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Hello. Welcome to Glastonbury 2011. This festival is across the entire | :00:23. | :00:27. | |
BBC this weekend, but we here at BBC Three got here first. That's | :00:27. | :00:31. | |
right. We were with you all weekend. Stick with us. Also, we're totally | :00:31. | :00:34. | |
and utterly socially interactive, very socially interactive. If you | :00:34. | :00:39. | |
want to go on Twitter, you can, just do: | :00:39. | :00:44. | |
Also, if you want to go on to the BBC Three Facebook pages, you can | :00:44. | :00:47. | |
leave comments, questions for our guests and find out what's going on. | :00:47. | :00:51. | |
I am a sucker for tradition, we here at BBC Three start the same | :00:51. | :00:56. | |
place every year. This year Gregg and Gemma are doing everything we | :00:56. | :00:59. | |
can't and seeing as much as they can for us. What exactly can you | :00:59. | :01:09. | |
:01:09. | :01:13. | ||
Hello, hello, hello. Hi. Amazing. Hello. Hi! All right? This is | :01:13. | :01:18. | |
amazing. This is the best view of Glastonbury! And welcome along to | :01:18. | :01:22. | |
it. This is Biffy Clyro on the Pyramid Stage there. You'll see | :01:22. | :01:26. | |
highlights of that later on BBC Three. Just so breathtaking | :01:26. | :01:32. | |
honestly. I want to welcome you along. We have the best job ever. I | :01:32. | :01:36. | |
am feeling so blissed out I need a cuddle. Can I let you know this | :01:36. | :01:39. | |
really is the best thing to see. I know they're in the tree house | :01:39. | :01:43. | |
having a great time, but we good everywhere - in every tent, every | :01:44. | :01:47. | |
nook and cranny - everywhere. This place is huge, as you can see. High | :01:47. | :01:51. | |
five on that one. And a high five for my riding boots today. I like. | :01:51. | :01:55. | |
I didn't go with a traditional wellie either. Look at that. That | :01:55. | :01:58. | |
is a buckle right there. Buckles and crystals all over the place. | :01:58. | :02:03. | |
Yes, there has been mud, and it has been raining but I don't care. It | :02:03. | :02:07. | |
has been great. What we're going to do is be out and about in the | :02:07. | :02:14. | |
festival all weekend. Shall I send you out? Let's do it. I'll take my | :02:14. | :02:20. | |
mic. See you. Fearne and Reg. riding boog boots - all you need to | :02:20. | :02:27. | |
know. There is boys on the show today. You're quite happy about | :02:27. | :02:30. | |
that. We have a great performance from the The Vaccines I am going to | :02:30. | :02:33. | |
play you, will be lovely. Also, Biffy Clyro fresh off the stage | :02:33. | :02:37. | |
will also come and talk to us, but doing it for the girls will be Katy | :02:37. | :02:41. | |
B. She'll pop along to our studio to a nice acoustic performance and | :02:41. | :02:47. | |
have a chat with us as well. was getting emotional as well | :02:47. | :02:51. | |
because Biffy Clyro weren't wearing any shirts on stage. It's a good | :02:51. | :02:54. | |
look. Sorry. Craning my neck slightly. Can you promise to | :02:54. | :02:59. | |
control yourself when they come in later? No! Good! Let's not waste | :02:59. | :03:06. | |
any time and get right to why you came here, the live music - Two | :03:06. | :03:16. | |
:03:16. | :03:34. | ||
Door Cinema Club, Glastonbury 2011. INAUDIBLE | :03:34. | :03:39. | |
So we call that a good start! Door Cinema Club. Sorry about that. | :03:39. | :03:45. | |
You'll get that later hopefully. We have so many brilliant performances. | :03:45. | :03:49. | |
We'll see The Vaccines, also Mumford & Sons, which Gregg is | :03:49. | :03:53. | |
excited about. He'll be down at the front. Can you mosh to that music? | :03:53. | :03:59. | |
Not really. He's a massive fan of those guys. He'll be salivating. | :03:59. | :04:01. | |
He's going to have a chat to Mumford & Sons before they go on | :04:01. | :04:07. | |
stage. We'll see that I'll tell you what we should do - let's see some | :04:07. | :04:17. | |
:04:17. | :04:17. | ||
Apology for the loss of subtitles for 50 seconds | :04:17. | :05:08. | |
of The Wombats now. Have a look. # Want to twist | :05:08. | :05:18. | |
:05:18. | :05:19. | ||
# The structure of my average day # You feel nothing | :05:19. | :05:23. | |
# So jump into the fog # Hit the ground | :05:23. | :05:25. | |
# That's right # We feel nothing | :05:25. | :05:31. | |
# So jump into the fog # We feel nothing | :05:31. | :05:38. | |
# So jump into the fog # You know that we are curled up, | :05:38. | :05:48. | |
:05:48. | :06:03. | ||
right? # The ladder is too high | :06:03. | :06:13. | |
:06:13. | :06:19. | ||
# So slide back down again # I am only here | :06:19. | :06:22. | |
# We feel nothing # So jump into the fog | :06:22. | :06:25. | |
# You know that we # Will hit the ground upright | :06:25. | :06:29. | |
# We feel nothing # So jump into the fog | :06:29. | :06:32. | |
# I just hope that you're brave # We feel nothing | :06:32. | :06:36. | |
# So jump into the fog # We know that we'll hit | :06:36. | :06:39. | |
# The ground upright # We feel nothing, so jump | :06:39. | :06:49. | |
:06:49. | :07:09. | ||
