:39 | |
-..that she wouldn't be going -on the trip the following day. | 0:05:39 | 0:05:43 | |
-She asked her cousin to bring her -back a red ball from Pwllheli. | 0:05:43 | 0:05:47 | |
-When I read in the newspapers... | 0:05:48 | 0:05:50 | |
-..about the bodies floating -in the sea after the tragedy... | 0:05:50 | 0:05:54 | |
-..there were references -to people's clothes... | 0:05:54 | 0:05:57 | |
-..their personal effects and so on. | 0:05:57 | 0:06:00 | |
-In one newspaper report, -it mentioned the red ball. | 0:06:00 | 0:06:04 | |
-There is a memorial stone -in the church to remember them. | 0:06:06 | 0:06:10 | |
-The names of the 12 -have been inscribed... | 0:06:10 | 0:06:13 | |
-..as well as -these poignant words from Proverbs. | 0:06:13 | 0:06:16 | |
-"Do not boast about tomorrow... | 0:06:16 | 0:06:19 | |
-"..for you do not know -what a day may bring forth." | 0:06:19 | 0:06:22 | |
-Mid Wales -has a rich Christian history. | 0:08:00 | 0:08:04 | |
-The area is often associated -with the hymnist Ann Griffiths. | 0:08:04 | 0:08:08 | |
-During our programme from -Ann Griffiths' memorial chapel... | 0:08:09 | 0:08:12 | |
-..Luned Aaron met Nia Rhosier, -a woman who's been instrumental... | 0:08:12 | 0:08:17 | |
-..in restoring -John Hughes's chapel in Pontrobert. | 0:08:17 | 0:08:21 | |
-The building is very unusual, Nia. | 0:08:23 | 0:08:26 | |
-Tell us a little about its history. | 0:08:26 | 0:08:29 | |
-John Hughes's former chapel -was built in 1800... | 0:08:29 | 0:08:33 | |
-..as a Calvinistic Methodist chapel. | 0:08:33 | 0:08:36 | |
-When it closed in 1865... | 0:08:36 | 0:08:39 | |
-..the wheelwright who lived next -door took it over as a workshop. | 0:08:39 | 0:08:45 | |
-Tell us a little about John Hughes. | 0:08:46 | 0:08:48 | |
-He was a very interesting character. | 0:08:49 | 0:08:51 | |
-He was one of -Thomas Charles's contemporaries... | 0:08:52 | 0:08:55 | |
-..and a lay preacher -who preached in North and Mid Wales. | 0:08:56 | 0:09:00 | |
-He first came to Dolwar Fach, -Ann Griffiths's home, as a lodger. | 0:09:01 | 0:09:05 | |
-That's how -he got to know Ann and her family. | 0:09:06 | 0:09:09 | |
-How central was John Hughes -to Ann Griffiths's life? | 0:09:10 | 0:09:13 | |
-He was very significant. -He was her spiritual father. | 0:09:14 | 0:09:17 | |
-She would turn to him -when she needed an explanation... | 0:09:18 | 0:09:22 | |
-..for the strange things that -were happening to her spiritually. | 0:09:22 | 0:09:26 | |
-Ruth, who was -Ann Griffiths's maid... | 0:09:26 | 0:09:30 | |
-..later became John's wife. | 0:09:30 | 0:09:32 | |
-It was Ruth -who remembered Ann's hymns... | 0:09:32 | 0:09:36 | |
-..and learnt them from memory -because she couldn't write. | 0:09:36 | 0:09:40 | |
-She narrated them to John, -and aided by Thomas Charles... | 0:09:40 | 0:09:45 | |
-..they made sure -the hymns were published. | 0:09:45 | 0:09:49 | |
-That's the reason -we're able to sing them today. | 0:09:49 | 0:09:52 | |
-You obviously feel strongly -about maintaining this heritage. | 0:09:52 | 0:09:58 | |
-Yes. -I feel it's part of my vocation. | 0:09:58 | 0:10:02 | |
-But as well -as remembering the past... | 0:10:02 | 0:10:06 | |
-..and paying tribute -to John Hughes... | 0:10:06 | 0:10:09 | |
