Fearne & Reggie Glastonbury


Fearne & Reggie

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Hello. Welcome to Glastonbury 2011. This festival is across the entire

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BBC this weekend, but we here at BBC Three got here first. That's

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right. We were with you all weekend. Stick with us. Also, we're totally

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and utterly socially interactive, very socially interactive. If you

:00:34.:00:39.

want to go on Twitter, you can, just do:

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Also, if you want to go on to the BBC Three Facebook pages, you can

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leave comments, questions for our guests and find out what's going on.

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I am a sucker for tradition, we here at BBC Three start the same

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place every year. This year Gregg and Gemma are doing everything we

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can't and seeing as much as they can for us. What exactly can you

:00:59.:01:09.
:01:09.:01:13.

Hello, hello, hello. Hi. Amazing. Hello. Hi! All right? This is

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amazing. This is the best view of Glastonbury! And welcome along to

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it. This is Biffy Clyro on the Pyramid Stage there. You'll see

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highlights of that later on BBC Three. Just so breathtaking

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honestly. I want to welcome you along. We have the best job ever. I

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am feeling so blissed out I need a cuddle. Can I let you know this

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really is the best thing to see. I know they're in the tree house

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having a great time, but we good everywhere - in every tent, every

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nook and cranny - everywhere. This place is huge, as you can see. High

:01:47.:01:51.

five on that one. And a high five for my riding boots today. I like.

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I didn't go with a traditional wellie either. Look at that. That

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is a buckle right there. Buckles and crystals all over the place.

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Yes, there has been mud, and it has been raining but I don't care. It

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has been great. What we're going to do is be out and about in the

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festival all weekend. Shall I send you out? Let's do it. I'll take my

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mic. See you. Fearne and Reg. riding boog boots - all you need to

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know. There is boys on the show today. You're quite happy about

:02:27.:02:30.

that. We have a great performance from the The Vaccines I am going to

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play you, will be lovely. Also, Biffy Clyro fresh off the stage

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will also come and talk to us, but doing it for the girls will be Katy

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B. She'll pop along to our studio to a nice acoustic performance and

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have a chat with us as well. was getting emotional as well

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because Biffy Clyro weren't wearing any shirts on stage. It's a good

:02:51.:02:54.

look. Sorry. Craning my neck slightly. Can you promise to

:02:54.:02:59.

control yourself when they come in later? No! Good! Let's not waste

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any time and get right to why you came here, the live music - Two

:03:06.:03:16.
:03:16.:03:34.

Door Cinema Club, Glastonbury 2011. INAUDIBLE

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So we call that a good start! Door Cinema Club. Sorry about that.

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You'll get that later hopefully. We have so many brilliant performances.

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We'll see The Vaccines, also Mumford & Sons, which Gregg is

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excited about. He'll be down at the front. Can you mosh to that music?

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Not really. He's a massive fan of those guys. He'll be salivating.

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He's going to have a chat to Mumford & Sons before they go on

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stage. We'll see that I'll tell you what we should do - let's see some

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Apology for the loss of subtitles for 50 seconds

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of The Wombats now. Have a look. # Want to twist

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# The structure of my average day # You feel nothing

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# So jump into the fog # Hit the ground

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# That's right # We feel nothing

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# So jump into the fog # We feel nothing

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# So jump into the fog # You know that we are curled up,

:05:38.:05:48.
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right? # The ladder is too high

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# So slide back down again # I am only here

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# We feel nothing # So jump into the fog

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# You know that we # Will hit the ground upright

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# We feel nothing # So jump into the fog

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# I just hope that you're brave # We feel nothing

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# So jump into the fog # We know that we'll hit

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# The ground upright # We feel nothing, so jump

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# Into the fog # I made some bad decisions

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# It's just that life tastes sweeter

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# When it's wrapped in debauchery # So drop your map

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# Drop your plans # Drop that five-step programme

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# Because there is not an ounce of faith

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# In this leap # It's clear you feel nothing

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# So jump into the fog with me # Jump into the fog

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# Ooh, ooh, ooh # Jump into the fog

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# Ooh, ooh, ooh # Jump into the fog

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Apology for the loss of subtitles for 50 seconds

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# Ooh, ooh, ooh # She said I should come over

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# It's not my time # Should chop them off

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# Just to have a good time # Move with me

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:09:02.:09:08.

