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-It will be a pleasure -to work with this week's artiste. | 0:00:00 | 0:00:05 | |
-His appeal crosses generations. | 0:00:06 | 0:00:11 | |
-He's been singing for 40 years. | 0:00:12 | 0:00:14 | |
-They say -he's a good lighthouse keeper. | 0:00:15 | 0:00:20 | |
-He's quite a rebel, -especially on the weekend. | 0:00:20 | 0:00:24 | |
-Look at the crowds. | 0:00:25 | 0:00:27 | |
-He's headlining. | 0:00:27 | 0:00:29 | |
-Let's go. | 0:00:29 | 0:00:31 | |
-I grew up with Mam thinking -he was a hunk. I had to like him! | 0:00:35 | 0:00:39 | |
-I like his songs and voice. | 0:00:39 | 0:00:43 | |
-He puts everyone in a good mood. | 0:00:43 | 0:00:46 | |
-My wife says he's good looking, -but I disagree. | 0:00:46 | 0:00:50 | |
-We listen to his CDs in the car. | 0:00:51 | 0:00:53 | |
-I saw him in the eisteddfod. -I'm looking forward. | 0:00:53 | 0:00:57 | |
-If you haven't already guessed, he's -one of the few Welsh performers... | 0:00:59 | 0:01:04 | |
-..who can attract -such a diverse audience. | 0:01:05 | 0:01:08 | |
-This week's guest is Bryn Fon. | 0:01:11 | 0:01:15 | |
-# She ran from the sea | 0:01:22 | 0:01:24 | |
-# Wearing nothing | 0:01:25 | 0:01:27 | |
-# She ran into my arms # | 0:01:28 | 0:01:32 | |
-Are you OK? | 0:01:35 | 0:01:36 | |
-I'm in my winklepickers! | 0:01:37 | 0:01:40 | |
-Brilliant. | 0:01:40 | 0:01:41 | |
-They were a good little crowd. | 0:01:42 | 0:01:44 | |
-Little?! I could only -dream of such a crowd. | 0:01:44 | 0:01:49 | |
-Amazing! There were thousands here. | 0:01:49 | 0:01:51 | |
-There's always a good crowd. | 0:01:52 | 0:01:54 | |
-Everyone knew the words. | 0:01:54 | 0:01:56 | |
-It must be wonderful -to hear them singing your words. | 0:01:57 | 0:02:01 | |
-I remind the band -how lucky we are. | 0:02:01 | 0:02:05 | |
-We've struck a chord. We sing -and compose songs for ourselves. | 0:02:05 | 0:02:10 | |
-I'm looking forward -to singing with you. | 0:02:10 | 0:02:15 | |
-No backing out now! | 0:02:15 | 0:02:18 | |
-# One, two, three, -mother catches the fly | 0:02:18 | 0:02:21 | |
-# The fly is dead | 0:02:22 | 0:02:25 | |
-# One and one is two # | 0:02:25 | 0:02:29 | |
-Soon after -the Amlwch Copper Festival... | 0:02:31 | 0:02:34 | |
-..we began to rehearse our duet. | 0:02:34 | 0:02:37 | |
-Hello. How are you? | 0:02:38 | 0:02:41 | |
-Welcome. You know Siwan. | 0:02:42 | 0:02:43 | |
-Welcome. You know Siwan. - -Yes. How are you? | 0:02:43 | 0:02:45 | |
-I've brought a flask. | 0:02:46 | 0:02:47 | |
-I've brought a flask. - -It's going to be a long session! | 0:02:47 | 0:02:49 | |
-I won't get a cuppa here. | 0:02:50 | 0:02:53 | |
-Someone else was waiting for us. | 0:02:54 | 0:02:56 | |
-Alright? | 0:02:56 | 0:02:58 | |
-Osian Williams, the Candelas -lead singer, arranged the song. | 0:02:58 | 0:03:03 | |
-He's accompanying us, too. | 0:03:03 | 0:03:05 | |
-Good. | 0:03:05 | 0:03:06 | |
-Like a bell! | 0:03:07 | 0:03:09 | |
-That was around when -Jac and Wil recorded the song. | 0:03:10 | 0:03:16 | |
-Bryn chose a song recorded -by Jac and Wil in 1958... | 0:03:16 | 0:03:21 | |
-..Tell Mother I'll Be There. | 0:03:21 | 0:03:23 | |
-# When I was but a little child | 0:03:24 | 0:03:27 | |
-# How well I recollect | 0:03:28 | 0:03:31 | |
-# How I would grieve my mother | 0:03:31 | 0:03:35 | |
-# With my folly and neglect # | 0:03:36 | 0:03:39 | |
-This is your choice, -and it's lovely. | 0:03:40 | 0:03:43 | |
-I can copy my father and -his brother copying Jac and Wil. | 0:03:43 | 0:03:47 | |
-That gave me the idea. | 0:03:48 | 0:03:50 | |
-I'd listen to them singing -on Saturday nights... | 0:03:50 | 0:03:55 | |
-..after a few pints. | 0:03:55 | 0:03:58 | |
-My father wasn't much of -a singer, but Uncle Wilf was. | 0:03:59 | 0:04:02 | |
-People asked Dad, "Are you a bass or -baritone?" He replied, "A crooner." | 0:04:03 | 0:04:08 | |
-Let's give it a go. | 0:04:11 | 0:04:12 | |
-Let's give it a go. - -Warm up first. | 0:04:12 | 0:04:14 | |
-I've already warmed up. | 0:04:14 | 0:04:16 | |
-I've already warmed up. - -Not the voice! | 0:04:16 | 0:04:18 | |
-# When I was but a little child | 0:04:31 | 0:04:34 | |
-# How well I recollect | 0:04:35 | 0:04:39 | |
-# How I would grieve my mother # | 0:04:40 | 0:04:42 | |
-BRYN COUGHS | 0:04:43 | 0:04:44 | |
-I knew I should have warmed up! | 0:04:44 | 0:04:47 | |
-# With my folly and neglect # | 0:04:47 | 0:04:50 | |
-On my way to meet Bryn -in the Nantlle Valley... | 0:04:52 | 0:04:55 | |
-..I seized -the opportunity to rehearse. | 0:04:55 | 0:04:58 | |
-# A weekend rebel | 0:04:59 | 0:05:01 | |
-# From head to toe | 0:05:02 | 0:05:04 | |
-# The spirit of rebellion | 0:05:05 | 0:05:08 | |
-# Boils in every drop of his blood # | 0:05:09 | 0:05:11 | |
-Oh, dear. | 0:05:12 | 0:05:14 | |
-Bryn wants me to sing "Rebel Wicend" -with his band. | 0:05:14 | 0:05:19 | |
-They're rehearsing in Llanllyfni. -I agreed. | 0:05:20 | 0:05:23 | |
-Bryn Fon, what can I say? -I've known Bryn for some time. | 0:05:24 | 0:05:28 | |
-My daughter Elan -went to see him... | 0:05:28 | 0:05:33 | |
-..in Maes B at last year's -Meifod Eisteddfod. | 0:05:33 | 0:05:37 | |