-..and those -who were involved with the chapel... | 0:10:09 | 0:10:12 | |
-..it's important that we're open -and prepared to move forward. | 0:10:13 | 0:10:17 | |
-That's why it has become... | 0:10:17 | 0:10:19 | |
-..the Centre for Christian Unity -and Renewal rather than a chapel. | 0:10:20 | 0:10:25 | |
-There are majestic places of worship -situated across Wales. | 0:12:24 | 0:12:28 | |
-One of the most -striking features of our churches... | 0:12:28 | 0:12:32 | |
-..are the stained glass windows. | 0:12:32 | 0:12:34 | |
-I recently -visited Llandaff Cathedral... | 0:12:34 | 0:12:38 | |
-..and found out more -about its intricate windows... | 0:12:38 | 0:12:42 | |
-..with -stained glass artist Ruth Shelley. | 0:12:42 | 0:12:45 | |
-What was the original purpose of -stained glass windows in churches? | 0:12:53 | 0:12:58 | |
-The original purpose was -to depict stories from the Bible... | 0:12:58 | 0:13:03 | |
-..since people couldn't read -or they didn't own a Bible. | 0:13:03 | 0:13:07 | |
-Stories were depicted in pictures -for people to view and enjoy. | 0:13:07 | 0:13:12 | |
-Has much changed in terms of the way -stained glass is manufactured? | 0:13:13 | 0:13:18 | |
-The technique of cutting stained -glass and assembling it when cold... | 0:13:18 | 0:13:23 | |
-..hasn't changed for centuries. | 0:13:23 | 0:13:25 | |
-The tools -and the method are the same. | 0:13:25 | 0:13:28 | |
-But different methods -have since been introduced... | 0:13:28 | 0:13:32 | |
-..using warm glass by blowing it. | 0:13:32 | 0:13:35 | |
-That technique was used centuries -ago, but it was developed... | 0:13:35 | 0:13:40 | |
-..during the 1960s, when it took -precedence over archaic methods. | 0:13:40 | 0:13:45 | |
-When did -your interest in glass begin? | 0:13:45 | 0:13:49 | |
-I studied textiles at college. | 0:13:49 | 0:13:51 | |
-I've always loved colour. | 0:13:52 | 0:13:54 | |
-I travelled -to India and eastern Asia... | 0:13:54 | 0:13:58 | |
-..as part of my project -on Asian materials and colours. | 0:13:58 | 0:14:02 | |
-When I came back, -I was out of work... | 0:14:02 | 0:14:05 | |
-..so I attended -stained glass workshops... | 0:14:05 | 0:14:08 | |
-..and adored the way -glass transfers light... | 0:14:08 | 0:14:12 | |
-..and glimmers in the shade. | 0:14:13 | 0:14:16 | |
-I fell in love with glass. | 0:14:17 | 0:14:19 | |
-In what way does religion -play a part in your creative work? | 0:14:19 | 0:14:23 | |
-You attend church on Sundays. | 0:14:23 | 0:14:25 | |
-Yes, I'm a Christian and I'd like -to bring my faith into my work... | 0:14:26 | 0:14:30 | |
-..but at the moment... | 0:14:31 | 0:14:33 | |
-..I think God the Creator is the -best designer there has ever been. | 0:14:33 | 0:14:38 | |
-When I have trouble -coming up with designs... | 0:14:39 | 0:14:42 | |
-..I often ask God -for inspiration to design. | 0:14:42 | 0:14:47 | |
-I say, "Use me as your servant -so that I may design." | 0:14:47 | 0:14:50 | |
-So you pray at work? | 0:14:50 | 0:14:53 | |
-So you pray at work? - -Yes. I pray regularly. | 0:14:53 | 0:14:55 | |
-# Alleluia, alleluia | 0:14:59 | 0:15:03 | |
-# Alleluia, alleluia | 0:15:03 | 0:15:06 | |
-# Alleluia, alleluia | 0:15:07 | 0:15:10 | |
-# Alleluia, alleluia | 0:15:10 | 0:15:13 | |
-# Alleluia | 0:15:14 | 0:15:17 | |
