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-Subtitles | 0:00:00 | 0:00:00 | |
-Subtitles - -Subtitles | 0:00:00 | 0:00:02 | |
-I'm Rhys Meirion. | 0:00:03 | 0:00:05 | |
-In the coming weeks, -I'll enjoy the company... | 0:00:05 | 0:00:08 | |
-..of some of Wales's -most talented singers. | 0:00:08 | 0:00:12 | |
-I'll travel to all sorts of places, -some further than others. | 0:00:12 | 0:00:16 | |
-We'll share stories... | 0:00:16 | 0:00:18 | |
-..and of course, -there will be plenty of singing. | 0:00:18 | 0:00:22 | |
-I'll invite the artistes -to the studio to sing duets. | 0:00:22 | 0:00:26 | |
-We'll have fun -and tackle a few challenges. | 0:00:27 | 0:00:30 | |
-I'll choose a song -to sing with them... | 0:00:30 | 0:00:33 | |
-..and they'll choose -a song to sing with me. | 0:00:33 | 0:00:37 | |
-Welcome to Deuawdau Rhys Meirion. | 0:00:38 | 0:00:40 | |
-I'm in the heart of beautiful -Eifionydd to meet this week's guest. | 0:00:49 | 0:00:55 | |
-"The commote with so many poets -for a place its size." | 0:00:55 | 0:00:59 | |
-Our guest is a poet, -singer and scriptwriter. | 0:01:00 | 0:01:05 | |
-She's one of my favourite artistes. -I'm sure you'll enjoy this too. | 0:01:05 | 0:01:10 | |
-# Are you sleeping, Macsen? # | 0:01:11 | 0:01:14 | |
-Hello, how are you? | 0:01:15 | 0:01:17 | |
-Hello, how are you? - -How are you? | 0:01:17 | 0:01:18 | |
-# Are you awake? # | 0:01:19 | 0:01:20 | |
-You've brought your guitar. | 0:01:20 | 0:01:21 | |
-You've brought your guitar. - -It wanted to come for a walk! | 0:01:21 | 0:01:23 | |
-LAUGHTER | 0:01:24 | 0:01:25 | |
-Gwyneth Glyn, the singer, composer -and author, is this week's guest. | 0:01:27 | 0:01:32 | |
-We'll visit several places, -some further than others. | 0:01:34 | 0:01:38 | |
-We'll learn more about the public -artiste and the private person. | 0:01:39 | 0:01:43 | |
-And we find Gwyneth's hat! | 0:01:44 | 0:01:46 | |
-Is it over there? | 0:01:47 | 0:01:49 | |
-Is it over there? - -Yes, Maen Grasi. | 0:01:49 | 0:01:50 | |
-We start near her home, in -the Glasfryn Estate near Llangybi. | 0:01:51 | 0:01:56 | |
-She wants me to meet an old friend. | 0:01:56 | 0:01:59 | |
-Do you know -the old tale about Grasi? | 0:02:01 | 0:02:03 | |
-No. What is the tale? | 0:02:03 | 0:02:05 | |
-Grasi was responsible -for looking after a well. | 0:02:05 | 0:02:09 | |
-She replaced the cover -after people had their water. | 0:02:10 | 0:02:13 | |
-One day, a friend persuaded her -to go blackberrying. | 0:02:14 | 0:02:19 | |
-She forgot to replace -the well cover. | 0:02:19 | 0:02:22 | |
-The village was drowned. | 0:02:22 | 0:02:24 | |
-That is the lake. | 0:02:24 | 0:02:26 | |
-It's clear that -the area inspires Gwyneth. | 0:02:27 | 0:02:31 | |
-I'm very lucky to have grown up -somewhere like this. | 0:02:31 | 0:02:35 | |
-We take our childhood for granted, -wherever we are. | 0:02:35 | 0:02:39 | |
-Looking back, this tranquillity -fed my imagination as a child. | 0:02:40 | 0:02:45 | |
-Imagination is still important -for you as a writer. | 0:02:47 | 0:02:51 | |
-This place gave you the ideal start. | 0:02:51 | 0:02:54 | |
-Yes. | 0:02:54 | 0:02:56 | |
-There's a history of writers like -Eifion Wyn, Nicander and Wil Sam... | 0:02:56 | 0:03:02 | |
-..and literary figures -like Dyfed Evans, Pencaenewydd. | 0:03:02 | 0:03:06 | |
-It was all an influence. | 0:03:07 | 0:03:09 | |
-My mother told me stories. -She was a primary school teacher. | 0:03:10 | 0:03:14 | |
-I preferred hearing her -recite her own stories. | 0:03:15 | 0:03:20 | |
-How did Grasi's story end? | 0:03:22 | 0:03:24 | |
-Grasi's punishment -was to be turned into stone. | 0:03:25 | 0:03:29 | |
-A female Seithennyn. | 0:03:29 | 0:03:31 | |
-Exactly! | 0:03:32 | 0:03:33 | |
-In another version, -she was turned into a swan. | 0:03:33 | 0:03:37 | |
-Sometimes, it's on the lake. | 0:03:37 | 0:03:39 | |
-That's a nicer story -than being turned into stone. | 0:03:39 | 0:03:43 | |
-Yes. Do you see a girl's shape? | 0:03:44 | 0:03:46 | |
-I have to be careful what I say! | 0:03:46 | 0:03:48 | |
-LAUGHTER | 0:03:48 | 0:03:50 | |
-It's a story for a song. | 0:03:51 | 0:03:54 | |
-That's an idea! | 0:03:55 | 0:03:57 | |
-I might write a song about Grasi. | 0:03:57 | 0:03:59 | |
-You can sing it. | 0:04:00 | 0:04:01 | |
-Good grief! | 0:04:01 | 0:04:03 | |
-Maybe Gwyneth will -write a song about Grasi. | 0:04:03 | 0:04:06 | |
-But she chose an old classic -to sing with me for our first duet. | 0:04:07 | 0:04:12 | |
-# Soothing and beguiling # | 0:04:12 | 0:04:17 | |
-Ar Hyd Y Nos is a familiar song. | 0:04:18 | 0:04:20 | |
-But Osian Williams of Candelas' -arrangement is brand new. | 0:04:20 | 0:04:25 | |
-I feel really excited. | 0:04:26 | 0:04:28 | |
-It'll be a privilege -to sing with Rhys. | 0:04:28 | 0:04:31 | |
-I've never sung with him before. | 0:04:31 | 0:04:33 | |
-I'm a bit apprehensive. | 0:04:34 | 0:04:36 | |
-I have a voice like a mouse. | 0:04:36 | 0:04:38 | |
-He has a voice like -a big, splendid lion! | 0:04:39 | 0:04:42 | |
