Episode 6 Dusty


Episode 6

Vintage episode of Dusty Springfield's 1960s TV series, featuring special guest Scott Walker. Among the highlights, Dusty sings You Don't Have to Say You Love Me.


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Transcript


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APPLAUSE

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# Nowhere to run to, baby

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# Nowhere to hide

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# Got nowhere to run to, baby

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# Nowhere to hide

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# It's not love that I'm running from

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# It's just the heartbreak I know will come

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# I know you're no good for me

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# But you've become a part of me

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# Everywhere I go your face I see

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# Every step I take, You take with me yeah

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# Nowhere to run to, baby

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# Nowhere to hide

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# Got nowhere to run to baby

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# Nowhere to hide

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# I know you're no good for me

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# But free of you I'll never be

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# Each night as I sleep

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# Into my heart you creep

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# I wake up feeling sorry I met you

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# Hoping soon that I'll forget you

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# When I look in the mirror to comb my hair

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# I see your face just a-smiling there, yeah

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# Nowhere to run to, baby

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# Nowhere to hide

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# Got nowhere to run to, baby

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# Nowhere to hide

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# I know you're no good for me

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# But free of you I'll never be, yeah

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# How can you hide a lover

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# That shouldn't be

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# My love is so deep, so deep

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# Deep inside of me

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# My love reaches so high

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# I can't get over it

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# It's so wide

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# I can't get around it, no

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# Nowhere to run to, baby

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# Nowhere to hide

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# Got nowhere to run to, baby

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# Nowhere to hide

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# I know you're no good for me

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# But free of you I'll never be, yeah

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# Nowhere to run to, baby

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# Nowhere to hide

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# Got nowhere to run to, baby

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# Nowhere to hide, yeah. #

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APPLAUSE AND CHEERING

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Thank you very much indeed. Thank you.

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I'd like to do this song

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which is mostly featured by Blossom Dearie.

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And it's called You Ain't My Sweet Lover No More.

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# You ain't my sweet lover no more

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# You'd better never knock on my door

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# No more, no more

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# You'd better keep away from my door

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# Now you ain't my sweet lover no more

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# You ain't my sweet lover no more

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# You'd better never knock on my door

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# No more, no more

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# You'd better keep away from my door

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# Now you ain't my sweet lover no more

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# You've been spending my cash

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# You've been feeding me lies

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# You've been talking such trash

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# Don't you know I'm bound to get wise

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# Now you ain't my sweet lover no more

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# You'd better never hang around my door

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# No more, no more

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# I'm gonna have that gang around my door

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# Now you ain't my sweet lover no more

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# No more, no more

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# I'm gonna have that gang around my door

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# Now you ain't my sweet lover no more

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# You've been spending my cash

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# You've been telling me lies

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# You've been talking such trash

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# Don't you know I'm bound to get wise

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# You ain't my sweet lover no more

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# You'd better never knock on my door

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# No more, no more

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You're never gonna have me walking the floor

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# Now you ain't my sweet lover no more

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# You ain't my sweet lover no more

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# You ain't my sweet lover

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# No mo-o-o-re

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# Yeah. #

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APPLAUSE

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People get the idea that all Irish songs

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are either Paddy McGinty's Goat or Irish Eyes Are Smiling,

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all those lovely sort of Hollywood Irish songs.

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Actually, the most beautiful ones I've ever heard

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were played by a very old gentleman somewhere in Donegal on one flute

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and it was really nice. The song that impressed me

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most of all was this one I'm going to attempt to sing for you now,

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called My Lagan Love.

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# Where Lagan stream sings lullaby

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# There grows a young man there

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# The twilight gleam is in his eye

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# The light is on his hair

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# And like a lovesick lennan-hee

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# He has my heart in thrall

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# Nor life I owe nor liberty

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# His love is lord of all

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# And often when the beetle's song

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# Hath lulled the eve to sleep

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# I steal unto his shielding lorn

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# And through the dooring peep

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# There on the cricket's singing stone

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# He spears the burning fire

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# And hums in sad sweet undertone

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# The song of his desire. #

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APPLAUSE

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APPLAUSE DROWNS SPEECH

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Thank you.

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Oh!

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Erm...

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It's a funny feeling when you've been working with two other people,

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as I did, with The Springfields, to suddenly leave and try

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and do something on your own for a change and this is

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exactly what's happened to my guest tonight.

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And I'm sure this is practically, I would imagine,

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his first appearance on TV on his own.

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I think he's really marvellous.

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We sometimes sort of pass in corridors of recording studios

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and that's about as close as I get to him, which is a pity.

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His name is Scott Walker.

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APPLAUSE

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# Mama, do you see what I see On your knees and pray for me

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# Mathilde's comes back to me

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# Charlie, don't want another beer

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# Tonight I'm gonna drink my tears Mathilde's come back to me

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# Go ask the maid if she heard what I said

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# Tell her to change the sheets on the bed

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# Mathilde's come back to me

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# Fellas, don't leave me tonight

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# Tonight I'm going back to fight

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# Wretched Mathilde's in sight

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# My heart, my heart, stop beating so

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# Just make as if you didn't know Mathilde's come back to me

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# My heart, I don't want you to say

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# She's lovelier than when she went away

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# Mathilde's come back to me

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# My heart, stop being overjoyed

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# Remember you were once destroyed

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# By Mathilde, who's come back to me

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# Fellas, please don't go away

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# Tell me that I mustn't stay

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# Mathilde's coming back today

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# My hands, you'll start to shake again

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# When you remember all the pain

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# Mathilde's come back to me