# Into the fog # I made some bad decisions | :07:09. | :07:12. | |
# It's just that life tastes sweeter | :07:12. | :07:15. | |
# When it's wrapped in debauchery # So drop your map | :07:15. | :07:19. | |
# Drop your plans # Drop that five-step programme | :07:19. | :07:22. | |
# Because there is not an ounce of faith | :07:22. | :07:24. | |
# In this leap # It's clear you feel nothing | :07:24. | :07:28. | |
# So jump into the fog with me # Jump into the fog | :07:28. | :07:36. | |
# Ooh, ooh, ooh # Jump into the fog | :07:37. | :07:43. | |
# Ooh, ooh, ooh # Jump into the fog | :07:43. | :07:53. | |
:07:53. | :07:53. | ||
Apology for the loss of subtitles for 50 seconds | :07:53. | :08:45. | |
# Ooh, ooh, ooh # She said I should come over | :08:45. | :08:50. | |
# It's not my time # Should chop them off | :08:50. | :08:52. | |
# Just to have a good time # Move with me | :08:52. | :09:02. | |
:09:02. | :09:08. | ||
# Or get out of my face # Shut up and stay with me | :09:08. | :09:13. | |
# Stay with me # Or let go of my hand | :09:13. | :09:17. | |
# Places fill our minds # With empty plans | :09:17. | :09:22. | |
# I never knew I was a techno fan # Woo, woo, woo, woo | :09:22. | :09:32. | |
:09:32. | :09:42. | ||
# Who, woo, woo, woo, woo # This is not a weird weekend I am | :09:42. | :09:47. | |
talking like a city boy # Talking with a northern soul | :09:47. | :09:57. | |
:09:57. | :10:02. | ||
# She said I should come over though it's carnage at times | :10:02. | :10:06. | |
# It still seems I'd chop a him off # Before I put up a fight | :10:07. | :10:13. | |
# Move with me # I didn't queue for an hour | :10:13. | :10:16. | |
# To leave straight away # Shut up and stay with me | :10:16. | :10:20. | |
# Stay with me # Or let go of my hand | :10:20. | :10:25. | |
# The lasers fill our minds with empty plans | :10:25. | :10:31. | |
# I never knew I was a techno- # We are the 1980s | :10:31. | :10:38. | |
# We are the Detroit lights # I never wanna | :10:38. | :10:42. | |
# I never wanna see this stop # I'm in debt to you | :10:42. | :10:52. | |
:10:52. | :10:53. | ||
# But don't feed me plant food # Just shut up and move with me | :10:53. | :10:57. | |
# Move with me # Or get out of my face | :10:57. | :11:03. | |
# Duh duh duh # I didn't spend 20 sheets and not | :11:03. | :11:07. | |
a shape # Just shut up and stay with me | :11:07. | :11:14. | |
# Stay with me or let go of my hand # The lasers fill our minds with | :11:14. | :11:21. | |
empty plans # I never knew I was a technofan | :11:21. | :11:27. | |
# Woo, woo, woo, woo, woo # I never knew I was a techno fan | :11:27. | :11:37. | |
:11:37. | :11:37. | ||
Apology for the loss of subtitles for 50 seconds | :11:37. | :12:32. | |
# Woo, woo, woo, woo, woo, woo # I'm back in Liverpool | :12:32. | :12:42. | |
:12:42. | :12:47. | ||
# And everything seems the same # But I worked something out last | :12:47. | :12:49. | |
night # That changed this little boy's | :12:49. | :12:52. | |
brain # A small piece of advice that took | :12:52. | :12:56. | |
22 years in the making # And I will break it to you now | :12:56. | :13:03. | |
# Please learn from my mistakes # Let's dance to Joy Division | :13:03. | :13:09. | |
# And celebrate the irony # Everything is going wrong | :13:09. | :13:13. | |
# But we're so happy # Let's dance to Joy Division | :13:13. | :13:17. | |
# So if you're ever feeling down # Grab your purse and tax a taxi | :13:17. | :13:20. | |
# To the darkest side of town # That's where we'll be | :13:20. | :13:25. | |
# We'll wait for you # And lead you through the | :13:25. | :13:26. | |
dancefloor # To the DJ booth | :13:26. | :13:33. | |
# You know what to ask for # Let's dance to Joy Division | :13:33. | :13:36. | |
# And celebrate the irony # Everything is going wrong | :13:36. | :13:39. | |
# But we're so happy # Let's dance to Joy Division | :13:39. | :13:42. | |
# And raise our glass to the ceiling | :13:42. | :13:47. | |
# Cos this could all go so wrong # But we're so happy | :13:47. | :13:57. | |
:13:57. | :14:18. | ||
# Let the love tear us apart # I found the cure for a broken | :14:18. | :14:20. | |
heart # Let it tear us apart | :14:20. | :14:30. | |
:14:30. | :14:40. | ||
# Let's dance to Joy Division # And celebrate the irony | :14:40. | :14:43. | |
# Everything is going wrong # But we're so happy | :14:43. | :14:48. | |
# Let's dance to Joy Division # And raise our glass to the | :14:48. | :14:50. | |
ceiling # Cos this could all go so wrong | :14:50. | :14:55. | |
# But we're so happy # Yeah, we're so happy | :14:55. | :14:58. | |
# So happy! # And we're so happy | :14:58. | :15:02. | |
# So happy # Yeah, we're so happy | :15:02. | :15:10. | |
# So happy! # Yeah, we're so happy, so happy | :15:11. | :15:20. | |
# Yeah, we're so happy # So happy | :15:20. | :15:22. | |
# Yeah, we're so happy # So happy | :15:22. | :15:26. | |
# Yeah, we're Shouppy, so happy # Yeah, we're so happy! # | :15:27. | :15:36. | |
:15:37. | :15:40. | ||
There you go. That was The Wombats from Other Stage from earlier on | :15:40. | :15:44. | |