# Or get out of my face # Shut up and stay with me

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# Stay with me # Or let go of my hand

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# Places fill our minds # With empty plans

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# I never knew I was a techno fan # Woo, woo, woo, woo

:09:22.:09:32.
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# Who, woo, woo, woo, woo # This is not a weird weekend I am

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talking like a city boy # Talking with a northern soul

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:09:57.:10:02.

# She said I should come over though it's carnage at times

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# It still seems I'd chop a him off # Before I put up a fight

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# Move with me # I didn't queue for an hour

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# To leave straight away # Shut up and stay with me

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# Stay with me # Or let go of my hand

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# The lasers fill our minds with empty plans

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# I never knew I was a techno- # We are the 1980s

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# We are the Detroit lights # I never wanna

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# I never wanna see this stop # I'm in debt to you

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# But don't feed me plant food # Just shut up and move with me

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# Move with me # Or get out of my face

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# Duh duh duh # I didn't spend 20 sheets and not

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a shape # Just shut up and stay with me

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# Stay with me or let go of my hand # The lasers fill our minds with

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empty plans # I never knew I was a technofan

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# Woo, woo, woo, woo, woo # I never knew I was a techno fan

:11:27.:11:37.
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Apology for the loss of subtitles for 50 seconds

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# Woo, woo, woo, woo, woo, woo # I'm back in Liverpool

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# And everything seems the same # But I worked something out last

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night # That changed this little boy's

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brain # A small piece of advice that took

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22 years in the making # And I will break it to you now

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# Please learn from my mistakes # Let's dance to Joy Division

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# And celebrate the irony # Everything is going wrong

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# But we're so happy # Let's dance to Joy Division

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# So if you're ever feeling down # Grab your purse and tax a taxi

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# To the darkest side of town # That's where we'll be

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# We'll wait for you # And lead you through the

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dancefloor # To the DJ booth

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# You know what to ask for # Let's dance to Joy Division

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# And celebrate the irony # Everything is going wrong

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# But we're so happy # Let's dance to Joy Division

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# And raise our glass to the ceiling

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# Cos this could all go so wrong # But we're so happy

:13:47.:13:57.
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# Let the love tear us apart # I found the cure for a broken

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heart # Let it tear us apart

:14:20.:14:30.
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# Let's dance to Joy Division # And celebrate the irony

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# Everything is going wrong # But we're so happy

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# Let's dance to Joy Division # And raise our glass to the

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ceiling # Cos this could all go so wrong

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# But we're so happy # Yeah, we're so happy

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# So happy! # And we're so happy

:14:58.:15:02.

# So happy # Yeah, we're so happy

:15:02.:15:10.

# So happy! # Yeah, we're so happy, so happy

:15:11.:15:20.

# Yeah, we're so happy # So happy

:15:20.:15:22.

# Yeah, we're so happy # So happy

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# Yeah, we're Shouppy, so happy # Yeah, we're so happy! #

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There you go. That was The Wombats from Other Stage from earlier on

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today. Fans of Two Door Cinema Club, please stand by. It will happen.

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With sound. The Wombats wearing white - what a very brave choice in

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this mud. There we go. We'd now like to welcome our first guest

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into the studio, a delightful example, the hardest working man at

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Glastonbury this weekend... That's my official title. Not necessarily

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the hardest working, but tough. Please don't challenge me to a

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fight. I don't want to have a fight on BBC Three. John Peel Stage,

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another DJ set tomorrow night, William Cubitt, Sunday at Crow's

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Nest, then Sunday at Scream and do our song. Are you DJing? Then I am

:16:25.:16:29.

going to have a shower, maybe a shave, see what happens. You're

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doing so much at the festival this year. It has been an incredible

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year so far, your first number one. Nice to see you face to face and

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say congratulations. What's it been like having a number one after so

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many years. Yeah, heard it the other week on the radio. I am not

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getting carried away. Obviously amazing. I have never been about

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number one singles, just great songs. I just want to keep doing

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this for ten years. If I can sell out Wembley Stadium one day, I'll

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celebrate or head Pyramid Stage, but Bob the Builder had a number

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one. Let's not get too carried away. Also, it's a special week. Your

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parents came over to Australia. They moved over to Australia six

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years ago when I signed to Skinner's label back in the day.

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They kind of missed a lot of my career. The last gig my dad saw me

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perform two years ago was to 200 people in Islington. He's flown

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over there. They landed last night. I got them a Mercedes, bringing

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them down today. In style. Number one parent treatment. My mum is,

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like, so excited. She's just... What's the capacity in John Peel?

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20 thou. Imagine seeing that - they have monitored my career from the

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other side of the world - press snippettes, YouTube clips. Now

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they're going to be at the John Peel. Will mum cry a little bit?

