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-Good evening and a warm welcome -to you to the final programme | 0:00:20 | 0:00:24 | |
-from the Monmouthshire and District -National Eisteddfod 2016. | 0:00:24 | 0:00:29 | |
-Yes, it has been a fantastic eight -days here in Abergavenny. | 0:00:29 | 0:00:33 | |
-We have been here from the start -to bring you all the competitions | 0:00:33 | 0:00:36 | |
-and it has been very exciting. -A lot of new ground was broken | 0:00:36 | 0:00:39 | |
-here in Abergavenny. -Yes, there have been many individual | 0:00:39 | 0:00:41 | |
-successes and Abergavenny itself has | 0:00:41 | 0:00:46 | |
-welcomed the Eisteddfod. -I've been to every corner | 0:00:46 | 0:00:48 | |
-of the Maes, but it's obviously | 0:00:48 | 0:00:52 | |
-time for us to go home. -Let's have a look | 0:00:52 | 0:00:54 | |
-back now on the week. | 0:00:54 | 0:00:57 | |
-to Abergavenny and Monmouthshire -An ancient gem 'twixt | 0:01:00 | 0:01:05 | |
-Wye and mountain -County of memories | 0:01:05 | 0:01:08 | |
-and hidden treasure -County of abundance to satisfy your | 0:01:08 | 0:01:11 | |
-August and your desire. -I know that there | 0:01:11 | 0:01:19 | |
-is in Monmouthshire | 0:01:19 | 0:01:21 | |
-Great bustle and a greater welcome -and a vale without a single de Breos | 0:01:21 | 0:01:27 | |
-But one festival to ignite the night -Today we shall occupy the pleasant | 0:01:27 | 0:01:29 | |
-acres and jump the walls. | 0:01:29 | 0:01:35 | |
-to visit Abergavenny. | 0:01:42 | 0:01:48 | |
-Welsh echoed around Monmouthshire. -The festival opened | 0:01:48 | 0:01:52 | |
-on the Castle Fields to the sound | 0:01:52 | 0:01:56 | |
-of the opening ceremony. -Among the performers - | 0:01:56 | 0:01:58 | |
-Only Men Aloud. | 0:01:58 | 0:02:01 | |
-# Make a noise and make it clear | 0:02:01 | 0:02:03 | |
-# Whoah-oh-oh-oh-oh | 0:02:03 | 0:02:05 | |
-# Whoah-oh-oh-oh-oh -# We're not going to sit in silence | 0:02:06 | 0:02:12 | |
-# We're not going to live in fear -# Whoah-oh-oh-oh-oh | 0:02:12 | 0:02:17 | |
-# Whoah-oh-oh-oh-oh -# You're the voice | 0:02:17 | 0:02:21 | |
-try and understand it | 0:02:21 | 0:02:23 | |
-# Make a noise and make it clear -# Whoah-oh-oh-oh-oh. # | 0:02:23 | 0:02:35 | |
-APPLAUSE | 0:02:35 | 0:02:38 | |
-Heledd, | 0:02:44 | 0:02:46 | |
-but you look a bit drab today. -You're not very colourful. | 0:02:46 | 0:02:51 | |
-Stop it! -As long as I'm happy, | 0:02:51 | 0:02:52 | |
-that's what's important. -But hearing you say that reminds me | 0:02:52 | 0:02:54 | |
-that's how the pavilion felt -at the beginning of the week, | 0:02:54 | 0:02:58 | |
-everybody going on and on -about the lack of colour | 0:02:58 | 0:03:01 | |
-and missing the pink. -To be fair, everyone's praised | 0:03:01 | 0:03:04 | |
-the sound and acoustics. | 0:03:04 | 0:03:07 | |
-It's like a concert hall. -Yes, it is, definitely. | 0:03:07 | 0:03:11 | |
-But you and I aren't important, -what did everyone else think? | 0:03:11 | 0:03:15 | |
-Erm... | 0:03:27 | 0:03:29 | |
-I think it looks like a bank. -It's such a shame to | 0:03:29 | 0:03:36 | |
-get rid of the pink. -It was quite traditional to come | 0:03:36 | 0:03:41 | |
-to the Eisteddfod | 0:03:41 | 0:03:44 | |
-and see this huge pink pavilion. -You know there's | 0:03:44 | 0:03:47 | |
-an Eisteddfod in town -when there's a pavilion | 0:03:47 | 0:03:49 | |
-in your field. -I think the new pavilion | 0:03:49 | 0:03:52 | |
-looks smart and modern. -It's more solid than the previous | 0:03:52 | 0:03:55 | |
-one, but it isn't as recognisable | 0:03:55 | 0:03:58 | |
-on the Maes like the pink one was. -I think something new was needed. | 0:03:58 | 0:04:04 | |
-Looking at it from the outside, -it doesn't look very majestic, | 0:04:04 | 0:04:08 | |
-but that doesn't count, -how it is on the inside | 0:04:08 | 0:04:10 | |
-is what's important. -People come on the Maes | 0:04:10 | 0:04:12 | |
-and the first thing they see -is the new pavilion, | 0:04:12 | 0:04:15 | |
-but they're disappointed | 0:04:15 | 0:04:16 | |
-that the pink one isn't here. -Then they go into the pavilion | 0:04:16 | 0:04:18 | |
-and change their minds. | 0:04:18 | 0:04:21 | |
-This pavilion is brilliant. -Good evening, everyone. | 0:04:21 | 0:04:25 | |
-Isn't this a posh pavilion! | 0:04:25 | 0:04:29 | |
-seat, the atmosphere is wonderful -and for the artists taking part, | 0:04:34 | 0:04:37 | |
-they look out from the stage, -Shan Cothi said the other | 0:04:37 | 0:04:41 | |
-night, it's amazing. | 0:04:41 | 0:04:45 | |
-Much better than the old one. -Very comfortable and | 0:04:45 | 0:04:47 | |
-you can see the stage. | 0:04:47 | 0:04:51 | |
-Everyone's very comfortable there. -# The sun up above is smiling | 0:04:51 | 0:04:57 | |
-# The sun up above looks down...# -It's great. | 0:04:57 | 0:05:02 | |
-I feel very honoured to be one -of the first singers to sing here. | 0:05:02 | 0:05:06 | |
-It's very exciting to -have a new pavilion. | 0:05:06 | 0:05:08 | |
-It looks to be a bit smaller, -but there's something | 0:05:08 | 0:05:11 | |
-quite cosy about that. -To make it more interesting, I think | 0:05:11 | 0:05:12 | |
-we should spray-paint it pink! | 0:05:12 | 0:05:16 | |
-Paint it pink. -Not in protest... | 0:05:16 | 0:05:19 | |
-Different colours. -Yes, different colours! | 0:05:19 | 0:05:21 | |
-That would be fantastic. -From the viewpoint of modern | 0:05:21 | 0:05:23 | |
-architecture, the new pavilion -is part of the Le Corbusier | 0:05:23 | 0:05:25 | |
-and all that, which is great, | 0:05:25 | 0:05:29 | |
-but the wrong materials were used. -It is too plasticky, | 0:05:29 | 0:05:31 | |
-too shiny and too white. -As an artist myself, | 0:05:31 | 0:05:34 | |
-I'd put more metal on it, -more industrial materials and flock | 0:05:34 | 0:05:37 | |
-wallpaper all over it. | 0:05:37 | 0:05:40 | |
-Or maybe camouflage over it all? -The game then would be to find | 0:05:40 | 0:05:43 | |
-the pavilion as the weeks went on. | 0:05:43 | 0:05:48 | |
-The colour doesn't matter. -What counts are the | 0:05:48 | 0:05:50 | |
-performances on stage. | 0:05:50 | 0:05:53 | |
-The colour counts for nothing. | 0:05:53 | 0:05:56 | |
-APPLAUSE | 0:05:56 | 0:06:02 | |
-of the brass bands. | 0:06:06 | 0:06:16 | |
-and their leader John Glyn | 0:06:17 | 0:06:22 | |
-were aiming for the Triple Crown. | 0:06:22 | 0:06:25 | |
-APPLAUSE | 0:07:20 | 0:07:26 | |
-this 100 years ago. -They were Welsh champions | 0:07:28 | 0:07:32 | |
-for three years running. -After 25 years of leading the band, | 0:07:32 | 0:07:34 | |
-that's something I'd like to do. -And I know that back home, someone's | 0:07:34 | 0:07:39 | |
-listening intently to every note. | 0:07:39 | 0:07:43 | |
-Well, yes. -This year my granddaughter, Nel, | 0:07:43 | 0:07:45 | |
-is listening to Taid's | 0:07:45 | 0:07:48 | |
-band for the first time. -That's very special to me. | 0:07:48 | 0:07:52 | |
-A cup for Nel? | 0:07:52 | 0:07:54 | |