today. Fans of Two Door Cinema Club, please stand by. It will happen. | :15:44. | :15:48. | |
With sound. The Wombats wearing white - what a very brave choice in | :15:48. | :15:52. | |
this mud. There we go. We'd now like to welcome our first guest | :15:52. | :15:56. | |
into the studio, a delightful example, the hardest working man at | :15:56. | :16:00. | |
Glastonbury this weekend... That's my official title. Not necessarily | :16:00. | :16:07. | |
the hardest working, but tough. Please don't challenge me to a | :16:07. | :16:15. | |
fight. I don't want to have a fight on BBC Three. John Peel Stage, | :16:15. | :16:20. | |
another DJ set tomorrow night, William Cubitt, Sunday at Crow's | :16:20. | :16:25. | |
Nest, then Sunday at Scream and do our song. Are you DJing? Then I am | :16:25. | :16:29. | |
going to have a shower, maybe a shave, see what happens. You're | :16:29. | :16:33. | |
doing so much at the festival this year. It has been an incredible | :16:33. | :16:39. | |
year so far, your first number one. Nice to see you face to face and | :16:40. | :16:42. | |
say congratulations. What's it been like having a number one after so | :16:43. | :16:46. | |
many years. Yeah, heard it the other week on the radio. I am not | :16:46. | :16:49. | |
getting carried away. Obviously amazing. I have never been about | :16:49. | :16:54. | |
number one singles, just great songs. I just want to keep doing | :16:54. | :16:58. | |
this for ten years. If I can sell out Wembley Stadium one day, I'll | :16:58. | :17:03. | |
celebrate or head Pyramid Stage, but Bob the Builder had a number | :17:03. | :17:08. | |
one. Let's not get too carried away. Also, it's a special week. Your | :17:08. | :17:12. | |
parents came over to Australia. They moved over to Australia six | :17:12. | :17:16. | |
years ago when I signed to Skinner's label back in the day. | :17:16. | :17:21. | |
They kind of missed a lot of my career. The last gig my dad saw me | :17:21. | :17:24. | |
perform two years ago was to 200 people in Islington. He's flown | :17:24. | :17:29. | |
over there. They landed last night. I got them a Mercedes, bringing | :17:29. | :17:33. | |
them down today. In style. Number one parent treatment. My mum is, | :17:33. | :17:41. | |
like, so excited. She's just... What's the capacity in John Peel? | :17:41. | :17:45. | |
20 thou. Imagine seeing that - they have monitored my career from the | :17:45. | :17:51. | |
other side of the world - press snippettes, YouTube clips. Now | :17:51. | :17:55. | |
they're going to be at the John Peel. Will mum cry a little bit? | :17:55. | :17:58. | |
Yeah, yeah. There will be tears. Something we have been asking | :17:58. | :18:05. | |
everybody to get involved with is the hashtag. If you are on Twitter, | :18:05. | :18:11. | |
it's 3 hashtag at glass to. You have been getting in trouble on | :18:11. | :18:16. | |
Twitter. What have you been doing? Just speak my mind. We have all | :18:16. | :18:19. | |
seen it. I said something about Cheryl Lloyd's song, which is fair | :18:19. | :18:23. | |
enough. It's not very good. When you sign to major label off the | :18:23. | :18:28. | |
back of X Factor, you're supposed to have access to the best | :18:28. | :18:31. | |
songwriters in the world. That didn't happen. I love this guy. | :18:31. | :18:36. | |
Whoever wrote the lyrics for them, they're perfectly good singers, | :18:36. | :18:42. | |
good dancers - they're all very beautiful, and Alexandra Burke, I | :18:42. | :18:45. | |
don't want to start it again. Read it for yourself. I need a new | :18:45. | :18:50. | |
target. Can I rectify this? Because I said to Rochelle on the radio the | :18:50. | :18:54. | |
other day I would help you bond as friends? I think if you can arrange | :18:54. | :18:59. | |
some sort of date to sort this out... Taking it to the next level. | :18:59. | :19:03. | |
Are you just bullying her to take her out on a date? That's what | :19:03. | :19:08. | |
happens with guys when you fancy someone. Someone has nicked your | :19:08. | :19:15. | |
tour bus spot? The Arctic Monkeys. We were promised we could park | :19:15. | :19:19. | |
there. I am like, I am on the John Peel Stage. I am nearly headlining. | :19:19. | :19:25. | |
Give us a parking spot - the Arctic Monkeys are taking it. What stage | :19:25. | :19:30. | |
are they on? They're just here! am quite matey with Alex. He's not | :19:30. | :19:36. | |
my best mate or anything but I did karaoke with him three years ago in | :19:36. | :19:42. | |
Sydney. Wow. So he knows who I am. You have done a duet. That's a big | :19:42. | :19:46. | |
deal. I am going to have words. Definitely. We had the most surreal | :19:46. | :19:51. | |
intraps to the festival this year. We're in the car driving in, and as | :19:51. | :19:57. | |
we were coming in, Wu-Tang Clan were on stage performing Ice cream. | :19:57. | :20:01. | |
It was surreal on Pyramid Stage. Are you a fan of Wu-Tang Clan? | :20:01. | :20:07. | |
I think it was the first gig I ever went to other than Bros. We don't | :20:07. | :20:12. | |
talk about them! When I was 14, 15, I went to see them at the Brixton | :20:12. | :20:15. | |