:17:55.:17:58.

Yeah, yeah. There will be tears. Something we have been asking

:17:58.:18:05.

everybody to get involved with is the hashtag. If you are on Twitter,

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it's 3 hashtag at glass to. You have been getting in trouble on

:18:11.:18:16.

Twitter. What have you been doing? Just speak my mind. We have all

:18:16.:18:19.

seen it. I said something about Cheryl Lloyd's song, which is fair

:18:19.:18:23.

enough. It's not very good. When you sign to major label off the

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back of X Factor, you're supposed to have access to the best

:18:28.:18:31.

songwriters in the world. That didn't happen. I love this guy.

:18:31.:18:36.

Whoever wrote the lyrics for them, they're perfectly good singers,

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good dancers - they're all very beautiful, and Alexandra Burke, I

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don't want to start it again. Read it for yourself. I need a new

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target. Can I rectify this? Because I said to Rochelle on the radio the

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other day I would help you bond as friends? I think if you can arrange

:18:54.:18:59.

some sort of date to sort this out... Taking it to the next level.

:18:59.:19:03.

Are you just bullying her to take her out on a date? That's what

:19:03.:19:08.

happens with guys when you fancy someone. Someone has nicked your

:19:08.:19:15.

tour bus spot? The Arctic Monkeys. We were promised we could park

:19:15.:19:19.

there. I am like, I am on the John Peel Stage. I am nearly headlining.

:19:19.:19:25.

Give us a parking spot - the Arctic Monkeys are taking it. What stage

:19:25.:19:30.

are they on? They're just here! am quite matey with Alex. He's not

:19:30.:19:36.

my best mate or anything but I did karaoke with him three years ago in

:19:36.:19:42.

Sydney. Wow. So he knows who I am. You have done a duet. That's a big

:19:42.:19:46.

deal. I am going to have words. Definitely. We had the most surreal

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intraps to the festival this year. We're in the car driving in, and as

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we were coming in, Wu-Tang Clan were on stage performing Ice cream.

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It was surreal on Pyramid Stage. Are you a fan of Wu-Tang Clan?

:20:01.:20:07.

I think it was the first gig I ever went to other than Bros. We don't

:20:07.:20:12.

talk about them! When I was 14, 15, I went to see them at the Brixton

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Academy. It was an experience. I have been doing interviews all day.

:20:15.:20:20.

Did you see any of it? I didn't. They were on the Premier stage all

:20:20.:20:27.

day long. Did all of them come? Apart from ODB. I was there like a

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complete plonker. Method Man was wearing a dressing gown...

:20:32.:20:38.

always has done that. We have taken out the cheeky language, just to

:20:38.:20:48.
:20:48.:21:18.

Y'all ready? Let's go. # One, two, one, two, yo, check

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this out # It's the jump off right now

:21:20.:21:22.

# I want everybody to put your work down

:21:22.:21:26.

# Put your guns down # And report to the pit, the gravel

:21:26.:21:31.

# Leave your problems at home # Leave your children at home

:21:31.:21:34.

# We going to take it back underground

:21:34.:21:40.

# I be Bobby Boulders # Wu-Tang Clan on yo mind one time

:21:40.:21:45.

# It's the jump off # So just jump off

:21:45.:21:55.
:21:55.:21:55.

Apology for the loss of subtitles for 50 seconds

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# Check out my gravel pit The amazing Wu-Tang Clan on Pyramid

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Stage earlier on. A fantastic edit there. They are so old now. It's

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brilliant. They're amazing, awesome. Everyone in the audience were knee

:23:42.:23:47.

deep in mud, having the best time ever. This is the first time on BBC

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Three... Yes, it's my first time on this team. Bye, mate. See you. He's

:23:55.:24:00.

off to do 100 gigs this weekend. I am looking forward to this. It's

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also Greg's first time on BBC Three. Before we get to Greg, do you know

:24:04.:24:09.

my first year I was made to drink a pint of beer from a dirty wellie.

:24:09.:24:16.

That's the initiation. I could probably do it. Let's organise that.

:24:16.:24:22.

Could we switch it to gin - I am there. Could we do it with Biffy

:24:22.:24:30.

Clyro? No! Beer. Greg, where are you? I tell you what, Reggie Yates

:24:30.:24:36.

is such a lad, just drinking beer out of wellies! Yeah! I would

:24:36.:24:39.

absolutely love to see his mum and dad. Can you imagine what they're

:24:39.:24:43.

like? The best thing to do about Glastonbury is to come here early

:24:43.:24:47.

to see what's going on. There are loads of brilliant things going on

:24:47.:24:51.

on the stages, but earlier today I began my Glastonbury crawl. It

:24:51.:24:54.

started just over there. Let's have a look.