-But it'll be interesting. | 0:04:42 | 0:04:44 | |
-Lovely. I like that change. | 0:04:45 | 0:04:48 | |
-Do you? | 0:04:48 | 0:04:49 | |
-I'd never reach the top notes. | 0:04:49 | 0:04:52 | |
-It adds a different colour. | 0:04:52 | 0:04:54 | |
-It adds a different colour. - -Yes. | 0:04:54 | 0:04:55 | |
-I like Osian's arrangement too. | 0:04:55 | 0:04:58 | |
-It's retro. | 0:04:58 | 0:04:59 | |
-Yes. | 0:04:59 | 0:05:01 | |
-We should wear flares! | 0:05:01 | 0:05:03 | |
-Why did you choose this? | 0:05:05 | 0:05:07 | |
-I've never sung it. | 0:05:08 | 0:05:10 | |
-I tried to think of a song -that would suit us both. | 0:05:10 | 0:05:14 | |
-Our voices are very different. | 0:05:15 | 0:05:17 | |
-I thought of this. | 0:05:17 | 0:05:19 | |
-Ceiriog's words are marvellous. | 0:05:19 | 0:05:21 | |
-Ceiriog's words are marvellous. - -Yes. | 0:05:21 | 0:05:22 | |
-It's a traditional song, -known all over the world. | 0:05:22 | 0:05:28 | |
-We often hear -male choirs singing it. | 0:05:30 | 0:05:33 | |
-We could do something different. | 0:05:33 | 0:05:36 | |
-We'll try. | 0:05:37 | 0:05:38 | |
-# Hear the glorious music ringing | 0:05:39 | 0:05:45 | |
-# All through the night # | 0:05:47 | 0:05:52 | |
-That's the sexiest -Ar Hyd Y Nos I've ever heard! | 0:05:53 | 0:05:57 | |
-I hope I don't sound -like a dirty old man. | 0:05:57 | 0:06:00 | |
-No, it's lovely. | 0:06:00 | 0:06:02 | |
-Something unexpected -happened with the song. | 0:06:03 | 0:06:06 | |
-I thought she'd sing in a soprano -pitch, but she sang in a low voice. | 0:06:06 | 0:06:11 | |
-It added something to the song. | 0:06:11 | 0:06:13 | |
-I had to sing at a lower register -than usual. I think it works well. | 0:06:13 | 0:06:18 | |
-# All through the night # | 0:06:19 | 0:06:22 | |
-The first duet was shaping up well. | 0:06:23 | 0:06:25 | |
-In Glasfryn, we shared another song -and I heard about the guitar. | 0:06:26 | 0:06:30 | |
-This is lovely. | 0:06:31 | 0:06:32 | |
-The macaroons are nice. | 0:06:32 | 0:06:34 | |
-The guitar is coming out. | 0:06:35 | 0:06:36 | |
-Why not? | 0:06:37 | 0:06:38 | |
-This is a 1960s guitar, apparently. | 0:06:38 | 0:06:41 | |
-I was in Denmark St, London. | 0:06:42 | 0:06:44 | |
-It's full of guitar shops. | 0:06:46 | 0:06:48 | |
-I fell in love with it. | 0:06:48 | 0:06:50 | |
-It was much too expensive for me. | 0:06:53 | 0:06:56 | |
-The man working there... | 0:06:56 | 0:06:58 | |
-..happened to be working -with singer Lo Polidoro. | 0:06:58 | 0:07:02 | |
-She wanted to sell -a very similar one. | 0:07:02 | 0:07:05 | |
-Here it is, exactly -like the other one, a Guild. | 0:07:05 | 0:07:09 | |
-Let's hear a little. | 0:07:09 | 0:07:11 | |
-It has a nice sound. | 0:07:13 | 0:07:14 | |
-It has a nice sound. - -Yes. | 0:07:14 | 0:07:15 | |
-Everyone who plays it, wants it. | 0:07:15 | 0:07:17 | |
-Everyone who plays it, wants it. - -Really? | 0:07:17 | 0:07:18 | |
-You'll never sell it. | 0:07:19 | 0:07:20 | |
-You'll never sell it. - -No. | 0:07:20 | 0:07:21 | |
-It has grown on me now. | 0:07:22 | 0:07:24 | |
-The chords in your song "Mae Mhen -I'n Llawn Ohonat Ti" are marvellous. | 0:07:24 | 0:07:29 | |
-Let's hear a bit. | 0:07:29 | 0:07:31 | |
-Right. | 0:07:31 | 0:07:32 | |
-I play the ukulele on the album. | 0:07:33 | 0:07:35 | |
-Do you know it? | 0:07:37 | 0:07:38 | |
-Do you know it? - -I'll try! | 0:07:38 | 0:07:39 | |
-# It might be the weather | 0:07:41 | 0:07:45 | |
-# It might be the sunshine | 0:07:45 | 0:07:47 | |
-# It might be # | 0:07:47 | 0:07:49 | |
-What is it? | 0:07:49 | 0:07:50 | |
-Wine. How could you forget?! | 0:07:50 | 0:07:53 | |
-# It might be the tide | 0:07:54 | 0:07:57 | |
-# On the sea | 0:07:58 | 0:08:00 | |
-# But my head is filled with you | 0:08:01 | 0:08:06 | |
-# I lift a sweet lid | 0:08:10 | 0:08:12 | |
-# From the dirty ground | 0:08:12 | 0:08:15 | |
-# And the first letter of your name | 0:08:16 | 0:08:19 | |
-# Is in my palm | 0:08:19 | 0:08:21 | |
-# I hear a round melody | 0:08:22 | 0:08:25 | |
-# Like a Welshcake | 0:08:25 | 0:08:28 | |
-# And my head is filled with you # | 0:08:29 | 0:08:32 | |
-We should have made it a macaroon! | 0:08:33 | 0:08:35 | |
-Yes! | 0:08:35 | 0:08:36 | |
-# In the blueness of berries | 0:08:41 | 0:08:44 | |
-# In the white of an egg | 0:08:44 | 0:08:46 | |
-# In the gold of the sugar | 0:08:47 | 0:08:49 | |
-# That sparkles on the spoon | 0:08:50 | 0:08:53 | |
-# And in the darkness -at the end of a DVD | 0:08:53 | 0:08:58 | |
-# My head is filled with you | 0:09:00 | 0:09:05 | |
-# My head is filled with you # | 0:09:06 | 0:09:12 | |
-Marvellous! | 0:09:14 | 0:09:15 | |
-I wouldn't risk the top note! | 0:09:15 | 0:09:17 | |
-In the next part, -we enjoy ice cream. | 0:09:19 | 0:09:22 | |
-Gwyneth's challenge -makes me shut my eyes tightly. | 0:09:22 | 0:09:27 | |
-And the world premiere -of the new Ar Hyd Y Nos. | 0:09:27 | 0:09:31 | |
-. | 0:09:31 | 0:09:31 | |
-Subtitles | 0:09:34 | 0:09:34 | |
-Subtitles - -Subtitles | 0:09:34 | 0:09:36 | |