Academy. It was an experience. I have been doing interviews all day. | :20:15. | :20:20. | |
Did you see any of it? I didn't. They were on the Premier stage all | :20:20. | :20:27. | |
day long. Did all of them come? Apart from ODB. I was there like a | :20:27. | :20:32. | |
complete plonker. Method Man was wearing a dressing gown... | :20:32. | :20:38. | |
always has done that. We have taken out the cheeky language, just to | :20:38. | :20:48. | |
:20:48. | :21:18. | ||
Y'all ready? Let's go. # One, two, one, two, yo, check | :21:18. | :21:20. | |
this out # It's the jump off right now | :21:20. | :21:22. | |
# I want everybody to put your work down | :21:22. | :21:26. | |
# Put your guns down # And report to the pit, the gravel | :21:26. | :21:31. | |
# Leave your problems at home # Leave your children at home | :21:31. | :21:34. | |
# We going to take it back underground | :21:34. | :21:40. | |
# I be Bobby Boulders # Wu-Tang Clan on yo mind one time | :21:40. | :21:45. | |
# It's the jump off # So just jump off | :21:45. | :21:55. | |
:21:55. | :21:55. | ||
Apology for the loss of subtitles for 50 seconds | :21:55. | :23:32. | |
# Check out my gravel pit The amazing Wu-Tang Clan on Pyramid | :23:33. | :23:38. | |
Stage earlier on. A fantastic edit there. They are so old now. It's | :23:38. | :23:42. | |
brilliant. They're amazing, awesome. Everyone in the audience were knee | :23:42. | :23:47. | |
deep in mud, having the best time ever. This is the first time on BBC | :23:47. | :23:55. | |
Three... Yes, it's my first time on this team. Bye, mate. See you. He's | :23:55. | :24:00. | |
off to do 100 gigs this weekend. I am looking forward to this. It's | :24:00. | :24:04. | |
also Greg's first time on BBC Three. Before we get to Greg, do you know | :24:04. | :24:09. | |
my first year I was made to drink a pint of beer from a dirty wellie. | :24:09. | :24:16. | |
That's the initiation. I could probably do it. Let's organise that. | :24:16. | :24:22. | |
Could we switch it to gin - I am there. Could we do it with Biffy | :24:22. | :24:30. | |
Clyro? No! Beer. Greg, where are you? I tell you what, Reggie Yates | :24:30. | :24:36. | |
is such a lad, just drinking beer out of wellies! Yeah! I would | :24:36. | :24:39. | |
absolutely love to see his mum and dad. Can you imagine what they're | :24:39. | :24:43. | |
like? The best thing to do about Glastonbury is to come here early | :24:43. | :24:47. | |
to see what's going on. There are loads of brilliant things going on | :24:47. | :24:51. | |
on the stages, but earlier today I began my Glastonbury crawl. It | :24:51. | :24:54. | |
started just over there. Let's have a look. | :24:54. | :24:59. | |
So this is my first time doing the TV for Glastonbury, and I am | :24:59. | :25:04. | |
pleased because I can show you the real Glastonbury. I mean, keep your | :25:04. | :25:09. | |
UVFs and Coldplays. This is the proper bit. I am in the circus area | :25:09. | :25:13. | |
at in a bit. I am going to show you Avalon Stage and the theatre bit. I | :25:13. | :25:17. | |
want to show you some gems you might have heard of before but not | :25:17. | :25:25. | |
necessarily seen - and also some weirdness. Let's go. I'll have a | :25:25. | :25:35. | |
look at these guys. Can you teach This is the outdoor circus stage - | :25:35. | :25:45. | |
:25:45. | :26:01. | ||
What's this, then? An after-work shop. What do I do? Smile. Shake | :26:01. | :26:11. | |
:26:11. | :26:14. | ||
your body a bit. So is this a - this is a sonic forest? What | :26:14. | :26:17. | |
happens in here? You run past the trees in the forest. It makes a | :26:17. | :26:27. | |
:26:27. | :26:28. | ||
sound. Shall we run together, hand in hand? We play this until 4.00pm, | :26:28. | :26:32. | |
then we get sort of wild. I am trying to experience the festival | :26:32. | :26:35. | |
as quick as possible. Basically, these are clay figures people have | :26:35. | :26:39. | |
made over the years. If you want to do the whole festival in a day, | :26:39. | :26:44. | |
we've got it for you. We've got toilets, tempts, a miniature | :26:44. | :26:48. | |
Pyramid Stage here. Who is on the main stage headlining? The seven | :26:48. | :26:58. | |
:26:58. | :27:06. | ||
heads of Bono and The Edge. I love # And I think to myself | :27:06. | :27:16. | |
:27:16. | :27:23. | ||
APPLAUSE Madam, how are you? Hello, dear, | :27:24. | :27:27. | |
how are you? This is a beautiful machine. Lovely, isn't it? You can | :27:27. | :27:35. | |
get four weeks' shopping in here in one go. It's terrific. It's our | :27:35. | :27:39. | |
first time at Glastonbury. Go on. Have a go. | :27:39. | :27:45. | |
I am Betsy, and we are the only formation shopping trolley dancing | :27:45. | :27:50. | |
troupe in the country. I mean, you're very similar to the Red | :27:50. | :27:54. | |
Arrows. Very similar, just with more style and a bit more attitude | :27:54. | :28:00. | |
I think. Not going to have blue smoke coming out of your bum, are | :28:00. | :28:08. | |
you? Depend what I have eaten the night before. Off you pop, then. So | :28:08. | :28:12. | |