:24:54.:24:59.

So this is my first time doing the TV for Glastonbury, and I am

:24:59.:25:04.

pleased because I can show you the real Glastonbury. I mean, keep your

:25:04.:25:09.

UVFs and Coldplays. This is the proper bit. I am in the circus area

:25:09.:25:13.

at in a bit. I am going to show you Avalon Stage and the theatre bit. I

:25:13.:25:17.

want to show you some gems you might have heard of before but not

:25:17.:25:25.

necessarily seen - and also some weirdness. Let's go. I'll have a

:25:25.:25:35.

look at these guys. Can you teach This is the outdoor circus stage -

:25:35.:25:45.
:25:45.:26:01.

What's this, then? An after-work shop. What do I do? Smile. Shake

:26:01.:26:11.
:26:11.:26:14.

your body a bit. So is this a - this is a sonic forest? What

:26:14.:26:17.

happens in here? You run past the trees in the forest. It makes a

:26:17.:26:27.
:26:27.:26:28.

sound. Shall we run together, hand in hand? We play this until 4.00pm,

:26:28.:26:32.

then we get sort of wild. I am trying to experience the festival

:26:32.:26:35.

as quick as possible. Basically, these are clay figures people have

:26:35.:26:39.

made over the years. If you want to do the whole festival in a day,

:26:39.:26:44.

we've got it for you. We've got toilets, tempts, a miniature

:26:44.:26:48.

Pyramid Stage here. Who is on the main stage headlining? The seven

:26:48.:26:58.
:26:58.:27:06.

heads of Bono and The Edge. I love # And I think to myself

:27:06.:27:16.
:27:16.:27:23.

APPLAUSE Madam, how are you? Hello, dear,

:27:24.:27:27.

how are you? This is a beautiful machine. Lovely, isn't it? You can

:27:27.:27:35.

get four weeks' shopping in here in one go. It's terrific. It's our

:27:35.:27:39.

first time at Glastonbury. Go on. Have a go.

:27:39.:27:45.

I am Betsy, and we are the only formation shopping trolley dancing

:27:45.:27:50.

troupe in the country. I mean, you're very similar to the Red

:27:50.:27:54.

Arrows. Very similar, just with more style and a bit more attitude

:27:54.:28:00.

I think. Not going to have blue smoke coming out of your bum, are

:28:00.:28:08.

you? Depend what I have eaten the night before. Off you pop, then. So

:28:08.:28:12.

part one of my Glastonbury crawl is pretty much done. I have had a

:28:12.:28:15.

great day so far, made some new friends as well. There is loads

:28:15.:28:19.

more to see. Find out what happens in part two.

:28:19.:28:25.

I tell you what, I didn't like those little clay figurines. There

:28:25.:28:28.

was some voodoo business going on there. Thank you very much, lanky

:28:28.:28:32.

but lovely great James. That may take him some time. We'll catch up

:28:32.:28:35.

with him later on. Biffy Clyro are going to be here in a little bit.

:28:35.:28:39.

They have just got off stage. We'll let them have a shower or a baby

:28:39.:28:43.

wipe situation. You can ask any questions you want. If you're a

:28:43.:28:46.

huge fan, either go to the BBC Three Facebook pages or we're

:28:46.:28:50.

trending on Twitter, which is good news:

:28:50.:28:55.

Put your question on there, hashtag 3 at Glass to. Don't forget the BBC

:28:55.:29:01.

Three pages too. We'll put your questions to the lads later.

:29:02.:29:08.

promised you Two Door Cinema Club earlier, but no sound. Hopefully,

:29:08.:29:12.

this does have sound. And this is Two Door Cinema Club, Glastonbury,

:29:12.:29:15.

2011. # I can tell you just what you want

:29:15.:29:25.
:29:25.:29:34.

# You don't want to be alone # I can say it's what you know

:29:34.:29:44.
:29:44.:30:22.

# In a few weeks I will get time # And I can take it

:30:22.:30:28.

# I am leaving This is starting to feel like

:30:28.:30:32.

# It's right before my eyes

:30:33.:30:36.

# And I can taste it It's my sweet beginning

:30:36.:30:38.

# I can tell just what you want

:30:38.:30:43.

# You don't want to be alone You don't want to be alone

:30:43.:30:48.