-I said, "I'm going too." | 0:05:37 | 0:05:39 | |
-"You can't," she replied. "Why not?" -I asked. "You're too old." | 0:05:40 | 0:05:46 | |
-"Bryn Fon is older than me," I said. | 0:05:46 | 0:05:49 | |
-"Yes, but he's cool," she said. | 0:05:49 | 0:05:53 | |
-That hurt. | 0:05:53 | 0:05:54 | |
-Bryn wanted to meet in Llanllyfni, -where he was born. | 0:05:57 | 0:06:01 | |
-I was surprised he chose one -of his most popular songs for me. | 0:06:02 | 0:06:07 | |
-But I had a surprise for Bryn, too. | 0:06:07 | 0:06:10 | |
-I'm really nervous. | 0:06:12 | 0:06:14 | |
-# Crossing stormy seas | 0:06:14 | 0:06:16 | |
-# To reach | 0:06:18 | 0:06:20 | |
-# My Avalon # | 0:06:21 | 0:06:23 | |
-OK? | 0:06:34 | 0:06:36 | |
-Well done. | 0:06:36 | 0:06:38 | |
-Are you OK? | 0:06:38 | 0:06:40 | |
-That's a good sound. -I heard you from miles away! | 0:06:41 | 0:06:44 | |
-Are you staying the night? | 0:06:46 | 0:06:48 | |
-Are you staying the night? - -I have something for you. | 0:06:48 | 0:06:50 | |
-A box of tricks? | 0:06:50 | 0:06:51 | |
-A box of tricks? - -You'll see. | 0:06:51 | 0:06:53 | |
-Look at this. | 0:06:59 | 0:07:01 | |
-I'm sure we had it. | 0:07:02 | 0:07:06 | |
-"Star Songs Of Jac And Wil." | 0:07:06 | 0:07:10 | |
-It's turning. | 0:07:13 | 0:07:14 | |
-It's a good sound. | 0:07:17 | 0:07:19 | |
-# When I was but a little child | 0:07:25 | 0:07:29 | |
-# How well I recollect | 0:07:29 | 0:07:32 | |
-# How I would grieve my mother # | 0:07:33 | 0:07:36 | |
-Pull up a chair. | 0:07:36 | 0:07:38 | |
-# With my folly and neglect | 0:07:38 | 0:07:40 | |
-# And now that she has gone -to Heaven | 0:07:41 | 0:07:45 | |
-# I miss her tender care | 0:07:45 | 0:07:48 | |
-# Oh, Saviour | 0:07:48 | 0:07:50 | |
-# Tell my mother | 0:07:50 | 0:07:54 | |
-# I'll be there! # | 0:07:55 | 0:07:57 | |
-Jac and Wil? | 0:07:57 | 0:07:58 | |
-Jac and Wil? - -Listen to this. | 0:07:58 | 0:08:00 | |
-# Tell mother | 0:08:00 | 0:08:04 | |
-# I'll be there | 0:08:04 | 0:08:06 | |
-# In answer to her prayer # | 0:08:06 | 0:08:08 | |
-The series -is Deuawdau Rhys Meirion. | 0:08:08 | 0:08:12 | |
-I've chosen a song, and so has Rhys. | 0:08:12 | 0:08:15 | |
-This is the one I picked! | 0:08:15 | 0:08:18 | |
-Don't laugh! | 0:08:20 | 0:08:22 | |
-I wasn't sure -when you first mentioned it. | 0:08:23 | 0:08:27 | |
-I think it will be quite effective. | 0:08:28 | 0:08:30 | |
-Do you remember Jac and Wil? | 0:08:33 | 0:08:35 | |
-Yes. | 0:08:36 | 0:08:37 | |
-Nain does. | 0:08:38 | 0:08:40 | |
-What is it like to work with Bryn? | 0:08:40 | 0:08:43 | |
-We've had a gagging order. | 0:08:44 | 0:08:47 | |
-He'll sack us if we say anything! | 0:08:48 | 0:08:52 | |
-Hang on. | 0:08:54 | 0:08:55 | |
-Put the earplugs in. | 0:08:55 | 0:08:58 | |
-Since when have you been singing? | 0:08:59 | 0:09:01 | |
-Forty years. I started in 1976. | 0:09:02 | 0:09:04 | |
-I still don't know the words -to Afonwen after 27 years! | 0:09:05 | 0:09:09 | |
-When I do know the words, -it might be time to quit. | 0:09:10 | 0:09:14 | |
-What songs get the best reaction? | 0:09:16 | 0:09:20 | |
-What is the top three? | 0:09:20 | 0:09:23 | |
-My songs. | 0:09:23 | 0:09:26 | |
-What do you mean? -How many songs have you written?! | 0:09:27 | 0:09:31 | |
-Hang on. | 0:09:31 | 0:09:33 | |
-Two. | 0:09:34 | 0:09:35 | |
-"Ceidwad" and "Strydoedd Aberstalwm" -get a good reaction... | 0:09:40 | 0:09:44 | |
-..and "Rebel Wicend." | 0:09:44 | 0:09:47 | |
-Has he told you? | 0:09:48 | 0:09:51 | |
-Haven't you told them?! | 0:09:52 | 0:09:54 | |
-He wants me to sing "Rebel Wicend" -with you. | 0:09:54 | 0:09:58 | |
-They've been like -the Von Trapp family... | 0:09:59 | 0:10:02 | |
-..learning the words -around the piano! | 0:10:03 | 0:10:06 | |
-What about the moves? | 0:10:06 | 0:10:08 | |
-# I'll send an angel # | 0:10:15 | 0:10:17 | |
-No, it's not my hit, -"Anfonaf Angel"... | 0:10:21 | 0:10:25 | |
-..but Bryn's huge hit, -"Rebel Wicend". | 0:10:25 | 0:10:29 | |
-# He reaches his office -early each morning | 0:10:29 | 0:10:32 | |
-# Carrying -his little executive briefcase | 0:10:33 | 0:10:37 | |
-# "Good morning, Mr Eliot," -and "Thank you, Rachel" | 0:10:39 | 0:10:43 | |
-# "Remember, no sugar, -I'm trying to be healthy" | 0:10:43 | 0:10:48 | |
-# He sits like a soldier -in front of his computer | 0:10:49 | 0:10:53 | |
-# Every biro, -paper and file in its place | 0:10:53 | 0:10:57 | |
-# At five, -he's at the wheel of his BMW | 0:11:00 | 0:11:03 | |
-# Driving home through the suburbs | 0:11:03 | 0:11:06 | |
-# As he turns the key he calls out | 0:11:09 | 0:11:12 | |
-# "I'm home. -How was your day? What's for tea?" | 0:11:13 | 0:11:17 | |
-# His slippers -are warming on the hearth | 0:11:20 | 0:11:23 | |
-# A homely smell fills the place | 0:11:24 | 0:11:28 | |
-# On Friday night, he gets home -and hangs up his suit | 0:11:30 | 0:11:34 | |
-# And changes -into his tight denim jeans | 0:11:35 | 0:11:39 | |
-# He puts in his earrings | 0:11:40 | 0:11:43 | |
-# He puts away his razor -until Sunday night | 0:11:44 | 0:11:48 | |
-# And there he is | 0:11:49 | 0:11:51 | |