part one of my Glastonbury crawl is pretty much done. I have had a | :28:12. | :28:15. | |
great day so far, made some new friends as well. There is loads | :28:15. | :28:19. | |
more to see. Find out what happens in part two. | :28:19. | :28:25. | |
I tell you what, I didn't like those little clay figurines. There | :28:25. | :28:28. | |
was some voodoo business going on there. Thank you very much, lanky | :28:28. | :28:32. | |
but lovely great James. That may take him some time. We'll catch up | :28:32. | :28:35. | |
with him later on. Biffy Clyro are going to be here in a little bit. | :28:35. | :28:39. | |
They have just got off stage. We'll let them have a shower or a baby | :28:39. | :28:43. | |
wipe situation. You can ask any questions you want. If you're a | :28:43. | :28:46. | |
huge fan, either go to the BBC Three Facebook pages or we're | :28:46. | :28:50. | |
trending on Twitter, which is good news: | :28:50. | :28:55. | |
Put your question on there, hashtag 3 at Glass to. Don't forget the BBC | :28:55. | :29:01. | |
Three pages too. We'll put your questions to the lads later. | :29:02. | :29:08. | |
promised you Two Door Cinema Club earlier, but no sound. Hopefully, | :29:08. | :29:12. | |
this does have sound. And this is Two Door Cinema Club, Glastonbury, | :29:12. | :29:15. | |
2011. # I can tell you just what you want | :29:15. | :29:25. | |
:29:25. | :29:34. | ||
# You don't want to be alone # I can say it's what you know | :29:34. | :29:44. | |
:29:44. | :30:22. | ||
# In a few weeks I will get time # And I can take it | :30:22. | :30:28. | |
# I am leaving This is starting to feel like | :30:28. | :30:32. | |
# It's right before my eyes | :30:33. | :30:36. | |
# And I can taste it It's my sweet beginning | :30:36. | :30:38. | |
# I can tell just what you want | :30:38. | :30:43. | |
# You don't want to be alone You don't want to be alone | :30:43. | :30:48. | |
# And I can't say it's what you know | :30:48. | :30:57. | |
# But you've known it the whole time | :30:57. | :31:01. | |
# Yeah, you've known it the whole time | :31:01. | :31:08. | |
# Maybe next year I'll have no time | :31:09. | :31:13. | |
# To think about the questions to address | :31:13. | :31:16. | |
# Am I the one to try to stop the fire? | :31:16. | :31:18. | |
# I wouldn't test you, I'm not the best you could have attained | :31:18. | :31:28. | |
# Why try anything? | :31:28. | :31:31. | |
# I will get there Just remember I know | :31:31. | :31:37. | |
# And I can tell just what you want | :31:37. | :31:41. | |
# You don't want to be alone | :31:41. | :31:45. | |
# You don't want to be alone | :31:45. | :31:49. | |
# And I can't say it's what you know | :31:49. | :31:54. | |
# But you've known it the whole time | :31:54. | :31:59. | |
# Yeah, you've known it the whole time | :31:59. | :32:04. | |
# And I can tell just what you want | :32:04. | :32:14. | |
:32:14. | :32:23. | ||
# And I can tell just what you want | :32:23. | :32:27. | |
# You don't want to be alone | :32:27. | :32:30. | |
# You don't want to be alone | :32:30. | :32:34. | |
# And I can't say it's what you know | :32:34. | :32:39. | |
# But you've known it the whole time | :32:39. | :32:44. | |
# Yeah, you've known it the whole time | :32:44. | :32:48. | |
# And I can tell just what you want | :32:48. | :32:58. | |
:32:58. | :33:16. | ||
# And she spoke words that would melt in your hands | :33:16. | :33:21. | |
# And she spoke words of wisdom | :33:21. | :33:27. | |
# To the basement, people To the basement | :33:27. | :33:30. | |
# Many surprises await you | :33:30. | :33:33. | |
# In the basement, people In the basement | :33:33. | :33:38. | |
# You hid there last time You know we're gonna find you | :33:38. | :33:42. | |
# Sick in the car seat cos you're not up to going | :33:42. | :33:44. | |
# Out on the main streets Completing your mission | :33:44. | :33:46. | |
# You hid there last time You know we're gonna find you | :33:46. | :33:51. | |
# Sick in the car seat cos you're not up to going | :33:51. | :33:55. | |
# Out on the main streets Completing your mission | :33:55. | :33:59. | |
# And she spoke words that would melt in your hands | :33:59. | :34:08. | |
# And she spoke words of wisdom | :34:08. | :34:15. | |
# To the basement, people To the basement | :34:15. | :34:16. | |
# Many surprises await you | :34:16. | :34:19. | |
# In the basement, people In the basement | :34:19. | :34:22. | |
# You hid there last time You know we're gonna find you | :34:22. | :34:28. | |
# Sick in the car seat cos you're not up to going | :34:28. | :34:31. | |
# Out on the main streets Completing your mission | :34:31. | :34:35. | |
# You hid there last time You know we're gonna find you | :34:35. | :34:39. | |
# Sick in the car seat cos you're not up to going | :34:39. | :34:42. | |
# Out on the main streets Completing your mission | :34:42. | :34:47. | |
# You hid there last time You know we're gonna find you | :34:47. | :34:57. | |
:34:57. | :35:14. | ||