-A cup for Nel. -Congratulations, John. | 0:07:54 | 0:07:56 | |
-Thank you very much. | 0:07:56 | 0:07:58 | |
-Cymru Choral Competition | 0:07:59 | 0:08:02 | |
-being held for the first time. -Cor Caerdydd won this competition | 0:08:02 | 0:08:04 | |
-and their leader, Gwawr Owen, -was awarded the Gwilym E | 0:08:04 | 0:08:07 | |
-Humphreys Memorial Medal. | 0:08:07 | 0:08:11 | |
-# For a moment it stood -# Without making a sound | 0:08:11 | 0:08:31 | |
-# It held its shadow -# Its shadow | 0:08:31 | 0:08:43 | |
-# Under the heavens | 0:08:43 | 0:08:50 | |
-# The lake was blue -# At the foot of the hill | 0:08:58 | 0:09:17 | |
-# Gentle. # | 0:09:18 | 0:09:28 | |
-APPLAUSE -Congratulations to Cor Caerdydd. | 0:09:32 | 0:09:36 | |
-We'll return to the choral -world in the next part | 0:09:36 | 0:09:39 | |
-and to those who gave -us an entertainment | 0:09:39 | 0:09:42 | |
-programme on Sunday. -We'll have some dancing | 0:09:42 | 0:09:44 | |
-from the pavilion and we'll -meet the new Archdruid, | 0:09:44 | 0:09:46 | |
-as well as the crowned bard. | 0:09:46 | 0:09:56 | |
-the choirs competing on the Sunday -a popular programme. | 0:10:18 | 0:10:24 | |
-But there was a change this year. -The requirements for the choirs this | 0:10:24 | 0:10:28 | |
-year was to deliver a programme -no longer than 12 minutes, | 0:10:28 | 0:10:32 | |
-and they were very varied. -There was | 0:10:32 | 0:10:38 | |
-Seven choirs competed on stage. -# On a night like this | 0:10:38 | 0:10:45 | |
-# We toss our cares to the wind -# I dare you all | 0:10:45 | 0:10:48 | |
-On a night like this | 0:10:48 | 0:10:52 | |
-# I proclaim to the four winds -# As the trumpet sounds | 0:10:52 | 0:10:55 | |
-Let us come together -# To shout for our freedom | 0:10:55 | 0:10:58 | |
-In every street | 0:10:58 | 0:11:02 | |
-# On a night like this -# We raise our glasses to change | 0:11:02 | 0:11:10 | |
-# To the power of the people -# The workers' banner | 0:11:10 | 0:11:13 | |
-flies over the roofs | 0:11:13 | 0:11:18 | |
-# Shouting our Charter as one voice -# We are on the way to our freedom! | 0:11:18 | 0:11:25 | |
-# We are on the way -to justice for our nation! | 0:11:25 | 0:11:28 | |
-# We are on the way to our freedom! -# We are on the way | 0:11:28 | 0:11:32 | |
-to justice for our nation! | 0:11:32 | 0:11:36 | |
-# We are on the way to our freedom! -# We are on the way | 0:11:36 | 0:11:39 | |
-to justice for our nation! | 0:11:39 | 0:11:43 | |
-# On a night like this. # | 0:11:43 | 0:11:53 | |
-APPLAUSE | 0:11:56 | 0:12:02 | |
-Iwan, many congratulations. | 0:12:08 | 0:12:10 | |
-Thank you very much. -That's a cup and a half! | 0:12:10 | 0:12:13 | |
-It certainly is. -I never thought I'd be holding it. | 0:12:13 | 0:12:17 | |
-Didn't you? -No, it was an exceptionally | 0:12:17 | 0:12:18 | |
-good competition. -I was lucky that we were the first | 0:12:18 | 0:12:20 | |
-choir because I could listen -I was lucky that we were the first | 0:12:20 | 0:12:23 | |
-to the competition. -It was thrilling and a pleasure | 0:12:23 | 0:12:25 | |
-to be in the audience. | 0:12:25 | 0:12:28 | |
-They all responded very well. -Congratulations. | 0:12:28 | 0:12:30 | |
-Thank you very much. -This competition in its new guise | 0:12:30 | 0:12:32 | |
-has definitely won its place. -I have to admit, watching a local | 0:12:32 | 0:12:35 | |
-choir, Chepstow Singing Club, -competing for the first time | 0:12:35 | 0:12:38 | |
-in the Eisteddfod and filling -every inch of that stage | 0:12:38 | 0:12:42 | |
-was a sight to remember. | 0:12:42 | 0:12:47 | |
-# Oh, happy day, oh, happy day...# -Out of 500...no, out of 150 people, | 0:12:47 | 0:12:53 | |
-five people can speak Welsh. -Everybody else has learned the Welsh | 0:12:53 | 0:13:03 | |
-words for the | 0:13:03 | 0:13:09 | |
-Monmouthshire Eisteddfod this year. -# When Jesus washed me...# | 0:13:09 | 0:13:22 | |
-There aren't many people -in Monmouthshire who speak Welsh, | 0:13:22 | 0:13:25 | |
-and this year, there's been -the opportunity for everyone | 0:13:25 | 0:13:29 | |
-to practise and speak Welsh -and bring friends to the Eisteddfod, | 0:13:29 | 0:13:32 | |
-share the language, -share the Welsh culture. | 0:13:32 | 0:13:36 | |
-# Oh yeah, every day! # -APPLAUSE | 0:13:36 | 0:13:46 | |
-the dancers jump on to the stage. -And starring this year | 0:13:49 | 0:13:55 | |
-was Ioan Wyn Williams from Cardiff. | 0:13:55 | 0:14:02 | |
-you have to be able to perform -on a big stage in front of | 0:14:17 | 0:14:21 | |
-a big audience and enjoy dancing. | 0:14:21 | 0:14:26 | |
-of his talent as he took first place | 0:14:28 | 0:14:32 | |
-in the Individual Creative -Modern Dance, too. | 0:14:32 | 0:14:35 | |
-FANFARE -Dewi and Paul, you are on stage | 0:14:57 | 0:15:03 | |
-during the main ceremonies. | 0:15:03 | 0:15:11 | |
-This year is your 15th ceremony? -I think this is our 15th ceremony. | 0:15:11 | 0:15:19 | |
-Our first was in 2002 in St Davids. -It's a long time ago now! | 0:15:19 | 0:15:25 | |
-Is it an honour? -Yes. | 0:15:25 | 0:15:28 | |
-Definitely. -It's a huge honour to be here | 0:15:28 | 0:15:29 | |
-and to be part of the Gorsedd, too. -When it comes to competing, Dewi, | 0:15:29 | 0:15:33 | |
-you're with Tredegar -and Paul, you're leading | 0:15:33 | 0:15:36 | |
-Northop Silver Band. -How big a competition is this? | 0:15:36 | 0:15:41 | |
-This is the pinnacle -of the brass bands competitions. | 0:15:41 | 0:15:46 | |
-This is the top for -the bands, without a doubt. | 0:15:46 | 0:15:49 | |
-It's always a challenge -for any band, whether it's | 0:15:49 | 0:15:51 | |
-in Britain or Europe, -to play against Tredegar. | 0:15:51 | 0:15:55 | |
-It's a huge honour for any band -to compete against them. | 0:15:55 | 0:15:58 | |
-Yes, Tredegar Town Band -is recognised as one | 0:15:58 | 0:16:04 | |
-of Britain's best brass bands. -They won the main competition. | 0:16:04 | 0:16:10 | |
-APPLAUSE | 0:16:56 | 0:17:04 | |
-is always an exciting day, isn't it, -when you see the Gorsedd marching | 0:17:22 | 0:17:26 | |
-through the Maes for the first time? | 0:17:26 | 0:17:30 | |
-You were there. -Yes, but beside them. | 0:17:30 | 0:17:34 | |
-But is started to rain, -didn't it, so they had to use | 0:17:34 | 0:17:37 | |
-the Literary Pavilion. -But it is a special and memorable | 0:17:37 | 0:17:38 | |
-day for everyone being honoured. | 0:17:38 | 0:17:41 | |
-Certainly. -It was also a memorable day for | 0:17:41 | 0:17:43 | |
-the new Archdruid - Geraint Llifon. | 0:17:43 | 0:17:46 | |
-why my parents had chosen such | 0:17:51 | 0:17:55 | |
-similar names for two brothers. -I'm Geraint and my brother's | 0:17:55 | 0:17:58 | |
-name was Gerallt. -I'm a little boy from the | 0:17:58 | 0:18:02 | |
-countryside, from Merionethshire, | 0:18:02 | 0:18:07 | |
-not far from Bala. -I had three daughters, | 0:18:07 | 0:18:15 | |
-and then Elliw died -while waiting for two transplants. | 0:18:15 | 0:18:22 | |