# And I can't say it's what you know

:30:48.:30:57.

# But you've known it the whole time

:30:57.:31:01.

# Yeah, you've known it the whole time

:31:01.:31:08.

# Maybe next year I'll have no time

:31:09.:31:13.

# To think about the questions to address

:31:13.:31:16.

# Am I the one to try to stop the fire?

:31:16.:31:18.

# I wouldn't test you, I'm not the best you could have attained

:31:18.:31:28.

# Why try anything?

:31:28.:31:31.

# I will get there Just remember I know

:31:31.:31:37.

# And I can tell just what you want

:31:37.:31:41.

# You don't want to be alone

:31:41.:31:45.

# You don't want to be alone

:31:45.:31:49.

# And I can't say it's what you know

:31:49.:31:54.

# But you've known it the whole time

:31:54.:31:59.

# Yeah, you've known it the whole time

:31:59.:32:04.

# And I can tell just what you want

:32:04.:32:14.
:32:14.:32:23.

# And I can tell just what you want

:32:23.:32:27.

# You don't want to be alone

:32:27.:32:30.

# You don't want to be alone

:32:30.:32:34.

# And I can't say it's what you know

:32:34.:32:39.

# But you've known it the whole time

:32:39.:32:44.

# Yeah, you've known it the whole time

:32:44.:32:48.

# And I can tell just what you want

:32:48.:32:58.
:32:58.:33:16.

# And she spoke words that would melt in your hands

:33:16.:33:21.

# And she spoke words of wisdom

:33:21.:33:27.

# To the basement, people To the basement

:33:27.:33:30.

# Many surprises await you

:33:30.:33:33.

# In the basement, people In the basement

:33:33.:33:38.

# You hid there last time You know we're gonna find you

:33:38.:33:42.

# Sick in the car seat cos you're not up to going

:33:42.:33:44.

# Out on the main streets Completing your mission

:33:44.:33:46.

# You hid there last time You know we're gonna find you

:33:46.:33:51.

# Sick in the car seat cos you're not up to going

:33:51.:33:55.

# Out on the main streets Completing your mission

:33:55.:33:59.

# And she spoke words that would melt in your hands

:33:59.:34:08.

# And she spoke words of wisdom

:34:08.:34:15.

# To the basement, people To the basement

:34:15.:34:16.

# Many surprises await you

:34:16.:34:19.

# In the basement, people In the basement

:34:19.:34:22.

# You hid there last time You know we're gonna find you

:34:22.:34:28.

# Sick in the car seat cos you're not up to going

:34:28.:34:31.

# Out on the main streets Completing your mission

:34:31.:34:35.

# You hid there last time You know we're gonna find you

:34:35.:34:39.

# Sick in the car seat cos you're not up to going

:34:39.:34:42.

# Out on the main streets Completing your mission

:34:42.:34:47.

# You hid there last time You know we're gonna find you

:34:47.:34:57.
:34:57.:35:14.

# You hid there last time You know we're gonna find you

:35:14.:35:18.

# Sick in the car seat cos you're not up to going

:35:18.:35:20.

# Out on the main streets Completing your mission

:35:20.:35:23.

# You hid there last time You know we're gonna find you

:35:23.:35:27.

# Sick in the car seat cos you're not up to going

:35:27.:35:31.

# Out on the main streets Completing your mission. #

:35:31.:35:41.
:35:41.:35:52.

Thank

:35:52.:35:52.

Thank you

:35:52.:35:52.

Thank you very

:35:52.:36:02.
:36:02.:36:02.

Apology for the loss of subtitles for 50 seconds

:36:02.:36:47.

# You gotta step up your game # We're going to show the world

:36:48.:36:52.

# That something good can work # And it can work for you

:36:52.:36:57.

# And you know that it will # Let's get this started, girl

:36:57.:37:02.

# We're moving up # It's been a lot to change

:37:02.:37:05.

# But you will always get what you want

:37:05.:37:08.

# It took a little time to make a little better

:37:08.:37:13.

# You know, you know # It took a little time to make it

:37:13.:37:16.

a little better # It's only going up

:37:16.:37:19.

# Just one thing and another # You know, you know

:37:19.:37:26.

# Let's make this happen, girl # We're going to show the world

:37:26.:37:30.

# That something good can work # And it can work for you

:37:30.:37:34.

# And you know that it will # Let's get this started, girl

:37:34.:37:44.
:37:44.:37:49.

# All right, Glastonbury, let's see # Let's make this happen, girl

:37:49.:37:53.