# You hid there last time You know we're gonna find you | :35:14. | :35:18. | |
# Sick in the car seat cos you're not up to going | :35:18. | :35:20. | |
# Out on the main streets Completing your mission | :35:20. | :35:23. | |
# You hid there last time You know we're gonna find you | :35:23. | :35:27. | |
# Sick in the car seat cos you're not up to going | :35:27. | :35:31. | |
# Out on the main streets Completing your mission. # | :35:31. | :35:41. | |
:35:41. | :35:52. | ||
Thank | :35:52. | :35:52. | |
Thank you | :35:52. | :35:52. | |
Thank you very | :35:52. | :36:02. | |
:36:02. | :36:02. | ||
Apology for the loss of subtitles for 50 seconds | :36:02. | :36:47. | |
# You gotta step up your game # We're going to show the world | :36:48. | :36:52. | |
# That something good can work # And it can work for you | :36:52. | :36:57. | |
# And you know that it will # Let's get this started, girl | :36:57. | :37:02. | |
# We're moving up # It's been a lot to change | :37:02. | :37:05. | |
# But you will always get what you want | :37:05. | :37:08. | |
# It took a little time to make a little better | :37:08. | :37:13. | |
# You know, you know # It took a little time to make it | :37:13. | :37:16. | |
a little better # It's only going up | :37:16. | :37:19. | |
# Just one thing and another # You know, you know | :37:19. | :37:26. | |
# Let's make this happen, girl # We're going to show the world | :37:26. | :37:30. | |
# That something good can work # And it can work for you | :37:30. | :37:34. | |
# And you know that it will # Let's get this started, girl | :37:34. | :37:44. | |
:37:44. | :37:49. | ||
# All right, Glastonbury, let's see # Let's make this happen, girl | :37:49. | :37:53. | |
# We're moving up # It can work | :37:53. | :37:57. | |
# You know it will # Let's get this started, girl | :37:57. | :38:01. | |
# We're moving up # I know it's what you | :38:01. | :38:07. | |
# What you want # Let's make this happen, girl | :38:07. | :38:10. | |
# And it can work for you # And you know that it will | :38:10. | :38:18. | |
# Let's get this started, girl # We're moving up | :38:18. | :38:28. | |
:38:28. | :39:06. | ||
# You will always get what you want # You would look a little better, | :39:06. | :39:16. | |
:39:16. | :39:17. | ||
# But its hard to realise # And so you're drinking | :39:18. | :39:22. | |
# You're holding on too long You've got to let go | :39:22. | :39:24. | |
# Your other love is gone and you know | :39:24. | :39:25. | |
# It's too late, it's too late | :39:26. | :39:27. | |
# You've got another one coming and it's going to be the same | :39:27. | :39:29. | |
# It's too late, it's too late | :39:29. | :39:31. | |
# You've got another one coming and it's going to be the same | :39:31. | :39:34. | |
# I tried to find a quiet place that we could go | :39:34. | :39:37. | |
# To help you make decisions | :39:37. | :39:40. | |
# But I didn't find it easy to tell them apart with double vision | :39:40. | :39:43. | |
# And so you're drinking in your room to make it all go | :39:43. | :39:50. | |
# It didn't end too soon You've got the next one | :39:50. | :39:54. | |
# You're holding on too long You've got to let go | :39:54. | :39:57. | |
# Your other love is gone and you know | :39:57. | :40:00. | |
# It's too late, it's too late | :40:01. | :40:02. | |
# You've got another one coming and it's going to be the same | :40:02. | :40:06. | |
# It's too late, it's too late | :40:06. | :40:08. | |
# You've got another one coming and it's going to be the same | :40:08. | :40:12. | |
# It's too late, it's too late | :40:12. | :40:14. | |
# You've got another one coming and it's going to be the same | :40:14. | :40:19. | |
# It's too late, it's too late | :40:19. | :40:21. | |
# You've got another one coming and it's going to be the... | :40:21. | :40:31. | |
:40:31. | :40:31. | ||
Apology for the loss of subtitles for 50 seconds | :40:31. | :41:20. | |
# You're going to tell me that I'm right | :41:20. | :41:25. | |
# You know you're going to come back down | :41:25. | :41:27. | |
# And find yourself where you are again | :41:27. | :41:30. | |
# You didn't know, you didn't know, you didn't know | :41:30. | :41:31. | |
# So don't pretend you saw it now | :41:31. | :41:33. | |
# It's not something you'd want to happen | :41:33. | :41:35. | |
# Now you know who you are again | :41:35. | :41:40. | |
# It's not the same, it's not the same, it's not the same | :41:40. | :41:42. | |
# You're going to tell me that I'm right | :41:42. | :41:44. | |
# You know you're going to come back down | :41:44. | :41:49. | |
# And find yourself where you are again. # | :41:49. | :41:59. | |
:41:59. | :42:01. | ||
Thank | :42:01. | :42:01. | |
Thank you | :42:01. | :42:01. | |
Thank you so | :42:01. | :42:04. | |
Thank you so much. That is one of the best things I have ever seen in | :42:04. | :42:11. | |
That was beautiful. It must have been such a sight from the Pyramid | :42:11. | :42:15. | |
Stage just there. Biffy Clyro, who have also performed on the Pyramid | :42:15. | :42:19. | |
Stage, will be in the studio. Get ready for that they have left the | :42:19. | :42:23. | |
stage empty and sweaty for Morrissey, who is on tonight as | :42:23. | :42:28. | |