-Archdruid after Christine, | 0:18:26 | 0:18:33 | |
-one minute, I'd say, "Yes" -but the next, I'd say, | 0:18:33 | 0:18:37 | |
-"No, I can't do that". | 0:18:37 | 0:18:40 | |
-At that time, Elliw was ill. -She was in the little room there. | 0:18:40 | 0:18:46 | |
-She came in and leaned -on the grate there and said, | 0:18:46 | 0:18:50 | |
-"Dad, go for it. -You can do it". | 0:18:50 | 0:18:58 | |
-"Go for it, you can do it." -And she left. | 0:18:58 | 0:19:07 | |
-line of Archdruids, -going right back to | 0:19:11 | 0:19:15 | |
-the first Eisteddfod. -Christine, as the only woman, | 0:19:15 | 0:19:20 | |
-has been exceptional. -I only hope I can follow | 0:19:20 | 0:19:27 | |
-in her footsteps. | 0:19:27 | 0:19:32 | |
-The truth against the world. -Is there peace? | 0:19:33 | 0:19:42 | |
-Heart to heart. -Is there peace? | 0:19:42 | 0:19:48 | |
-A cry louder than any other. -Is there peace? | 0:19:48 | 0:19:53 | |
-Peace! | 0:19:53 | 0:19:56 | |
-will Carreg Lefn please stand up. | 0:19:58 | 0:20:08 | |
-who is Carreg Lefn? | 0:20:13 | 0:20:18 | |
-She comes from Rhostryfan. -That is where Elinor Gwynn lives. | 0:20:18 | 0:20:26 | |
-APPLAUSE -A cry louder than any | 0:20:26 | 0:20:29 | |
-other, is there peace? | 0:20:29 | 0:20:32 | |
-Peace! -That was very, very good. | 0:20:32 | 0:20:37 | |
-Peace! -That was very, very good. - -Sheath the sword, and let the bard -sit in the peace of the Eisteddfod. | 0:20:37 | 0:20:44 | |
-Peace! -That was very, very good. - -Sheath the sword, and let the bard -sit in the peace of the Eisteddfod. - | 0:20:44 | 0:20:52 | |
-Let us go back back -to the halfway mark | 0:20:52 | 0:20:56 | |
-Or the three-quarter mark, perhaps. -Back further than | 0:20:56 | 0:20:59 | |
-where the green path -With its satin elegance | 0:20:59 | 0:21:02 | |
-beneath our feet | 0:21:02 | 0:21:06 | |
-And the stone walls sustained us -Back to that scrag of land | 0:21:06 | 0:21:13 | |
-Where footfall had worn -a smooth knot over the years | 0:21:13 | 0:21:17 | |
-Where it was starting to fall apart -Into clean furrows between | 0:21:17 | 0:21:20 | |
-the clumps of thorn bushes. -Their branches muffled the noise | 0:21:20 | 0:21:25 | |
-from the cross-winds -Distorting them into | 0:21:25 | 0:21:29 | |
-bedraggled rags around us. -I'd like to say how lucky | 0:21:29 | 0:21:34 | |
-we are in Wales that we have these -chances to put our work forward | 0:21:34 | 0:21:37 | |
-and to have it adjudicated and then | 0:21:37 | 0:21:42 | |
-have a discussion about the work. -That's wonderful. | 0:21:42 | 0:21:45 | |
-According to the adjudication, -it's obvious that your background | 0:21:45 | 0:21:49 | |
-in the environment has -influenced your work. | 0:21:49 | 0:21:51 | |
-Yes, it seems so. -It isn't a poem about | 0:21:51 | 0:21:54 | |
-the environment, -but it does describe | 0:21:54 | 0:21:56 | |
-a journey, a trip. -A journey through | 0:21:56 | 0:22:01 | |
-an intense experience. -There is a similarity | 0:22:01 | 0:22:04 | |
-to when you go for a walk. -When someone's out walking, | 0:22:04 | 0:22:08 | |
-they think a lot, see a few views, -remember some views, | 0:22:08 | 0:22:12 | |
-go along some new paths -before returning to | 0:22:12 | 0:22:16 | |
-the central pathway. -There are touches | 0:22:16 | 0:22:19 | |
-and influences there. -Many congratulations to you, | 0:22:19 | 0:22:23 | |
-Elinor, -for winning here in | 0:22:23 | 0:22:26 | |
-the Monmouthshire Eisteddfod. | 0:22:26 | 0:22:28 | |
-Thank you. | 0:22:28 | 0:22:30 | |
-16 instrumentalists. -Receiving the Blue Riband was | 0:22:33 | 0:22:36 | |
-Ela Haf Williams from Bontnewydd. | 0:22:36 | 0:22:41 | |
-APPLAUSE -Congratulations to Ela. | 0:23:04 | 0:23:13 | |
-When we come back, we'll -see some of the winners | 0:23:13 | 0:23:16 | |
-from Tuesday's competitions, -as well as meeting the winner | 0:23:16 | 0:23:19 | |
-of the Daniel Owen Memorial Prize. -We'll be wandering over | 0:23:19 | 0:23:20 | |
-the wild lands of Maes B. | 0:23:20 | 0:23:23 | |
-. | 0:23:23 | 0:23:23 | |
-window to our programme. -But behind me, Dewi, | 0:23:35 | 0:23:38 | |
-Heledd and Steffan, | 0:23:38 | 0:23:40 | |
-is an army of people. -Editors, make-up artists, | 0:23:40 | 0:23:42 | |
-there are 24 camera operators, -29 sound engineers, | 0:23:42 | 0:23:46 | |
-every one of them working | 0:23:46 | 0:23:49 | |
-in this technical village. -If you come over here, there are two | 0:23:49 | 0:23:51 | |
-huge scanners, satellite vans. | 0:23:51 | 0:23:56 | |
-This is where the engineers work. -Look at these. | 0:23:56 | 0:24:00 | |
-23 kilometres of cables making sure -the pictures get to your homes. | 0:24:00 | 0:24:04 | |
-There are all sorts of cables, -blue, brown, white. | 0:24:04 | 0:24:08 | |
-I'm not sure what this does, -but if I pull it out... | 0:24:08 | 0:24:12 | |
-There's more than 90 hours -of televised broadcasting. | 0:24:12 | 0:24:19 | |
-Between our programme on S4C, -BBC Four and news bulletins, | 0:24:19 | 0:24:23 | |
-there's 250 hours -between television, radio | 0:24:23 | 0:24:27 | |
-and online coverage. -The Eisteddfod can be | 0:24:27 | 0:24:29 | |
-watched on every platform. -On the Maes, every platform | 0:24:29 | 0:24:32 | |
-offers something different | 0:24:32 | 0:24:35 | |
-to the Eisteddfod-goers. -Yes, the number of stages has | 0:24:35 | 0:24:37 | |
-increased over the years. -By now, several performance areas | 0:24:37 | 0:24:40 | |
-have sprung up around the Maes. -But if you want to | 0:24:40 | 0:24:43 | |
-escape the busy areas, -one of the most popular places | 0:24:43 | 0:24:47 | |
-on the Maes is Y Lle Celf. | 0:24:47 | 0:24:51 | |
-is the variety of methods. -There's experimental work | 0:25:01 | 0:25:04 | |
-and more traditional work. -You'd think at the first glance | 0:25:04 | 0:25:08 | |
-that these are large photographs, -but, no, these are very | 0:25:08 | 0:25:11 | |
-detailed paintings. | 0:25:11 | 0:25:15 | |
-They are extremely skilled. | 0:25:15 | 0:25:18 | |
-Young Artist Scholarship | 0:25:28 | 0:25:32 | |
-is Gwenllian Llwyd from Ceredigion. -In this powerful piece, | 0:25:32 | 0:25:34 | |
-she's discussing the dereliction -and deterioration of chapels | 0:25:34 | 0:25:37 | |
-in her area. -It's a patchwork of video work, | 0:25:37 | 0:25:40 | |
-photographs and audio work. -It's very sensitive | 0:25:40 | 0:25:44 | |
-and touches us as viewers. | 0:25:44 | 0:25:47 | |
-Art this year was Richard Bevan. -The selectors have been enchanted | 0:25:54 | 0:25:59 | |
-and fascinated by the work. -It has been filmed on 16mm film, | 0:25:59 | 0:26:03 | |
-which is highly original. -We're enticed into the quiet, | 0:26:03 | 0:26:08 | |
-calm world of the artist. -They are silent, | 0:26:08 | 0:26:12 | |
-still films, which are highly -sensitive and intricate, | 0:26:12 | 0:26:16 | |
-and are well worth seeing. | 0:26:16 | 0:26:20 | |
-went to Lisa Krigel. -There is a very architectural | 0:26:27 | 0:26:30 | |
-feel to the work | 0:26:30 | 0:26:33 | |