-# A weekend rebel | 0:11:53 | 0:11:56 | |
-# With his stick-on tattoo | 0:11:58 | 0:12:00 | |
-# And a tin of herbal tobacco | 0:12:00 | 0:12:04 | |
-# A weekend rebel | 0:12:05 | 0:12:08 | |
-# From head to toe | 0:12:09 | 0:12:12 | |
-# The spirit of rebellion | 0:12:13 | 0:12:15 | |
-# Boils in every drop of his blood | 0:12:16 | 0:12:18 | |
-# On Monday morning | 0:12:21 | 0:12:23 | |
-# He's back in the office | 0:12:25 | 0:12:27 | |
-# The crease in his trousers | 0:12:29 | 0:12:32 | |
-# As sharp as a blade # | 0:12:33 | 0:12:37 | |
-As a blade. | 0:12:39 | 0:12:41 | |
-# The weekend rebel | 0:12:42 | 0:12:44 | |
-# Looks all around him | 0:12:45 | 0:12:48 | |
-# And realizes | 0:12:49 | 0:12:51 | |
-# He's made # | 0:12:52 | 0:12:59 | |
-Thanks! | 0:13:01 | 0:13:03 | |
-Thanks, boys. | 0:13:03 | 0:13:05 | |
-I enjoyed that. | 0:13:07 | 0:13:09 | |
-Coming up, more laughs in -the studio as Osian looks on. | 0:13:10 | 0:13:14 | |
-What is on the wall -of Bryn's old home? | 0:13:14 | 0:13:19 | |
-And a duet in a tavern. -Where better? | 0:13:19 | 0:13:22 | |
-. | 0:13:22 | 0:13:22 | |
-Subtitles | 0:13:25 | 0:13:25 | |
-Subtitles - -Subtitles | 0:13:25 | 0:13:27 | |
-Actor and performer Bryn -is at home in front of an audience. | 0:13:31 | 0:13:36 | |
-He's also at home in the hills -round the Nantlle Valley. | 0:13:36 | 0:13:41 | |
-He knows the area -like the back of his hand. | 0:13:41 | 0:13:45 | |
-There you are. | 0:13:46 | 0:13:48 | |
-He's as stiff and decrepit as me! | 0:13:50 | 0:13:53 | |
-Give us a song! | 0:13:54 | 0:13:56 | |
-"Dros Y Gamfa Wen!" | 0:13:57 | 0:13:59 | |
-Where are we? | 0:14:00 | 0:14:03 | |
-That's Cwm Dulyn, Cwm Silyn... | 0:14:03 | 0:14:06 | |
-..Tal-Y-Mignedd and Rhyd-Ddu... | 0:14:07 | 0:14:11 | |
-..or the Nantlle Ridge. | 0:14:12 | 0:14:14 | |
-It's the best view of the valley. | 0:14:14 | 0:14:17 | |
-We see over to Drws-Y-Coed -from the top. | 0:14:17 | 0:14:20 | |
-What a view. | 0:14:24 | 0:14:26 | |
-You'd have to go far to match it. | 0:14:27 | 0:14:30 | |
-What can we see? | 0:14:30 | 0:14:32 | |
-What can we see? - -Everywhere and everything... | 0:14:32 | 0:14:34 | |
-..from Snowdon to Anglesey, -Llanddwyn, Abermenai... | 0:14:36 | 0:14:41 | |
-..and Caer Arianrhod -when the tide is out. | 0:14:41 | 0:14:45 | |
-This is Lleu's valley -in the Mabinogi. | 0:14:45 | 0:14:50 | |
-Wonderful. | 0:14:51 | 0:14:53 | |
-What are these quarries? | 0:14:53 | 0:14:55 | |
-Pen Yr Orsedd and Y Fron. | 0:14:56 | 0:15:01 | |
-Can you see the water? | 0:15:01 | 0:15:03 | |
-Dorothea Quarry has been flooded. | 0:15:04 | 0:15:08 | |
-Your forefathers worked there. | 0:15:08 | 0:15:12 | |
-Yes, Nain's brothers... | 0:15:12 | 0:15:15 | |
-..and my grandfather, -Wil Tan Ffordd. | 0:15:15 | 0:15:19 | |
-My father started -when he was twelve. | 0:15:21 | 0:15:24 | |
-He was a clever lad -and passed the 11-plus. | 0:15:25 | 0:15:29 | |
-He was the eldest of eight children. | 0:15:29 | 0:15:32 | |
-Nain needed his help. | 0:15:32 | 0:15:35 | |
-The quarry sponsored -the football team... | 0:15:36 | 0:15:39 | |
-..Talysarn Celts. | 0:15:39 | 0:15:41 | |
-He was a good -left-footed fullback. | 0:15:42 | 0:15:45 | |
-He was selected to play for -Talysarn Celts when he was 15 or 16. | 0:15:47 | 0:15:52 | |
-He didn't have football boots. | 0:15:53 | 0:15:55 | |
-They held a committee about whether -to sponsor Dafydd Jones or not. | 0:15:56 | 0:16:01 | |
-They decided to sponsor him. | 0:16:01 | 0:16:03 | |
-Everyone contributed -so he could buy football boots. | 0:16:04 | 0:16:08 | |
-He scored an own goal -in his first game. | 0:16:09 | 0:16:12 | |
-They held a kangaroo court -on Monday morning... | 0:16:13 | 0:16:18 | |
-..during tea break. | 0:16:18 | 0:16:21 | |
-Dafydd Jones -was in front of the bench... | 0:16:21 | 0:16:25 | |
-..to explain why he'd scored -an own goal with his new boots. | 0:16:26 | 0:16:31 | |
-He worried what they'd do. | 0:16:31 | 0:16:35 | |
-They were pulling his leg. | 0:16:35 | 0:16:37 | |
-Bryn explained to me... | 0:16:38 | 0:16:41 | |
-..how an early acting role could -have led to moving far from home. | 0:16:41 | 0:16:46 | |
-My first professional job -was a Warner Brothers film... | 0:16:46 | 0:16:52 | |
-..The Corn Is Green with Katherine -Hepburn, directed by George Cukor. | 0:16:52 | 0:16:58 | |
-He directed The African Queen. | 0:16:58 | 0:17:00 | |
-We filmed for weeks -in Betws-Y-Coed and Ysbyty Ifan. | 0:17:00 | 0:17:05 | |
-We went to Pinewood in London... | 0:17:06 | 0:17:09 | |
-..to film the underground scenes. | 0:17:10 | 0:17:13 | |
-I could have used those contacts... | 0:17:14 | 0:17:18 | |
-..to go in a different direction. | 0:17:19 | 0:17:22 | |
-I wasn't that keen. | 0:17:22 | 0:17:25 | |
-It's our duty -as Welsh language performers... | 0:17:26 | 0:17:31 | |
-..to entertain people... | 0:17:32 | 0:17:35 | |
-..in their own language. | 0:17:35 | 0:17:38 | |
-I'm more comfortable doing that. | 0:17:41 | 0:17:43 | |
-It wasn't a conscious decision -on my part. | 0:17:44 | 0:17:47 | |
-I'm happier working in Welsh. | 0:17:47 | 0:17:50 | |