well. Gemma and Greg were out and about seeing all the things we | :42:28. | :42:36. | |
can't see. So Gemma, you're up. What can you see? I scrambled to | :42:36. | :42:39. | |
the Park area. This is one of my favourite areas of Glastonbury. | :42:39. | :42:44. | |
It's so, so, beautiful. It's all mystical. It smells good. It smells | :42:44. | :42:48. | |
a little bit like freshly cut grass but with a barbecue thrown in, if | :42:48. | :42:56. | |
you know what I mean. I am at the top of the tower. If you have | :42:56. | :43:01. | |
vertigo - well, do look. Look at all the flags and crazy halts. | :43:01. | :43:06. | |
There are rumours aplenty. Every year there is a secret act. Last | :43:06. | :43:13. | |
year it was Tom York. This year apparently Radiohead are going to | :43:13. | :43:17. | |
play. I think it's raid - I hope - I hope. They'll be taking to the | :43:17. | :43:23. | |
stage any second. I'll report back and let you know. Back to you! | :43:23. | :43:27. | |
her. She's making all sorts of noises. I am really jealous. I | :43:27. | :43:32. | |
never got to go to the Park last year, and apparently their set was | :43:32. | :43:35. | |
absolutely incredible. Still time to get in your questions for Biffy | :43:35. | :43:38. | |
Clyro. They're going to be in the studio. If you have Any questions | :43:38. | :43:42. | |
at all, you can either go to the BBC Three Facebook pages and leave | :43:42. | :43:51. | |
your questions there, and, of course, we're twending on Twitter - | :43:51. | :43:55. | |
LAUGHTER We're actually twending on Twitter. | :43:55. | :44:03. | |
If you would like to leave a question, go to Twitter. They have | :44:03. | :44:07. | |
wiped themselves down. So they'll be in the studio with their shirts | :44:07. | :44:12. | |
on in a second. We have just spoken about Gemma and Greg going | :44:12. | :44:16. | |
everywhere we can't. Greg is a massive Mumford & Sons fan. | :44:16. | :44:21. | |
have no idea. I love Mumford & Sons. I am lucky enough to have seen them | :44:21. | :44:24. | |
perform before. They're about to perform. Greg has been having a | :44:24. | :44:29. | |
love affair with them for about two years. It's gotten to a sickening | :44:29. | :44:35. | |
stage. Have a look at this. We're at the back of the stage, my home | :44:35. | :44:39. | |
boys Mumford & Sons. Welcome. Welcome to you too. And to you. | :44:39. | :44:43. | |
You're a bit poorly. What's going on? Just got man flu, just feeling | :44:43. | :44:49. | |
a bit under the weather, be fine. You going to man-up and get through | :44:49. | :44:52. | |
it? Yeah, because you told me to. lot of people are waiting to see | :44:52. | :44:58. | |
you. Yeah, it really is exciting, just got a bit of a sniffle. This | :44:58. | :45:04. | |
time last year you were on the John Peel Stage. How was that? Awesome, | :45:04. | :45:11. | |
a lot of fun. I met a friend last year at the John Peel Stage. He | :45:11. | :45:17. | |
said, "I am not coming to see you next year because you won't do | :45:17. | :45:21. | |
better." Really? He said, I am not coming back because you won't outdo | :45:21. | :45:27. | |
yourselves. There was a question from Al on Facebook. How is he? | :45:27. | :45:32. | |
Good, you'll be pleased to hear. His favourite song is The Cave, but | :45:32. | :45:39. | |
he was wondering where the riff came from - thinks it's a weird | :45:39. | :45:44. | |
riff. Thinks it's a weird riff? Weird Al thinks it's a weird riff - | :45:44. | :45:51. | |
it came from the tuning like most of our songs. We just came up with | :45:51. | :45:57. | |
it one day - actually in Edinburgh at a place called Banman's, which | :45:58. | :46:02. | |
was one of the sweatiest gigs we have ever played, and the roof - it | :46:02. | :46:05. | |
was underground, and the roof started dropping, like raindrops, | :46:05. | :46:10. | |
sweat, basically. I am going to be in the pit, OK, talking to some of | :46:10. | :46:13. | |
your fans... What if you get recognised? That's the whole idea, | :46:13. | :46:18. | |
isn't it? Like, it will be on telly. You're on telly to be famous? You | :46:18. | :46:22. | |
want to be famous? Is that the whole idea? No, we'll be on telly, | :46:22. | :46:27. | |
then throwing to your gig. So we'll say, here we are in the pit, then | :46:27. | :46:33. | |
say, here's Mumford & Sons. Live? Yeah, live. What if you mess it up? | :46:33. | :46:37. | |
We won't. What if someone swears or does something physically | :46:37. | :46:42. | |
inappropriate for television? they'll cut it off and put Family | :46:42. | :46:47. | |
Guy on. Ridiculous. Did he refer to Mumford & Sons as his home boys? | :46:47. | :46:53. | |
think that might have happened, yes. That just happened, didn't it? | :46:53. | :46:56. | |
gentlemen in their waste coats. We're going to play the most | :46:56. | :47:00. | |
beautiful performance for you now. I absolutely adore this band, Fleet | :47:00. | :47:06. | |
Foxes. Watching them live is a mast magical experience. They sound | :47:06. | :47:10. | |
almost tighter than they do on the album. Can I just say, just so you | :47:10. | :47:12. | |