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# You'll want to beat her black and blue

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# But don't you do it, I beg of you

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# Mathilde's come back to me

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# My hands, remember all the years

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# Remember when you caught my tears

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# Mathilde's come back to me

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# My hands, you'll want to touch her now

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# But please try and be strong somehow

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# Mathilde's here, she's coming now, now

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# Mama, can you hear me yell

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# Your baby boy's gone back to hell

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# Mathilde's come back to me

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# Charlie, champagne right away

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# I know you've been saving it for a holiday

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# But Mathilde's come back to me

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# Go ask the maid if she heard what I said

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# Tell her to change the sheets on the bed

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# Mathilde's come back to me

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# My friends, don't count on me no more

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# I've gone and crashed through heaven's door

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# My sweet Mathilde's here

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# Once more, once more. #

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APPLAUSE

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# Today is just another day

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# Tomorrow is a guess

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# But yesterday

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# Oh, what I'd give for yesterday

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# To relive

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# One yesterday

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# And its happiness

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# When Joanna loved me

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# Every town was Paris

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# Every day was Sunday

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# Every month was May

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# When Joanna loved me

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# Every sound was music

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# Music made of laughter

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# Laughter that was bright and gay

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# Then Joanna left me

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# And May became December

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# Even in December

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# I remember

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# Her touch

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# Her smile

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# And for a little while

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# She loves me

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# And once again it's Paris

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# Paris on a Sunday

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# And the month is May. #

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APPLAUSE

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APPLAUSE DROWNS SPEECH

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Marvellous.

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# I like to feel fancy free

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# I like to live young

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# I like the old merry-go-round

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# I like to play lover but don't like to get stung

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# I like my two feet on the ground

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# I may kiss a boy nightly and kiss him politely

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# But will he get under my skin?

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# Well, my friends, it all depends on the mood I'm in

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# I like to hear opera

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# Or I like to read Joyce

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# I'm not the predictable kind

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# Whatever the option is

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# Whatever the choice

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# I like to make up my own mind

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# If the choice were to break up

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# Or kiss and make up

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# I'll try not to lead with my chin

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# But, my friends, it all depends on the mood I'm in

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# I may change

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# Who can tell

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# I may suffer the pangs of remorse

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# I may change

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# 'Neath the spell Of that old irresistible force

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# But I'm going the route single

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# Oh, don't look to find me

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# Caught up in that marital spin

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# Yet someday I may sight one

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# Who looks like the right one

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# And waltz down the aisle with chagrin

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# You see, my friends, it all depends

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# On the mo-o-od I'm in-n. #

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CHEERING AND APPLAUSE

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Thank you.

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That was a song by Sammy Cahn and Jimmy Van Heusen,

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somebody like that anyway. My own brother, Thomas,

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hasn't been doing too badly at that particular line either.

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He's written a lot of songs, as you may know for The Seekers,

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one for Anita Harris, even one for me at one time.

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Anyway, this song I'd like to sing you now

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was, in fact, written when he was nine years old,

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so it's a world premiere, folks.

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I hope you like it. Here we go. I'd like to sing it for you now.

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# Oh, it ain't all honey and it ain't all jam

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# Walking round the houses with a three-wheel pram

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# All on me lonesome, not a bite to eat

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# Traipsing around on me poor old feet

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# My old man, if I could find him

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# An 'iding I would give

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# Poor old me, I haven't got a key and I don't know where I live

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# He might be in the Pig and Whistle

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# Blimey, it's a crime

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# Pints and pints go down his throat

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# From now to closing time

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# He might be in the Picture Palace

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# With a lady friend

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# I only 'opes as how remorse

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# Will get him in the end

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# Oh, it ain't all honey and it ain't all jam

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# Walking round the houses with a three-wheel pram

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# All on me lonesome, not a bite to eat

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# Traipsing around on me poor old feet

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# My old man, if I could find him An 'iding I would give

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# Poor old me, I haven't got a key and I don't know where I live

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# I'd better go check me mother down in Hackney

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# Gawd, what a carve up! #

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APPLAUSE

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Thank you.

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# When I said I needed you

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# You said you would always stay

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# It wasn't me who changed, but you

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# And now you've gone away

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# Don't you see that now you've gone

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# And I'm left here on my own

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# That I have to follow you

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# And beg you to come home

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# You don't have to say you love me

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# Just be close at hand

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# You don't have to stay forever

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# I will understand

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# Believe me, believe me

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# I can't help but love you

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# But believe me, I'll never tie you down

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# Left alone with just a memory

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# Life seems dead and so unreal

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# All that's left is loneliness

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# There's nothing left to feel

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# You don't have to say you love me

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# Just be close at hand

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# You don't have to stay forever

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# I will understand

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# Believe me, believe me

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# You don't have to say you love me

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# Just be close at hand

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# You don't have to stay forever

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# I will understand

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# Believe me, believe me

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# Belie-e-ve me-e. #

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# Belie-e-ve me-e. # CHEERING AND APPLAUSE

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Thank you. Well, that's sort of it, I suppose.

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There's a lot of people I'd like to thank.

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First of all, Scott Walker for coming along tonight

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and I know you wish him all the luck in the world.

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He's pretty marvellous.

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APPLAUSE

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To a million people, the gentlemen in the orchestra you never see,

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who are very nice and very obedient to Mr Johnny Pearson, who is great.

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To Maggie, to Madeleine and to Lesley, thank you.

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Up there, thank you. And a special thank you for looking in. Bye.

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I hope I see you soon. Bye.

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APPLAUSE

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Subtitles by Red Bee Media Ltd

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