-# The wind fills the boat's sail # | 0:09:40 | 0:09:45 | |
-Goodness, where are you taking me? | 0:09:45 | 0:09:48 | |
-There are a lot of brambles. -Don't trip over the gravestones. | 0:09:48 | 0:09:53 | |
-Thanks. | 0:09:53 | 0:09:54 | |
-Thanks. - -Some are quite old. | 0:09:54 | 0:09:55 | |
-Gwyneth wanted to take me -to a remote spot near her home. | 0:09:55 | 0:10:00 | |
-# You're needed in Eifionydd # | 0:10:00 | 0:10:05 | |
-All I knew was that -she wanted to show me a well. | 0:10:05 | 0:10:09 | |
-Is it a sacred well? | 0:10:10 | 0:10:12 | |
-Yes. | 0:10:15 | 0:10:16 | |
-People used to come here. | 0:10:16 | 0:10:19 | |
-On a pilgrimage? | 0:10:19 | 0:10:20 | |
-On a pilgrimage? - -Yes, to be healed. | 0:10:20 | 0:10:22 | |
-The water has healing properties. | 0:10:23 | 0:10:25 | |
-Look! | 0:10:27 | 0:10:28 | |
-This is St Cybi's Well. | 0:10:29 | 0:10:31 | |
-As I got to know Gwyneth, I knew -she'd have plenty of stories. | 0:10:32 | 0:10:37 | |
-Here are the healing waters. | 0:10:40 | 0:10:43 | |
-People bathed here -several times a day. | 0:10:44 | 0:10:48 | |
-You're not going in, are you? | 0:10:48 | 0:10:49 | |
-You're not going in, are you? - -I thought I'd have a dip! | 0:10:49 | 0:10:51 | |
-No, I'll just sit. | 0:10:52 | 0:10:54 | |
-What a fine place. | 0:10:56 | 0:10:58 | |
-Yes. It's magical. | 0:10:58 | 0:11:00 | |
-It is. | 0:11:01 | 0:11:02 | |
-I'm sure your home area -is very dear to you. | 0:11:02 | 0:11:05 | |
-It is. | 0:11:06 | 0:11:07 | |
-This is literally my home patch. | 0:11:08 | 0:11:10 | |
-I was born and brought up -in Llanarmon, a mile and half away. | 0:11:10 | 0:11:14 | |
-I walked a lot in this area. | 0:11:15 | 0:11:17 | |
-I explored it with friends. | 0:11:18 | 0:11:20 | |
-My sisters carved their names -on tree trunks in the wood. | 0:11:21 | 0:11:26 | |
-It's lovely to bring my son, -Maelgwn, to play here. | 0:11:27 | 0:11:32 | |
-To tire him, -I make him climb up Garn Bentyrch! | 0:11:32 | 0:11:37 | |
-Yes! | 0:11:37 | 0:11:38 | |
-Do you think -you'll stay in Eifionydd? | 0:11:38 | 0:11:42 | |
-Yes. | 0:11:42 | 0:11:43 | |
-I felt it drawing me back -after living in Cardiff for a while. | 0:11:44 | 0:11:48 | |
-I knew I'd settle here eventually. | 0:11:49 | 0:11:52 | |
-I can't imagine -a lovelier place to live. | 0:11:52 | 0:11:55 | |
-From your songs -and the way you write... | 0:11:55 | 0:11:59 | |
-..do you think of yourself -as a storyteller? | 0:11:59 | 0:12:03 | |
-I think I inherited the stories -from my grandfather, Dafydd Glyn. | 0:12:04 | 0:12:09 | |
-He was a great storyteller, -telling family tales. | 0:12:09 | 0:12:14 | |
-They inspired songs -like Can Y Siarc and Dansin Ber. | 0:12:14 | 0:12:19 | |
-They're my way of trying -to keep the stories alive. | 0:12:19 | 0:12:23 | |
-# Jo Giovanni was a cheerful Italian | 0:12:23 | 0:12:27 | |
-# With a black 'tache under his nose | 0:12:27 | 0:12:30 | |
-# He travelled far and wide | 0:12:30 | 0:12:33 | |
-# To entertain the crowd -with his Dancing Bear # | 0:12:33 | 0:12:37 | |
-Stories should be safeguarded. | 0:12:38 | 0:12:40 | |
-They can inspire -a child's imagination. | 0:12:40 | 0:12:44 | |
-She didn't want me to go without -trying the St Cybi Well challenge. | 0:12:44 | 0:12:49 | |
-Are you game to try? | 0:12:49 | 0:12:51 | |
-If you do it, I'll do it. | 0:12:51 | 0:12:53 | |
-I don't have a penny -in my pocket. Do you? | 0:12:54 | 0:12:57 | |
-Maybe. Yes. | 0:12:58 | 0:12:59 | |
-Thanks. | 0:13:00 | 0:13:01 | |
-Do we close our eyes first? | 0:13:01 | 0:13:03 | |
-Do we close our eyes first? - -Yes. Make a wish, then round we go. | 0:13:03 | 0:13:05 | |
-Ready? | 0:13:06 | 0:13:06 | |
-Ready? - -OK. | 0:13:06 | 0:13:07 | |
-# That's a story from long ago, -but not all that long ago | 0:13:07 | 0:13:12 | |
-# And if you hear grunting # | 0:13:12 | 0:13:14 | |
-Are you still there? | 0:13:14 | 0:13:15 | |
-Are you still there? - -Yes! | 0:13:15 | 0:13:16 | |
-# Well don't be fooled -by a little pig! # | 0:13:17 | 0:13:22 | |
-If St Cybi's Well was a challenge... | 0:13:23 | 0:13:25 | |
-..so was the new arrangement -of Ar Hyd Y Nos. | 0:13:26 | 0:13:29 | |
-For one of us, at least. | 0:13:30 | 0:13:32 | |
-# So, when age # | 0:13:32 | 0:13:35 | |
-What the hell am I singing?! | 0:13:36 | 0:13:38 | |
-# So, when age # | 0:13:40 | 0:13:42 | |
-Is that it? | 0:13:42 | 0:13:44 | |
-# So, when age # | 0:13:44 | 0:13:47 | |
-Go on, before I forget it. | 0:13:48 | 0:13:51 | |
-It was nice in a way that Rhys -wasn't always note-perfect! | 0:13:52 | 0:13:57 | |
-I'm sure he won't mind -me saying that. | 0:13:57 | 0:14:00 | |
-We're all human. | 0:14:00 | 0:14:02 | |
-It's glorious, hearing how -naturally music flows from him. | 0:14:02 | 0:14:07 | |
-It's been a pleasure to be in the -company of such a talented person. | 0:14:08 | 0:14:13 | |
-# So, when age # | 0:14:15 | 0:14:16 | |
-Sorry! | 0:14:16 | 0:14:17 | |
-I got it right that time! | 0:14:17 | 0:14:19 | |
-LAUGHTER | 0:14:20 | 0:14:21 | |
-Oh! | 0:14:22 | 0:14:23 | |
-# I never once saw a tear | 0:14:28 | 0:14:30 | |