-We're lucky that we have -our own channel and radio station. | 0:17:52 | 0:17:57 | |
-We should be more grateful. | 0:17:57 | 0:18:00 | |
-Exactly. | 0:18:01 | 0:18:03 | |
-Cheers. | 0:18:03 | 0:18:05 | |
-Is this Earl Grey? You're very posh! | 0:18:06 | 0:18:09 | |
-It's a combination -of Glengettie and Earl Grey! | 0:18:09 | 0:18:14 | |
-Cheers. | 0:18:15 | 0:18:16 | |
-I only have one cup. | 0:18:16 | 0:18:19 | |
-Bryn's tea went down a treat. | 0:18:22 | 0:18:24 | |
-Now it was time -for the Jac and Wil duet. | 0:18:25 | 0:18:28 | |
-The way they say the word "pur" -has more of an "I" sound. | 0:18:29 | 0:18:33 | |
-# Tell mother | 0:18:36 | 0:18:39 | |
-# I'll be there | 0:18:40 | 0:18:43 | |
-# Heaven's joys | 0:18:44 | 0:18:46 | |
-# With her to share | 0:18:46 | 0:18:50 | |
-# Yes, tell my darling mother | 0:18:52 | 0:18:58 | |
-# I'll be there! # | 0:19:00 | 0:19:05 | |
-Ee-har! | 0:19:10 | 0:19:12 | |
-I warbled in the refrain! | 0:19:12 | 0:19:16 | |
-Can we listen to it? | 0:19:16 | 0:19:18 | |
-Can we listen to it? - -I was going to say something. | 0:19:18 | 0:19:20 | |
-Before performing the duet... | 0:19:21 | 0:19:24 | |
-..we visited -one of Bryn's childhood haunts. | 0:19:25 | 0:19:29 | |
-# Show me your castle | 0:19:29 | 0:19:32 | |
-# Let me come in # | 0:19:32 | 0:19:34 | |
-This is where you were brought up. | 0:19:35 | 0:19:38 | |
-This is where you were brought up. - -Bryn Rhedyw. | 0:19:38 | 0:19:39 | |
-There were only a dozen houses here. | 0:19:41 | 0:19:44 | |
-Those houses were built -when I was in the sixth form. | 0:19:44 | 0:19:48 | |
-The pensioners' cottages came later. | 0:19:48 | 0:19:53 | |
-This was our football field. | 0:19:53 | 0:19:57 | |
-That was Bobi Jones's field. -He was my Sunday school teacher. | 0:19:59 | 0:20:04 | |
-We were a close-knit community. | 0:20:04 | 0:20:07 | |
-We all knew each other. | 0:20:07 | 0:20:09 | |
-The doors were always open. | 0:20:09 | 0:20:11 | |
-The doors were always open. - -Yes. | 0:20:11 | 0:20:12 | |
-Watch what you say. -I'm related to most of them! | 0:20:12 | 0:20:16 | |
-Like the Mafia. | 0:20:16 | 0:20:17 | |
-Like the Mafia. - -Worse! | 0:20:17 | 0:20:19 | |
-This is number seven, Bryn Rhedyw. | 0:20:20 | 0:20:22 | |
-We didn't have a big gate. | 0:20:23 | 0:20:26 | |
-I've noticed the plaque! | 0:20:27 | 0:20:30 | |
-Not many people have one of these. | 0:20:32 | 0:20:37 | |
-You have to be old to get one! | 0:20:37 | 0:20:41 | |
-You need to perform more! | 0:20:41 | 0:20:44 | |
-That's an honour. | 0:20:44 | 0:20:45 | |
-That's an honour. - -Yes. I came to the unveiling. | 0:20:45 | 0:20:49 | |
-It was like looking -at my own gravestone! | 0:20:49 | 0:20:53 | |
-That sounds morbid! | 0:20:53 | 0:20:55 | |
-Is this where your father and uncle -sang Tell Mother I'll Be There? | 0:20:56 | 0:21:01 | |
-Yes, on the stairs. | 0:21:02 | 0:21:05 | |
-I had the small bedroom. | 0:21:06 | 0:21:07 | |
-My sisters shared a larger bedroom. | 0:21:08 | 0:21:11 | |
-A crowd came back at ten o'clock -on Saturday nights. | 0:21:11 | 0:21:15 | |
-It was a big house -compared to the others. | 0:21:16 | 0:21:20 | |
-They used to sing. | 0:21:21 | 0:21:25 | |
-That's where I had -the idea to sing the song. | 0:21:25 | 0:21:30 | |
-Tell Mother I'll Be There | 0:21:41 | 0:21:44 | |
-# When I was but a little child | 0:21:44 | 0:21:47 | |
-# How well I recollect | 0:21:48 | 0:21:52 | |
-# How I would grieve my mother | 0:21:52 | 0:21:55 | |
-# With my folly and neglect | 0:21:56 | 0:22:00 | |
-# And now that she has -gone to Heaven | 0:22:01 | 0:22:04 | |
-# I miss her tender care | 0:22:05 | 0:22:08 | |
-# Oh, Saviour | 0:22:10 | 0:22:12 | |
-# Tell my mother | 0:22:12 | 0:22:14 | |
-# I'll be there! | 0:22:14 | 0:22:17 | |
-# Tell mother | 0:22:21 | 0:22:24 | |
-# I'll be there | 0:22:24 | 0:22:26 | |
-# In answer | 0:22:27 | 0:22:29 | |
-# To her prayer | 0:22:29 | 0:22:33 | |
-# This message | 0:22:34 | 0:22:37 | |
-# Blessed Saviour | 0:22:37 | 0:22:39 | |
-# To her bear! | 0:22:40 | 0:22:43 | |
-# Tell mother | 0:22:45 | 0:22:47 | |
-# I'll be there | 0:22:47 | 0:22:50 | |
-# Heaven's joys with her | 0:22:51 | 0:22:55 | |
-# To share | 0:22:55 | 0:22:58 | |
-# Yes, tell my darling mother | 0:22:58 | 0:23:04 | |
-# I'll be there! | 0:23:05 | 0:23:11 | |
-# One day a message came to me | 0:23:22 | 0:23:26 | |
-# It bade me quickly come | 0:23:27 | 0:23:30 | |
-# If I would see my mother | 0:23:31 | 0:23:35 | |
-# 'Ere the Saviour took her home | 0:23:36 | 0:23:40 | |
-# I promised her | 0:23:41 | 0:23:43 | |
-# Before she died | 0:23:43 | 0:23:46 | |
-# For Heaven to prepare | 0:23:46 | 0:23:49 | |
-# Oh, Saviour | 0:23:50 | 0:23:52 | |
-# Tell my mother | 0:23:52 | 0:23:54 | |
-# I'll be there! | 0:23:55 | 0:24:00 | |
-# Tell mother | 0:24:02 | 0:24:04 | |
-# I'll be there | 0:24:05 | 0:24:08 | |
-# In answer | 0:24:08 | 0:24:10 | |
-# To her prayer | 0:24:11 | 0:24:14 | |
-# This message | 0:24:16 | 0:24:17 | |
-# Blessed Saviour | 0:24:18 | 0:24:20 | |
-# To her bear! | 0:24:22 | 0:24:25 | |
-# Tell mother | 0:24:27 | 0:24:29 | |
-# I'll be there | 0:24:29 | 0:24:32 | |
-# Heaven's joys with her | 0:24:33 | 0:24:36 | |