-in the way it's been laid out. -That's no surprise as she's | 0:26:33 | 0:26:37 | |
-the daughter of an architect. -She was raised in New York | 0:26:37 | 0:26:41 | |
-in the shadow of the skyscrapers. -There's also a practical | 0:26:41 | 0:26:45 | |
-element to the ceramics, -so this original duality | 0:26:45 | 0:26:48 | |
-is very interesting. -Accepting the Gold Medal | 0:26:48 | 0:26:52 | |
-for Architecture -is Hall + Bednarczyk | 0:26:52 | 0:26:57 | |
-for designing the centre -on the banks of | 0:26:57 | 0:27:00 | |
-Llandegfedd Reservoir, Pontypool. -Here is a local, community | 0:27:00 | 0:27:04 | |
-and exciting project, -where the public's experience | 0:27:04 | 0:27:09 | |
-of the centre at the reservoir -is affected by the | 0:27:09 | 0:27:12 | |
-architectural design. -It looks over the water | 0:27:12 | 0:27:16 | |
-and the hills surrounding -the reservoir, and the view | 0:27:16 | 0:27:20 | |
-from the balcony is enchanting. | 0:27:20 | 0:27:24 | |
-one of the favourite competitions | 0:27:30 | 0:27:33 | |
-is the Pensioners' Choir. -But only two choirs took part this | 0:27:33 | 0:27:36 | |
-year, and one of them -was aiming to take the title | 0:27:36 | 0:27:39 | |
-for the seventh time. | 0:27:39 | 0:27:43 | |
-# The Hyddgen is quiet -# With its calm | 0:27:47 | 0:27:53 | |
-and cool watercolours -# And the pathway to the Dyli Valley | 0:27:53 | 0:27:59 | |
-is empty in the moonlight | 0:27:59 | 0:28:03 | |
-# Owain is in the breeze -# His dreams are on the wind | 0:28:03 | 0:28:10 | |
-# The echoes of his rebellion -come from the past...# | 0:28:10 | 0:28:15 | |
-I'm so pleased that one -of the judges, Mari Pritchard, | 0:28:15 | 0:28:20 | |
-questioned the word, "Pensioners", -in the competition's title. | 0:28:20 | 0:28:24 | |
-To me, they are experienced singers, -they are a mixed choir. | 0:28:24 | 0:28:27 | |
-They may be a bit older and they -celebrate like older people, too. | 0:28:27 | 0:28:32 | |
-They know how to celebrate -and lead young people astray! | 0:28:32 | 0:28:36 | |
-# And that is our Wales. # | 0:28:36 | 0:28:49 | |
-APPLAUSE | 0:28:50 | 0:28:57 | |
-it was a day to remember -for Rhys Meilyr from Llangefni, | 0:28:58 | 0:29:01 | |
-Anglesey. -He took the double after | 0:29:01 | 0:29:04 | |
-winning the Boys' Solo -and the Cerdd Dant Solo | 0:29:04 | 0:29:06 | |
-under 20 years. | 0:29:06 | 0:29:08 | |
-# Give the face of earth around -# And the road before me | 0:29:08 | 0:29:19 | |
-# Wealth I ask not, hope, nor love -# Nor a friend to know me | 0:29:19 | 0:29:31 | |
-# All I ask, the heaven above -# And the road below me. # | 0:29:31 | 0:29:44 | |
-APPLAUSE | 0:29:48 | 0:29:54 | |
-happy to have won the Cerdd Dant, | 0:30:00 | 0:30:03 | |
-as well as the Boys' Solo. -I wasn't expecting it at all. | 0:30:03 | 0:30:07 | |
-# My heart will know for sure -# Despite losing my petals, | 0:30:07 | 0:30:12 | |
-I'm whole at last -# The love of the wind has lifted | 0:30:12 | 0:30:19 | |
-me up. # | 0:30:19 | 0:30:27 | |
-APPLAUSE | 0:30:28 | 0:30:31 | |
-is the awarding | 0:30:42 | 0:30:44 | |
-of the Daniel Owen Memorial Medal. -Yes, there was a worthy winner | 0:30:44 | 0:30:46 | |
-who had an emotional personal story. | 0:30:46 | 0:30:52 | |
-FANFARE -APPLAUSE | 0:30:54 | 0:31:03 | |
-year was Ymbelydredd. -And the work stemmed | 0:31:17 | 0:31:20 | |
-from Guto Dafydd's -experiences in the hospital | 0:31:20 | 0:31:22 | |
-after he developed a tumour. | 0:31:22 | 0:31:26 | |
-something in the novel. -I hope I've stayed true to this | 0:31:30 | 0:31:33 | |
-experience without any self-pity. -I've tried being pioneering | 0:31:33 | 0:31:37 | |
-and inventive while writing -a literary piece and tried to do | 0:31:37 | 0:31:40 | |
-something new in the Welsh language. -You mentioned that | 0:31:40 | 0:31:44 | |
-personal experience. -Was it difficult to write | 0:31:44 | 0:31:49 | |
-about something like that? | 0:31:49 | 0:31:53 | |
-Yes, it was difficult. -The tumour was painful, | 0:31:53 | 0:31:54 | |
-it was a nuisance. | 0:31:54 | 0:31:57 | |
-I hoped the radiotherapy would work. -But it was a six-week | 0:31:57 | 0:31:59 | |
-experience, ten minutes a day. -The treatment was in Manchester and | 0:31:59 | 0:32:02 | |
-it was painful, it ruined my skin. -I'm glad I managed to create | 0:32:02 | 0:32:06 | |
-something creative -which will last | 0:32:06 | 0:32:09 | |
-longer than the pain. -Every year, the Eisteddfod honours | 0:32:09 | 0:32:14 | |
-one very special individual -with the awarding of | 0:32:14 | 0:32:18 | |
-the TH Parry Williams medal. -This year, the recipient | 0:32:18 | 0:32:22 | |
-was Mair Carrington Roberts. -It's difficult not to over-emphasise | 0:32:22 | 0:32:28 | |
-Mair's commitment to all kinds | 0:32:28 | 0:32:30 | |
-of eisteddfodau. | 0:32:32 | 0:32:33 | |
-Hundreds of children have benefited -from her leadership. | 0:32:33 | 0:32:35 | |
-What drives you, Mair, -after all the years of rehearsals | 0:32:35 | 0:32:39 | |
-and constantly reaching -that high standard? | 0:32:39 | 0:32:42 | |
-Well, to some extent, -because it is in my blood, | 0:32:42 | 0:32:50 | |
-music is in my blood, -and I'm sure you know the same. | 0:32:50 | 0:32:53 | |
-It isn't something that you retire -from and then do nothing. | 0:32:53 | 0:32:58 | |
-Over the years, I kept -the connection outside my job, | 0:32:58 | 0:33:02 | |
-so I did some extra coaching. -It has been a blessing to me | 0:33:02 | 0:33:09 | |
-because my retirement -has been wonderful. | 0:33:09 | 0:33:13 | |
-continued on the stage, | 0:33:15 | 0:33:17 | |
-even after the sun set. -The pinnacle of Tuesday night | 0:33:17 | 0:33:20 | |
-was Catrin Finch's show - | 0:33:20 | 0:33:22 | |
-Serenestial. -Imagine if the sun was a ball | 0:33:22 | 0:33:24 | |
-of fire, the size of a football. | 0:33:24 | 0:33:30 | |
-Serenestial is a brand-new show. -We had the idea of doing something | 0:33:30 | 0:33:33 | |
-about the planets last year. -We've combined dance, | 0:33:33 | 0:33:37 | |
-music and lyrics. | 0:33:37 | 0:33:42 | |
-To me, it's like the Eisteddfod. -You wander around the Maes | 0:33:42 | 0:33:49 | |
-and you see children -singing and dancing, | 0:33:49 | 0:33:52 | |
-and that's what we've | 0:33:52 | 0:33:56 | |
-tried to do in this show. | 0:33:56 | 0:33:58 | |
-you feel as if things are hotting up | 0:34:38 | 0:34:41 | |
-for the young people. -Overnight, they're here | 0:34:41 | 0:34:43 | |
-on Maes B with their tents. -What's brilliant about this Maes, | 0:34:43 | 0:34:46 | |
-which is constantly developing, -is that there's so many places | 0:34:46 | 0:34:50 | |
-where you can watch live bands. | 0:34:50 | 0:34:53 | |
-Everywhere. -# Why is life so lovely? # | 0:34:53 | 0:35:03 | |
-much about Maes B, -it's a music festival | 0:35:05 | 0:35:08 | |
-that's part of the Eisteddfod. -The best Welsh singers | 0:35:08 | 0:35:11 | |
-all perform here. | 0:35:11 | 0:35:16 | |