# We're moving up # It can work

:37:53.:37:57.

# You know it will # Let's get this started, girl

:37:57.:38:01.

# We're moving up # I know it's what you

:38:01.:38:07.

# What you want # Let's make this happen, girl

:38:07.:38:10.

# And it can work for you # And you know that it will

:38:10.:38:18.

# Let's get this started, girl # We're moving up

:38:18.:38:28.
:38:28.:39:06.

# You will always get what you want # You would look a little better,

:39:06.:39:16.
:39:16.:39:17.

# But its hard to realise # And so you're drinking

:39:18.:39:22.

# You're holding on too long You've got to let go

:39:22.:39:24.

# Your other love is gone and you know

:39:24.:39:25.

# It's too late, it's too late

:39:26.:39:27.

# You've got another one coming and it's going to be the same

:39:27.:39:29.

# It's too late, it's too late

:39:29.:39:31.

# You've got another one coming and it's going to be the same

:39:31.:39:34.

# I tried to find a quiet place that we could go

:39:34.:39:37.

# To help you make decisions

:39:37.:39:40.

# But I didn't find it easy to tell them apart with double vision

:39:40.:39:43.

# And so you're drinking in your room to make it all go

:39:43.:39:50.

# It didn't end too soon You've got the next one

:39:50.:39:54.

# You're holding on too long You've got to let go

:39:54.:39:57.

# Your other love is gone and you know

:39:57.:40:00.

# It's too late, it's too late

:40:01.:40:02.

# You've got another one coming and it's going to be the same

:40:02.:40:06.

# It's too late, it's too late

:40:06.:40:08.

# You've got another one coming and it's going to be the same

:40:08.:40:12.

# It's too late, it's too late

:40:12.:40:14.

# You've got another one coming and it's going to be the same

:40:14.:40:19.

# It's too late, it's too late

:40:19.:40:21.

# You've got another one coming and it's going to be the...

:40:21.:40:31.
:40:31.:40:31.

Apology for the loss of subtitles for 50 seconds

:40:31.:41:20.

# You're going to tell me that I'm right

:41:20.:41:25.

# You know you're going to come back down

:41:25.:41:27.

# And find yourself where you are again

:41:27.:41:30.

# You didn't know, you didn't know, you didn't know

:41:30.:41:31.

# So don't pretend you saw it now

:41:31.:41:33.

# It's not something you'd want to happen

:41:33.:41:35.

# Now you know who you are again

:41:35.:41:40.

# It's not the same, it's not the same, it's not the same

:41:40.:41:42.

# You're going to tell me that I'm right

:41:42.:41:44.

# You know you're going to come back down

:41:44.:41:49.

# And find yourself where you are again. #

:41:49.:41:59.
:41:59.:42:01.

Thank

:42:01.:42:01.

Thank you

:42:01.:42:01.

Thank you so

:42:01.:42:04.

Thank you so much. That is one of the best things I have ever seen in

:42:04.:42:11.

That was beautiful. It must have been such a sight from the Pyramid

:42:11.:42:15.

Stage just there. Biffy Clyro, who have also performed on the Pyramid

:42:15.:42:19.

Stage, will be in the studio. Get ready for that they have left the

:42:19.:42:23.

stage empty and sweaty for Morrissey, who is on tonight as

:42:23.:42:28.

well. Gemma and Greg were out and about seeing all the things we

:42:28.:42:36.

can't see. So Gemma, you're up. What can you see? I scrambled to

:42:36.:42:39.

the Park area. This is one of my favourite areas of Glastonbury.

:42:39.:42:44.

It's so, so, beautiful. It's all mystical. It smells good. It smells

:42:44.:42:48.

a little bit like freshly cut grass but with a barbecue thrown in, if

:42:48.:42:56.

you know what I mean. I am at the top of the tower. If you have

:42:56.:43:01.

vertigo - well, do look. Look at all the flags and crazy halts.

:43:01.:43:06.

There are rumours aplenty. Every year there is a secret act. Last

:43:06.:43:13.

year it was Tom York. This year apparently Radiohead are going to

:43:13.:43:17.

play. I think it's raid - I hope - I hope. They'll be taking to the

:43:17.:43:23.

stage any second. I'll report back and let you know. Back to you!

:43:23.:43:27.

her. She's making all sorts of noises. I am really jealous. I

:43:27.:43:32.

never got to go to the Park last year, and apparently their set was

:43:32.:43:35.

absolutely incredible. Still time to get in your questions for Biffy

:43:35.:43:38.