-# On the cheek of a mermaid | 0:14:31 | 0:14:34 | |
-# Now I understand | 0:14:34 | 0:14:36 | |
-# Why seawater is so salty # | 0:14:36 | 0:14:41 | |
-After a time in Cardiff... | 0:14:41 | 0:14:43 | |
-..Gwyneth lives in Cricieth -with her son Maelgwn... | 0:14:43 | 0:14:47 | |
-..not far from Tremadog, -where I grew up. | 0:14:47 | 0:14:50 | |
-This is smashing. -You live in a great place. | 0:14:51 | 0:14:55 | |
-I'm so lucky. | 0:14:56 | 0:14:58 | |
-Generations of my family lived here. | 0:14:59 | 0:15:01 | |
-My grandfather, Dafydd Glyn, -ran DJ's shop on the High Street. | 0:15:02 | 0:15:07 | |
-Before that, my ancestors -were sailors from Borth-y-Gest. | 0:15:07 | 0:15:12 | |
-So the sea is in my blood. | 0:15:13 | 0:15:15 | |
-Yes. | 0:15:15 | 0:15:16 | |
-We came here often as children. | 0:15:17 | 0:15:19 | |
-We insisted on going -to Cricieth or Black Rock. | 0:15:19 | 0:15:23 | |
-The ice cream is nicer in Cricieth. | 0:15:23 | 0:15:24 | |
-The ice cream is nicer in Cricieth. - -Definitely. It's good! | 0:15:24 | 0:15:26 | |
-Of course, I had to call -to see one special person. | 0:15:31 | 0:15:35 | |
-Hello! | 0:15:35 | 0:15:36 | |
-What a welcome! | 0:15:37 | 0:15:38 | |
-Hello, darling! | 0:15:38 | 0:15:40 | |
-How are you? | 0:15:41 | 0:15:43 | |
-This is Maelgwn. His doting -grandparents were babysitting. | 0:15:43 | 0:15:47 | |
-Hello! What's your name? | 0:15:48 | 0:15:49 | |
-Maelgwn. | 0:15:50 | 0:15:51 | |
-You're glad to see Mam. -What a welcome. | 0:15:51 | 0:15:54 | |
-How are you? | 0:15:54 | 0:15:55 | |
-This is Rhys. | 0:15:56 | 0:15:57 | |
-My favourite singer! | 0:16:01 | 0:16:03 | |
-Thanks. Did you hear that? | 0:16:03 | 0:16:05 | |
-Don't tell Bryn Fon. | 0:16:05 | 0:16:06 | |
-Say it again! | 0:16:07 | 0:16:08 | |
-We've enjoyed ourselves. | 0:16:12 | 0:16:14 | |
-Thanks for babysitting. | 0:16:15 | 0:16:17 | |
-# Back and forth # | 0:16:19 | 0:16:21 | |
-As we got to know each other better, -the singing improved too. | 0:16:22 | 0:16:27 | |
-Ar Hyd Y Nos was shaping up. | 0:16:27 | 0:16:29 | |
-# Faith in our sublime tomorrow | 0:16:30 | 0:16:40 | |
-# All through | 0:16:40 | 0:16:43 | |
-# The night # | 0:16:44 | 0:16:48 | |
-It was better. | 0:16:51 | 0:16:53 | |
-It was better. - -Are we there? | 0:16:53 | 0:16:54 | |
-Yes, I think so. | 0:16:54 | 0:16:55 | |
-Yes, I think so. - -Whe-hey! | 0:16:55 | 0:16:56 | |
-It's odd, as you create these... | 0:16:58 | 0:17:00 | |
-..the video locations -come back to mind. | 0:17:00 | 0:17:04 | |
-It makes you feel -it should be sung at night. | 0:17:05 | 0:17:09 | |
-There's something mystical about it. | 0:17:10 | 0:17:12 | |
-There's something mystical about it. - -Yes. | 0:17:12 | 0:17:13 | |
-Translated by AG Prys Jones | 0:17:19 | 0:17:25 | |
-# Every star in heaven is singing | 0:17:34 | 0:17:41 | |
-# All through the night | 0:17:42 | 0:17:49 | |
-# Hear the glorious music ringing | 0:17:51 | 0:17:57 | |
-# All through the night | 0:17:59 | 0:18:03 | |
-# Songs of sweet ethereal lightness | 0:18:06 | 0:18:13 | |
-# Wrought in realms -of peace and whiteness | 0:18:14 | 0:18:21 | |
-# See, the dark -gives way to brightness | 0:18:22 | 0:18:30 | |
-# All through the night | 0:18:31 | 0:18:37 | |
-# Look, my love, -the stars are smiling | 0:18:54 | 0:19:01 | |
-# All through the night | 0:19:02 | 0:19:09 | |
-# Lighting, soothing and beguiling -Earth's sombre plight | 0:19:11 | 0:19:17 | |
-# All through the night | 0:19:18 | 0:19:24 | |
-# So, when age brings -grief and sorrow | 0:19:26 | 0:19:34 | |
-# From each other we can borrow | 0:19:34 | 0:19:41 | |
-# Faith in our sublime tomorrow | 0:19:42 | 0:19:50 | |
-# All through the night | 0:19:51 | 0:19:57 | |
-# Songs of sweet ethereal lightness | 0:19:58 | 0:20:06 | |
-# Wrought in realms -of peace and whiteness | 0:20:06 | 0:20:14 | |
-# See, the dark -gives way to brightness | 0:20:15 | 0:20:25 | |
-# All through | 0:20:25 | 0:20:30 | |
-# The night # | 0:20:30 | 0:20:35 | |
-Next, Gwyneth takes me -back to college. | 0:20:43 | 0:20:46 | |
-You'll see what happened when -I took over the helm, or the pole. | 0:20:46 | 0:20:50 | |
-And Gwyneth sings a song -very far from home. | 0:20:51 | 0:20:55 | |
-. | 0:20:55 | 0:20:56 | |
-Subtitles | 0:20:58 | 0:20:58 | |
-Subtitles - -Subtitles | 0:20:58 | 0:21:00 | |
-After travelling the length -and breadth of Eifionydd... | 0:21:03 | 0:21:07 | |
-..I wanted to find out more -about Gwyneth's time in Oxford. | 0:21:08 | 0:21:12 | |
-Where are you taking me? | 0:21:14 | 0:21:16 | |
-We can't come to Oxford and not -go punting. We're going punting! | 0:21:16 | 0:21:21 | |
-On these boats. | 0:21:21 | 0:21:22 | |
-On these boats. - -Yes. They are traditional. | 0:21:22 | 0:21:24 | |
-Hello. | 0:21:26 | 0:21:27 | |
-# I was going to fix the table, -but no # | 0:21:27 | 0:21:32 | |
-You look the part. | 0:21:32 | 0:21:34 | |
-You look the part. - -Well, I don't know. | 0:21:34 | 0:21:36 | |
-I have to wear a hat to go punting. -Do you have a hat? | 0:21:36 | 0:21:40 | |