-# Hold on tight...# -How would you describe Maes B to | 0:35:16 | 0:35:21 | |
-anyone who hasn't been here before? | 0:35:21 | 0:35:24 | |
-It's so much fun. -You see so many people | 0:35:24 | 0:35:25 | |
-and the line-up this year | 0:35:25 | 0:35:28 | |
-is really, really good. -This year, it feels much | 0:35:28 | 0:35:31 | |
-more like a festival, | 0:35:31 | 0:35:34 | |
-a small festival for young people. -It's fab. | 0:35:34 | 0:35:36 | |
-I'm really enjoying myself. | 0:35:36 | 0:35:38 | |
-Why do you come to Maes B? -I've just come to immerse myself | 0:35:38 | 0:35:40 | |
-in Welsh music and to promote young -Welsh talent because I don't think | 0:35:40 | 0:35:44 | |
-they have enough platforms | 0:35:44 | 0:35:47 | |
-to share their talent. -It's a big question, I know. | 0:35:47 | 0:35:51 | |
-Good music and meeting old friends. -Hello, Maes B. | 0:35:51 | 0:35:58 | |
-Are you OK? -CHEERING | 0:35:58 | 0:36:01 | |
-Is everyone enjoying themselves? | 0:36:01 | 0:36:03 | |
-It's a way for everyone to have fun -through the medium of Welsh | 0:36:03 | 0:36:07 | |
-and also, the music is brilliant -and it changes people's | 0:36:07 | 0:36:09 | |
-opinions on Welsh music. -It's fab, I just love it. | 0:36:09 | 0:36:14 | |
-MUSIC | 0:36:14 | 0:36:24 | |
-of Wednesday's winning performances. -Plus we'll visit | 0:36:47 | 0:36:51 | |
-the caravan site -and get a taste of | 0:36:51 | 0:36:53 | |
-some more concerts. | 0:36:53 | 0:36:55 | |
-. | 0:36:56 | 0:36:56 | |
-Wednesday at the Eisteddfod. | 0:37:11 | 0:37:13 | |
-Maybe the weather had been a bit -mixed, but competing | 0:37:13 | 0:37:15 | |
-at the Eisteddfod was -still consistently high. | 0:37:15 | 0:37:20 | |
-# There is my love in the valley...# -Winning the Youth Choir under 25 | 0:37:20 | 0:37:27 | |
-years was Cor Cytgan Clwyd, | 0:37:27 | 0:37:30 | |
-Denbighshire. -# When Sion and I get married | 0:37:30 | 0:37:36 | |
-# The geese will have horns -on their heads | 0:37:36 | 0:37:39 | |
-# The mountain hens -will be white feathers | 0:37:39 | 0:37:41 | |
-# While the turkey -will be the parson...# | 0:37:41 | 0:37:51 | |
-Many congratulations to them. -Accepting the day's Blue Riband | 0:37:54 | 0:37:56 | |
-for those aged 16 under was | 0:37:56 | 0:37:59 | |
-Anwen Mai Thomas from Caerphilly. -Here she is playing | 0:37:59 | 0:38:02 | |
-La Source by Zabel. | 0:38:02 | 0:38:12 | |
-is the Prose Medal ceremony. -We are so pleased, once again, | 0:38:26 | 0:38:31 | |
-that there is a winner. -I can tell you that Siencin's | 0:38:31 | 0:38:34 | |
-name is Eurig Salisbury. | 0:38:34 | 0:38:40 | |
-APPLAUSE | 0:38:40 | 0:38:50 | |
-Congratulations to Eurig. | 0:38:52 | 0:38:54 | |
-After the afternoon's big ceremony, -all eyes turned to the late | 0:38:54 | 0:38:57 | |
-competitions, with the -Musicians' Medal awarded | 0:38:57 | 0:38:59 | |
-to Gareth Olubunmi Hughes. -# From the radio came the embers | 0:38:59 | 0:39:10 | |
-# Today came the waterproof waves -# And the ocean's music came close | 0:39:10 | 0:39:20 | |
-# In the misty waves at midnight...# | 0:39:20 | 0:39:24 | |
-# Today came the waterproof waves -A performance of Gareth's winning | 0:39:28 | 0:39:33 | |
-work being heard there. -Also receiving acknowledgment | 0:39:33 | 0:39:35 | |
-in the Richard Burton prize -was Rebecca Hayes from Cardiff, | 0:39:35 | 0:39:38 | |
-who performed her translation -of People, Places and Things | 0:39:38 | 0:39:40 | |
-by Duncan Macmillan. -For them, the show's over | 0:39:40 | 0:39:45 | |
-and I'm a disappointment. | 0:39:45 | 0:39:47 | |
-What do they know? -What do they care about a widow | 0:39:47 | 0:39:49 | |
-from Brecon or a prisoner's wife | 0:39:49 | 0:39:52 | |
-struggling under their anguish? -Pain is a disease. | 0:39:52 | 0:39:59 | |
-A den of darkness during -daylight and mystery. | 0:39:59 | 0:40:01 | |
-Nobody ever sympathised with pain. | 0:40:01 | 0:40:08 | |
-prize was the man who won -the Osborne Roberts last year, | 0:40:11 | 0:40:14 | |
-Robert Lewis of Llanfyllin. | 0:40:14 | 0:40:18 | |
-# As I listen to your cry -# Be still, oh, wave | 0:40:18 | 0:40:30 | |
-# Only God can call my brother -# The wave will then be still. # | 0:40:30 | 0:40:49 | |
-APPLAUSE | 0:40:49 | 0:40:54 | |
-# Place your head on your pillow -# I'll put mine on my own | 0:41:04 | 0:41:11 | |
-# Then I'll look deep -deep into your eyes | 0:41:11 | 0:41:14 | |
-# Oh, you are so good for me. # | 0:41:14 | 0:41:18 | |
-of the caravan site? | 0:41:19 | 0:41:21 | |
-Well, it's a close community. -What I like about it is that | 0:41:21 | 0:41:23 | |
-everybody catches the same -shuttle bus to go to | 0:41:23 | 0:41:26 | |
-the Eisteddfod every morning. -It's a chance to have | 0:41:26 | 0:41:28 | |
-a chat with someone. -No matter where in Wales you come | 0:41:28 | 0:41:31 | |
-from, you'll strike up -a conversation with somebody | 0:41:31 | 0:41:34 | |
-you don't know. -It's a friendly place, even though | 0:41:34 | 0:41:36 | |
-we don't know each other. | 0:41:36 | 0:41:39 | |
-We're all friends here. -There's very much | 0:41:39 | 0:41:44 | |
-a community feeling here. -After spending the night in Maes B, | 0:41:44 | 0:41:46 | |
-it's a lovely place to come -to in the morning for a cup of tea | 0:41:46 | 0:41:50 | |
-and a shower. -The caravan site is great for young | 0:41:50 | 0:41:53 | |
-families like ours. | 0:41:53 | 0:41:55 | |
-It's very safe. -I can hang this out | 0:41:55 | 0:41:57 | |
-the window to dry. | 0:41:57 | 0:42:01 | |
-Queues for the shower. -We've made some new friends | 0:42:01 | 0:42:03 | |
-with people in nearby caravans. -We're going to have a | 0:42:03 | 0:42:07 | |
-barbecue for lunch now. -We're going to have a | 0:42:07 | 0:42:10 | |
-We're on our way in now on the bus. -I hope there won't be a queue. | 0:42:10 | 0:42:14 | |
-# The simple things -are always the best...# | 0:42:14 | 0:42:16 | |
-People of all ages can meet up here. -We've got youngsters | 0:42:16 | 0:42:21 | |
-and older people. | 0:42:21 | 0:42:24 | |
-And the dog. -There's nothing like | 0:42:24 | 0:42:27 | |
-staying in the caravan. | 0:42:27 | 0:42:30 | |
-We come every year. -Every year, we come | 0:42:30 | 0:42:34 | |
-to the caravan site. | 0:42:34 | 0:42:36 | |
-Nothing beats the caravan site. -Oh, no. | 0:42:36 | 0:42:42 | |
-# Doo-doo-doo-doo, doo-doo-doo-doo -# Whoa, you are so good for me. # | 0:42:42 | 0:42:56 | |
-been quite an emotional one. | 0:42:59 | 0:43:02 | |
-Thursday, especially so. -We had many memorable ceremonies. | 0:43:02 | 0:43:08 | |
-The Monmouthshire and District -Science and Technology Medal | 0:43:08 | 0:43:10 | |
-is awarded to someone -for his lifelong service | 0:43:10 | 0:43:12 | |
-to science through the medium -of the Welsh language. | 0:43:12 | 0:43:19 | |
-Dr Guto Roberts. -APPLAUSE | 0:43:19 | 0:43:26 | |
-It has been a memorable day for you. -Yes, yes. | 0:43:26 | 0:43:29 | |
-I was so glad to see -my family there. | 0:43:29 | 0:43:32 | |