Clyro. They're going to be in the studio. If you have Any questions

:43:38.:43:42.

at all, you can either go to the BBC Three Facebook pages and leave

:43:42.:43:51.

your questions there, and, of course, we're twending on Twitter -

:43:51.:43:55.

LAUGHTER We're actually twending on Twitter.

:43:55.:44:03.

If you would like to leave a question, go to Twitter. They have

:44:03.:44:07.

wiped themselves down. So they'll be in the studio with their shirts

:44:07.:44:12.

on in a second. We have just spoken about Gemma and Greg going

:44:12.:44:16.

everywhere we can't. Greg is a massive Mumford & Sons fan.

:44:16.:44:21.

have no idea. I love Mumford & Sons. I am lucky enough to have seen them

:44:21.:44:24.

perform before. They're about to perform. Greg has been having a

:44:24.:44:29.

love affair with them for about two years. It's gotten to a sickening

:44:29.:44:35.

stage. Have a look at this. We're at the back of the stage, my home

:44:35.:44:39.

boys Mumford & Sons. Welcome. Welcome to you too. And to you.

:44:39.:44:43.

You're a bit poorly. What's going on? Just got man flu, just feeling

:44:43.:44:49.

a bit under the weather, be fine. You going to man-up and get through

:44:49.:44:52.

it? Yeah, because you told me to. lot of people are waiting to see

:44:52.:44:58.

you. Yeah, it really is exciting, just got a bit of a sniffle. This

:44:58.:45:04.

time last year you were on the John Peel Stage. How was that? Awesome,

:45:04.:45:11.

a lot of fun. I met a friend last year at the John Peel Stage. He

:45:11.:45:17.

said, "I am not coming to see you next year because you won't do

:45:17.:45:21.

better." Really? He said, I am not coming back because you won't outdo

:45:21.:45:27.

yourselves. There was a question from Al on Facebook. How is he?

:45:27.:45:32.

Good, you'll be pleased to hear. His favourite song is The Cave, but

:45:32.:45:39.

he was wondering where the riff came from - thinks it's a weird

:45:39.:45:44.

riff. Thinks it's a weird riff? Weird Al thinks it's a weird riff -

:45:44.:45:51.

it came from the tuning like most of our songs. We just came up with

:45:51.:45:57.

it one day - actually in Edinburgh at a place called Banman's, which

:45:58.:46:02.

was one of the sweatiest gigs we have ever played, and the roof - it

:46:02.:46:05.

was underground, and the roof started dropping, like raindrops,

:46:05.:46:10.

sweat, basically. I am going to be in the pit, OK, talking to some of

:46:10.:46:13.

your fans... What if you get recognised? That's the whole idea,

:46:13.:46:18.

isn't it? Like, it will be on telly. You're on telly to be famous? You

:46:18.:46:22.

want to be famous? Is that the whole idea? No, we'll be on telly,

:46:22.:46:27.

then throwing to your gig. So we'll say, here we are in the pit, then

:46:27.:46:33.

say, here's Mumford & Sons. Live? Yeah, live. What if you mess it up?

:46:33.:46:37.

We won't. What if someone swears or does something physically

:46:37.:46:42.

inappropriate for television? they'll cut it off and put Family

:46:42.:46:47.

Guy on. Ridiculous. Did he refer to Mumford & Sons as his home boys?

:46:47.:46:53.

think that might have happened, yes. That just happened, didn't it?

:46:53.:46:56.

gentlemen in their waste coats. We're going to play the most

:46:56.:47:00.

beautiful performance for you now. I absolutely adore this band, Fleet

:47:00.:47:06.

Foxes. Watching them live is a mast magical experience. They sound

:47:06.:47:10.

almost tighter than they do on the album. Can I just say, just so you

:47:10.:47:12.

know the process that happens here, we have been working together since

:47:12.:47:18.

we were kids. We go, what do you want to go? I'll talk about - you

:47:18.:47:23.

talk about Fleet Foxes - I am fan. I cried at their gig. I cried.

:47:23.:47:26.

For anyone out there who has seen this band, you know what they're

:47:26.:47:29.

like. I didn't get to see them at Glastonbury this year, but I can

:47:29.:47:34.

imagine seeing them in a festival of this grandeur - it would be a

:47:34.:47:37.

very, very special thing to do, so we're going to play that for you in

:47:37.:47:41.

a little bit. We've also got The Vaccines a little bit later as well.

:47:41.:47:44.