-Splendid! | 0:21:43 | 0:21:44 | |
-# I was going to brush my hair # | 0:21:46 | 0:21:49 | |
-This is wonderful. | 0:21:51 | 0:21:53 | |
-This is wonderful. - -Yes. | 0:21:53 | 0:21:55 | |
-It's a traditional Oxford pastime. | 0:21:56 | 0:22:00 | |
-Were you drawn to Oxford -because of its history? | 0:22:01 | 0:22:04 | |
-Yes, and to study Philosophy. | 0:22:04 | 0:22:07 | |
-I couldn't study Philosophy -on its own. | 0:22:07 | 0:22:10 | |
-I had to choose another subject. | 0:22:10 | 0:22:13 | |
-I chose Philosophy and Theology. | 0:22:13 | 0:22:16 | |
-I was accepted by Jesus College. | 0:22:16 | 0:22:18 | |
-The college -has close links with Wales. | 0:22:19 | 0:22:22 | |
-Many well-known -Welsh people studied here. | 0:22:22 | 0:22:25 | |
-Was there a strong -Welsh society here? | 0:22:25 | 0:22:28 | |
-Yes, there were quite a few Welsh -students in Jesus College. | 0:22:29 | 0:22:34 | |
-But I had to shift gear in my head -at the beginning of term. | 0:22:34 | 0:22:40 | |
-I spoke, thought and dreamt -in Welsh at home. | 0:22:41 | 0:22:45 | |
-When I came to Oxford... | 0:22:45 | 0:22:47 | |
-..I found I lacked the vocabulary -to hold a conversation in English. | 0:22:47 | 0:22:53 | |
-When I was in -the Guildhall in London... | 0:22:53 | 0:22:57 | |
-..there was -a degree of snobbishness... | 0:22:57 | 0:23:00 | |
-..because of my Welsh accent. | 0:23:01 | 0:23:03 | |
-I remember once saying -the wrong answer. | 0:23:03 | 0:23:08 | |
-I'd named the wrong composer. | 0:23:08 | 0:23:11 | |
-I made a joke and everyone laughed. | 0:23:11 | 0:23:14 | |
-"Ignorance isn't a virtue," -someone said. | 0:23:14 | 0:23:17 | |
-Cruel! | 0:23:17 | 0:23:19 | |
-Did you come across -that sort of attitude? | 0:23:20 | 0:23:23 | |
-I made many faux pas. | 0:23:23 | 0:23:24 | |
-A friend came to my room -in my first term. | 0:23:25 | 0:23:29 | |
-Like many cities, -the tap water wasn't great. | 0:23:30 | 0:23:33 | |
-I had a water filter. | 0:23:33 | 0:23:35 | |
-He said, "What does that do?" "It -makes the water pure," I replied. | 0:23:35 | 0:23:40 | |
-"What, pure? Oh, you mean pure." -He said "pure" in one syllable. | 0:23:40 | 0:23:44 | |
-I was on the phone... oh! Oh, no! | 0:23:47 | 0:23:49 | |
-You've lost your hat! | 0:23:50 | 0:23:52 | |
-Throw yours in, too. | 0:23:52 | 0:23:54 | |
-The expert knew -how to make a 360 turn. | 0:23:56 | 0:23:59 | |
-If I was punting, it would have -taken half an hour to get it back. | 0:23:59 | 0:24:04 | |
-Thank you, Sebastian. | 0:24:04 | 0:24:07 | |
-Sebastian made -the punting look easy. | 0:24:09 | 0:24:13 | |
-You all know what's coming. | 0:24:13 | 0:24:16 | |
-I'll give it a go. | 0:24:16 | 0:24:18 | |
-I'll give it a go. - -Good luck. | 0:24:18 | 0:24:20 | |
-I'll need it. | 0:24:21 | 0:24:23 | |
-Careful, Rhys. | 0:24:23 | 0:24:25 | |
-That's for you. -I'll squeeze past you on this side. | 0:24:27 | 0:24:32 | |
-Just lean to the right. | 0:24:32 | 0:24:35 | |
-Stand a little further back. | 0:24:36 | 0:24:38 | |
-Good grief! | 0:24:40 | 0:24:41 | |
-Are you OK? | 0:24:42 | 0:24:43 | |
-It wasn't as easy as it looked. | 0:24:44 | 0:24:47 | |
-We should sing a song. | 0:24:49 | 0:24:50 | |
-We should sing a song. - -"Fflat Huw Puw". | 0:24:50 | 0:24:53 | |
-Imagine you're in Venice. | 0:24:53 | 0:24:56 | |
-# Che bella cosa | 0:24:57 | 0:25:00 | |
-# Na jurnata 'e sole | 0:25:00 | 0:25:04 | |
-# N'aria serena | 0:25:05 | 0:25:07 | |
-# Doppo na tempesta! | 0:25:08 | 0:25:11 | |
-# Pe' ll'aria fresca | 0:25:13 | 0:25:16 | |
-# Pare gia' na festa | 0:25:17 | 0:25:21 | |
-# Che bella cosa | 0:25:21 | 0:25:24 | |
-# Na jurnata 'e sole # | 0:25:25 | 0:25:28 | |
-It's hard work. | 0:25:29 | 0:25:33 | |
-# Working in a salon -from nine to five | 0:25:35 | 0:25:39 | |
-# And in a chippy -from five to nine # | 0:25:39 | 0:25:42 | |
-After embarrassing Gwyneth... | 0:25:42 | 0:25:44 | |
-..I let the expert -guide us back to dry land. | 0:25:45 | 0:25:48 | |
-# If I had my way | 0:25:50 | 0:25:53 | |
-# I'd get out of here | 0:25:55 | 0:25:59 | |
-# But the tea is good, -the tea is good # | 0:26:02 | 0:26:06 | |
-This is my old college, -Jesus College. | 0:26:06 | 0:26:10 | |
-On my first day, I gave -my name and waited for my key. | 0:26:12 | 0:26:16 | |
-They couldn't find it on the list. | 0:26:16 | 0:26:19 | |
-I thought it was a sign -that I wasn't meant to be here. | 0:26:19 | 0:26:23 | |
-"Where do you think you are?" -they said. "Jesus College." | 0:26:23 | 0:26:27 | |
-"No, this is Exeter." I'd gone -to Exeter College over the road. | 0:26:27 | 0:26:32 | |
-Come in. | 0:26:32 | 0:26:33 | |
-There are hundreds of colleges here. | 0:26:33 | 0:26:36 | |
-It's full of colleges. | 0:26:37 | 0:26:39 | |
-Where are we now? | 0:26:46 | 0:26:48 | |
-This is the Main Quad. -The second is through the gateway. | 0:26:49 | 0:26:53 | |
-It's steeped in history. | 0:26:54 | 0:26:56 | |
-It's a special place. | 0:26:57 | 0:27:00 | |
-Many of my Welsh literary heroes -studied here... | 0:27:01 | 0:27:06 | |