-A day to remember. -Yes, yes. | 0:43:32 | 0:43:36 | |
-The winner of the Learner -of the Year is | 0:43:36 | 0:43:39 | |
-Hannah Roberts from Brynmawr. -APPLAUSE | 0:43:39 | 0:43:47 | |
-much this means to you. | 0:43:50 | 0:43:53 | |
-It's unbelievable. -It's completely unbelievable. | 0:43:53 | 0:43:58 | |
-It just goes to prove that -hard work can pay off. | 0:43:58 | 0:44:03 | |
-Another emotional moment -in the pavilion was seeing | 0:44:03 | 0:44:05 | |
-Elinor Jones, who's -about to celebrate | 0:44:05 | 0:44:07 | |
-her 100th birthday, -taking part | 0:44:07 | 0:44:08 | |
-in the recitation competition -and then being serenaded | 0:44:08 | 0:44:10 | |
-by the audience. -and then being serenaded | 0:44:10 | 0:44:14 | |
-# Happy birthday to you! # -APPLAUSE | 0:44:14 | 0:44:23 | |
-to the competition, -four men competed for | 0:44:24 | 0:44:25 | |
-the Osborne Roberts Prize this year. -John Ieuan Jones, the baritone | 0:44:25 | 0:44:28 | |
-from Rhos-on-Sea, Colwyn Bay. | 0:44:28 | 0:44:30 | |
-The tenor, Huw Ynyr, from Dolgellau. -Another tenor, Gethin | 0:44:30 | 0:44:32 | |
-Lewis from Carmarthen. -But impressing the judges this year | 0:44:32 | 0:44:34 | |
-and winning the Blue Riband -was Steffan Lloyd Owen | 0:44:34 | 0:44:37 | |
-from Gaerwen, Anglesey. | 0:44:37 | 0:44:46 | |
-# With nightfall looming -# In its home in the glen | 0:44:49 | 0:45:00 | |
-# In the evening it dreams -# Dreams of himself. # | 0:45:00 | 0:45:09 | |
-APPLAUSE -I didn't expect to win the baritone | 0:45:12 | 0:45:19 | |
-solo yesterday, let alone -going through to competing | 0:45:19 | 0:45:22 | |
-for the scholarship | 0:45:22 | 0:45:24 | |
-and then winning it. -I'm on top of the world. | 0:45:24 | 0:45:27 | |
-So many famous singers have won this -competition and now I'm on the list. | 0:45:27 | 0:45:32 | |
-Steffan also won the Lieder -Solo over 19 years. | 0:45:32 | 0:45:34 | |
-He had an Eisteddfod to remember. | 0:45:34 | 0:45:40 | |
-was the Drama Medal. -Accepting the award | 0:45:47 | 0:45:50 | |
-was Hefin Robinson from Carmarthen. | 0:45:50 | 0:45:54 | |
-director of National Theatre Wales, -how important is the Eisteddfod | 0:45:59 | 0:46:02 | |
-week for you? | 0:46:02 | 0:46:04 | |
-It's all-important. -It offers us a shop window. | 0:46:04 | 0:46:06 | |
-I meet old friends on the Maes -and it's a chance for people from | 0:46:06 | 0:46:10 | |
-the theatre industry to meet up. -It's important for us | 0:46:10 | 0:46:12 | |
-as a sector to come together | 0:46:12 | 0:46:15 | |
-and meet our audience, as it were. -You will stage a play this year, | 0:46:15 | 0:46:20 | |
-the play that won -last year, Brith Gof. | 0:46:20 | 0:46:22 | |
-What has the response been? -It has gone down very well. | 0:46:22 | 0:46:29 | |
-To be honest with you, -the response has been | 0:46:29 | 0:46:32 | |
-excellent every year. -I think this tradition has now | 0:46:32 | 0:46:33 | |
-found its place and the audience -is proud of it and pleased | 0:46:33 | 0:46:36 | |
-to see it being staged. -That's an important link | 0:46:36 | 0:46:43 | |
-between us and the Eisteddfod. -What do you want? | 0:46:43 | 0:46:48 | |
-Forgiveness? | 0:46:48 | 0:46:50 | |
-Did I say that? -Maybe you don't want your guitar, | 0:46:50 | 0:46:52 | |
-but that's what she wants. | 0:46:52 | 0:46:58 | |
-Harmony is her nature. | 0:46:58 | 0:47:01 | |
-concerts, there has been so much | 0:47:02 | 0:47:06 | |
-variety over the years. -But this year, on Thursday | 0:47:06 | 0:47:07 | |
-night, there was a gig. | 0:47:07 | 0:47:09 | |
-Yes, there was. -We had bands playing. | 0:47:09 | 0:47:12 | |
-Yr Ods, Swnami, Candelas. -Yes, and we had Huw | 0:47:12 | 0:47:13 | |
-Stephens leading it all. -There was also a full | 0:47:13 | 0:47:15 | |
-orchestra on stage. -So many people have talked | 0:47:15 | 0:47:17 | |
-about that evening. -And do you know who enjoyed himself | 0:47:17 | 0:47:20 | |
-more than anyone? | 0:47:20 | 0:47:22 | |
-Yes? -Dewi Llwyd! | 0:47:22 | 0:47:28 | |
-of my highlights of the week. -People of all ages were in | 0:47:39 | 0:47:42 | |
-the pavilion, from seven to 70, -enjoying themselves while listening | 0:47:42 | 0:47:45 | |
-to the three bands. | 0:47:45 | 0:47:47 | |
-An unforgettable evening. -# Step by step | 0:47:47 | 0:47:53 | |
-# One by one -the pieces fall into place | 0:47:53 | 0:47:55 | |
-# The perfect picture -to fill the gap | 0:47:55 | 0:47:57 | |
-# Before opening -the door to the crowd | 0:47:57 | 0:47:59 | |
-# Don't make the mistake -# Don't believe it for one second | 0:47:59 | 0:48:03 | |
-# The empty words -you're being fed...# | 0:48:03 | 0:48:12 | |
-Fantastic. | 0:48:20 | 0:48:21 | |
-I think Swnami were best. | 0:48:21 | 0:48:22 | |
-Amazing, it was brilliant. | 0:48:22 | 0:48:23 | |
-A memorable experience. -When I was inside there, | 0:48:23 | 0:48:24 | |
-I felt that the Eisteddfod | 0:48:24 | 0:48:27 | |
-is really changing for the best. | 0:48:27 | 0:48:37 | |
-# You have to let go | 0:48:37 | 0:48:39 | |
-# But the claws of lies -are holding tight | 0:48:39 | 0:48:41 | |
-# While the poison still flows...# -I'd say the best thing was Candelas | 0:48:41 | 0:48:45 | |
-and the last song, Rhedeg i Paris. -Everybody was on their feet | 0:48:45 | 0:48:49 | |
-and the atmosphere was electric. -They changed the use | 0:48:49 | 0:48:53 | |
-of the pavilion for the first time -and it's nice that the EIsteddfod | 0:48:53 | 0:48:56 | |
-has had such success -and it's nice that the EIsteddfod | 0:48:56 | 0:48:58 | |
-with a concert like that. -I think it's the start | 0:48:58 | 0:49:00 | |
-of something for the future. | 0:49:00 | 0:49:02 | |
-leaving my country | 0:49:04 | 0:49:05 | |
-# I want the chance to see the world -# I'm running down | 0:49:05 | 0:49:08 | |
-the Champs Elysees | 0:49:08 | 0:49:10 | |
-# Looking for the Mona Lisa -# Found the picture | 0:49:10 | 0:49:14 | |
-and seen the tower -# I remember villages had been | 0:49:14 | 0:49:17 | |
-drowned under the water -# There's no portrayal | 0:49:17 | 0:49:20 | |
-that can compare | 0:49:20 | 0:49:22 | |
-# And the chance to work for my home -# Running up and then down | 0:49:22 | 0:49:28 | |
-# I'm running to Paris -# Running away in order to come back | 0:49:28 | 0:49:37 | |
-# Running up and then down -# I'm running to Paris | 0:49:37 | 0:49:43 | |
-# Running away in order to come back -# I'm running to Paris. # | 0:49:43 | 0:49:52 | |
-You've been brilliant! | 0:49:57 | 0:49:58 | |
-Good night! -. | 0:49:58 | 0:50:02 | |
-is always a big day | 0:50:19 | 0:50:22 | |
-with the Chairing ceremony. -There's a lovely story | 0:50:22 | 0:50:25 | |
-to this year, as well. -The chair has been given in memory | 0:50:25 | 0:50:27 | |
-of the chaired bard, Dic Jones. | 0:50:27 | 0:50:37 | |
-Coed Mihangel are yellow | 0:50:39 | 0:50:40 | |
-And the blue mist in the valley -The thresher far away feeds my muse. | 0:50:40 | 0:50:50 | |