-# To share | 0:24:37 | 0:24:39 | |
-# Yes, tell my darling mother | 0:24:40 | 0:24:48 | |
-# I'll be there # | 0:24:48 | 0:24:54 | |
-Coming up... | 0:25:02 | 0:25:03 | |
-..we don't always hit the right -note, but I make Bryn laugh. | 0:25:04 | 0:25:09 | |
-Counting sheep -is easier than counting bars... | 0:25:09 | 0:25:13 | |
-..and Bryn performs a personal song. | 0:25:14 | 0:25:17 | |
-. | 0:25:17 | 0:25:17 | |
-Subtitles | 0:25:20 | 0:25:20 | |
-Subtitles - -Subtitles | 0:25:20 | 0:25:22 | |
-# Ordinary, ordinary # | 0:25:25 | 0:25:27 | |
-That's what you say. | 0:25:28 | 0:25:29 | |
-Ordinary. | 0:25:30 | 0:25:31 | |
-It was time to work -on the duet I'd sing with Bryn. | 0:25:31 | 0:25:35 | |
-I usually sing it -as one of the Three Welsh Tenors. | 0:25:35 | 0:25:38 | |
-# Ordinary people # | 0:25:39 | 0:25:40 | |
-It was over before I took a breath! | 0:25:41 | 0:25:43 | |
-It's Caradog Williams's -song "Gwinllan"... | 0:25:43 | 0:25:47 | |
-..with words from -Saunders Lewis's famous poem... | 0:25:47 | 0:25:51 | |
-"..Gwinllan A Roddwyd I'm Gofal". | 0:25:51 | 0:25:54 | |
-# I call on my friends | 0:25:54 | 0:25:56 | |
-# Ordinary people and scholars # | 0:25:56 | 0:25:59 | |
-That's the one. | 0:25:59 | 0:26:00 | |
-That's better. | 0:26:00 | 0:26:01 | |
-It sounds easier. | 0:26:02 | 0:26:03 | |
-This is Take One, "Gwinllan". | 0:26:03 | 0:26:06 | |
-# A vineyard was given to my care | 0:26:08 | 0:26:12 | |
-# Wales, my land | 0:26:14 | 0:26:19 | |
-# To hand over # | 0:26:20 | 0:26:22 | |
-I'm still not too sure -about Rhys's song choice. | 0:26:22 | 0:26:26 | |
-He could have chosen -something a bit more rocky... | 0:26:27 | 0:26:31 | |
-..to suit me more, and him less. | 0:26:32 | 0:26:35 | |
-He has a lot -to learn throughout the series. | 0:26:35 | 0:26:39 | |
-I'll forgive him this time. | 0:26:39 | 0:26:42 | |
-He didn't have to learn this. | 0:26:42 | 0:26:45 | |
-# A heritage # | 0:26:46 | 0:26:48 | |
-Spot on. That was nice. | 0:26:52 | 0:26:55 | |
-He was a bit sly! | 0:26:55 | 0:26:57 | |
-Oh, dear! | 0:26:59 | 0:27:00 | |
-Something told me -Bryn would soon pay me back. | 0:27:01 | 0:27:05 | |
-He invited me to Brychyni farm. | 0:27:05 | 0:27:08 | |
-It was almost -a second family in his youth. | 0:27:08 | 0:27:13 | |
-He's here. | 0:27:14 | 0:27:15 | |
-How are you? | 0:27:16 | 0:27:17 | |
-How are you? | 0:27:17 | 0:27:19 | |
-Rhys Meirion. This is Eifion Hughes. | 0:27:19 | 0:27:22 | |
-How are you? | 0:27:22 | 0:27:23 | |
-How are you? - -Nice to see you. | 0:27:23 | 0:27:24 | |
-I knew he'd wear posh clothes! | 0:27:24 | 0:27:26 | |
-I knew he'd wear posh clothes! - -What's the matter? | 0:27:26 | 0:27:27 | |
-Morgan, bring the things -I told you about. | 0:27:27 | 0:27:30 | |
-LAUGHTER | 0:27:31 | 0:27:32 | |
-Aren't we having -a chat and a cuppa? | 0:27:32 | 0:27:35 | |
-A chat and a cuppa! | 0:27:35 | 0:27:35 | |
-A chat and a cuppa! - -Here you are. | 0:27:35 | 0:27:37 | |
-Put those on and follow us. | 0:27:37 | 0:27:39 | |
-Put those on and follow us. - -Thanks. | 0:27:39 | 0:27:40 | |
-See you. | 0:27:40 | 0:27:42 | |
-Two minutes! | 0:27:42 | 0:27:43 | |
-Good grief. | 0:27:48 | 0:27:50 | |
-I didn't expect this. | 0:27:50 | 0:27:52 | |
-Goodness me. | 0:27:53 | 0:27:54 | |
-I know farmers. If you're late -for work, they start talking. | 0:27:55 | 0:27:59 | |
-I'd better hurry. | 0:27:59 | 0:28:01 | |
-Coming, Rhys? | 0:28:08 | 0:28:09 | |
-Coming, Rhys? - -Yes! | 0:28:09 | 0:28:10 | |
-Good grief, OK! | 0:28:11 | 0:28:12 | |
-Hi. | 0:28:13 | 0:28:14 | |
-Isn't he smart? | 0:28:15 | 0:28:16 | |
-You're ready now. | 0:28:16 | 0:28:18 | |
-Look at him laughing! -What's the matter? | 0:28:18 | 0:28:21 | |
-You should have worn shorts! | 0:28:22 | 0:28:24 | |
-You should have worn shorts! - -Damn, I've stood in something! | 0:28:24 | 0:28:26 | |
-Count the sheep correctly -and put them there. | 0:28:26 | 0:28:30 | |
-How many do you want? | 0:28:30 | 0:28:31 | |
-How many do you want? - -Fifty one. | 0:28:31 | 0:28:32 | |
-Fifty one in there. | 0:28:33 | 0:28:34 | |
-Two, four, six. | 0:28:36 | 0:28:38 | |
-Eight, nine, ten. | 0:28:40 | 0:28:42 | |
-Twelve... sixteen... whoa! | 0:28:42 | 0:28:44 | |
-Thirty five, six, seven. | 0:28:46 | 0:28:49 | |
-Whoa! | 0:28:53 | 0:28:54 | |
-LAUGHTER | 0:28:54 | 0:28:54 | |
-LAUGHTER - -Have you counted them?! | 0:28:54 | 0:28:56 | |
-We don't want them all! | 0:28:56 | 0:28:58 | |
-How many are there? | 0:28:58 | 0:28:59 | |
-How many are there? - -Too many! | 0:28:59 | 0:29:00 | |
-Bring ten back. | 0:29:01 | 0:29:03 | |
-Ten back. | 0:29:04 | 0:29:05 | |
-One, two, three, four... | 0:29:09 | 0:29:11 | |
-..eight, nine. | 0:29:13 | 0:29:16 | |
-One more. | 0:29:16 | 0:29:17 | |
-There you are. | 0:29:19 | 0:29:21 | |
-How many are there? | 0:29:21 | 0:29:23 | |
-One, two, three, four, five, -six, seven, eight, nine... eleven. | 0:29:23 | 0:29:28 | |
-I was never good at Maths. | 0:29:28 | 0:29:30 | |
-I taught Maths in a primary school! | 0:29:30 | 0:29:33 | |
-Watch out, it's heavy. | 0:29:34 | 0:29:36 | |
-Well done. | 0:29:39 | 0:29:41 | |