-..TH Parry-Williams, WJ Gruffydd, -T Rowland Hughes, Gwyn Thomas... | 0:27:06 | 0:27:12 | |
-..and Sian Lloyd. | 0:27:12 | 0:27:13 | |
-Lawrence Of Arabia, who was born -in Tremadog, attended Jesus College. | 0:27:14 | 0:27:19 | |
-I feel I've arrived -in the premier division. | 0:27:19 | 0:27:24 | |
-You'd want to study. | 0:27:25 | 0:27:27 | |
-But it comes with added pressure. | 0:27:28 | 0:27:31 | |
-At the end of my first term... | 0:27:31 | 0:27:34 | |
-..the education officer -wanted to see me. | 0:27:35 | 0:27:38 | |
-He said, "Miss Evans, we're -not quite sure why you're here." | 0:27:38 | 0:27:43 | |
-I'd written flowery essays -in my second language... | 0:27:43 | 0:27:47 | |
-..in an attempt impress. | 0:27:47 | 0:27:49 | |
-I didn't think I'd come back -after the first term. | 0:27:50 | 0:27:53 | |
-But something clicked -in the second term. | 0:27:54 | 0:27:57 | |
-I did more acting -and stopped trying to show off. | 0:27:57 | 0:28:01 | |
-You were trying too hard. | 0:28:01 | 0:28:02 | |
-You were trying too hard. - -Maybe. | 0:28:02 | 0:28:03 | |
-I had a first class degree. -Don't ask me how that happened! | 0:28:04 | 0:28:09 | |
-I think the world -of the song you're singing for us. | 0:28:10 | 0:28:15 | |
-Everyone likes it. | 0:28:15 | 0:28:17 | |
-Ray Gravell loved it. -You sang it at his funeral. | 0:28:17 | 0:28:22 | |
-You wrote "Adra" after being here. | 0:28:22 | 0:28:26 | |
-Perhaps I bottled up -my homesickness while I was here... | 0:28:26 | 0:28:31 | |
-..and then it surfaced. | 0:28:32 | 0:28:34 | |
-It's a song that came from somewhere -else, or from someone else. | 0:28:34 | 0:28:39 | |
-It came easily. | 0:28:40 | 0:28:42 | |
-I was singing Neil Young songs -on my guitar. | 0:28:43 | 0:28:48 | |
-I thought of all the songs -that have been written about home. | 0:28:48 | 0:28:53 | |
-That's how it came about. | 0:28:54 | 0:28:56 | |
-It's a classic. | 0:28:56 | 0:28:58 | |
-# There is a town in North Ontario | 0:29:13 | 0:29:17 | |
-# As Neil Young says in his song | 0:29:19 | 0:29:22 | |
-# Sweet home, Alabama | 0:29:25 | 0:29:28 | |
-# As Skynyrd said at the fireside | 0:29:30 | 0:29:34 | |
-# I'm going back -to Blaenau Ffestiniog, yeah | 0:29:37 | 0:29:41 | |
-# Said Tebot Piws many years ago | 0:29:43 | 0:29:47 | |
-# Take me home, country roads | 0:29:48 | 0:29:53 | |
-# Said Denver, but what's the use? | 0:29:56 | 0:29:59 | |
-# There's nowhere like home | 0:30:01 | 0:30:05 | |
-# That's what they tell me | 0:30:08 | 0:30:11 | |
-# There's nowhere like home, no | 0:30:13 | 0:30:18 | |
-# But home is just like you | 0:30:19 | 0:30:24 | |
-# I don't know where I'm going | 0:30:36 | 0:30:40 | |
-# I don't know where I've been | 0:30:42 | 0:30:45 | |
-# I've no idea where I am right now | 0:30:48 | 0:30:52 | |
-# And God knows where I should be | 0:30:54 | 0:30:57 | |
-# I've slept -under the stars in the Sahara | 0:31:00 | 0:31:04 | |
-# I've stayed up all night in Prague | 0:31:05 | 0:31:10 | |
-# I've danced on a mountain -with new friends | 0:31:12 | 0:31:17 | |
-# And woken on an empty 'plane | 0:31:18 | 0:31:21 | |
-# There's nowhere like home | 0:31:24 | 0:31:28 | |
-# That's what they tell me | 0:31:31 | 0:31:34 | |
-# There's nowhere like home, no | 0:31:36 | 0:31:41 | |
-# But home is just like you | 0:31:42 | 0:31:46 | |
-# My home is my heaven | 0:31:59 | 0:32:02 | |
-# My birthplace is my world | 0:32:04 | 0:32:08 | |
-# I know this place -as well as I know myself | 0:32:11 | 0:32:15 | |
-# So tell me why am I still lost? | 0:32:16 | 0:32:20 | |
-# I don't have a map or a sign | 0:32:23 | 0:32:26 | |
-# No Rough Guide for the journey | 0:32:29 | 0:32:32 | |
-# I close my eyes and open my soul | 0:32:35 | 0:32:39 | |
-# And follow the path of your voice | 0:32:41 | 0:32:45 | |
-# I close my eyes and open my soul | 0:32:47 | 0:32:52 | |
-# And follow the path of your voice | 0:32:54 | 0:32:57 | |
-# There's nowhere like home | 0:32:58 | 0:33:03 | |
-# That's what they tell me | 0:33:06 | 0:33:09 | |
-# There's nowhere like home, no | 0:33:11 | 0:33:16 | |
-# But home is just like you | 0:33:17 | 0:33:22 | |
-# Home is just like you # | 0:33:24 | 0:33:29 | |
-Coming up, we go from an Oxford -stage to a Dolgellau stage. | 0:33:36 | 0:33:40 | |
-And I reveal what duet -I've chosen for us. | 0:33:41 | 0:33:45 | |
-. | 0:33:47 | 0:33:48 | |
-* | 0:33:51 | 0:33:51 | |
-# Volve que esta matandome -tu espera # | 0:33:51 | 0:33:56 | |
-After our travelling, it was -now time to rehearse my chosen song. | 0:33:57 | 0:34:03 | |
-I hoped its romance -would appeal to her. | 0:34:03 | 0:34:07 | |
-Alejandro and Leonardo Jones -from Patagonia... | 0:34:08 | 0:34:12 | |
-..wrote Chacarera del Taunus. | 0:34:12 | 0:34:15 | |
-# Cuando ella se fue ayer -quede llorando | 0:34:15 | 0:34:19 | |
-# Pobre mi corazon fue marchitando # | 0:34:20 | 0:34:25 | |
-Chacarera is -an Argentine dance and music. | 0:34:26 | 0:34:29 | |
-Leonardo and Alejandro's love song -is about a man leaving his love. | 0:34:30 | 0:34:35 | |