We're going to get a few tracks from those guys which would be

:47:44.:47:47.

brilliant. If you haven't done it already, you can send in questions

:47:47.:47:54.

for Biffy Clyro, just go to the BBC Facebook. If you are on Twitter,

:47:54.:48:00.

hashtag 3 at glass to. If you want to do any of those questions like

:48:00.:48:05.

what Greg had to ask... Don't make any too awkward... Like, that's

:48:05.:48:11.

what weird bit in your song like? We won't do those. Well, some. It

:48:11.:48:15.

depends if I have drunk a wellie of beer or not - or gin, whatever!

:48:15.:48:18.

We're now going to go see Fleet Foxes do their thing. I might cry.

:48:18.:48:23.

Is that OK? I'm cool with it. I have kind of accepted the fact

:48:23.:48:27.

you're going to get emotional during this. Let's see them do

:48:27.:48:36.

their thing at Glastonbury 2011. All right. How's it going? How is

:48:36.:48:40.

it going? CHEERING AND APPLAUSE

:48:40.:48:50.
:48:50.:48:50.

Apology for the loss of subtitles for 50 seconds

:48:50.:50:12.

# Your protector's coming home # You run with the devil

:50:12.:50:22.
:50:22.:50:51.

# Tell your brother to be good # Tell your brother to be good

:50:52.:51:01.
:51:02.:51:23.

# Tell your mother not to wait Tell your father I was good

:51:23.:51:29.

# As you lay to die beside me, baby

:51:29.:51:32.

# On the morning that you came

:51:33.:51:37.

# Would you wait for me?

:51:37.:51:40.

# The other one would wait for me. #

:51:40.:51:50.
:51:50.:51:54.

# Oooh

:51:54.:52:02.

# Oooh

:52:02.:52:12.
:52:12.:52:15.

# Oooh

:52:16.:52:25.
:52:26.:52:26.

Apology for the loss of subtitles for 50 seconds

:52:26.:53:20.

# All swallowed in their coats # To keep their little heads

:53:20.:53:27.

# And I turned round # And, Michael, you would fall

:53:27.:53:37.
:53:37.:53:44.

# Ooh, ooh, ooh # Ooh, ooh, ooh

:53:44.:53:54.
:53:54.:53:59.

# Penniless and tired # I was looking at you there

:53:59.:54:04.

# Memory is a fickle siren's song I didn't understand

:54:04.:54:07.

# In the gentle light as the morning nears

:54:07.:54:15.

# As strawberries in the summertime

:54:15.:54:25.
:54:25.:54:28.

# Ooh, ooh, ooh Ooh, ooh, ooh

:54:28.:54:38.
:54:38.:54:41.

# Ooh, ooh, ooh Ooh, ooh, ooh

:54:41.:54:51.
:54:51.:54:54.

# I was following the pack

:54:54.:54:57.

# All swallowed in their coats with scarves of red

:54:57.:54:59.

# Tied round their throats

:54:59.:55:01.

# To keep their little heads from falling

:55:01.:55:02.

# In the snow

:55:02.:55:04.

# And I turned round and there you go

:55:04.:55:07.

# And, Michael, you would fall and turn the white snow red

:55:07.:55:10.

# As strawberries in the summertime

:55:10.:55:20.
:55:20.:55:25.

Thank you. Thank

:55:25.:55:25.

Thank you. Thank you.

:55:26.:55:29.

It's

:55:29.:55:30.

It's the

:55:30.:55:30.

It's the harmonies.

:55:30.:55:34.

It's the harmonies. It's - see what I means? The harmonys are so good.

:55:34.:55:37.

Fleet Foxes playing earlier on here at Glastonbury, absolutely

:55:37.:55:40.

beautiful. I was enjoying it but maybe not as much as the girl with

:55:40.:55:44.

the daisies in her hair. There is always someone on somebody's

:55:44.:55:48.

shoulders having the time of their lives. Thank God she had her top on.

:55:48.:55:51.

This is Glastonbury 2011. We're with you for a few hours still. We

:55:51.:55:55.

have loads more to come including a huge chunk of Mumford & Sons a

:55:55.:55:57.

little bit later on tonight. You'll see those guys as they're on the

:55:57.:56:01.

stage. Also, Biffy Clyro will be in the studio. There is still time to

:56:01.:56:08.

get your questions in. Hashtag 3 at glass to, or you can go on to the

:56:08.:56:13.

BBC Three page. We'll get in as in as we can. We'll have a good chat

:56:13.:56:18.

with him. Do you know what dawned on me - we haven't tackled this

:56:18.:56:21.

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