-It's coming back! | 0:29:41 | 0:29:43 | |
-Lift that up. | 0:29:43 | 0:29:45 | |
-Alright now? | 0:29:46 | 0:29:47 | |
-Alright. | 0:29:47 | 0:29:49 | |
-Was he a good worker? | 0:29:51 | 0:29:53 | |
-No. | 0:29:53 | 0:29:54 | |
-He came here to play, really. | 0:29:55 | 0:29:57 | |
-We're getting to the truth! | 0:29:58 | 0:30:00 | |
-He was only a boy, fair play. | 0:30:01 | 0:30:03 | |
-Did you ever think he'd be -such a famous singer and actor? | 0:30:04 | 0:30:09 | |
-I didn't. | 0:30:09 | 0:30:11 | |
-He could sing. | 0:30:11 | 0:30:13 | |
-He went to a few eisteddfodau -and was a good singer. | 0:30:13 | 0:30:17 | |
-It's as an actor -I really like you, Bryn. | 0:30:17 | 0:30:21 | |
-I like your singing, of course. | 0:30:22 | 0:30:24 | |
-But your acting is special. | 0:30:24 | 0:30:26 | |
-You suit the character... | 0:30:26 | 0:30:29 | |
-..whether it's a saint or a sinner! | 0:30:29 | 0:30:33 | |
-Well, thank you very much. | 0:30:34 | 0:30:36 | |
-Very, very good. | 0:30:37 | 0:30:38 | |
-What's the catch? | 0:30:38 | 0:30:40 | |
-You'll see before you go. | 0:30:40 | 0:30:42 | |
-Thank you very much. | 0:30:42 | 0:30:44 | |
-Thanks to Eifion Hughes -and the family for their welcome. | 0:30:46 | 0:30:50 | |
-The people and area -are very close to Bryn's heart. | 0:30:50 | 0:30:54 | |
-His grandmother, Jane Catherine -Jones, is buried in Llanllyfni. | 0:30:54 | 0:30:59 | |
-Bryn immortalised her in his tender -and personal song, "Jen Jones". | 0:30:59 | 0:31:04 | |
-# I slept the first night | 0:31:04 | 0:31:07 | |
-# In your warm embrace # | 0:31:08 | 0:31:11 | |
-The song is about his grandmother. | 0:31:12 | 0:31:14 | |
-The words mention the funeral -of his great-grandmother... | 0:31:14 | 0:31:19 | |
-..Nain Gwallt Gwyn, -white-haired Nain. | 0:31:19 | 0:31:22 | |
-In Llanllyfni Church, -with his family... | 0:31:22 | 0:31:25 | |
-..I heard about -the song's background. | 0:31:25 | 0:31:28 | |
-It's about me -in my father Dafydd's shoes. | 0:31:29 | 0:31:32 | |
-He was working in Traws at the time. | 0:31:32 | 0:31:35 | |
-They wouldn't give him a day off -to go to his grandmother's funeral. | 0:31:35 | 0:31:40 | |
-As the oldest son, -he told me, "Look after Mam." | 0:31:40 | 0:31:44 | |
-That's why I'm in Dafydd's shoes, -in Nain Gwallt Gwyn's funeral... | 0:31:45 | 0:31:49 | |
-"..I held your hand." | 0:31:50 | 0:31:52 | |
-I realized she didn't have a mother. | 0:31:52 | 0:31:55 | |
-Although she was an adult, -she missed her mother. | 0:31:55 | 0:31:59 | |
-Yes. | 0:31:59 | 0:32:01 | |
-That's the feeling in the song. | 0:32:01 | 0:32:03 | |
-It's a marvellous song. | 0:32:03 | 0:32:04 | |
-It's a marvellous song. - -It is. | 0:32:04 | 0:32:06 | |
-Seeing the people in the funeral... | 0:32:06 | 0:32:08 | |
-..it was as if -all of Llan was embracing her... | 0:32:08 | 0:32:12 | |
-..and everyone looking after her. | 0:32:12 | 0:32:15 | |
-# I slept the first night | 0:32:32 | 0:32:35 | |
-# In your warm embrace | 0:32:36 | 0:32:39 | |
-# I slept many more times | 0:32:42 | 0:32:45 | |
-# In your feather bed | 0:32:46 | 0:32:49 | |
-# You taught me to sing | 0:32:52 | 0:32:55 | |
-# With Freddie And The Dreamers | 0:32:55 | 0:33:00 | |
-# You taught me to laugh | 0:33:01 | 0:33:04 | |
-# With Milligan and Sellers | 0:33:04 | 0:33:10 | |
-# Jen Jones, Jen Jones | 0:33:11 | 0:33:14 | |
-# She is Jen Jones | 0:33:16 | 0:33:18 | |
-# Auntie Jen to everyone | 0:33:20 | 0:33:23 | |
-# But she is my grandmother | 0:33:24 | 0:33:29 | |
-# I was in Dafydd's shoes | 0:33:34 | 0:33:37 | |
-# In Nain Gwallt Gwyn's funeral | 0:33:38 | 0:33:41 | |
-# I held your hand | 0:33:43 | 0:33:47 | |
-# And gripped it tight | 0:33:48 | 0:33:51 | |
-# I tried to offer comfort | 0:33:54 | 0:33:57 | |
-# To a girl without a mother | 0:33:58 | 0:34:00 | |
-# I learnt how love | 0:34:02 | 0:34:06 | |
-# Hides in the Llan | 0:34:07 | 0:34:12 | |
-# Jen Jones, Jen Jones | 0:34:12 | 0:34:16 | |
-# She is Jen Jones | 0:34:17 | 0:34:20 | |
-# Auntie Jen to everyone | 0:34:21 | 0:34:25 | |
-# But she is my grandmother | 0:34:26 | 0:34:31 | |
-# Ooh ooh ooh | 0:34:37 | 0:34:39 | |
-# Ooh ooh ooh | 0:34:41 | 0:34:43 | |
-# Ooh ooh ooh | 0:34:44 | 0:34:46 | |
-# She is my grandmother | 0:34:47 | 0:34:50 | |
-# Ooh ooh ooh | 0:34:54 | 0:34:56 | |
-# Ooh ooh ooh | 0:34:59 | 0:35:01 | |
-# Ooh | 0:35:03 | 0:35:05 | |
-# She is my grandmother # | 0:35:06 | 0:35:12 | |
-In the last part, Bryn shows me -a piece of his area's history. | 0:35:23 | 0:35:28 | |
-We hear about -a very eventful time in his life. | 0:35:28 | 0:35:32 | |
-And hopefully, the last duet -will stir the heart. | 0:35:32 | 0:35:36 | |
-. | 0:35:37 | 0:35:37 | |
-Subtitles | 0:35:39 | 0:35:39 | |
-Subtitles - -Subtitles | 0:35:39 | 0:35:41 | |
-I showed you the quarries -from a distance... | 0:35:53 | 0:35:57 | |
-..from the top -of Cwm Silyn and the tips. | 0:35:57 | 0:36:00 | |
-Now we're down amongst them. | 0:36:00 | 0:36:02 | |
-We're at the back -of what was known as Talysarn Hall. | 0:36:03 | 0:36:07 | |
-It was here before Dorothea Quarry. -The big quarry is over there. | 0:36:07 | 0:36:12 | |