-# Las flores que de amor -le fui juntando # | 0:34:36 | 0:34:41 | |
-I was more nervous about the -chacarera, the Patagonian song... | 0:34:41 | 0:34:46 | |
-..because there is so much Spanish. | 0:34:46 | 0:34:49 | |
-But it went well. | 0:34:50 | 0:34:52 | |
-We had more problems -with Ar Hyd Y Nos. | 0:34:52 | 0:34:55 | |
-# Volve que esta matandome -tu espera # | 0:34:55 | 0:35:01 | |
-How was that? | 0:35:02 | 0:35:04 | |
-Good. Do you want to listen to it? | 0:35:04 | 0:35:07 | |
-Good. Do you want to listen to it? - -Yes. | 0:35:07 | 0:35:08 | |
-Gwyneth had somewhere she wanted -me to see before we left Oxford. | 0:35:14 | 0:35:20 | |
-We passed a place -that was familiar to me. | 0:35:20 | 0:35:23 | |
-This is the New Theatre. | 0:35:24 | 0:35:26 | |
-I've performed in an opera here. | 0:35:27 | 0:35:30 | |
-Which one? | 0:35:30 | 0:35:30 | |
-Which one? - -Falstaff, with Bryn. | 0:35:30 | 0:35:32 | |
-Gwyneth wanted to show me -a nearby stage. | 0:35:33 | 0:35:36 | |
-She hasn't been back -since her college days. | 0:35:36 | 0:35:40 | |
-Wow. | 0:35:45 | 0:35:46 | |
-Is it the same as you remember? | 0:35:47 | 0:35:49 | |
-Is it the same as you remember? - -No, it's changed completely. | 0:35:49 | 0:35:52 | |
-As we walked into the theatre... | 0:35:53 | 0:35:56 | |
-..it was easy to see -this is what excited her. | 0:35:56 | 0:36:00 | |
-It's much smaller than I remember! | 0:36:00 | 0:36:03 | |
-I remember all -the different productions. | 0:36:06 | 0:36:11 | |
-And the nerves and adrenaline. | 0:36:11 | 0:36:16 | |
-It's strange. | 0:36:16 | 0:36:18 | |
-I get it when I walk into a theatre. | 0:36:19 | 0:36:21 | |
-The wings were behind -those curtains. | 0:36:22 | 0:36:26 | |
-Anthony And Cleopatra -was one of my first productions. | 0:36:26 | 0:36:30 | |
-I wasn't Cleopatra... | 0:36:31 | 0:36:33 | |
-..I was Eunuch Number Three. | 0:36:34 | 0:36:37 | |
-A glamorous girl, -Karis McLarty... | 0:36:37 | 0:36:41 | |
-..who is a successful -international lawyer... | 0:36:41 | 0:36:45 | |
-..played Cleopatra. | 0:36:45 | 0:36:47 | |
-She had a different costume -for every scene. | 0:36:47 | 0:36:51 | |
-She ran upstairs in stilettos -and said, "Is it me? Am I on?" | 0:36:51 | 0:36:57 | |
-I said, "Yes." She walked -into Caesar's palace on stage. | 0:36:57 | 0:37:01 | |
-She was meant to be in Egypt. | 0:37:02 | 0:37:04 | |
-I felt so guilty. | 0:37:05 | 0:37:07 | |
-I did apologize. | 0:37:07 | 0:37:09 | |
-Is scriptwriting... | 0:37:11 | 0:37:15 | |
-..with its characters and stories... | 0:37:15 | 0:37:18 | |
-..similar to song writing? | 0:37:18 | 0:37:22 | |
-There is a similarity. | 0:37:22 | 0:37:24 | |
-It has to feel comfortable -on the tongue and easy on the ear. | 0:37:25 | 0:37:29 | |
-They have that in common. | 0:37:30 | 0:37:32 | |
-You acted in other theatres. | 0:37:32 | 0:37:37 | |
-I'm sure it was an important way... | 0:37:37 | 0:37:42 | |
-..to let off steam. | 0:37:42 | 0:37:45 | |
-Exactly. | 0:37:45 | 0:37:47 | |
-It was a social and physical thing. | 0:37:47 | 0:37:50 | |
-It was a form of escape -from the studying... | 0:37:50 | 0:37:55 | |
-..and the oppressive libraries. | 0:37:55 | 0:37:58 | |
-I could escape to be someone else, -and have fun the same time. | 0:37:58 | 0:38:03 | |
-Lovely. | 0:38:03 | 0:38:05 | |
-# Walking along # | 0:38:07 | 0:38:11 | |
-The next stop was Dolgellau. | 0:38:13 | 0:38:16 | |
-This is the Sesiwn Fawr -in Dolgellau. | 0:38:22 | 0:38:24 | |
-Gwyneth Glyn is performing with -her friend, Tauseef, and Ghazalaw. | 0:38:25 | 0:38:30 | |
-They're rehearsing in here. | 0:38:30 | 0:38:33 | |
-Come with me. | 0:38:34 | 0:38:35 | |
-Ghazalaw formed in 2013. | 0:38:37 | 0:38:40 | |
-Musician Tauseef Akhtar -from India... | 0:38:40 | 0:38:43 | |
-..came to sing with Gwyneth -in Womex. | 0:38:44 | 0:38:48 | |
-They combine Urdu love songs -with Welsh folk songs. | 0:38:48 | 0:38:52 | |
-# From the gentle earth | 0:38:53 | 0:38:56 | |
-# My heart will never, ever mend | 0:38:58 | 0:39:02 | |
-# Oh, my dear boy # | 0:39:05 | 0:39:07 | |
-Here they are. | 0:39:09 | 0:39:11 | |
-Hello. | 0:39:14 | 0:39:15 | |
-Hello. - -Hello! How are you? | 0:39:15 | 0:39:17 | |
-Tauseef, this is Rhys. | 0:39:18 | 0:39:20 | |
-How are you? | 0:39:20 | 0:39:22 | |
-I've heard wonderful -things about you. | 0:39:22 | 0:39:25 | |
-I've heard -wonderful things about you. | 0:39:26 | 0:39:28 | |
-I have listened to your singing. -She played some stuff to me. | 0:39:29 | 0:39:33 | |
-You've got a wonderful voice. | 0:39:33 | 0:39:35 | |
-You've got a wonderful voice. - -Thank you. Welcome to Wales. | 0:39:35 | 0:39:37 | |
-I chose her as one of the people -for this series. She's very special. | 0:39:38 | 0:39:42 | |
-She's precious. | 0:39:43 | 0:39:44 | |
-What is her main attribute -as a performer and singer? | 0:39:44 | 0:39:49 | |
-She's an amazing artiste, very calm. | 0:39:49 | 0:39:53 | |
-Sometimes it's difficult, with two -talents from different cultures. | 0:39:53 | 0:39:58 | |
-You need to humble yourself... | 0:39:59 | 0:40:02 | |
