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This programme contains repetitive flashing images. | :00:00. | :00:08. | |
Good evening everybody. We are live with you for the next hour or so | :00:09. | :00:12. | |
from the heart of London, just a stone's throw from Big Ben, counting | :00:13. | :00:16. | |
down to the new year. I'm about to head inside, join my band and 2,000 | :00:17. | :00:21. | |
very noisy people. Before the music starts, Susanna Reid reed is down on | :00:22. | :00:27. | |
the embankment with thousands of party goers ready to tell us what | :00:28. | :00:30. | |
happens when the clock strikes midnight. | :00:31. | :00:33. | |
Thank you very much indeed. Yes, I'm down here on the embankment, where | :00:34. | :00:40. | |
we are expecting the most spectacular fireworks display, when | :00:41. | :00:46. | |
the clock, Big Ben, strikes midnight. I can report that the | :00:47. | :00:52. | |
crowd are in great spirits. Let's go and talk to some of them now. Good | :00:53. | :00:55. | |
evening, where have you come down from? Stoke. From Stoke. You came | :00:56. | :01:03. | |
early, didn't you? Yes. We've been here since 10. 45am. You've braved | :01:04. | :01:08. | |
the rain. Luckily, it's good weather now. I can tell you that there is | :01:09. | :01:12. | |
going to be a multisensory experience when it comes to the | :01:13. | :01:15. | |
fireworks tonight. Here are the details: The crowd will taste | :01:16. | :01:19. | |
strawberries when the fireworks go red. There will be a whiff of apple | :01:20. | :01:22. | |
in the air when the fireworks go green. There will be giant fruits | :01:23. | :01:27. | |
projected on the Shell building. There will be bubbles in the air | :01:28. | :01:31. | |
with the tang of orange, snow that tastes of peach and banana-flavoured | :01:32. | :01:37. | |
confetti. It sounds like a scene from Charlie and the Chocolate | :01:38. | :01:41. | |
Factory. Are you looking forward to it? | :01:42. | :01:44. | |
CHEERING Brilliant. Join us again, just | :01:45. | :01:49. | |
before midnight for that fantastic fireworks display. Before then, back | :01:50. | :01:53. | |
to you, Gary, for some spectacular music. | :01:54. | :02:35. | |
# Today I took back what was stolen | :02:36. | :03:07. | |
# And gave new life to what was frozen | :03:08. | :03:11. | |
# A thousand faces watched me falling | :03:12. | :03:18. | |
# I've made my peace with what may happen | :03:19. | :03:22. | |
# Lying in the longest grass I sit and wait | :03:23. | :04:15. | |
# And gave new life to what was frozen | :04:16. | :04:22. | |
# A thousand faces watched me falling | :04:23. | :04:30. | |
# I've made my peace with what may happen | :04:31. | :04:34. | |
# I know you heard I was going through hell | :04:35. | :05:19. | |
# I know you heard I was losing my mind | :05:20. | :05:23. | |
# Watch the world come alive tonight | :05:24. | :06:29. | |
# Watch the world come alive tonight | :06:30. | :07:36. | |
# Yeah, the world starts to come alive | :07:37. | :07:52. | |
Good evening everybody. I've planned everything tonight. I've got the | :07:53. | :09:54. | |
lights in. I've got the band here. We've got the speakers here. The one | :09:55. | :09:59. | |
thing you cannot plan for is an amazing audience and we have one | :10:00. | :10:01. | |
here tonight! CHEERING | :10:02. | :10:08. | |
We're going to do a song called The Flood right now. This is a good | :10:09. | :10:12. | |
chance for you guys to test out your vocals. I want you singing nice and | :10:13. | :10:14. | |
loud. # We'd beam at the moon | :10:15. | :10:25. | |
and the stars # The defenders | :10:26. | :10:50. | |
of the faith we are # They'll run so hard | :10:51. | :11:06. | |
we'll tear the ground away # Or you'll find yourself | :11:07. | :11:14. | |
floating home # Will try to strike | :11:15. | :12:10. | |
but now will end today Let's hear it for my incredible band | :12:11. | :15:15. | |
everybody. APPLAUSE | :15:16. | :15:19. | |
Rocking tonight. Listen, I'm very proud to have a new album this year. | :15:20. | :15:25. | |
It doesn't happen very often. It was 14 years since my last album and | :15:26. | :15:29. | |
it's been received so well. Thank you everybody, for all the support | :15:30. | :15:33. | |
you've given me. Shall we do a new song now? This one is called Face to | :15:34. | :15:36. | |
Face. # Taking care of the hearts | :15:37. | :15:55. | |
around us # You can measure the strength | :15:56. | :16:04. | |
of a human # By the weight of the love | :16:05. | :16:52. | |
around them # When you live your life | :16:53. | :16:57. | |
with a passion # You made me believe | :16:58. | :17:41. | |
if you give love Thank you. I've got a friend in | :17:42. | :19:09. | |
tonight and he's got a really, really good voice. I want to get him | :19:10. | :19:13. | |
on stage with us tonight. He doesn't need much of an introduction. But he | :19:14. | :19:20. | |
is an amazing singer. Please welcome Mr Alfie Boe! | :19:21. | :19:22. | |
CHEERING AND APPLAUSE # Tonight I'm gonna have myself | :19:23. | :19:42. | |
a real good time # I'm a shooting star leaping | :19:43. | :19:44. | |