know the process that happens here, we have been working together since | :47:12. | :47:18. | |
we were kids. We go, what do you want to go? I'll talk about - you | :47:18. | :47:23. | |
talk about Fleet Foxes - I am fan. I cried at their gig. I cried. | :47:23. | :47:26. | |
For anyone out there who has seen this band, you know what they're | :47:26. | :47:29. | |
like. I didn't get to see them at Glastonbury this year, but I can | :47:29. | :47:34. | |
imagine seeing them in a festival of this grandeur - it would be a | :47:34. | :47:37. | |
very, very special thing to do, so we're going to play that for you in | :47:37. | :47:41. | |
a little bit. We've also got The Vaccines a little bit later as well. | :47:41. | :47:44. | |
We're going to get a few tracks from those guys which would be | :47:44. | :47:47. | |
brilliant. If you haven't done it already, you can send in questions | :47:47. | :47:54. | |
for Biffy Clyro, just go to the BBC Facebook. If you are on Twitter, | :47:54. | :48:00. | |
hashtag 3 at glass to. If you want to do any of those questions like | :48:00. | :48:05. | |
what Greg had to ask... Don't make any too awkward... Like, that's | :48:05. | :48:11. | |
what weird bit in your song like? We won't do those. Well, some. It | :48:11. | :48:15. | |
depends if I have drunk a wellie of beer or not - or gin, whatever! | :48:15. | :48:18. | |
We're now going to go see Fleet Foxes do their thing. I might cry. | :48:18. | :48:23. | |
Is that OK? I'm cool with it. I have kind of accepted the fact | :48:23. | :48:27. | |
you're going to get emotional during this. Let's see them do | :48:27. | :48:36. | |
their thing at Glastonbury 2011. All right. How's it going? How is | :48:36. | :48:40. | |
it going? CHEERING AND APPLAUSE | :48:40. | :48:50. | |
:48:50. | :48:50. | ||
Apology for the loss of subtitles for 50 seconds | :48:50. | :50:12. | |
# Your protector's coming home # You run with the devil | :50:12. | :50:22. | |
:50:22. | :50:51. | ||
# Tell your brother to be good # Tell your brother to be good | :50:52. | :51:01. | |
:51:02. | :51:23. | ||
# Tell your mother not to wait Tell your father I was good | :51:23. | :51:29. | |
# As you lay to die beside me, baby | :51:29. | :51:32. | |
# On the morning that you came | :51:33. | :51:37. | |
# Would you wait for me? | :51:37. | :51:40. | |
# The other one would wait for me. # | :51:40. | :51:50. | |
:51:50. | :51:54. | ||
# Oooh | :51:54. | :52:02. | |
# Oooh | :52:02. | :52:12. | |
:52:12. | :52:15. | ||
# Oooh | :52:16. | :52:25. | |
:52:26. | :52:26. | ||
Apology for the loss of subtitles for 50 seconds | :52:26. | :53:20. | |
# All swallowed in their coats # To keep their little heads | :53:20. | :53:27. | |
# And I turned round # And, Michael, you would fall | :53:27. | :53:37. | |
:53:37. | :53:44. | ||
# Ooh, ooh, ooh # Ooh, ooh, ooh | :53:44. | :53:54. | |
:53:54. | :53:59. | ||
# Penniless and tired # I was looking at you there | :53:59. | :54:04. | |
# Memory is a fickle siren's song I didn't understand | :54:04. | :54:07. | |
# In the gentle light as the morning nears | :54:07. | :54:15. | |
# As strawberries in the summertime | :54:15. | :54:25. | |
:54:25. | :54:28. | ||
# Ooh, ooh, ooh Ooh, ooh, ooh | :54:28. | :54:38. | |
:54:38. | :54:41. | ||
# Ooh, ooh, ooh Ooh, ooh, ooh | :54:41. | :54:51. | |
:54:51. | :54:54. | ||
# I was following the pack | :54:54. | :54:57. | |
# All swallowed in their coats with scarves of red | :54:57. | :54:59. | |
# Tied round their throats | :54:59. | :55:01. | |
# To keep their little heads from falling | :55:01. | :55:02. | |
# In the snow | :55:02. | :55:04. | |
# And I turned round and there you go | :55:04. | :55:07. | |
# And, Michael, you would fall and turn the white snow red | :55:07. | :55:10. | |
# As strawberries in the summertime | :55:10. | :55:20. | |
:55:20. | :55:25. | ||
Thank you. Thank | :55:25. | :55:25. | |
Thank you. Thank you. | :55:26. | :55:29. | |
It's | :55:29. | :55:30. | |
It's the | :55:30. | :55:30. | |
It's the harmonies. | :55:30. | :55:34. | |
It's the harmonies. It's - see what I means? The harmonys are so good. | :55:34. | :55:37. | |
Fleet Foxes playing earlier on here at Glastonbury, absolutely | :55:37. | :55:40. | |
beautiful. I was enjoying it but maybe not as much as the girl with | :55:40. | :55:44. | |
the daisies in her hair. There is always someone on somebody's | :55:44. | :55:48. | |
shoulders having the time of their lives. Thank God she had her top on. | :55:48. | :55:51. | |
This is Glastonbury 2011. We're with you for a few hours still. We | :55:51. | :55:55. | |
have loads more to come including a huge chunk of Mumford & Sons a | :55:55. | :55:57. | |
little bit later on tonight. You'll see those guys as they're on the | :55:57. | :56:01. | |
stage. Also, Biffy Clyro will be in the studio. There is still time to | :56:01. | :56:08. | |
get your questions in. Hashtag 3 at glass to, or you can go on to the | :56:08. | :56:13. | |
BBC Three page. We'll get in as in as we can. We'll have a good chat | :56:13. | :56:18. | |
with him. Do you know what dawned on me - we haven't tackled this | :56:18. | :56:21. |