-he travels to go home -The railway plain to see below | 0:50:51 | 0:50:54 | |
-where once where wheels. -Dic, more than anyone else, | 0:50:54 | 0:50:59 | |
-would be pleased to hear | 0:50:59 | 0:51:04 | |
-would be pleased to hear -there will be a chairing this year | 0:51:08 | 0:51:10 | |
-and that all three of us, Mei, -Cathryn and myself are unanimous | 0:51:10 | 0:51:20 | |
-is worthy of the Eisteddfod chair. -APPLAUSE | 0:51:24 | 0:51:38 | |
-you all know him. | 0:52:02 | 0:52:04 | |
-His name is Aneirin Karadog. | 0:52:04 | 0:52:09 | |
-APPLAUSE -Aneirin Karadog, many people passing | 0:52:10 | 0:52:16 | |
-by are congratulating you. -It must be a very special | 0:52:16 | 0:52:18 | |
-day, not only for you, | 0:52:18 | 0:52:21 | |
-but for everyone here. -It's been a memorable day. | 0:52:21 | 0:52:23 | |
-Yes, the love shown -by people is remarkable. | 0:52:23 | 0:52:26 | |
-I thought that before people found -out about this, a person could call | 0:52:26 | 0:52:29 | |
-the Eisteddfod his or her own. -It's an Eisteddfod for everyone. | 0:52:29 | 0:52:40 | |
-The tile of the ode was Borders, -can you summarise it at all? | 0:52:40 | 0:52:44 | |
-What is its message? -The message is, how could we be | 0:52:44 | 0:52:45 | |
-so cruel perhaps to our fellow man -by bombing them and then be | 0:52:45 | 0:52:49 | |
-surprised when those | 0:52:49 | 0:52:51 | |
-displaced people -come here looking for shelter. | 0:52:51 | 0:52:59 | |
-The lack of respect and love -that we have seen over the year. | 0:52:59 | 0:53:02 | |
-But I weaved the terrible -stories of the year - | 0:53:02 | 0:53:06 | |
-Paris, the Yazidi people in Iraq -and Syria, | 0:53:06 | 0:53:10 | |
-as well as Tim Peake. -He ties in with the lack | 0:53:10 | 0:53:17 | |
-of ability we have to be close -because we're all | 0:53:17 | 0:53:20 | |
-too busy behind screens. -From controlling drones | 0:53:20 | 0:53:22 | |
-from behind screens to being | 0:53:22 | 0:53:28 | |
-on our mobile phones. -The chair will go home | 0:53:28 | 0:53:29 | |
-to Pontyberem, a very special chair, | 0:53:29 | 0:53:32 | |
-given in memory of Dic Jones. -I was aware that Jean, | 0:53:32 | 0:53:34 | |
-Sian and the family had given | 0:53:34 | 0:53:37 | |
-the chair this year. -The ode, Y Cynhaeaf, | 0:53:37 | 0:53:40 | |
-is one of the best odes ever written -and to have any connection | 0:53:40 | 0:53:43 | |
-with Dic Jones is an honour. | 0:53:43 | 0:53:48 | |
-on Friday was the Blue Riband | 0:54:09 | 0:54:12 | |
-for those over 19 years. -The trumpeter Gwyn Owen from Bangor | 0:54:12 | 0:54:13 | |
-won the award this year. | 0:54:13 | 0:54:17 | |
-APPLAUSE | 0:55:12 | 0:55:13 | |
-This year was yet another successful -year for Dawnswyr Talog. | 0:55:13 | 0:55:16 | |
-After winning the Folk Dancing Group -competition earlier | 0:55:16 | 0:55:18 | |
-in the week, they also won -the Group Step Dancing competition. | 0:55:18 | 0:55:28 | |
-APPLAUSE -The pavilion doors remained open | 0:55:48 | 0:55:52 | |
-until late on Friday night. -The choirs stepped onto the stage, | 0:55:52 | 0:55:55 | |
-and winning the Cerdd Dant Choir -competition were Lleisiau Tywi | 0:55:55 | 0:55:58 | |
-from Llandeilo, Carmarthenshire. -# So a pride can birth their lambs | 0:55:58 | 0:56:05 | |
-the land turns white | 0:56:05 | 0:56:14 | |
-# I will integrate, close the circle -# Back to sow the green fields | 0:56:14 | 0:56:27 | |
-# I think I hear the raucous scream | 0:56:27 | 0:56:29 | |
-# I think I hear the raucous scream -# Listen to the march | 0:56:37 | 0:56:42 | |
-of the machines | 0:56:42 | 0:56:46 | |
-# Their giant chorus in the fields -# Listen to their | 0:56:46 | 0:56:52 | |
-crooning as they pass | 0:56:52 | 0:56:56 | |
-# And look how wonderfully they sow | 0:56:56 | 0:57:06 | |
-in the Alaw Werin Choir competition | 0:57:10 | 0:57:13 | |
-was Cor Canna from Cardiff. -Among their pieces was | 0:57:13 | 0:57:14 | |
-Jeff Howard's arrangement | 0:57:14 | 0:57:16 | |
-of Ffarwel i Ddociau Lerpwl. -# I am now going without haste | 0:57:16 | 0:57:18 | |
-to swim over the sea | 0:57:18 | 0:57:24 | |
-# Oh, come Mary to sail on the lake -# The wind is blowing | 0:57:24 | 0:57:30 | |
-to fill the white sail | 0:57:30 | 0:57:37 | |
-# To fill the white sail -# The wind is blowing to fill | 0:57:37 | 0:57:44 | |
-the white sail | 0:57:44 | 0:57:48 | |
-# Ooo-ooo-ooo-ooo-ooo. # | 0:57:48 | 0:58:05 | |
-APPLAUSE -Many congratulations to Cor Canna. | 0:58:11 | 0:58:19 | |
-The standard of competing -was extremely high that evening. | 0:58:19 | 0:58:21 | |
-And with their win, Cordydd -paid the perfect tribute | 0:58:21 | 0:58:25 | |
-to the founder of the choir, -Sioned James. | 0:58:25 | 0:58:30 | |
-# I can see the light -of a brand-new day | 0:58:30 | 0:58:41 | |
-# I can see the light...# -Cordydd's foundation | 0:58:41 | 0:58:45 | |
-was set by Sioned. -Sioned's stamp will | 0:58:45 | 0:58:48 | |
-always be on Cordydd -because Cordydd is Sioned's | 0:58:48 | 0:58:50 | |
-choir and that's how it | 0:58:50 | 0:58:53 | |
-will be for years to come. -# I can see the light | 0:58:53 | 0:58:57 | |
-of a clear blue morning -# I can see the light | 0:58:57 | 0:59:03 | |
-of a brand-new day -# I can see the light | 0:59:03 | 0:59:09 | |
-of a clear blue morning -# And everything's | 0:59:09 | 0:59:15 | |
-going to be alright | 0:59:15 | 0:59:21 | |
-# It's going to be all right. # | 0:59:21 | 0:59:30 | |
-# It's going to be all right. # -APPLAUSE | 0:59:36 | 0:59:45 | |
-while leading a choir and to finish -a performance like that and to see | 0:59:59 | 1:00:02 | |
-the audience's response. | 1:00:02 | 1:00:05 | |
-It was a true thrill for me. -Sioned was a close friend, | 1:00:05 | 1:00:07 | |
-as she was to many of the choir's -members, and I think we all had one | 1:00:07 | 1:00:10 | |
-thing on our minds tonight. | 1:00:10 | 1:00:17 | |
-awarded the title, Festival Choir. -Were you here, I wonder, | 1:00:23 | 1:00:26 | |
-among the thousands, singing | 1:00:26 | 1:00:30 | |
-among the thousands, singing | 1:00:32 | 1:00:34 | |
-along with Huw Chiswell? -He sang all the favourites, | 1:00:34 | 1:00:37 | |
-including his most -famous song, Y Cwm. | 1:00:37 | 1:00:38 | |
-# How are you, old friend? -# It's lovely to see | 1:00:38 | 1:00:46 | |
-you at home like this | 1:00:46 | 1:00:53 | |
-# We haven't met -# Since you packed up and ran away | 1:00:53 | 1:01:06 | |
-# And I remember now -# How we thought we were big boys | 1:01:06 | 1:01:13 | |
-# Walking with our fathers -the long paths to the mines | 1:01:13 | 1:01:21 | |
-# Ooo, la-la-la -# Nobody's sure of the truth | 1:01:21 | 1:01:33 | |
-# Why you went and left -# Some have said | 1:01:33 | 1:01:44 | |
-# The valley wasn't big -enough for a boy like Sion | 1:01:44 | 1:01:50 | |
-# Do you remember the time? -# On the coal slopes | 1:01:50 | 1:01:58 | |
-# Scraping our knees -while climbing up | 1:01:58 | 1:02:04 | |