through the skies # I'm a racing car | :19:45. | :20:11. | |
passing by like Lady Godiva # That's why they call me | :20:12. | :20:21. | |
Mr Fahrenheit # I'm travelling at the speed | :20:22. | :20:37. | |
of light # I wanna make a supersonic man | :20:38. | :20:38. | |
out of you # If you wanna | :20:39. | :20:41. | |
have a good time # I'm a rocket ship on my way | :20:42. | :20:51. | |
to Mars # I am a satellite | :20:52. | :21:07. | |
I'm out of control # I am a sex machine | :21:08. | :21:12. | |
ready to reload # That's why they call me | :21:13. | :21:15. | |
Mr Fahrenheit # I'm travelling | :21:16. | :21:30. | |
at the speed of light # I wanna make | :21:31. | :21:32. | |
a supersonic woman of you # That's why they call me | :21:33. | :21:37. | |
Mr Fahrenheit # I'm travelling | :21:38. | :22:15. | |
at the speed of light # I wanna make a supersonic man | :22:16. | :22:17. | |
out of you You don't usually sing Queen. | :22:18. | :23:24. | |
Incredible. In the original key as well. Alfie Boe everybody! Come on, | :23:25. | :23:28. | |
APPLAUSE APPLAUSE . | :23:29. | :23:38. | |
I've got to sing after that, man. OK, listen. I'm fed up of everyone | :23:39. | :23:47. | |
doing the swing, big band albums. It's my turn now. I'm going to play | :23:48. | :23:51. | |
you a medley. Welcome our brass boys at the back. They've just joined the | :23:52. | :23:57. | |
stage, looking beautiful. APPLAUSE | :23:58. | :24:04. | |
This is a medley from my unreleased record Swing when you're Thinning. | :24:05. | :24:07. | |
Mike, hit it. # I'm sitting here writing to | :24:08. | :24:33. | |
my lover # Now I'm hoping | :24:34. | :24:59. | |
maybe dreaming, for a life as one # When she reads this | :25:00. | :25:07. | |
I'm hoping she'll call # But I need more much more | :25:08. | :25:10. | |
than before # Sure so sure that it's sweet love | :25:11. | :25:13. | |
I found # It isn't a game so don't play | :25:14. | :25:41. | |
hard to get # There's no connections holding | :25:42. | :25:45. | |
us down # Isn't it a shame it | :25:46. | :25:48. | |
never happened # Though still here | :25:49. | :25:51. | |
we are the second time round # It's gotta be social, compatible | :25:52. | :25:54. | |
sexual, irresistible # Sure so sure that | :25:55. | :25:59. | |
it's sweet love I found # Just one more kiss | :26:00. | :26:45. | |
before I have to go # But something in my life | :26:46. | :27:58. | |
remains the same # I'll be home soon | :27:59. | :28:06. | |
back in your arms # Though everything changes | :28:07. | :28:45. | |
around us # Let me feel the wonder of | :28:46. | :29:19. | |
all of you # High up where the stallion meets | :29:20. | :31:01. | |
the sun # Never leave you | :31:02. | :31:34. | |
till my life is done # Let me feel the wonder of | :31:35. | :31:42. | |
all of you Beautiful. Cool, hey? Love that. | :31:43. | :32:55. | |
Love that. I've got a bit of friends and family in tonight. Hi there | :32:56. | :33:00. | |
everyone. One Direction boys. Hi guys! There he is. Mr Cordon, how | :33:01. | :33:08. | |
are you doing Sir? I'm putting him on the spot here. How are you mate? | :33:09. | :33:15. | |
I'm very well, how are you? Have you got nothing better to do on New | :33:16. | :33:21. | |
Year's Eve? No. No, nothing. This is fantastic. Were you coming hoping | :33:22. | :33:26. | |
for a duet tonight? CHEERING | :33:27. | :33:38. | |
Well... I think that's my agent. No, it's nice to hear the old Take That | :33:39. | :33:43. | |
songs. They don't do boy bands like they used to. No, they don't, mate. | :33:44. | :33:55. | |
Mr James car Cordon everybody. APPLAUSE | :33:56. | :33:57. | |
I specifically chose not to do a duet tonight, but I found some | :33:58. | :34:01. | |
footage, I have to share this with you. | :34:02. | :34:06. | |
Back to 1993 everyone. That's 20 years ago. A little place | :34:07. | :34:10. | |
in Berlin. I thought if I was going to do a duet, I've done one with a | :34:11. | :34:16. | |
lot of people. I'd choose someone young, good looking, wearing a red | :34:17. | :34:24. | |
jacket, who played the pinot -- piano, someone like this guy. | :34:25. | :34:32. | |
# A man who's trying to say three words | :34:33. | :34:58. | |
# And here I am trying to tell you that I care | :34:59. | :35:14. | |
# And here I am trying to tell you that I care | :35:15. | :36:34. | |
This is the last song before midnight everybody. Please enjoy | :36:35. | :38:15. | |
Rule The World. # They're lighting up the sky | :38:16. | :38:33. | |
tonight # They're lighting up the sky | :38:34. | :40:45. | |
tonight 2013 is nearly over. But I will be | :40:46. | :42:32. | |
back with more music next year, which is in about ten minutes, | :42:33. | :42:35. | |
straight after what I reckon will be some special fireworks. Let's go | :42:36. | :42:39. | |
join the dancing queen herself, Susanna Reid. | :42:40. | :42:45. | |
Oh, Gary, thank you so much. It's not just me that's dancing, | :42:46. | :42:51. | |
thousands of people down here on the embankment, dancing their way into | :42:52. | :42:54. | |
2014. | :42:55. | :42:55. |