-They thought it was far enough -and built all this. | 0:36:12 | 0:36:16 | |
-Good grief. | 0:36:17 | 0:36:18 | |
-There was a big mansion... | 0:36:18 | 0:36:20 | |
-..with stables, kennels, -cowsheds and a farm. | 0:36:20 | 0:36:25 | |
-They didn't know Dorothea would -spread right in front of them. | 0:36:25 | 0:36:30 | |
-When was this? | 0:36:30 | 0:36:31 | |
-About the mid 18th century. | 0:36:31 | 0:36:34 | |
-Good lord. | 0:36:34 | 0:36:35 | |
-It was very luxurious. | 0:36:36 | 0:36:38 | |
-Even for horses. | 0:36:39 | 0:36:41 | |
-There are tiles on the stable walls. | 0:36:42 | 0:36:45 | |
-These kennels are -for hunting dogs, I suppose. | 0:36:47 | 0:36:50 | |
-It's like a village on its own. | 0:36:52 | 0:36:54 | |
-It's like a village on its own. - -Yes. | 0:36:54 | 0:36:56 | |
-The horses must -have been very valuable. | 0:36:58 | 0:37:01 | |
-We left Talysarn Hall -and returned to the studio. | 0:37:06 | 0:37:10 | |
-The duet was problematic, -but I was determined to succeed. | 0:37:10 | 0:37:14 | |
-# A heritage # | 0:37:14 | 0:37:15 | |
-# A heritage # - -No. | 0:37:15 | 0:37:16 | |
-# A heritage # | 0:37:16 | 0:37:18 | |
-Go up the scale. | 0:37:18 | 0:37:20 | |
-# A heritage # | 0:37:20 | 0:37:21 | |
-# A heritage # | 0:37:21 | 0:37:23 | |
-That's the one. | 0:37:23 | 0:37:24 | |
-One, two. | 0:37:25 | 0:37:26 | |
-# A heritage # | 0:37:26 | 0:37:29 | |
-I'm wrong now! | 0:37:30 | 0:37:31 | |
-Did you start before me? | 0:37:31 | 0:37:33 | |
-Did you start before me? - -Hands up! | 0:37:33 | 0:37:34 | |
-I was wrong. | 0:37:35 | 0:37:36 | |
-I sang my line. -Sing what you did, you were right. | 0:37:37 | 0:37:40 | |
-# An eternal | 0:37:41 | 0:37:45 | |
-# Heritage # | 0:37:45 | 0:37:47 | |
-That's your line. Sorry. | 0:37:47 | 0:37:49 | |
-Confusing me more! | 0:37:50 | 0:37:52 | |
-Confucius dot com, that's my name. | 0:37:53 | 0:37:55 | |
-Do you want to practise that? | 0:37:56 | 0:37:57 | |
-Do you want to practise that? - -OK. | 0:37:57 | 0:37:58 | |
-Can we have the note, please? | 0:37:58 | 0:38:00 | |
-We're nearing -the end of the programme... | 0:38:04 | 0:38:07 | |
-..and the duet I chose, "Gwinllan". | 0:38:07 | 0:38:10 | |
-Do you like the choice? | 0:38:13 | 0:38:14 | |
-Do you like the choice? - -Evil!! | 0:38:14 | 0:38:15 | |
-You're familiar with the words. | 0:38:15 | 0:38:18 | |
-I was afraid of the song... | 0:38:18 | 0:38:21 | |
-..and afraid of not -doing the poetry justice. | 0:38:22 | 0:38:26 | |
-It was written years ago -and included a warning. | 0:38:27 | 0:38:31 | |
-The Welsh language -is in a precarious state now. | 0:38:31 | 0:38:35 | |
-Saunders was obviously far-seeing. | 0:38:36 | 0:38:40 | |
-It's frightening to think of -the challenge he gave us in Wales. | 0:38:41 | 0:38:47 | |
-If you don't do this now... | 0:38:47 | 0:38:50 | |
-..the vineyard will be like this. | 0:38:50 | 0:38:53 | |
-Brambles grow very quickly. | 0:38:53 | 0:38:55 | |
-I want to ask about a difficult, -nightmarish time for you. | 0:38:58 | 0:39:02 | |
-One thing makes me very angry. | 0:39:03 | 0:39:06 | |
-It's someone been -wrongly blamed, in any manner. | 0:39:06 | 0:39:10 | |
-You suffered a grave injustice, -linked to your Welshness. | 0:39:10 | 0:39:15 | |
-You were arrested. -It must have been terrible. | 0:39:16 | 0:39:21 | |
-Yes. | 0:39:21 | 0:39:23 | |
-Maybe it was because of one song... | 0:39:23 | 0:39:26 | |
-..I'd been arrogant enough to write. | 0:39:26 | 0:39:30 | |
-The song documented events, -in a way. | 0:39:30 | 0:39:33 | |
-# No-one knows anything -in the cold light of day # | 0:39:34 | 0:39:38 | |
-The song was about the 1990s Meibion -Glyndwr holiday home arson campaign. | 0:39:38 | 0:39:44 | |
-NEWSREADER | 0:39:44 | 0:39:45 | |
-Actor Bryn Fon was taken -to a special court in Dolgellau. | 0:39:45 | 0:39:49 | |
-Police found parts -of an explosive device... | 0:39:50 | 0:39:53 | |
-..in a wall near his home. | 0:39:54 | 0:39:56 | |
-I was in a cell for three days -and nights in Dolgellau. | 0:39:56 | 0:40:01 | |
-It came down to, "What do you -have on me? Why has this happened?" | 0:40:01 | 0:40:06 | |
-Looking back, all I can think -is that the song infuriated them. | 0:40:06 | 0:40:11 | |
-They came without any evidence. | 0:40:11 | 0:40:14 | |
-They managed to persuade -a magistrate somewhere... | 0:40:14 | 0:40:18 | |
-..that there was something. | 0:40:18 | 0:40:20 | |
-They arrived, hoping -to find something but didn't. | 0:40:20 | 0:40:24 | |
-They panicked and thought, -"We'll plant something." | 0:40:24 | 0:40:29 | |
-They found -the evidence very quickly... | 0:40:29 | 0:40:32 | |
-..a few minutes after I told them -the press was on the way. | 0:40:32 | 0:40:36 | |
-It's a small farm, -with miles of stone walls. | 0:40:37 | 0:40:41 | |
-They went to one spot -and said, "Look!" | 0:40:41 | 0:40:44 | |
-Everyone knows if you find an -explosive device, you leave it. | 0:40:45 | 0:40:51 | |
-You phone the army -and they come to get rid of it. | 0:40:51 | 0:40:54 | |
-They brought it into the house... | 0:40:55 | 0:40:57 | |
-..where there was -a three-year-old child. | 0:40:57 | 0:41:00 | |