-# Ooo, la-la-la -# The rock stays solidly beneath us | 1:02:04 | 1:02:14 | |
-# And the love for the valley -boils in our blood | 1:02:14 | 1:02:23 | |
-# The rock stays solidly beneath us -# And the love for the valley boils | 1:02:26 | 1:02:33 | |
-in our blood. # | 1:02:33 | 1:02:47 | |
-in our blood. # - -Thank you very much, good night. -. | 1:02:47 | 1:02:51 | |
-to make new friends | 1:03:57 | 1:03:59 | |
-and to have new experiences. -I am very grateful | 1:03:59 | 1:04:01 | |
-to the Eisteddfod. | 1:04:01 | 1:04:04 | |
-# There's a soul on the mountain -# Always, like the free breeze | 1:04:04 | 1:04:12 | |
-# We hear her melodies -# In the rocks, left behind | 1:04:12 | 1:04:23 | |
-# She is a different Winni. # | 1:04:23 | 1:04:32 | |
-APPLAUSE | 1:04:36 | 1:04:38 | |
-He could picture the headlines -the morning after the explosion, | 1:04:38 | 1:04:41 | |
-where he would undoubtedly be -portrayed and described | 1:04:41 | 1:04:43 | |
-as a Welshman, not a Brit. -The first Welsh suicide bomber ever. | 1:04:43 | 1:04:51 | |
-Home is the battlefield now. | 1:04:51 | 1:05:01 | |
-APPLAUSE -# Di-wec-ffal-di-lal-lal-la | 1:05:04 | 1:05:11 | |
-# Di-wec-ffal-di-lal-lal -la-la-la-la. # | 1:05:11 | 1:05:19 | |
-APPLAUSE | 1:05:19 | 1:05:23 | |
-for soloists over 25 years -is the David Ellis Memorial Prize - | 1:05:29 | 1:05:31 | |
-the Blue Riband. -Securing their place | 1:05:31 | 1:05:34 | |
-in the competition after winning -their own categories - | 1:05:34 | 1:05:36 | |
-Kate Griffiths from Corwen. -their own categories - | 1:05:36 | 1:05:38 | |
-Kees Huysmans from Lampeter. -Rachel Moras from Swansea. | 1:05:38 | 1:05:40 | |
-Efan Williams from Lledrod. | 1:05:40 | 1:05:50 | |
-Kees Huysmans was fully | 1:05:53 | 1:05:55 | |
-deserving of the Blue Riband. -# While they in the regions above | 1:05:55 | 1:06:01 | |
-# Live on without sorrow or strife -# And we, in remembrance and love | 1:06:01 | 1:06:10 | |
-# Praise God for -the joy of their life | 1:06:10 | 1:06:16 | |
-# The joy of their life. # | 1:06:16 | 1:06:26 | |
-# The joy of their life. # | 1:06:28 | 1:06:33 | |
-APPLAUSE | 1:06:38 | 1:06:48 | |
-for the male voice choirs | 1:06:51 | 1:06:54 | |
-to show off their talents. -Eight choirs performed on stage, | 1:06:54 | 1:06:57 | |
-but winning over the judges -this year | 1:06:57 | 1:06:59 | |
-was Cor y Brythoniaid -from Blaenau Ffestiniog. | 1:06:59 | 1:07:04 | |
-# And the beams radiating -in a dance on the dry grass | 1:07:04 | 1:07:12 | |
-# Before climbing surely to -the clear rocks of the highest land | 1:07:12 | 1:07:20 | |
-# The uplifting towers -above the still depths | 1:07:20 | 1:07:26 | |
-# We arrive and feel the breeze -# That circles creation | 1:07:26 | 1:07:43 | |
-# We wait for its breath -# To purify and enliven us. # | 1:07:43 | 1:07:55 | |
-# To purify and enliven us. # | 1:07:59 | 1:08:06 | |
-APPLAUSE | 1:08:11 | 1:08:16 | |
-has been winning linguistic ground. -Nobody summarised the situation | 1:08:25 | 1:08:28 | |
-better than -the Deputy Archdruid, | 1:08:28 | 1:08:30 | |
-Christine James. -I've mentioned before the first | 1:08:30 | 1:08:35 | |
-story in the Mabinogion, | 1:08:35 | 1:08:38 | |
-the sound of the wave. -I think it refers to | 1:08:38 | 1:08:39 | |
-the Severn Bore, this wave that -flows up the River Severn | 1:08:39 | 1:08:42 | |
-from the sea. | 1:08:42 | 1:08:45 | |
-It bucks the trend. -And I think that's what we've got to | 1:08:45 | 1:08:46 | |
-do with the Welsh language in Gwent, -we need a huge wave | 1:08:46 | 1:08:50 | |
-of Welshness to flow | 1:08:50 | 1:08:52 | |
-through the county once again. | 1:08:52 | 1:09:00 | |
-I've really enjoyed it. | 1:09:05 | 1:09:06 | |
-I've enjoyed all the preparation -work that's gone into the Eisteddfod | 1:09:06 | 1:09:09 | |
-and experiencing the wonderful -atmosphere on the Maes. | 1:09:09 | 1:09:11 | |
-I'll remember all the lovely -learners I've spoken to, | 1:09:11 | 1:09:14 | |
-those who are enthusiastic -about the Eisteddfod, | 1:09:14 | 1:09:16 | |
-those who returned to the Eisteddfod -and those who attended | 1:09:16 | 1:09:19 | |
-for the first time, the children, -the young people. | 1:09:19 | 1:09:22 | |
-I had friends come to the Eisteddfod -for the first time and they were | 1:09:22 | 1:09:26 | |
-surprised and amazed by it and how -fantastic it is. | 1:09:26 | 1:09:29 | |
-But after seeing Frank Olding -on stage yesterday, and he's been | 1:09:29 | 1:09:32 | |
-at it for two years, I think it's -been a Frank-tastic Eisteddfod! | 1:09:32 | 1:09:42 | |
-of the Eisteddfod, the language | 1:09:43 | 1:09:45 | |
-and everything associated with that. -It's brought people together, | 1:09:45 | 1:09:46 | |
-be they Welsh speaking | 1:09:46 | 1:09:48 | |
-or non-Welsh speaking. -Most of the fundraising events | 1:09:48 | 1:09:54 | |
-we held have been bilingual. -It has brought a lot | 1:09:54 | 1:09:58 | |
-of people together. -It's 100 years since the Eisteddfod | 1:09:58 | 1:10:01 | |
-came here last, but for the young | 1:10:01 | 1:10:01 | |
-of the Flower Dance, those who took -part in the Meithrin concert | 1:10:06 | 1:10:09 | |
-on Sunday, I hope they'll remember -this Eisteddfod for the rest | 1:10:09 | 1:10:12 | |
-of their lives. -I hope it has a long-term | 1:10:12 | 1:10:16 | |
-effect on the area. -Yes, the executive committee has | 1:10:16 | 1:10:20 | |
-done some exemplary work. -Unfortunately, our time this | 1:10:20 | 1:10:22 | |
-evening has come to an end, -but we have appreciated the welcome | 1:10:22 | 1:10:25 | |
-we received here in Monmouthshire. | 1:10:25 | 1:10:28 | |
-Oh, yes. -Looking back, it's been | 1:10:28 | 1:10:30 | |
-an emotional Eisteddfod and one that | 1:10:30 | 1:10:34 | |
-We now turn our sights -from Monmouthshire to Anglesey. | 1:10:34 | 1:10:36 | |
-From the both of us -and the whole team, good night. | 1:10:36 | 1:10:39 | |
-Good night. | 1:10:39 | 1:10:47 | |
-# When the night's just starting | 1:10:52 | 1:10:54 | |
-# And the day comes to an end -# The sound of a guitar | 1:10:54 | 1:10:57 | |
-keeps me company | 1:10:57 | 1:11:02 | |
-# We'll sing old songs -# A longing in my heart | 1:11:02 | 1:11:05 | |
-and the night is late | 1:11:05 | 1:11:08 | |
-# With a bonfire in the summer -# The fire crackles | 1:11:08 | 1:11:13 | |
-and smoke fills the sky -# In the company of | 1:11:13 | 1:11:18 | |
-the full moon and the stars | 1:11:18 | 1:11:23 | |
-# We'll escape into a magical dream -# Captive to the magical melody | 1:11:23 | 1:11:34 | |
-# While the flame -still burns on the fire | 1:11:34 | 1:11:37 | |
-# I'll still be singing my song -# While the flame still | 1:11:37 | 1:11:45 | |
-warms us with its heat | 1:11:45 | 1:11:49 | |
-# I'll feel you moving closer -# Come closer | 1:11:49 | 1:11:58 | |
-# If the flame -extinguishes with the dawn | 1:11:58 | 1:12:08 | |
-# The ashes will never keep us down -# Down. # | 1:12:08 | 1:12:18 | |
1:12:24 | 1:12:24 |