-..and understand -where the other artiste comes from. | 0:40:02 | 0:40:06 | |
-She has been so co-operative. | 0:40:06 | 0:40:09 | |
-I'm falling short of words. | 0:40:09 | 0:40:12 | |
-She's great. | 0:40:13 | 0:40:14 | |
-She's getting very embarrassed. | 0:40:15 | 0:40:17 | |
-I'm the same colour -as my beautiful Indian scarf. | 0:40:17 | 0:40:21 | |
-You enjoy singing with Tauseef. | 0:40:22 | 0:40:25 | |
-It's a musical marriage in heaven. | 0:40:27 | 0:40:31 | |
-Yes. | 0:40:31 | 0:40:33 | |
-And to cross those boundaries -and to find common ground. | 0:40:34 | 0:40:38 | |
-Rhys, you do that -all the time when you sing. | 0:40:39 | 0:40:42 | |
-We're very fortunate. | 0:40:43 | 0:40:46 | |
-Music, doesn't matter where you -come from, what culture you're in... | 0:40:47 | 0:40:52 | |
-..is there for the same reason. | 0:40:54 | 0:40:56 | |
-# If you don't believe me, -put your hand on my heart | 0:40:56 | 0:41:01 | |
-# Did you ever -hear anything like it? | 0:41:01 | 0:41:04 | |
-# Can you hear it breaking? | 0:41:04 | 0:41:07 | |
-# Why do it at all? | 0:41:07 | 0:41:09 | |
-THEY SING IN URDU | 0:41:10 | 0:41:13 | |
-# If you fall like a star, -you'll break a leg | 0:41:16 | 0:41:20 | |
-# Why do it at all? | 0:41:20 | 0:41:22 | |
-# If you fall like a star, -you'll break a leg | 0:41:22 | 0:41:26 | |
-# Why do it at all? | 0:41:26 | 0:41:28 | |
-# If you fall like a star, -you'll break a leg # | 0:41:29 | 0:41:34 | |
-The audience loved it, and so did I. | 0:41:40 | 0:41:43 | |
-As we headed to Portmeirion -for our last performance... | 0:41:45 | 0:41:49 | |
-..I felt lucky -to have spent time with Gwyneth... | 0:41:49 | 0:41:54 | |
-..and singing with -one of my favourite artistes. | 0:41:54 | 0:41:58 | |
-It was a challenge... | 0:41:59 | 0:42:01 | |
-..to think of songs -that suited both our voices. | 0:42:02 | 0:42:05 | |
-We come from -two different musical traditions. | 0:42:06 | 0:42:09 | |
-We have Eifionydd in common. | 0:42:10 | 0:42:12 | |
-It was a help that -we have a similar accent. | 0:42:13 | 0:42:16 | |
-The warmth in our voices -made harmonizing easier. | 0:42:17 | 0:42:21 | |
-I think it's surprising... | 0:42:22 | 0:42:24 | |
-..how well we sung together. | 0:42:24 | 0:42:29 | |
-You have your work cut out with me! | 0:42:29 | 0:42:32 | |
-Not as much work as me, -learning the words! | 0:42:32 | 0:42:36 | |
-Do I look alright? | 0:42:36 | 0:42:37 | |
-Do I look alright? - -Lovely. As do our dancers. | 0:42:37 | 0:42:40 | |
-I'm looking forward, are you? | 0:42:40 | 0:42:42 | |
-I'm looking forward, are you? - -Yes, to sing the chacarera. | 0:42:42 | 0:42:46 | |
-It's beginning to come. | 0:42:46 | 0:42:48 | |
-The Spanish words are a challenge. | 0:42:48 | 0:42:51 | |
-There's Blu-Tack -behind every column in Portmeirion! | 0:42:51 | 0:42:55 | |
-It's been a pleasure. -I've enjoyed every minute. | 0:42:56 | 0:43:00 | |
-And me. | 0:43:00 | 0:43:01 | |
-And me. - -It's a shame it has to end. | 0:43:01 | 0:43:03 | |
-Thank you very much. | 0:43:04 | 0:43:05 | |
-Thank you very much. - -Thank you. It's been fun. | 0:43:05 | 0:43:07 | |
-Great. Shall we give it a go? | 0:43:08 | 0:43:09 | |
-Great. Shall we give it a go? - -Yes! | 0:43:09 | 0:43:10 | |
-And action. | 0:43:15 | 0:43:17 | |
-# Cuando ella se fue -ayer quede llorando | 0:43:41 | 0:43:46 | |
-# Pobre mi corazon fue marchitando | 0:43:47 | 0:43:51 | |
-# Las flores que de amor -le fui juntando | 0:43:53 | 0:43:57 | |
-# En la tarde de hoy mi cordillera | 0:44:10 | 0:44:15 | |
-# Lloro pa que a los campos -le lloviera | 0:44:15 | 0:44:21 | |
-# Y yo llore pidiendo que volviera | 0:44:22 | 0:44:27 | |
-# The pretty spring and summer -flowers finally appeared | 0:44:39 | 0:44:44 | |
-# And the wild roses -so full of colour | 0:44:44 | 0:44:49 | |
-# I'll gather them for you, -my sweetheart | 0:44:50 | 0:44:55 | |
-# Muchacha si escuchas mi chacarera | 0:44:56 | 0:45:00 | |
-# Nacida alla en el Sur en primavera | 0:45:02 | 0:45:06 | |
-# Volve que esta matandome tu espera | 0:45:08 | 0:45:13 | |
-# El invierno asomo y en el lenganto | 0:45:29 | 0:45:34 | |
-# De nieve me cubrio su blanco manto | 0:45:36 | 0:45:40 | |
-# Frio mi corazon | 0:45:40 | 0:45:43 | |
-# La extrana tanto | 0:45:43 | 0:45:46 | |
-# The grey winter will come -and make me feel sad | 0:45:58 | 0:46:03 | |
-# And the mist | 0:46:04 | 0:46:07 | |
-# Will conceal my heart | 0:46:07 | 0:46:09 | |
-# It misses a beat -when I remember you | 0:46:09 | 0:46:14 | |
-# Florcitas yo le di pa contentarla | 0:46:26 | 0:46:32 | |
-# Y su pago de amor fue no regarlas | 0:46:33 | 0:46:37 | |
-# Malhaya corazon | 0:46:38 | 0:46:40 | |
-# Y aun quiero amarla! | 0:46:41 | 0:46:43 | |
-# Muchacha si escuchas mi chacarera | 0:46:44 | 0:46:49 | |
-# Nacida alla en el Sur | 0:46:50 | 0:46:52 | |
-# En primavera | 0:46:53 | 0:46:55 | |
-# Volve que esta matandome | 0:46:55 | 0:46:59 | |
-# Tu espera # | 0:46:59 | 0:47:02 | |
-S4C Subtitles by Gwead | 0:47:26 | 0:47:28 | |
-. | 0:47:28 | 0:47:29 |