-# Alleluia | 0:15:18 | 0:15:21 | |
-# Alleluia, alleluia | 0:15:24 | 0:15:27 | |
-# Alleluia, alleluia | 0:15:31 | 0:15:34 | |
-# Alleluia | 0:15:35 | 0:15:42 | |
-# Alleluia | 0:15:42 | 0:15:44 | |
-# Alleluia, alleluia | 0:15:48 | 0:15:52 | |
-# Alleluia, alleluia | 0:15:55 | 0:16:01 | |
-# Alleluia | 0:16:01 | 0:16:04 | |
-# Alleluia, alleluia | 0:16:04 | 0:16:08 | |
-# Alleluia | 0:16:17 | 0:16:20 | |
-# Alleluia | 0:16:20 | 0:16:23 | |
-# Alleluia | 0:16:23 | 0:16:38 | |
-# Alleluia, alleluia | 0:16:42 | 0:16:46 | |
-# Alleluia, alleluia | 0:16:53 | 0:16:57 | |
-# Alleluia | 0:16:57 | 0:17:00 | |
-# Alleluia, alleluia | 0:17:00 | 0:17:03 | |
-# Alleluia | 0:17:04 | 0:17:07 | |
-# Alleluia # | 0:17:08 | 0:17:12 | |
-That was Gwawr Edwards singing -Mozart's masterpiece, Alleluia. | 0:17:19 | 0:17:25 | |
-Each year, Remembrance Sunday is an -important programme in the series. | 0:17:25 | 0:17:29 | |
-This year we met soldier -Sion Melfyn Hunt from Aberystwyth. | 0:17:30 | 0:17:34 | |
-He's currently serving -with the Navy. | 0:17:34 | 0:17:37 | |
-He described -the nature of his work... | 0:17:37 | 0:17:40 | |
-..and the importance -of having spiritual guidance. | 0:17:40 | 0:17:44 | |
-I joined a ship -stationed in the Gulf... | 0:17:44 | 0:17:48 | |
-..and I served as part of the crew -for about four months. | 0:17:48 | 0:17:53 | |
-I came back to Britain... | 0:17:53 | 0:17:56 | |
-..and was then sent to Afghanistan. | 0:17:57 | 0:18:00 | |
-I was stationed out there. -It was a tough experience. | 0:18:00 | 0:18:04 | |
-I knew I was going to see and hear -a lot of distressing scenes. | 0:18:04 | 0:18:09 | |
-But I really enjoyed -my duties out there. | 0:18:09 | 0:18:13 | |
-I found it very rewarding. | 0:18:13 | 0:18:15 | |
-I felt as though I was -helping the situation out there... | 0:18:15 | 0:18:19 | |
-..and the people of Afghanistan. | 0:18:19 | 0:18:22 | |
-When I was stationed in Scotland, -a friend of mine committed suicide. | 0:18:23 | 0:18:28 | |
-It was a very difficult time. | 0:18:28 | 0:18:30 | |
-The chaplains -were a source of comfort. | 0:18:30 | 0:18:34 | |
-They were there for the lads... | 0:18:34 | 0:18:38 | |
-..and helped raise morale. | 0:18:39 | 0:18:41 | |
-They were a big help. | 0:18:41 | 0:18:43 | |
-We were a family... | 0:18:44 | 0:18:46 | |
-..and we were strong. | 0:18:46 | 0:18:48 | |
-Everybody comes together when -something tragic like that happens. | 0:18:48 | 0:18:53 | |
-The chapel was our solace. | 0:18:53 | 0:18:56 | |
-I hope you've enjoyed -our highlights programme... | 0:21:11 | 0:21:15 | |
-..and been blessed -by the current series. | 0:21:15 | 0:21:18 | |
-The new series -will return in September... | 0:21:18 | 0:21:21 | |
-..when we will join the congregation -of Bethany, Ammanford... | 0:21:21 | 0:21:25 | |
-..for the proclamation service -of the National Eisteddfod. | 0:21:25 | 0:21:29 | |
-We end this evening -with a hymn that was recorded... | 0:21:29 | 0:21:33 | |
-..at the Ruthin Eisteddfod's -proclamation cymanfa. | 0:21:33 | 0:21:36 | |
-Arglwydd Iesu Arwain F'enaid -At Y Graig Sydd Uwch Na Mi. | 0:21:36 | 0:21:40 | |
-Until next time, goodbye. | 0:21:41 | 0:21:43 | |
-S4C Subtitles by Adnod Cyf. | 0:24:24 | 0:24:27 | |
-. | 0:24:27 | 0:24:28 |