-They must have known what was in -the bag or they wouldn't risk that. | 0:41:01 | 0:41:05 | |
-There were all sorts -of silly things after that... | 0:41:05 | 0:41:11 | |
-..when they tried -to watch their own backs. | 0:41:11 | 0:41:14 | |
-They claimed they'd had a tip-off. | 0:41:15 | 0:41:17 | |
-At first, -they said it was a phone call. | 0:41:17 | 0:41:20 | |
-Then they changed their minds -and said it was a letter. | 0:41:21 | 0:41:25 | |
-They couldn't even -get their story right. | 0:41:25 | 0:41:28 | |
-No consistency. | 0:41:28 | 0:41:29 | |
-We went to court on Thursday night. | 0:41:29 | 0:41:32 | |
-They asked for -more time to detain me. | 0:41:32 | 0:41:35 | |
-I could have walked immediately. -Their paperwork was totally wrong. | 0:41:35 | 0:41:40 | |
-They needed copies of each -document for everyone in court. | 0:41:40 | 0:41:44 | |
-They didn't. | 0:41:45 | 0:41:46 | |
-They ran around Dolgellau at 10.30pm -looking for a photocopier. | 0:41:46 | 0:41:50 | |
-It was a shambles. | 0:41:51 | 0:41:52 | |
-NEWSREADER | 0:41:52 | 0:41:53 | |
-In a hearing held -behind locked doors... | 0:41:54 | 0:41:56 | |
-..the police were permitted -to hold him for another 36 hours. | 0:41:57 | 0:42:01 | |
-Since then, I've heard stories -and received some evidence... | 0:42:02 | 0:42:06 | |
-..that MI5 was involved. | 0:42:06 | 0:42:09 | |
-They were upstairs with monitors -watching everything... | 0:42:09 | 0:42:14 | |
-..and even watching me in the cell. | 0:42:15 | 0:42:18 | |
-Presumably, Welsh speakers -from MI5 were present. | 0:42:19 | 0:42:24 | |
-They refused to go through -the operator in the station. | 0:42:25 | 0:42:29 | |
-They insisted on having -a direct line to London. | 0:42:31 | 0:42:35 | |
-They didn't trust the local police. | 0:42:35 | 0:42:38 | |
-They thought the local police... | 0:42:38 | 0:42:40 | |
-Were in with you! | 0:42:41 | 0:42:42 | |
-..were supporting me! | 0:42:42 | 0:42:44 | |
-You went through -this trauma, this nightmare... | 0:42:45 | 0:42:50 | |
-..and were wrongly blamed. | 0:42:50 | 0:42:52 | |
-Did you have any kind -of apology or compensation? | 0:42:52 | 0:42:56 | |
-Not one word of apology. | 0:42:56 | 0:42:58 | |
-I did receive compensation. | 0:42:59 | 0:43:01 | |
-I got 5... | 0:43:01 | 0:43:02 | |
-..to pay for phone calls -they made in my house. | 0:43:03 | 0:43:06 | |
-They were in the house -after Anna and I were arrested. | 0:43:06 | 0:43:10 | |
-Mam sat there, day and night, -watching them. | 0:43:11 | 0:43:14 | |
-They went through the house with a -fine-tooth comb and used the phone. | 0:43:14 | 0:43:19 | |
-I still have the cheque. -I didn't cash it. | 0:43:19 | 0:43:22 | |
-You couldn't make it up. | 0:43:22 | 0:43:25 | |
-I can't say it's a pleasure getting -to know you, because I already do. | 0:43:25 | 0:43:30 | |
-But it's been a pleasure -to make this programme with you... | 0:43:30 | 0:43:35 | |
-..and visit this amazing area, -which I didn't know well. | 0:43:35 | 0:43:39 | |
-Thank you very much. | 0:43:39 | 0:43:41 | |
-Thank you very much. - -Thanks. | 0:43:41 | 0:43:42 | |
-# A vineyard was given to my care | 0:43:56 | 0:44:01 | |
-# Wales, my land | 0:44:02 | 0:44:07 | |
-# To hand over | 0:44:08 | 0:44:11 | |
-# To my children | 0:44:11 | 0:44:13 | |
-# And to my children's children | 0:44:13 | 0:44:17 | |
-# An eternal heritage | 0:44:21 | 0:44:26 | |
-# An eternal heritage | 0:44:27 | 0:44:32 | |
-# An eternal heritage | 0:44:33 | 0:44:45 | |
-# A vineyard was given to my care | 0:44:47 | 0:44:52 | |
-# Wales, my land | 0:44:53 | 0:44:58 | |
-# To hand over | 0:44:59 | 0:45:02 | |
-# To my children | 0:45:02 | 0:45:04 | |
-# And to my children's children | 0:45:04 | 0:45:10 | |
-# An eternal heritage | 0:45:12 | 0:45:17 | |
-# An eternal heritage | 0:45:18 | 0:45:24 | |
-# An eternal heritage | 0:45:25 | 0:45:37 | |
-# But look, -pigs rush in and defile her | 0:45:38 | 0:45:43 | |
-# Look, pigs rush in and defile her | 0:45:44 | 0:45:49 | |
-# Now I will call | 0:45:51 | 0:45:54 | |
-# On my friends | 0:45:54 | 0:45:57 | |
-# Ordinary people | 0:45:58 | 0:45:59 | |
-# Ordinary people - -# Ordinary people and scholars | 0:45:59 | 0:46:03 | |
-# Take your place -by my side in the breach | 0:46:04 | 0:46:07 | |
-# Take your place | 0:46:07 | 0:46:10 | |
-# By my side in the breach | 0:46:10 | 0:46:12 | |
-# And keep for the ages to come | 0:46:13 | 0:46:18 | |
-# And keep for the ages to come | 0:46:19 | 0:46:24 | |
-# The beauty of the past | 0:46:24 | 0:46:29 | |
-# A vineyard was given to my care | 0:46:33 | 0:46:37 | |
-# Wales, my land | 0:46:39 | 0:46:44 | |
-# To hand over to my children | 0:46:45 | 0:46:49 | |
-# And to my children's children | 0:46:50 | 0:46:57 | |
-# An eternal heritage | 0:46:58 | 0:47:03 | |
-# An eternal heritage | 0:47:03 | 0:47:09 | |
-# An eternal heritage | 0:47:10 | 0:47:15 | |
-# Wales, my land | 0:47:16 | 0:47:23 | |
-# Wales | 0:47:28 | 0:47:30 | |
-# Wales | 0:47:32 | 0:47:34 | |
-# Wales | 0:47:36 | 0:47:40 | |
-# My land # | 0:47:40 | 0:47:49 | |
-Yes! | 0:47:53 | 0:47:54 | |
-S4C Subtitles by Gwead | 0:48:16 | 0:48:17 | |
-. | 0:48:17 | 0:48:18 |